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#anyways i wanna write one
off22theraces · 2 years
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sawfic sawfic sawfic
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wardingshout · 5 months
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Zelda goes mushroom girl
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comradekatara · 4 months
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katara’s role as the show’s narrator is so underrated because no one really seems to understand just how deeply katara is impacted by the nature of stories, with regards to their craft, their promulgation, and their cultural significance, so they don’t truly register the sheer metatextual brilliance of having her be the resident storyteller of the narrative itself.
the first thing atla establishes about katara is that she is someone who is fueled by dreams and fantasies, and believes in a return to a world where “all four nations lived together in harmony” (which is obviously an illusory ideal, as there was always geopolitical strife even if it wasn’t as overt as the devastating imperialist project they are now subject to), described to her by kanna’s stories about the old days.
katara is someone who indulges in fantasies of adventure and heroism, projecting these ideals onto both herself and others. she is an idealist in the truest, purest sense of the word, and what is an idealist if not someone who tells themselves stories about a more beautiful world to survive?
it’s no coincidence that the episode where katara successfully scares everyone with a very compellingly narrated campfire story is the same episode that she must contend with her heritage, the ominous lacunae in her stories, the pitfalls of her own naive idealization. it’s also not a coincidence that the story she tells was first told to her by her mother.
katara grew up hearing stories passed down to her from kanna and kya, and those stories gave her hope and brought her the possibility of happiness in a bleak, cruel world where she was ultimately alone. there used to be people like her, said the stories, and they were brave, and they fought til their final breaths to hold onto their culture, their love for their people, their humanity.
well that’s who i’m going to be, says katara. someone who fights, someone who cannot be knocked down (because there is no one else left to take her place), someone who will never cease to have faith in the capacity of others for good, for truth, and for justice.
stories are her heritage, they are her culture, they are how she defines herself and how she understands the world around her. stories are how she copes, how she survives; they are all she has left to cling to. and sometimes they are reductive, and sometimes they are outright false, but that’s okay too. she grows, she adjusts her narratives, she learns to leave room for more grey in her neat tapestries of black and white. stories can define a tragic past, but they can also pave the way for a better future. she keeps telling stories.
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teddybeartoji · 1 month
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my last little thirst for you mickey <3
wolf! toji, that hunts down pretty little bunny! reader because he got the smallest whiff of your sweet scent and needed to track you down.
when he finally catches up to you, he pins you down into the forest ground, finally getting a chance to truly take in thay saccharine scent that he'sbeen practically fiending over. (he could've easily caught you in just a few minutes, but he can he say? he enjoys the hunt)
next thing you know- wolf! toji is biting into your nape while rapidly pounding into you, wanting to knot you, pump you full of his pups, and claim you as his own.
he still isn't finished, even after wolf! toji made sure that you were filled to the brim with his seed. He steadied himself over your pliant body and sprayed all over you, making sure every inch of your worn-out body was covered in his piss.
Now you were his- inside and out <3
OH WOLF!TOJI LOVES CHASING YOU DOWN SOOOO MUCH. IT GETS HIM GOING SO FUCKING FAST GRAY HOOLY FUCKING SHIT.
he's not even running or anything at first... he knows he's gonna catch you, he has your scent and he won't lose it; he let's you run and run, he's letting you tire yourself out. he loves seeing all riled up and panting, your eyes twitching ever-so-lightly when he finally finds you.
he loves to get you dirty, he loves to push you into the ground. he likes to see the smallest little scratches and the smallest little bruises that form under his rough hands. he licks at your neck with a mean grin as you shiver in his hold, and he loves to listen to your racing heartbeat. it's all just so, so much. it feels so fucking good.
he's gonna pump you full and he won't let you waste a drip of it. he's gonna plug you with his thick knot and he's gonna hold you to his chest as he does so. he takes in all of the sharp breaths and the little mewls that keep slipping from his tiny bunny. he hisses at the tightness, but he doesn't allow himself to get too distracted. he toys with your nipples and gently nips at your ear, determined to make you cum on his knot aswell.
you're so fucked out, eyes hidden in the back of your head and your tongue lolling out - he loves it. so fucking much. he loves the mess of it all. your slick is running down his heavy balls and your saliva trickles down your own chin. he presses a haste, sloppy kiss to your temple as he works you through your third orgasm.
"nasty little bunny, hm?"
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little-pondhead · 6 months
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Danny moved to Gotham.
Freakshow is touring in Gotham.
Freakshow knows Danny is in Gotham.
Danny knows Freakshow is still after him.
Danny's faith in heroes has been shattered.
Danny turns to the only person powerful enough to run Freakshow out of town, hopefully for good.
Danny turns to the Joker for help.
The Joker is looking for a new punching bag sidekick after Harley Quinn left him.
Danny is just the perfect person to be shaped by the Joker's hands.
Danny becomes the new Joker Junior.
#pondhead blurbs#dpxdc#how we feeling about this fellas#i think it's an ideal angst fic#but i don't wanna write it lol#the younger danny is the worse it gets#someone said that danny shouldn't be afraid of the joker because he's a clown and freakshow is a ringmaster. not a clown#if i find that post i'll tag the creator cause i can't remember rn#but i'm imagining danny who is heavily traumatized and scared and lonely#finding out that one of his worst enemies he hoped to never see again is hunting him and is so close danny has to check his eyes every day#just to make sure they haven't turned red#his anxiety is out of control and he's not about to go find a Bat or Bird to talk to#who would believe him anyways? he's a monster#but danny needs help cause he will not survive this on his own and he knows it#freakshow haunts his every waking dream#but freakshow isn't from gotham. he doesn't have the city's curses engraved into his blood. he never died and he's not truly teasing death#so danny chooses to plead for help from the only predator bigger than freakshow (in his eyes) who IS from gotham#danny goes to the Joker. prepared to offer everything but his free will and free mind. he can't give those up. it's all he has.#danny is a feral house cat asking a tiger to take care of a mountain lion for him by offering the tiger his own liver on a silver platter#joker is...delighted? maybe? no one is quite sure. but he takes what danny offers.#here is this little boy. almost the same age as the second robin when he died. pleading for the JOKER to be his savior. this will be fun
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uc1wa · 8 months
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18+ minors dni
OCT. 17 — KINKTOBER ‘23
KNIFE & GUN PLAY WITH JASON TODD
ktober m.list
tags: fem reader, blood, gun play isn't gorey, penetrative sex, cum play for a second, possessive jason, reader calls jason daddy once, (if i missed any pls message me!)
