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happysharkintensifies · 1 year

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Booktok makes me sick, not just because of all the shitty books. It's the prevalence, no, the celebration, of toxic masculinity. Every single booktok book features some variation on the same man. And without fail, against all sensible reason, these characters are portrayed as handsome and charismatic and desirable.

It makes me sick when these authors hold up these toxic, predatory traits and put them on a pedestal as some kind of Ideal Man.

It makes me sick when their aggressiveness and possessiveness is treated as romantic. It makes me sick when these shitty men forcibly grab women, invade their personal spaces, and render them helpless by 'purring' in their ears, every. single. fucking. time.

It makes me sick that these misogynistic, heteronormative, and hypermasculine social conventions keep appearing in so-called feminist literature.

Strip away the idealized elements and you have what is basically the rich, white, cishet, alpha-male archetype. He's tall, usually six feet, physically fit and muscular with obligatory six pack abs, and conventionally handsome, with a chiseled jawline. He's usually clean-shaven, and any hair he may have on his body is minimal. He maintains composure at all times and rarely shows anxiety or uncertainty. He exudes raw charisma and charm and navigates social spaces effortlessly.

His hobbies, if he has any, are stereotypically masculine. When it comes to sex, he's confident, skilled, exclusively dominant, and always knows what to do without communicating with his partner. The sex he enjoys is usually rough, animalistic and overpowering. He may have been with several women in the past, and he may be regarded as a sex god, both in-universe and out.

His toxic traits are rarely portrayed as negative. But when they are, they're usually held up as some edgy, anti-hero persona and the reader is inevitably manipulated into sympathizing with him. He'll be portrayed as a tortured, wounded animal, and his female love interest (and, by proxy, the reader) will decide on some variation of 'I can fix him'.

He is essentially the unrealistic standard the ideal Proper Man; the one that men are expected to emulate, and that women are expected to swoon over.

But what really irks me is the lost potential.

If there are men who don't fit into this mold, they are depicted as pathetic, ineffectual, or any number of negative traits.

The narrative quietly and passive-aggressively mocks them and portray them as boring and un-sexy.

After all, is this the kind of man who will bravely swoop in and sweep a helpless woman off her feet? Of course not. Such men are boys. Wimps. Cowards.

These books are supposed to be fantasy: a genre in which easily anything can be explored. If faeries, magic, and contrived mating bonds can exist, then why can't we also have male characters who exist outside the stereotypical, hypermasculine mold?

Why is it that we can have so many fantastical, impossible, and wondrous magical forces, creatures, and peoples, but we can't have men who aren't possessive, abusive, or controlling?

Why is it that male characters, have to be so innately dominant, abusive, and violent? Why do they have to be so fit and muscular and strong?

Even worse, why is it treated as something that is so natural, so inescapable, even in the realm of fiction?

Where are the men who aren't tall and fit? Where are the men who don't have sculpted abs or chiseled jawlines? Where are the men who aren't lean and muscular?

Why can’t we have men who are skinny or overweight? Why can't we have men who aren't handsome or attractive, but just average looking? Why can't we have men who are shorter or just average height?

Why can't we have men with non-stereotypical hobbies? Why can't we have men who love to read, or paint, or write, or sing, or dance, or build model kits?

Why can’t we have men who are timid and shy? Why can't we have men who feel anxiety, fear, and sadness? Why can't we have men who aren't afraid of crying openly?

Why can't we have men who aren't sex gods? Why can't we have men who aren't confident in bed? Who are anxious, or even scared, at the prospect of sex? Who are passive instead of dominant? Who want to experience intimacy and affection?

Why can’t we have men be kind and gentle and sweet for once?

I'll tell you why we can't. Because booktok says men like these are not 'man' enough. Booktok says men like these are the 'boring' option, and completely devoid of interesting quirks, traits or personality. Booktok says men like these are underserving of attention, and only fit to be background noise.

As far as booktok is concerned, men like these can't exist.

#anti sjm #anti booktok #anti colleen hoover #anti coho #masculinity #toxic masculinity #booktok critical #healthy masculinity #fuck booktok

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frenchgremlim1808 · 2 months

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Why Midori is such a breath of fresh air or how to actually write a Villain.

So the awaited essay, the winner of the FrenchGremlin polls of laziness finally has come! It took some time but it’s finally over. If your choice didn’t get chosen that’s okay! I’ll repost a new poll with old and newer options. Please reblog this one i put a lot of time in it, it's like, five pages long over a silly goose. Also sorry for the grammar i sucks and i'm not native. So let’s begin:

(also here is the link to the video format)

So first let’s make things clear, What IS a villain?

“A villain is a character whose evil actions or motives are important to the plot.” That is why I do want to make a difference between a villain and an antagonist, an antagonist is a character who are a plot devices that creates obstruction to the protagonist. That means that a villain is forced to be an antagonist while an antagonist is not forced to be a villain. For example shin is an antagonist but not a villain, he is driven by selfish desires which are themselves fueled by fear anger and loss, he is the protagonist of his own story and is a sympathetic character despite it all, and Midori is just a bitch. Midori falls under multiple stereotypes of villains. Such as “the mastermind”, “evil incarnate” (lmao),”related to the protagonist” etc. Midori is evil, there is no denying in this, he is purely evil, and he doesn’t have a sad weepy backstory, he doesn’t feel empathy towards other, he is a despicable piece of shit who ruined so many lives. I won’t list everything but here is a list of his crimes, murder, assault, domestic abuse, grooming, verbal abuse, and torture, crimes against humanity lmao, stalking, violent crimes, and participation in a cult. And his worst crime is being a pussy bitch of course. So now that we have put the bases up let’s really begin.

Hollywood has a hate boner against villains and I hate them for that.

Recently Hollywood decided that pure evil bad guys is actually a bad thing, so now they decided to do stupid side story with them, to give them ”””depth””” since I guess how could we like those villains since they are bad. A great example of this is the Disney remakes which I loathe so much oh god I hate them. So first they did a maleficient it was okay honestly, then they did a freaking cruella movie where her mom gets killed by Dalmatians, that’s not a joke, in the peter and wendy movie that nobody saw they decided to have made the captain hook be a lost boy who was abandoned by the lost boys and peter, oh also they decided that PETER CUT HIS HANDS OFF AND LEFT HIM TO DIE BECAUSE HOOK WANTED TO SEE HIS FAMILY. They are going to do a freaking mufasa movie, in no time I can’t wait to have a Ursula movie where it’s discovered that ariel killed all of her family in cold blood or something’s. So you might say what’s the problem? I mean isn’t that supposed to make the story more interesting. No, no it doesn’t, because first they take all of the character personality traits and throw them in the bin, second they are supposed to be the vilain in a musical animated movies, I am not against complex villain, I love them, but by doing this, the original character doesn’t exist anymore. Just create original content with new interesting characters instead of doing stuff like this. Also it’s kind of funny than in all of those interpretation they take all the fun and sucks it out, what do I mean by fun, the gayness, Disney vilain are fun because they are camp, they are fabulous extravagant extra in all the ways possible, and that’s the reason we liked them. Not every character needs something super deep, like “my family was burned down at the stake and my dog was eaten by my ex”, sometimes we just like bad fun people, they are the story, and Hollywood hating them so bad just bothers me a lot. Also now the new thing is to not have a villain at all which can works in some narrative but not all of them, it gets boring after a while. In the past people were angry that villains are bland, but now I kind of miss it. While I will critique villains who have no purpose outside of being evil that’s dumb, like for example Voldemort is bland like white bread because his only motivation is being evil, but evil people do exist compared to what some Hollywood writers think, they should know. So that’s why I will put a difference between evil villains and villains whose only purpose is being evil; we loved Disney villains but they still had motivations, goals, reasons that to them a least were worth everything. World domination isn’t enough, why do you want world domination, what is the true reason deep in your heart, is it an inferiority complex, is it a savior complex fuelled by xenophobic beliefs.

