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#an artist doesn’t have to be queer for there to be a queer reading of their work
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cishets are so weak. like one gendered pronoun in a song and all critical thinking skills go out the window and they’re thrown completely off the scent
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mysterycitrus · 5 months
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Hey there, Happy New Year! Sorry if this ask seems confusing.
I've really come to enjoy your blog as someone who is kind of new to navigating the world of comics and how to read them and you seem to be one of the people that's more vocal about all the fanon and canon differences and how that damages people's perception of characters. I'm just a bit confused in what you consider to be the difference of headcanons and fanon, I know fanon is a more of something that a big number of people believe, but if someone headcanons something that isn't covered in canon, would that be "bad" or fall on the fandom category?
Hope this doesn't sound mean or anything, I'm just a bit confused
hello!! welcome to batburger!!!!
wrt fanon vs canon my issue is this — parts of comic fandom are very vocal about not engaging with the source material. deciding what fanon is “good” vs “bad” isn’t the point because im not interested in policing peoples fandom experience. however there is a point where i don’t understand what exactly some people are fans of, because what they talk about is so disconnected from the original text.
imagine meeting a hunger games fan, and when u ask about their favourite movie or book, they instead tell u that they’ve never read or seen any part of the series, exclusively read fanfiction, and then inform u that they believe president snow is peeta’s grandfather and that actually haymitch was the authoritarian mastermind behind the hunger games. that doesn’t make any sense, and has no basis in canon. it’s a very extreme hypothetical, but i wouldn’t really take what they say about the hunger games seriously. it also reminds me a bit of the hp marauders fanworks that exist almost autonomously to the books (while still containing the same issues as said books).
most fanon enjoyers (and this is particularly pervasive with batfam fans) enjoy characters and relationships that simply do not exist. that alone isn’t a problem (crackships and headcanons have existed since ye olde star trek zine days) but the issue is that these fanon interpretations are loudly asserted as being the correct way to engage with the characters. i do not believe it should be controversial to prefer characters in their canonical text, or to ask why some fanon content is taken as gospel, especially when so much of it is racialised.
this lends into a wider trend where these headcanons are respected more than canon despite often being actively reductive, accidentally demeaning, or just plain bad faith interpretations. it’s much harder to combat the racism present in conversations about damian wayne when the people in question aren’t grant morrison or judd winick or scott snyder, but instead a nebulous group of people on twitter.
flatly, i encourage people to read the source material. there are a lot of comics, but googling ‘[literally any character] reading list’ has literally never been easier. start by consuming the movies or cartoons or films or shows or the one volume graphic novels, then pinpoint what u like and start from there. people are discouraged from reading comics — and they shouldn’t be!! especially for popular characters there are very accessible starting points!! u will find characters to love with rich history and lore!!!! support queer artists and artists of colour who are actively changing the industry!!! i guarantee that the fanon version of that male character u love is actually originally from a female character with a great miniseries written by greg rucka!!!!
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nateconnolly · 5 months
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“I have tried to show you what I am,” says Barb, the protagonist of one of the most controversial short stories ever written. “I have tried to do it without judgment. That I leave to you.”
Barb comes from I Sexually Identify as an Attack Helicopter by Isabel Fall, a science fiction story about gender and imperialism. It was Fall’s first published story. There was no backlog of stories to analyze, and her author’s bio was sparse. Readers weren’t given any information about Fall’s gender identity, but that didn’t stop activists from speculating. “… this reads as if it was written by a straight white dude who doesn’t really get gender theory or transition,” complained Arinn Dembo, President of the science fiction writers’ collective SF Canada. The author Phoebe Barton even compared the story to a weapon against trans people: “Think of it as a gun,” she tweeted. “A gun has only one use: for hurting.” N.K. Jemison joined in, tweeting, “Artists should strive to do no (more of this) harm.” But Dembo and the hundreds of thousands of others were mistaken about Fall’s supposed cis identity. The publisher responded to the backlash by taking the story down and posting a statement about the author’s identity. Isabel Fall was a transgender woman, and self-identified activists for trans rights bullied her so mercilessly that she attempted suicide. Dembo later adjusted her criticism, saying “a lot of people might have been spared a lot of mental anguish” if Fall had made a statement about her gender identity. Meaning, Fall had a moral obligation to out herself as a trans woman. Both of Dembo’s comments reveal a preoccupation with the author that distracts from the text. The recent obsession with author identities is one of the great failures of contemporary liberal movements. In order to win liberation for any given group, liberal activists must focus less on who speaks and more on what is spoken. 
Roland Barthes’ 1967 essay The Death of the Author argued that an author’s intentions and life experiences do not make the “ultimate meaning” of their text. The author might as well “die” once the text is in the reader’s hands. The text is “a multi-dimensional space” that one cannot simply flatten with biographical details about the author. Barthes has largely been vindicated among literary critics and theorists, but his idea has not been well-received among liberal activists. It is easy to refuse to acknowledge multiple dimensions of a text. Moralistic groups like liberation movements might even be tempted to sort texts into a simple dichotomy—“good” or “bad,” without any gray areas—on the sole basis of the author’s identity. That is exactly what Dembo tried to do: she suggested that Attack Helicopter was bad simply because of the author’s (supposed) gender. 
I Sexually Identify as an Attack Helicopter is not a transphobic story. Although an in-depth analysis would be beyond the scope of this essay, I can confidently say that Fall critiqued American imperialism, not transgender people. I think that would be clear to anyone who reads the story. But apparently, reading a story is no longer a necessary step in the process of interpreting it. Barton—who suggested her fellow trans woman was a “gun”-wielding transphobe—had not actually read the story. Jemison also admitted she had not read the story before tweeting that it was harmful. We now have a complete reversal of Barthes’ idea: this method of moralistic interpretation is nothing less than the death of the text.
Fall is far from the only queer storyteller to face backlash for allegedly not being queer. Becky Albertalli, Kit Connor (who was still a teenager), and Jameela Jamil all came out of the closet because they were harassed for telling queer stories as “straight” and “cis” people. It is a common talking point in activist circles that the government should not compile lists of queer people or forcibly out them. Why, then, do activists engage in the same behavior? It simply is not always safe to admit that you are gay, or trans, or autistic, or epileptic, or that you have had an abortion. The reason that we need liberation movements for these groups is the same reason that people might not want to publicly claim these identities.
