Ah, the feminine urge to emotionally ruin yourself by neglecting your own dreams and goals in order to try and build up a fascinating, damaged, self-destructive man.
I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry
I am going to fight everyone who has turned Sherlock Holmes into this edgy, rude, arse of a character. This man is kind, caring, sympathetic, and knows how to interact with people (even if he'd prefer to avoid doing so).
I get the whole genuis-who- can't -relate- to -the -way- normal -people- function, but y'know what, he's not condescending about it. He doesnt necessarily think himeself to be above the masses. He admits to being beaten without throwing a tantrum about it.
Being a genuis doesn't mean or necessitate being cold and unfeeling
okay so i was thinking of a joke earlier about how in DPDC Amity Park's slogan "a great place to live" is not only city propaganda but also the city lording it over the rest of America for being normal. But then I remembered that, despite how many DCU Cities with heroes in it there are, the amount of cities in America without heroes still far outnumber the amount of cities in America WITH heroes.
So I did a little digging so the joke would still land. Something most heroes have in common is that they operate in major cities. What makes a major city? I found that the general consensus is that the population is roughly over or around a million. THEN I looked up the populations of cities in the DCU that I thought of off the top of my head. So Gotham, Metropolis, Starling City, Central City, Jump City. All of them ranked up to millions in population (most of them were in the tens of millions).
Amity Park's wikipedia describes it as being similar to specifically Philadelphia, Chicago, and San Francisco.
Philadelphia's Population: 1.576 million as of 2021
Chicago's Population: 2.697 million as of 2021
San Francisco: 815,201 as of 2021
Whiiich means that Amity Park if we take that from canon, is probably a major city. There are approximately 19,000 cities in America with probably less than a hundred that are major cities. Adding the DCU major cities wouldn't skew the data too much.
Which MEANS that I can make the joke that Amity Park's "great place to live" is not only just typical city propaganda, but also its Amity Park lording it over the other major cities for being one of the only major cities that doesn't have problems bad enough to warrant a superhero or a vigilante. Cue stage left the Fentons and Phantom :)
Amity Parkers were probably SO proud that they didn't need a superhero. They didn't have to worry about things like 'world ending threats' and 'super-powered individuals' and 'staggering property damage'. And then enter Fentons.
It also could be used as an excuse for why nobody took notice to Amity Park getting ghosts if folks like me aren't huge fans of the notion of a media blackout via Tucker, Technus, or the US Government. Or if you want to keep Amity Park as its urban city self. Amity Park's news on ghosts gets drowned out in a week because there's news on more popular, well-known cities going on every other day. The shit going on in Amity Park is every other major city's regular Tuesday and it gets filtered as such.
they set a wager. the lords of the wing will find true love in this romantic, ephemeral bloom, if they only seek it. they can win it, as though it’s a game.
they long to abolish the courts. their own court has never held any love for them - why would any other court be different? a court stifles, a court smothers, a court suffocates love. the courts must be abolished, so that love can bloom. true love, love that is unfettered by politics, or station, or duty.
they are the architect of the bloom. the hunt, the heart. the dance. the potions. they will pour love into a cup and the guests will drink their fill. fae from across the realms will fall in beautiful, perfect love at rue’s hand.
they have become the arbiter of love. when an engagement between a cruel prince and a wild goblin is set, what else can they do but judge it unfit? it was not love, it was not true.
they share a moment in a forest with a venerated captain. he is tall, as they are. he is clawed, as they are. he is a beast, as they are, and so beautiful for it. they fall fast, and hard, and heavy. and perhaps it is only the nature of queerness, of a life lived behind a mask, yearning for the faintest spark, that causes them to love so fast.
or perhaps they did not truly fall in love with hob at all. for they did not see him.
they fell in love with a reflection of themself.
except, of course, that hob is not a reflection of rue. hob is his own person, and like any real person, he cannot live up to an idea. and while rue is on a wonderful journey of revelation and self acceptance, it is baffling to them that someone else’s love does not always mirror their own.
rue, in an act of bravery and vulnerability and hope, removed their mask. and they long so very much to remove hob’s - but he has never worn a mask. he has always been exactly as he is - a soldier, devoted and dutiful. an outsider, used and abused by his court. rue’s true form was hidden by their court, while hob’s otherness has always been mercilessly exposed.
rue loves hob for the idea of who he could be, if he could simply unmask as they did. but hob needs, just as rue does, to be loved for who he is.
not to wade into discourse about shows online which I swore to stop doing but I think some of you need to recognize that not every piece of media is about you, and that focusing only on the themes that you personally identify with while erasing the ones you don't is Not Great
I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.
Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD)
"You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)
These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.
That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.
I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.
What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?
In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.
So! If you have thoughts and want to share them! *gestures to the post!*
i've heard lots of times that omniscient reader's viewpoint is a love letter to the reader. it's a message that repeats unrelentingly that you (the reader) are loved. it tricks you into loving yourself. and that's absolutely beautiful, it is!
however, as strange as it is, i think i'm on the other side, i have a different perspective. rather than the message being for me, i see its message and stand by the novel and echo its words out to you too. you are worthy and valuable. we will not forget your story. until you believe it yourself, in yourself, we will cry and cry again: you are loved, and you are not alone.
my experience with the novel is a little different. i find that i'm collecting words not for myself, but for the people around me. i offer them like shiny trinkets. i hope you accept them. i chose them for you because this novel chose you.
"their relationship is romantic" "their relationship is familial" "their relationship is platonic" you're thinking too narrow. their relationship goes beyond labels. the family is inherently queer. their platonic love is romantic. the erotic is familial. each one is the other and the other is them
stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir
(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)
But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?
so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me
in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone
and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age
but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind
and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind
(or, because i personally dislike the official translation,)
"I just see this place as my home"
so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3