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ofcowardiceandkings · 8 months

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companion piece of young Link

AAHH i finally finished something :'D

i've uh had some very specific Thoughts about Zelda's childhood for a while now so its about time i put them to paper - this is actually round TWO since the original doodles are lost to ... somewhere ... i like these second editions better though so alls well that ends well

we're looking at ages around 4, 7 and 10 years old here touchin bugs in the dirt, archery practice, and playing a lyre ;w;

more detailed Thoughts under the cut 💙

iiitssss customary ranting about my BotW/TotK opinions tiiiimeeee welcome my darlingsss jfkdjfkd 💙

i had a much more solid idea about where i was going with Zelda than with Link but some of it is kinda abstract or weird lol

we know a fair amount about her upbringing in general, or can infer as much from Zelda's interactions with her father and what they and people around them wrote. she was clearly a smart and vivacious kid with a strong personality from the start, no matter how much you sort of squash that shit for the public face, repression etc. so yknow, her mother's death when she was 6, awful. her father's change in attitude especially in her teens, awful. being under public scrutiny her whole life, awful. restrictive structure of royal life, dull (i bet it bored Zelda to death at times no matter how strongly duty-oriented she is). having said that though, she got by and just by looking at her study, she clearly got stuff done to herself - you can take the kid away from the science but the science stays with the kid !!!

additionally, forgive me for mentioning ... timelines ... but in my humble onion, BotW/TotK serve as a Dragon-Break scenario which are SO far in the future from other entries that ALL timelines will inevitably converge and lead to that point, so it doesnt matter any more (i dont like extended Timeline theory, Nindooty doesnt like extended Timeline theory, the current writing team seem to want shot of it, let me be). being a history guy i also subscribe to leaning on the LEGEND aspect of 100 and 1000 year games of telephone, it makes things spicy. tradition is a strange thing, we do things we dont have much of a context for anymore, we're still living with the cultural hangovers of people living when mammoths were around and no thats not hyperbole lol its WILD. ive typed around the point enough lets get going

she was a bugs girl !!!! she still IS a bugs girl lmao but if our 16 year old girlie is gonna pounce on frogs apropos of nothing, that 4 year old girlie is gonna go catch bugs in the Royal Gardens and freak out her maids or escorts with them, good for her 💅

the other two are where my timeline thing comes in; the triforce is never mentioned by name, its just there in symbolism ?? something about the blood of the goddess ?? divine sealing powers ??? no one knows in the same vein, i like to think that its traditional for Hylian Princesses to learn archery and play a lyre or harp ... but no one remembers quite WHY ?? so Zelda does. the Priestess-Princess* role means the public is aware that Zelda had formal singing training, but its not really common knowledge outside of the Castle that the Royal Girls do THIS (no one knows why that part is important either, but it stays in the Castle). she might be a little out of practice now, but give that muscle memory enough time and she might be able to really surprise people.

*this is part of the Japanese translation, at least in Kass' final song Zelda is referred to as an term roughly meaning Priestess-Princess - which makes total sense to me

ohhh my god i talked a lot okay i just love my gorl fhjdkfjdk

actual footage of me explaining my shit and going way long

#tears of the kingdom #breath of the wild #legend of zelda #botw zelda #totk zelda #totk fanart #botw fanart #loz zelda #botw/totk #pilots doodles #botw/totk blogging #zelda blogging #rory's ramblings

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livvidaloca · 10 months

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what!? liv made human designs for the watterson family again!? yes, she did, and here’s her train of thought for these under the cut:

so, these are actually for my fic that i’m writing on ao3 in which gumball finds himself transported to another universe in which everyone is a human after the events of the inquisition. this is why there’s very few animal traits on any of them, or magically colored anime hair. i wanted them to look like people who could exist and walk around.

in this, nicole is blasian and richard is a white latino (with frankie being white non-latino and jojo being latina). (also these headcanons were based on a lot of convos with some of my friends back in the day, i don’t remember anyone’s reasonings for these but they’ve been true for so long in my brain) gumball and anais are mixed, and i tried to nod to gumball taking more after nicole and anais taking more after richard without making them carbon copies. and then darwin of course is black thats just canon

as for their designs themselves, i’ll start with nicole. i tried to make her look decently muscular (although the simplistic style i used doesn’t exactly show it off). her blue bandana and shoes are obviously a nod to her canon design, so she doesn’t look like an entirely different character. as for her hairstyle i looked into relatively low-maintenance styles, since she’s a busy woman! and her hair is starting to gray from all that STRESS!

richard’s design is the most straightforward, yet it took me the longest because i was never satisfied with how it was turning out. i’m still not sure if i’m crazy about it. all i know is that i was dead set on making him bald, since there’s literally a whole episode about that. I didn’t commit all the way because the design without any hair was making me lose my mind. i gave him some freckles as a nod to his whiskers because they’re a lot more prominent than nicole’s (which is why she doesn’t have any). this also translated to gumball’s design. also, how could i ignore the obvious choice and not give him pink bunny slippers!? it fits him so well!

gumball was fairly easy for me, because i kinda always have human designs for him in mind. i always give him those blue sneakers because duh, and i always give him dyed-blue hair that he visibly doesn’t maintain. i always had this human-version-only headcanon that gumball BEGGED to dye his hair for the longest time, and nicole finally allowed it on the condition that he’d keep up with it on his own. he didn’t. classic gumball

darwin’s design is also usually an easy one for me. big orange hoodie, green shorts and sneakers. this time i also made the decision to have his hair tied up to resemble his little fin. it’s not really visible with their clothes and stuff blocking the original sketch, but i also tried to make his legs a little bit lankier than gumball’s, just to make them appear longer like they are in the show.

as for anais, i always have trouble nailing the design without it looking like a completely different character. i cant dye her hair pink, because she’s supposed to be four, but i also can’t give her pink shoes, because she’s of course the only one who actually has shoes! then i remembered ribbons and my day was saved. still not sure if i’m completely sold on her design yet, though. i think she looks a little older than four.

anyways, i’m planning on doing other designs like these with other characters! let me know if you’re interested. as for that fic, here’s the link:

#tawog #gumball watterson #darwin watterson #anais watterson #richard watterson #nicole watterson #human au #The Ending #gijinka #humanization #the amazing world of gumball #cartoon network #liv art #liv fic

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cannibal-nightmares · 21 days

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talking in tongues here Language and psychosis is so frustrating, and thats the topic of this post so this is going to be a bit jumbled. I'm going to write and not edit this much

physically Physically, it's very simple: sometimes it feels like it takes immense exertion to move your tongue to speak, to get your vocal chords to make noise. personally, sometimes it feels like the words feel like water spilling out out of your mouth. its exhausting to an extent I can't exactly describe.

