#and of course the main theme is iconic. i like the version with the hard break in the middle the most i love that cut so much | Explore Tumblr Posts and Blogs

makerofmadness · 9 months

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What's with Balloon Boy and the Daycare Attendant?

The Balloon World arcade machine exists, it's in the DA's room and both characters are involved in it. It's probably one of the most cryptic minigames in the FNAF series as a whole, but while we could ponder what exactly it's supposed to mean (maybe I'll do that for all the security breach minigames eventually), the main question I have is this:

WHY Balloon Boy specifically? Why is the minigame about HIM?

Is there a connection between the two characters? Or was it a completely random decision?

Out of nowhere, thinking about Balloon World, I came to a realization:

The Lights.

Balloon Boy's entire gimmick in FNAF 2 was that if he got into your office, he would disable your flashlight and vent lights (...somehow. I know we all make the jokes about him taking the batteries [and then that FNAF 57: Freddy In Space thing in FNAF World said he just straight-up steals your entire flashlight], but you never see the battery icon disappear or appear empty in FNAF 2 itself when he gets into your office. And the vent lights also stop working, so unless they also operate on batteries, then... does he actually take them from you?).

What's the one rule in the daycare?

Keep the lights on.

His mechanic is the antithesis to what Sun wants and exactly what Moon would want. Balloon Boy doesn't keep the lights on. He prevents you from turning them on at all.

(which also makes me kinda sad there wasn't a Glamrock version of BB. Then again, I don't know how exactly he would've uniquely affected like anything. Regardless I am hoping for the day someone in the fandom makes a glamrock bb who is arch-enemies with sun and gets along well with moon skseijdndndnd-)

It feels kinda obvious and I'm guessing I'm not the only person to think about this, but I have never seen anyone else bring this up. Not on YouTube, not on tumblr, nowhere. Maybe if I go looking for it I'll see, but i'm surprised I haven't bumped into anyone else saying this just naturally. I go into the BB tags a LOT, surely SOMEONE would've said something, right? I don't even see it noted in the trivia on the page for the arcade game on the fnaf wiki.

...but is this supposed to mean anything? Or is it just a cute little reference or callback? it's hard to say, especially with how ambiguous the minigame is.

Though I DID think of ONE thing... (possible minor spoilers for Ruin under the cut):

Saw this pointed out in a youtube video that the BB World screen (with Eclipse, who makes their proper debut in Ruin after effectively being foreshadowed by the minigame in SB's base game) can be seen on the ceiling in the DA's room. Which makes sense, obviously, but also take note of the pirate-themed windows in the hallway leading to it.

...now, which character do most of us tend to associate with Balloon Boy? His "tag-team partner," of sorts?

Foxy. The Pirate.

With this, I found that there's more Foxy-related stuff associated with the daycare area than I had previously realized because I had never made any connections before. I mean, Kids' Cove is directly linked to it for god's sake.

Like. I hope i haven't forgotten to mention anything (I've been writing this post over the course of hours 'Cus I had stuff to do in the middle of it all). My brain's kinda starting to fry. But basically: Was Foxy originally meant to be the Daycare Attendant, in-universe? Was there gonna be a Glamrock Balloon Boy with him, like as his first mate or something??? Were they gonna be connected to Fazbear Theater????? (Uh basically Sun/Moon to my knowledge from confirmation in the books and a lot of more subtle implications in-game mainly involving environmental pieces were originally meant to be in the Fazbear Theater as a stage animatronic but got moved to daycare duty instead and being reprogrammed. Which actually explains a lot about them when you think about it-)

Like. Ok I'm forgetting where I was going with this, I'm sorry, but I guess it's food for thought/adds to the weird connections between DA and BB, I guess. Idk. I can't focus that well right now to keep making new ideas.

felt like sharing my interpretation of the Balloon World minigame itself at least since earlier I did kinda finally get it down concretely:

I kinda developed a theory that Eclipse is Sun/Moon's "safe mode" and that rebooting DA reactivated Eclipse as a result. Like, they're their own AI that was at one point implemented. but then Vanny happened and locked them out thanks to the whole Glitchtrap virus thing (albeit it only seemed to reach Moon, while Sun remains seemingly unaffected. Guessing it's because they're different AIs [finally implied/basically confirmed by their Ruin dialogue). Eclipse has seemingly not been active for some time, or at least never post-pizzaplex closure, given how they're seemingly completely oblivious to the fact that this place is closed with no signs of opening.

So the minigame was foreshadowing Eclipse's existence and implying their "trapped" nature, which also could be seen as paralleling Vanessa's whole "Vanny" situation, especially given how iirc one of the messages related to princess quest can be found near the arcade machine.

#This post kinda crumbled toward the end but I hope it's still interesting enough :'3 #fnaf #fnaf sb #fnaf ruin #fnaf eclipse #fnaf sun #fnaf moon #daycare attendant #balloon boy

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peemanne · 1 month

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rgg game osts ranked Yeah.................

LONG ASS POST AHEAD!!!!!! BAH!!!!!!!!!!!

for context awhile back a yakuza discord server i'm in had a music discussion thread open up and we were invited to make simple little tier lists for the game osts to start it off. it was supposed to be just the tier list but i eventually spiraled into a whole ramble. whoops. so i might as well just paste it here with a few additions so the rest of you can see it yippee!!!!!!!!!!!!

will be providing my reasonings and then my highlight tracks. i'm gonna provide convenient youtube links to all the songs mentioned so if you wanna check one of them out feel free to just click the hyperlink

and yes this is ordered in tiers. the personal highlights aren't though

>Yakuza 5 is my personal top 1 OST overall, but it's seriously close. I can't tell you enough how much of a nut I am for this series and its music. Yakuza 5's ost is, in my eyes, the most consistently hard-hitting amongst all of RGG's catalogue. The street fight themes are all amazing, the boss fight themes hit hard and pump you the hell up, and this also has the one of the best B-sides out of all of them, with stuff like Baka Mitai (fun fact, Saejima's is actually considered the original version, Kiryu's "Taxi Driver Edition" actually uses a different key to fit Kuroda's voice), the songs from Haruka's section, and even the jazzy bar themes. 5 hits that perfect balance of quantity and quality, and also happens to fill like half of my workout playlist.

Personal Highlights:

The place where I used to be

Daigo's western theme

Victory Road

and of course The Battle for the Dream

>I am such a sucker for Yakuza 4's music direction. As Tehsnakerer said in his Yakuza 4 video, this is the first truly GREAT soundtrack, and I'd have to agree. The jazzier style of music on showcase here fits this series- and this entry ESPECIALLY- like a glove. This is such a quality collection of sounds. Featuring the best panic themes, the best chase themes, and some iconic street battle themes. 4's direction makes it stand out even more amongst RGG's catalogue, and I couldn't be happier about it. Also, this game gave us Machine Gun Kiss and Pure Love in Kamurocho, which are two of my favorite karaoke tracks in the whole series.

Please bring back Pure Love in Kamurocho for a modern title, RGG. I'm begging you.

Personal Highlights:

Solitude

Receive and Bite You

Infinite Handcuffs

yeah yeah fine For Faith

Why couldn't they use this for the actual cover instead of the weird one we have now like come on this looks so much better

>Is anyone gonna disagree with me when I say Lost Judgment is easily the best out of the more techno-focused soundtracks? They handle it perfectly here, with tracks that grab you by the throat like K.O.G. and Dig In Your Heels, utilizing the electric sound with effortless grace, while still having enough variety throughout to keep it from getting stale. I also found the B-sides here surprisingly strong alongside the main game, with the school stories giving us a nice variety of music to work with. The boxing ones and Toward To The Skyline are what I'd highlight in that selection.

Personal Highlights:

In the Groove

Unwavering Belief / Dig in Your Heels

Final Destination

1811

>Gaiden oh my gah......... Despite the shorter game, I seriously dig the tracks on display here. It's so consistently amazing, and does a great job of servicing both the legacy of Kiryu, and giving us some Good Shit™️ for the newer faces. This is also when I really came to appreciate the cutscene tracks: Wounded Beast is such a kickass track that you'd be forgiven for thinking it plays in an actual fight, and Psycho's Prelude is an amazing hype-up track for an even more amazing boss theme. Also worth mentioning there's like a gajillion coliseum tracks in this one. Have no idea why but y'know I appreciate it. It's cool.

Personal Highlights:

Psycho's Anthem

Deadly Struggle / Fleeting Dream (HAKANAKI YUME)

Bring It On (best street fight track to date i'm not taking notes at this time)

Un altro appassionato

>0 has One-Eyed Assassin so it automatically goes here. The rest of the tracks are decent too ig 🙄 There are a few sort of those "eh whatever cool skip it" tracks in here which hold it back a teeny bit in my eyes, but this is still a really solid collection overall, and also gets props for being Kiwami's soundtrack if it was good. I'm kidding of course but 0 handles it pretty well for the most part. I find 0 is at its best music-wise when they either go all-in with the techno, or shy away from it almost entirely.

Personal Highlights:

Make You Free

Both Receive You remixes (The Subtype and ~Tech Trance Arrange~)

Interplanetary Spark

Reign

>Yakuza 6 has Lots of Lights so it automati I think 6 does a really good job at telling a story through its music. You have tragedy being painted in Fist Law and DESTINY, you have sheer anger and brutality being portrayed in Body and Soul, and you can even find it in the street themes with the feeling of "I am completely done with all of this bullshit" in KAMURO again. I also wanna say this has some of ZENTA's best work, which I really really REALLY appreciate.

Personal Highlights:

Lots of Lights

DESTINY

Bloodstained Philosophy (coolest name for a track i can't lie)

Theory of Beauty

>Judgment immediately does a great job of differentiating itself from the Yakuzas, and it's apparent as soon as you get into the street fight tutorial. The OST does a great job of painting Yagami and the overall bleaker picture of the game. Where some battle themes in the main series feel like a victory lap, JE instead sometimes has you feel like you're on the backfoot. Lambda, Hyenas Wheezing, and Rake Your Inside are all tracks that make you feel like an underdog, and give you that strength to power through what seems like impossible odds. It also has Flower of Chivalry so it aut

Personal Highlights:

Encounter ~ Keihin Alliance

Hyena's Wheezing

Penumbra

Destination

>Like a Dragon (/7) is another heavily techno leaning OST. If you asked me about it a few months ago, I probably would have put this higher. But now with IW out, I've started to see more of 7's OST's flaws. There are few tracks that are either weirdly low-energy, or feel a little generic and mesh together with the rest of the soundtrack, or at worst, both. But 7 still has quite the number of solid tracks, and those that stand out REALLY stand out. Shoutout to one of the most unique long battle tracks in Enter the Tiger.

Personal Highlights:

Brutality

Receive You The Hyperactive

REIWA LABYRINTH

ism

>Yakuza 3 acts as a sort of bridge between the rough, almost grunge-like sound of the PS2 era and the cleaner compositions of later entries. And I think it does both of those styles pretty well! It also starts to experiment with electric sound a little more, while still keeping the heavy guitars 1+2 are known for. The best are obviously composed of the tracks that do both. They even keep the unintelligible English lyrics in some tracks, what's not to love?

Personal Highlights:

Lyricism Without Tears

Clay Doll On The Cradle

Fly

D2A BABY YEAH BEST THEME EVER MADE D2A D2A D2A D2A

(2!!!!!!!!!!!!!!!!!!)

>Atmosphere is a large part of the PS2 era of Yakuza games' identity, and the music is a pretty large part of that. Yakuza 2 has an aggressive, grungy sound that pairs perfectly with the brutality of the game. You'll find some of the most of the most rough sounding songs in RGG's catalogue in here, and it's just so good in a way that isn't really replicated in the more modern entries. Also one of the tracks (Block Head Boy) samples Wu-Tang for some reason and I find that very funny.

Personal Highlights:

Evil Itself

North Menace

Hit & Kill

Outlaw's Lullaby (I still think the Kiwami 2 remix is the better of the two but this one's still SO good please listen to it if you haven't already)

whatcho beautiful ass staring at kaito my king >Kaito Files has like 6 tracks. They're all pretty good tracks, but that's like 6 tracks. Come on. Anyways, it's basically just more LJ music, so uhhhh yeah peak

Personal Highlights (plural would be like all of them)

Blood-Drunk Master Theme

>Kiwami 2. Yeah this one falls into the same trap as 7 does, but with less of those "This is the greatest thing to grace my ears" tracks. It still has some of them, though. The best remixes here are the ones that touch up and make completely sure that what the original has is intact: Lullaby of Outlaws and A Scattered, Eternal Moment are both fantastic in that regard. This also has a decent chunk of completely new tracks, presumably because they couldn't get certain composers back. You have stuff like the amazing triple-part track that plays in the Kamurocho Hills segment, Rebellious Phase which is decent, and the randomly amazing Break Off. Still a crime Evil Itself was snubbed like that smh.

Personal Highlights:

Lullaby of Outlaws

A Scattered, Eternal Moment

Kamuro Hills

Update with Gunfire

(1!!!!!!!!!!!!!!!!!!!!!!!!)

>Unfortunately, like with most aspects, Yakuza 2 does everything the first game did better. Still though, some quality tracks here. Yakuza 1 doesn't have too much to work with, but it still does utilize its few track slots well. From long-standing iconic tracks like Receive You, to Funk Goes On, and even the off B-side tracks like Singin' Bass, there really isn't a miss in here, just moreso a lack of super standout tracks. There's still quite a few to love despite that, of course.

