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#and of course i got rambly
bluerosefox · 1 month
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The Flow of Time
Hmmm *has done a lot of deaged Danny prompts/ideas*
Let's shake things up a bit shall we???
Deaged Tim!
Tim, or rather Red Robin, was turned into a child Ra's (to steal and raise him as his evil heir)
And as he's about to be saved by the Bats. He hears what was sound of a ticking clock before he begins to fall.
And he tumbled and fell like Alice falling into Wonderland.
-x-x-
"CW what did you do?" A tired voice asked
"What I had to. Should I had left him there, they would had failed and he would had lead his world from the shadows under the false Immortal's teachings....A world does not need be in ruin to be on its path of horror and destruction, Daniel." Came the response.
"Ancients..." swore the other voice under their breath.
"Raise him well and in due time his once family will find him again. He will awaken confused and questioning, his past foggy to a point in his mind. Just make sure he is ready for it. The flow of time between worlds can be both kind and cruel." We're the words said.
"Clockwork wait! What does that-"
That was all Tim heard as he tried to wake up, but he quickly fell back asleep when a hand gently petted his head, snuggled and bundled up in a dark purple cloak and the sounds of ticking clocks all around him worked like a strange lullaby.
When he woke up next, Tim found himself in a small bedroom, a guest room that once been someone's actual bedroom judging from the glow in the dark stars still on the ceiling above. But it seemed to had been turned into a spare room for guests from how there wasn't anything else personal in the room besides basic stuff.
Tim, confused and wondering where he was and how he got there jumped when he heard the door open and meet the eyes of a young adult with black hair and blue eyes.
"Hello Tim, good to see you're awake. My name is Danny Fenton and... Welcome to my worlds version of Earth I guess."
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liecanthrope · 10 months
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wait because seriously being an adult therian fucking rips, especially when you start being independent.
dog with a blog? nah. dog with a JOB. i come into work with my tail and my theta delta necklace and the building implodes from my sheer swag. weirdo teenagers love me. also having your own paycheck means you can get whatever gear/treats you want (once bills are paid, of course - bet youve never heard a dog say that!)
living in your own apartment? well the pet limit is 2 but if i include myself im going over the limit. whoops! good thing i love lying to landlords (fuck landlords). living alone (no roomie) is even better bc theres no one to judge you for your animal habits. i can make a huge den in the living room and who is going to stop me?
i even have my own health insurance. bro. imagine being a dog with medicaid. im climbing the walls and howling and barking. i love being a dog filling out government paperwork.
having your own vehicle? THIS DOG CAN DRIVE! if i feel like going to the lake i can just go to the lake! nobody is stopping me! midnight ride with the windows down to howl at the moon? yes please!!
you can literally just go wherever bro. i moved 11 hours from my hometown to the mountains to feel more at home. i lived in the great plains and now i can just go out for a hike in the rockies and howl at the sky.
being an adult therian slaps so fucking hard i cant wait for the youth to grow up and experience the joy of freedom. yes being an adult is incredibly stressful but if youve been stifled living with family, you get a real chance to develop who you truly are. adult therians i love you im rubbing against your neck and mixing our scents. mwah.