internally Internally, it gets more complicated as it also applies to writing and also magical thinking. You have a lot of thoughts. A lot. And some of them dont even feel like your own. I've always described it as... Listening to your own internal ideas in your head, but theyre in a different language, and you have to translate them before saying them out loud. And then sometimes you get the translation wrong. Going back to physically, sometimes this means you stumble on your words and straight up accidentally say the wrong thing (anything from accidentally saying "chair" instead of "stair" because they sound similar, to utter nonsense that has no origin or relation), and sometimes it means mistranslating intention (not in emotionality--though that is an element at play--but in diction) idk if this is making any sense. Like saying "go right" when you were absolutely thinking and intending "go left." I think, similarly, an example is.. I can *barely* speak to my phone assistant. It's *really* difficult* for me to say out loud "Okay, Google, play 'Eternal Blue' by Spiritbox on Spotify," I just CANT get the thoughts in order. it's why I like going off-script. It's kind of faascinatiing when you see this happen in writing, though very time-consuming to catch and fix it all (too bad writing is one of my hobbies haha)

magical thinking here's the most prominent monster, in my opinion. Magical thinking and paranoia is what governs my writing and speech 100% of the time. One-hundred-percent-of-the-time. I know it plays a huge role in my introverted tendencies. it's where.. You say or write something and you think that because you've said it out loud or someone has heard it/read it, something will happen. This can be something so much as "I said the car will crash, so now it most definitely will" to, far more abstract, "I included the word 'granite' in describing something and now because i chose to use that word instead of something else, my food at home will be poisoned" (this is also a tell of OCD, btw).

anyways im making this post this because I think about having this discussion every time i mention things like "the geiger counter." Sometimes alternative wording feels safer to me. in this instance, "geiger counter" refers to "paranoia" or "I'm getting more paranoid." it gags me just to admit to it here. but I hope it paints a picture I know I'm missing some things I wanted to discuss (oof, there's an example, I wanted to use a different word other than "discuss" here), but everything is like static sludge rn. I hope this grants some insight to anyone.

#trying to articulate what it feels like to be scrambled while im the midst of being scrambled #actually schizophrenic #actually schizospec #actually psychotic #cannibal-nightmares rambles

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possiblylando · 1 year

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Chainsaw Man 123 'Early' Analsys.

This chapter gives us a lot to chew on unlike the previous ones which where just fully mystery. Which is why I'm not really sure where we start. I guess at the beginning of the chapter? Yeah.

So this chapter we meet the falling devil. I can't say I was expecting this but I was right about this current body she's using being made from the corpses of the people that jumped off the apartment complex. She's got rather weird theming as she's a Primal Fear who is also a Chef despite it not really fitting with her fear. I guess Primal Fears can have hobbies?

"Hor D'oeuvre, La Root Vonla" is french for something. Someone who speaks french probably has a better translation (If you speak French lemme know the correct translation in the comment or reblogs) but I have to use google translate which was really shitting itself on this one. So the rough translation is: "Appetizers, The Will Route" It being an Appetizer means that this is probably the weakest of her attacks. Things are gonna get a lot worse from here on out. "The Will Route" is clearly in reference to the attack's affects.

It appears the way to overcome this first attack is to come to terms with your past Trauma so that it doesn't weigh on you as much if at all. Falling says "A word of warning- Those who don't finish their food will taste death." which seems like it's directly referring to the way to escape the attack Then we get a flashback of Asa's life soon after the Typhoon Devil attack. This probably only takes place a few Days-Weeks after the event due to Asa's hair still being about the same length as it was in the original flashback.

Left 102 Flashback, Right 123 Flashback. It's pretty clear that Asa has been using the Cat (Crambon) as a substitute for her mother. She's become anti-social and solitary only spending time with Crambon. (Which is fair by the way). At this point Crambon and her School Uniform are the only things she has left of her mother. Then we get this evil fucking bitch

She is easily one of, If not the most evil human character we've ever met.

Up until this point everything seems fine. Asa is willing to try to move on from her mother's death for the good of those around her by letting Crambon move on as well. It's a moment of personal growth.

This bastard could've easily said "Yes, Crambon's fine" even if it was a lie. But instead:

I don't know if this is Asa's mind making the situation worse than it actually was. She might not have even said this but the way Chainsaw Man does it's flashback they're rarely if ever wrong due to human memory being at fault. This demon of a person was so upset about Asa having literally anything to find comfort in that she killed Crambon. Back to the real world we get some more information on the attack.

Reading through this chapter I thought they this was going to be a literal falling attack. Where Falling just lifts up a bunch of people and drops them to die. But the reality is much worse. Anyone who is unable to deal with their Trauma is dragged straight into hell. This is a Therapy Session by Fire. You WILL overcome your emotional baggage or die. Which is why it's important it's Asa in control of the body right now. Since Asa is the one who has to overcome her Trauma to escape this situation. Thats the end of 123. Time to the-- Uh.. I don't know what to call this section. Post-Chapter analyses? Whatever. Now I think the solution to Falling's attack has already been revealed. Chapter 102 was when we got the flashback of Asa's Mother's Death. In the same chapter we get a flashback of Yuko giving Asa her shoes. It's the same chapter when Asa resolves to try and be better.

Even if Yuko is gone now she'll still have an affect on Asa. I hope this is the case cause that'd be nice. Here's what I think we're gonna be seeing in the coming chapter(s) 1. Asa is able to accept that her past Trauma can't be changed and that it wasn't her fault. (Hopefully we get that Yuko mention in some way cmon) 2. Denji shows up and has to deal with his own issues fully (Unless the attack has ended by then) This last one I'm not confident will happen but it'd be cool. We see the first death of a Primal Fear at the hands of Denji & Asa/Yoru. Additionally I wanna know what the deal with Falling is. Her whole theming is rather weird. She's the falling devil yet she's a chef? It doesn't quite seem like something a Primal Fear would do. But I guess they can have hobbies as well? That's all I've got for now. 123 End Question:

Would you?

#chainsaw man #chainsaw man 123 #csm #csm manga #csm 123 #falling devil #asa mitaka

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2screamingpears · 4 months

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A not-complete list of wonderful changes, translation and localization I noticed when I went to see Book of Mormon in Madrid!

Hey! So I went to see The Book of Mormon last month in Madrid, and since I had watched (bootlegged) and listened to the original production, I was able to enjoy some changes they made so it could be enjoyed by spanish audiences!

First off, I should say that it wasn’t a replica production (and I think I much prefer this one!). The choreography was amazing, and definitely more elaborate than on broadway ! Here, have a look: https://youtu.be/NZ5UxjN2MPs?si=UErYQUODo5Qs-EMC

Some of the first changes I wondered how they were going to make was the opening number: both Hello and Hola have the same syllables but hola cannot be used, since the accent falls on the first syllable in hola and the second in hello….. so spanish mormons just end up saying how are you (¿qué tal?) 😂

Second change comes during the second number, two by two: one of the jokes is weirdly untranslatable, which is the addendum at the end of the phrase “we are the soldiers of the church of jesus christ (of latter day saints)”. Since in spanish “of la-tter day saints” (5 syllables) would be “de los úl-ti-mos dí-as” (7 syllables), they changed it to “yo-soy-mor-món” (i am a mormon) which fits! There is a joke lost, but mormonism isn’t as widespread as it is on the US, so it’s hardly noticeable.

This one is mostly to update the content, but during two by two when the trip to japan gets announced, the mormons are excited about soy sauce and godzilla (instead of mothra)

Next comes a change i also wondered about: how do you make a joke out of Elder Price’s wish to go to Orlando, of all things? In the English version, Elder Price would like to go to orlando because of Sea World, Disney and putt-putt golfing: spaniards have no cultural knowledge of what Orlando is, so the translated line is “Orlando! Disney me espera, soy fan de Frozen” (Orlando! Disney is waiting for me, I’m a Frozen fan) which really drives home the ridiculousness of choosing that place as your mission trip. Also, if you watch the video i linked, the joke is super amplified through choreography, which is part of why i love this production so much.