Personal Highlights

son of a gun

Turning Point

Receive You The Prototype

Funk Goes On

>kiwami 1 ost snorkkkkkk mimimimimimimim snorkkkkkk mimim Alright I'm exaggerating, but I still think it's pretty weak in comparison to the rest. There's a lot of tracks that just feel kinda butchered to me? And it's not like the new tracks are particularly standout or anything. The tracks that do work are genuinely really good: Ideal For Violence is uhhhh perfect, Get Over It is a really strong long battle theme, Pray Me ~Revive~ is on par, if not arguably better than the original, and For Whose Sake Kiwami matches the sorrow of the original pretty well. But then you have stuff like Funk Goes On 極 which feels weirdly weak, Receive You the madtype which feels sorely outclassed by like, every single other Majima Receive You, and what would be arguably the strongest track, Receive You Reborn, doesn't even show up outside of Japanese versions. Kiwami isn't all bad, hell, there are some really good standouts here, but it just can't really compare to the rest in my eyes.

Personal Highlights:

Ideal For Violence

Get Over It

Amusing Octagon

Everlasting Spirit

>Infinite Wealth sits in haven't listened enough of solely because I haven't finished the game and thus haven't touched any track past Kooky (UPDATE: now any track past Impregnable Triangle. I'm planning to do the finale by this weekend). By any other metric this would have shot UP. I ADORE this OST. The cutscene tracks, the generic battle themes, the boss themes, the B-sides, they're all so excellent. This inadvertently made 7's OST worse for me because of how much better it handles the techno.

Personal Highlights:

Brutality ~Rebuild~

Impregnable Triangle (Fun fact: this track uses the time signature of 3/4, which is a waltz. I'll let you fill in the blanks for what that means for the theming.)

Kooky

Slugfest (Yamaniacs stay winning what can i say)

ok so uhhh apparently i hit the character limit lmao. didn't even know this site had one. uhhhhhh will continute in a reblog it's just kurohyou and ishin anyways

#rgg #ryu ga gotoku #yakuza #like a dragon #ramblings of the pee-man #video game osts......................

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hey-sherry · 1 year

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Sherlock Holmes The Awakened Demo Thinky Thoughts

A bit late, but I wanted to share my first reaction to the Awakened demo! This is essentially an expanded version of what I wrote on the FW discord, with screenshots edited to look nicer for tumblr. I will do a separate post on the extra stuff that is normally inaccessible without Ansel. [Extra stuff post here]

So: spoilers ahead + keep in mind that the game is darker and moodier, I edited some of the screenshots so that they are clearer on tumblr/mobile view.

Sweet sweet concept art, gorgeous intro music, yay! The main theme is atmospheric and dark, giving me very slight vibes of the Sarif HQ track from DX:HR... I mean this in a good way, not in a “they copied it” way. It’s that sort of nostalgic ambience, but deeper and darker. One day I’ll stop drawing parallels to Deus Ex, but today is not that day.

The intro cinematic is pre-rendered and really good; I liked Sherlock's narration and the implication it's all in Watson's/players' hands now... He sounds more authoritative and distant than in CO.

I really liked the visual with the fly caught in the cobweb.

I did not expect this! It's a really fun title sequence and wow, we’re being thrown straight into chapter 3. I too thought it would be London but this is great 😄

WATSON!!! At this point I’m thinking, “Oooh we're gonna play as Watson, they probably don’t want to show Sherlock just yet, I know someone who's gonna be very happy about this o,o” (ahem hem, @lucere-aeresta) I like long dialogues/cinematics so this intro was a treat. I'll have to replay of course but it felt very satisfying to see a chunk of the story here and be introduced to the new characters. There’s a lot going on!

The receptionist

Dr. Gygax!

You can walk around a little and talk to a couple of NPCs. There’s this easter egg - it’s a Lovecraft easter egg (thanks for figuring that one out, Lucere!) The paper itself is straight from Cordona. :D

You cannot pick this letter up, but the message is very clear. May be a clue in the final game.

Who’s there...? BTW this is the exact face Sherlock gives Jon when he plays the guitar too loudly in the CO seance scene :D

OH NO. LMAO! This had me in stitches, and of course I lied. Nice American accent, you dork. The subsequent journal entry essentially saying "Watson tried to act, I guess" gave me a chuckle. I tried! So hard! And in the en-- moving on...

Here’s how the journal looks like now. The clues have updated icons and you can toggle to sort them by type (document, conversation, item, etc.) or the order in which you found them.

So yeah, Sherlock shows up in disguise and a terrible American accent, says the iconic “Guten day,” and then he gets sedated because Watson cannot lie to save his life.

Of course. OF COURSE. Now I know someone who's going to be a bit disappointed we don’t spend much time as Watson, but that's not me. 😂 My first thought -> they heard us cry and wail about the stubble and said "We're gonna make you beg to have the stubble back" Ok, ok, you win. I'm sorry. 😭

(insert half an hour of zooming around with Ansel instead of playing the damn game) This is how the game levels look when you go out of bounds!

Found some of you in the back! And in the cells! :3 (There’s a wall with photographs of the Kickstarter backers, and a row of cells with names and custom faces - although you cannot see the characters very well at this point.)

Right, I should play. The lockpicking puzzles were fun, but I'll admit I found both of them extremely easy. But I am a seasoned adventure game fan and it's a nice little thing to do for that feeling of escaping the cells. The “Mycroft” (custom) difficulty setting does let you change the puzzle difficulty, so we are probably going to face a bigger challenge in the finished game. The settings don’t make a difference in the demo, though.

SHERLOCK. NO. PUT IT DOWN.

PUT THOSE DOWN OH MY GOD

So yeah, I think it’s safe to say he’s a full blown addict by now. Vogel, what have you done?

Ran into the guard three times, got a game over 😎 Confirmation that yeah Sherlock is still afraid of water! I bet he's gonna love the trip to America and boating around the swamps. What could go wrong.

FYI, there's a guard that you need to figure out how to get past. It's not a sneaking sequence, but you need some items. If he notices you 3 times he rings the alarm, and the game reloads

At this point I'm having fun just investigating stuff and admiring the new journal etc., it's all very nicely designed. It's awesome that we can sort evidence by type now! The mind palace facelift is so good and feels more involved than before.

Back to the game... I SQUEALED!!! 😄 duhhh

And again! Two back to back CO references, yay ♥

Well I am a smart detective and deal with the guard with my brain and not my fists. Time to yoink all of his clothes. Where did his body go? We don't ask such questions around here...

HEEEEEEEEELLLLLLL YEAAAAAAAH

ANSEL PHYSICS RESET MY BELOVED ♥♥ never fix this please never ever

(cue another photoshoot)

The biggest tease in all of the demo: THAT EXCLAMATION MARK. Let... me... see... outfits! 😂 Lovingggg the updated outfit screen, so happy there's some gorgeous lighting in there. It looked kinda bad in CO.

Okay, back to playing the game! I LIED, more photoshoots as the inmates scream, cry, and wail all around me. Sucks to be them, I guess.

Okay, Gerda! I LOVE her new design, and her voice actress too! She was so great.

Gerda is the second inmate that we meet. She wants her friend Heidi back and until then she will not talk. The first inmate that we meet is Mauricio Napoleon, it is just a short but entertaining conversation/cinematic. We don’t talk to him any more in the demo.

He does that lil smile as she spits the worst threats at him, it's glorious

Something something Silent Hill 3 (Gorgeous!)

I try to play the mountain goat in every game and the absence of the jump button will not stop me

So I didn't take screenshots of the quite meaty gameplay surrounding getting Heidi back and figuring out what's going on, so here's some thoughts: - The updated crime scene investigation looks fantastic! The smokey green aesthetics are fitting and everything is much clearer than it was in CO. I like that we can see how many variations there are for each 'node'. The only thing I'm not sure about is the first person perspective - Sherlock's close focus mode - because I had trouble seeing what's different in the variations, and sometimes the models would push me back a little bit when they loaded. I'd move away from the node just by trying to see things and had trouble re-positioning... not a great deal of trouble, of course, but it is a downgrade from SHCO. I think the 3rd person mode like with Jon in CO works much better. This is my biggest criticism of the demo. - There was a tad too much running back and forth just to seemingly fetch a few items... this may be polished further, I don't know. It gave me old adventure game vibes where you kinda run back and forth for a few small things lol. - I wished we could use the items more directly and/or assemble things, not just have them as text in the inventory... but I understand that making a new puzzle feature may be too much work at this point - The "three clues" dialogue confused me for a moment, but so it did in CO as well so this may be a ‘me’ problem 😂 I keep forgetting that there are 3 different questions to answer, not that I need to present 3 accurate clues... hahah. - The darker overtones are soooo up my alley! When I figured out what had happened to one of the people in the casket... ooof anyway, time to find and assemble Heidi!

Him <3

Awww, isn't it cute?

BUT IT'S WRONG

Oh so wrong 😂 I did NOTTTT expect this ahahahahhhh Hands down the best part of the demo The mental health aspect of the remake was what had me a little worried, but you know what, I think it's gonna be fine 😂 Heidi is one bad bench, and Sherlock just ACCEPTING he's now talking to a demonic doll and making the most of it is just chef's kiss Love, love, love. We're all mad here.

I unlocked a reward, and what a sweet one it is! Sadly, you cannot change your clothes in the demo. The updated physics make his chain and bag go bouncing like crazy, haha.

And thank

you

for reading! Feel free to send me an ask if you have any questions.

#sherlock holmes the awakened #sherlock holmes #john watson #frogwares holmes #SHTA demo #thinky thoughts #my screenshots

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bidonica · 2 years

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When did paintings become a thing? In mediveal or Tudor period? In westros, I think myr has paintings- what would be the real life parrele to them?

Okay, first things first: it’s hard to put a definite timestamp on it because we can’t tell if there are earlier examples lost to history, but some of the most ancient paintings in the West (that aren’t murals or meant to be part of other items, like the funerary paintings from Roman Egypt that were put on mummies) are devotional paintings/icons from about the 7th century. Religiously themed art was a constant throughout the European middle ages, and that includes paintings, that in the West became progressively less icon-like and moved towards a more naturalistic style of representation. However, the emphasis of medieval culture on spirituality and symbolism rather than on individualism and the faithful representation of the real world, is possibly why we don’t have much in terms of medieval portraiture and secular subjects.

That changes at the beginning of the 15th century with the boom of oil painting in the Flanders and the development of graphical perspective in Italy alongside the rise of the humanistic cultural movement. Both these regions (the Flanders and key Italian states and city-states like Florence and Venice) hosted mercantile societies with a rising middle class and a dynamic, often cultured ruling class that made up the bulk of the art patronage at the time - alongside the church of course, that isn’t going to go away until the Napoleonic era. All of this facilitated a shift where paintings as often portable objects that could be gifted or traveled with became valued (also you can’t really do oil glazes on wall paintings, much to Leonardo’s dismay).

Jan Van Eyck’s Arnolfini Portrait, from 1434. A Flemish portrait of a Florentine merchant couple living in Bruges: there was a lot of exchange between the Flanders and Italy.

So, at the end of the middle ages and going into the Renaissance, the Flanders as well as Italian cities or small (ish) states became the main center of art production, because they had the right cultural and economic environment to facilitate it; other places in Europe, and especially the British isles Westeros is a somewhat magnified version of, took some time to catch up - I talked about this parallel and its limitations when it comes to art related worldbuilding extensively in one of my first “art in Westeros” posts.

Which is to say, there is no direct parallel for Myr with regard to painting, because historically there wasn’t “a” Myr, but several key cities that in the span of a few decades were brimming with artistic production, each with some distinct local style, but asoiaf canon hasn’t gone in detail on what the Myrish style is, except that it’s “vivid”.

(more art in westeros) - (more art in hotd)

#art in westeros #asoiaf meta #the free cities #myr #art history

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balladwind · 1 year

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↘ independent && private VENTI from GENSHIN IMPACT ↘ headcanon heavy ↘ multi - para, multi - ship, ship friendly ↘ mun is 21↑ runs on a GMT +8 timezone

GUIDELINES.

01. this is an independent, selective and private blog. i will only interact with mutuals and will be extremely selective with who i follow due to the chaotic nature of this fandom. i won't follow first since i made this blog to roleplay with friends only but if you catch me on a time where i am more free, i'll follow back.

Please softblock / hardblock if you do not wish to interact anymore. There’ll be no hard feelings, of course. You do what you have to do but please just soft / hardblock to make it clear. Thank you !

credit for icon border:venuscommissions credit for theme base code: soldierholiic

THREADS

02. one-liners, multipara are all okay. i lean more towards the latter but i wouldn’t mind doing one-liners either for fun.

03. usually, i match length. but i can also write a lot. i write a hecking lot, especially when it comes to meme in askbox. i ramble a lot. but don’t feel stressed over matching lengths - just give me something to reply to.

04. if you wish to continue a thread from asks, feel free to create a new post and tag me in it.

05. i’m known as a bit of a muse bicycle so i can roleplay any side characters to spice things up on and complement the threads.

06. i will drop threads if i don’t feel it anymore but i will try my best to let you know about it beforehand and maybe we can either discuss another plot or shake hands and walk away like mature adults if nothing else works. there’s no pressure to continue interacting with me if there isn’t chemistry between the mun either !

SHIPPING

07. multi-ship, and is generally alright with most ships. feel free to chat me up if you find that our muse has chemistry / has potential to develop good chemistry. naturally, i will not write romantic ships with muns or characters under the age of 18. i won't write xiaoven, cynonari or zhongchi. platonic is fine.

08. please note that i will require sufficient threads and ooc discussions to start a ship with anyone but that goes for everybody, yeah?

NSFW

09. yes, i am over 20 but i most likely will not be writing sex stuff with just anyone off the bat. main reason being i am pretty bad with it and i wouldn’t want to accidentally give anyone’s character a derection or anything. i do like to write the foreplay though but anything that comes after is pretty hard to interest me unless it’s with a shipping partner. also, i make a lot of sex innuendos joke because unfortunately that’s my main comedy go to but it doesn’t mean that i want to write smut.