jason hesitated only slightly when you had mentioned having rougher sex. took a beat to read your face one night after dinner when the topic was somehow brought up, a tilt of his head and arch of his brow following.
it wasn’t like the two of you were purely vanilla when it came to your bedroom tendencies. you started by asking jason to choke you, your hand placing overtop of his to press harder—clearly nervous of his strength and your limits. then, jason tested out slapping… and with the way your pussy clenched around him, it was safe to say there was a green light in front of that too.
but… when you were playing with the switchblade that the man kept in his pocket when you had run the blade over your fingers gently, and the words, "i wouldn’t be upset if you used this in bed," fell from your tongue, jason could only smirk to himself.
"want me to put a lil’ tattoo on you princess?" he asks, holding his hand out in asking for the blade, to which you hand to him. you nod with a grin, lifting up the thin fabric of your pajama shorts. the soft flesh of your upper thigh being exposed, your fingers running over the skin. "right here," you say, the skin right under the hem of your panties being traced with your fingertip.
you look from the skin between your hip and thigh to jason who’s sat in front of you, his eyes darkening as he looks at your skin. the hand that’s not holding the blade grabs the soft flesh, squeezing it and giving it a little tap.
"'jason’s'… how does that sound?" green eyes meet yours, his demeanor changing to one of those that says he's ready to pounce on you at any given second. "mhm, mark me up. wouldn’t be your first time," you nod with a laugh, pulling up your top to show one of your boobs, a dark purple love mark sucked into the skin from two days prior.
jason tilts his head in thought, questioning if he should hold out on telling you his desire that followed yours. the desire that has just reached the front of his mind, a thought that only a questionable vigilante who's killed hundreds would have. his eyes trailed over your body as he does so, to which you scrunch your eyebrows. "yes?" he holds a momentary finger up at you as he silently walks away, making his way into your bedroom without a word.
a few minutes go by, your attention is turned to the television until the man walks back into the room. nothing has changed about him, besides the fact that he’s holding a hand behind his back. one end of jason’s lips is tugged upwards despite the nervousness to reveal the idea he was keeping away from you.
he takes a seat, sweatshirt bunching up around his hips as he brings his arm forward. now your eyes widen—excited and nervous yourself. the hesitation is understandable, as any other sane person would most likely make a run for it.
the shiny, clean metal was one you’d only seen when jason had come home from being the red hood. when he had come off of patrol and you were in the rarity of being awake at the late hour of the night, watching him strip himself of his vigilante clothing and tools. the tools he had hidden in the back of your shared closet, several locks attached as a safety measure.
the mechanism that your boyfriend had used hundreds of times—either to take a life or to severely hurt another. now, holding it in front of you, his eyes never leaving your face.
"why not both?" he asks, turning the gun to show you that the safety is on, continuing to open the slots where bullets would be found and showing that it was clear of any possibilities of harm.
while jason was around guns and every possibility of weaponry on a daily basis, you weren’t. but, you weren’t opposed to the idea, and the way your heart rate quickened and your underwear started to get wet was proof of that.
with wide eyes you nod and stand up to take jason’s hand, leading you to the room that you were normal to experimenting in.
you both were quick to strip yourselves of clothes, your mind occupied with ways that you could make use of the gun, finally landing on the one thing that you know jason would like.
on a carpet in front of your bed, you fall to your knees on the ground below you, hands sitting pretty and expectantly on your thighs. wide eyes watch your boyfriend smirk at the way you’re ready for him, finding his space in front of you, standing tall and proud with the gun still in his hand.
if jason hadn’t cleaned his guns religiously, you wouldn’t dare to put the one in his hand anywhere near you—god knows what would lie on the surface of it. but, jason took care of them as if they were his prized possession, the same way he took care of you.
so, he places the gun in front of him, right where his cock would usually fall if you were to suck him off. instead of him, though, your tongue slips between your lips to find the tip of the gun, letting it lay flat against the underside of the cool metal while his cock stands proudly behind it.
his eyes stay pointed downwards, watching the way you wrap your lips around the cold metal. while his face doesn't read anything but focus, his internals are going off the charts. his cock hard as a rock while his heart beats faster and faster in anticipation. anticipation of watching you suck his gun, and his cock, and fucking you with pretty metal touching your throat and scarlet running down your thigh from his idea of a tattoo.
while your soft lips left a salivated mess on the tip of jason's pistol, you decided to bring a hand to his member. thumb running over the tip, pleased to feel his pre and following suit in running down his length, beginning to slowly jerk him off. a soft smile tugging your lips when you watch his breath hitch in his throat from the contact.
like a flick of a light switch, jason's throwing the weapon to your bed with a shake of his head. helping you stand up with a hand holding your throat, forcing a choked whine to leave you because of the strength of your boyfriend. your eyes go wide when he leans down to face you, grip still holding the soft skin that coats your neck.
