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#and know some of the basic rundown of the plot
quibbs126 · 2 years
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Does anyone else see similarities between what Randall was told happened after his “death” and The Count of Monte Cristo? Which by the way, happens to be originally French, and was also made into a few musicals?
Like, did Descole just get some basic points from Randall’s history and go “oh boy I can turn this into a recreation of my favorite musical” and just run with it?
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begginmonty · 7 months
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working with mike
(this doesn't follow the plot directly and mike works like more than just 3 shifts, also this is legit 2k words long i got so so so carried away im just so in love with mike, apologies!! its also not been proofread sorry <3)
before mike is hired alongside you, steve raglan had given you the job a week or so ago after you had lost your last job over a silly customer dispute (the customer is never right) and steve was your last hope at job, and bingo he had one. here you are 2 weeks later, waiting by your car outside the rundown pizzeria, waiting to train the new guy whose supposed to help you
a car pulls up and out comes a very pretty, but very tired/drained, looking guy, you introduce yourself with a small smile and he doesn’t return it, and is like “im mike”, you give him the benefit of the doubt that he hasn't smiled at you, new jobs are stressful.
the first shift goes fine, you tell him the basics and show him the training video tape, which alongside your commentary of making fun of some of it and nit-picking little things finally gets an amused smile from him. you can see him ease up a little. he doesn’t talk as much as you do but he seems to enjoy your ramblings. 
you show him the showtime performance after he looks confused about ‘animatronics’ . watching his reaction of the animatronics rendition of talking in your sleep by the romantics is a little amusing to you but you were the same way when vanessa had shown you originally.
“its something isn’t it?” he doesn't reply, he just stood looking in disbelief. 
when morning rolls around, you show him how to lock up and then give him his own key that steve had given you. 
“wasn’t so bad was it?” 
“it was..different” 
the second shift alongside mike is different but a good different. he’s running a little late and walks in on your blasting an 80s hot pop hits tape over the old speakers, vacuuming the main dining area. a smile, that melts his heart a little, lights up your face as you see him walk in.
“im sorry i’m late the babysi-”
“hey, dont stress it. you still made it!” 
he is not used to someone being so nice and friendly to him??  its foreign but he finally cracks you a small smile, watching you as you turn on the vacuum and continue listening to the music. (i need to hug him i stg)
he hasn't met anyone as nice as you in a long long time, it’s refreshing for him
and not in a creepy way !!!!!!!!!!! but he watches the cameras and watches as you just listen to the music as if the world isn’t there and continue to clean the area. 
“need a hand?” 
mike speaks up as you take a break leaning against a table, facing the main stage, the curtains open (as your next task is going to clean around the animatronics, it’s getting too dusty), music turned down quietly. he comes and leans against the table with you. you start small talk, saying something about the animatronics and you guys talk a little.
“so, you said something about a babysitter, do you have, like, a kid or something? sorry if im being too nosy, please tell me to shut up or something” mike cannot get over how nice you are
and then mike explains his living situation, and then the two of you get into a discussion about how families can suck and be shitty ect
and mike really likes how you don't pry or ask him lots of questions like others have done in the past, this man is really liking you and he’s only know you for two days
“this guy…must’ve been on something to make this place” and mike laughs a little !!! for the first time you got him to laugh !!
“yeah it’s something isn’t it..” both of you are sat against a table just staring at the animatronics in front of you
the two of you make small talk as you wipe down the dust covered tables but you can see how tired he is, he’s yawning a little bit.
“hey, you know, you can like sleep on the job by the way?” he looks up at you from the table, “sometimes i take a good couple hours nap in the office, no ones breaking into this place anytime soon”
he tries to protest and mentions towards the cleaning products and you brush him off, “go, you need it”
mike feels a strange warmth in his heart the hasn't felt, maybe ever? and he naps for a few hours whilst you continue to clean around. cleaning isn't in your job description but honestly you’re worried about the level of dust entering your lungs y'know
a loud thud and chair scraping noise comes from the office and you run to it and see mike on the floor, he looks confused and you help him to sit up. you ask if he’s okay but he seems out of it, “mike, whats wrong?”
sitting on the floor together, mike explains everything to you and opens up to you about a little brother he had, and tells you about his dream issues and sleep issues and you can see he’s upset and shaken by this dream. He shows you the sleeping pills and he explains the dream theory he’s been reading about.
“this is the part where somebody usually calls me crazy” 
“you aren’t crazy, mike” mike notices how kind you eyes are and how warm your voice is, “i’ve seen crazy. you are far from it” you joke a little and he has the faintest smile tug at his lips. 
finally home time woo !! as you lock up the gate, you watch as mike goes to his car, “mike wait!”
he turns around almost instantly at your voice as you run up to him, you pull something out from your hoodie a fazbear security badge and hand it to him, “you’re officially security now” he takes it from you and thanks you with that small smile. 
3rd shift passes (you could’ve sworn foxy was standing in a different spot and bonnie’s hand placement looked completely different) and vanessa comes for her weekly visit and meets mike. when you aren’t with them, vanessa brings up the fact that you’re one of the kindest and nicest people she’s ever met and mike agrees. 
next shift goes by and another and you guys have a long conversation about everything and you tell him more about yourself. hes never really been romantically involved with anyone but somebodysss got a crush (its him and well, you do too). and then you let him sleep and decide to tackle the old kitchen. (you could’ve sworn you heard someone walk down the hallway but you double check and no ones there)
mike dreams again and you swear you hear a groan and you walk to the office to see him, out of breath, breathing, clutching his arm and theres blood coming from it and he looks up at you trembling. “oh my god mike, what happened?”
you sit opposite him, patch him up and make him a hot drink, and he's explaining everything to you and you can tell he’s really getting bothered by these dreams. (you also think hes hurt himself from falling off the chair somehow..unbeknownst to you)
he’s tearing up a little and you just hold his hand in yours, and he's looking at your kind eyes and he doesn’t know how to react to being touched, he stops talking (mike is incredibly touch starved oh my god) and, carefully, you lean forward and hug him very gently.
he’s stiff at first but you can feel him relax into the hug and he wraps his non-injured arm around you and grips onto your back, “its okay mike. you’re okay” you can tell he really needs this hug and you can tell no one has really hugged him in a long time.
when the shift ends and you say goodbye for the day, your car just refuses to start. you cannot start it at all. you get out the car and look at it in a huff, but lucky for you mike hasnt driven a way yet
he gets out his car and you explain to him about your car, and he offers if you want a lift home or at least back to his house (his house is much closer than yours) and you can call someone about the car and you agree.
the drive is nice, you notice he has a great taste in music
meeting abby!! mike excuses himself for a shower whilst you're ringing the mechanics for your car, and he accidentally falls asleep on his bed after. when he wakes up (a good hour or so later, which you really don't mind) he walks into the living room to see you and abby sat on the floor colouring together with a cartoon on the tv, and you guys are really getting along and she’s wearing your security guard vest and badge. (her friends told her to trust you)
“uh abby, why dont you get ready for school?” mike speaks up, causing you both to look in his direction. 
you can't fight the fact that he looks hot with joggers and shirt on, looking sleepy as hell aHHH
“okay” abby smiles and gives you back your stuff and runs off to her room to get ready for school. 
he walks over to you and sits down on the couch, “im sorry for falling asleep-”
you sit next to him and place your hand on his arm and smile, “its fine, mike, really. your sister is lovely”
mike looks up from your hand and looks at your face. he looks sleepy and gorgeous and you look gorgeous to him and your eyes are so kind and theres a moment. some sort of magnetic force kinda pulls your faces closer together.
“im gonna be late!” says abby running into the room.
mike drops abby to school and you stay in his house, waiting for the mechanic to eventually call you back like he says he will. you feel a little awkward sitting on his couch watching tv but you have nothing better to do.
he comes back he offers you a shower and some of his clothes as he feels bad for you having to sit in work clothes. 
the way his heart feels when he see’s you walk out to the bathroom and back to the couch next to him wearing one of his sweatshirts and a pair of his joggers as well hMMMMMMMMMMmmmmmmmm (too early for love?)
he smells good
you must both drop off to sleep, as a few hours later mike opens his eyes for a minute to the TV showing some drama show, and then he notices a heavy feeling on his chest. there you are, passed out, in his clothes, head on his chest peacefully asleep. 
this is something he’s never felt before !1!!1 
he blushes (thank god you’re asleep) and brushes a hair out of your face, staring down at your sleeping face (uh oh someones in love) before grabbing the worn blanket from behind him and throwing it over your exposed legs.
you stirr a little, your arm wrapping around his lower half and he's so flustered and sleepy and aHHHH
he wraps his arm around your shoulders gently and passes out again (PART 2??)
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matrixbearer2024 · 3 months
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I really love you "Get off my screen" series! And I just and couldn't stop thinking about Reader just texting out of nowhere saying "Bruh I'm fucking dying"
And Vox is just going haywire(See what I did there?) Worried about you and ask what they mean and Reader be like "I'm dying because of BOARdom(Get it?)
You're Just Being Mean!
A/N: Omg I am absolutely writing this AHAHAHAHA- Vox is always the one screwing with dear Reader so I think it's about time to return the favor. Thank you @crazylzp143 for the inbox idea! I love how much this story is expanding and the ideas y'all have for it. As always, I hope you all enjoy this filler interlude and please keep the ideas coming! Happy reading!
You cheered, flopping backwards on your bed in a cheerful mood.
On your computer monitor was an empty assignment box.
You'd successfully accomplished all your required tasks before the semester's end which left you with a whole lot of free time to burn.
And did you absolutely just unwind and relax.
Playing games, watching movies, bingeing shows-
You practically spedran the chill pill treatment.
To the point where you managed to bore yourself before the day was even over.
You stared up at the ceiling with an annoyed look-
Wasn't there really anything else you could do?
And why did time pass by so slowly?
God you were bored.
In the middle of your TV show binge, your phone buzzed to life.
Considering you'd quickly found the plot line to be quite a drag, you just let the drama play while you no longer paid attention to it.
The white noise the show provided helped make it feel like you were actually doing something.
Even when you knew you weren't doing anything productive at all-
Looking over at your phone, you smiled upon opening the familiar chatbox that you saw almost daily.
"Heya Voxxy, what's up?"
"Well aren't you in a good mood today! Anything special?"
You playfully rolled your eyes, Vox really thought he was being cheeky this time wasn't he?
"Managed to complete all my work for the semester, so now I can just chillax until exams come around!"
"Wait what? Holy shit! You've got a whole two weeks of nothing then!"
"IKR! I can just laze around and do what I want after class hours!"
It wasn't surprising that Vox quickly got used to your schedule, you'd also grown slightly accustomed to his.
He knew the basic rundown of your schedule, like when your classes started and ended-
Just as much as you knew when he had to leave for his daily broadcast and when he would come back.
You could only guess him knowing when exam season happens was from looking at the calendars and schedules you had meticulously prepared in your computer.
There were times he would even remind you of things due on a day, like quizzes or projects to which you would grow embarrassed that it slipped your mind.
You were the one who made the calendar, how could you forget it???
Though it was probably helpful on his end that he quite literally had a digital reference to look back on.
You still wondered sometimes how he managed to end up with a TV for a head but didn't look into it much.
"Guess that means you'll be spending more time with me?"
"Dude, I already spend so much time with you! Any more and I'd have to call you my boyfriend!"
That message really shouldn't have caused Vox to bluescreen but it did.
He was just so flustered that his system crashed in it's entirety because of what you said.
Not that you noticed when all you got in reply was some keysmash and middle finger emojis.
Vox could only imagine you were laughing at his expense, and even then he couldn't bring himself to be annoyed with you.
It was only recently that he'd become hyper aware with how much you meant to him so jokes and comments like that easily sent his mental careening.
Not that he quite understood why he felt this way yet, a part of him still blamed some unknown untraceable malware that your devices shoved into his system.
Though he highly doubted that a stupid virus would make his stomach do flips whenever he saw your silly smile.
Oh whatever, he'll just have to run another malware check later or something.
You just continued to tease Vox for a good while before he had to excuse himself and leave for a meeting.
He was slightly glad that he had just a little respite from your teasing onslaught.
Any more of it and there was a high risk he would've accidentally caused another citywide blackout.
You tossed your phone onto an adjacent cushion and just laughed.
No wonder Vox liked to embarrass you so much.
It was downright hilarious and entertaining.
You couldn't help but feel slightly flattered with his reactions though, was your friendship that important to him?
So he really did care after all, what a dork.
The funny high you were running on, much to Vox's chagrin, didn't last long.
So you decided to go back to fucking with your TV headed companion since he usually did the same to you.
"Dudeeeee I'm fucking dyingggg-"
Vox made the mistake of checking his phone in the middle of the meeting and nearly gave himself a stroke upon reading your message.
What in Lucifer's name even happened?!
Last he checked you were completely fine???
He hadn't even left you for-
Taking a look at his internal clock, Vox glitched from sheer panic.
It hadn't even been an hour!
Was this supposed to be a joke??
Were you just fibbing with him?
Or god forbid you were actually hurt and needed help-
He was about to just bolt out of that meeting before another messaged snapped him out of it.
"I'm dying- dying of BOARDom! HAHA see what I did there?"
Vox felt the last of his patience leave him as rings appeared on his other eye.
The absolute nerve of you-!
"Oh fuck off (Y/N)."
With that, he angrily pocketed his phone and once again paid attention to the meeting.
The poor presenter in the front nearly shat himself from how irritated Vox looked, they didn't know that frustration was because of you though.
You just couldn't stop laughing at his reply, not realizing how badly your overlord friend took the joke until some noticeable time passed and there wasn't a single message or notification from him.
Now that started to concern you.
You'd be lucky to get through an hour with less than a hundred notifications at a time-
It's been two and there was still absolutely nothing.
Did something happen?
Was he upset or dealing with something?
Perchance... did you do something to upset him?