NO-NOs

10. please don’t come to my dms with passive aggressiveness and uppity in regards to how i write my character. i don’t care that much about sticking to canon to a tee. i love to bend the lore, twist the rules around and entertain to the best of my creative abilities. i only focus on making myself a very happy writer and hopefully someone a very happy writing partner.

11. mun =/= muse, this goes without saying. but if my muses becomes a bit too much, just let me know nicely and i’ll try and dial them down. your comfort is important but don’t be a jerk about it.

12. i will block anyone who engage in senseless drama or discourse. i will also not follow anyone whose headcanons or takes i am uncomfortable with that sprung up due to sinophobia, have incited sinophobia or any misinterpreted romanticization of my culture at that sort in this fandom. we sure live in a wild time, huh.

13. i portray the chinese version of the game when it comes to characterization of the characters and lore.

14. no god-modding, obviously. and try not to have your muse know things that my muse wouldn’t tell anyone.

15. I have massive social anxiety, coupled with a lot of other shit with my mental health so I will be selective with who I will continue to thread with. If something bothers me, I’ll let you know nicely and gently. If we still don’t click, I’ll have to drop threads or plotting ( though I will still be open with working things out ) but again, I’ll let you know nicely and gently. Please be open to that possibility!

i have discord and i’m all willing to share with mutuals. just hit me up!

#pinned.

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three-bunnies-in-a-trenchcoat · 10 months

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OK ok. many things 2 say. i just woke up and read ur answer so bare w me i have a lot

first of all. yeah people really fuck with malons character and the tropes they stick to her are boring at best and misogynistic at worst and it makes me Very Upset. shes one of my favs and shes actually rlly interesting if u squint (im abt to make 2 posts abt that lol) but noooo shes Time's Wife and The Boys Mother and nothing more . when it comes to Time L/U its weird bc it takes the heroes shade into account (which is fine! it is canon!) but imo the heroes shade completely fucked her character to shit and disregarded her entire story of oot and mm and. hhhh. i dont like that version of her becoming the Main Interpetation. please stop making her a brooding asshole please consider her as shes written pleaaaase 🙏🙏

i dont blame u for finding oot and mm dull. theyre long and old and not quite story-heavy as sksw and botw but im just insane about its themes and characters so if u ever have questions i can prolly answer them (and itd make me super happy lmao 🕺💃)

i didnt even know the shortened names were a completely fanon thing what !! hell world ig aaaagh

and OK THANK YOU!!!! there is a MASSIVE difference between tired and sleepy and he is TIRED if anything !!!!!!!! the entire game is about how devoted link is to saving zelda that it caused the reincarnation cycle OF COURSE HE WOULD BE TIRED. OF COURSE HE WOULD SACRIFICE SLEEP FOR THE SAKE OF HER. OF COURSE!!!!!!!!! i will say that there is this interesting thing w sksw in that, like... you start out being told link is someone who is very carefree and almost lackadaisical. he lives with his head in the clouds and takes things at his own pace and he likes to stop and smell the roses and whatnot (see: everything zelda says at the beginning of the game abt him not practicing and not rlly taking it seriously and etc etc etc). hes too late to see her at the forest temple and impa tells him he was too late to SAVE her and THEN we get that iconic "am i late?" "no. youre right on time." scene, and then it ends w ghirahim saying hes "far too quick" at the end of the game. what im getting at is that hes trying so, so hard throughout the game to be the hero zelda needs, and he gets better and better and better (albeit at his own expense). i DO think the impa scene was the major turning point and fucked up his view of himself ("why would i need to take care of myself when she still needs to be saved?") but point is. he is trying so hard. yes hed be tired and itd almost certainly be self imposed but sleepy? LAZY??? did you play the game past the opening .

you and me have the same brain abt sksw link i think. no more sleepy soft sweetheart link i want sksw link with a good heart who is still ultimately so sooo tired and weary bc he is putting everything he is into saving his friend but who also wont pass up the opportunity to fuck with people or wreck shit if he wants to.

ok sorry for the long messages. Why am i not following you what hang on

Dang :/ you really can't have anything in this place, huh? (Also I'd love to hear what you have to say on the hero's shade (even if its just in the context of lu), because I do quite like him (although the version that exists in my head is admittedly a bit-- different))

It's not that I don't want to watch it its just that I know after about three hours I'll be giving up (yeah I can replay a game I've already finished three times for six straight hours but GOD FORBID I try to watch a new show or listen to a podcast :/)

Yeah the names are shortened. yall could've been creative at least? It feels like it reduces them down even further, if that makes sense

YES he's getting faster and faster but at what cost!! Buddy you're going to make yourself sick!!! Take a break once in a while!!! (I say while actively writing several fics in which he Does Not Take A Fucking Break)

At this point sksw link simply has no shits left to give. Like yeah he'll help people but. Wouldn't it just be so much easier to give this love letter away as toilet paper? And also like I know it's just restrictions on how many words they can get in the boxes. But he seems like a pretty blunt guy. I think someone who's a quote unquote "soft sweetheart" would at least be willing to use more than three words at a time (and he wouldn't walk closer to better hear a private conversation, cough, pipit and his mom, cough, and then lie about it)

#the main thing that interests me in ss isnt like. the characters and such. but rather the lore and the fuckery of the timeline.#so im not as qualified to speak on it as i would like :/#also im just bad at grasping stuff thats not laid out directly in front of my face #mb and strawberryrosewood scream about hats

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thimbil · 3 years

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Having some thoughts about the references and inspirations used for the Bad Batch’s designs.

So Boba Fett is my absolute favorite character and Temeura Morrison was perfect casting. I went to see the 2008 TCW movie in theaters because I was so excited to see him again, even if he was animated. You can imagine my disappointment. Whoever was on screen was not Temeura Morrison. You could sort of see a resemblance if you squinted and didn’t think too hard about it. They replaced Temeura with Racially Ambiguous G.I. Joe. If I didn’t know better and someone told me the animated clones are space Italians from the moon of New Jersey I would buy it. One Million Brothers Pizzeria and Italian Bistro. Not that there’s something wrong with being space Italian, I just don’t think it’s the right choice for the Fetts. The design got slightly improved by season 7 but it still bugs the hell out of me.

I did eventually get into the show later and (of course) got invested in the clones. Unfortunately, they were largely sidelined by the Jedi storylines. Out of the two new main characters created for TCW, Ahsoka definitely got more development and focus than Rex. When they announced The Bad Batch, I was excited to see a show specifically devoted to the clones… at least that’s what it said on the tin. We have all seen what lurks beneath those stylish helmets.

Jango Fett, you are NOT the father.

So who is?

Based on interviews with Filoni, it sounds like the Bad Batch was a George Lucas idea. And like all his ideas, it’s super derivative. The original trilogy directly lifted elements from sci fi serials, westerns, and samurai movies, more specifically Kurosawa films like The Hidden Fortress. For The Bad Batch character designs, the influence is obviously American action and adventure movies.

Now let’s get specific. Bad Batch, who’s your daddy?

Hunter

Sylvester Stallone as Rambo in First Blood 1982. That bandana has become an integral part of the iconic action hero look. You see a character wearing one and it’s a visual shorthand for either “this character is a tough guy” like Billy played by Sonny Landham in Predator 1987, or “this character thinks he is/wants to be a tough guy” like Brand played by Josh Brolin in The Goonies 1985 or Edward Frog played by Corey Feldman in The Lost Boys 1987.

Hunter’s model is closest to the original clone base. If you look closely you will see the eyebrows are straighter with a much lower angle to the arch. His nose is also not the same shape as a standard clone like Rex, including a narrower bridge. It’s certainly not Temeura Morrison’s nose. Remember what I said about space Italians? It didn’t take much to push the existing clone design to resemble an specific Italian man instead of a specific Māori man. The 23&Me came back, and Hunter inherited more than the bandana from Sylvester.

Crosshair

The long narrow nose, the sharp cheekbones, the scowl. That’s no clone, that’s just animated Clint Eastwood. Not even Young and Hot Clint Eastwood from Rawhide 1959-1965. With that hair, I’m talking Gran Torino 2008. The man of few words schtick and family friendly toothpick in lieu of cigar are pure Eastwood as The Man With No Name from Sergio Leone’s spaghetti westerns A Fist Full of Dollars 1964, For a Few Dollars More 1965, and The Good the Bad and the Ugly 1966.

In a way, this is full circle because the actor Jeremy Bulloch took inspiration from Clint Eastwood for his performance as Boba Fett in ESB.

Wrecker

In an interview Filoni lists the Hulk as an (obvious) inspiration for Wrecker. Ever seen the old Hulk tv show from 1978? Well take a look at the actor who played him, Lou Ferrigno. Would you look at that. Even has his papa’s nose.

You could make the argument that Wrecker was influenced by The Rock, an appropriately buff ‘n bald Polynesian (Samoan, not Maori) man. But look at him next his Fast and Furious costar Vin Diesel and tell me which one resembles Wrecker’s character model more.

Tech

Tech is a little trickier for me to place. If he has a more direct inspiration it must be something I haven’t seen. That said, his hairline is very Bruce Willis as John McClane in Die Hard 1988. His quippiness and large glasses remind me of Shane Black as Hawkins from Predator 1987. In terms of his face, he looks a but like the result of McClane and Hawkins deciding to settle down and start a family. Although, Tech’s biggest contributors are probably just everyone on TV Trope’s list for Smart People Wear Glasses.

And finally,

Echo

Oh Echo. Considering he wasn’t created for the Bad Batch, he probably wasn’t based on a particular character or movie. But if I had to guess, his situation and appearance remind me a lot of Alex Murphy played by Peter Weller in Robocop 1987. However, Robocop explored the Man or Machine Identity Crisis with more nuance, depth, and dignity. Yikes.

The exact tropes and references used in The Bad Batch have been done successfully with characters who aren’t even human. Gizmo from Gremlins 2: The New Batch 1990 had a brief stint with the Rambo bandana. I could have picked any number of characters for Defining Feature Is Glasses but here is the most cursed version of Simon of Alvin and the Chipmunks. Suffer as I have. Marc Antony with his beloved Pussyfoot from Looney Tunes has the same tough guy with a soft center vibe as Wrecker and his Lula (also a kind of cat). Hell, in the same show we have Cad Bane sharing Cowboy Clint Eastwood with Crosshair. I actually think Bane makes a better Eastwood which is wild considering Crosshair has Eastwood’s entire face and Bane is blue.

So we’ve established you don’t need your characters to look exactly like their inspirations to match their vibe. So why go through the trouble and cost of creating completely new character designs instead of recycling and altering assets they already had on hand? Just slap on a bandana, toothpick, goggles, and make Wrecker bigger than the others while he does a Hulk pose and you’re done. Based on the general reaction to Howzer it would have been a low effort slam dunk crowd pleaser.

But they didn’t do that.

So here’s the thing. I like the tropes used in The Bad Batch. I am a fan of action adventure movies from the 80s-90s, the sillier the better. I am part of the Bad Batch’s target audience. Considering what I know about Disney and Lucasfilm, I went in with low expectations. I genuinely don’t hate the idea of seeing references to these actors and media in The Bad Batch. I don’t think basing these characters on tropes was a bad idea. If anything it’s a solid starting point for building the characters.

The trouble is nothing got built on the foundation. The plot is directionless, the pacing is wacky, and the characters have nearly no emotional depth or defining character arcs. They just sort of exist without reacting much while the story happens around them. But I can excuse all of that. You don’t stay a fan of Star Wars as long as I have not being able to cherrypick and fill in the gaps. This show has a deeper issue that shouldn’t be ignored.

Why do the animated clones bear at best only a passing resemblance to their live action actor? In interviews, Filoni wouldn’t shut up but the technological advancements in the animation for season 7. So if they are updating things, why not try to make the clones a closer match to their source material? Why did they have to look like completely different people in The Bad Batch to be “unique”? Looking like Temeura Morrison would have no bearing on their special abilities and TCW proved you can have identical looking characters and still have them be distinct. In fact, that’s a powerful theme and the source of tragedy for the clones’ narrative overall.

Here’s Filoni’s early concept art of Crosshair, Wrecker, Tech, and Hunter. (Interesting but irrelevant: Wrecker seems to have a cog tattoo similar to Jesse’s instead of a scar. Wouldn’t it have been funny if they kept that so when they met in season 7 one if them could say something like “Hey we’re twins!” That’s a little clone humor. Just for you guys 😘)

None of these drawings look like the clones in TCW, much less Temeura Morrison. Let’s be generous. Maybe Filoni struggles with drawing a real person’s likeness, as many people do. But he had to hand this off to other artists down the line whose job specifically involves making a stylized character resemble their actor. Yet the final designs missed the mark almost as much as this initial concept. Starting to seem as if the clones looking more like Temeura Morrison was never even on the table. It wasn’t a lack of creativity, skill or technical limitations on the part of the creative team. I don’t think there is an innocent explanation. They went out of their way to make the final product exactly how we got it.

This goes beyond homage. They could have made the same pop culture references and character tropes without completely stripping Temeura Morrison from the role he originated. It was a very purposeful choice to replace him with more immediately familiar actors from established franchises and films. It wouldn’t shock me if Filoni, Lucas, and anyone else calling the shots didn’t even think hard or care enough about the decision to immediately recognize a problem. And I don’t think they believed anyone else would either. At least no one whose opinion they cared about. Those faces are comfortingly familiar and proven bankable. They are what we’re all used to seeing after all. They’re white.