"i'm gonna give it all to you tonight, sweetheart. don't worry about that pretty head of yours, okay?" he questions, throwing you on the bed and finally releasing you, allowing you space and time to catch your breath while jason takes his time crawling between your legs that you oh-so gladly spread for him.
it should be a crime to be as wet as you are due to the minimal contact your boyfriends had with you. hardly laying more than a hand on you and dripping onto the bed without care, eyes meeting his dark ones and watching as he grabs the gun once more.
only this time, his confidence is at a high. all hints of hesitation leaving his body and the action of rubbing the opening of the gun between your folds is done selfishly. of course, he knows it feels good with the symphony of whines and moans you sing for him, but he can't help but to indulge in the sight alone. dark eyes watching the way your cunt flutters, begging to be penetrated rather than teased with the metal.
jason's hungry for everything you give to him.
"such a slut," he begins, locking eyes with you once more, "all wet from a fuckin' gun?" you babble something that sounds like a confirmation, and it makes jason scoff, halting his movements just where you need him; tip of his gun pressed and paused at your entrance. "beg for it."
your cheeks flush, turn red at the demand he makes. but, it's dumb to deny it. dumb to act like you won't fuck the killing machine that was just pressed to the puffy lips of your mouth.
"fuck me with it, please," you say lightly, knowing it's not enough, but wanting to push jason further. after all, he said he'd give it all to you tonight, so you'll make him prove it.
his voice grows deeper, louder and he nudges your clit that begging for attention with the metal, allowing weight to fall on it which makes you squirm under his harsh gaze. "fuckin' pathetic... fuck you with what?"
your eyes roll back, hips rolling forward in attempt to move the dead weight that is the gun and gain some stimulation. but, it's to no avail. your eyes grow wide, swollen lips closing before opening once more. "please daddy, wan' you to fuck me with your gun. gonna feel so good, please please please," you press, and jason eats it entirely. angry red cock spilling with precum, milky streak falling against one of his veins.
"mhm, princess," he says, moving the gun downwards and pressing it to your entrance once more, slowly, eyeing the way your hole swallows the metal that pushes inwards until it can't anymore. the sweet moan is something he appreciates, though he knows the size is only a fraction of his cock that you're used to. but, the coolness of it does enough to feel foreign and good.
with a cocky smirk on his lips, he begins fucking you with the weapon. pulling it in and out of you slowly, but increasing in speed with each thrust he delivers; a big hand holding it with his index and middle finger holding the trigger subconsciously. aiming straight towards your cervix, which he'll touch soon enough.
and he fucks you well. fucks you with an arm that has pretty scars and newer cuts littering the skin. veins starting on the top of his hand and trailing to his forearm pumping blood that's evident in the way his cock is begging for attention. but he wants you to cum once on the gun. make a mess out of it in a way that's unlike anything he's ever experienced.
and once you're arching your back against blankets, moaning his name out in a near yell, and attempting to move a hand between your legs to get him to stop fucking you, stimulation too much, he finally gets what he wants.
jason's perverted thoughts cloud his head when he's slow to pull the gun out of you. looking at the metal that's covered in your milky essence. slow enough that there's a string of wetness that connects you to the weapon, and he could cum from that alone.
but the real finale is when he realizes that your cum is filling the barrel of the gun, filling the once-empty space with yourself. he brings it to your lower tummy, spilling the mess all over you in a manner that's filled with pure filth. proceeding to throw the gun to the side, acknowledging the fact that it's served its purpose for tonight. the pain of his hard-on is finally coming to his attention, and he needs to stuff his pussy.
"how'd that feel, gem?" he questions, moving against covers and watching your half-lidded eyes. both hands pull your thighs up so he can push them back, tip teasing your swollen entrance. "g-good," you whimper, and jason would be lying if he paid any attention to your response. your convulsing pussy is the only thing that has his attention right now, the way you're attempting to suck him whole.
and without warning, he's pushing his entire length between your legs, filling you whole and halting his movements once he's completely surrounded by your soft walls. groaning at the sensation of you clenching around him, but resisting moving his hips the way he wants to.
one hand remains gripping the fat of your thigh while the other grabs the switchblade lying on the mattress beside your pretty figure. flicking it open with his fingers, somehow making it look like an art while he's in the process of doing so. your attention follows it, almost forgetting that you're being stuffed full of jason's cock without movement. unwillingly cockwarming the man.
"remind me, baby. where'd you want my name?" jason's eyes move to meet yours, and without fail, a whimper slips past your lips and he feels the tightness that's close to making him hammer himself into you. but he has the patience and self-control that you don't.
his palm meets yours halfway, letting go of your thigh and letting his hand fall overtop of yours, smoothing over the top of your thigh. in the space that's dangerously next to where he's laid out inside of you, and it makes him more hungry for you if that was possible.
he's transferring his blade to the hand that's closer to the skin where you want it, tracing only enough for your skin to become a shade lighter under the pressure. once again looking up at you, he takes note of the way your lips fall open while anticipation grows in your eyes. it makes him smile wildly, a reminder that you want this. that you're the one who asked for it.
"'s gonna hurt," you whimper, and jason shakes his head, setting the blade on your thigh while his big hand takes your jaw in his hand, squishing your cheeks. "you can handle it, baby. c'mon, where'd my strong girl go?" a smile pulls your lips upwards. "it'll feel just like that tattoo you wanted, it's like a trial before the real thing." he leans towards you, holding back a groan from the way he pushes himself deeper inside your cunt to do so, giving you a sloppy and messy open-mouthed kiss.
then he's pulling back, blade in hand once more, and beginning to get to work. the whimpers are a symphony to his ears as he presses the sharp tip against your soft skin, cutting his name so pretty in your flesh. his eyes watch the way the deep red liquid peeks through the cracks, beginning to drip down the side of your skin. the hand that's not cutting his name into you is squeezing and rubbing the skin of your stomach soothingly.
his hips moving in small circles, enough to give the both of you something, but not enough to make him mess up his painting.