"Vox...? Hey, you good dude?"
You grew more concerned as the minutes ticked on.
Whatever it was- Vox was probably genuinely upset.
And you had a gut feeling it had something to do with you.
"I'm not talking to you."
You almost wanted to roll your eyes at his message, was he being childish?
So your hunch was right, you did manage to upset him- somehow.
"Ehhhh??? Why? What did I do?"
"You know what you fucking did (Y/N)."
Not really- that's why you asked.
Your hands dropped onto your lap tiredly as you looked up towards the ceiling.
What... what did you do wrong?
Scrolling up to read your chats, it didn't take long before you realized where it went wayside.
Oh.
"Right, you don't really like it when I joke about dying huh."
"No."
"You never really told me why, and you never cared this much before. You would just laugh it off when I delivered the punchline."
"You're still young (Y/N). You have your whole life ahead of you. Dying puts you at risk of ending up here in hell with me."
"You know that doesn't sound as horrible as you paint it right?"
"Pardon?"
"I'll end up where you are, that can't seriously be that bad."
Vox genuinely wondered if you had a screw loose or something this time.
He continued to try hammering it into you that it was hell he was talking about.
Eternal damnation, the never-ending inferno, etc.
Ya know, where all the sinners went to suffer??
But again and again you would just keep repeating-
"But I'll be where you are, it won't be that bad- it can't be that bad."
Until he finally understood what you were insinuating.
It wouldn't be so bad, because he was there.
He would be there with you.
At that point the state of hell or where you were wasn't important.
Vox could only chuckle at his own foolishness.
Not to mention just how oblivious you were to your own words.
"I guess. Just don't do that again."
"I'll try not to. Besides, if I croak and end up at the heaven gates- I'll put in a good word for you."
"You? In heaven? Nice joke dollface."
"Oh fuck you too Vox, I was being optimistic."
The tech overlord just rolled his eyes, there was a real risk that he could lose you soley because heaven would take you away but he didn't dwell on it.
You were still here texting him, cracking jokes and being your obnoxiously cute self.
You were still on the other side of the screen furiously typing up a comeback of why you would be able to get into the pearly gates.
Vox just chuckled, as long as you were with him in the here and now-
He found he wouldn't care even if hell froze over.
A/N: Our Voxxy is starting to catch feels, well- slightly- he's just in the stages of caring a bit too much but not realizing it's romance yet. Writing this stuff is hilariously entertaining, plus the slow burn is just yummy hahahahah I'll be putting out some more interludes tomorrow but the direct continuation is finished! I just need to post these things chronologically XD
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meggahamicide · 4 months
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Have some Vermin art!!!!
I'm about to dump some info on you about the story so if you're not interested, don't worry about reading the rest!
So basically, the ideas I have for the beginning are that Vermin (Leo) didn't meet the brothers until he left Draxum and met April (due to a series of events that I want to keep under wraps for now) and it takes him a while for him to learn how to trust others.
In the new life he's suddenly found himself in, he finds it hard to believe that the brothers aren't ready to stab him in the back at any given moment, so he spends most of his time hiding his real thoughts from them and just blatantly rejecting a lot of their efforts to get to know him.
But, as time passes, it becomes increasingly difficult for him to place the seemingly innocent acts of kindness with anything that could be nefarious and, slowly but surely, he starts to accept that maybe, just maybe, these guys claiming to be his brothers aren't just trying to use him.
This is just a basic rundown of Vermin's relationship with the family as a whole, but I hope to expand upon each brother's connection to Vermin and how the plot progresses because of it.
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fairyhaos · 4 months
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how seventeen would act as a webtoon fantasy world prince
this was written with those virtual character dating simulation thingies in mind btw?? like. those unrealistic webtoon isekai-esque stuff. ive never played them before but this is based on my interpretation of them lmao
masterlist
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seungcheol
either you fall in love with prince seungcheol at first sight or it's some charged enemies to lovers dynamic until someone finally realises they've fallen. he's just such a huge and great and formidable presence and he is just The Best protector. there's ofc gonna be some sort of altercation where you get hurt and you can bet that his eyes go stormy and he's asking "who did this to you" in a low voice, full of promise to murder anyone who hurt you. watches you with stars in his eyes when you descend the staircase in the beautiful outfit you're wearing as his partner to a royal ball, and that's how he knows that you're the one
jeonghan
prettier than you. every time he appears on screen there's a bunch of shiny sparkles and floating hearts and at least one of the other faceless side-princesses has to faint at his beauty in the background of the scene. he's charactertised by his soft eyes and the glinting teeth in his smile and the way he always has the most out-of-pocket sentences that leave his lips. he's really pretty and really smart but also???? unexpectedly does little things that show that he cares about you. prince jeonghan is written as the webtoon trope where he looks like a laid-back pretty boy but secretly loves you dearly and would defend you with his life
joshua
childhood friends who drifted away due to circumstances in their own kingdoms before finally reuniting at a ball and realising oh god... they both grew up to be so beautiful. there's some underlying, dramatic plot involving betrayal and corruption in the temple (dude it's always the temple) but your love for one another is always there, unspoken but ringing true constantly. does it kind of give you plot armour? yeah, bc the writer doesn't want anything to happen to joshua. (or you. but mostly joshua.) but there's also at least 6 shirtless prince joshua scenes bc the writer loves him so. take what you can get.
junhui
he's just Doing His Best okay. he's been married off to you, a royal from another kingdom, and he's kinda having a bad time bc the climate of your kingdoms are just so different but you're also kind of being all snappish with him like he chose to be married off to you?? but you're also really pretty and sometimes you're quite nice and it's obvious you're a good person from how you talk about your subjects and he knows that you don't like him but he thinks he might be falling in love with you, which is kind of confusing for everyone. comedy-fluff-misunderstandings webtoon style.
hoshi
playful younger prince. rebellious. you first meet him in some rundown, peasant area and you genuinely think he's just the illegitimate son of a noble rather than the prince himself bc he's just so friendly and blatantly disregarding all sorts of common court etiquette. as someone stifled by the rigid aristocratic structures, you find it refreshing, and talking to him is just so easy and you get to express yourself so well around him. before you know it, you're in love, and when you feel horribly betrayed at the reveal that he's the prince, well.... perhaps someone else out of the two of you managed to catch feelings too.
wonwoo
he's always so calm and composed and it makes you want to climb him like a tree and wring his shoulders to finally ruffle his leaves a little and find out what makes him tick. you want to be the one to crack the secret to prince jeon wonwoo, basically. will he let you? no. he hates you. at least, that's what you think, before something happens at a horse-riding tournament through the woods that you're participating in and your horse becomes out of control, and from then on, wonwoo never leaves your side. almost as if he was scared that he'd truly lose you, and he realises that he never wants that to happen, ever.
woozi
guys. guys prince jihoon is perfect for a prince x knight trope. prince jihoon who's head knight and always ends up sniping with you, the one knight in his charge that always snarks back. prince jihoon who spars with his knights often and always seems to be the closest in skill level with you. prince jihoon who mostly sees you in your armour so to see you dressed in finery at a ball makes him blink because you're actually rather beautiful. and you, who feel torn between your duty and the comfortable banter that you've developed with the crown prince that makes you crave more and more every time he turns to leave.
minghao
you rarely go out to balls but this time your family convinces you to come to the masquerade ball the royal family are holding for the crown prince. there, you meet a handsome masked man, who leads you through one of the fast dances and has you laughing into him before you share a fascinatingly intellectual conversation with him until the ball ends and from there, you're whisked away by your chatty (but well-meaning) family and you never see him again until a dramatic encounter at the market where you're about to get robbed but a familiar voice steps in. is it a cliche plot? yeah, but prince minghao is drawn to be utterly gorgeous so people will stay for the art
mingyu
is literally soooo drop-dead gorgeous that you promise yourself you're not gonna fall in love with him bc like???? he's the prince from a neighbouring kingdom that you're being forced to marry. this off-the-charts handsomeness is just a ploy to get you to act out a cliche of falling for him. but the more time you spend with him, the more you find that despite being (almost terrifyingly) handsome, he's also kind of... adorable? so... maybe you'll rethink your decision to not fall in love with him.... especially when he trips over his feet and accidentally blurts out how he's in love with you when on a walk in the palace gardens
dokyeom
ray-of-sunshine crown prince who is so annoyingly perfect that you feel kind of irritated. literally it's soooo obvious that the writer has a thing for puppy-coded sunshine bright boys bc it even makes the reader fall for him too. you have an (admittedly one-sided) rivalry with him, bc he's just so kind and loved by all and it fills you with hatred bc you've been nothing but despised and shunned your entire life. but then, some small, kind gesture that he does to you marks the beginning of change in your feelings, and it's as his eyes find yours during yet another ball that you realise... oh. perhaps you've fallen for him after all.
seungkwan
spoilt brat. but also your childhood best friend, so you've learnt to deal with his tendencies and know how to hold him back from kicking someone in the shins in a very un-royal way, and have even grown to love him. like a friend, ofc. however, the weird feeling in your stomach from seeing him having to entertain foreign royalty.... it's definitely not jealousy, right? definitely not. at least, you don't think it is, until seungkwan and you overhear his parents talking of an arranged marriage with another kingdom and you realise with startling clarity that you never want to lose seungkwan to someone else
vernon
honestly. vernon is probably the ordinary guy who was isekai-ed into a fantasy novel as the crown prince. but like, Why does he manage to do so well in his role???? he's panicking the entire time, but he's not necessarily doing badly, and he manages to make you fall for him even harder than you do in the original novel. the second male lead doesn't even have the chance to be an option bc vernon is literally the only person you see. he doesn't know how it happens, but he speed-runs the entire book in one month and then you're confessing your love for him and uh. he might actually be in love with you too.
chan
prince chan is the most gentle and most courteous prince of all time. bows all deeply and respectfully when you first meet him, and he's careful not to touch you without your permission. has such a captivating smile and such captivating words that you can't help but find your gaze gravitating to him at all times. stares at you all awed when you laugh at a particularly funny joke he made. he will 100% definitely treat you right forever. kisses you all soft when he leaves for a battle, your handkerchief tucked into his clothes as a reminder of what he can never leave behind
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Would you mind sharing your planning process of the comic? I'm starting to brainstorm a fiction idea and right now the ideas are very messy and I wanted to know if you could show how you plan what happens on a season and on an episode, maybe with an example of a season episode you already published, so I can learn how to organize myself?
I really, REALLY appreciate you coming to ask me for help with this. It's awesome to hear that you respect my writing enough to seek me out as an authority on such things, or at least enough to ask for advice.
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But I'm gonna be real with you - what you're asking for is not a quick slapdash reply that I can whip up in my free time. What you're asking for is an hour long video essay (with examples) on the level of an educational creative writing online course.
And I--I don't know if I have it in me to do that right now. Not with everything else I'm trying to do. (Sorry.)
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BUT.
What I can give you instead is a basic rundown, and maybe some recommendations for where to this stuff.
To be absolutely brief: For me, the best way to visualize how I plan would be to make a flowchart.
Keep in mind that....... I don't ever actually.......MAKE. A flowchart.
Mostly, I am just using this as a visual representation of how my ideas flow from and to each other in a coherent way. The reality is that this skill is something you have to develop until it becomes second nature.
As an example, let's take the episode(s) where I introduced Seaglass.
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This little arc was planned in season 3, but really started to come into play in Season 4.
To make it happen, I started with the obvious main idea: SEAGLASS.
I then broke it down into multiple smaller ideas:
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If you notice, the main plot of this doesn't even start when the Seaglass exposition does. Steven makes Seaglass back in season 3, but doesn't know about it. But these ideas are still important to acknowledge as being a part of the main plot.
I then fill in MORE space between these larger ideas.
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This whole set of steps is just a logical progression of me playing 'how do we get there'. I make up plot points and say 'what happens to get from A to B?'
And keep in mind - this may seem kinda obvious. That's because... it should be! But that's how the planning happens.
Realistically, it's just a bunch of asking myself questions. The same exact questions I refuse to answer in asks.
"What happens next? What would happen if....?" "Why doesn't Steven know about ....?"
"How would Steven find Seaglass if he doesn't know she exists?"
Well she's small and green, kinda like Peridot. So he goes looking for Peridot and mistakes Seaglass for her.
BAM! You've got yourself a plot point. That's a plan, baybee!
And then just kinda rinse and repeat.
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And eventually, you want to make sure that you have some sort of connection back to the main plot point. In this case, it's the realization that Steven CREATED LIFE.
Again, I want to stress - I don't actually........plan.... by writing this down.
I do this process in my head. Often, multiple times per chapter, writing and editing to make it make more and more sense. The important part is about asking yourself questions. The same questions your readers should be asking.
"Why is this character doing this?" "Why is this event happening NOW?" "How will A find out when they realize what B has done?" "What is the BEST time for B to find out...? What is the WORST time?"
All of this takes imagination. It isn't about organization. It's moreso about learning to tetris plot events into their most snug spaces. It's about thinking of events as a staircase, which eventually leads to a larger staircase of plot arcs.
And as a final note, I will say that someday, when I'm less busy, I may make a video about plot. But it will take more time and effort, and for now, please just watch videos by other creators! I'm sure they're just as good at it as I am.
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rockymountainqueen2 · 3 months
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New TOH Content From Disney's Chibiverse Valentine's Day Episode!
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Since the episode is both A.) Over 22 minutes long & B.) Features numerous characters from various Disney owned IP's; I will only be posting screenshots that contain TOH characters.
Now that's out of the way... Let's get started!
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Considering how Lumity heavy this Chibiverse episode is, it amuses me that Hunter is the first TOH character to make an appearance.
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He's manning the kiss cam! He takes the responsibility very seriously.
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Lumity arrives! On... Stringbean... wearing outfits that they don't wear in Season 3. You know, the season Stringbean hatches in.