Lack of imagination, bad intentions, or simple ignorance doesn’t really matter in the end. The result is the same. Call it what it is. They replaced a man of color with a bunch of white guys. That’s by the book garden variety run of the mill whitewashing. There’s no debate worth having about it. For a fanbase that loves to nitpick things like whether or not it’s in character for Han to shoot first or Jeans Guy in the Mandalorian, we sure are quick to find excuses for clones who look nothing like their template. Why is that? If you don’t see the problem, congratulations. Your ass is showing. Pull your jeans up.

#star wars #the bad batch #unwhitewashtbb #wrecker #crosshair #tech #hunter #echo

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hadescavedish · 2 years

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Ok so @chronically-fangirls asked me to do an Anthony Valentine rec-list, since I posted his images all the time lmao. So here we go <3

I’ll do a brief introduction, since some of my followers aren’t familar with him: Anthony Valentine was an English actor who was mostly famous for his really wide range of roles (from passionate heroes to sinister villains, from down-to-earth street gangsters to elegant aristocrats), his alluring and distinctive voice (with more than 10 kinds of different accents). He was born in 1939 in a working class family, started his acting career since age 10, had been acting for almost all his life (to quote his words, he can’t remember a day he doesn’t want to act). Besides the acting talent, there are many things he can do, riding, fencing, dancing, and singing... I will not just write them all down lol.

I will put the links from YT in the following list:

- Raffles: this is the show made me where I am now, I did watch him from Granada Sherlock Holmes in which he played a villainous womanizer at first, and that was how I got to know him. But the show Raffles made me become a, uh, a fan. It was adapted from E. W. Hornung’s novel series ‘Raffles’ (the premise of the novel was: ‘So Sherlock Holmes and Dr Watson are thieves instead of solving crimes?’ Of course there are more to it but since this is a short rec-list I will keep it simple. It is heavily queer coded, it is actually... gayer than Holmes book series, and many people concluded the other (also very obvious) inspirations are Oscar Wilde and Geroge Cecil Ives, so to speak. AV along with another wonderful actor Christopher Strauli (who played Raffles’ sidekick and love of life) made the show as queer as possible for the specific time period (1970s, and some people say it might have been most explicit queer coded UK TV shows before Brideshead Revisit). Not to mention this show is a full display of AV’s various talents (especially the accent).

- Callan (pilot, S1, S2, S3, S4, scripts): while I was watching Raffles, I saw many people posted AV’s gif from this show, I am actually not specifically into spy genre, but I like its anti-Bond theme, the cynicism, the historical reference, the class conflict and social topics, and the aesthetic.. it is just so artistically entrancing for me. The main character Callan was played by Edward Woodward, who is also a very versatile and talented actor (I would recommend watching ‘The Wicker Man’ and ‘Breaker Morant’). AV played a character who is called Toby Meres (who is well received among the fans and it earned him the publicity and financial stability, his career got better and better since then), a charming but yet sadistic and sinister morally grey agent, who is in many ways opposite to the main character Callan (who was born lower middle class, whose parents were killed during WW2, who was oppressed by the system and upper class). unfortunately during that age filming tapes were expensive, and they didn’t know the show would become so popular, so some tapes from S1-S2 are lost, but even with the surviving episodes, it got me obsessed enough. Also AV was not in all episodes due to contract reasons, he was in most of S1, almost all S2 and S4 (absent in S3). There are also a pilot episode, a flim version of the pilot episode and a TV movie, I recommend the TV pilot episode (in which the original Toby Meres actor wasn’t AV, they recasted the character into him in regular series and it was successful). Well one more thing, I do ship the main character with Toby very hard, don’t judge me.

- Colditz (S1+2, some episodes from S2 got deleted from this list, the second playlist has full S2): AV appeared in almost entire season of S2 as a uh Nazi officer who was heavily wounded before and assigned to Colditz prison camp as second in command (yeah I did hesitate before) the show itself is definitely one of best UK TV shows of all time. AV was so good in the show it turned him into a sex icon (no kidding, srsly lmao, well I am gay so I am not attracted to him in that way but I understand), but also made his public image at the time somewhat troublesome to himself, along with horny fan letters, he also received many threatening letters from viewers who cannot distinguish between fiction and reality. He made a role which could have been handled in wrong ways by other actors, he gave the role just right amount of rigidity, unpleasantness, and yet you can see the humanity with glimpse, a very layered, not-so-villain kind of villain character. I watched his interview for another character in which he mentioned his interpretation to this character... not only he played just so good, also his understanding towards the role was intellectual and insightful.

- Justice: The show itself I consider is one of most liberal shows in UK in 1970s, its view is still relevant even today, it has heavy feminism tone, is sympathetic towards worker movements, and progressive in many respects, immigration, marriage, family, social equality, attitude towards law and goverment and so on. The main character Harriet Peterson was played by Margaret Lockwood, who was absolutely marvelous as a badass lady barrister (kind of like a warrior to me!) AV appeared in S3 (yeah you noticed he appeared in many things yet often was busy somewhere else lol) as young and dashing James Eliot. The fashion sense he had in the show reminds me of Al Pacino in his lawyer movie and also Bobby Deerfield.

- The Donati Conspiracy (three piece dystopian drama, I recommended this so often I can’t recall how many times)

Here are some notable mention I would really recommend after his regular shows:

- The Dancing Years (as the main character who is a romantic and sentimental composer during 1910-WW2)

Thank you for reading (there are other shows I haven’t mentioned but one step at a time) <3

#anthony valentine #tv shows #rec list #raffles #callan #colditz #justice #the dancing years #the donati conspiracy #and so on

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maxwell-grant · 3 years

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Can we talk about the Black Bat both in general, and and how he may have been an influence on two superheroes (Dr. Mid-Nite and Daredevil) and a supervillain (Two-Face), but was proven in a court of law to have no connection with the superhero who immediately comes to mind (Batman).

Having finally read a couple of his original stories and runs, yeah I got some thoughts on him.

While not the first bat-themed pulp character, nor the first fictional detective with a disability turned superpower (that would be Max Carrados, who actually was blind), Black Bat’s main claim to fame nowadays is his correlation to superheroes with the mixed traits he has that would all become massively popularized by characters who debuted afterwards. Regarding the Batman lawsuit, it wasn’t so much proven that they have no connection, as much as the publishers of both characters argued they did it first, and then agreed to stay out of each other’s territory, with Batman staying out of pulp magazines and The Black Bat staying out of comics (not that it would stop his publishers from rebranding him as “The Mask” and doing comics).

Black Bat actually couldn’t have inspired Batman, because Batman debuted 4 months prior. Plus, both were already ripping off the same guy, and both of them were far from the first bat-themed pulp characters at the time. And the idea that he inspired Daredevil I find too much of a reach. Dr Mid-Nite I can definitely see the resemblance, and while Two-Face doesn’t have much similarities to Tony Quinn past the origin and the anti-hero aspects, “handsome crusading District Attorney disfigured after getting splashed in the face by acid goes on a rampage” is not exactly vague enough of a concept to pass for coincidence. Two-Face debuted just 3 years after Black Bat, while Bat was still a pretty successful character (he managed to outlast nearly every other pulp hero), so it’s very possible that Kane and Finger had a look at Black Bat’s origin and used it as the basis for their Jekyll & Hyde-themed villain.

Okay so, that’s that for Black Bat, but what’s the character actually like? What’s there to him other than historical oddities? Does he have what it takes to survive and thrive again in a modern landscape?

The thing that sticks out to me about Black Bat is that he is a pulp character who feels like he was designed specifically with the arrival of the superheroes in mind, as when comic book superheroes began to carve a space for themselves, one of the responses the pulps had was to put out new heroes intended to be a part of both worlds, hybrids of pulp heroes and superheroes who could try to capture success in either format, characters like Ka-Zar and Black Hood who started in one and then jumped to the other.

Black Bat’s got a lot of the usual hallmarks of dark detective pulp heroes and his adventures are largely him battling ordinary criminal masterminds and gangsters, but he’s got an iconic costume, he’s got a super dramatic origin story that the stories keep coming back to (unlike most pulp heroes whose origin stories are not usually mentioned), and he’s got superpowers brought in the aftermath of a tragic accident. Not just skills anyone can have by training hard enough, actual superpowers, even if they don’t see as much usage as his pulp hero skillset.

To the world that knew about him, Anthony Quinn, once a virile, upstanding representative of law forces whose name had held terror for evil doers, was now an impotent blind man whose sight had been permanently destroyed by acid thrown at him in a crowded courtroom, and whose face was horribly scarred about the eyes. For a long time he had seemed to live in a world apart.

Such actually had been the case during the long months when Tony Quinn had lived in a sea of blackness. But Nature had been as kind as possible, giving him something in return for what had been taken from him. As a result he had since realized that his senses of feel, smell, and hearing were far more acute than formerly. Under his sensitive fingers whatever he touched had begun to tell strange new stories. His sense of smell had sharpened. His ears had become the ears of a hound, picking up with ease and sifting multitudinous sounds that once had been inaudible.

More months had gone by until, in the darkness of a lonely night, a girl with golden hair and blue eyes hadcome in through an open window like an angel out of nowhere to offer him hope where eye specialists had said there was no hope. Through a delicate operation by an unknown small town surgeon the corneas of the eyes of Carol Baldwin's policeman father - dying from paralysis brought on by a gangster bullet - had been given to him. An extraordinary thing had occurred. When at last Tony Quinn had been allowed to remove the bandages, he had been astounded by the miracle that had happened. His were the eyes of darkness as well as the eyes of day!

Interestingly also, Black Bat actually became one of the most prolific of pulp heroes when brought over to Germany. When German publishers Pabel decided to reprint a couple of Black Bat novels for the KRIMINAL-ROMAN serial, they discovered “Die Schwarzen Fledermaus” was somehow so popular that in 1962, they retitled it Fledermaus (Bat) and ran with it, reprinting all the original 60+ stories and then, when those ran out, creating 900 more at least. In fact, it seems like they are still publishing Black Bat stories even today, and now that he’s public domain it’s something just about anyone could get into.

Problem with that is, it’s not easy to conceive of The Black Bat having any kind of substantial popularity again, when he’s doomed by design to always be compared to Batman, to always just be seen as first glance as “oh it’s earless Batman with Daredevil’s shtick and Two-Face’s backstory”, and of course he doesn’t have a chance in hell of playing catch-up to the popularity of those characters (well, at least outside of Germany). Whatever niche he could have as an alternative to Batman is also null by the fact that said niche of Not-Batmen is already filled out quite extensively. He doesn’t have an incredibly strong personality the way Batman and The Shadow do, nor is he, despite being ostensibly a serial killer, enough of a trigger-happy anti-hero to latch on to the appeal of characters like The Spider or Punisher. The latest Black Bat comic run by Dynamite played up his ruthlessness, outlaw status and drew him on the covers perpetually holding guns and often with a big creepy smile. But smiling murder pulp Batman is already a niche that Midnighter fills considerably better than Black Bat ever could. So what’s left for him?

If I had to find a unique niche for Black Bat, I’d play his unique traits in ways that separate him from the super characters that ran with those later. I’d ditch the whole “oh woe is me I’m poor and helpless because I’m blind” shtick that’s terribly condescending to actually blind people, and make him at least truly blind in some form. Maybe he’s blind by day and by night he sees too much, or maybe his vision has some terrible secrets that go beyond mere enhanced eyesight. Maybe his powers are growing and expanding in ways he doesn’t know where they will lead him. But alongside that, one take on the character could be based on the fact that he really has nothing to lose. He is not Batman, he is not The Shadow, he isn’t Daredevil, he’s got little reputation to speak of, and he’s never going to be any of those characters.

He’s lost the position he’s coveted his whole life, he’s lost the respect of his peers, his former professional ethics don’t mean shit now, he’s had a long and painful brush with darkness that scarred him for life in ways both literal and metaphorical, and in the aftermath he’s begun spontaneously developing abilities that would be incredibly painful and uncomfortable for an average person to just develop without years of growing up with them. And then, a mysterious woman walked through his window one day, gave him the eyes of a dead man, and now he sees things in ways no person was ever supposed to, and now he goes around at night terrorizing and killing criminals in an animal-themed costume.

The most he has to lose currently is the life of his sidekicks who’ve worked very hard to help him heal and focus and find a new purpose, which only means that they are on the chopping block everytime you wanna give a gut punch to Tony Quinn. And no matter how famous, or even great, his adventures are, or how prolific and successful he is or even has been, he’s always going to be the Bat-themed superhero who couldn’t cut it. He’s Not-Batman, stripped of all the grand splendour and allmighty self righteousness and reputation and role as foundational figure of an entire genre and most popular bestest superhero of all time ever praise be thy Bat God, sharing more traits with one of Batman’s most personal and tragic villains than the titular character.

That’s not an indictment, that just means that Black Bat ultimately should have more narrative freedom, since he is unburdened by reputation and status. He is a public domain nobody best known by his association with characters who eclipse him in popularity, who’s always going to have that accursed Bat prefix and costume to damn him by association, so why not work with it? He could be the character you go into to tell stories that you couldn’t tell with Batman or other big name superheroes, the grimiest, sickest, even weirdest crime tales of all. What does the Black Bat have to lose?

Those who have nothing to lose stand everything to gain, after all.

Also, Masks 2 once presented an alternative version of the character called The Black Bats, who dresses like a baseball player and dual-wields baseball bats, which is nutty and I’d definitely prefer Black Bat to ditch the generic pulp hero guns and instead just go crazy batting everything in his way.

“I gotta tell ya, this is pretty terrific! Hahahahah, yeah!”

