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#analysis era
werchezdeeno · 16 days
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thinking abt the parallels of the cage between penacony and jarilo iv. and how while both have a cage they are handled in different ways. the 'cage' of sorts where svarog keeps them safe by not letting them go up to belobog is preservation. the crew makes svarog see its not just the preservation of their lives, that matter, but also preservation of their will. sundays cage is an escape, a wish to reshape society with order. his order holds people to different standards. harmony, robin explains, is peace, yes, but at an equal price, embracing everyone. and robins splash art, her reaching out the cage, is like her in the story reaching out to sunday, releasing the dreamers from the cage.
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spn2006 · 5 months
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the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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poorly-drawn-mdzs · 1 year
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The four alignments of Tummy Hurt
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Card Meanings in the new, The Day I Picked Up Dazai art.
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Ok so im currently still in shock that were getting new day I picked up dazai content so bare with me, but onece again Asagiri has included playing cards in his art so of course I have to break down what they mean.
Lets start with side A (the right side):
First we see a joker:
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While Gogol is the obvious fit for the joker, the card also describes Dazai extremely well. He is almost always acting like the fool in any given situation, even in the mafia he loved to be as weird and funny as he could as well as tease and annoy the people around him, something jesters famously did.
In fact, his dynamic with Mori is very close to how a king and a jester used to work, where the jester was the only person who was allowed to openly mock the king and would usually heckle him. They also played a key part in psychological warfare, which we see Dazai specialises in.
I think the whole; wit, intelligence and unpredictability kind of speaks for itself.
Next card is the four of spades:
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This one is also really fitting, it shows how after the day I picked up Dazai side A, Dazai settles into his little routine of going to bar lupin with Oda as well as how he finally has someone who he can trust and be comfortable around. Finally, it is a clear message of optimism, something Dazai never shows before he meets Oda.
Next the two of hearts:
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This one is pretty obvious, it's Dazai and Oda spending time at bar lupin. It actually fits so well, there's not much I can say about it other then how it shows the love and care Dazai and Oda had for each other (platonically)
Now for Side B (prepare to cry)
The first card is the three of spades:
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Whyyyyyyyyyy... why Asagiri. This one is also fairly obvious but it has multiple meanings. It most clearly represents Dazai suffering in side B as he has to run the mafia without odasaku and live in utter loneliness while destroying all the connections he never got to have for the sake of a friend he never got to meet.
“It was hard,” muttered the young man. “It was really hard fighting Mimic without you in the organization. I had no choice but to take over for Mori and make enemies of everyone around me to expand the business. Everything I did was for this world’s—”
It also represents the moment on the platform where he nearly tells Odasaku the truth and goes with him to bar lupin, the horrible decision to abandon everything for Odas future
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The next card is... the ace of spades:
The ace of spade has many meanings, most of which involve change or transition, but by far its most famous meaning it death. I really don't think I have to explain this one, Beast Dazai having the card of death has a pretty clear meaning.
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But the ace of spade does have a secondary meaning, and this one is a little more hopeful, as it shows Dazai passing the safety of this world onto Atsushi and Auktagawa.
Finally, (it's a bit hard to see) we have the ten of diamonds:
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I want to focus mostly on the highlighted part because it's what really applies to BEAST Dazai, he lived his whole life to create a world where what matters most to him, that Oda gets to be happy and write his books, becomes real. This card doesn't apply to Dazai directly, more to the fact that he made succeeding in his mission his only priority and discarded everything else.
Bonus round Odasku card; the king of clubs
the only card thats seen on Oda's section and one that clearly represents Odasaku as a character.
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"King of clubs represents a dark man, who is loyal and kind. He is a good businessman, shrewd with money and investments, but isn’t selfish. In fact, the King of clubs is a very devoted father, husband and citizen. In a broader sense, the King of clubs encompasses idealized qualities of a fatherly figure. This card is universally considered as a very good omen."
I feel like this sums Odasaku up very well, the devoted father and loyal friend parts are just him to a t.
(this is also the card I think best represents Fukuzawa)
Right, I think I got everything, if you disagree with this or find something I missed, please reblog or comment with whatever you want to add, or send me an ask. I love discussing, and hearing other people's views as long as they're respectful.