That is how to write a pure evil villain, evil people exist all over the world, but I have never seen one who doesn’t have they own reasons to be so bad, it doesn’t excuse their actions nor really explains them. We do not want justifications we want explanations. If you are justifying evil behavior then do it, but don’t claim that it is a pure evil character. A pure evil character can be fun, can be interesting, he can be deep, it’s all about balancing all of their traits to truly make them greats. Which is why midori succeeds while current villains fail. Current stupid remake/spin off try to justify the behavior because they feel like this is what the audience wants, but it’s not what we need. So I will defend to the grave evil villains.

Creating an evil villain doesn’t make them boring guys.

Why the heck does big budget movies have either the blandest protagonist or the blandest villains sometimes both, like I said evil people do exist but comically evil character only works in satire not in a serious multiple millions of dollar movie. Example that boring ass avatar movie, the one with blue people, none of the characters are interesting the villain is one note. The lords of the rings also suffers from that, but I don’t care because the protagonist are so awesome that sauron being personality less doesn’t matter. Also sauron is more of a force of nature villains so it’s not the same. The recent kingsman movie has a bland one note villain, there is nothing entertaining, funny, about him he’s just evil, borrrrring. Every Disney remakes depiction of the characters are boring. I just feel bored out of my mind. Atla one of my favorite shows of all time has a main villain that’s kinda one note, Ozai, but he is actually intimidating guy, azula is the superior character, but I wouldn’t consider her a villain she is an antagonist though. I honestly don’t get why Hollywood thinks that just creating a character with no personality and whose only goals is to be evil is good.

So back to midori for a second, here is my question, when midori was on screen did you ever feel bored? Never right! Because despite midori being an evil character he has an actual personality, he’s fun, you want to punch him in the balls. Because midori has other personality traits than evil, midori is petty, childish, extremely intelligent, controlling, a natural manipulator, he is a trickster, he doesn’t seem to get some social norms, he is narcissistic, easily angry, and fears death etc See how I counted a lot of traits, traits that in other character would works, midori has positive traits, and I think that is the best thing nankidai could have ever done, midori has traits that a regular person could have. Which is why if I put midori in any settings his character would work.

Example, instead of a death game the cast is under the sea to discover the insane wildlife and supernatural stuff happening, what would midori do in this situation? Well he would very passionate about finding all of what’s happening, he’ll do anything to find out, even sometime sacrificing others, not only will he try to find what’s happening, but he is also going to try to find a way to make this discovery favour him in the end. Or let’s imagine it’s a vampire situation, where a vampire attacks the city, midori would try to stop it, not because he cares, but to experiment on them to get their biology and finds the real secret of immortality since he fears death.

Here is my second advice, after creating your character try to imagine them in another completely different situation, like normal life, or a fantasy world, ask yourself the question what would they do in that environment? If you can find a real complete explanation of their actions then yes your character has multiples dimensions if not try thinking about it again. Some example of questions I do want to point out are some like “if my character had all the power in the world what would they do first or”, “if my character had only a day left to live what would they do”

Why is Current media incapable of creating good threats like bruhhhh.

Okay so first of all let’s talk about stakes in a story, let’s say you are watching a slasher movie, slowly the cast gets slimmed down and people die in horrible ways, that should set stakes right ? Well if the villain is an absolute buffoon who makes the stupidest actions and decisions in the world, you wouldn’t feel intimidated at all because despite what the filmmaker might try to say the plot armor will NEVER make a character intimidating. It’s just like a detective character who just seems to know everything without a thought, well you won’t really fear the character failing. Worse is the the final girl, who is for some reason always escaping the slasher guy by pure luck every time, she is shown as incompetent but still she survives, which make the villain seem completely incapable so now you feel nothing.

To avoid this filmmaker often use techniques such has unpredictability, I mean good I mean good ones, for example instead of immediately seeing whose going to survive because the black guys always dies first and the virgin white woman is the last survivor, change the status quo, make us think that this character is obviously safe while they actually aren’t at all. Or actually make them menacing by SHOWING to the audience how horrible dangerous they can be. Which is why SHOW DON’T TELL is so important, telling us how dangerous someone can be only to see them get beaten to death at the end of the movie makes us feel nothing.

Midori felt like a impossible person to beat, he is smart, had twenty plans in advance, even in situation where the cast felt like they might have a chance he was always armed, just like the gun he promised to use or the rocket punch. When they felt like they were finally advancing, he put obstacle in their ways, such as the collar game or the moment he put the collar on explode mode for ranmaru. The entire point in the murder game was to make time pass, it took a long time for the cast top realize that this whole time they were losing precious time not realizing that the dummies were the real problem. The characters that made you feel the most hopeless were the dummies, if you won by killing midori they would die, but if you lost you might lose people you love (keiji or gin). It felt hopeless because they were no solutions in the end. That creates tension so that creates stakes. If we were told how dangerous unpredictable sou was then it wouldn’t hit the same, we are shown that he is that terrible. There is a scene ingame where bbg shin ai tells us that midori tortured and like to destroy people. That’s exposition so TELL, but do you why it works, because we are SHOWN before his behavior. Midori felt unbeatable, so the fact that we were shown his weakness such has his petty behavior, hatred of minors, and fear of death, for the first time it feels like there is a chance that we might survive this. And still after he isn’t shown has an incompetent buffoon, he is one, but the narrative doesn’t show us that he is.

What is also consider is good to make the audience feel actual stakes is to first really develop well the main characters, how can we feel worry for a character if we don’t know them, the audience need to feels emotional connection to the main cast to actually care. You can use things such has moments where there is nothing special happening just character talking getting to know them. Make us feel why we need to care about them possibly losing, instead of being indifferent. Or I don’t know maybe make an entire spin off game where we get to have the cast talk to each other and seeing dynamics between character that died early to get them a chance to shine and make their death even more tragic, or even make mini episodes of characters who only got a single chapter to show off their characteristic, to get us to know them better? But that’s just a silly idea of course, wink, and wink.

My favorite thing about Midori is that he is actually pathetic, like really pathetic, but weirdly realistic?

Midori is the most pathetic character in the cast, yes more than shin, shin is leagues less pathetic. No I’m not saying that midori is not intimidating or scary, I would piss myself if I saw him. He’s a scary guy. But if you look at him more closely you can see that he is a baby brat in a big boy suit.

So let’s start by something clear, Sou Hiyori clearly displays antisocial behavior, or in common terms he is a psychopath/sociopath, this illness is very badly seen in medias, I am not saying that people who lacks empathy like him are inherently bad, he is, a lot of people with antisocial behavior actually suffers a lot and have a difficult life. Sou real issues is not his antisocial behavior, it’s his narcissism and god complex. Sou feels the need to HAVE CONTROL over others, he like the feeling of being in power, he sees the rest of the world has beneath him, toys for his pleasure. He says that he “really like humans” because despite it all he seems to put himself in a different categories than regular people, they are beneath him. When he loses control his calm and cool behavior disappears and we see his true face, a grown man who has throws a tantrum like a baby. One of the best representation of this is midori views on the cast:

Midori hates kanna, like no jokes he has beef with her, a fourteen years old, actually he has beef with a lot of people in the cast. Midori views emotional people has weak, people who are loving optimistic as beneath him and useless. He preferred when sara was cruel and horrible, that’s what he loved about her, he liked seeing her scary emotionless side. But Kanna, kanna is everything he hates. A crybaby who not only puts the group in harmony, is a source of hope in general, is the reason he near got to have closure with shin (killing him), he views kanna as “not fun shin”. We have many proofs for this, if you type the word kanna kizuchi he says this: “Poor Kanna'd weep! I think a more worthless name would be better for someone like me” He mocks her, but also himself (I’lll come back on this later), he calls her worthless. Also in the electric charge minigame, when he can choose who to shocks he chooses two people in particular, kanna who he hates and hinako who ruined his fun by giving the cast a chance in saving ranmaru. But he does also says mean spirited stuff to other people, qtaro and gin. He also says some sarcastic comments about nao and joe, saying that it’s such a shame that they died so young. But you might say why kanna especially? Because he is a petty baby who is jealous of kanna, Yes jealous, of kanna, a fourteen years old. Because he feels like she stole his hubby wubby shin away from him…. God I hate him. And you know what that make him a pathetic idiot, after the scene where kanna beats his ass, he’s all mad and like “uhh I’m going to pout I wanted you to cry like a lot, now I’m gonna cry”. An that’s actually god, because it humanize him, he wants need thoughts, he isn’t one note, and that’s the most important!

