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#and they are a choice worth making
gender-luster · 5 months
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these three pieces of media are in my brain, holding hands and dancing and making out sloppy style
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nerdpoe · 10 days
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Danny, due to his biology of being half dead, can eat very questionable things and not die. He decides to start a youtube channel with this.
He buys obvious shitty supplements online, clear and obvious scams, and takes them as directed for a month.
Then he reports what they did to him, and sends the samples to get tested. He's gotten more than a few scammers arrested by providing solid evidence that they used hazardous materials to make their product.
He gets away with this by claiming to have the power of abnormal metabolism, or an "iron stomach", so toxins aren't as likely to hurt him.
One of his viewers sends him an unmarked bottle of pills, saying that if he doesn't take the entire bottle on a livestream, they'll blow up a city.
Danny does his livestream, and goes out of his way to use the entire bottle of pills in extravagant recipes. By the end of it he's created a five course meal, all with the pills cooked/melted in, and it's become a mukbang.
The villain who sent it is watching the livestream pissed off, because they didn't specify how to take the pills, so this technically counts. The heroes they have trapped are losing their minds with concern.
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palatinewolfsblog · 9 months
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"True self-care is not salt baths and chocolate cake, it is making the choice to build a life you don't need to regularly escape from." Brianna Wiest.
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communistkenobi · 3 months
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The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 
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corallapis · 11 months
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hudders-and-hiddles · 23 days
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(re)watched in 2024: Ripley
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choices-and-voices · 3 months
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Quotes from Kieran that straight-up sound like Shakespearean love poetry: a comprehensive list
‘None may touch me. None but you.’
‘What is left of my heart belongs to you. When you leave, it will shatter anew.’
‘Tell me I did not hurt you.’
‘How am I expected to pass another century without the taste of you on my tongue?’
‘After so many decades spent hating each sunset, knowing nightfall would take my freedom from me... I began to yearn for the moonrise instead of cursing it. Because dreams of you might be waiting on the other side.’
‘I would rather be cursed to roam the wilds as a beast every night than live endless lifetimes without you.’
‘Wherever it is that souls may go, you will find mine waiting for you at the end of all things.’
‘You shall pay dearly for every spilled drop of her blood.’
‘I was not lying. Were you?’
‘Just this once, beloved... I wish you could not lie.’
‘You hold all of my heart, beloved. Now, and always.’
‘I would make and unmake the world for you, beloved.’
‘Believe me when I say I want every part of you. Every version. Now and future.’
‘Look, beloved. Your skin is a canvas covered in stars.’
‘If I were you, I would begin by thanking her and throw yourself on her continued mercy. Because you’ll get none from me.’
‘What would be the point of immortality without you?’
‘No magic. Like an everyday mortal.’
‘Insult her again, and I will carve my refusal into your flesh, so that you may never forget it.’
‘I don’t care what your title is. Every breath, every beat of my heart belongs to you. You are mine for life.’
‘Thank you… for sharing the sky with me.’
‘If you lay a single hand on her, there will be nothing left of this place but a hole in the ground.’
‘Let us live in this moment long enough that I may love you the way you deserve.’
‘I will let nothing separate us… I shall always find you. Your heart calls to mine in a language beyond words.’
‘For you I would set worlds aflame, tear the sun and moon from the sky. I did not live before I met you.’
‘Perhaps you are the most courageous of all, for choosing to live among us. A mortal among gods.’
‘Welcome home, beloved.’
‘You helped me find peace in my grief. I will always help you find peace in yours.’
‘You sacrifice too much for me, beloved.’
‘I cannot give you my heart. It already belongs to someone else.’
‘There will always be tasks vying for our attention. But you are more important to me than any of them.’
‘I like being in here. I always want you to have the freedom of a place to call your own… and it means everything, that you welcome me in.’
(And finally, BONUS: Quotes from *other* characters in The Cursed Heart that straight-up sound like Shakespearean poetry, because the writers of this book just do. not. rest.)
‘I know you. I’m not afraid.’
‘I love him so terribly, it hurts.’
‘You are so much stronger than you know. And a love as strong as this is worth fighting for.’
‘Even if you kill me, I’m glad I met you. Because you deserve to be happy. You deserve to be loved. And I will love you until my very last breath.’