If you add something, please add it in the post not the tags, so I can reply to it (or in the tags if that makes you more comfortable)
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zuzu-draws · 1 month
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So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.
I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!
Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.
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This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!
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This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.
What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.
Eating is an instinct, a necessity for the survival of every single living being.
And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)
In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.
On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.
Btw, this tweet and this thread gives additional characterisation to Sukuna:
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Link to the original thread: Link.
More context (and reactions :P):
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Link to original thread: Here
This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.
When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:
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When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?
No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.
This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.
This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.
Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )
I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.
He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.
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I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.
Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.
Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.
This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.
I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:
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Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.
Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.
But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:
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This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.
Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.
If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3
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fanfictionroxs · 4 months
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People try to put down Jily because James was horrid to Sev and yes I agree.. but imagine being Lily.. your best friend betrays you for your oppressors who hate your very existence, your sister too hates you for your very existence and you seem to have no place where you are fully accepted. And then there's this dude who has always been an immature ass.. but who stands by you like a rock against those discriminating assholes.. this guy you've always hated is the one guarding your back as you guard his on the battlefield where you're outnumbered 20 to 1... this guy who could have carried on his shitty bullying habits into the future, but instead chose to fight against the monsters who want to eradicate you when your own best friend left you for them... this guy who loves every bit of you from the magic to the non-magic and to your very bones he worships the hell out of you... he will die for you and he does.
I don't know man, but that level of character development is an understandable reason to marry a dude ❤
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azapofinspiration · 1 year
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Chuuya who doesn’t let himself want things because he has to put everyone and everything else first, who feels like his own wants shouldn’t matter because he has power so he needs to be responsible and prioritize those weaker than him.
Dazai who doesn’t let himself want anything because the moment he gains it he will lose it, who can’t handle opening himself up to that kind of pain and vulnerability because he’s been taught that that is a weakness.
Both Dazai and Chuuya whose experiences tell them that the moment they want, everything begins to go wrong and they’ll lose the things they care about.
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that-culdesac-kid · 1 year
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So... I noticed that Qiu wear their jacket slightly differently in step 1, 2, and 3.
In step 1, they leave their jacket open without bothering to button or zip it up.
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In step 2, they do the exact opposite by wearing their jacket closed and completely buttoned-up.
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And in step 3, they loosen up their jacket again, but not completely. Ending up with a middle ground where their jacket is partially open and partially closed.
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I just think it's interesting that the changes in how they wear their jacket parallel really well with their character arc in every step.
Also the way their outfit went from warm palette (brown green jacket) -> cool shades (blue jacket) -> mix of both (blue-green jacket).
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And the way they went from wide grin -> not smiling -> soft smirk.
Yeah.
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‼️I think a great message Taylor put in ttpd is that she’s mad at the fans…and good for her. Many fans still don’t see her as human, as a real person, just some toy they can manipulate to entertain them and fit their narrative. Many fans think their entitled to her personal life too: the letter for her to stop dating matty (yes I think Matty sucks but that was just weird af), speculation on who each song is about, the extreme discourse after her and joe broke up, the gaylor shit, even the talk about her and Travis. Taylor is finally saying it is weird to talk about REAL PEOPLE like that, like they’re tv show characters or your little toys. None of us are entitled to Taylor’s personal life and it is extremely odd to believe you should have a say in it. As Taylor says, NO the fans cannot come to the wedding, because we’re JUST FANS. Even now, some swifties need to see Taylor doesn’t know you, she’s not your best friend, not your sister. She makes music for us. She’s not trying to be a little circus for you to direct.
anyways, taylor is a real human, not a puppet. her personal life is hers, not your circus. and taylor doesn’t know you. she appreciates the fans for giving her her career, for listening to the music, but she has never met you; she. is. not. your. friend.‼️
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follows-the-bees · 7 months
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Izzy taking the blame for Stede's painting being ruined is leading to some deep character study.
Let's look at the painting first.
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Not only are the eyes crossed out, but the dark marks around the eyes and mouth are exactly the greasepaint makeup that Blackbeard and the whole crew use.