Sou is a villain but before that he is a character, a fully developed character, and THAT’S WHAT MAKE HIM GREAT, Sou works because he works realistically, I mean if you forget the robot part, it’s easy to imagine a narcissist man child who needs to feel in power towards other, so his main prey are young vulnerable people.Which leads me to my next point:

Sou is a failure like really, and we aren’t sad for him.

Sou failed everything he worked on, he failed to get the paper from alice, he failed whith shin since he had to leave earlier than he thought he would leave, because of his mistake he lost his position in the death game, then he failed to kill gin or keiji, and then he died like an idiot losing his cool and acting like a toddler. And he knows it that why he is a bit self-hating (he should be). And yet none of us feel any sympathy towards him, why? Because sou is one of the most despicable guy in existence. He is a disgusting pervert, sadistic asshole, and abusive narcissistic cunt who thinks he is better than everyone. From the bottom of my heart I hate him sooooo much he is literally the character I hate the most in existence. He abused shin, ruined keiji’s life, traumatized the entire cast, literally assaulted sara like he physically assaulted her. He mocked nao and joe and kugie life as useless. He is an obsessive jerk AND I HATE HIM. And you know what…… It’s good. Like I actually feel a lot of emotions when I think about him, he fuels me with anger and disgust, and if your characters can make me feel that much rage then you did it, you created an actual perfect character. Hiyori is such a shit person that I think about him a lot, writers shouldn’t be scared to make a character such hittable assholes, example bojack horseman in bojack horseman is the vilest man on earth and I love it, because I genuinely hate him. Just like I genuinely love kanna, like really I really love her, I in the same time despise midori so bad. We hate him because he is horrible to good people that WE KNOW AND CARE ABOUT, not random npcs. There is a lot of… disgusting implications in his story with shin that I will not talk about it makes me really uncomfortable right now. SO HERE IS A VERY TACKY TRANSITION TO TALK ABOUT WHY I HATE JUNKO FROM DANGANRONPA.

Junko is boring, that’s it, she is boring, not funny not interesting, she is a fetish, she is the biggest Mary sue on earth, she is a gross character made to make fun of people with disabilities and queer people. Her only traits is being crazy, that’s it. I wouldn’t call midori that crazy actually, he’s methodical calculated, and precise. Crazyness is a term for people who aren’t in control of their actions and delusional about reality, sou is not crazy, he knows what he is doing, he is in full control, while characters like shin should actually be consider crazy, like shin is actually crazy but sou isn’t.

Conclusion:

Sou is a breath of fresh air, because nankidai had the balls to write an actually interesting deep and threatening character AND make him a villain. He didn’t fall into the trap of making him have a sad backstory or good motives, sou is just selfish, that’s all he is. He make him a fun entertaining guy who you absolutely hates, he made him threatening and at the same time a complete doofus. He made him humane and pathetic.

But the thing that make me love nankidai the most is this

The fact that he actually killed him that takes courage as a writer to just end a character THAT WAY, which is why midori will never come back alive he is forever dead. And that take a lot of talents as a writer to just take one of the most important characters and just get him drilled to death in the anus, like dammn nankidai you are a savage. That fact alone makes him one of the best characters in game, I hate him as a person, but has a character he is a masterpiece.

Though Kanna could solo him

this was posted as a video on my blog this is mainly so people who don't want to stay there reading a 24 minute video of my stuttering can have a bit of quiet

#yttd #your turn to die #kimi ga shine #shin tsukimi #kanna kizuchi #sou hiyori #midori yttd #cna you tell i have no life #i spend a part of my short existence writing about fucking midori #yttd analysis #frenchgremlim polls of laziness

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prying-pandora666 · 6 months

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On Alucard and Maria

Are there actually fans advocating for Alucard to be written as Maria’s father figure in the new season of Nocturne? Like that would be a good thing and not infinitely creepier? I don’t think they’ve thought this through.

Alucard is the single most popular character in the franchise. He’s also probably the most shipped character. And yet he has only had one canon love interest in the decades since he’s existed. It’s Maria. And you’re telling me that you think that because he’s 300+ and she’s 17-18 when they started living together in the games, that it would be grooming. However, somehow him inserting himself into her life at age 16 when she’s just lost both her parents wouldn’t come off like grooming!?

Does this man look like he should be picking up random children!? He’s literally terrified of his own cursed blood. Maybe LISTEN TO HIM.

I’m convinced fandoms have forgotten what that word means. Grooming has specific features. It doesn’t just mean “older guy and younger girl.” A relationship with an age gap or an uneven power dynamic can be exploitative or abusive without being a case of grooming. Grooming specifically refers to the process of forming a relationship with a child with the intention of leveraging that relationship and trust to train and prepare (aka brainwash) your victim for the harmful activities the groomer wants to normalize. The relationship Alucard and Maria have in the games is in no way grooming. You know what would be grooming though?

Coming into a 16 year old’s life when she’s vulnerable, traumatized, and recently orphaned only to insinuate yourself as a new father figure. This is so highly inappropriate and a huge red flag. Consider what you’re actually asking for here. These characters do not exist in a a vacuum. They have a long history together as each other’s only canon love interests. You cannot fully extract them from the games, art, interviews, audio dramas, animations, and more where they’re depicted as a couple. There are decades of this precedent and you are asking Netflix to knowingly take the characters with an established romantic dynamic that the audience is already primed to see as romantic and instead portray their meeting as him trying to be her new daddy?

“Oh look! Alucard and his… daughter? Yikes.” This is an official advertisement btw.

THAT is grooming! Think about the optics of this! It would be abysmal! No it would NOT fix the problem of their age gap to make him act like a groomer and get in good with her as a dad. You just cannot completely extract them from the legacy of their relationship in the source materials. It will be incredibly creepy and textbook grooming if you get your way.

Is this really what you want to associate with an “adoptive father Alucard”? Because the art we create doesn’t exist in a vacuum. All the old content—official and fanmade—is still going to exist.

What is so objectionable about the original dynamic anyway? It’s a pretty fun subversion of the tired and problematic vampire trope of “vampire man stalks teen girl and coerces her into being his”. Instead in their original relationship, Maria is the one who pursues Alucard! It’s the young woman who takes initiative and is given the agency to go after what she wants. She courts and woos him. That’s part of the fun!

Yes, Alucard is 300+. He’s also a fictional creature that doesn’t actually exist IRL and stays eternally young. There are no actual people who will ever have his problem of staying 20 forever so it’s rather silly to say he can’t date any humans because of course he will have an age gap with any of them.

The only real problem I have seen people bring up is Maria’s age, but from what I can tell, the show’s already fixed this. Check it out.

In The Games

Rondo of Blood: Maria is 12. She and Alucard do not meet. Richter is a brother-figure and not romantic.

There is then a 5 year time skip.

Symphony of the Night: Maria is 17. She and Alucard meet to save Richter. At the end, Alucard says his goodbyes and intends to return to a life of solitude. Maria goes after him because she has developed feelings for him and doesn’t want him to suffer a life alone.

Maria is given agency to pursue what she wants and prove herself even against Alucard’s resistance and hesitance to let another person into his life.

They spend a year together before we get the audio drama.

Nocturne of Remembrance: Maria continues to try to get close to Alucard. They end up saving each other’s lives and in the end he finally confesses his romantic feelings for her. She is an adult and perfectly able to make her own choices. She chose him. He admits he returns her feelings.

How fandom can look at a story about a young woman subverting the trope and chasing the vampire to get what she wants—basically an anti-Bella Swan—and still find a way to disempower her just so they can pearl clutch? I couldn’t tell you.

So now let’s look at what the show did.