You can read the rest on Substack
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shorthaltsjester · 1 year
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if i ever have to see another thought piece on the description of the white picket fence outside of fjord and jester’s place in mighty nein reunited indicating jester’s unhappiness in the relationship i will burn the world to the ground.
a) heteronormativity doesn’t exist in exandria !
b) fjord isn’t your Typical Male Love Interest Guy. if i ever have to read someone say that shit again i’m gonna (correctly) assume they haven’t paid attention at all to campaign 2 and any of fjord’s character arc.
c) perhaps, jester lavorre, woman who was raised on the ideology of romance novels and sexuality as exchange, might just find it uh… not a terrible thing that the white picket fence is falling apart outside since… fjord explicitly does Not feel like those romance novels to her, instead he feels comfortable. the way that a brightly painted but rarely used house might, especially when the couple in question spends most of their time adventuring together… which is an essential part of jester’s motivations throughout the campaign.
d) the reason fjord and jester seem unhappy in the reunion might be because, well, uh, whereas everyone else was getting a “vacation”, jester and fjord’s life together (specifically the fact that Fjord Loves Jester Enough To Risk The World (Momentarily) To Save Her) was the inciting action for an apocalyptic demigod being released - they Were unhappy. who wouldn’t be given those circumstances. jester nearly died, and fjord felt like the god that once saved him had now abandoned him, i am so truly sorry that their romance was not satisfactory for your vision of atypical romance (which, by the way, is literally reinforcing the restrictive romantic tropes you think you’re criticizing, so good job i guess). i would be much, much more concerned if jester and fjord Weren’t clearly dismayed.
e) both fjord and jester are individuals whose entire lives and character are defined by the expectation (both external and internal) that they behave and emote a certain way. that they’re in a relationship with someone who they feel that they can show that they are frustrated with or disagree on the layout of their house with or have different ideas on how to deal with the looming threat of a demigod is incredible. jester and fjord are emblematic of a relationship in which the characters Aren’t meant to be, but they Want to be together and they want to understand and support the other person so they work at it. we wouldn’t have conversations like “you seem disheartened..” “i am very disheartened! you almost died!” if they didn’t take the time and care to communicate with one another.
f) if you want a honeymoon era joyful queer romance, yasha and beau are right there! they are explicitly horny and in love and bright about it! if queerness is your measure of “trope breaking” i am very sorry to tell you that queer people partake in white picket fences, and i’d actually argue that in terms of Lifestyle Metaphor, beauyasha are more adherent to the whitepicket fence, nuclear familyism. this isn’t a detriment to them, just, very literally, beau works a 9-5 where she comes back to her housewife who gardens and cooks dinner and their future includes explicit reference to children. comparatively, fjord wants to address some issues in his past, jester is an artist, and both of them are interested in adventure for the foreseeable future.
g) if you truly think that a single part of laura’s description of the part-time abode of fjord and jester overrides every interaction and choice that both laura and travis make towards fjord and jester caring for each other in a deep and meaningful way that goes beyond the weird fandom constructed Man/Woman characters being portrayed by a married couple i truly, Truly have no idea why you even watch the many hours of content that cr is when you could… play/write your own shit.
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commanderbuffy · 11 months
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Sapphic Books Reccs
Here is my list of recommended sapphic books! There’s a lot of YA here since that’s a lot of what I read. Everything on this list I have personally read and can recommend. I’m sure there’s a TON out there I haven’t read or ones I have read and have just forgotten!
Contemporary
Astrid Parker Doesn’t Fail by Ashley Herring Blake (Adult)
My favorite of Blake’s! Enemies to lovers. SO good.
Delilah Green Doesn’t Care by Ashley Herring Blake (Adult)
A woman falls for her step-sister’s best friend. Oh, and there’s a kiddo in the mix as well.
The Falling in Love Montage by Ciara Smyth (YA)
Two girls promise a summer of fun full of rom-com worthy dates. The only rule, no relationships. Just one summer, nothing more. Sure....
Forget Me Not by Alyson Derrick (YA)
Amnesia fic where a girl forgets she ever met her secret girlfriend in their ultra-conservative town.
Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar (YA)
Fake dating between the girl who wants to validate her bisexuality to her friends and the girl who doesn’t mind the popularity boost.
Her Name in the Sky by Kelly Quindlen (YA)
Best friends to lovers! A big piece of this is also the friend group involved.
Imogen, Obviously by Becky Albertalli (YA)
Imogen thinks she’s just an Ally. Spoiler alert: she’s not. I loved the way friendship was explored in this. You see some really solid friendships as well as a subtly toxic one (that’s acknowledged as such).
Late to the Party by Kelly Quindlen (YA)
An ode to late bloomers and a journey to self-acceptance. A girl goes to her first party, befriends a gay guy who introduces her to new group of friends and one really cute girl
Margo Zimmerman Gets the Girl by Brianna Shrum and Sara Waxelbaum (YA)
Super fun involving a girl asking another girl fo “Queer 101″ lessons. Bi and Autistic rep too!
Perfect on Paper by Sophie Gonzales (YA)
A girl gives anonymous love advice and gets hired by a hot guy to help him get his ex back. Really FANTASTIC bi rep!
One Last Stop by Casey McQuiston (Adult)
A sexy time-bendy romance with so much heart
She Drives Me Crazy by Kelly Quindlen (YA)
My FAVORITE rom-com. I reread it constantly. Fake dating, enemies-to-lovers between the cheer captain and basketball star!!
She Gets the Girl by Rachael Lippincott and Alyson Derrick (YA)
Two girl team up to get their crushes to fall for them and start developing feelings for each other along the way.
Six Times We Almost Kissed by Tess Sharpe (YA)
Childhood frenemies forced to move in together for their best friend moms’ sake. Trauma filled and SO SO good.
Some Girls Do by Jennifer Dugan (YA)
A fun rom-com between an out queer athlete and the local beauty pageant queen.
We Are Okay by Nina LaCour (YA)
One of my favorite books of all time. A story about grief and friendship and love. A soft, quiet story.
Who I Was With Her by Nita Tyndall (YA)
A girl’s secret girlfriend dies and she is left to grieve alone until she finds herself turning to her girlfriend’s ex.