Hasa diga eebowai gets one change Very right: instead of saying fuck you god, they say “me cago en dios” (i shit on god) which is a very common way of cursing about things in spain: you can shit on the milk (me cago en la leche), on your mother (me cago en tu madre) and indeed, you can shit on god!

One fun localization comes in at the end of All-American prophet, a song that’s basically a sales pitch or infomercial : the fun little gag at the end where Elder Cunningham says “if you order now, we’ll also throw a seat of steak knives” gets changed to “if you order now, we’ll throw in a thermomix for free” For people who don’t know, a thermomix is The Product everyone gets from infomercials/ through independent sellers: it’s a chopper/blender/cooker/scale/kitchen robot, very convenient! My mother has one :) one of the ugandan ladies asks Cunningham about the thermomix inmediatly after finishing the number and he excitedly begins explaining the whole shtick every middle aged spanish lady has heard before, that got a big laugh :)

In the sequence before spooky mormon hell dream, when Elder Price’s so happy that he finally reaches Orlando, he throws in another elsa joke, saying that he’s blonde like her, so thats why she likes her😂

During Spooky mormon hell dream, one change that got Such a big laugh was seeing the four people that are in hell according to Elder Price: Genghis Khan, Hitler, Jeffrey Dahmer and, instead of Jonnie Cochran (idk even who he is) we got Silvio Berlusconi, politician and founder of communications company Mediaset, which runs a thrash tv channel called Telecinco (and that’s what he’s in hell for, according to the song)

The thing elder cunningham always says “tomorrow’s a latter day” gets changed to a saying a lot of catholic old people say, “mañana dios dirá” which both fits in the metric and localizes it, since mormonism isn’t that well known.

And that’s it! It was such a wonderful performance, and a testament to the beauty of translation: even if i know I understand English fairly well, seeing the jokes on my native language made everything 100x times funnier! Strongly recommend!

#the book of mormon #tbom musical #tbom #translating #musicals #musical theatre #musical theater #localization #translation #broadway #spanish #spain #madrid #spanish culture

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thyinum · 1 year

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Hey, I saw one of your posts talking about people liking Russian things and media and how that negatively impacts you because of the (indisputably traumatic and unfair) hardships of being Ukrainian rn. As someone who has made friends with people who are both Ukrainian and Russian and who believes the war to be undeniably bad and cruel (ESPECIALLY for Ukrainian people), I don’t quite understand why the culture or people or even the place itself is the bad thing. Many Russians hate their government, and the culture/people themselves aren’t inherently evil or selfishly cruel. It’s a good example of a horrible GOVERNMENT literally all of my Russian friends who have even managed to be online safely using VPNs chastise for being awful and frequently wish to leave.

I don’t understand why you would feel so negatively towards the act of somebody else even LIKING anything remotely related to Russian in name or origin, when it isn’t the common people or the culture itself that are bad. You shouldn’t have to endure the hardships you are enduring right now, but I fail to see how that makes all Russian people and things evil. Please explain, I’m a little confused and genuinely want to hear how you feel. Apologies if this comes off as being rude or is triggering.

Now imagine saying all of that about Germany to some Jewish person during WWII

Like I said in the comments to that post, culture is created by people. Russians literally have a cult of war and it's not a joke. Lots of them are happy about deaths of Ukrainians. I personally recieved death threats from some russians. Here are some screenshots with the reactions of common russians:

Ukrainian culture always was oppressed by russians. More than hundred official bans of our language during 18-20th centuries, lots of poets, writers, musicians, artists were exiled to Siberia or just executed. Common people were either deportated or killed and they were replaced by russians, that's why so many people in Ukraine use russian language. You may say again that this is all government doings, but it formed an imperialistic views in generations of russians. Thats why lots of them think Ukraine is a part of russia and Ukrainian language is just a rural dialect. We are just little silly brothers to them. And this is how Ukrainians are depicted in A LOT of russian media, this is what they translate to the world through their media, and by spreading that propaganda people are just doing a lot of harm to Ukrainian people and culture as well as to other oppressed nations. By romanticising ussr's and russian aesthetic and culture people are romanticising or most likely ignoring all the harm those regims did and do to oppressed nations. It feels like we all are just a joke to the world.

Btw it's literally 90 years from the biggest genocide of Ukrainians and Kazakhs in 20th century — The Holodomor. And we, Ukrainians, are going through the genocide onse again.

And don't say that russians can't do anything with their government when there are so many brave Iranians fighting and dying for their freedom right now.

Hope now it's better for you to understand why spreading and supporting russian culture isn't a good idea right now. If not, well, we will never be able to understand each other.

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menelaiad · 6 months

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ik you've talked about it before but tumblr blog search on mobile sucks ass so if it's not too much of a bother could you redirect me to your posts on why you dislike emily wilson?

i've never made a post on it. but, here you go:

as a translator? i have no issues with her. her translations are pretty good. so her 'work' i don't have a problem with. don't get me wrong, sometimes i think she toes that dangerous line of 'women good. men bad. feminism.' black and white line very finely. it's a lot more subtle than most modern classicsts but yKNOW.

my issue comes from her introduction to the odyssey. so it's her introduction. her own thoughts. not a translation of something. or outside influence. HER introduction. she says:

The second is piled high with newly acquired treasure, brought by blustering, self-pitying Menelaus. As Menelaus pompously declares ... we meet the beautiful and frighteningly intelligent Helen back home in Sparta, with her wealthy, blustering, and rather less intelligent husband, Menelaus. ...and the rich, narcissistic, uxorious Menelaus.

she then, in book 4, translates the original text in which menelaus is NONE of these things. the only thing he's guilty of really, is the rich thing. cause telemachus is all like 'damn bro ur loaded'. but menelaus is not arrogant about it. he's not smug. he's not narcissistic. he literally says like 2 lines later that he would give away most of his wealth if it meant those who died at troy could come home.

'self-pitying' WHERE?! he cries because he feels GUILTY. the tears are not for him. they are the for the men who died at troy. i'm not getting quotes because it's literally in book fucking 4. he is NOT feeling sorry for himself he is MAD at himself for troy. the only thing i can THINK where he even links his tears to himself is because he says something like, 'every time i think of them i cry because i miss them all' or smth like that. he's not crying for HIM.

'rather less intelligent husband' - you know my feelings on this. menelaus is not stupid. helen is just very smart. and THATS FINE. i love helen being the brains, i'm not against a smart woman and her husband not being as smart. but like. because he doesnt recognise telemachus straight away? or the bird omen? he's stupid? really. we're gonna measure his WHOLE intelligence on that?