"so fucking pretty, honey," jason says as soon as he's finished, throwing the bloodied blade on the floor to clean up later. but his eyes are unable to see his finished work of art, and jason isn't one to waste.
pulling out of you with a moan, he leans down to the expanse of your thigh, licking over the blood with his tongue flat. he doesn't take note of how you sit up, your eyes widening at the stinging but warm sensation. you watch the way scarlet red coats his tongue, finding its way to the corners of his lips while he sits back up on his knees.
jason's cock stands tall as he uses his thumb to collect the blood from his lips, dark eyes watching yours as he sucks on his own digit. longer than needed, but he can see you like it; whether it be your fluttering cunt or your eyebrows that furrow. he laughs, knowing he's completed what had to be done in order for you to fully be his property.
because now jason's pretty slut girlfriend can't show her cunt to any other man without reading jason's name right beside it.
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🏷️: @harleycao, @idyllcy, @hails227, @aviixol, @hopeannalea, @hearttjason, @roysjason, @blursotongz, @zaxlarza, @wartofart, @loviie-stuff, @nmw-am, @nightjarwings
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bbreaddog · 9 months
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Practising Goncharov Theme by @caramiaaddio on violin bc I thought it would add an extra layer of haunting…ness (is that a word?)
Here’s the excerpt I’m playing in the video:
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Despite it being in a fuck off key for violin it is a really beautiful piece and it’s absolutely worth the trouble of practising in second position (world’s most hated position) and I’m HOPING 🤞 I can record and (maybe) post a full cover of it someday
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rikkivoid · 1 year
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winter kiss
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essektheylyss · 3 months
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Open, non-exhaustive list of content I would read/watch in a heartbeat about the political situation in Rexxentrum post-Solstice:
One-shot or mini-arc of the Nein going full National Treasure level heist on the Cerberus Assembly records management department before a Ludinus simulacrum can reach the burn boxes
Faux Trump aide exposé-style novel of Athesias Uludan compiling and publishing The Dirt in the aftermath as part of his apology/comeback tour
Colville-run Dirty Dozen one-shot or EXU of Oliver Schreiber dragging some particularly unruly ex-Scourgers out of semi-retirement (read: house arrest) to take Ludinus out once and for all in exchange for full indemnity
Found documents a la Midst appendices of the Cobalt Soul documentation and evidence compiled about the incident
The Archmage: An Autobiography by Martinet Ludinus Da'leth (discovered and published posthumously) [1500 pages and riddled with exaggeration and inaccuracies, the last 20% has clearly been written by AI a simulacrum]
Lorekeeper rundown Youtube video from Dani Carr
Yet another novel: Wildemount's most (in)famous and (un)reliable documentarian smelled a story (Taryon's version)
Literally just a main campaign episode of the Nein infodumping to Allura at a war council meeting with the Hells present. I need this information so badly. I am fucking begging.
This sounds like it runs the gamut in level in terms of seriousness but I would like it stated for the record that I would unhinge my jaw to consume any item on this list.
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crybaby-bkg · 2 years
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I love jealous Bakugou who starts peacocking after a while to get all of your attention.
going to a party and Kiri carelessly picks you up to spin you during a dance, drunken laughter shared between you two. Bakugou watches on the couch the whole time, eyes slitted as he nurses the same beer he’s had all night. he listens to you giggle over the music about how strong Kiri is and—fuck it, he’ll show you strength. he takes the opportunity to scoop you off of your feet next time you guys are out and there’s a puddle in the middle of the road, puffs his chest out a little as he cradles you against him, when you let out that lighthearted giggle but for him this time.
Bakugou catches you chatting deku up, squeezing at his biceps when you tease him about how big he’s been getting. you only do it bc you know it flusters the green haired man, and you think it’s cute how he looks like a strawberry whenever you coo at him. But Bakugou only sees that as the push to go to the gym more, focusing even more on his arms, wearing all of his tanks around you. puffs his chest out again when he puts his arms behind his head and you pat at the bulging muscle and find yourself tracing the veins on his arms.
He sees you dancing with Sero at another squad gathering, something fast and sensual, your arms around his neck while he holds your waist. his face is buried into your neck and it makes you giggle whenever he whispers where to move your feet next. and does Bakugou take that as an active threat against his crush on you? of course he does. finds himself holding you against him at a party, swaying with you, way out of his comfort zone but he wants to show you that he can dance too, damnit.
Denki makes some offhanded comment about holding your bags when you go out to an amusement park, something else about going with you when you need the bathroom too. Bakugou is most definitely shoving him out of the way, manhandling all of your bags from you as he pushes you in the direction of the bathrooms instead. finds his chest practically spilling out of his shirt when you hug him by the end of the night, thanking him for being so kind, telling him that he’s the best friend you could ask for.
and does his heart drop to his ass when he hears the word friend? maybe. just a little.
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harunefrog · 5 months
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I drew a thing!!! You know this one!!!
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ganondoodle · 7 months
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still thinking about how even just the decision to basically act like the shiekah tech never existed is just ... so baffling to me
bc again you could have done all the sonau tech does with shiekah instead, and they were perfect to be explored more in a sequel, why wouldnt you grasp that potential, the literal building blocks for more??
if you are that tired of shiekah tech .. dont make it a fuckign sequel to the game prominently featuring it???? totk doesnt take place generations after botw in which things could have changed drastically, its just a few years afterwards??