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thisonelikesaliens · 18 days
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their happily ever after looks so good
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okaydiscount · 3 months
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Scout and his Ma :]
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okthatsgreat · 5 months
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had a great conversation today about danganronpa ultimates and the idea that so many of those ultimate talents come with a massive time limit, but this ESPECIALLY applies to sayaka maizono. her entire life is dedicated to being a pop idol to the point she considers her band her family and will go to extreme lengths for them. being a pop idol has quite literally defined her persona and personality for years as a means to survive in that industry. but as a pop idol she only has years left of relevancy because as much as she might fight against it she will eventually grow up and out of the typical age range for idols. best case scenario she becomes a mildly relevant independent singer who still struggles against the pressure of the industry but with far less reward, worst case scenario she is removed from the public eye entirely. and THEN what? hopes peak academy as a replacement for a typical high school experience can be quite terrifying at times just because it focuses in on ONE talent. YOUR talent. but what if your talent comes with an expiration date? what do you do then?? it's not as if you've been prepared for any other career path. you're stuck there
anyways, i just think the idea of a time limit on ultimate talents is both fascinating and pretty devastating. it really emphasises sayakas personal fears as well, considering how little time she has in the spotlight and her desperation to maintain her idol personality, but it also provides a pretty awesome look into a few other ultimate talents as well. athletes (swimmer, gymnast, baseball star, dancer etc) have got time limits ESPECIALLY if they injure themselves, ultimate fashionistas will eventually age. just interesting to think on
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catscidr · 3 months
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i was thinking about dottore when i woke up again (shocker) nd then thought about what his shaving habits would be like. dont ask how my brain works cw: crack if you rly think about it. also mentions of dead ppl and some blood but it’s nothing major i promise this is just silly
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dottore’s facial hair doesn’t grow back that fast because of how often he’s had chemical substances explode in his face. not that his entire face has chemical burns on it (he does have scars, they’re just more in the upper area of his face), but with how long he’s been working with chemicals, accidentally creating explosives was bound to happen.
it all worked out well for him though, because he did not want to rock any kind of facial hair and look like a messy, mad scientist (even if that’s… technically what he was)– he prefers to be clean shaven (i mean have you seen those crisp sideburns on his in-game model?)
and of course, because he’s a doctor, he has steady hands.
…which leads to him occasionally shaving his face with a medical-grade scalpel. his logic, the first time he attempted it, was that scalpels are just straight razors meant for cutting people open– and if he used it to shave his face, it would just become a fancier (and bloodier) straight razor.
(he could probably cut a man open with a straight razor too, anyways. so really– what’s the difference?)
since this man is always so busy he doesn’t have time to leave the lab to go shave and take care of that kind of stuff– and he didn’t really want to, either. his time is precious and deadlines can’t wait.
and since he’s so familiar with the dips and curves of his face (he’s made countless clones of himself, after all) he can simply sit at his desk, toss his mask off of his face, grab the scalpel he’d use for non lethal purposes this time, and look off in the distance to focus on the space between the tips of his fingers prodding at his face, the blade, and his skin to shave off his stubble without nicking himself.
it’s probably the only time you would be able to catch him off guard (if you’re even able to step into his office in the first place), but you would, most likely, be the one caught off guard instead.
what are you even supposed to do when you step into his office and see The Doctor himself with a straight, dead expression, head tilted up with a rusty scalpel to the underside of his jaw? scream, probably.
and the scream you scrumpt was enough to make him jolt from surprise. fortunately for him he didn’t cut his head off, but unfortunately for you, you had made him nick his face.
just a smidge.
a tiny dot of blood trickled down the lower part of his left cheek, curving down his jaw. you’re both staring at each other- while you had a multitude of questions begging to be spoken out to get answers (because what the fuck was he doing), his own mind is eerily quiet. all he does is… stare at you.
funnily enough, you felt miles more intimidated being stared down by a considerably more casual dottore; his face unmasked, expressionless red eyes boring holes into your face, patchy stubble on his face (from him not having finished shaving), and gloveless hands frozen in the air- one holding the scalpel, the other in the same position as before but now stunted below his jaw.
(one particular observation that bubbled up to the forefront of your mind was, stupidly enough, “so minty blue really is his natural hair color?”)
he kicks you out of his office with a flat glare and a wave of his free hand so he can finish his job.
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bizarrelittlemew · 3 months
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i was hoping to make a post like this under happier circumstances, but here goes.
as some of you know, everything with the cancellation and renewal campaign has happened right on top of the worst part of my mom's cancer treatment (plus the show was cancelled on my actual birthday 💀). i won't go into details, but it's been tough. lots of ups and downs, mostly downs, luckily ending (for now) on as much of an up as circumstances allow. the whole thing has been weirdly tied to the cancellation for me, kind of amplifying every feeling. the grief got mixed up, and there was so much of it - mourning the loss of the kind of future i thought i'd have with my mother and the time we might not get, mourning the end of a show that means so much to me and is such a big part of my life. different types of grief, sure, and of different magnitudes, but in one big ugly swirl. i sort of had a breakdown right at the start of february, and it was because of news about my mom, but it morphed into my brain telling me everything i'd ever written was shit and wanting to delete it all. stuff like that, spilling over.