I suppose the Chibiverse never claimed to follow continuity, lol.
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The episode has a "couples compete against other couples in a game show" set up. Luz and Amity are chosen as one of the couples to compete!
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The Chibiverse episodes aren't really much more than the Chibi Tiny Tales shorts complied together, with some new animated content revolving around a wafer thin "plot" being used to connect the segments.
In this segment, Luz is riding a rollercoaster!
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And now she's on a ferris wheel with Amity! Mere seconds after being seen riding another ride, lol.
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Game show format.
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Lumity tease another couple about how they're totally in love with each other despite claiming to be friends by mentioning that they also started out as friends. (And before that, enemies!)
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Anyone else wondering why Amity's eyes have been half-lidded nearly the entire time?
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Lumity being recognized and used in official Disney licensed content!
Amusingly, instead of it being called their "ship name", it's referred to as their "power couple" name. Lol.
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This little point icon thing-y is adorable.
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But I think that the little heart with their faces on it on top of it is even more adorable, lol.
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Next bit of TOH related content in this episode, the Lumity Date Chibi Tiny Tales short!
I did not screenshot any of it because it can be found elsewhere online.
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Question one for the couples: What's your partner's favorite food?
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And Amity's favorite food is apparently fairy pie! This makes the fact that she made a fairy pie was Luz at one point even sweeter than it already was.
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And Amity loves it! Luz blushes with pride.
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More teasing!
Amity also looks weirdly like a cat in this 'shot, lol.
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Second question for the couples: What is your partner's favorite color?
Turns out, Amity's is lavender!
(Also: Glyphs apparently work in the Chibiverse.)
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Only that's actually... wrong?!
As it turns out, Amity's real favorite color is... periwrinkle.
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Luz & Amity try to argue that lavender & periwrinkle are so similar that they might as well be the same color, but no sell.
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Yet more teasing. This is the main running gag for the episode, and yes, by this point, it starts to feel like it's overstayed it's welcome.
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And now it's time to watch The Amphibia House Chibi Tiny Tales short!
I don't know what this short has to do with "love" (Since all of the shorts are supposed to revolve around it in this episode), but maybe it considers Luz and Anne's new friendship to be a form of platonic love or something. Lol.
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Time for the final question!
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What does your partner want to be when they grow up?
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We never actually get to see either Luz or Amity answer this question.
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Because they tie with another couple and thus "win" the game show basically by default, lol.
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But we do get to see them kiss on the kiss cam!
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I literally just included this because Luz & Amity are both blushing.
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Enough Lumity! Now let's get some eleventh hour Huntlow!
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I love how this is how we finally got an official Huntlow kiss, lol. Hunter is about as shocked as I was to see it!
And that's all folks. Hope you liked my rundown!
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accidentwithapen · 2 months
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Hiii!!! GIGS in Space AU Once Again on my mind so heres a quick plot rundown allll put in one post
If you read through this all i love you <3
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If not, have this grian doodle anyways
So Grian, Scar, Impulse, and Skizz are all prisoners in this like,,, dystopian space society. All are imprisoned for different reasons:
- Grian is a vandalist, doing graffiti and setting minor explosions around different government/company sites. When arrested and asked why he does what he does, he claims "it's about the principal"
- Impulse worked as a mechanic for a major company, but an incident resulting in a death and 3 injuries gets wrongfully pinned on him. He still believes that all circumstances surrounding his arrest are just one big misunderstanding. The company, however, doesnt care.
- Skizz is a hacker, and good at it too. He logs into the system of the same company Impulse worked for, and subsequently gets caught red-handed.
- Nobody knows why Scar is arrested. There are many rumors spread around the prison wing that he and Grian are in that Scar is Secretly A Mob Boss for the Con Corp. family. But surely someone so clumsy and silly cant possibly be so powerful, right? thats what Grian thinks, anyways.
So these doofuses have two options.
1. they can serve their sentence rotting in a shitty space prison with Nothing To Do and being forced into manual labor
2. they can get out slightly earlier after enough time spent doing Community Service
They go for the second one, which Happens to be gathering extraterrestrial data for Impulse's old Company (i need a name for it dear god its ridiculous at this point). So after all independently choosing the community service option, they get grouped into a squad of the four of them and get sent out to different semi-abandoned planets to hunt monsters/ghosts/aliens and collect data. What they eventually figure out is that the reason they are given so much freedom with their community service is that they are not intended to survive. They devise an escape plan and on their third mission together, they successfully escape together.
Its important to note that Scar and Grian came from the same cell block, so Grian decides to tell Skizz and Impulse about the mob boss rumors (as a prank, of course), and warns them that Scar Doesn't Like Swearing. basically scaring everyone into facing these cosmic horrors with a PG attitude
So the GIGS escape with a real shitty spacecraft and are on the run from the government (theres no way they're gonna succeed like this) up until they get captured. but not by the government.
They get captured by morally gray, filthy rich, weapons manufacturer Doc. (or his hitman at least, one Geminitay)
Doc explains to the GIGS that he has paid all of their bail fees, and now they must work off their debt to him. as delivery boys.
Doc enlists Gem to look after the GIGS during their deliveries. Gem Does Not Like This but shes not gonna say no to her boss.
Basically the rest of it is a silly stupid sci fi sitcom about funny found family doing goofy delivery missions and learning more about each other along the way.
Oh, and remember those rumors about Scar? Theyre all true. And there are Consequences for his absence in the family....
Heres some extra little character notes:
- While Impulse believes his arrest was a genuine mistake at first, during their second bout of community service, he and skizz discover how little the company actually cares about its employees and Impulse gets real mad that his entire livelihood is a lie and goes ham and wrecks some shit (good for him)
- Gem was taken in by Doc at a very young age, with life-threatening injuries. Doc used his experience with mad sciencery to fix her up with whatever he had on hand, mostly animal parts. now shes a hybrid.
- Gem sees Doc as a father figure, but has No Clue how to express that so from her perspective shes just Really Loyal to her boss and doing nothing more than paying off a life debt.
- Grian has a mycelium infection running up his arm that he keeps secret from everyone else. the first in the group to find out about it is Gem
- Scar uses mobility aids of many varieties, but mostly uses a cane with robotic leg splints on missions
Anyways thats all for now, if you wanna see some more doodles and stuff you can look around my gigs in space tag!!
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joshisodd · 5 months
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I may not look it but i used to watch ft!!
I've been rewatching some of the episodes and im still wishy washy on whether or not I want to redesign all the characters but here's some recent and old character sketches!! I've been playing around with their designs but trying not to deviate too far so that the characters still look like who they're supposed to be
Idk if anyone would wanna see me redesign/rework every character but I'd post em if there were people who wanted to see that.
Here's the rundown for those who are interested:
My basic ideas for fairy tail are to make every character a fantasy trope/creature/class/myth. Some of the characters will change into a different thing over time as they gain experience. I feel like fairy tail has a lot of potential to write a more modern fairy tale type story because of the whole wizards and magic thing. With dragons and princesses n everything. This is obviously present in the story, but i really want to reinforce that idea. there are some characters who I think really fit this, like Erza (obvi main knight of the story but also has the title of titania queen of the fairies) and natsu (obviously dragon as an mc, sort of a role reversal of the evil dragon. and maybe a fun demonic plot twist haha). But with other characters i may need to make more changes. Lucy is a loose version of the princess (with a fun runaway backstory), but I want her to evolve into a priestess. Grey kinda has nothing going on for him imo, the ice wizard thing keeps throwing me off every time i try to project something onto him. I think i'll go with a hunter -> demon slayer thing. He just happens to use ice magic. i don't wanna go with regular wizard because thats a bit boring lmao. It would also make the elemental thing between natsu and grey funnier bcuz he's a spooky demon and that guys a hunter so you guys REALLY shouldnt get along. They do anyway because the power of friendship lol Anyways that's the basic plan? even if i dont post it on tumblr just know its cooking in the back of my head. thx for reading all this haha
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mysecretlittlelibrary · 6 months
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A New Home
Pairing: Platonic! Peter Parker & Reader; Reader x Bucky (but that's not really plot relevant)
Word Count: 2.2k
Warnings: uh none really just mentioning of all the tragedies MCU Peter has endured lmao
Genre: it's pretty fluffy- there's minor angst
Summary: You happen to be the only person who still remembers Peter Parker exists and you are not about to hang him out to dry. So what happens when you take Peter in and basically become his guardian? Well- nothing is simple where super-teens are involved, but you and Peter can certainly handle whatever comes your way. Right?
***
You're worried. You know you've been gone for months and things can change a lot in a few months but it shouldn't be this hard to find Peter. Flying down the streets of New York you finally spot the kid through an open window in a rundown apartment building.
"Parker! There you are! Dude, I've been looking all over the city for you what the hell?" You lean against the window sill, startling Peter when you speak.
"Miss y/n! You know who I am!" Peter blinks at you.
"Well duh, why wouldn't I? And what are you doing in this godawful apartment?"
"Well-" Peter trails off, avoiding your gaze.
"Peter, what did you do?" Your eyes widen.
"I- made the entire world forget who I am?" He says hesitantly. You blink at him for a moment.
"Wh- ho- why would you- what made you think that was a good idea?"
"It wasn't a good idea it was the only idea." He says.
"I- how'd ya figure?" You tilt your head.
"It's a... long story." He mutters.
"So start telling it. Been lookin' for you all over the city so I've got time."
"Okay- it all started when I went on a summer trip to Europe and I met this guy- Mister Mysterio, and it was right after Mr. Stark died and you know, he was pretty important to me and you were away and Mr. Stark left me so much tech that I didn't know what to do with so when Mister Mysterio basically offered to take me under his wing I dunno I thought it'd help me deal with the Mr. Stark thing but he ended up being a super bad dude and I had to fight him and just before I defeated him he like released a video telling the whole world I was Spiderman and also painting me like a bad guy and it totally ruined my life. Like when I started senior year in the fall there were people literally protesting outside of my school! Some wanted me to pay for what I did to Mister Mysterio but others thought I had a reason for what happened since I'm like a neighborhood hero-"
"Well did you?" You ask cutting off Peter's frantic 2x speed recap.
"What?" He blinks at you.
"Have a reason. For whatever happened with Mysterio."
"Of course I did! He wanted to use Stark's tech to take over the world!"
"I'm just pulling your leg kid- I know you'd never harm a dude for no reason." You chuckle. "I'm just dispelling tension because you're speedrunning. So this guy ruined your life by telling the world you're Spiderman. What happened next?"
"Well with all the chaos it caused me in my daily life I went to Mr. Strange to try and fix it."
"You went to Strange." You repeat.
"Yeah cuz he's got that magic stone and with you gone, he's like the only person I know who might've been able to do the thing I was thinking of." Peter shrugs.
"And what was the thing you were thinking of?"
"I was going to see if there was a spell that could make the world forget that I was Spiderman but while we were doing the spell I remembered that there were people I had already told independent of the whole Mysterio thing and I didn't want them to forget because it's so much easier to not have to lie to Ned or MJ or Aunt May so I kept fixing the spell to be more specific than 'everyone forgets Peter Parker is Spiderman' and did you know there are other Spidermen in other versions of reality?!"
"That makes sense." You nod.
"What?"
"I travel through time and space a lot, I've seen hundreds of versions of hundreds of people- there being other Spidermen makes sense. What was your spell?"
"Well I altered it a few times while Mr. Strange was creating it but the last thing I said was something like 'everyone who already knew before should still know' and somehow it brought people who knew other Spidermen here. Specifically two other Spidermen and of course, they were all villains because I guess those guys do not have friends back home-"
"Peter!" You gasp barely holding back your laughter.
"Sorry- that was rude but I was really overwhelmed okay there was a dude who could like control electricity, and a guy made out of sand, and a huge freaking lizard monster, and a guy who dressed like a goblin and he killed Aunt May and there was a dude with gigantic mechanical tentacle arm thingies that came out of his back it was- terrifying."
"Oh honey." You sigh.
"We almost died in the process but me and the other Spidermen managed to kick them back to where they belonged, but Mr. Strange's botched spell was causing a collision of the multiverse so to reverse it we- had to make the whole world forget Peter Parker altogether." Peter says. There are a few moments of silence as you contemplate what to say next. Scolding him seems harsh, he's been through too much since you've last seen him.
"When did that happen? The forget-me-not spell part."
"Like- four months ago." He shrugs.
"And you've just been on your own here since then?" You frown.
"Aunt May's dead- no one else knows who I am- I- I didn't have anywhere to go." He shrugs.
"Do you want to stay here?" You ask.
"What?"
"I- hate this apartment, I don't really like you living here it's- tiny and probably not up to safety codes but if you'd rather stay I can't force you to move I just- I'd feel better if you moved in with me. So I'm asking."
"I don't wanna be a burden."
"Oh don't be ridiculous I could never see you as a burden and you've had a hard enough time in the last year there is no reason for you to have it any harder than it needs to be. If you want to move in with me there's plenty of room." You tell him.
"You mean it?"
"Absolutely." You nod.
"Okay- I'll- pack my things I guess."
"Good." You clap your hands together and climb fully into the apartment to help him.
It takes a few hours but eventually, you get Peter out of that shoebox of his and set him up in what used to be your guest room. He spends a little while in there unpacking until he's apparently too overwhelmed to do any more of it and takes refuge in the living room to watch TV. You're in the kitchen when he comes out and declares unpacking will have to wait and while you don't want to bring his mood down you feel like you have to check in before you can finish the baking you were doing. You take a seat in the armchair next to where Peter is perched on your couch.
"I- didn't get a chance to ask earlier but, how are you dealing with the whole Aunt May thing? You barely got to grieve Tony before it all went to shit it seems."
"I- haven't really had a whole lot of time to dwell on it actually, but I've been to visit her a couple of times."
"If you need anything Peter please ask and I'm serious. We've been family for quite a while as far as I'm concerned but especially now. Can't have you thinking you've got no one left in this world."