There is a bloody handprint over Stede's hand holding a sword and there is a knife stabbed into the left side of Stede's abdomen - the side without the important bits.
All three of these suggest that it was Blackbeard who mutilated the painting. He used the makeup to bring Stede down to his level of darkness, the bloody handprint to show the violence happening, and while the knife is violent, it is on the left side. It shows the warring emotions Ed is feeling about Stede right now, no matter how much he's drowning, trying to become a flightless bird, he ultimately can't truly stop loving Stede.
Now let's move on to Izzy.
Stede asks about the painting (oh, Stede I love your insecure yet vain ass) and Izzy responds right away.
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He automatically steps in to say it's him with that smarmy smile he uses around Stede. Izzy choosing to say this can be due to two things. 1) He is taking the blame for/ covering up for Blackbeard, or 2) He is trying to protect the crew from getting caught from mutiny. Which still means that he is taking the blame off of Blackbeard, so there isn't any evidence of why they would mutiny. (There is the third option that Izzy DID do it, but I think that is highly unlikely and you can tell in Con's performance.)
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Stede reacts to this response by rolling his eyes, sighing, and then walking away. Izzy looks surprised by this, he was clearly expecting to be yelled at. Or be called an asshole like Stede has done in the past. But instead he is met by quiet despondence, which happens once again this episode.
When the crew are jailed for mutiny and Stede comes to the jail, Izzy tries to provoke him once again. "Go on, Bonnet. Give me your worst."
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But once again, Stede is quiet, shakes the bars, and walks away. We see Izzy make the same face as last time: he has tears in his eyes, visibly upset and slightly confused. He isn't getting yelled at, he is getting disappointment and silence.
Besides showing exactly how Stede responds when he is completely heartbroken, we see how Izzy responds when he expects violence and gets the opposite.
It is heartbreaking and Con's performance is superb.
Gif source!! Give them the love.
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chrxnicdaydream · 30 days
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every time i look at this scene all i can think about is this excerpt from dark era 😭😭
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werchezdeeno · 6 months
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aoughhhh argenti quest...how to be the most capable but cringefail at the same time? Hes the master at them simultaneously.
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the way he rlly wanted to see wubbaboo 🥺
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and i find his relationship with velite very...interesting. during the whole quest it felt like smth happened between them (?) Im not sure how to describe it. The thing abt hsr is time is only convenient to the story. Weeks will pass and the reader wont be informed. Exactly how many days were we in the sting or wtv it was? Definitely more than one day. I might have thought otherwise if velite was not part of the quest, but his behavior says more time has passed. He starts with annoyance than near the end feels affection towards Argenti. He talks as if they have gotten a lot closer over the course of the quest, which further soldified my thoughts. How much time passed from the events of the quest and Argenti's mssgs? Obviously quite a bit since Velite changed careers during this time and how Argenti helped.
Overall the quest was pretty cool, but it would've been so much better if they just added a scene like "___ days later..." or smth like that. Or "the next day". The timing kinda threw me off since it didnt take very long but felt as it should have.
But what himeko said at the end kinda made me sad for argenti. He's essentially looking for something that can't be found. Or maybe idrila can idk how aeons work.
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dittydipity · 13 days
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characters that put up a front and a performance so constantly that they start to believe the caricature they've created of themself is more authentic than their core and/or elements of that fabrication start to become ingrained in their actual perception of self 🤌
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brookesophelias · 27 days
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peeta and the rebellion, with even more nuance (:
post continued from @posthungergamessyndrome; their post here
In The Games training , Peeta preferred to hang around the Camouflage, & it ultimately became his saving grace in Book I. Creativity, to most tributes, doesn't compare higher than physical prowess in significance. In Catching Fire, we see the D6 Morplings go to Camo first.
Peeta Mellark allows himself to be known as Loverboy to almost everyone in the 74th arena, which is him defining himself by emotion. Mostly because that’s what Careers, who D12 tributes hardly ever team up with, called him
Peeta decided to kill himself, even before the Nightlock idea, because he refuses to die at the hands of the Capitol. He seriously felt remorse after killing Foxface & had Katniss explain it to him. Killing others wasn't supposed to be something these tributes felt accountability & care about. "...wanted to hold them accountable, if only for a moment... For killing that little girl. (CF; 238)
Yes, Katniss says to eat the berries on 3, though it's Peeta Mellark who tells her to out-stretch her hands so "...everyone can see." (THG; pg. 338).