anyway. i was holding off on writing this post to see if the show got picked up by someone else. but i still want to say it. because what also spilled over was the support and community from this fandom, and being in this space (despite the rough times and high emotions) helped me through it, because of all of you here. whether we talk regularly, or you left a comforting reply or simply a like on one of my posts about having a hard time (i tried to keep them few), or wrote a nice comment on a fic, or said something funny or nice or insightful in the tags of a gifset, or was active here (or on twt) in any way, talking/sharing/creating stuff about the show - THANK YOU.
you all helped me through all the ups and downs, and i am so grateful. thank you for being here, listening, distracting, helping me feel some joy despite the horrors. i love you and i love this incredible show and all it has brought and will continue to bring and inspire, and although it should go without saying, i'm not going anywhere. just do me a favor and give yourself a big ol' hug from me, and know that you made a difference for some random guy on the internet (but in reality for many more, and for this fandom as a whole, just by being here and being you) 💕
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sad-leon · 1 year
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Welcome to the Shadow Leo au :D
It's a lotta text, but I don't know if I'll make a fic for this au. It'll probably be a lotta fics and doodles. Asks are encouraged :D
When Splinter explodes Draxum's lab, a crystal Draxum wanted to experiment that held a bunch of shadow power, dropped on Leo, fusing him into shadows. He can only appear where there is shadow, so he can't go outside alone or in really bright rooms.
He can choose whether to be visible or not in a shadow he occupies, so if he's around strangers, he stays hidden.
Because of all the light from the explosions, he hides in Donnie's shadow as Splinter leaves. He doesn't show himself to anyone outside of Donnie for a long time. It's only when they're toddlers that they speak. Leo's speaks first and scares the hell outta Donnie. His voice has a bit of an echo-reverb tone, but otherwise normal.
Donnie tries to show everyone, but eventually let's Leo explain that he's scared of meeting everyone. He grew up with Donnie, they know all about each other and their triggers and such. Leo doesn't have that familiarity with the others and he's scared of breaking down in front of them.
When Donnie brings April to the lair, Leo is excited at the prospect of meeting someone who is also an outsider. When she and Donnie hang out in the lab, Leo shows himself to her. She tries to punch him, she just bruises her knuckled on the wall. Over the years, April, Donnie, and Leo become an indestructible trio.
The fam still doesnt know about Leo when they break into Draxum's lab. Draxum immediatly notices Leo in the shadows and gathers all his mystic crystals to try and break his shadow powers. On of the crystals he hits Leo with grants him the ability to emerge from the walls, though his still looks all shadowy.
Leo still chooses to hide in Donnie's shadow, though he ventures out on his own a bit more now that he can hold swords and stuff. Leo still steals the odachi from Draxum, but his use of it is limited to only slicing, though if Donnie swings it, Leo can influence the portals if he's connected to Donnie's shadow.
[Sidenote: when the brother unlock their Ninpo, Leo unlocks his as well, granting him ability to use his portals himself. He can also do the funky teleportation thing.]
---
Leo's out on his own one night when he see's Usagi hanging around the turtle fam's lair. He appears to the rabbit and surprisingly, the rabbit doesnt freak out. Usagi and Leo are quick friends. Leo tells Donnie about Usagi and convinces Donnie to meat the rabbit and eventually, Usagi becomes an honorary turtle, just like April.
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(Leo is still Casey's future sensei, but by then they had found something, a charm or a potion, that made him physical. When Casey asks about him, Donnie avoids eye contact, but everyone else is confused.)
(The key is snatched by the foot clan because Raph couldn't get to it fast enough. Leo tries to blame himself because if he wasn't so scared he could have used his portals to get it. Donnie won't let him blame himself, and neither will anyone else when they finally meet him.)
During the movie events, Leo connects to Raph's shadow when Mikey and Donnie get flung off. He makes himself physical and pushes Raph toward his brothers. He also snatches Raph's wrist comm. Raph is too panicked to consider what just happened and jumps off to catch his brothers.