In The Show

Nocturne S1: Maria is 16. She’s been aged up from 12, probably to give her a more active and believable role. But this also means she’s within a normal age to start feeling attraction and expressing her wants. Within her society, she’s even considered of marriageable age. However we are spared the discomfort of our modern values clashing with her contemporaneous ones because Maria in this season isn’t interested in romance. She’s interested in revolution, equality, justice. They’ve portrayed her with so much love and strength. There is no indication they’d betray her by writing her as the child victim of a male suitor. In fact she only meets Alucard in the final few seconds of the season and the two do not even speak a single word to one another.

Now let’s remember the games had a five year time skip. The show only needs two years to get Maria to the adult age of 18, but assuming the follow through with the timeline and go for the full five?

Maria will be 21.

21.

Fan concept for adult Maria. Credit:@esp-art

Are you telling me a 21 year old woman is not old or mature enough to make her own decisions? How is this not a total infantilization of women? Do you think a 21 year old badass vampire hunter needs protection from the ace depressed dhampir boy who just wants to sleep and has in no way tried to pursue her until after she expressed consistent and persistent interest in him?

It is not “grooming” to meet someone when they were younger and then meet them again years later as an adult. That’s a thing that happens! In real life! Adults can still make decisions for themselves! It is only grooming if Alucard behaved in a way that would manipulate teen Maria and put her under his control and authority before she can consent. There is no indication that Alucard in the show is going to do this. And yet the fandom is basically demanding it by saying he should make her “his baby girl”?

And what of Maria’s feelings in all this? She just lost her mother and was betrayed by her father shortly after discovering he even existed. She has lived her whole life without a father. She is in no desperate need of a new one. And if she does need a family member, she already has one! Richter is 19 and is her trusted adoptive brother. Why wouldn’t she go to him over a total stranger she just met and who is half vampire - literally a predator creature that feeds on humans!?

Yeah, hi, Richter Belmont still exists. He and Maria consider each other family. Why would you want her relying on a strange man she just met as a “father figure” rather than her trusted and loving brother?

Have none of you even considered how Maria would feel if Alucard even tried to fill the paternal role? He’d have to force it on her through manipulation and coercion. No way she would want to view him that way. Especially considering she is 16 and likely to be as attracted to the sparkly 20 year old looking sculpted marble beauty as anyone else!

Don’t mind the beautiful eternally young man who looks made of pure porcelain and light. No teen girl has ever been attracted to this, right? No way it could be exploitative and creepy for him to present himself as her new daddy, giving himself authority and influence over her as his child to mold as he wishes, right? Oh yeah, this is MUCH better than Maria pursuing him of her own volition once she becomes an adult, right guys?

We are truly in the stupidest dark timeline.

Frankly, I don’t care if Netflix has them get together or not. They would work just fine as friends too. I just sure as hell hope they’ll ignore the fans clamoring for a creepy daddy/daughter dynamic. Dressing it up as “concern” won’t hide that for some it’s a fetish, and for others they’re just useful idiots who haven’t thought it through.

I implore you to think it through.

#castlevania #castlevania netflix #castlevania nocturne #alucard #maria renard

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maxwellatoms · 5 months

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Do you think the new division of Cartoon Network Studios will end up exploiting and abusing AI to make new cartoons of their old properties?

I wouldn't put it past any studio to do this.

We're at the end of The Animation Industry As We Know It, so studios are going to do anything and everything they can to stay alive.

The way I see it is:

AI "art" isn't actually art. Art is created by humans to express ideas and emotions. Writing prompts allows a computer to interpret human ideas and emotions by taking other examples of those things and recombining them.

Just because something isn't art doesn't mean that humans can't understand it or find it beautiful. We passed a really fun prompt generation milestone about a year ago where everything looked like it was made by a Dadaist or someone on heavy psychedelics. Now we're at the Uncanny Valley stage. Soon, you won't be able to tell the difference.

It's not just drawings and paintings that are effected, but writing and film. It's every part of the entertainment industry. And the genie is out of the bottle. I've seen people saying that prompt-based image generators have "democratized" art. And I see where they're coming from. In ten years, I can easily see a future where anyone can sit down at their desk, have a short conversation with their computer, and have a ready-to-watch, custom movie with flawless special effects, passable story, and a solid three act structure. You want to replace Harrison Ford in Star Wars with your little brother and have Chewbacca make only fart sounds, and then they fly to Narnia and fistfight Batman? Done.

But, sadly, long before we reach that ten year mark, the bots will get hold of this stuff and absolutely lay waste to existing art industries. Sure, as a prompter I guess you can be proud of the hours or days you put into crafting your prompts, but you know what's better than a human at crafting prompts? Bots. Imagine bots cranking out hundreds of thousands of full-length feature films per minute. The noise level will squash almost any organic artist or AI prompter out of existence.

AI images trivialize real art. The whole point of a studio is to provide the money, labor, and space to create these big, complicated art projects. But if there are no big, complicated art projects, no creatives leading the charge, and no employees to pay... what the fuck do we need studios for? We won't, but their sheer wealth and power will leave them forcing themselves on us for the rest of our lives.

The near future will see studios clamp down on the tech in order to keep it in their own hands. Disney does tons of proprietary tech stuff, so I'm sure they're ahead of the game. Other studios will continue to seek mergers until they can merge with a content distribution platform. I've heard rumors of Comcast wanting to buy out either WB or Nick. That's the sort of thing I'm talking about. The only winners of this game will be the two or three super-huge distribution platforms who can filter out enough of the spam (which they themselves are likely perpetuating) to provide a reasonable entertainment experience.

400,000 channels and nothing's on.

I do think that money will eventually make the "you can't copyright AI stuff" thing go away. There's also the attrition of "Oh, whoops! We accidentally put an AI actor in there and no one noticed for five years, so now it's cool."

One way or another, it's gonna be a wild ride. As the canary in the coal mine, I hope we can all get some UBI before I'm forced to move into the sewers and go full C.H.U.D.

#maxwell atoms #ai generated #prompters #c.h.u.d.

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lillified · 5 months

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Just curious, why do you ship Megastar?

[long post incoming, apologies, you activated my sleeper phrase]

Short answer: I like these characters and their potential. I like the idea of them, and I made up new versions because I want to see their dynamic and subtext taken seriously, and not flanderized/made into a meanspirited joke by media that is supposed to be "mature"

Long answer:

when i was watching transformers as a kid i was really interested in the dynamic of two characters who are mean and jaded and instinctively push eachother away, but work extremely well together. i didn't really understand coding yet, but in my interest in the decepticons as an entity with an ideological identity that wasn't just "bad guy" (transformers was like. the first time i really started thinking about deeper meanings and propaganda in media, which probably explains why i am as obnoxious as I am) I was always sad with how megatron and starscream never really got the chance to have their dynamic approached in a different way. in a lot of ways those two are the heart and soul of the decepticons, and I've always thought that putting more care and attention into their relationship and not just writing it off as a cruel plot device would be the first step in having a more compassionate view of the Decepticons as a whole

personally I believe that, in a similar way to batman and the joker, those two have always had a dynamic that kind of blurs the lines, and at times is outright suggested. unfortunately though, like batman and the joker, over time an unwillingness to engage with the reality of that uncomfortable, sort of meanspirited coding just led to the near-sighted stereotyping becoming crueler and more abusive. acknowledging that it exists at all means acknowledging there was that bias, so the "joke" was just repeated until it became the only thing their interactions were really known for. it's an act of flanderization, and that makes me sad

i guess my case in point is--they have a lot of potential that just isn't realized. even in places where their relationship is given depth there's still almost always this really tonally dissonant violence to their interactions that's never unpacked, not really, because how are you going to sell toys of that? moreover, how are you going to make megatron "redeemable" after that? what could be considered strange, poorly executed slapstick in its origin became aesthetically worse and worse, but was never given serious thought--and I think that makes the story, overall, worse! "maturing" the brand didn't make it smarter, it just made an elephant in the room, and now Transformers is so locked in to its decided status quo that we haven't had a different perspective on any of these characters since Animated.