#replies tag #pulp heroes #pulp fiction #the black bat #tony quinn #batman #two-face

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sknewmuse · 3 years

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K-POP WEEKLY WRAP UP: GAON Album Charts

[August 20, 2021] 2021년 33주차

#1- 6TH MINI ALBUM [THRILL-ING]

This weeks hot topic boy group The Boyz take the lead in chart toppers! They impressively ruled over Gaon Charts taking #1 in not just Album charts but also took top spot in the Download & BGM charts. This is the first time since The Boyz debut that they’ve sold over a whopping 500,000 albums.

“There are so many emotions related to that word. Whether it be nervousness, the nerves you feel before getting on a ride, the fear that you feel when you’re about to go on a drop, and the joy that you feel at the end of it, with those different elements we made an album that relates to those emotions, so you’ll find that as you listen to the entire album, start to finish, you’ll feel the emotions that you feel as if you were on an actual roller coaster.” -Kevin

#2- SUMMER POPUP ALBUM [POPPING]

One of the hottest up and coming boy bands to hit the K-Pop scene is ONF. The group topped the music charts with their new summer album. ONF has now broken into one of the top 10 places on the Gaon Albums chart with all of their projects, bringing them to now landing eight placements in the important region. Seems we have new summer music kings on the scene.

“I hope more fans in America will listen to us and love our songs. I hope that ONF can enter the Billboard chart as well. Someday, I want to appear on a TV show to perform in front of many people!” -J-US

#3- 공감 - The 1st Mini Album

Do Kyungsoo, member and main vocalist of acclaimed boy group EXO known by stage name ‘D.O.’ made his long anticipated debut for his solo music career, and as expected it was an instant #1 chart topper a few weeks back and still remains in the top 5 this week.

“After deciding the theme of the album would be ’empathy,’ one of the things I thought of was love, an emotion that anyone could feel, and I felt that it would be nice if my songs could comfort others like my previous song ‘That’s Okay’, so I tried to write the lyrics myself.” -D.O.

#4- My Collection

Park Jihoon, former member of Wanna One and actor continues to prove years later he will always be a solo successor. The singer and actor alone has now charted five top 10 albums in South Korea. Easy to say Jihoon is still collecting hearts of many fans.

“Park Ji Hoon is gazing at multiple art pieces while calling himself one and boasting about all his features that make him a desirable being. Another one of our top moments is when the video shows him within the skies asking for fans to ‘sit in a special seat’ dressed in a sharp blue suit. A hint of skin can be seen when he moves on the increasing tempo of the song, now joined by dancers in a flickering room inside the gallery.” -Ayushi Agrawal from pinkvilla.com

#5- 1/6

Lee Sunmi, one of Korea’s hottest solo artists and heartthrobber of the K-Pop scene. Former member of girl group Wonder Girls under JYP Entertainment, continues to break the barriers of the K-Pop industry’s expectations for solo artists.

NME’s Angela Patricia Suacillo praised Sunmi on her work, “ability to take the lively, upbeat elements of synth- and dance pop and use them to confront her anxieties.”

#6- Select Shop

Another former Wanna One member takes the top of the charts! Ha Sungwoon, also former of the boy group HOTSHOT, this set serves as a reissued version of his recent EP Sneakers, and coincidentally, they both peaked at No. 6. Select Shop is Ha Sungwoon’s sixth solo placement inside the top 10.

“Strawberry Gum,” the album’s title track featuring Don Mills, is a retro funk genre song composed by Flow Blow, Christian Fast, and Maria Marcus. The lyrics written by really6(153/Joombas), Jo Yoon Kyung, and Don Mills compare someone’s growing feelings of love to blowing a pink strawberry-flavored bubble gum. Fans will be able to get a taste of Ha Sung Woon’s youthful side as well as his sexier, more mature side.” -D. KIM of Soompi

#7- SWITCH ON

Summer concept kings and icons ASTRO after taking number 1 spot last week, the group still remains in the top 10 with latest release Switch On.

“I would recommend “Don’t Worry”. Everyone has been working hard at such a time recently, and may not be in a good mood. The lyrics “I got u back don’t worry” convey positive power.” -Cha Eunwoo

#8- SIREN : DAWN

The ace group of K-Pop. Bringing in at #8 is aesthetic and concept pleasing talent A.C.E. Siren : Dawn which holds more than 70 spaces to return to the top 10. The set rose all the way to the runner-up spot this past June when it had first released.

“This album, SIREN:DAWN is full of thrilling and deadly love stories. Our title ‘Higher’ is a love story of a mermaid dreaming a fatal dream, which is reinterpreted through A.C.E’s eyes. We are back with a love story that contains more of a mature and sexy visual. Please show lots of love to ‘Higher.’ -Chan

#9- TURN OVER

The charisma and personality driven boy group SF9, one month ago in counting, ‘Turn Over’ made it to the second place rung on the Gaon Albums chart. The EP shoots to No. 9, becoming one of two previously-released efforts to re-earn their top 10 title.

“When we worked on “Believer” and “Tear Drop,” I remember it was so hard that we recorded a few different options and chose the final lyrics from there. And “Hey Hi Bye” is memorable because it took a longer time to work on compared to the other songs.” -Youngbin

#10- BUTTER

The boys everyone knows and loves, global legends BTS. BTS close out this weeks #10 spot. Known for their ranging of concepts and new leap into English titled tracks that was long awaited by ARMY’s everywhere, they continue to make K-Pop history on chart topping globally as their fanbase count rises everyday.

“Of course, the moment when we reveal our song and music video — nothing can match that momentary satisfaction, it doesn't last long, but that flashing moment really hits us. Surprise!” -RM

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twentiethcenturymoviesandtv · 3 years

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Star Trek: The Characters

Storytelling, especially where it regards movies and television, is always evolving.

Whether it’s in deeper themes, better effects, different genres, or evolving archetypes, there is always something that is changing, except, perhaps, where the importance of characters are concerned.

Characters are an integral part of storytelling, particularly where it concerns television. When it comes to television, the setup is everything, and the characters are part of that setup, that ‘home base’ that the audience returns to at the start of every episode. The characters are the people that the audience gets to know, who star in each adventure. Characters are what holds the audience’s investment, the reason fanbases tolerate bad episodes and praise good ones. In the end, the main characters keep an audience’s attention, making each episode, even the bad ones, enjoyable.

In short, characters can make or break a television show. It is vital that they be likable, or at the very least, interesting, lest the audience utter those eight deadly words:

I Don’t Care What Happens To These People.

Once those words are uttered, it doesn’t matter how gripping your narratives are. The viewers will start to leave.

See, while a film can get away with some lesser characters by distracting with an interesting concept, set-piece or a fast-paced story, television can’t. Thanks to a smaller runtime and a smaller budget, television, by necessity, tends to be character based. As a result, the main cast of a television show has to be able to work in multiple stories of different kinds.

This means that writing for characters on television can be pretty difficult.

The best television characters tend to merge two ideas together: That of relatability and entertainment value.

You see, television, like all stories, tells stories of exaggerated versions of reality, especially in the cases of science-fiction adventure shows like Star Trek. The only way to make an audience buy an unbelievable world is to create believable characters to place in that world, that relatability in the stories and characters. When we see McCoy’s frustration, or Kirk’s boldness, or Spock’s reservedness, we see elements of ourselves, our own personalities and lives. It is vital to make characters seem real, if not realistic.

The question is, does Star Trek manage to do that?

That’s the question we’re going to be answering today. Let’s take a look, starting with the Captain of the Enterprise Crew: James Tiberius Kirk.

Kirk truly was The Captain in every sense of the word. A Reasonable Authority Figure who did far more adventuring than realistic counterparts would have, Kirk was an Action Man, level-headed, dutiful, and always loyal to his ship and his crew. A Bold Explorer (it’s in the job description), Kirk, while not fearless per say, took the Chains of Commanding quite seriously, and would often face down hugely powerful beings, power-mad computers, or other forces beyond him in order to save his crew. A Determinator to the last, known for his interesting ways to think outside the box and refusal to accept a ‘no win scenario’, he is the unquestionable Hero of the show, the Leader, who often throws the rules aside to do what he feels is right, in a constant battle To Be Lawful or Good. He was a Charmer, an expert fast-talker, and very smart. In later installations of the franchise, Kirk would become a Living Legend, much as he became in our own pop culture.

All that being said, the common cultural image of Captain Kirk isn’t quite right. Allow me to adjust it, as best I can.

More than any other character in Star Trek, or perhaps the history of television in general, Captain Kirk is possibly the most misrepresented character of all time. Since the ‘60s, Kirk has evolved into an icon of heroism, machismo, and brash boldness, with even the recent Star Trek reboot depicting, not Kirk, but rather, the distorted, separate idea of Kirk in the modern light.

This idea, quite frankly, is just not right. While Kirk did have his share of romances, he was no womanizer, often entering into dubiously consented-to relationships reluctantly, in order to save the ship. The relationships he did actively pursue, he threw himself into wholeheartedly, and he was just as crushed as the other party every time they fell apart (for proof, watch City on the Edge of Forever or The Paradise Syndrome). Kirk was no player. As a matter of fact, he was a deeply compassionate man who respected the women in his life as much as he respected Spock and McCoy. It just so happened that the women in his life tended to not stick around, unlike his one true love: The Enterprise.

Even his reputation of the ‘Cowboy Captain’ isn’t accurate. As I mentioned before, Kirk was defined by compassion. His moments of ‘rule-breaking’ wasn’t to impose ‘the way he thinks things should be’, it’s because Kirk cannot bear to watch helpless people in trouble. The few times where he does break the famous ‘Prime Directive’ (To not interfere with less developed races) is to help. Kirk was a deeply moral character, determined to not stand by while people were taken advantage of. He wasn’t rash, either. While it may be accurate to say that the ship’s doctor, Leonard McCoy, was a bit on the hot-headed side, it is entirely inaccurate to accuse Kirk of the same. Kirk was an extremely smart man, a level-headed captain who was an expert at thinking fast. He trusted his instincts, but he trusted his advisors too, often finding a balance between McCoy’s impulsiveness and Spock’s cold rationality. Kirk’s intelligence and competence is often lost, overshadowed by his more extreme companions, and some audiences have forgotten the truth of Kirk’s character: a cunning problem-solver capable of saving the day under enormous pressure, whose decisions are far from based in irrationality. He is a romantic, duty-bound to protect his ship and crew, greatly exaggerated and mis-characterized in the years following his captaincy.

As such, Kirk was a well-rounded, balanced character, far more three-dimensional than the modern idea of him tends to give him credit for.

That’s all well and good, sure, but how does he fit as a main character in a television show?

As a matter of fact, absolutely incredibly.

Kirk serves as a wonderfully effective lead, compelling, entertaining, and interesting. Infinitely more developed than most leads of his time, and even more modern examples, Kirk was a game-changer, a revolutionary kind of protagonist who just worked. The perfect balance of the main trio of the series, Kirk is the perfect face for Roddenberry’s ideals: a hopeful pragmatist, an idealist who proves the best of humanity: compassion mixed with intelligence, boldness combined with understanding. A man of action surrounded by True Companions, Kirk was an extremely gripping protagonist who felt intensely, a perfect person for the audience to connect to and be invested in. He drove the stories, opposed the villains, and always saved the crew, as a hero should, but it’s important to note that Kirk was hugely human, possessing many of our greatest attributes, but some of our failings as well. He wasn’t perfect. Sometimes he made the wrong choice. In the end, though, he was us, or us as we should strive to be: always learning and helping, and always reaching for the stars.

But of course, Kirk wasn’t alone in his position as the ‘lead’ of the show. It’s doubtful the show would have survived in the popular culture as well as it did if it weren’t for his support team, his True Companions: Dr. Leonard McCoy, and, more famously: Mr. Spock.

If Kirk represented the best of humanity, Spock represented the critique of it. In a previous article, I pointed out that Spock exists as a very unique character: a half alien, half human crewmember who, while equally valuable to the script and the characters as Kirk was, served a different purpose: to point out and explore humanity from the outside.

Like I’ve mentioned before, Spock is a different sort of character than Kirk is. Where Kirk is a demonstration of the best of humanity as we see it, Spock is a demonstration of humanity as someone else might. He served as a criticism of the human condition, a character at war with himself and his heritage, split between the emotional humans, and the rational Vulcans. Spock is the Number One, almost Comically Serious as he eschews his more illogical half and chooses to embrace the stoicism of the Vulcan people. A Gentleman and a Scholar, Spock has Hidden Depths, a heart of gold and deep emotions that he usually succeeds in hiding.

Most of the time. More on that in a minute.

Spock’s role in the show was The Smart Guy, the Stoic who had all the answers, all the statistics. He was the champion of impartial logic, of cold rationality. His job was to give Kirk the hard answers, to bring to him the facts and give him their options, especially the unforgiving ones. He is the cold to McCoy’s hot, a stern-faced, cold-blooded computer.

Or is he?

Much like Kirk, there is a lot more to Spock than meets the eye. While the cultural perception of Spock has often mutated into a parody of itself, much as it has done to Kirk’s reputation, Spock remains a much deeper character than he, or a brief skim of the series, lets on. As I said earlier, Spock is at war with himself, uncomfortable in his own skin. He insults humans for their humanity, but has strong, deep friendships with them. He is not above expressing frustration and their emotional natures when pushed (usually by other forces that knock his guard down), but isn’t frustration a human emotion?

Spock is a bag of contradictions, a supposedly emotionless master of sarcasm, a man without feeling who invites his close friends (emotional humans) to a private Vulcan ceremony, a cold-blooded creature with undying loyalty who occasionally makes ‘illogical’ decisions that would make Kirk proud. A lover of music and a sympathizer to space hippies (Not one of Star Trek’s better episodes, admittedly), Spock was an outsider who fit neither fully as a Vulcan or Human, a person who was struggling to find his place in the universe.