He shouts for CJ to close the portal. Casey immediatly follows the command shouted by his sensei's voice before he can process it. Leo stays physical long enough to keep Kraang distracted, then ducks into the shadows.
With the whole Prison Dimension being basically one big shadow, Leo is able to stay hidden after the portal closes. He doesnt heal in the shadows, but his inuries don't worsen. It takes about a year until Leo finds his sword and portals himself home.
-
Donnie, April, and Usagi are all a fucking wreck in a way no one understands, no matter how much they explain Leo and his predicament. Raph explains that he was pushed by a shadow and Donnie breaks down on the spot. Because even though Leo would never meet the fam, he'd still sacrifice himself for them.
For months, Donnie begs Casey Jr to tell him how Future Mikey opened a portal, but CJ won't say anything past explaining how it killed Future Mikey.
Donnie doesn't stop looking for any sign of Leo, but after months he has no choice but to move on. Leo's sword was put in a glass, guarded case after Donnie tried to use it to portal to Leo.
Sometimes Donnie sits in a dark corner and talks to himself.
Then one day, the alarm attached to Leo's sword goes off. Everyone thinks it's Donnie trying to portal again, but they all rush in to see a shadowy Leo injured, on the ground. Donnie breaks down on the spot, but tries to pull himself together enough to help with bandaging what they can see of Leo's wounds.
Leo wakes up to his family around him and finally lets himself meet the rest of his brothers.
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adelrambles · 6 months
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Tips on Writing Bishop
I've been asked a couple times for advice on how to write a good (03-style) Bishop, and I'm well-aware he can be a bit tough to get a grasp on. As someone who's studied him specifically to learn how to write him as accurately as possible, I figured I'd compile some thoughts in case it'd be helpful to anyone else. I know a lot of Rise takes on him are basing off the 03 version, so maybe this could help generate ideas, too. SO!
Big Overall Points!
At the core of EVERYTHING Bishop does are two primary motivations. The first: the protection of the earth. What this means to him can get tricky, because it doesn't necessarily mean protecting the people, at least not all of them. But it will be better understood alongside the other:
The second: The protection of his sense of safety. Bishop has been deeply traumatized, and everything he does is born of a want to avoid that pain ever again. In his mind, earth is a safe area, a controllable factor, and anything outside it is a danger that must be eliminated. This is why he will still be willing to put himself and other people on the line in service of this; any sacrifice is worth the greater goal. (It's worth noting, Bishop will claim the first as his motivation freely, but is likely not consciously aware of the second.)
Bishop deals in Big Picture ONLY. Another reason Bishop will willingly throw away anything, including the lives of the people he claims to protect, is that he seems incapable of understanding things on a small, individual basis.
Bishop is a cold personality. He does not have strong displays of emotion. He does emote, but for the most part it's muted, so I recommend using emotional bursts very sparingly. (In my own writing, as an example, I try to limit my use of exclamation marks in his dialogue as much as possible.)
At his core, Bishop is afraid, and his response to fear is aggression. This also makes it particularly difficult to talk him down, if he's put in an emotional state. His response to not being in control is often violent retaliation.
With those basic tenants understood, let's move next to some major personality traits:
Bishop is a controlling personality. This is a direct result of his trauma response. Things that can be controlled are safe, therefore he must control everything. If something cannot be controlled, it's a threat that must be eliminated. If he doesn't know why something happened, he becomes angry (including even when it benefits him.)
Bishop is very low-empathy. When writing him, I try to keep in mind that he cannot put himself in the perspective of others. (Or if he can, he doesn't care to.)
Bishop is a sadist. He gets personal enjoyment from hurting others.
Bishop likes fighting, but only when he's winning. He will quickly leave if he can't see a guaranteed victory.
Bishop is paranoid. This is probably self-evident, but it's the reason he's often so well-prepared even when things don't go to plan.
Bishop genuinely seems to enjoy science. He's shown to be far more lenient with scientist characters than anyone else, and he seems to involve himself in his scientists' projects to a degree. Enough to, at the very least, understand their work. (Given he was the one set to dissect the turtles, it might also be argued he has some medical or biology background, himself.)