you want to reuse the map and get rid of shiekah tech? ok fine take LINK into the past then and the focus is for you to find a way to return; do some neat twist where its revealed that link was the one who sealed gan bc he couldnt defeat him without zelda or something if you dare (they wouldnt)
want less work than that and still reuse the map and get rid of shiekah tech AND reuse characters? ok then make it some alternate universe thingy like majoras mask in which everythign is the same but also isnt, its weird and creepy how characters you thoguht you knew suddendly dont act like themselves, shiekah tech doesnt exist, malice is now miasma, etc, it would give reason to why you feel so much like something about this world is familiar yet also very wrong
as far as im aware every "sequel" we have had so far were either generations apart from the first one, some alternate universe or a different location altogether- in all of which its plausible that things are different, things seem weirdly familiar but also wrong, or that another continent just works different from hyrule
but totk does none of that, its supposedly just a few years after the first game, same world same character, but its BUILT like some strange jumbled mess of stuff from botw and new stuff out of nowhere that just .. doesnt fit, but feeling a strange sense of otherness, a déja vu of something you know but it acts off, like an imposter, thats NOT intentional and it shows, its a mess of botw stuff, from stuff that people missed from the old games and entirely new stuff; i dont doubt it CAN work but the way it turned out is like a mix of 3 different puzzles forced together and being told 'see it fits!' even tho you can clearly see the pieces dont look right in these places
again it feels like a sequel that desperately wants you to forget the first game happened, that anythign from it mattered at all
and that isnt really ... the sense of a sequel? why insist on it being one when it only creates problems? is it marketing?? just like it was marketing to call age of calamity a telling of what happened before botw but then it wasnt that at all and that is still the sole reason why i dislike it? bc i was lied to? totk is like 10000 times worse than that, its a main title and doesnt even have the excuse of yeah its basically an excuse to play all your fav characters in fun ways and the game beign well aware that being its main appeal; what is totk appeal? a toybox with botw aestethic and none of the flavor?
(on a sidenote; the sonau tech doesnt even .. matter? in botw at least calamity ganon was made of shiekah tech parts and him overtaking other tech is a big point, the sonau tech doesnt serve anything but .. idk minerus useless mech? gan doesnt even aknowledge it, he doesnt care, all it is is toys for the player, not link, but the player. the monsters mining the tech materials? what for? gan doesnt give a damn and they dont work for the yiga either??)
i said it before but it gives me the feeling that the way botw invited you to theorize, to look beneath the surface, the way it intrigued you and laid the groundwork for so many interesting things without denying anything.. was accidental? or perhaps put in the game without the directors noticing? i cant stop thinking about them saying sth like "after botw zelda wondered if the kingdom of hyrule needed to keep existing the way it had been before the calamity, but then totk happens" bc it just feels like they realized too late that botw naturally led into questioning the status quo and they scrambled to fit it back into a flat and boring road we have seen so many times before (or even worse really) with totk
zeldas character naturally leads into her questioning and reexamine their history and set of rules? we gotta teach her a lesson of why she is importante god given monarchy girl that has to keep it bc what if evil brown man shows up again for no reason
maybe im grasping at straws here but looking at it this way the sonau .. make more "sense"; the shiekah were a group that was under the rule of the royal family, and misstreated before (oh no look soemthing interesting) so they dont lend themselves well to be used for teaching zelda that lesson- the sonau however are tailored really to be just that; they are a supposedly godly race from the literal sky that founded this version of hyrule, that had tech even more advanced and better than the shiekah, she gets put in the past to meet the perfect god king of goodness personally, also his very fridgy wifey that zelda later replaces in a way, shes put there and treated like family and then gets to see just how evil that evil big man from the desert is, sonia is falcon-punched to death solely so zelda can feel obligated to take over her role, have her new, better 'family' hurt by gan; similarly so raurus sacrifice, look what a noble and good king he is, he payed the ultimate price to lock that evil man away, now zelda you cannot let their sacrifice go to waste, rebuild that divinely good kingdom like it was!!
and even though they go so much out of their way to put the cart back onto the rails of black and white-good and evil in an even flatter way than the old games, it still doesnt feel right, at least to me, it still feels like zelda shouldnt have gone along with all of that, it feels like even her character from botw was walked back entirely, except for the intro, it made her feel like a stranger to me-
because this is a sequel, i know this zelda, she wouldnt act like that after all that shes been through, this feels ... off
and it all just insulting to anyone who cared about botw more than surface level, or the zelda lore in general, i dont even care much about the timeline, but theres alot of lore and themes beyond it that felt ignored, especially so given that .. its a damn sequel, non AU, not generations apart, directly part 2-
but its not.
it even feels very "corporate", put zelda in a dress again, people liked that, put crazy abilities in the game to flashbang people with how insane it is even if its not the best for the gameplay or the story, put a new asthetic into it out of nowhere bc its 'new' and act like its been there the whole time, put gan in there bc people miss him and find him sexy even if his role is just as flat as that of an evil cloud monster-
*sigh*
you know, i saw a post that said aoc was like a bad fanfic (affectionate) and totk was like a bad fanfic (derogatory) and tbh thats like one of the best comparisons/summaries i have seen ..
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"Murder is Werewolves" - Batman
I don't got the SPOONS to do this thought train justice, I have seriously been trying to write this thing for MONTHS so just, idk, have this half baked skeletal outline of the essay I guess:
I don't believe that Batman's no-kill rule is primarily about rehabilitation or second chances.
His refusal to believe that Cassandra could have killed someone when she was eight years old because "how could a killer understand my commitment not to kill" is absolute fucking MOON LOGIC from a rehabilitationist standpoint. No jury on the planet would think for even a second that she could reasonably be held accountable for her actions in that situation! Her past cannot condemn her to being incapable of valuing human life under a rehabilitation centering framework. However, Batman's reasoning makes perfect sense if he believes that killing is a spiritually/morally corrupting act which permanently and fundamentally changes a person, and that corruption can never be fully undone.
Dick Grayson killing the Joker is treated both narratively and by Batman as an unequivocally WIN for the Joker. The Joker won by turning Nightwing into a killer. Note that this is during a comic in which the Joker transforming people was a major theme! Batman didn't revive the Joker because the Joker deserved to live; he revived the Joker to lift the burden on Dick.
His appeal to Stephanie when she tried to kill her dad is that she shouldn't ruin her own life. He gives no defense of Cluemaster's actual life. Granted this is a rhetorical strategy moment and should be taken with a generous pinch of salt, but it fits in the pattern.