"Thanks y/n. Although I seriously don't get how Mr. Strange's spell didn't affect you too." Peter frowns.
"Dunno- maybe I was traveling through time when he did it. Or somewhere in space, outta range." You shrug.
"Lucky for me I guess." He says.
"Very." You stand and ruffle his hair before returning to the kitchen. You're glad he seems to be getting comfortable in your home already. You want him to be comfortable here, he deserves a little comfort after all that's happened. Some time later you hear the lock to your front door click open as you pull cookies out of your oven.
"Y/n?" Bucky's voice calls from the door.
"Kitchen!" You call back setting the tray on the counter. You can hear Bucky making his way down the hall before he enters the kitchen. His smile turns to a look of confusion and he retreats from sight for a moment and then pivots back into the kitchen.
"There's a boy in your living room babe." He points out.
"Yeah, I know that's Peter." You say with a laugh.
"Do we know Peter?"
"I know Peter."
"How?"
"He's-" you pause for a moment. Bucky won't remember him. He barely knew the kid in the first place. "He's my godson." You say. That's probably believable.
"You have a godson?!"
"I have a few godchildren actually- he's just the oldest." You say. Truth.
"He's got siblings?"
"No, he's an only child but I am a godparent to multiple children that are not related to each other."
"Including that one?" Bucky points down the hall in the general direction of your living room.
"Yes including that one. He's moved in with me." You say.
"What?!" Bucky's eyes widen.
"It's a... long story- he's not my nephew or anything I actually didn't know his parents. I was friends with his aunt who ended up responsible for him after his parents died and she made me her- for lack of a better word, successor if anything happened to her once she became his only living family."
"Well, where's his aunt?"
"She died while I was gone." You say. You'll have to make a point to visit Aunt May's grave soon.
"So where's he been?" Bucky asks.
"In a dingey little shoebox of an apartment." You grimace.
"He's old enough that he got his own apartment?"
"Well, he's eighteen but I don't believe in throwing kids to the wolves once they turn eighteen so I told him he could come stay with me because there's no reason for him to be in a shitty apartment struggling to support himself when I have space. Plus he's got basically no other family now, I don't want him to be alone."
"Alright, but you can't make me talk to him." Bucky says.
"My love he's a teenager I don't expect you to have a playdate. I'm looking after him, I'm not making that your responsibility." You chuckle.
"Cool." Bucky snatches a cookie off the counter. "I'm headed to your room for a while." He kisses your cheek and disappears up the stairs. A couple minutes after Bucky disappears Peter comes shuffling into the kitchen.
"Godson?" He asks sitting on one of the stools by the island.
"Hm?" You frown.
"You told Mr. Bucky that I'm your godson."
"Oh- well, it was the first pretty believable thing I could think of. And I think if May thought something would take her from us so soon she'd probably have planned for you to stay with me or Tony." You shrug.
"I think so too." He says after a moment.
"Don't worry too much about Bucky, you know how he is around new people."
"We didn't really get to know each other the first time around but- do you think he'll warm up to me?" Peter asks.
"Aw of course he will. He'd never admit it but Buck's got a secret soft spot for chosen families. It won't be immediate but I'm sure you'll be ganging up on me in no time." You shrug.
"He doesn't seem all that open."
"Well- you know how when kids bring home a puppy they 'found' and their parents grumble about a new responsibility but end up falling in love with the animal anyway?"
"Yeah?"
"Not that you're a stray dog or anything but Bucky's kind of seeing it in the same way. He probably thinks I'll need his help looking after you. Which- on a pretty much unrelated note sweetie, are you still Spiderman?"
"Yeah- just now no one knows. Is that... a problem?" Peter asks hesitantly. 
"Now why would that be a problem? I'd be quite the hypocrite to suddenly decide you can't be Spiderman. That's how we met after all." You chuckle, reaching forward and pinching his chin affectionately. "And helping people is what you do. It's what we do. I'd never ask you to stop. But we'll need some regulations."
"Regulations?" His tone makes you giggle a bit.
"Within reason. I just mean I need you to keep me posted. Holler before you go on patrols, and call me if you have any emergencies. Oh, and any time you tell someone your secret I'd like to know."
"Oh, I don't plan to tell anyone. Well- maybe we can tell Mr. Bucky eventually. I agree with those regulations but I don't have anyone else to tell." He shakes his head.
"For now but if you go to college and make friends-"
"Do you think I could?" Peter's eyes widen hopefully.
"Make friends?" You frown.
"Go to college."
"I think you've wiped yourself from the memories of everyone you know- it gives you a unique opportunity to start over however you see fit. I know college was something you were really looking forward to so- if you get your GED you can enroll next fall or this spring if you're ready to start earlier. I'll help you in any way I can if that's what you want." You say. There's a stretch of silence as Peter considers your words.
"I'll think about it." He says.
"You do that. In the meantime just- let's get used to living together. Deal?"
"Deal." He smiles.
"Good. Cookie?" You slide the tray towards him and he takes one happily. You really think this is going to be good for him and it might even be better for you than you expect.
***
A/N: if I wrote more of this would y'all want to read it? It would be anthology style but I think the concept is real cute!
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Note
I so badly wanna know what's going on with Sonic in your Voices AU!!! (This is an invitation for you to info dump if you so desire)
OK so originally I had this MONSTER essay on what this was about but im really really bad at explaining things and I don’t want to leave you hanging forever so instead I’ll just give you a basic rundown of the concept and all the plot points. Also, important thing to mention, I HAVEN’T FINISHED SEASON 2 YET. Y’know, where the majority of my AU takes place. Haven’t finished that. Haven’t even seen Chaos Metal Sonic. Sorry, sorry, I know, I’m a fake fan but in my defense every time I turn on the show I want to bang my head against a wall, tear all my skin of, and run in circles at the speed of light (in a good way) (but also in a bad way) (a good bad way). Now that we’ve gotten that out of the way, I need to quickly explain the concept behind this. In the first episode of Season 2, Avoid the Void, Sonic doesn’t realize that he can run out of the Ghost World. He’s stuck there. This also means that he can’t save shadow from falling into the void (this is why shadow doesn’t have his arm or his leg in my au illustrations, he wakes up before he can be fully disintegrated, but he did lose some limbs.) Back to Sonic, since he has nothing better to do, he tries to take a nap at the beach where his friends are at and starts “taking” to Tail’s projection. Then, the voice comes. I don’t really know how to describe this. There is a voice, like the name says, but it’s also a lot more complicated than that. When “it” comes, Sonic can’t hear anything; or, well actually he can hear things (sometimes the noise feels oppressively loud) but he doesn’t know what people are saying, so to him it just sounds like gibberish. Also, this isn’t always true, (it just depends) but his eyes won’t focus properly and they get really blurry, like can’t see what’s in-front of you blurry. Also, headaches! Because apparently we needed to make this even worse for him for some reason!!!!! It’s not at its worst here, but as you can expect, he is pretty disoriented after it’s done. Shadow comes back to the ghost world, Sonic is understandably surprised by HIS LACK OF TWO LIMBS, he gets the tech and bounces, yadayadayada, all the stuff. More importantly, now we get Nine back! Chapter two; Sonic goes to Boscage Maze, they’re ripping the place up, Sonic goes to help Thorn, mini “voice” episode (as an appetizer), he gets a tech upgrade from Nine, he goes to fight, gets the main course “voice” episode, Nine gets in trouble cause emo tween egg boy caught him talking to Sonic trying to figure out what’s wrong with him and why he’s talking to himself, Sonic gets the shard from Thorn, he runs of with it, emo eggboy sends a message that they’re gonna kill Nine unless Sonic gives them the shard, Nine tells him not to, he goes anyway and THROWS THE SHARD INTO THE OTHER SHARDS THE EGGMEN HAD COLLECTED SO HE CAN SAVE NINE, (he tries to get the shards back but they got swarmed by robots) and finally they get out and go to the ghost world. Shadow is really, REALLY mad at him for trading a SHARD just to save his little kit boy and ALSO mad because Sonic wants to keep Nine there, to keep him safe. Eventually, Shadow gives in after Nine mentions that he could build Shadow a prosthetic, but he adds the clause that the moment Nine finishes the prosthetic, he leaves. After that, Sonic goes to get the rest of the shards back while Nine makes Shadow’s prosthetic at Tail’s workshop. For the next few chapters, Sonic get into some sort of a routine; Try to get the shards, come back to the ghost world to rest, squabble with Shadow, chat with Nine for a little, and repeat. Some important things to mention from this period are: 
Nine is intentionally taking his time making Shadows prosthetic (Sonic’s idea) as well as making it break really easily & adding a secret “feature” that allows him to $&@!?ING electrocute him from afar using a remote implanted in his mechanical tails (both and especially the last one NOT Sonic’s idea); 
Sonic doesn’t actually sleep during this time, he just takes 3 hour naps so he can get back home quicker, which only worsens the voice thing; 
Shadow, (who doesn’t understand anything about what’s going on with Sonic other than the vague sense that something’s wrong with him, unlike Nine who got a basic lil explanation from Sonic after asking wtf happened at boscage maze) is getting increasingly frustrated with Sonic because of how long it’s taking for him to get all the shards, as well as his continual trusting of Nine.
This continues for a while, those “episodes” get worse and worse, Sonic grows closer to Nine and tension keeps building between Sonic & Shadow until <drumroll………>
THE EGG COUNCIL COMES!!!!! Again, since I still haven’t seen season two of Sonic Prime, I don’t really know how this is gonna happen, but I do know it’s gonna happen. (btw Nine finishes Shadow’s prosthetic & leaves like a day before the egg council comes.) This is a massive battle and I have like a whole thing on how it’s gonna play out but the important things to note for the story are: Shadow finally sees Sonic’s “episodes” play out in front of him and he is understandably confused and concerned, but their in a battle right now so he can’t really do anything about it and <another drum roll please…..>
SONIC TRIES TO CHOP OFF HIS F$!?KING ARM! Ok, I definitely need to explain this a little more. During the first occurrence of the “voice,” it mentions something about them and Sonic being the same person, & basically says “I am a part of you, Sonic. The only way to get rid of me is to get rid of you.”  Edgy stuff like that, y’know? Well, during this one, it repeats that phrase again and in true Sonic fashion, he decides to do something incredibly stupid, risky, and drastic based on even dumberreasoning. You see, the voice said it was a part of him, not all of him. It also said that in order to get the voice out, he’d have to “get rid” of himself too. So, using this logic, if he only gets rid of a part of him, then he gets to keep living without the voice constantly haunting his every move! This is admittedly pretty silly logic, but he was in the middle of what is essentially a scaled up panic attack, so cut him some slack, OK? He tried to use a piece of scrap metal that fell off the robot to remove it, which unsurprisingly doesn’t work very well. It only ends up cutting halfway, but Sonic can’t really tell that it’s still attached since he’s so tired, & “it” did shut up after he stabbed his arm open soooooooo¯\_(ツ)_/¯. He manages to drive the egg council off to their own dimension before passing out from blood loss, leaving Shadow to rush him to Tail’s workshop so he can get bandaged up, made harder with Shadz’s new leg getting absolutely trashed. When Sonic finally wakes up, Shadow is confused, deeply concerned, and angry with him for almost killing himself for seemingly no reason. Sonic, however, is incredibly calm about the whole thing and nonchalantly explains why he cut off his arm during the battle, until he realizes his arm is still attached to him 
Here’s a comic page of the next scene:
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He leaves to go get more shards and get Nine back to fix Shadows leg, which Shadow predictively grumbles about. This is a pretty light chapter, besides the ending:
Nine and Sonic are hanging out, having fun, the usual. Nine points out how cheery Sonic is right now, and Sonic starts to explain why he’s in such a good mood while Nine passes a small knife for him to hold while he does other things. Sonic, in the middle of his explanation, is cut off by…… “it” and proceeds to frantically rip off his bandages and try to cut the remainder of his arm off with the knife Nine gave him. Nine, who has no idea what’s going on, tries to wrangle back the knife from Sonic. In the struggle, Sonic ends up permanently scaring Nine on one of his eyes. It was an accident of course, but Nine bolts out of the workshop and zaps the door so Sonic can’t chase after him all the same. Sonic breaks down. 
After a bit, (about 30 minutes or so,) and after seeing and briefly meeting with Nine to ask where Sonic has been since he should be with him at the workshop; Nine responded with a suggestion to check for himself, Shadow decides to take Nine’s advice and go. Here’s the scene I wrote for this, as well as the comic I made (they have some dialogue differences, but the general idea is the same.)
“Sonic,”
He didn’t even look up. He was completely unfazed, almost expecting it.
“Sonic!”
Finally realizing who it was, he made a soft gasp, which, however small, was enough for Shadow to know he was listening.
“Do you know how big of a mess you’ve just made?”
They both stayed silent.
“Let me get this straight: That, … thing came back,”
The blue hedgehog sitting on the floor appeared perfectly still in the darkness of Tail’s old workshop.
“So you decided that it would be a good idea to try to cut your arm off again, even though it clearly didn’t work the first time, and I explicitly said not to, because we didn’t have the medical supplies to patch you up after,”
This time, he made a slight nod downwards.
“And when the fox tried to stop you, you hit him in his FUCKING eye? Is that all? Does it get any worse than that?”
The hedgehog didn’t respond. He was focused on something else.
“Are you even listening?”
Complete. Silence.
“Of course not. Of course you’re not listening. You never have, so why start now, huh?”
Shadow broke into a grin.
“You can’t listen to anyone, can you? Not your friends, not your allies, not even your own family! You’re Sonic the Hedgehog. The arrogant, narcissistic, naive, idiot hero who destroyed his own world because he couldn’t slow down. That’s all you are.”
Still nothing. He got angrier.
“I’m TIRED of your NONSENSE! I’m TIRED of you just sitting around having a PITY PARTY over something YOU CAUSED YOURSELF!”