'uxorious'. menelaus loves his wife and that's pathetic and funny apparently? tell me. does she describe odysseus this way? hektor in the new iliad translation? i dont think so. 'excessive love their wife' that's what uxorious means. oh im sorry. forgiving ur wife and building a relationship with her and trying to move on together and being nice to her .... that excessive now??? thats??? bad???????

she literally takes menelaus' shining moments in the odyssey. him feeling guilty and remorseful. him showing how haunted he is by the war. him caring and loving helen despite everything. the fact that he is a compassionate. kind. loving man (in comparison to most homeric men) ----- and uses them to insult him. and it just GENUINLEY baffles me. because she wrote that introduction. and then four books later is ENTIRELY proven wrong? im so-----

dont get me wrong. some of this is just very pettty 'you're wrong about menelaus' anger. but some of it is BAFFLEMENT at the fact that she has this in her introduction, those are HER thoughts. and then when you actually get to the text of the odyssey from homer. she is wrong. cause she can't change those greek words too much. translation is a tricky mistress, sure. but she cant go and say 'then menelaus didnt care for those men' because that's just outright WRONG. she has to translate, as faithfully as she can, whats there. and whats there is NOT what she claimed in the introduction.

#negative //#long post //#i used this as an argument in my thesis #i feel like the 'less intellgient husband' quip is that like. men bad women amazing thing she does sometimes #when it can be. 'woman is amazing and smart. and man is not as intelligent but not a complete fucking loser'#is menelaus perfect? nooooo and i would never claim him to be #but dont use his actual positive attributes as INSULTS?! use the actual things wrong with him SDFGHJK #literally calls him a 'rich simp' and for that he's the worst man in the odyssy ever

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lilyrealm · 8 months

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i simply think it is so fun to imagine a world where a company makes a bunch of androids to assist people and provide companionship so they give the androids stories and release them in certain themes or lines and those androids are the genshin characters. credit to @yandere-daydreams for the idea. i love it so much. yes we all want x character to be our boyfriend or girlfriend and we have sex with them yes but i think its fun to imagine their roles when theyre not being yandere...

also the read more is very long i just went off about my ideas for most of the mondstadt characters. nothing wrong with me

if this is set in teyvats world imagine amber being like a gliding instructor in mondstadt. good engineer too, maybe the first bot that can fix other bots/have intricate knowledge of them (because she made baron bunny).

for human injuries theres barbara and jean, but with different temperaments for different patients. or if we're still set in teyvat, then jean (and the rest of the favonius knights characters) are actually android assistants to the actual human knights. basically the androids replace vision holders??

but yeah kaeya would also be a knight assistant, noelles story is she trains super hard but still isnt a knight (because shes made to help actual trainees!). lisa of course manages the library. yeah sorry thats it. makes tea

and i had the idea (this is all stolen from my own twitter thread from *checks* last year? anyway) that they would tease the release of bots like diluc, rosaria and razor through voicelines from kaeya, barbara and lisa. really like the idea of razor originally being some sort of surveillance android for wolvendom/integrating with them in some way for research and sort of became a guide for people who get lost in wolvendom.

diona and diluc are two different types of bartenders, one is good against people who cant say no to a cute (angry) kitty and the others... are those require some intimidation.

VENTI. god, i think itd be cool if they had prototype models for the seven archons and actual venti bots now definitely play into the "broke bard who plays for alcohol" thing. but of course anyone with eyes knows that his original model was the barbatos android.

oh!! and bennett and fischl being adventurers buddies. bennett is "unlucky" but hes actually like, wired to be hypervigilant and take hits for you while he shrugs it off. and fischl comes with oz if you need some chuuni speech translated, but you can disable that if you want to go full rp with her.

*looks at my thread* oh yeah "Albedo is made for the alchemists in the Knights, and he was meant to be released with Klee, but there was a delay because his ai kept experimenting on its own copies (Flowerfell Albedo?)" ngl i didnt play the albedo event and never bothered to watch a video so i dont know the full extent of his lore here. oh right and i added "sucrose is made to keep an eye on him in the labs" lmao

klee is. i suppose made for the knights. a cute energetic girl to keep morale up, whos fireproof and thus able to scout dangerous areas/bomb them if you so wish.

oh yeah i wrote that the church was not happy about the rosaria bots being made so they relegated her to guarding dragonspine against foolish adventurers. as to why she keeps appearing in bars, well, uh. No comment — Celestia Inc.

the lawrence clan wanted in on this business and sponsored a representative of their family, but mondstadts opinion of them is less than friendly, so the knights compromise and make eula, a lawrence knight.

whew okay for some reason i was able to churn out a lot for mondstadt and then everyone else i was like uh yeah. they exist and do things similar to what they do in game like xiangling being a cook's aide. yep. idk why the mondstadt worldbuilding gripped me so hard like that.

also my last thought is that maybe the hilichurls are just the verryyy alpha version of their bots, the khaenri'ah line (i think daydream mentioned this) and maybe just broke down and went rogue/abandoned. so now they make better bots to fight them and keep people safe. go figure. earns them a ton of cash though. lol imagine if getting them was a lottery too....

#personal #im insane #genshin sex doll au

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as-i-watch · 8 months

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in my opinion i think the opla did a very good job of trying to emulate the one piece manga and anime, but there’s a part of the anime that they can’t really convey through the live action. like… i think that the cartooniness of one piece, as well as the occasional emotional moments is what makes one piece one piece, but while the opla was able to get some of it, being a live action, it wasn’t able to convey all of it

it’s still wonderful, and i love it, but i like to compare it to the percy jackson movies. good live actions in their own right (still think opla did it WAY better) but compared to the original, it falls short (percy jackson a lot, opla a tiny bit)

i think the main issue for me is the characterisation. inaki did a very good luffy, but you can clearly see how it’s so inaki luffy instead of luffy luffy. still good, but still different

and i think mackenyu did zoro well, but in my opinion, it doesn’t fit him very well. zoro (while i still love him) isn’t as pretty as mackenyu is. mackenyu is too much of a pretty boy

i actually remember hearing in an interview that mackenyu grew up with anime, and of course one piece. i think he emulates zoro extremely well, and he tries his best to make it anime accurate, but he as a person just doesn't fit perfectly, the vibes are kinda off. still absolutely in love with him though

i think that it shouldn't have skipped so many parts of the original, but of course, it completely makes sense why they did

anyways, like i said, i think that if you don't compare them to each other, it's very good, and i do love how they did it (i'm also so happy that so many people loved the live action that they're actually starting to watch the anime!!)

I just finished episode 3 but i totally agree

My biggest fear when the adaptstion was announced was precisely that, bc one piece is so one of a kind, it can make you smile, it can make you sad, you cry tears of joy and of pain, and the anime takes the time to develope the charecters, the stories and the world, so sometimes the emotions are conveyed in such a subtle but effective way bc they took the time to make sure it did. Not to mention the tone and aesthetic. There's a lot that was gonna be difficult to translate to live action

That said, so far i think they did it great! I think they found a certain balance between the cartoonish and the 'real world' lets call it, and they took advantage very cleverly of cgi and practical effects to achive that too.

I agree the thing that perhaps lacks for me too is the charecters and also the pasing imo. But again, it was impossible to fit the storytelling way of the famously 'too long' anime in a 8 episodes per series format.

I too think Luffy feels the most different, i already talked a bit about that and i think it was just the result of it being a western production plus the complex charecter Luffy is. But Iñaki put so much love into his Luffy, you can feel it, its endearing

I dont have a problem with Mackenyu's Zoro funny enough. Sure, i miss how silly anime Zoro can be (but again, the tone thing) and they tried to make it too purposefully imo. Zoro is not edgy. He is badass and a maniac but he doesnt want to wear only black or cares about pressenting an "attitude". But there's a ray of hope for me (i havent finish the show so it might change my mind), the biggest stupid ass smile when he said he'd cut Helmepo's hair. He can be silly and less serious, so i hope i get to see more of that as he feels more comfortable in the crew.