I apologize for the rant, but it's something I think about alot and your question is somewhat related to that. I'm frustrated by how dismissively these characters are written in versions of Transformers that are supposed to "smart" and "mature", I'm frustrated by how that negatively impacts the story, and I'm frustrated by how the people who like these characters can be dismissive of it. I think there's a lot of story potential and thematic insight into the decepticons that can be gained by looking at these two as characters with a history, and not just a bad joke! I think that you can have all the best parts--the sabotage, betrayal, bitterness, and the irony of someone you refuse to trust who still manages to know you better than anyone else, and have that shown through actions and character development, and actually written instead of having to be overscored by unintelligible violence for the sake of being "dark" and reaffirming, in the cheapest way possible, that you're looking at characters who are evil! I want to see that in a story!

my work is honestly not really about what I think transformers IS, or HAS to be, but what I think it has the potential to be, and what my interpretation of the themes means to me. I want to see all of the Decepticons viewed with a different lens, and these two are probably the most important Decepticons, both on a story/thematic level and a cultural one. transformers was the first piece of media I was really consciously critically thinking about, entirely by chance, and in the interest of art and human expression I want to make something different that is interested in being more thoughtful

anyway, sorry again for rambling. I might delete this later to keep my page clean, but I appreciate the question! I'd give more specific examples of why I like the stuff I made up but those would be spoilers.

#transformers #ask #megatron #starscream #megastar #text post #text #long post #long post cw

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ya9amicide · 1 year

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Redamancy [BTS]

chapter one

♡ info ♡ k-pop masterlist ♡ next chapter ♡

summary: Hybrids were accepted in society to a certain degree. To some, they are for entertainment. Used as sex and money tools. To lock up and abuse whenever and however they please. Something to have control over. To others, they are companions. Just like regular animals are used for therapy or simply companionship, hybrids are too.

To the rest, they are just like everyone else. Someone with their own life who deserves the same freedoms as your everyday John or Jane Doe. Wren is one of these people. She hates the idea of owning a hybrid. She has nothing against those who own them for medical or companionship reasons. Just the rest.

But, when a ragtag pack of seven mismatched hybrids somehow ends up in the woods behind her home, she takes them in and does the one thing she never thought she would do. Own them. But, she also does something she didn't even think was possible. She fell in love with each and every one of them.

pairing(s): ot7 x ot7, ot7 x oc

warnings: none

Most hybrids come from Asian countries because of the ethereal beauty they possess. For most, that is the only asset that keeps them alive. The way most of these hybrids end up in other countries is if they are sold to someone and brought there. Now, the entire world has hybrids mixed into its population.

Being a writer, I always get asked why I haven't written anything about hybrids. For a fantasy writer, it's like the jackpot of writing material considering they actually exist and all the information I would need is right at my fingertips if I want it to be.

It's just something that never sat right with me. I don't know everything and the only way to know everything is to speak to one myself. I don't own a hybrid. I won't own a hybrid. I have nothing against people who own them as long as they are treating them with care. But, I just don't feel comfortable interrogating someone for the purpose of a story.

Hybrids have very unique, very personal aspects to their lives that other people don't have. It would be like asking the deepest most personal questions about someone's life. It's unfathomably uncomfortable.

Luckily, I can escape the demands for hybrid content when I'm teaching. Teaching Greek mythology to college students has its perks in that regard. Which, leads me to where I am now, wrapping up my lecture for the day.

"Alright everyone, don't forget your homework for the weekend." Some students groan at the back of the room. I stand from behind my desk, walking around to the front where I lean against it with my hip. "Yes, yes, I know. Just be thankful you get a whole weekend for it, your other professors probably wouldn't be so nice. Now, any questions?"

Two hands raise in the air and I call on the first one to come up. "How many sources did we need to cite again?"

"At least three," I say. "You can use more if you'd like, I have no issue with that. However, I hope I don't need to remind you which types of websites aren't credible sources?"

Everyone shakes their heads and I nod, calling on the next person. "Will there be any time to come in to ask questions about our papers before Monday?"

"To come in, no. Unfortunately not. However, if you'd like you can email me with any questions you have or just send me a draft and I can read it for you and give you feedback that way. I will try to get back to you asap if I can. Just please do not email me Monday morning or late Sunday night as I will be asleep and it will be too late for you."

When I finish speaking everyone shuffles in their seats. "Any more questions?" When nobody else speaks up, I lean upright from my position in front of my desk. "If that's all then you are all free to go. Have a good weekend." I receive goodbyes from almost every student as they leave. Once the last one does, I shuffle all of my belongings together and leave the room, locking the door.

On my way home, it starts to rain. It's been in the forecast all week but it was only supposed to be a slight drizzle. This, however, is a torrential downpour. Pulling into my driveway and parking, I brace myself to make a run for it. There's no way I won't get drenched.

Walking inside, I toe off my shoes and drop my things by the door before going upstairs to change into warm and comfy clothes for the evening. Walking into the kitchen for food, I pass the large, sliding glass doors that lead to my backyard and the woods behind my house.

Cereal for dinner sounds good. With a bowl of dry cereal in one hand and a glass of milk in the other, I make my way to the living room. On the way, I pass by the glass door again. Lighting strikes, lighting up the yard and the woods in the distance. In the treeline, I almost swear I can see an animal. It's not super big, but it's not small either. Surprisingly, even with the woods bordering my house, not many animals make their way out. so, seeing one now is slightly odd.

I set my food down on the coffee table and move back to the kitchen, making a plate of food for...whatever is out there. If it's in the woods in a storm like this, it must be hungry. Sliding open the glass door, I set the plate down on the porch under the awning and move back inside where I sit on the couch with my own food and the tv playing in front of me.

I'm around two episodes into the show I was watching when I hear footsteps on the back porch. They're small but loud enough for me to hear through the rain which has settled down into a soft drizzle. Standing, I make my way to the door, trying to keep my steps light and my posture open so whatever is out there doesn't feel threatened by me.

When I'm close enough to see what it is, I find a German Shepherd right before it shifts and a man is left in its place. My hand reaches out for the door handle when he sees me. His eyes widen and he scrambles to pocket all of the food and make a run for the woods.

I quickly open the door trying to stop him. "Wait, please! You don't have to go." He freezes in his steps, halfway off the porch. "I- I can give you more food if that isn't enough. And some water too if you want?" He's thin and pale and shaking like a leaf where he stands. "Please?" My voice is soft, I'm afraid if I speak too loud he'll run away. "I just want to help."

It feels like we stare at each other for hours before he nods his head, barely enough for me to see but it's still a nod. "Okay, okay that's good," I say and lead him inside. "Let me get you a towel so you can dry off, you must be cold." I don't wait for him to respond before I rush off to get it. When I come back, he's in the same spot I left him.

"Here," I hand him the towel and watch as he wraps it around himself. Slowly, his shivering starts to calm down. "Do you have any preferences?"

He looks at me strangely, head tilting to the side. The ears on the top of his head flop to the side softly, the fur wet. "To eat? Is there anything in particular you want? Anything I should avoid?" He seems to take a minute to process what I asked him before he slowly shakes his head. "Okay. You can um...you can come wait in the kitchen while I get you something if you want."

He timidly walks in behind me and watches everything I do. I decided on soup. Hopefully, the warmth from the food would make him feel better. "Is it just you?" I ask timidly.

"No," he says softly after some hesitation.

"Are- are they close? Whoever you're with?"

"Yes."

I pause what I'm doing. Maybe I should make more soup..."How many of you are there?" How much food am I going to need to make?

He shifts uncomfortably. "Seven. Including me."

"Do they want to come in? You can invite them if you want." I avoid looking at him, continuing to make more food.

"What?" He sounds surprised and wary.

"Only if you want. I mean," I stop and chuckle slightly, "seven versus one? If I were to try anything, which I won't, I think you all have the advantage. Don't you think?"

He waited for a few minutes, probably trying to see if I was pulling his leg. "Okay." He slowly makes his way to the sliding door, I can feel his eyes on me, keeping me in his sight. Leaving the door open, he shifts back into a German Shepherd and lets out a loud howl towards the forest. Anything else beyond that, I don't hear because of the volume of the storm raging outside. It was around 15 minutes before he came back inside, several pairs of footsteps shuffling in behind him.