When Jason becomes a willful killer, he essentially disowns him, never treats him with full trust ever again, and... Well, we can stop here for Bruce's sake. Bottom line is that his actions towards Jason do not lead me to believe that he thinks Jason can become a better person without having his autonomy taken from him, either partially or fully.
The Joker is, for better or worse, the ultimate symbol and vessel of pure, irredeemable evil in DC comics now. He hasn't been just another crook in a long time. He will never get better, he will only get worse. If you take it to be true that the Joker will not or can not rehabilitate, then there's no rehabilitationist argument against killing him.
Batman does not seem to consider it a possibly that he'll rehabilitate. Batman at several points seems to think that the Joker dying in a manner no one could have prevented would be good. Yet Batman fully believes that if he killed the Joker, he himself would become irredeemable.
Batman's own form of justice (putting people into the hospital and then prison) is fucking brutal and clearly not rehabilitative. He disrespects the most basic human rights of all criminals on a regular basis. It is genuinely really, really weird from a rehabilitationist standpoint that his only uncrossable line is killing... But it makes perfect sense if he cares more about not corrupting himself with the act of killing than the actual ethical results of any individual decision to kill or not kill.
In the real world cops are all bastards because they are too violent to criminals, even when that violence doesn't lead to death. Prison is a wildly evil thing to do to another human being, and you don't use it to steal away massive portions of a person's life if your goal is to rehabilitate them. In the comic world, Batman is said to be necessary because the corrupt cops are too nice to criminals and keep letting them out of jail. I don't know how to write a connector sentence there so like I hope you can see why this bothers me so damn much! That's just not forgiveness vibes there Batman!!
I want to make special note here of the transformative aspect. You don't simply commit a single act when you kill, no, you become a killer, like you might become a werewolf.
The narrative supports this a lot!
Why did Supes go evil during Injustice? He killed the Joker. Why did Bruce become the Batman Who Laughs? Bruce killed the Joker. Why was Jason Todd close to becoming a new Joker during Three Jokers? Because he killed people, to include the Joker.
Even if these notions of redemption being impossible aren't the whole of his reasoning (people never have only one reason for doing what they do) it is a distinct through-line pattern in his actions and reasoning, and it is directly at odds with notions of rehabilitation, redemption, and second chances.
So why does he give so many killers second chances?
Firstly because this doesn't apply to all versions of Batman. Some writers explicitly incorporate rehabilitation and forgiveness into his actions. You will be able to provide me with examples of this other through-line pattern if you go looking for them. The nature of comics is to be inconsistent.
Secondly the existence of that other pattern does not negate the existence of this one. People and characters are complex, and perfectly capable of holding two patterns of belief within themselves, even when they conflict to this degree. You can absolutely synthesize these two ideas into a single messy Batman philosophical vibescape.
Finally and most importantly to this essay: he has mercy on killers the same way that werewolf hunters sometimes have mercy on someone who is clearly struggling against their monsterous nature, especially if they were turned in exceptional circumstances or against their will. They understand that they are sick, damned beasts, cursed to always be fighting against themselves and the evil they harbor within. It is vitally kind to help them fight themselves by curtailing their autonomy in helpful ways and providing them with chances to do some good to make up for their eternal moral deficiency.
I think in many comics Batman views killers as lost souls. Battered and tormented monsters who must be pitied and given mercy wherever possible. (The connections to mental health, addiction, and rampant, horrifying ableism towards people struggling with both is unavoidable, but addressing it is sadly outside of the scope of this essay.)
Above all, the greatest care possible must be taken to never, ever let yourself become one of them, because once you have transformed the beast will forever be within you growing stronger.
To Batman, it is the most noble burden, the highest mercy, the most important commandment: Thou shalt suffer the monsters to live.
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coffeeghoulie · 6 months
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heaven's grief, hell's rain
or 2.5k about Aether's bracelet, Mountain's garden, and Dew's grucifix.
special thank you to @forlorn-crows for helping with the flowers, hope you enjoy <3
title from Just One Yesterday by Fall Out Boy
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It's not a decision Aether makes lightly to stay behind. He's tired. He's been working doubles, between serving the band, the papacy, and serving in the infirmary. And, if he's honest, he thinks he's more useful at the Abbey, using his Lucifer-granted gifts to heal. He's always been taking care of his pack, he's good at what he does.
His pack takes it... well enough. Cirrus gracefully takes over his duties, leading the band pack as they get ready for this next tour, taking the two new summons under her wing. She takes his hand, kisses his cheek. Cumulus takes his face in her hands, presses their foreheads together, whispers that she's proud of him. Rain offers him a smile and a handshake, and Swiss kisses him between his horns and draws him into a tight hug. Sunny grins, bright like her namesake, happy someone else from the band pack is staying behind with her.
His mates, on the other hand? He can count on the claws of one hand the number of times he's ever seen Mountain cry. Dew's hands curl into fists, so tight he can smell the blood where his claws pierce his palms.
Dew storms out, the ends of his hair flickering with flame, smoke billowing from his nostrils. He hasn't been this out of control of his element since those first early days, after they knew he was going to survive the transition, barely out of the woods. Mountain follows, his steps uncharacteristically loud. Dew slams the door to his own room shut, and Mountain flees to his greenhouse.
Aether wishes that he could split himself in two, standing there, struck dumb as his mates turn their back on him. He honestly can't blame them. He fidgets with his bracelet, running his fingers along the silver chain, torn between two directions.
He goes to Dew first. Fire is far more volatile than earth, and he was Dew's before Mountain was summoned and joined their pack.
The door, surprisingly, is unlocked. It's dark, curtains drawn tight, and there's a Dew-sized lump underneath the covers. It's dusty in here, Dew spending most of his nights in Aether's oversized bed, big enough for three ghouls.