Science Fiction/Fantasy
Crier’s War by Nina Varela (YA)
A romance that leads to revolution by between two girls: one human, one Made
The Once and Future Witches by Alix E. Harrow (Adult)
This is historical and fantasy! Suffragette witches! Another one of those books I wish I could read again for the first time. Three sisters, one of them has a WLW romance
Thriller/Horror
Hide by Kiersten White (Adult)
A high-stakes hide and seek competition in an abandoned amusement park. One of my all-over favorite books of 2022.
House of Hollow by Krystal Sutherland (YA)
No wlw romance in this one, but the main character and her sister are both wlw. My absolute favorite book of 2021. What I would pay to read this for the first time again.
The Girls I’ve Been by Tess Sharpe (YA)
The daughter of a con artist is finally allowed to stop running and faking her identity, only to get stuck in a bank heist with her ex-boyfriend and current girlfriend.
Sawkill Girls by Claire Legrand (YA)
Three girls who shouldn’t have a reason to team up together against an ancient evil. The new girl, the pariah, and the queen bee who’s been helping the evil all along. I have reread this book easy a dozen times.
Throwaway Girls by Andrea Contos (YA)
When a girl goes searching for her missing best friend, she finds a trail of other missing girls and battles with heartbreak after her girlfriend leaves her for California.
Wilder Girls by Rory Power (YA)
Quarantined at her girl’s school after a gruseome Tox breaks out, a girl must find what happened to her best friend who’s gone missing
Historical
Great or Nothing by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood (YA)
The queer Little Women retelling we all deserve with a SAPPHIC JO! Set in 1942. Beth’s POV still haunts my heart
A Great and Terrible Beauty by Libba Bray (YA)
Two of the major supporting characters are WLW. This becomes more important and on the page in the later books in this series, but this is the first one.
Music from Another World by Robin Talley (YA)
1970s California. Two girls become penpals and bond over music.
The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (Adult)
Hollywood icon Evelyn Hugo famously had seven husbands. This is the story of her wife.
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longtallglasses · 2 months
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it’s very interesting to me amongst the different fandoms i’ve been a part of in regards to their attitudes toward nsfw fanworks bc with the marauders those teens are always wildin’ - smoking, drinking, sleeping together - if they’re not i would even say it would be out of character for them? wolfstar is messy and horny and so in love, even if in a lot of fics they won’t admit it to each other. in atyd everyone is shagging up a storm, the girls, the boys, it’s still juvenile of course the way they discuss it and go about it. very little communication, feelings are hurt, they don’t know what they’re doing all the time. and it makes sense, they’re teenagers!
i have never once heard of discussion around it being ‘wrong’ to write them this way. that it’s ‘objectifying’ and if you’re thinking about it you must be weird or unnecessarily sexualizing characters. sexualizing characters? they’re already sexualized wdym? they have a sexuality, everyone has a sexuality, whatever the author/artist wants to give them, whether that’s a sex crazed maniac or the most sex repulsed asexual, they Have a Sexuality! even before the exact moment they turn 18, they have a sexuality. it’s just another facet to explore character through, to understand them more fully, and also sometimes for the author to help understand themselves.
i’m sorry age doesn’t matter when it comes to fictional characters. it just doesn’t. they’re not real you can’t hurt them. if someone wants to write through trauma, something ‘wrong’ and ‘problematic’ let them use fictional people. it may seem gross and you don’t have to read it, but its existence does not mean promotion of harmful behavior. it can mean so many different things to that author but it doesn’t equate to that.
i say this bc i myself have written some horrid things. i’ve never posted them, was not in a place where i wanted to, i wrote it all in a period of my life where i was seriously hurting, and writing fucked up horrific things stopped me from hurting Myself. i’ve read some ‘problematic’ fics that made me feel better, hurt me in a good way, reading comments of people who related and appreciated what was being explored.
most people who write about fucked up shit, SA, or some form of trauma porn or whatever it is have probably gone through something similar in their life. the people who read it and seek it out are usually drawn to it for a reason but we don’t need to know why. there is also just curiosity. and being curious doesn’t make you a bad person, it doesn’t mean you ‘like’ it. you may like the power dynamics at play, you may be intrigued by desires different than your own, you may… ANYTHING what you enjoy to read or write speaks to nothing regarding who you are in your day to day life. your morals, your beliefs, or what you want sexually or otherwise. i say this to a younger me, there’s nothing wrong with you!
with all that being said… there is also porn that is just porn. and that’s perfectly fine and good too. people have always written porn about whatever and whoever they want and they always will. if you don’t want it, scroll pass. you won’t be given a gold star for announcing you think it’s gross or wrong, you just look silly. i’m not saying that you must like it too, but attacking the moral character of those who do partake, shows an immaturity and lack of tack when it comes to these subjects. go out in the world and you will discover just how ‘abnormal’ and ‘depraved’ sexual desire can manifest itself as.
as someone who grew up a Very sexually confused person. not knowing i was queer or on the ace spectrum exploring sexuality through fiction was like my saving grace. and those books and those fics that made me feel seen, made me go huh! woah! ooooh my god that’s me! or made me go … wait why do i kinda like that? more often than not they were written by adults. bc they had made it through to the other side so to speak. and as An Adult now i find the traditional adolescent experience very intriguing as i did not have that growing up. the sexual experiences i’ve had now have shown me so starkly that that feeling which accompanies a new experience never really goes away. people are fumbling well into their 20s and 30s. reading the plight of a young person discovering who they are sexually i don’t think will ever not be relatable or make someone reflect. that includes the sweet and innocent as well as the ‘gross’/depraved horniness. it is not necessarily enjoyed on a basis of attraction to these characters, it is enjoyed on a basis of ‘i know this feeling’ or ‘i also do and have yearned for this kind of intimacy’. and if who you are isn’t represented in those stories, oh well damn, looks like i have to write it now. that’s how we have Are you there God, it’s me Margaret and the edge of 17 (the ‘98 and ‘16 iterations), all these stories written by Adults! that make us all sigh in relief and laugh and cry and aaahhh
fiction is fiction, idek what anti-ship means, let people be freaks in peace, fandom spaces are created to have fun in, let’s pls have Fun!!! explore and write and draw and fantasize whatever your heart desires bc there can be no right or wrong, it is just discovery.
if you feel kinship with characters and it feels natural to extend yourself to them, to take them and make them your own, amazing, gorgeous, beautiful. play dress up with them in all the ways you can, do whatever You Want!!