Nami i like, im waiting for the Arlong park arc to make up my mind bc thats where her true colors shine either way. Really liking her dynamic with Luffy so far tho

Havent seen Sanji yet

And Usopp, i just met him and this might sound mean but this Usopp is too cool. Kinda like what you said for Zoro. I think this Usopp has more confidence in himself than anime/manga Usopp did back then and he is not that much of a coward. The coward part is important bc every time he stood up to fight it meant so much more. But again, is early for me to make up my mind this is just first impressions

But like you said, this is just bc of the comparison, on its own i think they are all doing amazing jobs and, so far for me, the writers managed to pull off something that to me was next to impossible and in a great way too.

Im curious to see how someone that hasnt watched the anime reacts to the mixed tone of live action meets silly cartoonish vibes, i hope its not too of context for a first time watcher

#oof that got long #sorry #ask #ask: opla

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twixitativi · 19 days

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do you have any tips on writing an au? normal fics i can usually handle but i’m working on a kunichuu grease au and i’m finding it quite difficult.

hiya! thanks for asking :3 also good luck with that, that seems like so much fun omg; feel free to send when you start releasing, i'd love to check it out!

ill be using splinters as my example here purely because thats closer to what you're trying to do (movie/musical as reference)

this is going to be long as fuck because i tend to ramble and go into detail, so im adding a read-more. i sincerely hope this helps because i know its a LOT (potential spoilers for splinters included)

1. The Foundation

when i first started working on splinters, it started with a lot of idea bouncing. who would suit what role? why would that role work for them? originally, i had looked at dazai as jd and chuuya as veronica, or dazai as veronica with fyodor as his jd.

then, i also started thinking about story 'beats'. to be clear about what that means, i like to think of different parts/scenes that i need/want to hit, and kind of the order if possible. this usually intertwines with the original story-- in your case, grease.

all this starts falling into the next step:

2. Research

it may not be entirely apparent, but i did (and still do) a FUCK TON of research for splinters. by choosing to have multiple source materials to base your work off (both bsd AND grease), depending on how close/accurate you want to be, you're going to want to get in touch with the material.

you've mentioned grease-- i'm assuming you're doing this based off the movie (love the movie. need to rewatch). what i personally do with heathers the movie is that i watched it the entire way through first to refresh myself with the material. it might help you to take notes about different characters, ideas, plot lines. i found a copy of both scripts online in case i wanted to see about throwing an iconic line in during an important scene without diving through the whole movie to find it.

i dont know HOW historically accurate you want to go with your fic--you may be choosing to explore the concept of grease rather than the actual setting itself-- but grease takes place in the late 50s, TECHNICALLY early 60s (movie itself came out in the late 70s) (my mom LOVED it when it came out). so, you may want to do some basic research: fashions/trends of the time (this has gotten harder to search online, you may want to even run to the library and find some books if possible)? societal norms? what did normal teens do during that time? did they have arcades, did they go to restaurants, what was the average place they hung out at?

a lot of times, i have to double-check if some of the stuff in splinters is period accurate. each decade has different lingo, slang, and general information that was normal during it. hell, looking back at the 2010s versus 2020s, if you were to write a story during, saying, 2011, and have your characters saying "slay" and "yas queen" and "road work ahead, uh yeah i sure hope it does", i regret to inform you that that will NOT be accurate, as those phrases are more late 2010s + that vine came out in 2016. now, could you quote/potentially reference these things? absolutely! but you have to be more strategic about it.

ALSO. look up fun trivia about your source material! you know where i got my title from? its the english translation of the italian name for heathers. im not even kidding. also, mix and match material! hell, even throw references in to other material! i had my mean girls reference in there! because its bsd, i like to throw in authors i like from time to time where they fit!

another silly one: what music came out around that time, playing on the radio? HOW did they listen to music? i specifically listen to a 1989 top hits playlist when im trying to figure out what songs might be playing on the radio while my characters are driving-- and even THEN i still will look up specifically when that song came out, because i made the choice to be horribly specific with my timeline.

on that note:

3. If you can, DON'T SET A SPECIFIC MONTH/DAY/ETC.

i made my choices. do i regret them? YES. is it still fun to work with? absolutely, but also the heathers timeline is lowkey a mess and you could simultaneously claim it takes place in 2 months or several.

honestly, avoid specifics. having to keep track of a timeline is an absolute bitch, and it's going to make your life a lot harder, because then, you HAVE to make sure it all matches up. if i say that kunikida went and got his glasses in march, i cant say that his glasses are brand new in may (this is a hypothetical example).

timelines suck. unless you think you can dedicate the time and energy to keeping with one, don't do it.

4. OUTLINES.

i've been writing fanfics for years, which is wild to me. i was writing fanfics in single digits (didn't even know what fanfics were). one thing that i have especially found useful with splinters is to make outlines for where you want the story to go.

let me break it down for you:

you're gonna have MULTIPLE outlines, and they are NOT set in stone. they are guidelines for you to use so that you're not sitting there going "shit i don't know what to do next". they may be scenes you want to have in the fic. they may be important plot points. they may be absolutely stupid shit that youre like "if i dont get this in here i will cry" (diarrheazai is a threat that i intend to keep)

FIRSTLY. try making a general outline for your whole fic. you don't need super specifics, but think of what events occur during grease. in it, danny and sandy meet in the summer before their senior year. sandy meets and joins the pink ladies. there's a dance competition. danny and sandy fly off in a car into the sunset. etc. TO BE CLEAR, you don't have to keep all the details! it is your story, and what you want to do with it! having that structure can be helpful when you start though.

THEN. once you have that general outline? start trying to plan out chapters. you dont have to make outlines for them all at once. more often than not, i'll sit there before i start a new chapter just trying to outline what'll happen in it. this helps a LOT on multiple levels. i'll provide an example of what that can look like below (SPOILERS IF YOU'RE NOT UP-TO-DATE WITH SPLINTERS):

(the blacked out bit is spoilers, everything else should be clear to see)

a quick explanation: i dedicate a small document to outlines for each chapter. as you can see, with chapter beats, i have diff things i want to try to hit. the stuff highlighted in green is stuff that i come back post-chapter to confirm i hit. sometimes, if it's not EXACTLY in there, i'll leave a note in bold (ex: WAS MENTIONED).

but you can kind of see what im talking about here. i have some things that im trying to knock out per chapter.

other things in my doc to outline:

yes i talk to myself in my notes.

i highlight different scenes according to their relevance to certain characters sometimes; i add scenes in where i need to, and then ofc as you see ill go into detail about specific scenes. and AGAIN these are not set in stone. for example:

as you can see, shit changes over time. that boiler room make-out scene during the homecoming pep rally appeared in ch 11. i did not make this sequence fyodor's pov.

sometimes? i just dont have the time or energy to write shit/dont think its relevant to the plot. good bye, corn maze. you'll be remembered in my thoughts and my outline

also try to have fun while outlining. it doesnt need to be something serious. literally my outlines are a mix of dialogue, scenes, my own thoughts, etc. get silly with it. this is supposed to be fun and enjoyable!

