-- after.

Oh, little Brumling, how are you always at the center of these things.

Can I... talk about the theory that winners help craft the next game?

Because, and I really can not say this enough, it puts So Much into perspective.

Everything starts out Normal. Three lives, simple, cut and dry, there hasn't been a winner yet. No one to help craft the game. (And there's something to be said about how simple it really was. Not even a real expectation of the world becoming pvp or combative. No idea of the war to come)

Then Grian wins. The green killer, the man who vowed his first life to the one whose life he took. The next game the boogie man is born. A mechanic that allows and, in fact, demands, a green kill. People can trade lives back and forth, currency and debt wrapped up in one. (can we still be friends? Said the red partner. A life time later and reds are hostile, alone. Maybe it's an answer: No. Not anymore)

Scott wins this time. He refuses to play the game. He will not kill his team, he will love and he will do so fiercely and with all of himself. The next game people are attached through to their very souls. Every bit of damage to one soul is done to its twin. There is no boogeyman. (There is no way for a widow to be left without their love)

Pearl wins and she wins a blood bath. Spent the game draped in red, only wolves for company. Sitting in her tower, shivering in ice, maybe she wanted it to end. To see where it would. Limited life rewards you for killing, limited life has a clock tick tick ticking down, you always no how long you have. A curse yes, but a blessing too.

Now It's Martyn's turn.

And what a turn it is.

Keep your secrets, says the disloyal man, keep them well. Everything hurts, everything Matters, says the man fracturing with every loss. (What if we could love each other without hurting? Says The Hand, who never wanted to be coated in blood)

More importantly, Martyn has always seen the watchers below the surface. Now, they're right here in front of him. Something that could almost... be rebelled against, no? Something that someone else could finally point to and say: hey, hey isn't that familiar?

Taking pride in One's own appearance.

that ivan loves till is the most obvious thing about them

but. does ivan know that…?

the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love? probably not. and part of the reason is the one he loves himself

because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"

but ivan can't be satisfied with just watching he… wants. ivan wants till’s attention, till’s affection—

surely this selfish wanting can’t be love

...no wonder he was never able to express his feelings straightforwardly when he belittles them so much but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all only showing affection when till can't see it, right until he knows he's going to die

but ivan's feelings for till are all he still has of himself... to think of them as shallow...

I've seen this translated as "I should've been kinder" to him (till) or to her (sua)

but really, the one he should've been kinder to was himself

i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.

i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it

finished a page early so im allowed to finish one (1) Ollie wip as a treat

nah what the fuck

OKAY WAS NO ONE GOING TO TELL ME THERE IS A DISNEY LES MISERABLES COMIC?!

HELP I AM CONVULSING

yeah, Nicky is The Goof of the monsters but let's not forget that boy was smart enough to be recommended to an exchange program after *at most* two years of learning german in a public school

something about how Lorraine Baines McFly raised her son to be someone that her younger self would have felt safe around. Especially since she was mistreated and harassed near-constantly by Biff. She raised her son to be kind and emotional and unafraid to stand up against bullies. No wonder she fell for him in the past.

This is the best German production I have found so far and it does many things right, such as Grantaire having long hair

also final word on this probably- I *like* Joyce Messier a great deal as a character. I think she's cool and interesting. I find it fascinating that she tends to approach things very bluntly. the words she uses and the manner in which she analyzes things, this is sort of an instance of a character who knows exactly *what she is* and articulates it in a manner congruent with the writers of the game. she is, as she says wryly but honestly, "a bourgeois woman". i cant think of too many rich people who would without prompting and prodding, self identify with marxist social taxonomies in this way, even with a thin veil of ironic self deprecation. She's educated. she knows the words and the motivating logics of class analysis. and shes *cool*. harry picks that up. honesty is cool. bluntness is cool. cynicism is cool. she is quite open about her place in the world and how she conceives of it. unlike a lot of other powerful figures in the game, i dont think shes completely swallowed by self justifying rhetoric the way, say, sunday friend is. or she is up to a point. she knows about countercultural movements and she has affinities for them and is also aware that they inevitably are consumed by capital. (this, by the way, is kind of complex in that like. ok its a depressing reality but also i think if the de team was fully bought into that line of thinking, they would not make this game. it is telling that joyce of all people would critique cindy on the basis of capital subsuming revolutionary art. I dont think joyce is wrong per se, but i think she is drawn to that line of thinking because it is *very comforting for someone of her class position to dismiss the value and power of revolutionary art and critique of capital* just a thought) She's disgusting in that her power is not rightfully hers. her position is not rightfully hers. she is actively repressing and oppressing others in service of disgusting, semi-fascistic, hypercapitalist forces. shes enjoying the comforts and benefits that such a role allows her. shes disgusting shes frustrating shes profoundly arrogant (as her clash with evrart claire proves definitively). Her self satisfied idiocy is what allows her to play with fire and foolishly assume she cannot be burned. She's smart but her comfortable position puts the blinders on her and so she's also pretty fucking stupid. and shes also deeply deeply sad. I empathize. I pity her. She's so fucking sad. I don't think she is drawn to self medication and self destruction through constant pale exposure or all that rueful nostalgic rumination for no reason. She knows what she is to the world and she knows what she's doing and she's too cowardly and comfortable and self interested to change, but she's too self-aware to ignore it completely. I think she probably dislikes herself to some degree and i think its destroying her. Like most of the cast of the game, she's complex and deeply human. She's hateful, but I also think she is too well realized to hate, at least not for me.

⚔️💀

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

there are so many things wrong with him