‘The world is rarely gentle to those who are so kind. It is you who must be the strongest of all.’
‘What do you want with that cursed thing?’ / ‘To cut the Sun and the Moon from the sky.’
‘Anything here that wishes to eat me had best prepare to choke.’
‘I know you. And I love you. Both your darkness and your light.’
‘You are everything I want. Just you. Just like this.’
‘If love could forestall death, we would all be immortal.’
‘All stories end. Even ours. That’s what makes them beautiful.’
‘I don’t care where I sleep, so long as it’s beside you.’
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fumifooms · 18 days
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Canines
The hand that feeds
Mickbell Tomas & Kuro Dungeon Meshi
^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man
v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth
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#Yeahh i’m workng on a mickbell & kabru party analysis oops#I’d bleed for anything if it held me the right way. Even teeth#dungeon meshi#delicious in dungeon#Mickbell tomas#kuro#mickuro#mickrin#It’s on topic in my heart#The red means I love you…#The duality between the care & devotion and the hurt & isolation is really what gets to me#Traumabonded kittens highkey#Tw#cw#cw abuse#tw abuse#Web weaving#web weave#webweaving#I hit 30 pics :( would have added more if i could#Idk even anymore… Pls tell me you see the vision#Mick obvi loves Kuro a lot but this was meant to focus on the unhealthy side if that wasn’t obvious. Abuse tactic of isolation etc etc#People always leave. doesn’t matter how or why but his parents his sister everyone he’s never enough to stay#and that’s why he thinks he has to trick Kuro into thinking Mickbell’s the whole world or he’ll discover that there’s more out there.#Stuff that’s worth leaving him for. He has to make the world scary and unknown and not pay him and not let him have connections#That’s why he doesn’t want people to have a choice!! Either Mickbell doesn’t care about you or he’ll make sure you can never be without him#and there being a third option/outcome in this freaks him out!!!#Some of these should be called ‘No Title’ instead but I have bad academic crediting etiquette this looks cooler sorry#He’s scared of course he bites. There’s only throwing bones when feeding a stray. So bare your teeth and chew me up
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procrastiel · 27 days
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26:36 mins: “I can only act what I am. Oscar Wilde said: ‘Give a man a mask and he’ll show you his true face.’ And I’ve always thought that’s very true, that, you know, by playing characters, so to speak, I, really, I reveal myself. I can put so much more of myself into something if it’s ‘a character’ than when it’s me, you know.”
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canisalbus · 5 months
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I'm sure you get loads of these but heck I said I'd give it a shot anyway!
Your artwork is so inspiring and beautiful. I recently graduated from art school with a degree in Animation Production but I've decided I'd love to be an illustrator some day. Your work really motivates me and gets my brain juice buzzin. Keep it up!!!
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I do think it’s quite interesting how GRRM’s ideals of a good king are confronted and challenged in Jon’s storyline.
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Jon is undoubtedly a good person. And he has the capability to be a good king. But being a good person in the world of ASOIAF is not always rewarded. And being a good king is easier said than done.
“They say the king gives justice and protects the weak.” She started to climb off the rock, awkwardly, but the ice had made it slippery and her foot went out from under her. Jon caught her before she could fall, and helped her safely down. The woman knelt on the icy ground. “M’lord, I beg you—”
“Don’t beg me anything. Go back to your hall, you shouldn’t be here. We were commanded not to speak to Craster’s women.”
“You don’t have to speak with me, m’lord. Just take me with you, when you go, that’s all I ask.”
All she asks, he thought. As if that were nothing.
“I’ll … I’ll be your wife, if you like. My father, he’s got nineteen now, one less won’t hurt him none.”
(Jon III, ACOK)
The situation with Gilly at Craster’s Keep is a perfect example of how difficult it is to give the king’s justice in certain situations. Jon wants to help Gilly, he even feels guilty and horrible for choosing not to, but he cannot so easily offer his help because he is a man of the Night’s Watch.