ANOTHER THING:

5. LOOP SOMEONE INTO OBSESSING OVER THIS WITH YOU.

i was inspired by ardeidae to write splinters, and i have successfully trapped them in splinters world for almost an entire year now. by both of us loving it, we can keep ourselves focused on it.

what also helps is bouncing ideas off other people. me and lu have had conversation after conversation after conversation about different plot lines, scenes, etc. sometimes, i don't know what to do and i will ask lu (or other people) for advice about the progression.

you may have also heard of the engineering rubber duck method. if you're unfamiliar, engineers will sit there with a rubber ducky by them and talk to it about what they're working on until they figure out what they need to do. sometimes, just ranting about the fic is enough to help you spawn ideas about what to do next.

OH also

6. If you do end up making a timeline? Have a calendar on hand.

this is no longer 100% accurate to the progression of splinters and the chapters, but it helped a LOT. laying it out like this can make one hell of a difference. im a visual person, so doing this helped. also, can help you keep track of holidays and shit. if you want to give your characters a day off from classes, check a school calendar for holidays. be like "uhhhherrrr yeah they're taking, uhhhh veteran's day off" yk

7. Write, but don't force it.

splinters doesn't have an actual updating schedule because i work on it at my own pace, and update once i finish a chapter. now, i usually finish chapters after a month, but i don't say it updates on x day. don't box yourself in unless you truly think you can handle it. some people are very good about schedules. i am horrible at them, bc ykw? LIFE HAPPENS.

when im in the mood, i write. i will sit for HOURS and just write. grab some snacks, maybe pop on some music, get a buddy to sit with you, but just go for it. sometimes, i'll pull a 25-10 method-- 25 minutes of writing with ten minutes of relaxing and bullshitting--and that helps me not burn out as quickly. but honestly, you cant always brute force it.

have i had to brute force it sometimes? yes. you will get stuck. it naturally happens. sometimes, a scene fucking sucks and you're like "i hate this scene but it HAS to be in there" (if it doesnt fuck that shit. throw it out. blegh) sometimes, you need to mix things up to make it more appealing to you, because i am of the belief that the readers can tell when you're not invested in a scene. if im writing a scene and its going slowly and i just want to get it done? the quality's going to go down, and i KNOW it. so, i evaluate. what do i need to do for this scene to work? can i add something to help? do i need to just rewrite the bastard and call it a day?

and sometimes? you can just go ahead and put a little "<'scene'>" in and move on. depending on how much your fic relies on that scene, that won't always work, but sometimes, you just gotta leave it and come back to it. you can also do that with certain dialogue/details. if you're trying to get your characters from point A to point B, don't shove them there if they run out of gas. make a detour, and see what happens.

eerrrrrrr yeah, i THINK that's the majority of the advice i can give? sorry that that's a lot, but uhhh hope it helps! :')

#wild that people would want advice from me but hopefully itll help #good luck with your fic anon! it seems like fun!

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nitrokiraru · 1 month

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What are your gripes with the Slow Damage translation? I thought it was pretty great.

hi anon! tbh i used to have the same view as you probably do, the translation like by itself isn't terrible, it gets the point across and i still enjoyed the game regardless.

but then i found out about the jp version and realized that they kinda gave towa some out of character lines? its more of the translation choices that the fandom has a problem with. a lot of unserious lines were added and i feel like part of it was focused on giving it some funny moments instead of staying true to the source material

there are a lot of people that can articulate the problems better than i can but just to give you a rundown:

-changed the game from third person to first person apparently? i briefly heard about this so i dont have anything ready to back this up with but

-the usage of crude unsexy words like "half chub" "buttslut" "eyepussy" which is just. LMAO it honestly depends on your preference with sexy/dirty talk

-"sounds gay" at the end of fujiedas route. in the time i found it funny (which is why i have the pic rn, bc i took a screenshot when i played) but when you really think about it after such a long impactful lore filled route its like maybe i dont think its that appropriate to put in a little joke like this here? i think the original was along the lines of "sounds cheesy" or something like that since towa wasnt used to romantic affectionate stuff, and i lowkey just feel like hewouldnotfuckingsaythat.jpg

-"hasta la vista" when Taku shoots toono near the end of his route lol. he didnt rly say that but i assume it was added for localization purposes

-basically a lot of translation/localization choices that give off pretty different tones compared to the original that not a lot of people liked

this is just me giving you the main complaints about it that go around. personally i still lean more towards neutral, i dont think its THAT bad and it didnt ruin my experience at all but once you think about it a bit more its just like yeah maybe that line was a bit out of place and doesnt fit towa's character. maybe the wording used there didnt convey the same message that the jp version did, and made it a little hard to take serious. but at the end of the day if you liked it then thats fine as well! im just telling you the main problems the fandom has with it if you didnt know already

#slow damage

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agentkittymeowmeow · 1 year

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Why have I seen no one talk about the fact that Nagito is pretty much Canonically gay? Or maybe I'm stupid and it's so obvious that he is that the fandom just decided it didn't need to be discussed, but regardless, I'm gonna talk about it because I'm fucking bored and I don't have motivation to do anything besides talk about gay people.

At the start of Dr2, Nagito is the only one that stays behind with Hajime on the beach while he was Unconscious, and continued to stick around with him while introducing him to everyone. He ends up finding himself really connecting to Hajime because Hajime isn't an ultimate and Nagito himself doesn't feel ultimate, so he feels like it makes them more similar.

Before it was reviled that Hajime had no talent, Nagito suggested that his talent could be serenity because "his mere presence brought him serenity."

And prior to chapter ones class trial, Hajime was the closest thing that Nagito had to a friend.

During his fifth hangout event, Nagito opens up to Hajime about his diseases and that he just wants to be loved for once before he dies. And holy shit dude. I get that the hangout events are basically just a dating simulator but thats so gay. Like it's canon that Nagito feels that way even though he told Hajime it was actually a lie(for his safety because everyone close to him will have bad luck). He just wants to be loved for once.

Also during his fifth hangout, he says "どうか忘れないで… ボクはキミを…キミの中に眠る希望を心から愛していると。"

In the official English translation, it's translated to:

"From the bottom of my heart... I am truly in love with the hope that sleeps inside you."

and yeah, its not necessarily inaccurate, but it really leaves out what power and meaning Nagito originally said has.

a mote accurate translation is something like, "Please don't forget I love yo-.... the hope that sleeps inside you."

It's also very important to note that in the original text he says, "愛している" or "ishiteiru" which on the surface just translates to "I love you" It's a very very strong word to use to say I love you and is considered very romantic, so the fact that he said that to Hajime, is basically confirmation that he loves him.

but if that wasn't enough, I have a lot more to point Nagito having romantic feelings for Hinata.

First, the literal outro for Danganronpa 3 "Zettai Kibou basude" or "Absolute hope's birthday" is sung by Megumi Ogata (Nagito's Japanese voice) And Has some, interesting lyrics, to say the least.

"in the school building at night,

my heart throbs as i contiune to wait.

"I was born for the sake of meeting you" was what I thought at that time."

"I'll mess you up and let you induldge"

"I want you"

"I miss you"

"All of me is devoted to you"

THERE'S SO MUCH MORE. I could literally make a whole post on how gay that song is holy hell.

Oh and if it somehow wasn't obvious enough that the song is about Hajime, it was released on Hajime's birthday, or the absolute hope's birthday. (yk, like the song is called)

So it's pretty obvious at this point that this man is hella gay for Hajime. Like to say that he's straight at this point is just ignorant.