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monarch-ambrosia · 10 months
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oh dear god i have way too many feelings about gottmik dragrace. this is the first time i’ve felt fully represented by someone on tv.
i am a transmasc person with a femme/androgynous side. that femininity is not the femininity of a woman but the femininity of a queer man. think drag queen. i’m a drag artist to my core.
from the inside, that “femininity” doesn’t feel womanly. it feels very draggy and very queer. but to the world, because of the way my AFAB body looks, it just reads as “woman.” and that is the greatest source of my dysphoria.
society—even queer society—forces trans people so heavily into gender roles. trans women have to pass and perform “traditional” femininity to a T to be seen as valid, nonbinary people are seen as fake if they’re not the perfect 50/50 mix of masc and femme, and the same goes for trans men and masculinity. as soon as a trans person is too far out of the box they get labeled as “not a real man/woman/etc” or “just confused.”
i’m a dancer, a singer, a performer. i love makeup and fashion. i’m not a woman in any sense, but performing traditional masculinity just isn’t always authentic for me. i sometimes feel like i have to be someone i’m not to be seen as the gender i am. and drag is a a refuge from that. i didn’t know true gender euphoria until i saw myself in full drag the first time. i almost cried (but u know u gotta save the 2 hours of alien bitch makeup. i’ll cry after the show lmao)
being a GNC trans person is a trip. and gottmik gets it. when she talked about her gender journey on drag race i felt seen and represented for the first time.
let trans people be GNC. we don’t need to fit in your box to be real.
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chicademartinica · 1 year
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We will reach the middle point of the story next week and this is where I am at in my notes:
I agree with @respectthepetty P’Mon is either cheating or not in love with Jane because this man is purposefully never really where he should be. Also Jane knows Jaab is in love with him and Jaab knows that he knows. Jane’s not happy in his relationship has been emotionally cheating THE MOMENT Jaab’s pretty eyes entered the chat.
The kiss was choreographed that way on purpose I stand by it.
Big daddy and Jeng had beef in the past about his managing OR/AND his homosexuality. Jeng is giving Uncle Jim and the generational / class gap is going to show up between him and Pat. Homeboy gots BAGGAGE.
There is a huge “the heir and the spare” vibe between Jeng and Jaab. They love each other but hear me out fam Big daddy doesn’t care that Jaab is queer and cute and an artist. He is not the heir.
Put chose his career over Pat. He grew up poor, he is cutthroat so when the agency said no boyfriend, no coming out he said bet.
Is Ae in love with both Khanun and Beam ? I DON’t know who Beam has feelings for. Khanun is the only one I can kinda read. They have a poly vibe.
The Attajiranon brothers are both rich pretty dudes but incredibly touch and love starved. They pine like no other and I’m enjoying myself.
Tee is not done shading the shit out of the Thai BL industry.
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steddieunderdogfics · 1 month
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This week’s writer spotlight feature is:  MuseumGiftShopEraser! They have 9 works on AO3 in the Stranger Things Fandom, and 6 of those are in the Steddie tag!
Our anonymous nominator recommends the following works by @museumgiftshoperaser:
Paint the Devil on the Wall
Conversations About Love
Now I'm A Stranger
An Exercise In Denial
Baby, You Were Meant To Follow Me
Her fics are BEAUTIFUL. When I first read Paint the Devil on the Wall I was so obsessed I immediately recced the fic to everyone I knew who would be vaguely interested in a steddie fic. -- anonymous
Below the cut, @museumgiftshoperaser answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I stumbled into it immediately after season 4 came out. I’ve felt very attached to Steve as a character from the beginning of the show and I think I was subconsciously waiting for someone to pair him up with. I think they’re both such great characters to explore themes of dealing with expectation (either by conforming, or fighting against it) and that’s something I always love to write about.
What’s your favorite trope to READ?
Absolute sucker for fake dating. Can’t get enough of it.
What’s your favorite trope to WRITE?
Enemies to lovers! Though now that I’m looking through my AO3 I haven’t actually written that much of it. It doesn’t have to be very intense enemies, though. I just like it when characters don’t immediately get along.
What’s your favorite Steddie fic?
My brain has been forever rewired by took you for a working boy by pukner. It’s such a gentle, nuanced queer story. It feels vulnerable to me in a way that really only fanfiction can be. Can I sneak in another one?? Because everyone should also absolutely read the shame is on the other side by scoops_ahoy. It taps into this very specific kind of queer compartmentalizing, that I’ve never seen written this well. It broke my heart and patched it right back up.
Is there a trope you’re excited to explore in a future work but haven’t yet?
I’ve been stupidly busy with my masters lately so there’s probably not a lot of writing on my horizon. I do have a wip called Doll that I’m slowly chipping away at. It’s a little darker than stuff I’ve written before. I know ‘dark’ isn’t really a trope, but I’m excited to see if I can push these characters a little further. 
What is your writing process like?
Absolute chaos. I write non-chronologically, without an outline, all in the same document. I keep writing snippets and scenes until the whole thing slowly comes together. 
Do you have any writing quirks?
Italicizing words for emphasis. I love it so much, you can rip it from my cold dead hands. It accidentally makes its way into my academic writing for my degree sometimes which is a little embarrassing, but I just love the flair of it. 
Do you prefer posting when you’ve finished writing or on a schedule?
I don’t really do schedules, it doesn’t work for me at all. I try to make sure I have a decent amount of the story written before I start posting to give me a bit of a head start, but forcing myself to finish something by a certain date is a surefire way to kill my motivation.
Which fic are you most proud of?
Probably Paint the Devil on the Wall. It was the first time I’d written the entire story before I started posting so it went through way more rounds of editing than normal. I think you can really tell. It’s also the longest story I’ve ever written (in general, even outside of fanfic). The whole project gave me a lot of confidence as a writer.
How did you get the idea for Paint the Devil on the Wall?
I knew I wanted to participate in the Bigbang and the deadline was coming up, but I still didn’t have an idea. I decided to work backwards and try to think of something that would be fun for the artist(s) to draw. I had a vision of Eddie wearing dungarees without a shirt, absolutely covered in paint and I knew I had to write something to make it happen. I set the story in 80s New York because neo expressionism is really the only kind of art I could see Eddie making. I think it suits him very well. I do actually have a background in art, though! I’m currently getting my MFA, but I’ve worked full time as an artist for several years before that. I had a lot of fun working my passion for art (and all those art history classes I had to take) into the fic.
