#some of these words are just so???#''still believes in the system even after getting fucked with no lube by it'' is 100% a metal as hell line#tfa#maccadam#also your tags???#tfa megop is so hilarious when done right#And Optimus manages to beat his aft Several times even if he's just ''maintenance prime''#that's more times than fucking Sentinel has won against a Decepticon#Tfp au Optimus is honestly based a bit on tfa Optimus because i say so#and another fucked up bit is how fast things went downhill after Sentinel became magnus#that boy went full 100 with his paranoia

@transingthoseformers making another post bc i'm about to rant

first of all i'm gald you find my phrasing humorous XDDD life's too short not to enjoy it and since i wouldn't make it in prison unique phrasing will have to do lmao

and TFA megop!!!!! i think it has some of the most written for it but most of it is Not for me ya know? no shade, but Optimus is almost always made into some uwu baby when he's a GREMLIN and would sell Megatron's soul for one corn chip. (also Primus and Unicron apparently don't exist in TFA which has me 👀👀👀 bc that has some interesting connotations)

Optimus manages to make peace with an alien race, keep the Allspark out of Decepticon hands, regularly kicks their asses, while also basically raising an alien child that he got surprise custody of. and that's just season 1. Sentinel had his paranoia fanned and abused by Ultra Magnus, given power he wasn't ready for, and possibly also mind fucked to make him more compliant, bc it was Sentinel's idea to go down on Arachna 9.

both Optimus and Sentinel questioned things, and once Optimus was cut at the knees and thought to be neutered they turned their sights on Sentinel and made him into exactly what they wanted.

then he got a position that he never should have in the first place. bc his paranoia is so severe, imo, he shouldn't be in a position of power like that. he would be GREAT in an advisory setting tho.

and things shouldn't have gone to shit so fast when Sentinel became Magnus unless it was already that bad and his incompetence just brought the curtain down.

“Mistake”

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

to me, the funniest thing about “that’s rough buddy” isn’t the fact that sokka says something patently insane with zero context seemingly out of nowhere, or the fact that zuko clearly doesn’t know how to respond. it’s the completely incorrect use of the word “buddy.” zuko would obviously like to be friends with sokka, but sokka is not, in fact, his friend. this is the most time they’ve ever spent together, and it’s because zuko invited himself to tag along on sokka’s suicide mission. at this point in the episode, sokka still hates this guy, perhaps less than he did a week ago, but he still hates him enough that he didn’t bother forcing zuko to stay home, which means he still didn’t really care whether or not zuko lives or dies. which, considering that he had tried to kill zuko multiple times in the past, is not all that surprising. this entire episode is essentially just zuko forcing his friendship onto sokka while sokka is legitimately too depressed to care. so when zuko calls sokka “buddy,” there’s a spirit of dogged optimism characterizing that epithet, because in no possible realm would sokka consider zuko his buddy at this point in the episode. and that’s something we miss when noting the iconicness of this exchange, simply because, by the end of this episode, they are buddies, so in our minds looking back on these lines, the implication of friendship doesn’t feel out of place at all. and really, it isn’t out of place, but only because zuko’s tenacity and determination (in this instance, his determination to befriend sokka) has always hugely outweighed his ability to read the room.

I want to post this here too because I’ve seen it happen a few times

Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use

alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???

I love you garbage truck workers I love you janitors I love you waste water treatment workers I love you sanitation workers I love you

OH FUCKING FANTASTIC they’re both covering up their faces in photographs now

I think it's so interesting that when the Night Nurse goes through Charles' trauma, she does see him being attacked by the other boys, sees him running alone through the night, but she never sees him dying. That only comes later, when she is searching for love.

And there is no fear in that memory, even if there is pain, there is just Edwin and the light he is bringing, metaphorically and physically, into Charles' life, there is smiling and joking and listening to stories. There is Edwin.

So, yeah, I don't think dying was a bad experience for Charles. Not a good one, per se, but one that led to the best thing in his existence.

there’s death of the author and then there’s whatever the fuck is up with danny phantom

Gregory asks Michael an important FNAF lore question..

just finished opla mood

nothing makes me more insane than the phrase "selling your body" btw. like was i not also selling my body at every other job i've had where i had to be on my feet all day, lifting boxes, working in a warehouse, etc. why is it that sex work is uniquely labeled as "selling your body" while every other job is sorted into another category, no matter how much that job might have a physical impact on your body. lmao.

first part of my WCI Zoro AU comic!

sorry Sanji not only am I late for your birthday but also all you get is pain shdjjd

01 02 03

I really wanna draw a happy birthdayboy Sanji all smiley and wobbly 💗💗💗 but cant sketch anything new rn and cleaning the comic is much easier, no thoughts, head empty

Anyway, ramble time

I don't have much experience with making comics, the żabka AU one being the one I roughed out first, but it was much less complicated. I dont recall making a serious comic effort before that... I now have a newfound admiration for drawing fight scenes, found it extremely hard lmao Generally I keep second guessing myself, always thinking I should have added more panels to make what's happening more clear, not sure if the flow of it is right. Even though I already moved onto cleaning I still keep making changes to the sketched out panels that were supposed to be final lol I also second guess the plot I'd planned, maybe I didn't think this characterization through enough? What if people dislike it?

But! If I keep tweaking and overthinking it I'll end up never posting it and I don't want that. And if I focus on other people's judgement I won't find joy in making art and I don't want that either.

So here's to sharing art! Regardless of mistakes and doubts 💗