At first, this seems incongruous with the ice-cold exterior he projects, however, rather than being an example of inconsistent writing, it’s a shining example of development and nuance.

You see, Spock never gives up his following of logic. He just begins to approach it differently.

Spock’s style changes slightly as Star Trek progresses (most notably in the films, released ten years after the show’s final season), from cold, ‘computer’ logic to something else: human logic.

One thing of especial note in the original Star Trek show is that you could see characters visibly affecting one another. Kirk, Spock and McCoy all influenced each other in the ways they thought, reacted, and planned, and worked best as a unit. In this, the humanity of the main cast affected Spock in his slow, reluctant appreciation of human merits. In time, Spock began to make one or two decisions based on human logic, intelligence and emotion. In episodes like The Menagerie or The Galileo Seven, Spock makes decisions that seem out-of-character for him, based in emotion.

Spock is, in many ways, Star Trek’s best known and favorite character. The most visibly recognizable, as well as the most distinct, Spock is given more episodes exploring him than any other character, with installments like Amok Time and Journey to Babel, (the latter of which we explore his parents, and discover why it is that Spock has such a hard time with his human half) helping to examine Spock as a character.

The end result was a beloved science fiction icon, Kirk’s right hand man, an analytical, fascinating character as well-crafted and loved as Kirk himself.

Spock and Kirk are often remembered fondly, and are typically considered the most memorable and iconic characters of the franchise, but they don’t work alone. Their dynamic is as effective as it is because of balance. Spock is one extreme, and Kirk is the middle, but it’s no good without the other extreme: Dr. Leonard Horatio “Bones” McCoy.

McCoy is all hot-blooded human, the third of the main Power Trio. An old-fashioned competent doctor who wasn’t entirely thrilled with deep space, McCoy is a deeply emotional character, duty-bound to follow his morals. He clashed with Spock regularly, routinely criticizing him for his perceived lack of emotion. Despite the fighting, McCoy respected Spock greatly, counting him as a close friend, despite their arguments and different perspectives. A cantankerous pacifist (though not above getting into the action when needed), McCoy is a Super Doc and a Sarcastic Devotee, a Grumpy Old Man who serves as the Heart to Spock’s Brain (hah!), a man who values Honor Before Reason who values the Good Old Ways. He’s a Determined Doctor who does everything he can for his patients, and a Deadpan Snarker to the point where he can match Spock in verbal sparring.

Bones represents the unpolished rawness of humanity, getting carried away with his emotions sometimes, but always with the best intentions. Another Jerk with a Heart of Gold, McCoy’s gruff nature accompanied a deeply moral man, very concerned with human empathy and doing the right thing. No philosophical discussion was complete without McCoy’s two cents, telling Kirk what he thought the right thing to do was. He was the quintessential Knight in Sour Armor, who would follow Kirk to the ends of the earth, complaining the entire way.

Despite the fact that he’s not as well-known as the other two members of the Power Trio, Bones was a vital component to the True Companions dynamic. His Vitriolic Best Buds relationship with Spock made up one of the most interesting and compelling dynamics on the show, serving as perfect counterbalances to one another. However, although his most famous role in the show was arguing with Spock (and delivering phrases such as ‘He’s Dead, Jim’), there is another, equally important position that he held in the trio.

McCoy served as a foil to Kirk, as well as one to Spock, a confidante, a close friend, providing perspective. While Spock was focused on the logic, Kirk on the best thing for the mission, McCoy’s focus was purely on the ‘patients’, the people, the right thing to do. No matter the situation, McCoy was the closest to empathy with the people involved, and provided the audience with another surrogate, saying the things that the viewers are thinking.

While not being a terribly big fan of space (and liking transporters even less), Bones was the epitome of the Frontier Doctor to the stars, taking care of every patient, even if they weren’t humanoid (Devil in the Dark) or a heavily pregnant woman who refuses to listen (Friday’s Child). McCoy was painfully human, reminding us of our most problematic traits while also holding onto that wild, fiery compassion that made him so incredibly humane, relatable, and understandable, making him just as vital to the Enterprise and her crew as Kirk or Spock.

The trio worked best together, providing a perfect main cast for an audience to follow. The formula was an interesting one, allowing the audience to hear separate viewpoints and ideas, listen in to the philosophical banter, and truly feel the strong friendship holding the leads together. The dynamic between them was powerful, an extremely vibrant bond that connected all three very different characters.

The result? Extremely dynamic characters that remain iconic and memorable even to this day.

But the cast didn’t stop there.

The other characters of Star Trek, while not quite possessing the pop-culture iconography of the main trio, still hold their own rather impressive cultural footprint.

None more so than the chief engineer, Montgomery Scott.

Scotty’s job was to be a miracle worker, solving impossible problems in impossibly small amounts of time. Whether it was the transporters, the phaser banks, the shields, or the engines, Scotty was the man for the job. Nobody had a better understanding, or love for the Enterprise than Scotty (except maybe Kirk). He was the king of outside-the-box solutions, and had the Enterprise jury-rigged to push her past her limits more times than can be easily counted. As the name implies, he was also Scottish, and extremely stereotypically so. Kilt, whiskey, haggis and all, Scotty was extremely proud of his heritage (though not quite as much as Chekov). Fitting the traditional stereotypes, Scotty had a fiery temper, with a Berserk Button triggered by any insult to the Enterprise. A Gadgeteer Genius (and the inventor of Scotty Time) as well as a Genius Bruiser, Scotty was both the brains and brawn, more than capable of holding his own in a fight, or thinking of a new, creative way to push the Enterprise past her capacity.

Scotty also held the distinction of being third in command, routinely taking the Captain’s chair when both Kirk and Spock were in the landing party. He was also the focus of a few episodes, making him a rare character with a Day in the Limelight, with episodes such as Wolf in the Fold, The Lights of Zetar, By Any Other Name, and The Trouble with Tribbles giving him a little more screen time and story than is typical. Scotty was an indispensable member of the crew, a life-saver on more than one occasion, and another of the legendary, iconic characters of the original Star Trek.

But it didn’t stop there.

Lieutenant Nyota Uhura was another prominent character. As the ship’s communications officer, she codified the term ‘Bridge Bunny’, although she proved herself far more useful than she’s typically thought of. Whenever given the chance, Uhura is a capable Action Girl, intelligent, witty, and good at her job, being extremely fluent in multiple languages. She too got her days in the limelight, with episodes such as Mirror Mirror, The Gamesters of Triskelion, and The Trouble with Tribbles giving her more to do than just sit at her station and say ‘hailing frequencies open’. Uhura was Silk Hiding Steel, not typically in the heat of the battle, but tough as nails when she had to be. (I’ve talked about Uhura’s extensive influence on the real world in the Legacy article, but even that doesn’t scratch the surface of what Uhura’s impact has been.)

There were others on the bridge crew of equal importance, including the ship’s helmsman, Hikaru Sulu.

Sulu was a level-headed officer, amiable and cultured, with an extensive knowledge of botany, fencing, and antiques. Yet another Deadpan Snarker (it must run in the cast), Sulu is another Genius Bruiser, as skilled in fighting as he is in his piloting, with a great sense of humor. He is given special attention in episodes like Mirror Mirror and The Naked Time (Albeit as evil, and Brainwashed and Crazy), but often got great character moments in multiple episodes (especially Shore Leave). A reliable officer and loyal to the core, he made an interesting character by himself, although he did end up forming a fun ‘Those Two Guys’ dynamic with the youngest of the cast, Pavel Chekov.

Chekov was introduced in season 2 as the navigator of the Enterprise. A bright young man with a fierce, passionate loyalty to Mother Russia (which evidently invented every good thing known to man), Chekov tended to be at the receiving end of a lot of the embarrassing agony in the series (mostly because Walter Koenig had a great scream). Also serving as a relief science officer, Chekov was plenty smart, if a bit of a Cloudcuckoolander, and the king of Cultural Posturing. Reckless and impulsive to balance Sulu’s calm good humor, Chekov’s temper tended to get the better of him. Like the others, he’s given a bit more screen time in episodes such as Mirror Mirror, The Trouble with Tribbles, The Way to Eden, The Deadly Years and Spectre of the Gun, but got to shine in plenty of other episodes, demonstrating his capabilities (despite being ‘The Intern’ and the Plucky Comic Relief) as a competent officer. Unsurprisingly, he was yet another Deadpan Snarker, lending his style of jokes well to bounce off of Sulu’s drier humor.

But there was more to the crew than the bridge.

Another crew member of note was Christine Chapel, one of the nurses who operated in the sickbay. Chapel was notable for having an attraction to Spock, as well as being another in the long line of Enterprise Deadpan Snarkers. One of the most caring of the Enterprise’s crew, Chapel was given larger roles in episodes like The Naked Time, What Are Little Girls Made Of?, Amok Time, and Plato’s Stepchildren.

Arguably though, one of the most important characters in all of Star Trek was the Companion Cube: the Enterprise herself.

The Enterprise was one of the most powerful ships in Starfleet, a character in her own right. The epitome of the Cool Starship, the Enterprise was well known for Explosive Overclocking, and always coming through in the end (with a little help from Scotty). A Lightning Bruiser of a ship, the Enterprise became as legendary as her captain and crew, as beloved as the characters themselves to the point where one of NASA’s shuttles was named after her.

The characters of Star Trek are legends, both in and out of universe, and they are for a reason. No member of the crew is useless. Everyone has a purpose and a job to do, and each was distinct and unique. No two characters were the same, and each brought their own special personality and abilities to each episode they appeared in.

And that’s what made the drama of the show work so well.

Each character felt real, memorable and genuine. We as an audience worry for them with each danger, and cheer with each victory. We liked these people. We cared about what happened to them.

And they worked.

In each scenario and situation, the characters found new and interesting ways to deal with the circumstances, while never losing the core elements of their personalities. That’s important, hugely so. These characters were loved, and still are, for a reason. They work very well as characters, both in main and supporting roles, providing entertaining and compelling figures for the audience to invest in. The balance between relatability and entertainment was hit perfectly for every single character, allowing everyone to shine in their own ways in each episode. They felt real, and in the end, that’s the point of a character.

After all, one doesn’t get to be some of the most iconic television characters of all time by being boring.

Thank you guys so much for reading! Join us next time as we discuss Star Trek’s place in the times and the culture. If you have anything you’d like to say, don’t forget to leave an ask! I hope to see you all in the next article.

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wonderfulworldofmichaelford · 3 years

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Michael in the Mainstream: The Falcon and the Winter Soldier

WandaVision as a show took two incredibly underutilized supporting players from the MCU and elevated them up to be some of my favorite characters in the franchise, so I expected much of the same from The Falcon and the Winter Soldier. And you know what? It succeeded, and in fact excelled at everything the previous show in the MCU did… all while exacerbating its flaws to incredible degrees. The Falcon and the Winter Soldier is a show about extremes, and its quality likewise hits both ends.

Like WandaVision, this show redeems characters who, while not nearly as marginalized as Wanda and Vision, tended to get the short end of the stick in ensemble pieces. Bucky did have one whole movie revolve around him, and Sam popped up here and there, but both had to sit out Endgame and just generally haven’t had much to do. But here? They are front and center, going from vitriolic best buds to true bros over the course of the series, their conflicting personalities pushing each other to be the best version of themselves and take control of their destinies. They both have incredibly well-done arcs, and both come out of the series as fantastic characters. Special note goes to Sam, who by the end is 100% worthy of being the new Captain America, and may even have room to surpass Steve if they keep going with him. Anthony Mackie and Sebastian Stan both kill it in their roles; it really is baffling they weren’t given more to do sooner.

But now let’s look at some extreme cases of redeeming characters. First is Daniel Bruhl’s Zemo, who makes his triumphant return. Zemo’s presence in this show is given very flimsy narrative reasoning, but it’s hard to care when he just absolutely steals every scene he’s in… to a fault. Zemo is, unfortunately, too good, and kind of hogs the spotlight when he’s around, which is likely why he’s sent back to jail before the last few episodes. In that time, he unfortunately only dons his iconic purple sock hat once, but what a moment it is when he does. The way they set him up to do more and be a more engaging character down the line is great, but I do think it detracts a bit from the Sam/Bucky dynamic when he’s around with how he just takes charge of the scenes. With heroes like Sam and Bucky, I want them to be the focus, not the super funny, super charismatic anti-villain with the sick dance moves.

On the opposite end of the spectrum is Sharon Carter. They ‘redeem’ her by making her into a twist villain behind the plot of the show, and of course none of the heroes find out and she gets away with everything. It’s so weird and jarring. I mean, sure, getting cucked out of Steve Rogers by your own grandma is pretty depressing, but depressing enough to turn you into a criminal mastermind? Not sure on that one, chief. It’s just really poorly executed and not particularly what I wanted to see this character doing, though to be fair I didn’t really want to see the character again at all.

This show also tackles heavy themes like WandaVision did, but this one is actually even better at it… mostly. When the show is dealing with topics like racism it really excels, with the best bit being the character of Isiah Bradley. Played by Carl Lumbly (who you may know as Martian Manhunter from the DCAU), Bradley was a black supersoldier created in the image of Cap who was then abandoned and experimented on for years in prison, which alludes to real life racist events like the Tuskegee experiment. His scenes are pretty dark, heavy, and powerful, and it all culminates in a beautifully emotional moment in the finale, and it really goes to show how well this show handles heavy, touchy subject matter like this. If only it could have handled the heavy subjects of its antagonists better.