When writing Paint the Devil on the Wall, what was something you didn’t expect?
All of Steve’s character, to be honest. The fic is written from Eddie’s POV and for a large part of it he has a very hard time figuring out what Steve’s deal is. Right alongside him, I also had an incredibly hard time figuring out his character. It wasn’t until I was working on the final chapter that he finally clicked for me. I realized very late, just like Eddie, that Steve liked him from the very beginning. Most of the enemies to lovers premise was all in Eddie’s head.
What inspired Now I'm a Stranger?
Oh boy, that was forever ago! I remember I started writing it while I was camping with friends because I liked having something to do after everyone went to bed at night. I think I had the idea for that very first scene where Steve doesn’t remember Eddie and it all sort of spiraled from there.
What was your favorite part to write from An Exercise in Denial?
That was the very first fic I wrote, right after season 4 came out! I’ve never written something that fast, I think the whole thing took me less than a week. My favorite part was probably Robin being completely exasperated with both of them. They’re such complete idiots in that fic.
How do/did you feel writing Baby, You Were Meant To Follow Me?
Ahhh… I never got around to finishing that one. I probably never will, to be honest. I wrote the first two parts quite quickly and then the idea I had for the plot spiraled out of control and I realized I didn’t actually feel like writing the rest of it. There were going to be a lot of misunderstandings and I learned that I find that an incredibly frustrating trope to write (when done for drama at least. For comedy, I’m a sucker for misunderstandings.) So I guess I felt a little in over my head.
What was the most difficult part of writing Conversations About Love?
The ending! That fic is so incredibly personal to me and I knew from the beginning that I wanted it to have a very sappy, happy ending. It was important to me to write an aromantic character getting everything they wanted, but I realized as I was writing it that I don’t actually fully know what that means. So it took a bit more soul searching than fics typically do, but it was very much worth it. 
Do you have a favorite scene and/or line from any of your fics?
I still think the short little prologue for Paint the Devil on the Wall is the best thing I’ve written. “You don’t draw on things that aren’t yours, baby” is probably the best summary I have for that story.
Do you have any upcoming projects or fics you’d like to share/promote?
Not really!
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indigovigilance · 7 months
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Aziraphale, Kermit the Frog, and Fraggle Rock
Inspo from @crowleys-hips, images shamelessly ripped from original post:
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The costumes and set design in the Book of Job episode were supposedly inspired mostly by The Ten Commandments but I’m ignoring that for right now because this is more fun. Now that I’ve written it, this is actually one of my dark ones.
Ready? Let’s go.
read on Ao3
The Frog Prince
[Source]
Kermit, created in 1955, was originally an abstract character without a defined species. He did not [officially] become a frog until The Frog Prince episode in 1971. At the same time, he gained his pointed collar. Kermit is not the prince in this retelling, but is one of the many frogs, who don’t believe that the Frog Prince is actually human and try to convince the Frog Prince that even if there is a curse, they don’t need to try to break it, being a frog is great!
Sing out for the swamp and sing out for the ooze The life of a frog is the life you should choose Sing out for the mud and sing out for the bog It’s ever so jolly just being a frog We love the old mud hole, we say that we soak The feeling’s so good that we just gotta croak The muck and the mire, the slush and the slime Are the reasons a frog has a wonderful time
It’s a very weird musical number. I have exactly one semester of music theory under my belt but it sounds awfully minor key to me.
It’s very much about bullying someone who doesn’t feel like they belong into conforming. Exchange “frog” for “angel” and we’ve got a pretty on-the-nose parallel story here.
Two Interpretations
First: Aziraphale is a prince among frogs whose unique identity is being ignored. The ones he has turned to for help are ignoring his pleas and insisting that their way is the best way, even though it is clearly not.
Second: Aziraphale is the frog! Kermit gained his collar when he finally began to solidify as a character with a set identity. Both of these themes apply to Aziraphale’s arc in Book of Job.
*topic change*
Jim Henson & Richard Hunt
Coming back to the extreme queer theming of Season 2 (God bless you GO production team) we have a nod to Jim Henson and Richard Hunt. Much like Pterry and the Notorious NRG, both men began their artistic journeys very young. Henson began in high school, where he began developing what would later become the Muppets; he continued his work on puppets on Sesame Street. He is the creator of Kermit the Frog. He’s also well-known for The Dark Crystal and Labyrinth, other queer culture mainstays. Some years later, at 18 years old, Richard Hunt shot his shot and asked for a job puppeteering on Sesame Street in 1972; he got it. He would continue to work as a puppeteer with Jim Henson on the Muppets and related works until he died in 1992 at the age of 40 due to complications of AIDS.
Gone But Not Forgotten || Terry Pratchett
If you have not read my meta on Terry Pratchett’s representation in the Final Fifteen, I will link it at the bottom as well and highly suggest you read it. It’s not necessary reading for what comes next, but it is relevant.
Richard Hunt was openly gay and heavily involved in the New York gay community during the AIDS epidemic. He was in a relationship with a painter named Nelson Bird, who died of AIDS related complications in 1985. There is some speculation that Fraggle Rock Season 5 Episode 7 is an artistic representation of Richard Hunt losing his partner. In that episode, Wembley makes a new friend, Mudwell, played by Richard Hunt, that he abruptly loses at the end of the episode following a confession of mutual affection. You can follow the link below to watch the full episode. The final-fifteen parallel content begins at 12:30:
Gone But Not Forgotten (Fraggle Rock S05E07)
The loss is followed by a conversation between two characters that centers around remembering those who have been lost by keeping the things and memories they left behind, and the partner who [survived] goes through rituals of grieving.
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If you scrolled past it but would like to read it now, here’s a link to my meta Terry Pratchett’s representation in the Final Fifteen.