What’s interesting about this conversation is that Gilly addresses and appeals to Jon as she would a king. She places herself as the weak party and Jon as the king who is expected to protect the weak. She kneels to him, as one kneels to a king, and addresses him as “M’lord”; ironic because Jon is just a bastard, who is now a member of the Night’s Watch. Much has been said about this exchange, and fandom often gives Jon a lot less empathy than he deserves. The truth is that he is in a very terrible situation, notwithstanding the character development that is to come regarding his perception of the wildlings.
But I’m looking back at GRRM’s quote about how being king gives one wealth and power and ability to do something, anything. This is something that Jon absolutely lacks in this situation. He may have been symbolically positioned as the rightful king by the narrative, but that doesn’t mean he has any actual power to enact change within the narrative itself. If Jon were nearly as callous about this whole situation as this fandom wants us to believe, he wouldn’t feel so guilty about refusing to help Gilly as he does later on. P.S: I also want to note that Sam is often lauded for being the one to help the girl, “unlike Jon”…except, Sam only does so when the chaos that follows the mutiny and Craster’s death gives Gilly the opportunity to flee. Sam understood that he had no power to help Gilly early in ACOK and that’s why he sent her to Jon. But he also overestimated just how much Jon would be able to do at that moment. Jon may have been the Lord Commander’s steward, but that didn’t give him the ability to go against Mormont (especially when the LC himself was turning a blind eye to Craster’s vices).
It’s then interesting how this situation of a young girl trying to flee a precarious situation is repeated later on in ADWD and this time, Jon manages to help her. Except the difference is that Jon is the Lord Commander now, not just the LC’s steward. What he couldn’t do for Gilly in ACOK, he can do for Alys even though that too places him in a tough situation.
“Why not the king? Karhold declared for Stannis.”
“My uncle declared for Stannis, in hopes it might provoke the Lannisters to take poor Harry’s head. Should my brother die, Karhold should pass to me, but my uncles want my birthright for their own. Once Cregan gets a child by me they won’t need me anymore. He’s buried two wives already.” She rubbed away a tear angrily, the way Arya might have done it. “Will you help me?”
“Marriages and inheritance are matters for the king, my lady. I will write to Stannis on your behalf, but—”
Alys Karstark laughed, but it was the laughter of despair. “Write, but do not look for a reply. Stannis will be dead before he gets your message. My uncle will see to that.”
“What do you mean?”
“Arnolf is rushing to Winterfell, ’tis true, but only so he might put his dagger in your king’s back. He cast his lot with Roose Bolton long ago … for gold, the promise of a pardon, and poor Harry’s head. Lord Stannis is marching to a slaughter. So he cannot help me, and would not even if he could.” Alys knelt before him, clutching the black cloak. “You are my only hope, Lord Snow. In your father’s name, I beg you. Protect me.”
(Jon IX, ADWD)
We’re seeing a repeat of Gilly and Jon here. Alys is now the weak and helpless maid and Jon, who is still a brother of the Night’s Watch, is once again made to play the role of a king.
Obviously the narrative, as it was with Gilly’s situation in ACOK, is saying that Jon is the king because while Alys could’ve pinned her hopes on Stannis Baratheon (who is actually titled), she chose to flee north to Jon the bastard. And what’s interesting this time is that Jon actually helps Alys in whatever way he can. He uses his status as Lord Commander and his dealings with the Thenns to secure Alys’ marriage. He oversteps his bounds as Lord Commander, and the irony is that he starts to act more as a king would.
So it’s interesting to see how the character often marked as the true king by GRRM’s narrative handles the moral obligations that come with kingship. And GRRM is putting Jon through these tests when he doesn’t even have a crown of his own. GRRM often makes Jon prove his worth as a king despite thinking of himself only as a bastard. We see this best when Stannis comes to the Wall.
Surprisingly, Stannis smiled at that. “You’re bold enough to be a Stark. Yes, I should have come sooner. If not for my Hand, I might not have come at all. Lord Seaworth is a man of humble birth, but he reminded me of my duty, when all I could think of was my rights. I had the cart before the horse, Davos said. I was trying to win the throne to save the kingdom, when I should have been trying to save the kingdom to win the throne.” Stannis pointed north. “There is where I’ll find the foe that I was born to fight.”