Shadow grew quiet.
“I’m tired of your games, Sonic.”
A cold, hard, stare crossed the black and red hedgehog’s face.
“SO GET UP ALREADY!”
He forcefully pulled him off the ground, and for the first time during this whole conversation, Sonic spoke. He… screamed, a scream so loud you could hear it from a mile away. 
Shadow let go. 
Then, he slowly lowered his hand to his face, and …. No. The hedgehog gazed into the person standing before him, looking for something, anything, any semblance of the hedgehog he knew, but all that met him was an empty husk that he could barely even recognize.
“I-”
Sonic ran past him. He was gone. And Shadow didn’t know if he would ever come back.
“I’m sorry.”
———————————————————————
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Sonic runs into the New Yoke rebel base and patches himself up. He’s able to get two shards from the egg council, but the rebel base is found in the process. There’s only one left, besides the Grim shard. Before Sonic leaves, Shadow tries to talk to him for a moment, but once he got a hold of him, he doesn’t know what to say. Does he apologize? Would that make things worse? Is he just supposed to wait it out and hope Sonic’s friends will help him? Sonic is still able to collect the shards, so they’re still getting back home, but what will happen after that? As much as Shadow hated to admit it, Sonic and his friends were just about the only force that could stop The Doctor from completing whatever world ending scheme he cooked up that week, other than himself. If he …. If something bad happened to Sonic after this, and he couldn’t get back up from it, and if he couldn’t pick up the slack, then….
He didn’t know what would happen. 
Shadow is barely able to get a word in before Sonic leaves to get the last shard. There’s nothing left to do.
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Before we move on to the next plot point in the story, i want to talk about Nine for a second, since we haven’t really gotten the chance to explore him at all yet. A quick little thing I want to note is that Nine knows what the plan is in the AU. Get the shards, put them together, and save this world. He is planningto betray Sonic in this. At the same time, he’s also a lot closer to him. They hang out more, they chat more, and both of them feel the other is the only one on their side right now. Nine reasons that he can just convince Sonic to come with him, since they’re friends after all. He doesn’t really pay Shadow any mind, just thinking of him as an antagonistic coworker, not a real threat. The zapper he put in his leg was just a backup plan, incase he couldn’t fight him himself for one reason or another. Sonic and Nine were a team. They wouldn’t hurt each other. Until they did. Until Sonic did. After the incident, all of the trust between the two is gone. Nine doesn’t blame Sonic per say, he knows that Sonic was just desperate for it to stop, but he’s still angry. He’s angry at himself for trusting him. For trusting that he wouldn’t get hurt. From this point onwards, neither of them try to talk to each other. Nines plan only changes slightly.  He won’t try to convince Sonic to come with him. He won’t make that mistake again. 
Sonic’s feelings are a bit more complicated than Nine’s. He wants to fix everything, but he can’t. He wants everything to go back to normal, but too much has happened for that to even be a possibility. He wants everything to just stop for a minute, to just let him rest, but no matter what, it won’t. He just has to keep going. He just has to keep moving forwards. 
Sonic gets the last shard (Sonic and Shadow have to fight off the egg council again; it’s pretty awkward), and Nine finally puts his plan into motion. Using a machine he built while Sonic wasn’t around, he creates a portal to the Grim, his new home. Sonic begs Nine not to do this, that they’re friends, but that only makes Nine angrier. If they were friends, then Sonic would want to help him, if they were friends, then Sonic would’ve listened to him, and if they were actually, really friends then Sonic WOULDN’TV’E DONE THIS TO HIM.
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Shadow had been outside the whole time listening to this, and he has heard enough of Nine’s ramblings. He lunged straight at Nine, but just as he’s about to reach him…. ZAP.  They both stare down at Shadow’s limp, burned body. Sonic’s head started spinning rapidly. He couldn’t tell who was in front of him, he couldn’t tell what was going on, he couldn’t tell where he was or who he was or why he was doing any of this at all. All he knew was that Shadow. Was. Dead. Because of him. Because hedecided to trust him. He spin-dashed straight into the kit’s chest, pressing him deeper and deeper into the rough, ragged cavern floor. One of his mechanical tails snapped from the shear force the spin dash on his body. Sonic slowly picked the broken hunk of metal, held it above the little fox’s body, and …
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He ran as far as he can go. He ran and ran until he just couldn’t anymore and broke down in the middle of f@!king boscage maze. They’re dead. Both of them are dead. And it’s his fault isn’t it? If he had listened to Shadow about Nine then he wouldn’t had gotten electrocuted. If he had listened to Nine then Nine wouldn’t have betrayed them. If he had listened to his friends then none of this would’ve happened in the first place. But he didn’t. And now they’re all dead. So why even try? Why even try to help people if you only end up hurting them? What’s the point? What’s the point of anything anymore? Sonic’s grip on sanity finally snaps, when someone finally finds him….
It’s Thorn. She’s been watching Sonic this whole time and is understandably disturbed by the whole, watching someone have a meltdown thing. Seeing that Sonic has seemingly calmed down, she reaches to ask what happened to him, why he was so scared, but it was too late. Sonic grabbed Thorn by the neck, just before Mangey, Prim, and Gnarly came looking for her. Meanwhile:
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Shadow tackles Nine, shoving him into the portal and just barely managing to close it before he got back. But now, both Shadow and Nine are both stranded. Without the shards, Nine can’t create a portal to escape the Grim. Shadow can’t enter any of the shatter spaces, so even if he could leave the ghost world, he’d still be trapped. They’re both stuck. 
Back with Sonic, the boscage maze crew are still trying to snap him out of it as he attacks them and their home. Prim keeps arguing this is pointless, that they should just beat him up until he leaves, but Thorn won’t let that happen. Sonic’s still in there. He has to be. This gamble fails, the forest is mostly destroyed and Mangey is injured. (btw the boscage maze stuff I just talked about isn’t very plot relevant, just wanted to mention it cause I could.) When Sonic finally leaves boscage, he plans to go to the other realities as well, destroying them one by one. But, for some reason, he decides to go to the Grim instead. He’s not quite sure why, but goes anyway. Why not, after all? 
Nine has been on edge the entire time he’s been in the Grim. It made sense, after all. Sonic was still alive, and presumably, still looking for the last shard. His best bet was to try to find it before he found him. Nine had been searching for about a day and a half, getting increasingly desperate by the hour. He wished he had stolen the tech he gave to Sonic, or made another one that could help him track where the shard was. Suddenly, Sonic arrives. And Nine’s not exactly happy to see him again. Sonic immediately starts attacking, Nine trying as hard as he can to get a hit in. As they’re fighting, Nine has a realization. He can use this to his advantage. All he has to do is keep Sonic chasing him and his shoes will tell him where the last shard is. Then, try to trigger the “voice” so he can get the shard. Finally, finish. the. job. Unfortunately, the second step doesn’t go to plan. He’s able to get the shard but…….
Sonic gets to him before Nine could run off with it.
And when he watched him bleed out, when he watched the blood pour out of his chest, when he realized that he was dead, that there was no way he could come back from this, no way he could still miraculously be alive, no chance that he could ever fix what he had done, Sonic fully accepted what he had become. A mindless, murderous, monster.
Shadow has been waiting this whole time; waiting for Sonic, waiting for the last shard, and waiting for a chance to actually apologize for what happened at the workshop. But that chance had already passed, it seemed. Sonic slowly walked into the cave, where everything started, Grim shard and metal tail both in hand. The two hedgehogs met eyes. Sonic stood in shock for a minute, then smiled. One last person to kill.  He hopped down from the cave’s mouth, tossed the shard to the side, and gripped the bloody scrap metal harder. Then, he lunged. They start battling it out as Shadow tries to put the pieces together on what happened. Sonic keeps teasing and joking with Shadz while they’re battling it out. Eventually it just devolve into rants about how stupid everything is, and how stupid he was for ever thinking he was a good person. When Shadow finally gets a good look at how deteriorated Sonic’s mind has become, he can’t help but wonder what he could’ve done to stop this. But it’s too late for that now. He was too slow. Shadow eventually gets the upper hand and corners Sonic, toppling him over. Here’s the passage I wrote for the next scene: 
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Shadow grasped the jagged piece of metal and held it just above the blue hedgehog’s skull, shaking with what he couldn’t tell was rage or fear. Sonic’s eyes stared up at him, his maniacal grin completely wiped. Instead, a blank expression crossed his face. It wasn’t exactly fear, it wasn’t exactly shock, it wasn’t exactly sadness and it wasn’t exactly relief. It was…. everything, all mashed into one giant, unreadable expression. For once, Shadow felt he genuinely understood Sonic. For once, he knew exactly what he was feeling. Shadow dropped the blade. He hugged him.
“Wh-?”
“Because you need it.”
Sonic couldn’t hold back any longer. The tears that he had been repressing for so long now streamed down his cheeks like waterfalls as he leaned further and further into Shadow’s embrace. All the words he had wanted to say for so long spilled out of his mouth in a giant river, jumbled and broken and completely incoherent as he tried to explain it all, as he tried and tried and tried to apologize for everything he had done. 
“I-I didn’t-”
“Shhh”
“I j-just-”
“Shhh”
“I c-couldn’t”
“It’s OK. Sonic, look at me.”
He lifted up Sonic’s tear stricken face with his hand, staring into his eyes, tinted with pain.
“It’s all gonna be OK.”
the end.
———————————————————————
And that’s it! This took a while to write, so thanks for sticking around through it all, that was really cool of you. A few little notes about the epilogue & after story.
Epilogue:
I need to clear something up before I can start discussing what happens in the epilogue. You may have noticed some of the Sonic art I’ve posted (mostly the ones with Sonic using a prosthetic arm) mentioned something about an epilogue. This is a mistake. What past me was trying to say was that this was from the after story. I just forgot the word for it, sorry! With that out of the way, let’s begin. After Sonic’s finally cried it all out, they both get up and he thanks Shadow for the hug. Shadow accepts, and there’s a cute lil scene where the two of them are just… talking, while they go to grab the last shard from the top of the mountain to put it back in its place. After they’re done, Sonic hesitates for a moment. Should he go back to them? After everything, he doesn’t really believe that they would want to see him, not after what he’d done. But Shadow reassures him that if HE could forgive Sonic, then his friends probably would too. They both go their separate ways, and Sonic finally gets to see his friends again. He (tries) to explain what happened, why he’s missing an arm and covered in blood, all that stuff, and they are understandably horrified at…. EVERYTHING he’s saying but ultimately forgive him. They all leave to get chili dogs, and we end with the whole gang minus Shadow having a picnic and Sonic FINALLY taking a nap on Tail’s tails.
After Story: 
I don’t have much of this part planned out outside from a prosthetic design for Sonic and the BAREST of story outlines so I’m just gonna make a bullet point list.
Eggman steals the paradox prism
Everyone (including Shadow) gets together to make a plan to steal it back
Sonic messes up the plan somehow and starts freaking out
Shadow yells at him, making it worse
Sonic runs away and has a panic attack 
After he calms down a little, Shadow goes to apologize 
They go back and come up with a new plan
It works & they all go get some food (including Shadow, after a lot of convincing)
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Final, FINAL Notes: OH MY GOD THIS TOOK SO LONG TO WRITE THIS WAS SUPPOSED TO BE DONE IN ONE WEEK OH MY GOD. thank you again so much for reading all of this this is so long oh my freaking god why’d I make this so long? uh, this mostly serves as a reference sheet so you know what scene im drawing so I can stop getting questions on what is going on. speaking of questions, if you have any, ask! im bad at explaining stuff, so im sure there’s PLENTY. just to make sure im not getting anyone’s hopes up btw, i dont know if I’ll actually end up making this a full fic, mostly cause ive never made one before & i dont know how to use ao3 yet :( feel free to use any and all ideas mentioned within this mega-essay with or without credit, i support you! with this last, last, LAST note, I think I will leave you be.
(also sorry that this took so long to write, it got deleted 3 separate times so I had to start over haha :))))))))))
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memesfromstuff · 2 years
Text
the “yes, and-” approach & why it’s important in rp.
i think most people are at least somewhat aware of the yes, and- approach, but for those who aren’t, here’s a quick rundown of it. the yes, and approach basically started out as a concept for improv comedy (but it is extremely useful for rp as well and we will get to that). the approach is basically that no matter what your fellow actor presents to you, you shall not negate it, but instead roll with it. now why is this important in the rp community? well, i’m sure we’ve all been there at some point, on one end or another. two people are rping together, but the thread doesn’t seem to go anywhere, and might even get dropped due to it. and it might look a little something like this:
muse one reply:  “hey, you don’t look so good. are you okay?” muse two reply: “yeah, i’m fine.” muse one reply: “are you sure?” muse two reply: “yeah. thanks though.” muse one reply: “okay, if you say so. i’m carla, by the way. what’s your name?” muse two reply: “kate.”
you probably get the gist, that muse two does not really engage in anything. they never ask questions, they don’t build on anything, they just reply to what has already been said. this way, all the focus is put on muse two, and none of the focus is put on muse one. this will get very difficult for muse one to work with after a few replies. a better way for muse two to write replies here, might be “yeah, i’m fine. i just got off of work, so i’m just a little tired. thank you, though. how are you?” or when muse one asks if they’re sure “no, actually, i got into a struggle” or something like that. this way, you have your muse build on the story and drive things forward and give muse one something to reply to.
you don’t necessarily have to have your muse say anything either, if they for various reasons don’t usually talk much. have them do something. think something. react to something. show something. anything that the other muse can then respond to.
but the yes, and- approach isn’t only useful in character, but out of character too!
when you want to interact with someone or just get to know them, it’s a good idea to use the yes, and- approach here, too. an example below of what happens if you don’t, which i’ve personally encountered a lot is this:
mun one: hello! wanna plot? mun two: sure, i’d love to! mun one: cool!
here, mun one is asking to plot, but when the other agrees, they don’t come with any ideas themselves, nor asks if the other mun has any ideas. i’ve seen this kind of interaction keep going for quite a bit, with mun two trying to make some effort, and mun one continuing to give one-word responses. this will make mun two feel like all the plotting responsibility is put on them. instead of simply writing short 1-5 word responses like ‘cool’ and ‘sounds great’ and ‘i’m down’, try to engage by following up with some questions, like: 1) what would you be interested in? 2) do you have a wishlist? 3) what verse and/or au should we have our muses interact in? 4) should we do something pre-established or do a first interaction? 5) how do you think your muse would react to xyz?
this way, you’re actively driving the conversation forwards. this is important that both muns do. after all, roleplaying, talking, as well as plotting is a two-way street. you kind of need both to put in some effort to get anywhere.