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delta-pavonis · 5 months
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Fic: Another Song (a Dreamling RENT AU)
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Dream of the Endless/Hob Gadling || Rated E || in progress Alternate Universe, Alternate Universe - Human, Alternate Universe - RENT, the Dreamling-as-RENT AU that no one asked for but Christmas made me do, takes place during the AIDS epidemic in NYC in the early-mid 1990s, Calliope/Dream (discussed), this fic is full of motherfucking artists, and they definitely don't have a dollar, gratuitous use of lines from RENT, because why be creative when you can steal from a genius like Jonathan Larson, HIV/AIDS Crisis, characters with HIV/AIDS, implied/referenced suicide, idiots in love, getting together, lives of queer starving artists in NYC early in the AIDS crisis and all the associated bullshit about money that goes with it
Read the first three chapters on AO3
Dream just hums as he sits on the piano bench, tracing his fingers over the keys. He doesn’t press down, not on a single one. Not a single chord, a single note, comes to him. As it has been for months, his mind is silent. Empty. He pulls the fallboard out and covers the keyboard before he thunks his forehead down onto its well-worn top. The ever-present song of the East Village rattles and thumps and siren-wails through the windows and walls of the old factory building. Melodies of people, rhythms of restlessness, tempo of art, harmonies of life.
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stargirlfics · 1 year
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I’ve been doing a lot of reflecting lately about being a black writer and the choice I made a few years ago to start writing for other black girls like myself, purposefully stating that my fics are written with a black reader or black OC or black latina reader because I had never seen that before in fanfic and wanted to make a space for us, and for myself too where that was possible.
I realized I could start writing the kinds of stories where someone with brown skin, dark skin and black features with hair like mine or my friend’s could be the main character, could be in love, and taken care and allowed to be sensitive and emotional and angry and at the center of the story for once!
At least to me, from where I was when I started posting my writing on here, I think it was just myself and a handful of other black writers that were really the first to start writing specifically for black readers, for a non white audience, because up until that point any character fic you searched for was mostly likely going to be white coded or have a white OC. I don’t think I ever really give myself much credit for it but I’m trying to get better at that so I’m going to take the space to say I’m really proud to be one of the first to do that in the fandoms I was in at that time.
Unfortunately a lot of those writers I was inspired by and was writing alongside have left or stopped writing or moved their writing elsewhere because as much as there was positive responses and people finding representation, there was also a lot of racism and harassment and just awful treatment thrown our way too.
Lately I’ve really stopped to think about how much harassment I myself experienced, how many times I had to turn my asks off from racist anons and hate I was getting, and how there was a point in time where it was frequent to see black writers or other writers of color on here dealing with racist comments.
So much of that was not okay at all, especially when I think about how nobody was really sticking up for us besides each other, it was hardly a peep from other white writers and I don’t think it was as called out as it should have been at the time which is why what my dear friend @obiknights says about that in their response here is what made me write this post because it was said so plainly and correctly! (That entire post including OP’s words is spot on and important to talk about btw so I encourage everyone to read it!!)
The writing spaces in fandom and just in general are not catered to anyone outside the white/cis box and I’m thankful it’s been a long time since I’ve had to deal with any harassment but I still see it happen and I still see how often we are ignored or given less recognition. I know that my writing receives less interaction and that less people give reading it a chance because it doesn’t cater to them as a white person and sometimes that still really frustrates me and makes me angry.
All this to say I think people, myself included need to be reminded that there’s still a lot of work to do and there’s always ways to support black writers, black queer writers and artists, human beings, on here who put so much of our love and time and energy into creating amazing stuff and we deserve to take up space too.
I’ll never stop writing about people who look like me, I love it too much, I love how rich our creativity is and frankly, out of pure spite for being told so many times my writing wasn’t realistic for having a black woman as the protagonist, I’m going to keep writing these stories forever! <3
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khepiari · 5 months
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I don't like it when it's in our world, I think there is a One Piece school manga where the ages are either the same or not as high, but when you apply the canonical ages, Law working and Luffy still in school, I don't let to think that I have to call the police or the psychologist and this is my problem, I know, but as pirates Law and Luffy are more equal than in our world (it still scares me sometimes, canonically it is not a problem but there is fanfics where even about pirates this is shady), but I always think that the problem is not always the ship, but rather those who write or draw
Well, when it comes to fandom, this is my personal rule: canon is reference material for me.
“Age-gap” trope is not new, it has existed since the beginning of the fiction genre to be fair. Because people have been marrying/living/romancing between large gaps for time memorial in real-life. Yes, in most cases, it’s young women and older men because of societal beliefs; young women are considered as limited shelf-life goods while men in possession of money are a catch. Age-gap relationships until the advent of modern society benefited off vulnerable young women who had no money or social security.
Historically, age-gap has been extremely common in queer relationships, we have had huge age-gaps too as well, one famous couple being Christopher Isherwood and Don Bachardy; 30 years. I know fellow queer people in happy relationships where age-gap is over 15 years, and I know fellow heterosexual couples with two years age-gap in miserable marriages. Who gets to be happy in their relationship is relative to contextual environment.
But I am digressing. Coming back to my OTP
As you said, Law and Luffy become a problematic romance if they are placed in a modern setting like High School romance and not the canon timeline. For example, they are put in the context of where one is still in school and the other is a functional adult. Your concerns are valid, but my concern here is; who is this age-gap romance about two 2D fictional characters written on a fan-run website in a tiny slash pairing fandom hurting? Because as far as I know no one is being made to read these stories as part of their school/university literature curriculum. A reader is choosing to read these stories on their own will. Someone might sent you the link, and you can click on it, but you still have to press the consent button to read it, right?
Law and Luffy to me have been equal, since day one both in “canon” and in my fics. Because I have never seen their age-gap as a power dynamic story. I am the person who wrote My Little Husband, I think that story has every trope, problem and issue that people who hate the age-gap associate with. Even in that story, Luffy is an equal, and the active agent in his story. So yeah coming back to what you ended the ask with.
You said about LawLu ship “problem is not always the ship, but rather who writes or draws.” I will simply disagree here. My main reason is that every fic author/fan artist has the right to write/draw/think about their ship how they want. Who are we as consumers of these stories to say “This is bad” and “that is good?”
Yes, your feelings of dislike/ick are valid. That’s why you have been provided with the options of tags, warnings and basic fic ratings.
In my fics, I add the tags and mark the sex scenes out, and if it’s explicit topics or scenes, there are reminders in the text that a reader can skip certain parts. What more can we do to protect the reader’s comfort?
Hence.
I refuse to endorse the idea that the problem lies with the creator of the ship. Just because someone writes something that makes other people uncomfortable doesn’t mean it’s “bad or wrong”. And just because something makes you comfortable because it aligns with your personal beliefs isn’t necessarily “good or correct”.