Peeta refuses to hold a knife when he could hold a paintbrush. (Katniss replies to Haymitch that 'if he wanted babying, then should've asked Peeta.' His fellow Games Victor called him soft & he just offers her bread [again]). Even in the actual war, he felt so hurt when he killed others.
He has a vivid memory for the horrors of The 74th Hunger Games, to the point where Katniss says she "hates" his paintings. He’s not even offended he just lets her hate on them because they are gruesome.
He always looks out of windows at other people [Katniss on the bakery lawn], places {districts while on tour] as well as the Capitol. He also takes people's baked goods home to evaluate. And doesn't stop.
He also sees the elder from D11 get shot in the head & doesn’t let himself be touched by Peacekeepers after he said he & Katniss would feed Rue & Thresh's families.
Peeta refuses—so vehemently—to drink the beverage to purge his meals. He tells Katniss that maybe they shouldn't squash the Rebellion.
He is the second person to volunteer in years in D12, & at all & he, too earns the highest rating in the Quarter Quell. Before the Mockingjay ever existed, the mockingbird & Jabberjay had to meet. If Katniss is the Mockingjay, Peeta embodies both qualities of both birds individually. Peeta is wholly himself, at his best. When the Panem screams conformity, Peeta doubles on individualism.
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adh-d2 · 2 months
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He's just a baby playing with blocks. Look how proud he is for stacking them so neatly. Look at the way he turns around for recognition, for someone else to get excited with him, to give him one of those big fake baby gasps and say 'good job!'.
He's just a baby. He doesn't understand what's going on. 😭
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sorcerersandskillusers · 10 months
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Little rant about how amazing Dazai is as a character.
I am just so blown away by how much depth there is to him. He is probably the best version of a morally grey character I've ever seen, it not that he isn't too evil and isn't too good, but he has done SO many evil things and SO many good ones that he can't fit either side.
He is both the scariest and most heart-breaking, the most uncaring and the most desperate for help. Every characters perspective changes who he is completely and that's something ive never seen before in fiction
Thinking about Akutagawa makes Dazai seem like a heartless, abusive monster.
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Thinking about Ango makes him seem petty and cruel, as well as unable to let go of the past.
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Thinking of Atsushi make's he feel reassuring and comforting, a source of hope and kindness.
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BEAST made me want to hug Dazai for a thousand years, but also hate him for what he did to Atsushi
Stormbringer made him seem both terrifying and cruel to Chuuya, but also his ultimate protector and the person who most believed in his humanity
In 55 minutes he's a source of hope and reassurance, in Entrance Exam he's sinister and mysterious, as well as super funny and entertaining. In the Dark Era, Oda sees both sides of him and chooses to focus on the side that no one else ever saw, the lonely child who was so buried inside Dazai that even he didn't know it was still there.
We have seen more of Dazai then any other character in the series, he is the only character to appear in every single light novel (minus gaiden cause that's a different story). He plays a super important role in the main series, and we have seen so many sides of him throughout the story. Infact, we've seen way more of him then Atsushi, the literally main character.
But despite all of this, he is somehow STILL one of the biggest unknowns in the series. Despite everything we've seen of him, it still feels like we have just scratched the surface of his character. and the characters in the story feel the same way, the only person to get a glimpse of Dazai's true self is Odasaku, and maybe soon Atsushi.
The deeper you look into Dazai the more you can appreciate him, the light novels especially do the best job of capturing how complicated and interesting his character is, I think most of the Dazai haters out there, are just people who prefer more shallow characters (Not saying that's a bad thing, it doesn't mean those characters are any worse, just that you don't need to think about them to understand them). and if you look at Dazai like that, then of course he seems like a terrible person, you need to actually try to understand him to see how tragic he is, that's what Oda did and that's what a lot of people need to do.
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