In a fraught political climate like the one this show was born into, it tries with two of its main antagonists to tackle issues as heavy as police brutality and the line between terrorists and freedom fighters is easily blurred and not always obvious. Shockingly, it is the latter issue that they handle with more tact, shockingly. While the antagonistic leader of the Flag-Smashers, Karli Morgenthau, is eventually shown going off the deep end and ordering execution of civilians, Sam Wilson (who, might I remind you, is Captain America) never once stops sympathizing with her or her cause to the very end, even when he gives his grand Cap speech in the final episode. As much as they fumbled with the character, it’s pretty bold to have our Cap openly sympathize with someone that people are quick to condemn as a terrorist and then point out she wouldn’t have been one if these people in power got off their asses and tried helping. It’s not handled amazingly well or anything, but I’ll take it.

Unfortunately, on the opposite end we have what they do with John Walker. Played by Kurt Russell’s son Wyatt, John Walker is built up for much of his appearance as a truly conflicted anti-villain and a very love-to-hate sort of character. He’s a traumatized veteran slavishly loyal to his country who has now had the mantle of America’s greatest superhero thrust upon him, and he buckles under the pressure of living up to the impossible standards of Steve Rogers. He spends much of his time being jerked around by the other characters and getting his ass handed to him in fights, further undermining his confidence, until he gets his hands on some supersoldier serum and gets actual super strength. This leads to one of the most shocking moments of the show where, after his best friend and partner is murdered, he takes the life of a fleeing, surrendering Flag-Smasher into his own hands and brutally executes him in front of a crowd of onlookers. The haunting shot of him standing there with Cap’s shield soaked in the blood of his victim is really hard-hitting and powerful, and cements John Walker’s descent from an arrogant but somewhat well-meaning jerk into a brutal antagonist representing one of the most burning political issues of our time.

So, of course, the finale ‘redeems’ him. In a bafflingly out-of-character moment, he gives up on his pursuit of Karli to save the lives of a bus of people about to fall from a great height. This really just flies in the face of everything that had been set up in regards to him, and then he spends the remainder of his screentime being cheerful and spouting patriotic quotes. It really feels like they chickened out with this character so they could use him again later without the baggage of him being Captain Police Brutality, but his ‘redemption’ just feels really bad and wholly unearned. This is entirely not Russell’s fault, as he played the character perfectly… but he played him as a decent man slowly descending into villainy, not as a tragic anti-hero who made a bad mistake. It would have been far better if he was the final antagonist, with the white man who the government had given the role of Cap, screwing over the black man who truly deserved it and who had been personally picked by Steve Rogers himself coming to blows over who truly had the right to the mantle. It would have been much more thematic and tied into all of the social commentary of the show, but I guess they gotta have him join Seinfeld lady’s evil Avengers team.

Ultimately, The Falcon and the Winter Solder is a show that is incredibly polarizing. It has some of the best character interactions in the MCU, it handles some themes with incredible grace, and it utilizes some of its characters really well… But it also fumbles with its antagonists, doesn’t fully commit to certain themes and chickens out at the last minute, and ultimately ends up feeling a bit too much like standard MCU fare than it really should. The show is the ultimate mixed bag, and while it certainly sets the stage for Sam to be a great Cap if they choose to continue his narrative in future installments, ultimately the show ends up like Walker, buckling a bit under the pressure of what it’s trying to do and leading into a very awkward finale.

#Michael in the Mainstream #review #TV show review #MCU #Falcon #Winter Soldier #the falcon and the winter solider spoilers #The Falcon and the Winter Soldier #Anthony Mackie #Sebastian Stan

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canonicallysoulmates · 3 years

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Here are my thoughts and opinions on the first season of Loki.

First of all, if you have not re-watched this season I highly recommend it. It’s only 6hrs, pick a day, get some snacks, binge the whole thing especially if you weren’t a big fan of it the first time around because re-watching it I noticed some things that I hadn’t before but I also found myself liking some things that I hadn’t the first time around. Which is why I recommend re-watching it, cause maybe it’ll be the same for y’all and you’ll find some new things to love, and end up enjoying some things you hadn’t before. It’s really a different experience to watch the whole thing together than when you watch week to week which makes sense cause MCU shows are meant to be movie-esque.

Now, I’ve spoken pretty positively about this show almost on the daily so let’s switch it up and start with the negatives aka the things that I personally didn’t like because while I enjoyed a lot of this show there are things I wasn’t a fan of and things that did irk me a lot; the first thing is very much a pet peeve: the title sequence, I’ve mentioned it before in passing but it reminds me too much of Gravity Falls and Bill Cipher, I gave it 6 episodes, 12 if you count the re-watches, and I just don’t like it at all, I get what they were going for but I don’t think it fits the show and I’m hoping they change it for s2.

But that’s a small thing, I can deal with that, the two (technically three) big things I didn’t like - and I think this is why episode 1 is my least favorite and to me the weakest of the season - is the way the show completely ignores Odin’s abuse and the effect that had on Loki, and the way he’s written in the first three episodes. I will go into detail.

I have no shame in admitting that I am pretty forgiving when it comes to this show and its flaws but the one thing I cannot forgive is how it not only ignores Odin’s abusive behavior but tries to paint him as a loving father and like Loki was the one in the wrong using the most insulting way possible which is that scene in Ragnarok where Odin tells his sons he loves them as if an ‘I love you’ undid years of abuse and bad parenting; it shouldn’t surprise me that they did this because the mcu does have a history and a pattern of being abuse apologists like portraying Thanos killing Gamora to get the soul stone as him loving her, or completely ignoring the horrible father that Howard Stark was. But it still really pisses me off that this show in which a big theme is exploring Loki psychologically and emotionally doesn’t even make mention of what a horrible father Odin was! And it tries to make it seem that just because Loki heard his father say a version of him that he loves him, that Loki suddenly thinks of him as a loving parent (referring to that line in episode 5 where he’s talking to Sylvie and says he has betrayed everyone who has loved him and mentions his asshole of a father instead of his mother!). I didn’t need them to go into details about this, but I did want them to call abuse abuse, and acknowledge Odin was a bad father. To me this is the biggest sin so far of this series. It doesn’t surprise me but it does disappoint me.

Connected to this, and in episode 1 we stay, is the “psychological exploration” of this character. I know after episode 1 a lot of fans were all “omg Loki finally got some therapy 😭” and then there’s me in the corner, shaking my head and saying no he didn’t, not at all, not even close. There was no therapy. And there was zero character exploration. I like Mobius but he is no Linda Martin.

All that happened was Loki being shown the consequences of his actions and being directly asked multiple times if he likes hurting people which of course he doesn’t, that’s not therapy at no point did Loki’s trauma get addressed, at no point did Loki get walked through that stuff or asked why he is how he is or what happened to change him from someone who was just mischievous to someone who caused harm.

Sorry to burst y’alls bubble but Loki did not get therapy in episode 1. Change Mobius lines about how Loki is just meant to cause pain and suffering and death for “imagined slights” and you’d have pretty much the same as every other MCU movie. At most what he got was an intervention to help him realize he didn’t want to be a bad person. Intervention and therapy are not the same thing.

And again, not surprised. If the mcu doesn’t properly explore their main, multiple movie having characters trauma and issues why were we expecting them to do it with Loki? Gotta keep those expectations in check. And in part I understand that the writers had a limited amount of time and they wanted to jump right into things but if they were gonna have only one episode with an emphasis on this they could have done a much better job while still jumping into the main story and moving on to character growth. To me this is the second biggest sin. And why episode 1 is ultimately my least favorite.

Last but not least, and something I can be more lenient and forgiving about but I still don’t like is the way Loki was written in the first three episodes. The way he was written was more comical to the point of borderline clown-ish sometimes which doesn’t match his personality at all, and don’t get me wrong there are times when it works but for the most part it just comes across as weird, like the writers were trying too hard to be funny and lighthearted at some points and it just doesn’t work, it ends up with him being a joke.

I’ll use a scene that I absolutely adore as a small example: Loki singing in episode 3. It’s one of my favorite scenes of the season, absolutely live for it, it lives in my head rent free in the VIP section but it’s a very flawed scene because Loki would never. Getting drunk on a mission is what Thor would do, not Loki, that is Thor through and through so as much as I love that scene, it is a flawed, ooc Loki scene.

The good thing is the show does improve in how it writes him in the last three eps, they stop trying so hard with the comedy, he’s more serious, more badass, he still has funny moments for example his reaction to Alligator Loki was hilarious but it’s more natural and fitting. So hopefully, in season 2 it will be the same writing team, and there will be more consistency and he’ll be written less comically and more badass.

Moving on to the positives, there are a lot of things I thoroughly enjoyed, starting with having Loki back on my screen and the center of attention- my baby, my darling, my love 💚 I’m so glad that he (and Tom!) is finally getting the attention, and love, and praise, and recognition that he has been deserving of all these years!

It gave me some of my favorite Loki scenes like I mentioned Loki singing it may be a flawed scene but I loved it nonetheless, it had some really cool fight scenes especially towards the end, it gave Loki a friend! A real friend! My baby is all grown up! 😭💚

The cinematography was beautiful, like you can say a lot about this show but you cannot deny that visually it is stunning and the directing was amazing. The soundtrack was pretty good too, I mean c’mon, ‘I need a Hero’? Iconic.

This show gave us Alligator Loki! How can one not love that! It kick started what looks to be the coolest aspect of Phase 4, it gave us bi, genderfluid Loki (which also brought out some of the ugliest sides of this fandom but this ain’t the time or place for that conversation 🙃), it gave me a new favorite character in Sylvie absolutely love her 💛

It gave me hope that the sun will shine again on Thor and Loki! That they’ll cross paths once again at some point and be reunited! And when they are, we better get that hug!

It gave me my new OTP in the form of Loki x Sylvie, they have great chemistry, and they’re super cute together, and they’re so good for one another and I just love them so much; I know it’s a “controversial” ship but I hope they stick to it and we get more of them in s2 because they are the best couple Marvel has ever given us they are passionate and cute and angsty, and they have the foundation for the most epic love story.

In conclusion, was Loki season 1 perfect? Was it everything I wanted? Nope. But ultimately, it gave me more that I enjoyed than not- also, I can tell this was something that was done with a lot of love and joy and effort put into it which as someone who has loved a show where the writer’s room noticeably didn’t give a rat’s ass, I can appreciate a lot.

Overall I’m very happy with the first season; I love this show, flaws and all, and I can’t wait for s2!

#loki #loki series #loki s1 #loki on disney+#loki series critical #anti odin #my opinion #mine #non spn

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aion-rsa · 3 years

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BTS TV and Web Series: Where to Begin Watching

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If you’re anything like the rest of the planet, then you’ve fallen hard for BTS. And, like any ARMY who hasn’t been with the band since the early days, you have a lot of content to catch up on. It’s an awesome task—and a potentially overwhelming one. While much of BTS’ content is, of course, music videos and performances, the Korean band has also produced a plethora of additional content in the form of web series and TV shows.

While BTS has appeared on dozens if not hundreds of TV shows both in Korea and abroad since their debut eight years ago, we’re solely focusing on the BTS-centric series rather than the ongoing shows in which BTS has appeared as featured guests. Whether you’re a new ARMY looking to learn more about the K-pop band or simply can’t get “Butter” and/or “Permission to Dance” out of your head and are curious about the seven members behind the summer hits, check out one of the following series to learn more about Jin, Suga, J-Hope, RM, Jimin, V, and Jungkook.

Rookie King (2013)

How many episodes: 8 Where to watch: Viki

BTS debuted in 2013, and Rookie King was their first proper series. The variety show format is super popular in Korea, and many of BTS’ series use it. Rookie King is a variety show that features the members attempting different Korean TV program formats. In the show, BTS takes on different roles, including news anchors, bowlers, and basketball players. Early variety show BTS is truly a place where anything can happen. Rookie King would also give us our first proper example of BTS taking on cooking challenges, which continues to be a running (and hilarious) theme in BTS’ variety show presence today.

American Hustle Life (2014)

How many episodes: 8

This BTS reality show that sees the members traveling to L.A. for two weeks to learn from hip-hop tutors like Coolio and Warren G, can be tough to watch, as the series is nowhere near prepared to engage with K-pop’s history and present of Black American cultural appropriation. But discomfort is not always a bad thing, and American Hustle Life can be a good jumping off point for non-Black BTS fans in particular to engage with the difficult topic of cultural appropriation in K-pop ourselves. I recommend watching this in conjunction with analysis from Black BTS/K-pop critics, such as Stitch of Stitch’s Media Mix, who has written extensively not only about BTS, but about cultural appropriation in the age of K-pop.

GO! BTS (2014)

How many episodes: 1

It’s a bit of a stretch to call this one a series, as there is only one episode, but if you’re looking for more content from BTS’ early years, then Go! BTS is a good option. The 45-minute episode follows BTS on their trip to L.A. for KCON 2014. In addition to including some performance footage, the special gives us some of that variety program energy by sending the members on three missions around Laguna Beach.

BTS Gayo (2015-2017)

How many episodes: 15 Where to watch: VLive

BTS Gayo is another BTS variety show, in which the members play games that are specifically related to K-pop. For example, in the first episode, they have to guess iconic K-pop girl group songs based solely on dance clues from other members. BTS hasn’t released an episode of Gayo in a while, probably because the wider umbrella of Run BTS (see the next entry on the list) covers the sorts of K-pop-centric challenges BTS Gayo centers. Basically, Run BTS swallowed BTS Gayo.

Run BTS! (2015-today)

How many episodes: 143 (and counting) Where to watch: VLive

The ultimate BTS variety show, Run BTS has been, um, running since 2015. The show features the members competing in a variety of games, from zombie escape the room challenges to foot volleyball to your classic game of mafia. If they win, they get a reward. If they lose, they get a punishment. Variety show games like this are only as effective as the degree to which the competitors take them seriously, and let me tell you: BTS is all in. These global pop stars may be millionaires, but they will throw down for a coupon like their lives depend on it. Early episodes of Run BTS include the members visiting many an amusement park, while later episodes have gotten both more contained and creative in the challenges. Rest assured, there is something here for everyone—just beware the spies and plot twists.