(Jon XI, ASOS)
It is true that Jon and Stannis are in very different situations. Stannis is aware that he is the rightful king (as Robert’s heir), and he has also heard from Melisandre that he is the prophesied prince. Jon, on the other hand, is a bastard boy completely unaware of his royal birth or his magical destiny. Yet it’s so interesting that it’s Jon the bastard who was actually doing his duty as the king (without even knowing it) whereas Stannis had to be reminded of it. So despite his failings every now and then, Jon does live up to the author’s ideal of a great king.
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my greatest achievement in DA2 is maxing out Carver's friendship
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and all it took was begrudgingly kissing a little templar ass in act 1 because Carver didn't want to plan a prison break if my Hawke got his ass arrested for being stupid.
#carver hawke#dragon age#dragon age 2#da2#well that and he didn't want leandra gamlen and himself to also get arrested for harboring an apostate but you get me#carver hawke loves his sibling and doesn't want them to get taken away that's why he's such an ass and approves of 'pro-templar' choices#in act 1 he's not pro-templar himself but kissing a little templar ass is how you avoid being arrested#'why yes cullen you are so right the templars are so cool and sexy' my hawke says through gritted teeth for that +5 friendship#look i love him okay he's my favorite and i will go the extra mile to make him happy and it's worth it for how much softer can be later on#honestly maxing out his friendship isn't hard if you're aware of what quests you're bringing him on and make him a grey warden#oh but you do need the legacy dlc otherwise you can't fully max friendship out... you can still get enough to change his dialogue/attitude#also like... we the player know hawke won't be arrested like they're not in any actual dangers from the templars as the playable character#but carver doesn't know that and neither does hawke so the templars *are* a real threat to them#and it's incredibly reckless to purposely piss off templars AND selfish because it's not just hawke that'll be arrested it's their family#for harboring them like we witness templars going after people hiding apostates soooo.....#i'm just saying that carver isn't irrational or just being an ass to personally annoy you okay he has cause#also once carver's a warden and ed has money and the estate THEN he's way more open about telling the templars to piss off#sigh one day i'll sit down and write an essay about carver.... one day
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2sw · 1 year
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You got to wake up. because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!
Supernatural S8E08 Hunteri Heroici ( + S8E06 Southern Comfort )
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wazzappp · 5 months
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Ok @moosemonstrous here we fuckin go.
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OK SO. I apologize if it comes off more Evangellion than Pacific Rim but I thought that making The Charger more slender would help to differentiate it and allow for a focus on agility (also helps it to look more skeletal and unsettling).
The Charger is built in layers. An outer layer that constitutes the armor, a thinner covering, metal scaffolding, secondary thin covering, and then finally the essential wiring that makes the 'nervous system' of the Jaeger. Most of the damage (corruption scars, nicks, paint chipping) is just cosmetic, and the structural nature of the Jaeger is intact.
HOWEVER. The same can not be said of the reactor core. At some point (maybe during Eli's death?) corruption made its way behind the main fans of the outer engine and into the main reactor that powers the Jaeger. In theory this should lead to a catastrophic failure, but in this instance Im thinking there was a chemical reaction that essentially stabilized the corrosive nature of the Corruption (were gonna circle back to that).
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For the most part my version of Robbies suit is fairly standard. I added an orange tint to his helmet screen for flavor because hey. Why not.
The spine of the suit is probably newly integrated to allow for an updated interface, I imagine theres at least a little development in the technology between the time Eli dies and Robbie comes into play. That would make the suit a weird mishmash of past and new technology which could be VERY fun.
Also I LOVED the white accents @cicada-candy added for their design but I didn't want to steal ideas so I just added it in my own places. Your art fucks severely bro I just wanted to make sure and let you know that <3
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TIME FOR MY FAVORITE PART: SPECULATION ABOUT THE CORRUPTION AND ITS THEORETICAL GENETIC EFFECTS IN DOSES ON A SUBJECT!!!!!! (AKA self indulgence part 2 electric boogaloo)
I believe you mentioned the Corruption being a Neurotoxin which would be Very fun and VERY cool but I also have a suggestion. Mainly because you also referenced an increase in Robbies strength, as well as another person who got fuckin deaded shortly after.