Oh and we have another gayass song.

"Poison -gekiyaku-" (I think) it translates to "Poison -Deadly Drug-"

This is his character song, again sung by Megumi Ogata.

The song literally opens up with:

"I wish I meet the biggest hope,

glistens than other which

I want to see a desire,

glistens than anyone else

I love, and want to understand

him more than anyone else

more, more than anyone else.".

I love and want to understand him more than anyone else? this dude actually straight up came out at this point.

That's basically the really big things I wanted to get out of the way, but there are so many little details that hint towards him just being gay or liking Hajime that i would still like to point out.

Like in Danganronpa 3, when he meets Makoto after waking up from his coma, he grabs onto his hands. Yes Nagito loves hope obviously but sonce when do heterosexual guys just grab the hands of someone they just met?

And the scene on the boat that same episode that shows Chiaki's ghost dissapear when Nagito calls Hajime over to show that Hajime is moving forward. gay as hell.

And this that I honestly, cannot believe is real, this scene from Ultra despair girls

BRO HE HAD TO PAUSE LIKE "Shit, he knows." LIKE HOLY FUCK I'M SHITTING MYSELF OVER THIS STILL AND IT'S BEEN SO LONG SINCE I WAS IN MY DANGANRONPA PHASE.

Anyways, this isn't even everything I could find. this bitch is gay end of story. I don't even need to say more.

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hella1975 · 3 months

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Hi hella!!!

I feel like i always start these off or end them by saying that these things are going to be incomprehensible in some way, mainly bc i have trouble translating whats going on in my mind into written words so i really dont know how much of my list thingies make sense to you but this one is especially probably going to not make much sense. (also bc i send them a lot when im either very tired or not sober, but i am sober and wide awake rn so this might be a different kind of incomprehensible)

I found one of my old drafts for an ask from around a year ago and it was a follow up response to the last chapter you posted at the time, so im not sure how its going to sound without the context of that specific chapter, but i also mentioned in one of my other asks that i add stuff in last minute and that ask i added a shit ton of stuff so i dont have any of that pretyped out so im going by memory. But im sending it again bc i havent seen you answer it

(please do not interpret this as ‘why didnt you answer my ask >:/’ or me rushing you to answer asks or anything like that, but like I said its been a year so im assuming tumblr ate it. If not and you just havent cleaned out your ask box and you find the original, congratulations you’ll know what i originally said. Bc idk how accurate this will be)

Theres two different ways that you seem to write metaphors (idk if thats what theyre called im not caught up on my literary terminology)

(im scrolling through your blog rn looking for my other asks and tumblr really did you dirty in your asks system like i started scrolling and the third one down was from 2021 and im fighting for my life trying to find my tag (thank you for my tag btw its very useful to me))

Anywho, most of your metaphors ( to me) can be split into two categories. Theres the simple ones and the complex ones. Now this might seem obvious but im going to explain to you how these have different effects on my brain.

An example of the ‘simple’ ones is

““If Nanook’s tone had a note of seriousness, then Zuko’s was the entire orchestra.”” (idk what chapter this is from its been a while)

You have a lot of these kinds of whatever the haick kind of literary technique this is (is this a metaphor i’ve been trying to google it for like ½ an hour and i cant figure it out) BUT these type of things that are simple and easy to process is one of my favorite things about the way you write. I think this is a very common technique but the way you do it to me is just a lot more unique than the ways ive seen it done before. Its extremely fluent with the voice of the characters and brings a perfect kind of vibe to the ‘conversation’ (or story, text, whatever) and it paints the picture of what your trying to say perfectly. I also really like how these types of things arent ever in Zukos pov a lot (sometimes it is, but not nearly as much, I’ve noticed) and its not in the more serious like revelations that you drop these in. Like I said, it adds to the voice of the characters, bc of the contrast of Zuko constantly having revelations and dramatic archs and stuff, and the other characters just in general being a lot more calm. Its like when youre listening to a song and you have the lyrics and the like ‘main’ music behind the lyrics, but then when you listen to the song a lot you notice the smaller, like backup music that adds a lot to the song and makes it a lot more enjoyable than if it was just the lyrics and the louder more up front music.

Then in contrast you have the bigger ‘metaphors’

An example of this is ‘You curse in words already invented’

THIS IS MY FAVORITE LINE IN THE ENTIRE FIC.

OF ANY FIC OR BOOK EVER READ

AND THIS IS WHY

When I tell you I could not figure out what this meant for months I am AWFUL with stuff like this and interpreting it my english teachers hate me bc of it. Id have the question ‘why were the curtains blue’ and my answer would be ‘bc the people who decorated the room like blue maybe theyre interior designers and it goes with the room 😊 and thats so hot of them bc i love blue too’

But even thought i couldnt figure it out it stayed in my head and i probably thought about it once a day (i mean this literally, i think about that part all the time) and i cant remember the context for that or anything but i do remember that i knew it was a wonderful phrase.

I’ve mentioned in my other asks how whenever im reading anything at all that you’ve written (whether its tams, or toab, or in the tags of something even if its like 10 words), everything you type comes out so fluidly like a formula or a color wheel or however i put it last time i talked about this. And this is on the prodigious end of the spectrum of this.

But phrases like that are another part of the fic, theyre like the lyrics of the song. Like the phrases that gets all the attention and gets put in fanart and that gets quoted in comment sections because they deserve that recognition and you deserve that recognition and are just a reminder of how incredibly talented you are.

I mean that in the most sincere way that i know how to express.

I am constantly in awe of you and your writing style, and i really do think of you as one of the most talented writers of everything ive ever read.

And something else worth mentioning is that it isnt just your ao3 that portrays that. Like if I were to just read your ao3 I’d be like ‘oh wow this person is an amazing writer’ But your tumblr persona plays into it a lot more (In my opinion). Because then you see like more ‘backround’ stuff on ao3. And more of your system (im not articulating this in the way i mean it very well) and you get privy to the fact that you’re not a 30 year old with a masters in english and that you’ve never had any formal education on writing. I vaguely remember you talking about a story about a sailor (??? i might be misremembering that) that you wrote when you were a child and thinking ‘oh wow so she’s always been like that’. And its stuff like that that you dont get on ao3 that kind of reaffirms how incredible of a writer you are.

And this (to me) makes you a really easy person to admire. (ik i touched on this in a different ask but i dont remember if it was one of my list asks or not) but as someone who probably isnt going to ever be able to get an education around writing, it kind of reassures me that i dont need that to be great at it.

(i kind of feel like a lot of the stuff in this ask is too like ‘simple’ or obvious to be given a lot of weight, but this whole thing is about the kinds of things you do that brings me personally joy and the metaphors are one of them so)

Also on an off note when i was looking through your asks to try to find my tag, I noticed that i send you a heavy percentage of your anonymous asks (mainly without my alias) and I thought that was funny. But also i hope it doesnt come across as obsessive or weird, I swear i do that to a lot of people on here, I’m just a very social person. .😂

Also Im in your tbos server (lurking in the shadows) and someone pointed out that whenever you do the reaction emojis you always do the white ones, and thats going on the official ‘my favorite things about hella’ list because that was genuinely one of the funniest things ive seen.