Engaging with fiction is a personal experience, so you have to curate what you are looking for. Do you want to be comfortable or do you want to be stirred with feelings? The choices are yours to make and you can indulge in all or none at all. Yet, no one has any right to call a fan creator, “You are the problem for creating something because it makes me feel uncomfortable.”
Will you like it? Let’s say— you go to a pot-luck party with a delicious tumbler of potato stew, and someone willingly tastes a spoonful/eats the entire bowl and then tells you right after that, “You are a bad person and cook as your potato stew made their mouth tingle because of the variation of spices you used for that person’s favourite vegetable?”
No, you won’t.
So my advice is simple: don’t interact with something that makes you uncomfortable and unhappy. Fandom is not the place to measure our morality.
The end.
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kanmom51 · 1 year
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Felt like I had to bring this back
Please forgive me @juliapark13 for hijacking your post, but I just had to, it being the perfect example of not only how stupid people are, but also of how there is no problem for people to make assumptions as to the members sexuality when it's about assuming they are straight. It only works in one direction though.
This ask:
And this post linked:
Because, I too feel for either of their non existent girl friends, former (past 7 years), present or future.
With all the noise about the word girl maybe or maybe not being in a snippet of a maybe JK song on his maybe album, I thought it fitting to bring a few posts back.
All part of my hardcore expose proving once and for all that, you guessed right, JK ain't gay.
RB - the Jikook conversation transcript.
Hickey-gate.
It's true. They have been covering for each other for years.
JK ain't gay pt. 1
JK ain't gay pt. 2
JK ain't gay pt. 3
JK ain't gay pt. 2 of pt. 3
And if talking about the gf...
I'm guessing that now with this shit circulating it's time for a part 4 of this expose then, right? I mean the word girl in lyrics to his song (maybe). That would surely mean he's straight, right? Cause Ricky Martin is 100% straight, always was.
Wait, he's not?
But surely he was when he was singing:
"Woke up in New York City
In a funky cheap hotel
She took my heart, and she took my money"
No?
Shite.
Could it possibly be that a queer artist sing a song with lyrics that have zero to do with his own personal life? Could it be?
Could a queer artist create art (song, dance, paintings, acting etc.) that has nothing to do with his sexual orientation?
And now I'm being dead serious. This is total bull. Of course queer artists create art that is not necessarily personal. Queer singers singing songs about loving women, queer actors playing roles being in love with a woman all while they are gay. Queer artists painting women.
Now about this song snippet specifically:
We don't know if this is an actual song or perhaps a guide song.
We don't know what he is actually saying there (I've literally heard so many different versions of it, some with girl some without).
We don't know the full lyrics of this specific song.
We don't know if this song is on his album.
We don't know what this album consists of, how many songs, how personal it is as a whole, who wrote the lyrics to some or all of his songs.
We just don't know.
If the song or songs on his album have female pronouns and talk about love and attraction to females, and if JK tells us the album and all songs on it are personal to him, only then will people be able to come around to our blogs and claim some sort of proof that JK might be interested in women.
But does that rule out him being queer?
Heck no. Cause you know, bisexual is a thing. Pansexual too.
But there is no talking to these people. When you are a brainless moron it's hard to understand that love is love is love. You also can't possibly see what these two have been up to for the past 7 years or so. You can't see, you can't hear everything they've showed us, told us. What a kick in their gut it was when JK came live in the past couple of months with JM on the mind. And what a kick in the gut it will be for them if we have a Letter like song on his album. Here's hoping. Yes, that's me being as petty as fuck.
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mariacallous · 4 days
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One night this past February, over drinks and moody bar lighting in Brooklyn, Eric Green and his friends were swapping stories of their recent hookups when one mentioned they’d used the app Sniffies to have public sex. A 30-year-old tattoo artist who works in Bushwick, Brooklyn, Green identifies as a bottom, is a frequent user of dating apps, and has an active sex life—only, he’d never heard of Sniffies.
It wasn’t long after that night out, Green was overtaken by “complete and total horniness” while at home, and decided to sign up himself. When he opened the app he was reminded of Google Maps, only instead of restaurants and shopping recommendations, he was inundated with nudes and suggestions for the nearest pump-and-dump. “I expected it to be like Grindr and Jack’d, but after I checked it out I realized it was super accessible,” Green says, referencing two other popular queer hookup platforms. “More accessible than any other app.”
Access is Sniffies’ main selling point. A map-based cruising platform for men of all sexual identifications (gay, bi, DL, and straight-curious—yes, you read that right), Sniffies has become something like an adults-only Disneyland for queer men interested in sex-positive, no-strings-attached casual encounters. “We really focus on in-the-moment connections,” says Eli Martin, the company’s chief marketing officer and creative director. “On other apps, it’s not always clear what people’s intentions are—some people want to find a boyfriend, others just want to look around—but on Sniffies, we try to make it clear that people are fulfilling their sexual desires and fetishes.”
Sniffies is not your typical dating app, or a dating app at all, really. In lieu of the typical song and dance on Tinder or Bumble, where conversations are bogged down in endless chatter that often never materializes into an IRL meeting, on Sniffies you can anonymously browse a map of guys looking for sex with other guys. Along with web-apps BKDR (short for backdoor), Motto, and Doublelist (think a more streamlined Craigslist personals), it has reignited an appeal in cruising culture that for so long had been taboo, even among certain queer circles, for fear of acceptance or health concerns.
“Destigmatizing casual sex has been our biggest hurdle in general,” says Martin. “It’s been ingrained in us to be monogamous, but we should have this sexual freedom. Cruising doesn’t have to be seedy or something that only happens in back alleys.” Thankfully, he says, that’s changing. “In the last couple of years, we’ve been able to enjoy it more without as much judgment, but it was still hard on day one, because I was like, how do we create an app that’s [not only cool] but going to continually push people to engage in?”
Launched in 2018, Sniffies was the brainchild of former Seattle-based architect Blake Gallagher. A problem-solver by nature, Gallagher was fascinated by the way urban environments influence sexual interactions. He wanted to better augment natural human connection in public spaces, and decided to implement a map feature and geolocation technology as the basis for Sniffies—tapping into what author Jack Parlett calls “the democratic potential of cruising.” Gallagher first tested his idea in Seattle and, with the help of his brother Grant, a programmer, slowly built Sniffies into what it is today—a “cruising app for the curious” with an increasing global reach.