I freeze, gently putting down what was in my hands before slowly turning to face the group of hybrids in my home.

#𐙚 sfw !#bts #poly bts x reader #hybrid bts #poly bts #bts x oc #bts fanfction #bts fanfic #kim seokjin #min yoongi #jung hoseok #kim namjoon #park jimim #kim taehyung #jeon jungkook

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hundrkottr · 7 months

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🌿 Trauma Based Identities 🌿

There are a number of causes for our non-human identities. The most common being spiritual, but also imprinting. So now, what is a trauma based identity? And how could it cause one to have a psychological theriotype?

A trauma based identity is basically an identity that was formed because of, or in relation to, trauma. Especially during childhood/adolescence. At a young age, we are still very much developing mentally and emotionally. Our minds are going through so many changes, and our environment has an incredibly big impact on that. Early life trauma is part of that environment, and therefore, can literally make changes to your beain chemistry and how it develops. So how does this have to do with therianthropy?

Well, if a child experiences trauma or abuse, their minds may unconsciously seek some kind of coping mechanism. And this coping mechanism CAN cause them to develop a non-human identity. Especially if they feel detached from other humans who are the source of said trauma. Often time, the animal they may imprint on will be in their environment. Perhaps a pet, or a wild animal they see on a regular basis. It can be an animal or being they've been exposed to through media, like; movies, tv shows, books, games, etc. It can also even be a toy they have of said animal. Regardless, the trauma can make such a development occur.

//Imprinting can also be in relation to the trauma based identity. As a child experiencing abuse and neglect may imprint on the animal around them, rather than the humans that cause them harm, or hurt them.//

Some may argue that "this isn't a theriotype, its a coping link!". But you are wrong. The definition of therianthropy, is to identify as an animal, or have an involuntary non-human identity. A copinglink is a CHOSEN identity you chose to CONSCIOUSLY cope. If the trauma based identity is NOT chosen, and develops without voluntarily chosing so, it IS a VALID therianthropic identity.

I think it's important for people to be aware that such identities exist and are incredibly valid. They can be tough, but it is part of our development.

🌿 My Trauma-based Identity 🌿

Ever since I was a baby I've gotten a lot of traumatic experiences. I was consistently abused and neglected. I won't go into detail, but it was really hard. And I deal heavily with the affects today.

I never felt loved, or safe. But we did have cats in our household all the time. And I learned love from them. The cats never hurt me, never scared me, never screamed at me. All they did was show me love. They made me feel seen. So, as a toddler, I imprinted heavily on them. I ate their food, bathed like them, crawled around like them, meowed, and even used the litter box on several occasions (i know it sounds extreme but as embarrassing as it is, i did..)

My parents regularly punished me for acting like a cat, but I never stopped. And I continued seeing them as my true family.

I imprinted on them and it became a permanent mental development that would follow me through all of my childhood, my adolescence and early adulthood.

Thinking of why this identity developed makes me sad. But it also makes me grateful, because i dont thing the young, autistic and traumatized lil child I was would have made it otherwise.

I go through periods of questioning and denial. Because this identity makes me feel a lot of repressed emotions. But maybe this time i can accept it again. Ill do it at my own pace though. ♡

Thats all! Hope this helps others with trauma based identities. Know that you are valid. And you are seen. If ever you need to talk about it, im here. My DMs are open. I may not be online all the time, but Ill respond.

#alterhuman #otherkin #therian #therians #therianthrope #therianthropy #coyote therian #bear therian #wolf therian #cat therian #psychological therian #non human

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ntaras · 8 months

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Father.

spoilers for the newest mk game

i’m very upset at the way they treated bi-han as a one note villain, and hate how they made out his father to be a good man. so, here’s a fic aka some anti sub-zero father propaganda.

the fic is centered around bi-han's relationship with his father

warnings for abuse, implied murder of an infant, and implied death during childbirth

if you see any typos don’t mention it to save me from embarrassment please

word count: 2.5k +

1. Sister

There’s a hand on Bi-Han’s throat. It’s not choking him, but it could if it wanted to. He could thrash and flail in the hand’s grip, but every time he whips his head in order to get away, the grip tightens. It’s mocking him, telling him how his last breath is in its palms. Eventually, Bi-Han learned it would never kill him. It would just make fun of him. It wasn’t any better for him.

But he’s lucky, isn’t he? The very hand that could kill him, also protecting him from death. Evidence of its power to take away life lies in the corpse of Bi-Han’s mother. He can’t see her, and he can’t feel her hands anymore. Even if the hand of his father left an awful pit deep in Bi-Han’s soul, his mother could show her son her hands, and that warmth exists even in the coldest parts.

The hand clasps his shoulder, cold skin- bitter.

“Oh, my son, what will we tell your brother?”

Bitter. Bi-Han hates bitterness. Not the taste, but what he is. It’s a taste too close to the hand around his neck. It’s a taste possessing him, a black tar attacking his soul.

“Bi-Han, did you hear me?”

Hear? What did Bi-Han hear? Just hours ago, when he walked towards the room where he heard his mother screaming and abruptly fell silent, he heard more crying. Though as loud as the screams his mother let out, they were still smaller. He was ushered out by two men standing guard by the door. He didn’t hear the crying again.

But he’s lucky, isn’t he?

“Your mother’s gone, and a sister- you would have had a little sister.”

The very hand that could kill him, also protecting him from death. Lucky, blessed boy, to not be a daughter.

“She’s not dead,” Bi-Han whispered.

“Bi-Han-”

He shoved his father’s hand off his shoulder. “She’s not dead!”

“She is dead- both of them. You mother and sister-”

“I heard her crying!”

Though many of the Lin Kuei men knew the Grandmaster for far longer than Bi-Han had been alive, they didn’t grow up with that man as a father. Bi-Han could see how his eyes held the contempt, scorn, disgust, and hate he had hidden away. They were eyes that watched Bi-Han like he was an animal, and his father the hunter. Though his father never took the shot to kill him, he would graze him enough for blood to spill.

His father’s eyes unveiled themself to Bi-Han.

“Who? No one was crying. Your sister was already dead before she could take her first breath.”

“She’s still alive! I heard her-”

The way his father struck him did sting, but it didn’t hurt. Even if blood began coating his tongue, it’s not as bad as the bitterness.

His father gripped both of his shoulders, dragging Bi-Han close to him and unable to escape his hold. Bi-Han kept his face turned away, looking down at the floor. He could feel the tears forming, and he couldn’t face his father with those tears on display.

“No one is crying except you, Bi-Han.”

Bi-Han’s lips wobbled, the question begging to be released from his mouth.

How’d he do it?

2. Tomas

There’s no love in Bi-Han’s father. He can laugh like any other man, his smiles are like any other man, but kindness doesn’t come from simulated laughs and smiles.

But he loves to feign kindness.

Even if killing Tomas’s family was an accident, sparing him from that same fate wasn’t an accident. Taking in a new son wasn’t an accident. Giving him the tools to be a useful son wasn’t an accident.

Tomas was allowed to keep his mother’s knife- he didn’t want anything else from the bodies of his dead family. The Grandmaster had removed the knife from the mother’s hand, grabbed the knife’s sheath, and handed the bloodstained weapon to Tomas.

Night came, and when Tomas fell asleep, Bi-Han snuck into his room and took the knife. For hours, he washed away the blood from the silver metal and cleaned the sheath. Bi-Han couldn’t wash away the blood that still stained Tomas’s fingers without waking him up.

As Tomas became his and Kuai Liang’s brother, Bi-Han couldn’t bring himself to call Tomas his brother. He was sure he didn’t care much for him, the cleaning of the knife was simply because his father didn’t clean it. It was a good deed that no one knew about- so it didn’t matter if Bi-Han did it.

Besides, Tomas was sure Bi-Han hated him. Bi-Han yelled at him once during a sparring session. Tomas clumsily slipped on the mat, and almost stabbed Bi-Han in the arm. Bi-Han screamed the word “idiot” so loudly, it echoed through the halls of the temple. The eleven year old ran away embarrassed, and Bi-Han was scolded by his father, that a future Grandmaster of the Lin Kuei has to keep his cool, even if others are being idiots.