"Dew? Darling?" Aether breathes, the tension so thick he can almost taste it, the sulfur smoke scent of Dew's distress heavy on his tongue.
Dew sits up, copper eyes shining in the dark. "What are you doing here?"
Aether furrows his brow. "Checking on you, Dewey."
The fire ghoul shakes his head, covering his face with his hands as his shoulders shake. With silent laughter or tears, Aether can't quite tell. "You should have gone to Mount, Aether. I've never seen Juniper that angry."
"Dewey, I'm here," Aether breathes, taking a hesitant step towards the bed. "I'll go to Mounty, but I know you're upset too. Please."
Dew growls under his breath, grumbling as he shifts on the bed. "Don't want to lose you, Aeth," he whispers, pulling the blankets tighter around himself. He clutches the silver grucifix he always wears so tightly his already pale knuckles go white.
"You're not," Aether promises, sitting down next to his mate. He goes to wrap his arm around Dew's waist, but hesitates. "Satanas help me, Dewdrop, you will not lose me."
Dew sniffles, swallowing with a click as he grabs Aether's wrist, starts playing with the silver bracelet. He counts the links like a rosary, rotating the slightly-too-loose jewelry around Aether's wrist, lips moving in a silent prayer. "You promise?" Dew asks, voice small, not tearing his eyes away from the bracelet. Aether doesn't have to pry with his quintessence to know who he's thinking of. He's thinking of them too.
"Cross my heart," Aether says, letting Dew trace his claws along the lines of his palm.
They sit there in silence, Aether pulling Dew carefully against his side, even though the fire ghoul hasn't been fragile in a long time. "Dew," Aether breathes. "I love you so much, you know?"
Dew hums, his broken tail wrapped tight around his own thigh. "I know."
Another long lull of silence. The tension not quite broken. He pulls Dew closer, turns and presses a kiss to the sharp edge of his obsidian horn.
"Go to Mount," Dew breathes after a while. "Junie needs to hear this too."
Aether nods, pressing another kiss to Dew's cheekbone. "I love you, darling. Nothing's gonna change that."
"Love you too," Dew whispers as Aether opens the door. He smiles at his mate, slipping out of his room and heading to the outside door.
It's a long walk down to Mountain's greenhouse, the glass building nestled right at the edge of the forest surrounding the Abbey. The heavy glass door is unlocked, much to Aether's surprise, and he pushes it open slowly, the old hinges creaking as it swings inward.
Mountain doesn't turn to face him when he enters the greenhouse. He plucks the baby spider plants from their vines, moving the seedlings to smaller pots.
"Sweet thing," Aether breathes, watching the way Mountain's back stiffens. He feels his heart clench as he sees the thorny vines wrapped tight around the base of Mountain's antlers.
"Aether," Mountain says, voice even and bitten back.
"Mount, please," Aether says, taking another step towards his earth ghoul.
"You didn't talk to any of us before making this decision, even though you know it affects all of us," Mountain says, still not turning back to face him. The shears snip, metal on metal, and Aether winces.
"I'm sorry, Mount. I knew-"
"You knew what?" Mountain says, and the worst thing is that there's no anger in his tone. Just cold, still, evenness. "That if we knew that you were gonna stop touring, we'd stay behind too?"
Aether squeezes his eyes shut. They sting in the humid air, or are those just tears? He can't really tell.
"Do you mean to tell me, Aether, that you don't remember what the clergy did to Ifrit when he said no? What they did to Omega, your fucking predecessor? What they did to Zeph?" Mountain's voice cracks, fingers ghosting over a silver striped leaf, the entire vine trembling under his touch.
Aether takes a long breath. The silence is thick, never mind the humidity. "That's why I didn't tell you. I thought that if it were just me, and something happened, even though Papa promised me nothing would happen," Aether stresses, "You two would be safe and away from here. And if I came with, I would crash and burn and they would get rid of me anyways. I'm tired, Mount. I'm sorry."
Mountain turns to face him for the first time, and Aether almost stumbles back a step. Mountain's eyes are red rimmed and puffy, tearstains streaking down into his stubble, lower lip trembling. "Nova," Mountain breathes, so quietly Aether almost thinks he imagines it. "I know you went to Dew first. He'd break if you were gone. If we lost you like we did the rest of our pack. But I need you to know it would break me. I'm your mate too."
Aether can't hold back the keen that he makes when he sees his mate in distress. "They need me in the infirmary, I'm not going anywhere, sweet thing," Aether swears. He starts to twist his bracelet around his wrist, trying to keep himself level. Mountain sets down his shears, tail thrashing behind him, distress rolling off of him in waves like the scent of rotting vegetation.
"You can say that all you want, Aether, but we both know."
"Mountain," Aether says. He runs a hand over his face. "Mount."
"What do you want me to do, nova?" The earth ghoul says, voice wavering like branches in a breeze. "The decision's already been made. You're staying here, while your mates and the rest of our pack leaves. And let's be honest with ourselves. Neither of us know if you'll be here when we come back."
Aether feels something shatter deep in the core of him as he watches Mountain's steady shoulders start to shake. He rushes forward just as Mountain's knees wobble, wrapping his mate up tight in an embrace, guiding his head down into the crook of his neck as he begins to sob.
He rubs his cheek against the velvet coating Mountain's spring antlers, unable to keep his own eyes from watering as he rubs Mountain's back, every muscle tense. For once, he doesn't know what to say. He just holds him, lets him cry.
Eventually, he coaxes Mountain back behind the curtain of hanging vines to his living area, a daybed big enough for the giant and his mates, a small table and chairs tucked next to a basin sink. They sit down on the daybed, their sides pressed flush together. Mountain turns, tucks his face back in the crook of Aether's neck.
"Sweet thing," Aether breathes, praying to the Father Below he can keep his voice level. "What can I do?"