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shentheauthor · 2 months
Note
I’m curious about your cancel the lamb au, can I hear more of it?
Hell yeah you can!
Some basics:
The bishops are all lawyers, part of the same law firm. Narinder was kicked out and blacklisted from pretty much every high-paying client, due to his greed and strong opinions about how the firm should be run. Now he runs his own law office entirely by himself, with few to no employees. He’s vowed to take down his siblings one day, as revenge.
Narinder and Forneus were once married, but they have since divorced and have shared custody of aym and baal. It wasn’t a messy divorce, they just both fell out of love and decided it was best to separate. They’re still friends, and forneus loves to tease Narinder.
The lamb, Kore, is a pretty popular influencer. They mainly do tiktok dances (and even make their own dances), but they also vlog and livestream their day to day life (a very sanitized version lmao). They meet Narinder through aym and baal, who are big fans.
Kore is kinda shady, so they sometimes scam their followers and cover it up after. They know that someday they’ll get caught, and when they do, they’ll have nowhere to go. They heard of the fifth bishop sibling who’s been disgraced, and since the bishops are the ones coming after Kore, they know exactly who to turn to.
Thus begins the plot!
I haven’t made much in terms of major events, but that’s the rundown of the premise. I am not a lawyer, nor do I know anything about the law, so I have research to do if I want to be accurate.
Or I could just go the ace attorney route and be completely ridiculous. I haven’t decided yet.
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brigidandair · 3 months
Text
So, I saw Damsel today...
**Spoilers and complete plot for the movie Damsel will be all over this post, so don't read if you care about spoilers. Also, this is based on one watch only, so if some timeline details are very slightly wrong, that is why, though the important parts I'll be discussing are not contingent on these details.**
I'm not usually one to closely review a movie, but this one left me with a lot of thoughts that kind of sum up a lot of my feelings about big budget movies in the past decade, so here I go.
First off, I did like Damsel. I enjoyed watching it. It was gorgeous to look at, and Millie Bobby Brown did a fantastic job with the role and script she was given. However, I was left feeling like there was something very important about the whole experience missing, and it took me a few moments to really put my finger on it afterwards. The plot was fine, if a bit predictable, and I did appreciate the focus on Elodie as a protagonist. I loved that the dragon was given a plausable reason to want to devour/kill princesses, and that the dragon wasn't slain at the end, even though the opportunity was presented. And oh my goodness, the costuming department did a phenomenal job.
What I want to do here is give a rundown of the plot, and to then give my thoughts, so if you've seen the movie and don't care for a rehash you can skip to the next set of dashes.
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So, basic plot: The film opens on a scene of a king and his entourage of knights are entering a sinister cave, where there dwells a fearsome dragon. The king declares that they will defeat the dragon, and his knights charge, but are immediately melted by the dragon's fire, leaving only the king. The king drives his sword into the ground, and falls to his knees, and the scene cuts away before we see what happens next.
Centuries later, Princess Elodie and her little sister Floria live in a kingdom that is beset with hardship. They are low on money and food, and their people are facing a hard winter. So when the king is contacted by the royal family of the kingdom of Aurea--a kingdom they had never heard of, but that seems to be very wealthy--with the proposal that Elodie marry the Aurean prince, the family immediately travels to Aurea to finalize agreements. Amongst the traveling party are Elodie, Floria, their queen stepmother, and the king.
Upon arrival in Aurea, Elodie is introduced to prince Henry, while the kings meet alone. However, when the king emerges from the negotiation chamber, his wife immediately notices that he seems upset and deeply disturbed, though he assures her that everything is in good order, the deal has been made, and their kingdom will soon have more gold than he ever dreamed of as compensation for their daughter's marriage to the prince.
The stepmother queen, sensing something is wrong, goes to Elodie and tells her not to marry the prince, but she has resigned herself to helping her people, even if it means marriage to a man she does not know. That night, she steps out ont her balcony and sees another tower, with another young woman doing the same, before the young woman's maid calls her back inside.
The next day, Elodie is married to prince Henry, and is told of a ritual that is performed after weddings up on a nearby mountain, that honors the trials of their ancestors. They travel up to the mountain, where Elodie is told of the story we witnessed at the opening of the film. When the ancestors of the Aurean people arrived on their island, it was inhabited already by a dragon, who set upon them, raining destruction for the insult of invading its land. Though the king was unable to slay the beast, he was able to broker an agreement. His people would be left alone if he were willing to sacrifice his three daughters to the dragon. So now, whenever a new royal heir is married, they make the trip up to the dragon's mountain, over the chasm that leads to its lair, to commemorate the sacrifice of that original king.
The queen motions to Henry, who then slices his palm, and once Elodie has done the same, they mingle their blood, symbolizing that their people have now become of one blood and line. The prince tells Elodie that, at this point, he is to carry her back across the chasm, and that she should close her eyes. But halfway across, he whispers that he is sorry, and then he throws her over the edge, down into the depths of the dragon's caves.
Elodie survives relatively unharmed, her fall having been broken by many roots and branches along the drop, but there seems to be no way out. Very shortly thereafter, she has her first encounter with the dragon itself, who epresses delight at the thought of getting to kill her, and Elodie is forced to run from the dragon's fire. She hits a dead end, and there she finds the body of the young woman she had seen the night before, half burned, and realizes that they were always ment to be sacrifices to the dragon. The dragon continues to taunt her, breathing more fire down the passage where she is trapped, but she notices a narrow hole in the cave wall that she manages to wedge herself through it, barely escaping and sustaining a severe burn on one leg. She rips part of her dress off, wrapping it around her wound, and continues.
From here, we get a lengthy series of scenes of Elodie navigating her way through the trecherous cave system, hounded at every turn by the dragon. She finds an area inhabited by bioluminescent slugs, which she gathers in another part of the dress that she tears off, to use as a lanter, and finally reaches a small cave where a princess before her has written on the wall that this place is safe, and that the dragon cannot reach there. Written on the walls are the names of dozens of other princesses that, over the centuries, have reached this cave before inevitably being caught and killed by the dragon. Next to the names is a rough map of the cave system, showing Elodie a passage marked with a sun, which she assumes is the way out. She takes time to rest here, falling asleep, but when she wakes up she finds her burned leg covered in the bioluminescent slugs. She tears them away in disgust, but notices that anywhere a slug has been, her wound has been healed. Her determination renewed, she continues.
Elodie follows the directions of the map, making her way to the presumed exit, but finds that there is no way down the sheer rock face. As some riders go by she screames to them for help, but the dragon appears and nearly kills her, forcing her to retreat back into the caves. In short order, she ends up in the cave we saw in the opening sequence, and Elodie finds a three broken dragon eggs, with the desicated corpses of the baby dragons that once inhabited them still in the debris. The scene cuts back to that opening sequence, showing us that before encountering the dragon herself, the king and his knights murdered the dragonlings as they hatched.
Elodie realizes that it was the king who had originally attacked the dragon, killing her only children, not that the dragon had been a tyrant. The only reason she had demanded three daughters was in recompense for the wrong that had been done to her. The deal that had actually been struck was that the humans could only be allowed to survive if, every generation, they continued to pay the same price so as to never stop feeling the pain of losing their children. The kingdom, however, has figured out a loophole. By taking princesses from other countries, they could simply mingle blood, fooling the dragon into thinking that the princesses were actual descendents of their line instead of girls that they only knew long enough to technically become part of their family before being sacrificed.
However, at this point, Elodie's father, having been overwhelmed guilt for selling his daughter, arrives at the caves to save her. Before he finds Elodie, the dragon shows up, killing the king's men and mortally wounding the king himself. The dragon resumes her search, and Elodie is given the time to bid farewell to her father as he dies, and he is given the opportunity to ask her for forgiveness, and to tell her to use the rope that they had used to enter the cave to escape. He tells her that Floria and her stepmother have a ship and are waiting for her. So Elodie forgives her father, and follows his direction, barely escaping as the dragon persues.
When the dragon realizes that Elodie has escaped, she begins to raze the mountainside, creating an inferno that is visible from the Aurean castle. The queen of Aurea sees the destruction, and takes action, going to the ship where Floria and the stepmother are waiting. She has her men kidnap Floria, cutting her son's hand and throwing her into the chasm in Elodie's place. When Elodie finally meets up with her stepmother and learns of Floria's capture, she immediately resolves to retrieve her sister, and she follows the same footsteps that she had taken before, returning to the dragon's main chamber.
The dragon, still set on getting Elodie herself and able to smell that Floria is of the same family as Elodie, sets Floria up as bait for Elodie, but Elodie sets up a distraction, drawing the dragon away. She goes to Floria, who has been injured by her fall into the chasm, and before they can get away, the dragon returns. Elodie takes up the sword her father had dropped before, and manages to position herself directly by the dragon's eye, determined to tell the dragon of how they have both been lied to. The dragon, however, does not believe her, and tey have a battle, where Elodie uses her ingenuity to trick the dragon into severely injuring herself with her own fire. As the dragon lay wounded on the ground, Elodie shows her the cut on her hand, and tells her that the dragon has only been perpetuating the violence that had so hurt her before, killing innocent daughters instead of exacting the revenge she had sought. The dragon tells her to end it, then, but Elodie refuses, instead retrieving some of the bioluminescent slugs and placing them on the dragon's wounds to heal her.
The scene shifts to another wedding, where the third and final princess is marrying the prince, unknowingly destined to become the last sacrifice. As the ceremony nears its end, Elodie, still in the rags of her own wedding dress, walks in. She gives a speech to those present, and tells the last princess to take her family and go. The queen declares that they are not afraid of Elodie, and she says that it isn't her they should be afraid of, right before the dragon arrives, killing the royal family and razing the castle to the ground.
In the aftermath, Elodie's stepmother is given rule of their kingdom, which now has all of the resources that Aurea once owned, and Elodie sails off on a ship, with the dragon flying beside her.
The End.
--------
So, what was wrong with this film? Plot-wise, nothing that would ruin it for me. It was a good story, and, like I said before, lots of fun to watch. But I was left feeling extremely empty. See, at its heart, this story was about the love and loss of children. The dragon was the last of its kind, left alone because of the unthinking cruelty of a king who viewed her as a beast, and cared not at all about the lives of her young. The dragon, though not innocent for all the dozens of lives she took over the centuries, was acting out of pain and loneliness, wishing only that that pain and loneliness be shared by those that inflicted it upon her. She was the one wronged, and the royal line of Aurea callously shunted their punishment off on the innocent and desperate. They did not deserve their prosperity, so the storyline had to lead to the breaking of that cycle, but the problem is that the film focused more on the retribution and that Elodie herself was badass than it did on any emotion.
And that's the big big thing. This movie left me empty because it was empty. Elodie was awesome, and she ended cycle of death, but we didn't know anything else about her. We get told she is clever, so that we don't question how her plans always end up working. We are told that she is capable, so that we don't question how she always manages to pull through. We are told that the prince is somewhat reluctant, but only barely, so that he doesn't seem too cartoonishly evil. We're not given enough to know the extent of his guilt, or enough to really know how complicit he is, or if it's really that his mother (who honestly is kinda cartoonishly evil) forcing the issue. It seems like we're supposed to kind of like him and feel bad that he doesn't want to kill these women, but it feels like it's only halfway suggesting the idea instead of developing aything. Elodie's stepmother is kind, but we are barely shown any of that, instead glossing over any real emotional connection in favor of action. She basically exists to give very heavyhanded foreshadowing, to tell Elodie when Floria is taken, and so they can say that Elodie doesn't have to be bound to royal duty after the death of her father, because there's someone else who can do it. And we're just told that Floria and Elodie are close. Floria seemingly exists solely as a plot device to make Elodie choose to face the dragon after her escape.
The glow slugs are a deus ex, somehow capable of healing life-threatening wounds on both humans and dragons in seconds, which seems to be just so they can pretend for a second that Elodie could really get hurt, but then have her in good enough shape to escape before her family leaves or the next princess is sacrificed. And also so that she can prove how badass she is by mortally wounding the dragon and having it at her mercy, but still have it up in moments, ready to come toast the real bad guys.
And Elodie's character is, unfortunately, also stuck with this same shallowness. She's intended to subvert the "damsel in distress" trope, and she kinda does...except that there are numerous times she is saved by pure luck, and the plotline of her having to go save Floria is just straight up doing the trope, just with a princess saving the damsel instead of a prince. I didn't even catch the names of the queen or king of Aurea, the prince's name (which is as bland as he is) is only spoken a couple of times, and the stepmother, who is arguably one of the more major characters aside from Elodie and the dragon, gets about 3 minutes of screentime and doesn't have a name that I can recall. Neither does the dragon, for that matter, though at least we get to see her more than the stepmother.