Bi-Han’s way to his room was past Tomas’s room, but hearing his name leave Tomas’s lips, Bi-Han paused and listened to what was being said about him.

“Why doesn’t Bi-Han like me? I’ve been here for a year and all he does is call me stupid.”

“Bi-Han calls me stupid sometimes.”

Of course, Kuai Liang and Tomas quickly became close. Kuai Liang inherited all the kindness of his mother, the bitterness unable to possess him.

“But Bi-Han means it when he calls me that.”

“He also means it when he calls me that.”

“But you’re his brother! I’m not anything to him.”

“Can I tell you a secret?”

“What?”

“I think if Bi-Han really hated you, he wouldn’t have let you have the last egg roll yesterday.”

The moment he heard the two giggling, he made his presence known. “Can the two of you shut up? I want to go to sleep.”

Kuai Liang and Tomas sheepishly glanced at their older brother, Kuai Liang trying to stifle his giggles behind his hand, and Tomas completely red in the face. Bi-Han was ready to continue his way to his room, but once again stopped himself when he noticed Tomas staring at him. He locked eyes with the boy, who quickly looked down to the ground. Despite just laughing with Kuai Liang about Bi-Han, once Tomas met Bi-Han’s eyes for the first time since almost harming him, the tears began to slowly work their way down his face.

Had it been Bi-Han’s choice, Tomas wouldn’t be his brother. Instead, Tomas would still be running around in the woods with his family. He’d still have his mother to teach him how to track animals, how to stitch his own clothes, and she’d be the one to give him her knife.

Would it have been a mercy to kill Tomas also, to die in the embrace of his mother, rather than grow up to be another weapon for the man who claims the name “father?”

Bi-Han swallows his bitterness, and forces himself to find his mother’s kindness. “It was only a scratch. It won’t even scar me.”

He leaves before he can see how Tomas reacts.

Bi-Han almost wants to turn around and march towards his father’s room. In that split second of vulnerability, he yearned for his father to convey that same feeling. It’d never happen, it’s a farfetched fantasy.

But the question once again begged to be released into the open.

How’d he do it?

3. Kuai Liang

Kuai Liang is ignorant to his father’s truth. The truth being that all the fondness he has for Kuai Liang isn’t because he loves him. In fact, Kuai Liang is the son that doesn’t matter. It’s Bi-Han that matters. As his father once told Bi-Han, it’s why he’s so harsh with his darling eldest son. Because his claim to the Lin Kuei matters.

The bloody noses, the scars, and the occasional broken bones Kuai Liang received weren’t ever by his father. It was always by Bi-Han whenever they’d train together- almost pitted against each other by their father. As Kuai Liang would be ushered to the infirmary, eager to heal so he can continue training, his father would approach Bi-Han and chastise him for being “too harsh” with his little brother.

He doesn’t care if Bi-Han’s being too harsh with Kuai Liang, just as long as he doesn't kill him.

Bi-Han isn’t scared of hurting Kuai Liang, but he fears his father’s hand hovering around his younger brother’s neck. The gentlest push could snap Kuai Liang’s neck, and then maybe Bi-Han would also die alongside him. Maybe he’d become something worse.

Of course his father is aware that the reason he has such a hold on Bi-Han is because of Kuai Liang, and eventually even because of Tomas. Bi-Han is the only one who lives knowing the capabilities of their father’s violence, the other two boys blessed with being the youngest.

What is it like to be ignorant? As Kuai Liang inherited their mother’s goodness, Bi-Han inherited her knowledge of the truth. She lived a life aware of the terror that was her husband, and was unable to save her children from him. Would Bi-Han be able to save his brothers? What would his mother think of him if he failed?

If she became angry with him, that would be fine. She could lock him out the gates of Heaven if it meant she could embrace Kuai Liang again. Bi-Han would enter hell, and become trapped with his father for eternity, but hopefully he would become the one to torture his father.

He’s never felt the urge to torture his father as much as he did right now.

It’s been ten years since his mother died, today is the “anniversary” of her death. His father always held a dinner in memory of his wife’s and daughter’s untimely demise. Everyone had retired to bed after eating, leaving only Bi-Han and his father facing each other on the opposite sides of the table.

They watched each other in silence as the servants cleaned the table as fast as they could, wanting to escape the awful tension in the air.

As quickly as they finished cleaning, they left the room.

“I was disappointed with the food this year. In all honesty, my appetite was ruined when the rice arrived late. How does plain, white rice arrive late?”

Bi-Han doesn’t respond. His father continues.

“Though it seems you also agree. You barely had anything, but then again, you never eat whenever this day arrives.”

Bi-Han doesn’t respond. His father sighs.

“I waited for everyone else to leave because you clearly have something to say, so what is it? Spit it out, son.”

Bi-Han still doesn’t respond. His father rolls his eyes.

“Even Kuai Liang doesn’t throw a tantrum about this- and you’ve been throwing one for the last ten years. Once a year, you decide to throw this little scene with me. He was eight and practically still glued to that woman’s hip, and yet you’re the one still acting like a child.”

“Don’t.”

His father raised an eyebrow at the one-word response Bi-Han gave him. “What? I could at least understand Kuai Liang if he acted the way you’re acting right now, but you don’t have an excuse. Besides, what if Kuai Liang or Tomas were to die? If you behaved like this, that would simply be embarrassing.”

Bi-Han digs his nails into his palm, his shoulders tensing up. This only urges his father to continue antagonizing his son.

“You are aware that either of them could possibly die? I thought you would have come to peace with that considering our profession. Do you remember your uncle, my own younger brother? Did you see me weep when his body was delivered to me? No, you didn’t. Even if Kuai Liang’s body was delivered to me, I wouldn’t-”

“I’ll kill you someday.”

His father almost misses what he said, the words almost hiding themselves from him. But he heard them, and intrigued, his eyes began to gleam with a wicked glint.

“Will you now?”

Bi-Han still can’t look at that man in the eyes, but his body urges the words out of him anyways.

“The day will come when you’re begging me to save you- when you’re finally at my mercy. And I won’t give you any.”

His father laughs- the most genuine laugh Bi-Han has heard come out of him. If he was Kuai Liang, he would be grinning at the old man’s bellowing laugh.

“I’ll look forward to that day, Bi-Han.”

His father leaves Bi-Han alone at the dinner table. Bi-Han’s throat is dry, sweat pooling at his forehead. That wasn’t torture, that was amusement for his father. It was a circus show his father watched for free. And despite it all, Bi-Han still couldn’t ask the question he’s kept in him for the last ten years.

How’d he do it?

4. Bi-Han

His father is dying.

Bi-Han doesn’t care how his father is dying, he only cares about the fact that he is dying.

The snow has never looked as white as it did with his father’s blood dyeing it. The woods have never been as quiet as it did with his father’s labored breathing. The cold has never touched Bi-Han as much as it did now, with the bitterness leaving his father and the desperation sinking in.

A hand reached out towards Bi-Han, struggling to keep itself supported it collapsed back onto the snow.

“He-help me, son.”

Bi-Han remembers this spot in the woods as the same place Kuai Liang and Tomas began throwing snowballs at him, and in response, Bi-Han kicked the unfinished snowman they built. The woods, at the very least, can offer Bi-Han the memories of fonder parts of his childhood.

“Bi-Han, please.”

The woods can offer melancholic memories also. If he went further into the woods, he would stumble upon the trees Kuai Liang and Tomas planted- gravestones for the family Tomas lost. Though it’s not as sorrowful as it sounds, as it was the same spot Tomas hugged him for the first time.

“I need you to help me, Bi-Han, please.”

If Bi-Han went even further into the woods, he would stumble upon a cave where a bear and her family took shelter in. The first time he saw the mother bear and her cubs, he rushed back home to show Kuai Liang. For hours, they watched the mother catching fish in the river next to the cave, and the cubs annoying each other. They didn’t return back to the temple until the sun began to set. Those bears probably don’t live there anymore, but a new family has probably moved in.