Mountain sniffles, takes a second before he answers, pulling back from Aether's throat. "I miss them, Aeth. I miss them so much."
He's not looking at him, and Aether turns to follow Mountain's line of sight. He's staring almost blankly at the flower garden that blocks off this section of the greenhouse. There's a raised bed underneath one of the rafters, with a dozen hanging baskets that create a curtain of greenery. It's a visual cacophony of colors and shapes, but it's Mountain's pride and joy. Aether knows what this garden means, who each plant represents.
There's hanging baskets of oak-leafed geraniums, dotted with little purple flowers, and ones with fuzzy clusters of edelweiss. Deep purple, almost black irises shoot up from the main bed, petals ruffled and curled at the edges, broken up by bee balm and spider lilies and white and red snapdragons. A trellis of delicate yellow jasmine blossoms stands at the edge of the bed, surrounded by daffodils and catchfly and calla lilies and baby's breath.
But Mountain's eyes are drawn to the hanging cissus discolor vines, the silver striped, deep green leaves. Aether knows exactly who Mountain's thinking of.
"I know, sweet thing," Aether breathes, staring at Mountain's garden. "I miss them too."
Mountain tears his eyes away from Zephyr's plants, snapping to face Aether. "I don't want to miss you, nova," he says, just the slightest growl at the edge of his voice. Aether cups Mountain's cheek, runs his thumb over the prickly, tear-damp stubble there.
"It'll be okay, Mount. I'll be right here with Sunny when you and Dewey come home, promise."
He takes a long, shuddering breath, eyes fluttering shut as he tries to calm himself. "Aether, you and Dew are the only ones of the old pack I have left. Please, nova, you gotta understand."
Aether doesn't respond, just pulls him tight into another tight hug, big hand cradled against the back of his head, guiding his face back to his neck. "I know, Mounty. I know."
They sit there until the sun sinks below the treeline, and eventually, they return to the pack. Aether starts his shifts in the infirmary as his mates start rehearsals with the new ghoul and ghoulette. He has a lot of time to think, intake and discharge paperwork always on his desk, about how best he can soothe his mates with their upcoming departure. He fidgets with his bracelet as he thinks, and he lights up as it hits him. That's it.
He borrows Swiss's utility knife, flipping it open to the needlenose pliers, staring at his bracelet, a little too big for his wrist, how the silver matches the metal of the grucifixes he and his mates wear around their necks.
Aether waits until the night before the pack and Papa are due to leave to act. It takes a little finessing, because while Mountain takes his necklace off when he goes to bed, Dew never stops wearing his, but a little quintosis to put the fire ghoul in a deeper sleep doesn't hurt. He works quickly as his mates grumble in their sleep, subconsciously reacting to the empty space in their bed. Aether sets the necklaces in his nightstand when he's done, muttering under his breath as he struggles to reclasp his bracelet around his wrist one handed, fingers smelling of silver polish and metal.
Once he gets it clasped, he climbs back into bed, holding his mates close as he too sinks into a deep sleep. He's going to miss this, and that's the last thought he has before unconsciousness takes him.
He's woken by Dew scrambling in his arms. "It's- it's not here, I don't- Aeth, Mount, my grucifix-" He paws at his own chest, feeling for something under his oversized shirt that isn't there.
Aether sits up, taking Dew's face in his hands softly as Mountain groans and stretches behind them. "Sorry, love, I took it off while you were asleep. I didn't mean to make you panic, I wanted to do something for you and Mounty before you two head out."
Dew's eyes are still wide, chest heaving as he tries to calm himself down. "Aeth, what do you mean? Where's my grucifix?"
Aether nods, palms up and open as he climbs out from the tangled mess of their limbs. "I have them, they're right here," he says, opening up the drawer of his nightstand, pulling out the two necklaces. Aether sets Mountain's down, turning back to Dew.
"Let me?" Aether asks, avoiding Dew's outstretched hands. Dew takes in a shaking breath, staring up at his mate, and nods. Aether loosens the adjustable cord, slipping it over Dew's head, pulling his sleep-mussed braid through, and sets the freshly-polished grucifix right over his mate's heart.
Dew furrows his brow as Aether pulls away, fingers going to touch the new addition to the necklace; a small ring, plain, unadorned, but the same gleaming silver as the grucifix. "Aeth, is this..."
"Hmm?" Aether asks, grabbing Mountain's and humming as he clasps it around the earth ghoul's neck, his antlers too wide for an adjustable cord like Dew's. He settles the grucifix and a matching ring over his heart as well.
"Your bracelet, nova," Mountain breathes, putting voice to what Dew's unable to.
Aether nods, eyes flickering down to said bracelet. "Thought you might like to have something of mine close to you when you go."
Dew grins, even as his eyes flood with tears, and tackles Aether into a fierce hug. "You're a sappy fucking bastard, Aether," he says, even as his own voice wavers, cheek pressed to Aether's throat.
"Love you too, Dewbug," he says, catching Mountain's equally misty eyes over his shoulder. Mountain has a hand pressed to his chest, pressing the grucifix and ring against his heart. "And I love you, sweet thing."
Mountain grins, standing and wrapping his long arms around both his mates, the three of them soaking in these last moments before inevitably they have to go their separate ways.
Aether's right. Mountain and Dew don't take off their necklaces for a long time, long after they return from tour. They keep that tiny piece of their mate close to them, to where he lives inside of them no matter what happens.
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eldritchamy · 6 months
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I'll tell you what I want what I really really want
I wanna- (my adhd interrupts me with a new idea) I wanna- (my adhd interrupts me with a new idea) I wanna- (my adhd interrupts me with a new idea) I wanna- (my adhd interrupts me with a new idea)
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bengallemon · 16 days
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episode 2 of siffrin in the house
screenshot taken directly from the game. is this just what american basements are like.
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