Bishop is an opportunist and scavenger. He can roll with failures as long as he can find something to get out of it. If he's presented with an opportunity to stab someone in the back, and he has something to gain? He'll take it without a second thought.
Bishop is deeply self-blind. For all his perceptiveness and strategic prowess, Bishop is not very self-aware in the slightest. He is completely blind to his own hypocrisies, and thoroughly confident in his own righteousness.
Bishop adapts fast. He accepts situations for what they are and acts (Though he may still be angry about them, or what have you.) This is likely a skill developed via longevity; the world around him has changed rapidly, but he doesn't feel out of place at all.
Bishop will take extreme risks and thinks wildly outside the box. Also self-evident, if you're familiar with the plans he enacts throughout the show. He'll put a lot on the line if he thinks the reward is worth enough, and he's willing to go to extreme lengths to get what he wants, even if his plans would be considered crazy by normal standards.
Bishop is persistent. If he wants something, he won't stop until he gets it. If he fails, he'll retreat, make a new plan, and try again. It is very difficult to convince him to back down (and certainly not on moral grounds.)
Habits and triggers I've noted:
Being restrained of any sort puts Bishop in a panic. He is more likely to have an emotional response in these scenarios, and seems to have (an albeit muted) desperation to escape. (See: Leatherhead restraining him in the first encounter; His reaction to being trapped on the surgical table in Head of State.)
When being duplicitous or suppressing a reaction, Bishop will go to adjust his tie. This could possibly be considered his tell.
Bishop seems to have a particular fear of aliens blending in as humans. His slayer project was built around the assumption that this is a common threat. (Worth noting: This makes The Shredder the model of the exact threat Bishop is afraid of. Technically, Bishop himself may also fit the description of a threat shaped like a human.)
Writing considerations:
In 03's narrative, Bishop is EPF and EPF is Bishop. Narratively speaking, any organization Bishop is head of acts as if it is an extension of his will and character.
Bishop is shown to strike fear and/or discomfort into most characters he interacts with. Anything beyond this is an outlier, and will draw a reader's attention.
Dialogue-wise, Bishop is generally succinct and blunt. He does dabble in gloating, though, and especially likes to upset others. If he's given a chance to be mean, he'll usually take it. It can help to consider he has a Mission Mode and a Normal Mode. When it comes to Mission Mode, he gets straight to the point and hates unnecessary talking. Otherwise, he's still not very talkative, but will take the time to make pointed jabs or talk through a plan. A lot of his sense of humor seems to be rooted in how He's Better Than You (And You're Going To Die Painfully.)
It's a common pitfall that Bishop is depicted as seeking out the turtles. In 03, once he gets their DNA, he's done with them. Any encounters after that are incidental. Bishop does not care about anything that won't effect his greater goal. If he's targeting another character, it should have to do with a greater plan.
Bishop is an extremely competent combatant, shown to be able to handle up to 7 opponents at once. For a breakdown on his fighting style check out my other post on that!
Bishop is hard to kill, and oftentimes he accidentally contributes to his own defeat. (The hook from Bishop's Gambit is an example I get a LOT of mileage out of, as a perfect symbol of his self-defeating prophecies.)
We almost only ever see Bishop in the context of his work. While it could be construed that he depersonalizes himself, it's much more clear that the narrative depersonalizes him. As far as we, the audience know, Bishop's work is all that he is.
It's unclear if Bishop was released from his abduction or escaped. Depending on which you ascribe to, this can have ramifications for his mindset on how to deal with the alien threat. (Personally, because so much of his inability to cope hinges on a feeling of helplessness, I believe he was released. If he escaped on his own power, that undercuts it, somewhat.)
Thematically-speaking, Bishop parallels both his own torturers and his own victims at the same time. He has perpetuated the cycle that traumatized him in the first place by trying to fight fire with fire. (In that vein, I don't think he's capable of understanding that, not seeing aliens as people in the first place, just dangers. Considering how deeply ingrained his trauma is in his worldview and actions, it would probably ruin him, if he were ever able to actually grasp it.)
Bishop and EPF are likely a commentary on the military of the time 03 was coming out. This can be something worth keeping in mind, when figuring out his greater themes in your story, though it can just as well be discarded if it doesn't fit.