“Son!”

How’d he do it?

There’s a hand on their throat.

How’d he do it?

It doesn’t take much to snap their neck.

How’d he do it?

There’s no blood to spill, so he won’t have to look at himself in the red mirror.

How’d he do it?

No guilt. No relief.

All love.

Bi-Han’s a liar. He doesn’t get a chance to kill his father. He watches his father, instead. He watches his father choke on his own begging and pleading for his eldest son’s love.

It’s all love.

It’s how Bi-Han did it- all love.

The woods have never been more alive, as Bi-Han finally looked his father in his dead, unblinking eyes, and cried.

#mortal kombat #bi-han #sub-zero #mk leaks #mk spoilers #mortal kombat leaks #mortal kombat spoilers #writing;#written with love for the characters and with hatred for the studio that owns them

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adamworu · 1 year

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‘When’s the White Haired Anime Boy Going to Appear?’

For awhile, I often wondered about the phenomena of ‘When is the white-haired anime boy going to appear?’ posts during the heyday of Eva content on tumblr (2013-14). If you were around the Eva fandom on tumblr, or new to the show around that time like I was, you were probably bewildered too. It’s part of what got me into the show other than the character struggles and interesting worldbuilding.

Sure, you could chalk it up to people wanting to see more of Kaworu’s cute, but awkward mannerisms coupled with cryptic, though nonthreatening words. The bath scene of episode 24 is heavily quotable. There was also the influx of ‘headless’ memes (see: Pop Goes My Heart!).

But Eva was watched during many people’s adolescent years. High and low years. Critical years.

Evangelion itself is no stranger to struggles in formative years.

(talks about abuse under the cut)

I’ve always read Shinji as an audience surrogate because of how he’s at the center of these issues. Many of us have a Gendo: We hate them, yet we seek their validation, because unfortunately, they’re all we have. And yet they’re so emotionally cold and self-serving.

Much of the series sees Shinji in less than optimal environments. His father is cold and distant. While Misato takes him in, she also makes him (and Asuka) fight angels due to her issues with her own father. Shinji and Asuka’s relationship within the household isn’t the greatest, either. They’re both emotionally damaged kids who can’t really properly sort through the baggage due to their environment. They’re mainly shouldering the burden of adult issues during their early teen years.

They’re face to face with the open horrors of war.

Kaworu comes in toward the tail end of the series. He asks nothing of Shinji but the narrative hardly portrays him as the sudden, immaculate savior. They get to know each other, and due to his deep traumas, Shinji is of course wary because being open means getting hurt again. So he puts his guard up. The more they interact, the more they both get to know each other.

‘Why am I telling all this to Kaworu?’

This is less of a wariness of who Kaworu is and more of Shinji realizing he spilled part of his heart about his strained relationship with his father. Shinji realizes that he feels open, but not vulnerable. Kaworu feels the same way, replying to Shinji’s answers with ‘I think I may have been born to meet you, Shinji-kun.’

I sound like a broken record saying this but, Kaworu isn’t just his own person. He represents an ideal. This is a point I’m totally partisan to. That tinges of kindness can and do exist, even when one’s world is hell.

On that end, I believe that, at least in the original series, that Hikari is Asuka’s Kaworu. Asuka’s guarded persona manifests as being proud and somewhat brash, but it’s a product of neglect. This worsens when she comes to understand in her environment that her accomplishments mean next to nothing. That she’s replaceable.

The adults in Eva, even the adults of the adults get away with murder and seeing that as a victim of abuse drives a visceral rage I haven’t felt in years. And I’m sure this ire, this rising embitterment stirs in you too, if you ever lived in such an environment.

A lot of us were forced to wade through toxic environments for years while growing up. Had our share of bad relationships that still leave marks to this day. A lot of us are victims chasing the closure that will sadly, never come because many of the people who hurt you walk away when they have much to answer for. Even if they do answer, is there any guarantee that they’ll be genuine?

When Shinji is with Kaworu and when Asuka is around Hikari they’re far less guarded. For the latter, we see a side of Asuka not seen before: one that’s tender. One that doesn’t feel burdened and otherwise ignored.

And that too, could describe that someone in our lives. The world doesn’t feel as daunting. You realize your worth and that you can be yourself when you’re around them. The barriers come down slowly and you stop saying sorry. You don’t feel as if they’re demanding that that happens. It simply just. Does. The people you hate or ignore your grievances seem insignificant in your life, even if for a moment.

When we ask ‘When’s the white haired anime boy going to appear?’ what we actually mean is ‘When is our support system going to appear?’

I know that one day you will find your Kaworu. You deserve better than an apology. You deserve peace.

#neon genesis evangelion #kawoshin #kaworu #shinji #shinkawo #abuse mention #correct me if i'm wrong #happy shinkawo day

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lilyginnyblackv2 · 1 year

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Misaki and Kazuki - Miri’s Mother and Her New Papa - SPOILERS!

I really hope that we get to see Misaki (Miri’s Mom) and Kazuki interact again.

In the interaction that we got in Episode 3, both Misaki and Kazuki were making assumptions about each other and their connection and experience (or lack thereof) with childcare based solely on their genders.

They both show room to grow as people. Kazuki as a caretaker of a child, since he is still fairly (though not completely) new to the concept of parenthood, and Misaki as a person who values herself, her dreams, and learning to nurture the small goodness that we see inside of her (like when she tells Kazuki to sit down so she can care for the cut she caused to his face).

Both of these characters have experienced trauma, and Misaki is stuck in a cycle of abuse. I don’t think Misaki is going to be a one-off character, not only because of this image from the OP, which is very likely her crying eye (the eye color, makeup, and eyelashes are all the same):

But also because of this tweet from her Japanese VA:

The English text reads:

I play the role of a character named Misaki Unasaka. Let me stop here for now. I hope to see the story through with you all.

(Note, I really appreciate that her VA also wrote the message in English!)

To me, that indicates that she will be making an appearance again. Over on r/anime, I saw some thinking that Misaki would only show up again if she learns that Miri has inherited a lot of money or something. But, well...

I don’t think that is likely, since we don’t even know if that mafia boss was aware that Miri had been born/existed. Also, inheriting mafia money is probably a bit complicated, and I doubt his actual wife (if she survived, tbh, I can’t remember off hand) would allow that. But even more so than that, I feel like it would just be falling into stereotypes, and be too much of a black and white depiction of child-rearing (in a negative sense) that Buddy Daddies has largely avoided up until now.

They’ve done great stuff with the Red and Blue Oni Trope. Kazuki is the red oni, and he is more expressive and open, but he isn’t as impulsive, which is Rei, imo.

Rei is the blue one who is colder and more closed off, but he is also the more childish of the two.

Miri’s associated color is pink (with orange being her secondary, and honestly more fitting color), but she doesn’t have a demure or stereotypical girlish personality (because goodness knows gender presentation starts that young).

So, I don’t think they would just write Misaki’s character like that - leans too much into poor and easy writing. Also, it goes against the writers wanting to make the child-rearing experience feel realistic.

Personally, I would much rather that they meet up again (or even a few times) and we get to see Misaki learning to value herself and reach a better place mentally and emotionally - finally being able to leave her abuser behind (perhaps with the help of Kazuki and Rei). BUT, her “happy ending” WON’T be becoming Miri’s mother and caretaker again.

How refreshing would it be to see a woman’s story end like that? Realize that the best thing she could do for her daughter and herself is to not be her mother or caretaker. While the proper and best caretakers and parents for Miri are two men. That’s a message we need to see more - the ideas that not all men are bumbling idiots who can’t care for kids and that not all women are natural caretakers.

Misaki and Kazuki both claim these things to be true, in how they spoke and interacted with each other in this most recent episode, Ep. 3. So, let’s see the series and future interactions prove them wrong and have them learn and grow together - coming to an understanding that these preconceived stereotypes simply aren’t true.

#Buddy Daddies #Kazuki Kurusu #Miri Unasaka #Misaki Unasaka #BD spoilers #Buddy Daddies spoilers #speculation post #meta post #long post #this may not happen ofc #but I would love it if it did!

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