Also the ‘anytime you type its very fluid (im too lazy to scroll up and see how i put it rn) also carrys on to discord. I think that i could probably block out the user names and be able to figure out that its you talking every time, you have a very distinct way of talking.

Also i wanted to mention that every time you answer these i read them again and i want to say like 1/3 of what i sasy, i have no recollection of. And i never have any idea what im talking about. so i think thats funny.

LIST ANONNNNNNNNNNNNN BAWLING MY EYES OUT HELLO BABY WELCOME BACK FROM WAR IVE MISSED YOU IM JUST HERE LIKE THIS RN

#this is so something i needed to hear rn bc always during exam season i 'lose' my ability to write like even the writing i do get done #just feels so fucking stale and awful imo and i just have to force myself to push through or else ill have a crisis about it #so i started studying in DECEMBER and it's now almost february exams are done but i CANT get out of that mindset for some reason #like ive been in a really bad writing flunk where im ABLE to write but the stuff i do write just feels genuinely terrible #like im losing it about dog teeth atm bc this story i was so in love with just feels so basic and underwhelming on a reread #and idk how much of that is me being insane and perfectionist and how much is valid criticism #so being told that actually there are people who not only enjoy my writing but are so thoroughly convinced it's a fundamental part of me #and something i am inherently GOOD at to the point even the way i talk CASUALLY is telling of it is just. oughhh im pacing my room #and the fact it doesn't HAVE to be my pretentious prose shit sometimes the more 'basic' stuff is STILL good. you're in my walls #i cant believe you're in the discord i hope you say hi!!! i dont bite!!! <- lying #also those assholes can take my silly white emojis from my COLD DEAD HANDS. white thumbs down will never die #ask #list anon

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wintermutal · 1 year

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i dont peer into the seedy underworld of 13-14 year old scp fans on this website very often for obvious reasons but after spending 30 seconds on a blog a moment ago i feel like someone has to explain to these kids the context scp was incubated in and why it isnt surprising why this kind of thing keeps happening.

see, there's kind of a selection bias that's happened with scp over the years thats kind of darkly funny, in a way. the people who originally made scp were depressed, socially isolated people in the late 2000s on 4chan, which, to be fair, was at the time not yet a nazi echo chamber. it was created kind of with the backdrop of anonymous and occupy wall street following a horrible economic depression, but also was at a time that was ramping up to gamergate. the people who made scp, including people like duckman, were people who were heavy 4chan users at this time and were doing this as a haha funny writing project on a whim who did not expect it to survive as long as it did. they made their author avatars as fun dnd-esque self inserts and did not expect others to do the same. they didn't want to make rules, they had to as more people than they expected joined, and they didn't expect to get this big; there's a reason why the wiki is hosted by wikidot, a long-outdated, clunky platform meant to host small projects that i suspect is held completely aloft by this site alone by this point. they didn't stop because they reaped the benefits at first, and some people reaped those benefits more than others, and some people tried to change and some people didn't.

both a lot and not much at all can be said about this sort of thing, you know. id venture to say that a lot of people who were on 4chan at that time have grown into completely different, normal, fully functioning human beings-- most of which have since left scp to go to greener pastures, and many of which still write to this day and are very different as creators now, and many of which now have families and stuff like that. but its like. man, i look at duckman, i see young incoming scp tweens like i used to be being super confused and scared about it, and they should be because that shit is fucked and has been for years and staff absolutely knew and did nothing, but like. i hate to sound like a grizzled, jaded ex-scp guy, but i encourage you not to be surprised, and if you think that this stuff isn't built to some extent into the very marrow of scp and the wiki and the community it's put together over the years, youd be wrong lmao. that's not to say that the people who were there didn't try their best to cut it out, but you'd be wrong.

in short: why are so many scp authors and staff, even modern ones, so unhealthily addicted to the wiki? well. you know. i suspect it has something to do with the fact that it's a bizarre extended power fantasy with a thin moral justification borne off of 4chan by (at the time) depressed, chronically online teenagers and 20-somethings who to some extent intended at first to play with that moral justification and ask difficult and valid questions about what this institution is doing-- as is one purpose of science fiction in general-- but that has since its inception built both an in-universe and out of universe social hierarchy based on how much you write about your self-insert, which rewards people with clout that often ends up translating to actual irl power over others to the point where you cannot question the foundation without questioning the foundation. it is actually quite fucked lmao

#vandal.txt #bro. how fucking funny would it be if i put this in all the scp tags #im gonna do it lmaoo #scp #scp foundation #scp shitposting #dr bright #jack bright #duckman #i cannot remember his tungle.net name unfortunately (he has had me blocked for like 3-4 years now lol)

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baeddel · 1 year

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i find that i read textbooks a lot slower, struggle with them more, and end up failing to complete my goals with them more often than i do anything else, like a paper or a book. why should that be the case when they're supposed to be teaching material?

here is one parsimonious reason: why do you read a textbook? it's because you don't know anything about the topic. you're a total beginner, so the topic is inherently harder to understand, you have less of a knowledge base for the things you learn to find their place in.

that's probably true. but i think there is another reason. here is my other reason: when you read a paper, you have a bunch of techniques that help you read a paper. first of all you can skim the paper and get the idea. that might be all you need to do. but if you decide it's worth doing you can scratch at it a little more. you might read the introduction and conclusion, for example. and then you get the idea of the argument, and you decide if you ever need to see the working out you can come back to it. but even if you read the whole thing from start to finish there are a lot of parts you're going to skip and say 'alright, i get the idea.'

with a book (or a thesis) all of this is true, but there are even more advantages: first of all, it has a table of contents at the start. if the chapters are titled correctly then you can get a very good idea what the whole book is about just looking at the chapters. here's a marvelous one, from Jennifer Liu's thesis the Problem of Philosophy in Classical Chinese Thought:

just the first handful of chapters. look at that! you get the problem right away: the term 'philosophy' has a specific origin, it's not clear how we can apply it across cultures, so we're going to look at how people from that culture translated that term and find an argument there. now you can just hop into 0.2.2 to see the ending if you don't have time to read the rest.

a table of contents that is less detailed but still useful, from Kenneth Clatterbaugh's the Causation Debate in Modern Philosophy 1637-1739:

if you took out the page numbers you could make this figure 1, 'timeline of the modern causation debate', and it acts as a useful point of reference if you want to dip in and out.

plus some books will have an index at the back so you can find particular terms easily and things like that. now look at my phonology textbook, Bruce Hayes' Introductory Phonology:

"More on Phonemes" and "Phonological Alternation II" are almost as helpful as "Features." but what are you going to call them? you can find better ones than this, but sometimes this is the best you can do. you're not making an argument, you're teaching information, so the Phonetics chapter is just the Phonetics chapter. it has all the Phonetics stuff thats in the book. go read it.

so basically it's impossible to know what shortcuts to take with a textbook when you're self-studying. classes that use textbooks (which i can snoop on via things like MIT Open Courseware, or when students i talk to show me their class syllabus—thanks girl reading this!) will generally call out a handful of specific chapters or even just a couple of pages and tell you to read those. the teacher will frame the textbook content with the discussion in class and only give you the important parts to read. they can do that becuase they already know the textbook. when you're reading on your own you can't possibly know which parts are going to be useful yet, so you just have to read it front to back. which is hard, boring, and not usually worth doing, so i never end up sticking with them.

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