Adding to that, Bishop has an extensive american military background. His skills and knowledge will reflect that.
Bishop also plays on and references a number of real-life alien conspiracies. It can be worth digging through conspiracy history to drum up ideas and themes, too.
The ethical and philosophical quandaries of Bishop's body-hopping and humanity tend to not hold too much weight, because Bishop, himself, doesn't seem to care.
If I think of more I'll certainly be adding on to the reblogs of this post! Or, if you have more thoughts, please feel free to add! If you're in the mood for more Bishop ramblings, that's practically most of this blog atm, but this post is a particular favorite. If you're interested in Fast Forward!Bishop, specifically, consider this post! (also read Taking Pawns. slipped in that self-promo, nice.)
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kagooleo · 5 months
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the zine’s officially out, so I can post my contribution for the @extraordinaryzine :D!
my piece is an interpretation of the caverns on Iron Island 🏝️ so I wanted to incorporate more of the water surrounding it by creating a sea cave to have light spill inside (akin to the modra špilja/blue grotto)
the focus of the zine was on the daily lives of trainers and their pokemon, so Riley uses a spot inside the caverns like this to meditate with his team, although any new Riolu he trains can’t resist wanting to jump into the water to play υ´˶ ・ﻌ・ ˶`υノ”
this piece alongside a ton of amazing artists can be found free to download digitally here! (and lastly some closeups bc I liked getting all the little deets down)
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diamondsheep · 8 months
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your honor .. I LOVE THEM 💚💛 !!!!
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Pretty Green Swordsman and Beautiful Samurai Woman my beloveds 💚💛
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hotwaterandmilk · 29 days
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My extremely brief review of Sailor Moon Raisonné Art Works 1991~2023 book is as follows: fantastic as something akin to an exhibition catalogue, disappointing as an art book.
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Longer version:
Takeuchi is a great artist, Sailor Moon has some extremely memorable illustrations, there hasn't been a new art book in decades... this should have been a slam dunk in terms of meeting fan expectations. Unfortunately I think the portrayal of this as a preserved "art collection" is a bit disingenous given the format of the book, the number of art revisions, and its overall quality are pretty standard for exhibition catalogues rather than actual art books.
In saying this I absolutely love art work catalogues, particularly when they provide context on how the illustrations were originally used. "Raisonné" shines in this regard, it gives revision notes and context to the original uses of all images from Nakayoshi colour pages through to furoku. Loooooove this:
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It even features a comprehensive account of furoku and zen'in for the manga, which is another thing I appreciate in these types of publications.
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The main problem, as countless people have pointed out, is that the actual art work in this book is extremely tiny. Many of the rarer images fans were excited to see in decent resoluton (like the colour art from Codename wa Sailor V) are a few cms across here, piled up crammed from a couple to a dozen a page.
The character designs presented exquisitely in full in the "Materials Collection" art book are condensed to a handful of pages rendering Takeuchi's chracter notes unreadable and the gorgeous sketches lacklustre at best. Why are they included at all when some designs are barely visible here? The paper quality too is fine for a catalogue but there's just no comparison to the paper and print quality found in the original Sailor Moon art books.
I think it also has some very standard art collection flaws on top of this, including baffling choices when it comes to putting artworks partially across two pages (will never not hate this in any art book, it's particularly egregious here where the cover illustrations from THE BOOK ITSELF are about the third of a page in size and placed across a page spread).
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There's already been plenty of dissatisfaction expressed about this book and I'm not here to give it an additional kick around because I do feel it has value as an art work catalogue. I just think there was a definite divide in what Kodansha produced vs. fan expectations and if you purchase the book knowing this then at least you'll be aware of what you're getting.
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wandixx · 7 months
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About Amity black out, movie style
It's a great idea, I like it as a way to explain why JL never came to checki it out/why Amity Park never asked for help if we go with two way route.
But.
There is no wall that's perfect. And whoever had put up a black out (probably before JL was formed or else older people would probably try to contact them after bigger attack) had to know this. Some info would slip and if it was truly iron curtain, no info in or out, people would realize something was of.