“We really push for the physical aspect of getting off your phone and out and about,” Martin says. And it’s paying off. According to data shared with WIRED, the US cities that see the most action—that is, the horniest cities—are Los Angeles, New York, Dallas, Chicago, and Atlanta. (These figures are based on the highest number of sessions within a geographic area.) London saw a 475 percent growth in usership from 2022 to 2023, and Vancouver is Sniffies’ most discreet city.
Green says he uses the app twice a week “if I’m actually going to meet up with somebody, but I will go on there and scroll every so often.” (His last name was changed to protect his privacy.) According to the company, the average Sniffies user identifies as vers (25.6 percent of total users), has a penis size of 6.67 inches, prefers to cruise a park, restroom, or a residential tower of some sort, is into edging and cum play, and is most likely having sex on Mondays. Since joining, Green describes his time on Sniffies as “kinda calm,” compared to his friends. The encounters he has had, he says, have been “from apartment to apartment, nothing outside or in the gym.”
BKDR is another rising player among the burgeoning world of queer cruising apps. Eric Silverberg says users on Scruff and Jack’d—sister apps to BKDR (all three are owned by Perry Street Software)—were identifying “a clear desire for a platform that prioritized sexual expression and sex.” Cruising has occurred for centuries, he says, and an app like BKDR is a “direct, no-nonsense product that allows people to get on and get off in a very literal sense.”
The demand certainly seems to be there—and the potential for such apps is only growing. Although BKDR launched less than a year ago, it has already expanded to Latin America and Europe. “It’s early days for us, but over 1 million people have visited BKDR in the past month,” Silverberg tells me, adding, “We think it will be the biggest product in our portfolio.”
Growth brings its own set of problems, however. A recent Reddit post detailed how a more conservative kind of user now inhabits the Sniffies. “Now that [the app] is getting really popular in some places there are a ton of guys on the map in my area and most of them are just there to waste your time. I'm looking for [a] hookup right now,” user @curiousFriend2 wrote. “Sniffies used to cater to lowkey guys and even some cumdumps and the more sleezy side, but now the Grindr crowd [has] come in and a lot of them are not even into those things and publicly announce it.”
Sniffies took off following the Covid-19 outbreak in 2020, and Martin believes the isolation of the pandemic led to users being more open-minded about cruising. “People’s mindset changed to realize that they want to take advantage of the moment,” he says.
That’s mainly what Green is after most days, though he says he tries not to use Sniffies as a crutch. “It’s cool to go on during my downtime—late at night or early in the morning,” he says, “because I actually have stuff to do, and I don’t want to throw my day looking for dudes,” he says, before adding that “if you’re solely looking for fun,” it’s unbeatable.
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autistichalsin · 3 months
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Hello!! :D
Just popping in to say ILYSM (in that strange, mutuals on the internet sorta way) and that you have lots of fans who love your Halsin-posting. Your post notifications always brighten my day. ❤️
Idk why in the world you’ve got people investing their finite existence on this good Earth giving you grief. Some of your stuff might not be everyone’s cup of tea (pleasing everyone is an impossibility, after all), but it doesn’t even come close to the kinds of things my favourite hardcore/“problematic” (<= self-described, including the quotations, lmao!) Halsin/bg3 writers and artists post. And I don’t see anyone clutching their pearls in their comment sections.
Like, when I click on the profile of one of my favourite writers (which includes you! 🥰 But not this example, I love all your stuff!) and see that they’ve posted a story with a description like: “hardcore kinky stuff that you’re not into, Dead Dove: Do Not Eat”, I simply keep scrolling and maybe pick one of the hundreds to thousands of other bg3 stories I could choose from. But maybe that’s just me. ¯\_(ツ)_/¯
(Ao3 has tag filtering, you guys, it’s amazing. Remember the fucking Dark Ages when Ao3 didn’t have that at all? How tf did we ever live like that? That’s the kind of shit you say Thanks for at family Thanksgiving. And don’t tell you guys haven’t figured out at least one of the dozens of ways to filter stuff out on godsdamn Tumblr of all places; we’ve been tweaking the etiquette of that for years!)
How utterly irrational it is for these people to look at such an openly Queer and Kinky video game — the likes of which I’ve never seen in the mainstream before (He-llo strategically advantageous BDSM scene! 🤤) — and decide that they’re going to go around policing how people iterate upon those pre-established themes. How did this fandom attract puritans of all people? [Insert “The Myth of ‘Consensual’ Sex” meme here.]
Any-hoosies, all this to say that your haters are a weird, vocal minority that are letting you live rent free in their heads, instead of doing something meaningful or joyful with their pathetic, puritanical existences. There are way more people who love the kind of meta and fics that you post.
Have a good day!! XOXO 🥰😘💋💖💛🫶🤙
Hello! Thank you so much- that means a lot to me. It's weird to think of myself having "fans" lol! Like you're not the first person to use that word but it's just. Such a weird (in a good way) concept for me???? Like!?!?!? But I'm so glad to hear you love my posts <3
Yeah, pleasing everyone is impossible, and it's weird that of all things, my extremely mild CNC kink fic has become the antis' boogeyman. Fam there is literal necrophilia kink in this fandom! (Not saying they deserve to be harassed either, of course, no one should be!) But the fic that has become the pinnacle of what's problematic in this fandom is a survivor writing about a fictional survivor using kink to reclaim their sexuality? Like. OK Jan
See, but that's the difference, you're a grown adult who takes responsibility for curating your experience, whereas others.... either don't, or they don't read it but act like the fic EXISTING is a problem. I guess some people are in for a rude awakening when they discover who the Marquis de Sade is......
God, remember BEFORE AO3? Remember FFN when half the time, the PAIRING wasn't even properly tagged bc you could only tag two characters at all, so people would by default just tag the most popular characters to appear in the story? And instead of tags, you had genres, so you had to decide if you wanted romance/hurt/comfort or friendship/tragedy or what? (I'm a certified Fandom Old- on my old account I was in the first 10,000 users on AO3).
Yeah, people really are missing the point of this game- and it's no coincidence most of these folks are younger. (And a lot are exclus too; I've seen them get angry at the BG3 characters being canonically pan, saying that "pansexuality is a made-up Tumblr sexuality). So... totally blind to the interwoven history of queerness and kink. Not surprising.
Thank you so much for this kind message, anon, you cheered me up a lot. <3 I hope you have a great day!
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