This is a story stripped down to its bare bones, and it's only as much of a huge shame as it is because there was real potential. I can't help but imagine how much better it could have been if given even another 45 minutes to help us understand and connect to our characters. I would have loved a real conversation with the dragon, getting to really feel her pain and experience the true cathartic acceptance and regret for what was done to her and what she did in response, instead of cutting away to the last wedding. I would have loved to see the dragon show any dimension of character other than anger and cruelty. I would have loved to see the prince wrestle with himself, or try to push back at all, or see the true struggle that Elodie's father experienced before he reached the conclusion that he'd made a mistake and needed to go save his daughter. Why did the ancestor king of Aurea choose to kill the dragon in the first place? It's implied by the end that the dragon was attacked unprovoked, but we don't really know. Was the dragon actually a hostile force that made them want to kill her, or was she simply there and the king wanted to eliminate a potential threat? Did no other princess ever try to talk to the dragon, espcially when they had a safe cave they could shout from, and the dragon conveniently seems to know when to immediately murder someone or let them speak for the plot? Why would the dragon continue to harbor such strong feelings for so long, and think she was truly achieving justice and exacting revenge when the humans were obviously thriving so?
And what do they plan to do from here? We know Elodie wants to travel and see the world, because she (once again) told us so, but is she doing that? And what of the dragon? We're told that she is the last of her kind, but how do we know there aren't any more elsewhere in the world? Is every gleeful murder of an innocent girl at her whim just forgiven and forgotten because she wasn't killing who she thought she was, and now centuries of hatred and bias has evaporated entirely, making her a friend of humankind? The ending could have been made better in seconds, should we have been given any kind of closure for either Elodie or the dragon in any way at all. Perhaps they're going off together to explore the world, to find out for sure if the dragon is truly alone or if there are more of her kind out there. Perhaps the dragon really does know, definitively, that she's the last, and so has decided to accompany the princess that ended the tragic cycle that defined her for so long, to keep her safe as she lives life the way she always wanted. Maybe the dragon has vowed to atone for her cruelty towards humans by going with Elodie, assisting the different peoples they encounter in their travels. Hell, even if a single narrated line was given that told us "and so they went on many adventures, and lived their lives to their fullest" it would be unsatisfying, but not as unsatisfying as the actual ending.
It just...it could have easily been vastly improved in almost every emotional sense. Caring about our characters, their motivations, their struggles, and the emotional heart of grief and loss could have made this a deeply moving film, but the focus was instead placed on the princess saving herself. And I get the desire to do so, the desire to subvert that trope, but a story can't be a full, satisfying arc with just that. It's the same problem we keep seeing with big budget companies and their attempts to cash in on social issues. Don't get me wrong, I'm glad for any progress, even if it is largely a soulless cash grab, because any progress, however small it may be, is still heading towards an eventual shift in social consciousness, and thus permanent change. But this film wanted to get the brownie points for having a badass princess who doesn't need a prince to save her, and so they ONLY cared about that. It wanted to show off its budget and CGI, and "subvert" the trope, but it missed everything about why women might want a capable subversion of these longstanding, sexist tropes.
A capable woman isn't solely defined by the fact that she is capable. The point isn't to say "I can do anything a man can," but that's what this film makes it out to be. Elodie, and the entire story itself, is stripped of literally anything but what it needs to be to keep the plot moving. The story keeps saying it's about Elodie, and how she overcomes the obstacles in her way, but at the exact same time, it doesn't care about her at all. It cares about appearing to care about her story, and it's so frustrating to see all that potential wasted on such soullessness. It's like having every piece of a puzzle, but the filmmakers only bothered to put together the edge pieces, threw the rest in the garbage, and called that good enough. So instead of a beautiful, satisfying picture, we're left knowing that the rest of the pieces exist, but that they'll never be put in their rightful places, and that the beauty it could have communicated has been wasted.
So yeah, I liked this movie, at least in that I enjoyed the concept and the actual watching of it to a certain extent, but I wanted to love this movie. I hate how good it could have been, and that if it were given the love and care it needed, it could have been made into so much more.
At the end of everything, a story isn't just a spectacle. It's sharing and exploring our lives, ideas, and humanity through imagination and creativity. The beauty of fantasy is imagining what people would do when put into extraordinary situations, or at least imagining the extent of ourselves we wish we could be. A story like this one can be fun once in a while, but a truly good story, one that you remember and carry with you, usually remains because it resonates with you. And it just really sucks that Damsel denies its characters of their emotional cores, because when you eliminate the emotion of a story, the viewers are denied a connection to the humanity that makes that story worth telling.
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highladyariane · 4 months
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i found your blog my accident but i also hate cc and didnt read the book, would you mind just do a quick rundown of important stuff that happen with the acotar characters? like those that are important for the next book, sorry if this is annoying feel free to ignore me i just refuse to read that book
I would actually love to do that for you while this is all fresh in my mind! I feel like this is going to help multiple people, and also me when the next ACOTAR book comes out in 2 years.
I'll only cover the parts that are relevant to the ACOTAR world because it's a long book. I don't know if people reading this will have any knowledge of CC, so I'll try to keep it to the ACOTAR knowledge, but I might forget sometimes.
There will be spoilers under the cut!! Also, I don't like Bryce, so buckle up for some salt.
Interrogation:
Shortly after arriving in Prythian, Bryce is taken away by Rhysand to the Court of Nightmares. Azriel and Amren join him for the interrogation.
They all start questioning Bryce about where she's from, why she's here, why she's covered in blood, how did she get the lost sword Gwydion, etc. Bryce is being evasive about most of the answers, and a big part of why is because they're fae and they're asking her a lot of questions. If you haven't read any CC books, Bryce hates the fae, and it's deeply annoying to me.
Bryce tries to bullshit them at some points, but Azriel can tell when she's lying.
Amren tells Rhys to look into her mind, but when Rhys ask Bryce if he can look into her mind, she says no, so he doesn't. So basically, Bryce has plot armor from Rhys, which is also deeply annoying to me.
They all realize that Queen Theia and Pelias, familiar historical figures in Bryce's world, were originally from Prythian. Queen Theia used to be High Queen. I don't think this is important to Prythian in general, but Theia is Bryce's ancestor.
When Amren came out of her imprisonment, she also remembers rumors about a large number of people vanishing, some said to another world.
Rhysand says that they won't torture her for information and they also won't pry it from her mind. Bryce can choose not to talk, but Rhys can also choose to keep her here until she decides otherwise.
Bryce tells them about the Asteri, immortal beings from her world who take a tax on magic for their own nourishment and power. Amren makes the connection to the Daglan, who used to rule over the fae in Prythian centuries ago until they were defeated. Bryce tells the crew that the Asteri want to come back to Prythian for revenge.
During this interrogation, Bryce lies to the group about not being able to winnow, and Azriel says nothing about her lie this time.
Rhysand goes to get the Veritas Orb so that Bryce can show them the weapons the Asteri use, which she does (it's guns and technology).
They give Bryce a little silver bean to eat that makes her able to talk their mother tongue and allows her to speak it too.
The spell on the translator bean triggers a reaction from Bryce's back tattoo, and it starts glowing. Amren realizes that the writing on her tattoo is the same as the writing in the Book of Breathings. Azriel says, "Explain, or you die."
Amren tells Rhysand to bring Nesta in the interrogation room. When Nesta arrives, she says that Bryce carries something that is Made other than the sword, which we know to be the tattoo (the tattoo is actually a magical Horn).
The tension starts getting worse, and eventually Rhysand calls it a day, saying that Bryce needs rest. They leave her alone, but they don't give her back Gwydion and they take away her phone.
The "escape":
Some of this information we don't find out about until later, but I try to include it in chronological order to make it easier.
The ACOTAR crew makes a plan to get information from Bryce by isolating her with Nesta and (a hidden) Azriel. Rhys takes a guess that she'll try to escape, and they can use that.
We don't know how much time passes while Bryce is locked up, but she says it's a few hours. She eventually winnows out of her cell.
It's very important to note that there are a lot of monsters under the mountain of the Court of Nightmares.
Bryce has a star on her chest, and it glows. The beasts seem to stay away from it. Bryce figures out that the light of her star is leading her somewhere.
Bryce walks for what she assumes are hours, and eventually falls asleep. When she wakes up, Nesta is there to offer her water. Nesta says that they knew the moment she escaped, and she's here to escort Bryce back to her cell (this is a lie).
At first, Bryce tries to escape. Before she can, Azriel (still hidden) stops her and triggers the cave to collapse so that Nesta, Bryce and him are cut off from the cells, forcing them to go the other way.
Bryce mentions that her star is pointing a certain way, and Nesta tells her to lead on.
Travelling :
They travel for hours (days? they sleep at some point) and adventures happen, some of which I won't mention.
A Middengard Wyrm shows up (yes, like the one that Feyre fought when she was still human).
Bryce saves Nesta's life from a trap.
Azriel eventually reveals himself. He not only brought Truth-Teller, but also Gwydion with him. I feel like this only happens for Bryce to get the weapons, because why would Az bring them both with him when it makes him uncomfortable to carry both at the same time?? Seriously, they make a point to tell us multiple times how uncomfortable it is for Az.
At some point, Bryce wounds her hands and knees on purpose. She lets her knees heal, but not her hands. She’s using her blood to draw the Middengard Wyrm to them so that she can escape Nesta and Az. When Az starts asking questions about her hands not healing, she plays the awful dad card: “The man who fathered me used to burn my brother to punish him. The scars never healed for him, either.” As you can imagine, this resonates with Az, who lets it go.
Nesta asks Bryce about her star because it’s shaped like an eight-pointed star. Nesta is asking about it because it’s the same shape as the bargain tattoo she used to have on her back.
The Middengard Wyrm finally takes the bait, and Bryce ditches Nesta and Az while it starts to attack. As Bryce is running away, the Wyrm gets scared of Nesta’s power and backs down. Nesta plays dead, taking a guess that Bryce will come back. When Bryce stops hearing the sounds of fighting, she feels bad about leaving them behind and comes back to save then. When she gets there, Nesta and Az tell Bryce that they want her to play bait so that they can kill the Wyrm.
During the Wyrm fight, the Wyrm somehow eats Nesta’s power. To kill it, Nesta puts on the Mask and uses Ataraxia. Az has to talk her down by mentioning the people she cares about: Cassian, Gwyn, Emerie, Feyre, Elain and Nyx. Nesta then takes off the Mask.
Nesta and Az finally reveal that this was all part of the plan, that they waited for Bryce to escape so that they could follow her. Nesta also reveals that she has seen Bryce’s tattoo before, and not only because of her former tattoo: Nesta saw it in the Prison when she went to get the Harp.
Everyone is angry with everyone.
At some point, Nesta promises to give Bryce her phone back if she helps with the traversal of the tunnels. When Bryce does get her phone back, they all have a conversation about what it is and what it does, including that it can hold 1000+ songs and take pictures.
Nesta, Az and Bryce bonus chapter:
Bonding time!
Nesta tells Bryce about her horrible mother and how she would probably hate who Nesta has become.
While they're discussing mothers, Bryce asks Az about his. Nesta jokes that, "Az never talks about this mother, and neither will our friends, so I'm guessing she's even worse," to which Az responds, "My mother is anything but awful." Nesta starts to apologize, but Az says he doesn't want to talk about it.
Nesta asks Bryce to play music on her phone, and Bryce chooses Stone Mother (folk music).
Bryce plays them at least one song from each genre of music. Nesta has to cover her ears during the death metal song, but Az seems to like it. Nesta likes the classical stuff the most out of everything. Both of them are intrigued by club music.
After a while, Bryce tries to ask about their magic, but Az shuts her down. She asks about mates, because she knows that Nesta has one, but Az says he doesn't have a mate or a partner.
Bryce asks Nesta about becoming fae, including her now immortal lifespan. Nesta says she's still getting used to it, and then asks Az how he deals with it. Az says, "Find people you love - they make the time pass quickly. Especially if they'll forgive your occasional snapping at them over things that aren't their fault." Nesta then says, "Nothing to forgive, Az."
Az adds, "And I've been told having children makes the time fly, too." Nesta rolls her eyes, but Bryce sees a gleam in them. Nesta then says that she wouldn't know how to raise a child since she was raised by a terrible mother. Az says that just because her mother was terrible, doesn't mean Nesta will be a terrible mother.
Nesta admits that her mother was even worse to Feyre, and yet Feyre has turned out to be a perfect mother.
They listen to music until the phone battery runs out.
After the phone dies, Bryce can hear Az humming the Stone Mother song to himself, and she "could have sworn even the shadows danced at the sound."
The Prison:
The gang gets to the Prison and the doors close behind them. Az wants to go get Rhys, but Nesta points out that it would take a long time and they’re not sure if he would be close enough to hear them.
They get to the room with the eight-pointed star, the place where the Harp was. They can’t enter because of the wards, but Bryce can because she has a special amulet. She tricks Az and enters by herself. Nesta decides to watch what happens and not go in immediately. A little later, they all enter in the room through magic, so it doesn't really last long.
Nesta tells Bryce about the Harp being able to move between physical places and that it can stop time. Bryce asks if there was ever a Made object called the Horn, but they haven’t heard of one.
Bryce steps onto the star, triggering a kind of hologram of Silene, Queen Theia's daughter. She starts telling them her story.
Silene’s story (lore time):
The important players are: Queen Theia, her two daughters, Helena and Silene, her general Pileas and the Asteri (the Daglan).
When Az sees Silene, he says that she looks like Rhysand’s sister.
For five thousand years, The Daglan ruled over the High Fae of Prythian, and in turn the High Fae ruled over the humans. The Daglan taxed their magic to sustain their own power.
The Cauldron was an artifact from Prythian that existed before the Asteri arrived here, but they modified it so that it wouldn’t be just able to create, it would also be able to destroy. Then, the Daglan made the Dead Trove with the Cauldron: The Mask, the Harp, the Crown and the Horn.
Theia stole the Trove, which helped her take back the Cauldron from the Asteri. While they had the Cauldron, Theia's husband made Gwydion and Truth-Teller.
They defeated the Daglan.
Queen Theia became High Queen of Prythian along with her husband, the High King. She ruled over the territory where the Prison currently is, which used to be the Dusk Court.