Bon Voyage (2016-today)

How many episodes: 32 episodes, across 4 seasons Where to watch: VLive (Seasons 1-3), Weverse* (Season 4)

Bon Voyage is a travel reality show that follows BTS on various trips around the world, including northern Europe in Season 1, Hawaii in Season 2, Malta in Season 3, and New Zealand in Season 4. It’s interesting to see the members out and about in the world, having fun together and on a relative break. (This is still work, but they are not actively promoting or touring.) Over the course of Bon Voyage‘s four seasons, you will see many a camper van adventure; many a games of rock, paper, scissors; and realize just how central Yoon-gi is to keeping these members fed when they are left on their own. Especially in a time when travel has been largely impossible, bopping around the world with BTS can be a nice escape.

*For Weverse content, purchase via the “media” section in the Weverse Shop app, then watch via Weverse via the app or online

Burn the Stage (2018)

How many episodes: 8 Where to watch: YouTube Premium

Burn the Stage is an eight-part series that tells the story of BTS’ massive 300-day The Wings Tour, which took up most of 2017 for the members. Including interviews and show footage, Burn the Stage follows a pretty standard concert film format, giving insight into BTS’ first major world tour. The series would later be turned into a movie, also called Burn the Stage, which was released later in 2018.

Bring the Soul (2019)

How many episodes: 6 Where to watch: Weverse

Similar to Burn the Stage, Bring the Soul is another glimpse into what BTS’ tour life is like. This six-part series follows the seven members of BTS during the Love Yourself World Tour, through the end of the tour’s third, European leg, which concluded in October 2019. It was also released in a more condensed movie format in Bring the Soul: The Movie.

BT21 (2019-today)

How many episodes: 17 main story shorts, plus additional mini-stories Where to watch: YouTube

If you’re looking for some animated BTS content, check out the universe of BT21, a collaboration between Line Friends and BTS that you can see chronicled here. The members helped create the concepts for the BT21 characters, who are all adorable. From there, the animators began telling the story of Prince Tata, who hails from Planet BT, as he dreams about spreading love across the galaxy. Tata and guardian robot Van travel to Earth to begin the mission, where they meet Koya, RJ, Shooky, Mang, Chimmy, and Cooky, who band together with the ambition to become the most influential pop culture sensation in the galaxy. You can check out the members’ reaction to the initial storyline of shorts here.

Break the Silence (2020)

How many episodes: 7 Where to watch: Weverse

You didn’t think BTS was going to leave you hanging on the final leg of their Love Yourself World Tour, did you? The Break the Silence docu-series picks up where Bring the Soul leaves off, bringing fans on the final, Asian leg of the Love Yourself World Tour and into the Love Yourself: Speak Yourself extension of the tour, which extended the tour through October 2019. As you may have guessed, there is also a movie format version of Break the Silence.

In the Soop (2020)

How many episodes: 8 Where to watch: Weverse

BTS has given us many gifts during the COVID-19 pandemic, but In the Soop may be the greatest. The series follows the seven members as they take a break from their work schedules to pursue hobbies, hang out, and watch Jin kill fish. Unlike BTS’ variety series, In the Soop has a much looser structure, allowing the members to relax a bit more. Each member made a list of activities they would like to try out while in the titular “soop” (“forest,” in Korean), but there is no reward or punishment for completing or not. Instead, the members can choose to spend their time as they wish, whether that be building Lego or racing remote control boats. In the Soop is honestly the gift that keeps on giving, and ARMY is crossing our fingers for a second season. (If you like In the Soop, don’t forget to check out the eight, shorter behind-the-scenes episodes, also available to watch via Weverse.)

What is your favorite BTS series? Let us know in the comments below.

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danwhobrowses · 4 years

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Why ‘The Karate Kid Part II’ Deserves More Respect

So guess what film I finished watching today? Of course, the Karate Kid franchise is considered iconic mainly for its first entry; Wax on Wax off, Skeleton fights, Sweep the Leg and the Crane Kick all cemented its legacy that allowed Cobra Kai to also be such a success. But imagine my shock when the approval rating on Rotten Tomatoes for Part II is 45% - 21% lower than the Jaden Smith ‘The Karate Kung Fu Kid’ version (and Part III is scored 15%, which is also super harsh but hard to debate outside of the magnificence of Terry Silver). Originally this was just gonna be a general post of how much I enjoyed retreading Part II, but upon seeing that score I had to give it my ‘Deserves More Respect’ posts.

It is an off-chance, but if you haven’t watched this film there will be spoilers within, I encourage you to watch it before reading, and maybe watch it again if you have so it’s fresh in the mind

Let’s start with a controversial point shall we? There are several parts where Part II is actually better than the original. Now I know! There’s a lot about the original which is iconic, but nostalgia does blind you to other shortcomings and while it’s easy to sell the first part because of its mystique, a sequel has the added pressure of rising above and developing on old and new themes set by the predecessor. The Premise In case you decided against refreshing your memory. Karate Kid Part II starts with a recap of Part I, a bit of content that was meant to be Part I’s final scene (in the script, not for filming) and then a timeskip. Ali with an i is gone - brutally dumping Daniel for some Football Player before Senior Prom and after crashing his car, Daniel’s mother is in Fresno for work and Miyagi has received a letter from his home Okinawa in news of his father’s fading health. The stage is set for Daniel and the audience to learn more about the iconic Mr. Miyagi and the life he left behind. Okay, so there is bad in this film Part II deserves respect, but it’s not perfect. It definitely gets messy near the end with Daniel’s antagonist Chozen, he mainly took beats from Johnny Lawrence in physically confronting Daniel when he could with a bunch of no-named goons and he fought pretty similarly to Johnny in catch counters and leg strikes. The opening recap did take a lot of time too, while the ending remained somewhat abrupt having just beaten up Chozen to embrace Kumiko (who had a delayed recovery after being punched once). While not bad, a fair amount of retreaded content felt like downgrades of the original; Chozen and Sato lacked the charisma of Johnny and Kreese, the crane kick was far more impressive than the drum technique and the Tournament setting was grander than the O-Bon festival. But, there are Iconic Moments in this film too Part I may have the Crane Kick and the Skeletons and the Training and Sweep the Leg. But people may forget that Part II had awesome moments too.

Like Daniel chopping through 6 Sheets of Ice! If that isn’t one hell of a power play I don’t know what is. It is a moment genuinely impressive in and outside of the 80s cheese universe of Karate Kid, and it gets referenced in Season 2 of Cobra Kai.

Also referenced in Season 2 is Miyagi vs Kreese. While this is the intended ending for Part I, it certainly acted better at the start of Part II, especially given that is foreshadows the situation Daniel finds himself in at the end of the movie. This moment is equally iconic as it completely encapsulates the character of both senseis - Kreese the confident brute brought to a sniveling mouse when size and power failed him and Miyagi the cool-headed and vastly more intelligent fighter still with the cheeky prankster lightness to him as he honks the scared shitless Kreese on the nose. Perfect.

While I did want to cite the Tea Ceremony as well I think the more iconic moment for Part II had to be Miyagi chopping the log during the storm. The storm itself is a very well-done scene which unmasks several characters in the face of adversity. True tension, worry and stakes are sold as the village are in danger of the cruel whims of nature, an act which is all too real for Sato when the house he’s in collapses on him in the calm before his scheduled deathmatch with Miyagi. Not only is this again some great foreshadowing by the rule of three (Daniel asking if Miyagi can chop a log like Sato is doing with a banner and then Miyagi and Sato meeting and seeing Sato fail to chop a log) it proves a pivotal point where Sato turns from aggrieved antagonist to repenting ally. A great show of power and friendship as Miyagi metaphorically breaks the rift between their friendship that weighs Sato down. Okay, we hear you, but how is it better? I do have to preface that I do still love Part I, I have to because in pointing out where Part II is better I have to pick at Part I’s faults. While the ending is messy Part II definitely has much better pacing, until the skeletons scene Part I doesn’t really pick up because it has to set up, Part II while it does recap doesn’t need to worry about it. Giving Miyagi the main plot was definitely Part II’s strongest suit. Part I profited from Miyagi being the ‘mysterious old teacher’ but learning a lot more about his humanity and history was engrossing and it allowed positive development for Miyagi and Daniel, especially their bond as a surrogate father and son when Daniel personally goes out of his way to support Miyagi on a very personal matter. The main characters maintain their charm as well, still a lovely array of life lessons in Part II more than just finding balance, Miyagi teaches Daniel through words and action on taking time to breathe, to refocus when imbalanced, to forgive rather than to harbour hate, mercy, selflessness and humbleness

“never put passion before principle. Even if win, you lose.” - Mr. Miyagi

The scenes involving Miyagi and his father were some of the most deep and emotive of the series up until Cobra Kai, some still haven’t been topped such as Miyagi’s dad’s first words to his son or when Daniel talked about when his father died. And say what you will about Chozen, he does have a lot of Johnny vibes but a lot of the character we believed was Johnny due to nostalgia goggles was more fitting of Chozen’s manner. The story did a great job in making sure Chozen was always an asshole, at times Johnny did at least display honour and grace but Chozen was always sore about stuff and quick to claim dishonour even when he was in the wrong. Contrary to Johnny it’s more about his family than it is about a girl, which allowed a lot more freedom in the plot. Whether you felt Elizabeth Shue’s Ali with an i was prettier than Tamlyn Tomita’s Kumiko is up to personal preference, but the messy-haired Kumiko definitely had a slightly improved presence in Part II than Ali did, with actual focus on her own feelings outside of attraction to Daniel, her ambition to become a dancer directly linking to the O-Bon Festival - which in turn related to the Drum technique - as well as the delicately beautiful Tea Ceremony scene and actually contributing to the final fight (granted Ali wouldn’t be allowed to). Also Daniel didn’t try to eat her face which is a general improvement to the romantic subplot, extra applause has to go to Tomita here too because this was legitimately her first role - Shue had her second so that’s impressive too - and both women had good careers going forward. The increased stakes definitely worked in the favour of Part II as well, as sequel culture is forced to do, but by moving to Okinawa (actually filmed in Hawaii) we opened the door to better suit Miyagi’s world while keeping Daniel the fish out of water. I can’t speak too much for appropriation because there is still kinda some ‘white saviour’ undertones but I didn’t feel like Japan was treated negatively in this light, its culture of the O-Bon Festival and the Tea Ceremony was treated with the utmost respect and explained without pandering, the flute music had definitely stepped up its game for the soundtrack as did the imagery. Can also appreciate that Daniel does go for the Crane kick when fighting Chozen but is parried. Added hat tip has to go to costuming too. A lot of costumes would have to have distinct Kamon such as Sato’s twin fish and Miyagi’s bonsai on a lot of their clothing

Between Sato and Miyagi the colours of their clothes often code their emotions towards each other, with Sato usually in grey and Miyagi in white or cream, when Sato and Miyagi prepare for death they are in black and when Sato wants forgiveness he moves to a lighter shade. While Part I also used black and white to differ Johnny and Daniel, Part II put Chozen and Daniel in the more Japanese-themed Red and Blue. While both men wear red, blue and whites at time, Chozen’s clothes almost devolve from the white he debuts in as his darker side comes out before flat out embracing yellow after his chance to prove his honour in the storm is refused (and he’s in white then), while Daniel often moves to Red or red tones even in his blue shirt. Kumiko also moves from white to blue, sometimes even purple, in set up to the final fight to have the primary colours stand out in the colourful crowd of the O-Bon festival, but even in the blue Kumiko had red to pair her connection with Daniel. Also her Yukata at the festival is just stunning, the Great Wave off Kanagawa print is a nice touch.

Anything else we should know? It might not be much else about the film itself I can tell you, but I do appreciate something I’m starting to call ‘The Rocky Connection’ when it comes to Karate Kid. Like Part I’s ‘You’re the Best (Around)’ was shortlisted for Rocky III, Part II’s song ‘Glory of Love’ was shortlisted for Rocky IV’s theme, losing to ‘Hearts on Fire’, Bill Conti also chose to score this film instead of Rocky IV. I like to pair this with Daniel’s Rocky-esque character, he has that same kind of swagger but a lot more naive and childlike. Martin Kove also gets a nod because those bleeding hands were legit, he had an accident on-set and the footage was kept for the final cut. Tamlyn Tomita wasn’t the only film debut for Part II, B.D. Wong of...well, several famous roles including but not limited to Shang in the animated Mulan, Dr. Wu in the Jurassic Park franchise, Hugo Strange in Gotham and many more, also had his debut here in a minor speaking role when he’s handing out flyers for the dance party to Kumiko and Daniel before the Ice Chopping Scene. So, why does it deserve respect A film that adds to a beloved character in a respectful fashion without having really any god awful moments does not deserve a 4.5/10 rating. It may not have as emphatic an ending or as great a villain but it has a captivating plot and a good pace, better stakes and much more emotionally driven and responsive scenes. A lot of effort and dedication went into this film to explore new dimensions of the main characters in a fashion which was enjoyable and at times heartwarming. And characters are given human moments, even Miyagi confesses himself not to be perfect and it keeps each character grounded. Even to this day parts of Part II are remembered fondly rather than the campness that Part III had outside of Terry Silver and his magnificent ponytail, the fondness also continues to reflect in Cobra Kai with homages and fan theories of Daniel going to Okinawa again and even re-encountering Chozen. Not to mention it grossed $113m on a $13m budget and got nominated for a Best Original Song Oscar (losing to Top Gun) Part II was a good and enjoyable film which deserves far more credit than to be rated this low, for that it deserves respect.

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