A rapid growth in muscle density to allow for this strength would be very interesting, but why would the Corruption cause that? Simple answer; it isn't. At least not intentionally. Whats actually happening is a kind of nerve damage that changes the brains regulation of muscular exertion. Our brains really only let us use a certain percentage of our real strength, because if we just let loose and used it all we would cause significant physical damage to ourselves. Like. ripping your own tendons free from their anchors. you could break your own bones. you would die SO fast bro.
Now it is POSSIBLE to access this strength in situations of extreme stress and thats how you get people lifting cars off of loved ones, but this does still cause damage. It also gets more complicated when you consider Fast Twitch muscle reactions but for the sake of simplicity: You Would Die.
So a release of cortisol and other stress hormones, combined with a lessened ability to control strength. This means they would be USING that strength A LOT against ANYONE AND EVERYONE. But maintaining this sort of metabolism is not reasonable. Someone suffering from Corruption would likely also suffer from Hypoglycemia fatally. So extremely strong, extremely scared, and extremely short lived is the kind of deal we would be talking about here.
SO. Having said ALL OF THAT. WHAT IS ROBBIES DEAL. Well heres my proposal: The Corruption is a virus that causes neurodegenerative disease.
If Robbie was exposed to very small amounts of it as a child, it's possible it was inactive or defective, which would have allowed for an immunization point. Its also highly possible that this is a virus that can not survive (well i say survive very lightly. theres significant debate as to wether viruses are actually alive at all but I digress) outside its usual area AKA Inside a demon. He could have been exposed through contaminated water, direct contact, maybe even breathing burned version through the air. Either way, he came into contact with a weakened version of the virus and it helps him later on.
As he comes into DIRECT contact with Corruption via plugging into The Charger this is when we would start to see some more interesting effects. This Corruption would still be different though because of the aforementioned stabilizing chemical reaction in the reactor. Also, because I think Eli's DNA would be integrated into it. This provides Robbie with genetic compatibility for the virus to jump off of. Remember, viruses don't want to kill a host, they just want to reproduce as much as possible (which does end up killing a host but still). And a fun fact about viruses is that we never actually get rid of them, we just get rid of the symptoms. Once you have it its in you forever.
SO. 1. Immune response from Robbies body begins to cause the nervous damage that would allow for his rapid increase in strength. 2.Immune system recognizes the genetic material is familiar (Eli doing something good even inadvertently I guess). 3. Immune system neutralizes the virus and incorporates it into Robbies genetic coding. All good right? Happy ending? WRONG.
BECAUSE WHEN THERE ARE COPYING ERRORS IN YOUR DNA (SOMETIMES FROM VIRUSES) WHAT DO WE CALL IT?? DING DING DING 10 POINTS TO THE MUTUAL THAT SAID ✨MUTATION✨
This virus still carries genetic material from demons, this would also be getting integrated into Robbies DNA. Places like his spine which would have the most regular contact with the Corruption would probably take the brunt of these changes. It's possible that the nerve damage never truly goes away and he continuously tears and then rebuilds those muscles, resulting in overall increased strength thats technically?? stabilized?? Also I could totally see his body going 'oh shit were finally growing with decent access to fuel? BET' and just. Reactivates the growth plates in his bones ('Look! I've fixed his runt of the litter insecurity!' 'YOU FUCKED UP A PERFECTLY GOOD PILOT IS WHAT YOU DID. LOOK AT HIM. HES GOT ANXIETY ABOUT THE STATE OF HIS HUMANITY').
Oh yeah its also worth noting that this would be like. Pretty painful. We're talking constant soreness, cramps, deep aches that just won't go away. General suffering <3
Of course tapetum lucidum OF COURSE TEEF obviously as if I could go without it. You can get funky with mutations because hey. fucky wucky demon genome integration whoop whoop. Also could be interesting to see damaged areas on the Charger manifest on Robbie as damaged tissue. His skin says 'AH. Damage' and copies itself as scar tissue instead of the usual.
Oh god Ive been writing for a solid hour and a half I was supposed to be asleep a while ago ok. Moose I love this au and its making me unwell thank you for sharing with the class I hope you will consider my virus proposal for body horror purposes.
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timelessbian · 2 years
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ladies is it gay to follow your wife totally platonic narrative foil when she tries to slip out of a social event so you can invite her to stay longer? asking for a friend
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worstloki · 23 days
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it's these kind of shots that really make this movie a film
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