However, Theia was hungry for power. When her husband was dying of old age, he wanted to pass the crown to their daughter Helena. Because Theia didn't want to give up her crown, she and her general Pelias arranged her husband's murder by a monstrous beast.
After his death, Theia took Truth-Teller and Gwydion. And then, she took the Trove.
Without recounting the whole story, I can’t stress enough how bad Theia, Pelias, Silene and Helena were. They all started ruling over the people, and the people had no choice but to bow to them. Theia and Pelias then decided that this wasn’t enough and that they needed to conquer other words.
Their council refused because they didn’t want to become conquerors. However, Theia and Pelias made plans in secret and, with the Horn and Harp, opened a door to Bryce’s world. There, they met an Asteri (at the time, Theia didn’t know that Asteri = Daglan).
When Theia, Silene, Helena and Pelias realized that this world already had humans, they conquered them too. The humans couldn’t fight back, obviously.
Pelias was a traitor and sold out Theia and the Trove to the Asteri.
Theia sent her daughters to spy on the Asteri, and they discovered that the Asteri were actually the Daglan.
With the help of Hel (another world), the fae and the humans, they began a war against the Asteri, while the Asteri put Pelias in charge of their army.
Their resistance was losing the fight.
Theia decided to open a portal to Prythian, but not to get help. She opened it to save Silene and Helena. Theia split her power in three and put a third in Helena, a third in Silene and a third in Gwydion.
Theia didn't survive her next fight, and Helena stayed behind in Bryce's world to allow Silene to escape with the Trove and Truth-Teller.
Silene did escape, and she didn't keep the portal open for all the innocent people near the portal. She heard them begging, and still did nothing.
Silene eventually married the High Lord of the Night Court and erased all evidence of the horrible things that she, her mother and her sister did. To conceal the Dusk Court mountain and everything in it, Silene brought horrible beasts to it and locked them in cells. It became the Prison.
Winged horses, originally from the Dusk Court, nearly went extinct.
We find out that Silene's High Lord wanted her to become High Lady, “as the other lords’ mates were,” which seems to imply that every court used to be ruled by both.
She keyed the wards of the Prison to her bloodline and passed on this knowledge to her sons, who passed it on to their sons, and to their sons, etc. This knowledge was lost at some point.
Fun fact: the starlight thing that Rhysand has? It’s from the Dusk Court, it’s part of Silene’s power. It’s the “light of the evening star, the dusk star.”
The Aftermath:
Az wants to go get Rhys immediately.
Nesta figures out that Bryce is the Horn and that this is the reason that she can travel between worlds. They really spell out how dangerous it could be for Prythian if Bryce kept opening portals, especially with the Asteri wanting to come back.
Az tries to go get reinforcements against Bryce, but she stops him. Bryce also realizes that Silene left the power Theia gave her in the Prison, and that she can take it because she’s from the same bloodline (on Helena’s side).
Nesta says that Bryce has to let them bring their High Lord (Rhys). Bryce says, “To do what? Lock me up? Cut the Horn out of my skin?” and Nesta answers, “If that’s what’s necessary. If that’s what it takes to keep our world safe.”
They fight and, at some point, fall down in a void. Bryce finds a crystal coffin with a woman inside, sleeping. The fight is about to resume, but they wake up the woman in the coffin.
The woman in the coffin is an Asteri named Vesperus, and she’s “muahahaha” level of evil. Slaves, power, conquering, all of it. So of course, Bryce frees her because Vesperus says she’ll answer her questions. Because that’s such a good fucking idea.
When she frees Vesperus, Bryce takes back Gwydion from Az by summoning it to her. Nesta and Az want to attack Vesperus, but Bryce tells them not to… so they don’t. Once again, the plot armor is strong.
Vesperus does say that that the Asteri pooled their power and “imbued those gifts into the Cauldron” so that it would work their will. Then, they bound the very essence of the Cauldron to the soul of this world. This means that destroying the Cauldron would destroy this world, one cannot exist without the other.
It turns out that freeing the “muahahaha” level of evil Asteri isn’t a good idea because she still wants to conquer worlds and feed on the magic of her slaves. Who knew, really.
Vesperus starts to fight them, and Nesta, Bryce and Az have no choice but to fight back.
We find out that Truth-Teller has other powers that Az doesn’t know how to use.
We find out that the Asteri hid pockets of their power throughout the lands in case or emergency, one of which is here in the Prison.
Vesperus even goes, “You should have killed me when you had the chance.” No shit, lady.
During the fight, Bryce summons Truth-Teller to her. With Gwydion, Truth-Teller and her power, Bryce significantly weakens Vesperus, but doesn’t kill her.
At this point, Az tries to immediately kill Vesperus (thank you, finally), but it doesn’t work. So Nesta pours her power into Ataraxia and kills her.
Bryce is very angry that they killed the no-good, evil Asteri, because for some reason, she was under the impression that Vesperus was going to give her all the answers she needed to fix the problems back in her world.
Nesta and Az seem very unimpressed by this. Bryce goes, “Trust me, I know better than you guys what the Asteri can do,” to which Nesta responds, “Then you have even less of an excuse for your actions.”
Az wants to get out of here and bring Bryce back with them. Bryce starts using the Horn to get out of Prythian with Gwydion and Truth-Teller. Az pleads with her not to leave, and he’s particularly fixated on Truth-Teller.
Nesta says, “You’re as much of a monster as they are.”
Bryce says, “Love will do that to you,” and goes back to her own world.
Fuck you too, Bryce :)
The Collateral:
A lot later in the book, after a lot of shenanigans, Bryce returns to Prythian (House of Wind) with her parents and her mate. She has a plan that she’s going to ask Nesta for the Mask and leave her parents here as collateral. It also means her parents will be safe from the Asteri, which is really good.
Her parents are unaware of this, by the way.
At first, Nesta does not want to give Bryce the Mask and also asks Bryce to leave Truth-Teller before leaving. Rhys is already on his way, and Nesta tells her to leave before he arrives.
Bryce pleads with Nesta and says she will return both the Mask and Truth-Teller after she’s done with them. Bryce does more pleading, offers her parents as collateral, and even asks Nesta to take her parents even if she won’t give her the Mask.
Nesta takes a leap of faith and gives her the Mask.
Just as Rhysand gets there, Bryce leaves with her mate
Her parents stay in Prythian.
Ember and Randall bonus chapter:
Note: Ember is Bryce’s mom, and Randall is Bryce’s dad.
So, Rhysand gets to the House of Wind and he’s very angry.
They give Ember and Randall a translator bean.
Nesta, Rhys, Amren and Cassian go into another room to argue, while Azriel stays with Bryce’s parents.
Rhys says that Nesta had no right to make this choice, especially because it puts their entire world in danger. Nesta says that she had every right because the Trove answers to her, and also because Bryce’s pleading resonated with her. Nesta wanted to give her the edge she needs in the fight against the Asteri. After what Bryce did, Rhys is of the opinion that Nesta should have killed her on sight.
Ember and Randall are brought into the room. They tell them about their version of events, meaning that they didn’t know what Bryce was planning.
Ember says that they won’t cause any problem while they’re here. Rhysand says that he’s not concerned about them causing problems, he’s concerned about Bryce. She already proved the lengths she’s willing to go to for the people she loves, and he wonders if she would betray Prythian to save the people she loves.
They end the meeting, and Amren tells Nesta to pray Feyre changes Rhysand’s mind before they meet the next day.
Ember and Nesta bond that night.
In the morning, Rhysand, Cassian and Nesta come to the House of Wind. Nesta’s head is bowed, and both Rhysand and Cassian look angry.
Ember stands up to Rhysand to defend Nesta. It breaks the tension, and everyone calms down a bit.
Randall and Rhys bond.
We find out that Feyre did intervene on Nesta’s behalf.
We also find out that, according to Nesta, Cassian is actually the one who is the most furious with her out of everyone.
Nesta and Ember bond again.
The Return:
After Bryce is done with the Asteri problem, she comes back to the House of Wind. Cassian, Nesta, Ember and Randall are all there.
We learn that Randall and Rhys bonded over being overprotective fathers.
Bryce gives Nesta the Mask and Truth-Teller.
We also hear that Rhysand and Azriel have not being happy with Nesta’s decision about the Mask, but Nesta stands by her choice.
Ember says goodbye to Nesta, who started seeing Ember as a mother figure.
Before leaving, Bryce gives Gwydion to Nesta, saying that she thinks it should go to her. Bryce doesn’t think it’s a coincidence that Nesta had an eight-pointed star as a tattoo on her back.
The end!
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bks-blogs · 21 days
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101DS Series Bible Commentary Pt. 1
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How's it goin', my dedicated pups? Danuki here! Later tonight, I'll begin the live-tweet of the official 101 Dalmatian Street Pilot Episode, stating by reading through the series bible first!😁
Hope you dedicated pups are ready!👏🥳
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So… Let's start by looking into the series bible! The first set pages doesn't really show anything special.
It basically gives us the rundown on what we know about 101 Dalmatian Street. But the concept art of the Dalmatians residence shows, how much the series had evolved during the first stages of production.
To sum it up, the house looks nothing like the Radcliffe's former residence with how the structure was designed and aligned with other buildings.
A first sign that the show originally may not have been planned to take place in the original 101 Dalmatians film from 1961. Or if it was still planned to be set in the film's timeline, maybe at a different location?🤔
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We were able to learn more about an unused plot element of Dodie Smith (The author of the original 101 Dalmatians book) being the eccentric owner of Delilah Dalmatian and living on a faraway island. Well... actually, not Dodie Smith, but the name of this unseen character is Dodie McDot. As the name suggests, McDot has a weird obsession with spots, and an eccentric artsist who makes his living off of spot-related art. But at the time when the art world grew bored of his work, he ended up broke. This unseen character is FULL of mystery, and I hope for the staff adresses his character in some shape or form in a possible Season 2.
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The series Bible gives us a little bit more info of what we know about the two parents of 101, Delilah and Doug.
We get more insight of how the recent generation of 101 Dalmatians came together: Each parent bringing 15 pups of their own, while rescuing 54 from the streets, pet shops and shelters.
My dedicated pups, I think this may probably be the most canon backstory if the writers of the show decide to go with it in a potential second Season!😁
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Nothing really new to know in the bios of Dylan and Dolly. Just basically gives us what we know about our favorite duo throughout the first season.
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The first page of the original 15 siblings of the Dalmatian family. Again, there's nothing new we know about the members, aside from what we know watching through the 52 episodes of the series. And apparently, the 15 siblings had a bit of a different color scheme. Triple D originally had different shades of pink, possibly to stand out more, Dorothy's collar was originally light blue, and DJ supposedly was planned to have a black ring around his left eye.
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2nd page of the original 15 siblings of the Dalmatian family. Again, nothing new to learn about, but we do know that the Dimitrios do get a mention among the some of the other 101 brothers and sisters, despite not being in the series bible.
So, it's very possible the Dimitris were given their own designs after the success of the pilot.
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Next up, we get a look at the early concepts of the Dalmatians residence, as well as a black-n-white (Get it?) ref of the final designs the Dalmatians', Clarissa's and Constantine's houses. As the houses are modeled after the buildings in the UK, the designs chosen for the buildings are quite obvious. Of course, we also get a look at the early designs of the pinpoints in Camden, like the Canal and the Barista!
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Now let's take a peak at the friends and Neighbots of 101 Dalmatian Street! Here we get a better clarification of Clarissa's friends, Prunella and Arabella. Apparently they seem to secretly enjoy the Dalmatians' antics unlike Clarissa. Also... I may be the only one here, but I actually kinda like Arabella's early design with the white fur, the black tips on her ears, and the pink accessory she was originally going to wear! Now, for Constantine! So, apparently in the Bible, aside from what we know about him in the actual series, Consantine is a YouTuber, making videos talking about meanings of life. We also learn why we never see his human in the show. He's a Russian Architect who travels the world as part of work, meaning he's almost never home.
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Going through the next batch of pages featuring Dylan & Dolly's friends and foes, let's take a look at the most obvious ones.
For starters, Fergus originally had red eyes in the pilot, and apparently those were still present in his final design before removing them altogether for the final product. I'm honestly glad they did it, cause I'm sure children watching the show would be asking their parents why Fergus' eyes are red.😂
Ignoring the red eyes though, Fergus' early pilot design definitely looks badass compared to final one, but I'm cool with either one of them.😁
We also learn that Roxy's pet human is a gamer girl, which my explain why our goofy rottweiler jumped at the opportunity to play Poodlewolf with Dylan in "The Perfect Match".🎮
Then there's Hansel, who was originally name Heathcliff. Apparently, he was originally supposed to be the leader of macho huskies, and Dylan and Dolly are too nervous to interact with him (Much like how Dylan was nervous meeting Roxy, I suppose). That concept was likely ditched in order to make Hansel a more sensitive, soft person with a cowardly personality. Which is what makes him cute, IMO!😍
Lastly, we get a look at a early concept design of Godfrey. Our Golden Retriever was originally going to look much younger in the early show concepts. We also learn that he's an overly cautious dog who senses danger possibly everywhere, which may explain his paranoid reaction to the mention of the fictitious Camden Kraken in "Long Tongue Day".😛
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We also get a look at one of Hunter De Vil's 2nd-to-final design alongside Cuddles! I honestly think this would actually make a great wardrobe for a reformed Hunter in a possible future Season of the show.
We also get a little backstory between Hunter and Cruella De Vil and how Cruella raised Hunter to hate Dalmatians through twisted bedtime stories. (Yeah, Best Aunt of the Year, am I right, my dedicated pups? LOL)
We also learn that Hunter is 12-years-old in the show, and apparently he takes from his Dad with his obsession with fluffy, spotted Dalmatians.
And… is it just me, or does Cuddles look a bit like Sgt. Tibbs at first glance? Maybe it's the early design, idk.🤔
To be Continued in Part 2!!
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