So they did they best to filter out stuff that people shouldn't know, i.e. heroes and later, ghosts.
And if some article or message somehow slipped through anyway?
It's about movie. It's a way to sell a new superhero/supernatural movie.
I remember few years ago I watched YouTube video about movie from late 90' or early 00' that was announced like this. I'm, like, 70% sure it was "Blair Witch Project' but I have no idea. Point is, instead of trailers or anything like that, marketing team or whoever got this idea started making articles and stuff around the internet about things that happened in the movie/were clearly connected, framing it as a truth. A lot of people bought it. Actors weren't well known at the time so before premiere they went missing for like two weeks or so.
Whoever put a black out around Amity does the same but in reverse. If some smallest bit of truth gets past their defences, they put all their efforts into making it look like innovative marketing idea though with not as great execution since it's obviously a marketing trick.
Unless someone who shouldn't met hero/ghost on their vacation out/in the city, they could assume that this place is milking this upcoming movie like a golden cow or something. In some circumstances, even meeting the hero/ghost could not break their belief.
I'm not sure how to go about when ghosts affected world outside, like Ember or Undergrowth thing (though, in YJ cartoon was this thing about Poison Ivy getting some boost and sending some weird plants all around the world maybe it happened at the similar time and they never realized there were two plant villains at that time, idk, I know norhing more about these fights other than that these two things happened xD). I'm sure someone with actual knowledge about both universes would manage to find something
But yeah, that's the idea. Every info about JL and hero/villain bullshit looks like movie trailers in Amity while ghost mess when it happens, looks the same to the rest of the world.
Up to you is how the containment is breached (though, how about it's not Bats or Constantine? I like them lot but maybe let's give others time to shine)
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anna-scribbles · 2 months
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h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
#in some ways it IS the move to go to grad school right out of undergrad#because your body can still sort of operate like a college kid#i’m on about 3ish hours of sleep rn and this morning it felt SO over but now i’ve eaten something and we’re so back#i also don’t really do caffeine. except sometimes i’ll go get one of those panera death lemonades#i might be able to snag a short nap before work#but anyway about seventeen year old emilie. i was thinking abt how she was in that movie solitude and adrien said she was seventeen#WAIT. NO. HE SAID SHE WAS SEVENTEEN IN THAT PHOTO ON HIS DESKTOP NOT IN THE MOVIE#well. okay whatever i’m gonna tell you what i was thinking about anyway#OKAY i’m back i just checked the wikipedia page and then i watched the end of gorizilla. to make sure i’m not lying. because i’m normal.#anyway i was thinking about the solitude film and how it’s super rare and old and obscure and whatever. and how apparently#emilie wrote it herself and andre produced it#and i’m thinking about how gabe was discovered by audrey and that’s how he got his start in the fashion industry#so now i’m like?? did gabe and emilie first meet on the set of solitude? because gabe was designing costumes or whatever?#and that’s how audrey found him? have people already thought about this??#also i just checked and it doesn’t say emilie’s last name in the credits and also it’s ‘graham films’ with the twin rings logo m#so i’m assuming she’s still emilie graham de vanily at that point#anyway it comes back to seventeen year old emilie because i started imagining seventeen year old runaway emilie having her new life in pari#after escaping her british nobility life#and the first thing she does is write and star in an original movie. of course.#and she meets this repressed bisexual punk upstart costume designer who is so the opposite of everyone she’s ever known#and he’s immediately so unhealthily obsessed with her. which she appreciates.#and then they proceed to have the most toxic doomed evil relationship of all time#also she gets cheated because once gabe gets money he represses himself SO hard that he is now exactly like all the people emilie grew up w#but at least he’s still obsessed with her#this is what i was thinking about during class today. i don’t know how i get anything done either.#ml#anna rambles#asks
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qcomicsy · 2 months
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I have the controversial opinion that maybe, just maybe we stop wanting to go after people with pitchforks for getting characters wrong and not reading the comics inviting them to easy and accessible ways of and making our own content with comic accurate representation
people might feel less anxious about starting comics and misinformation won't spread as easily
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akuma-tenshi · 14 days
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i crave silly boat shenanigans with this crew so silly boat shenanigans i shall create
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