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#long post
and-corn · 19 hours
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luxmoogle · 3 days
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Bravery Required 999 ⊹ . ݁˖ . ݁
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beaulesbian · 2 days
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One Piece + text posts [3/?]
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artsymeeshee · 3 days
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More aroace Ford! Idea I had this time with Stan wanting to know what being aroace is. Even though he won’t fully understand, he understands it makes his brother happy and that’s enough for him.
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grimrester · 2 days
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sometime yesterday people on reddit figured out that the new watcher entertainment platform is not a website they have full creative control over (as implied in their video) but instead is from Vimeo OTT. this is why their new platform looks identical to dropout's. vimeo very likely just has a couple templates you pick from and they picked the same one.
this is FASCINATING to me for a few reasons:
it's not unusual for a company to obfuscate how their new web product is built out. "we're using vimeo's content paywall platform" is not nearly as impressive of a statement as "we're launching our own subscription service." this decision sometimes blows up in a company's face though. in this instance, being more candid about the process probably would have helped to mitigate the blowback, because vimeo could have been pinned by the audience as the evil scapegoat company and people wouldn't be feeling stupid when they create accounts and realize all the videos are hosted on vimeo. it also explains why they encouraged password sharing but their subs limit playing videos on more than three devices. it's just a function of the platform they don't control and didn't think about it when they said that.
i really wonder if they made this decision entirely on their own, or if vimeo has recruiters out there trying to make their platform bigger. obviously the watcher guys are responsible for this decision either way, but it sure would explain a lot about why they jumped to this solution to make more money if they had someone at vimeo pitching it to them.
how fucking funny is it that they posted a dramatic "goodbye youtube" video talking about wanting more control and wanting their own special platform just to go to youtube's direct competitor. lol
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godbirdart · 14 hours
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very happy that people seem to like these pieces ;; i've been testing out some new things with my work, but also i have vague plans for a new art book sometime in the near to distant future,
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cleolinda · 3 days
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I’ve read a few of the umpteen thousand upset comments about the paid Watcher service, and I’ve read comments angry about the upset comments. There’s one thing I want to point out, and it’s that this isn’t, or shouldn’t be, “You’re saying people don’t deserve to earn money for their work.”
The Watcher guys do deserve to earn money. I already give them money. I give them $5 a month on Patreon, not because I think they do or don’t give me $5 worth of media, but because I want to support them. I canceled Netflix for pissing me off with its price hike/ad tier, but I give Watcher Entertainment money.
They’re saying now that the Patreon will be solely about the podcasts, and they understand if people leave. I’m perfectly happy to switch the support I can afford to the streaming service. With the early adopter 30% discount, I’d actually save money. In fact, I tried to subscribe, but the site didn’t work.
Watcher wanting to profit from their shows isn’t the problem. It’s that they’re now discovering that their fanbase is young and broke in a terrible economy, judging by tens of thousands of comments on multiple platforms. I can throw them $5/month, so I do. But the Patreon only has (checks notes) 5874 paying followers, and there’s a reason for that. $60/year upfront would not be “accessible.” Patreon is literally patronage from the people who can afford it.
If the guys had said up front, “ONLY new shows and episodes will be exclusive to the service,” I think we’d be having a different conversation right now. But at first they did say, “We’re pulling all our content from YouTube,” to the point where Variety had to issue an update. Like, that’s in print and I’m pretty sure it was on video. Now they’ve backtracked to ONLY new etc.—but most people haven’t heard, and they feel crushed. And the trust is probably gone regardless.
So now four years of back catalogue will stay public. And now, you’re paying $6.99 a month for one episode, maybe two, of something a week, and now, not an exclusive back catalogue. I would pay for Watcher shows before I’d pay for anyone else, but I just don’t think the company is big enough yet for a SVOD at that price. They’re not Dropout size. They needed to build more programming and get a higher follower count first, or at the very least, charge less.
The international price/exchange rate situation is a nightmare and I don’t know what it is they’re not doing to make it… not… be like that.
I don’t know what they should have done instead of a full streaming service, but surely there were alternatives? I’ve seen comments from people suggesting they GET a Patreon. Lean on that more! Do the shows exclusive for a month and then let them roll onto YouTube! I don’t know! Anything but One More Fucking Streaming Service, which enraged me, and I was willing to move my support to it!
And I shouldn’t say this, but I will. In the “Goodbye YouTube” video the guys posted, they say that setting up the streaming service has allowed Steven to do a remake of Worth It where he and his cohosts travel the world and eat expensive food. This is the first new show they announce. Not “We have always been committed to diversity and we’re now able to bring on new creator(s) to expand our programming.” No, a redo of an old show that by definition has got to be expensive. Commenters are saying they can’t pay for the streaming service because they can’t make ends meet in this economy. The optics are terrible. I genuinely question what the thought process even was here.
I love the guys and I still watch their shows. I want to see Watcher succeed. I started watching Buzzfeed Unsolved in 2018 while recovering from surgery—as with a lot of people, their shows got me through a tough time. I’m as attached as anyone. If I can continue to afford monthly support—this is not a certainty—I’ll give it to them. I’m not a ~hater who doesn’t want Watcher to make money. But I am absolutely BAFFLED by every single decision here. I want them to figure out how to turn this around and go in a better direction, because right now, this ain’t it.
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apparently-artless · 3 days
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hibino: now nobody will ever take me as a bride! i'll just die here! ichikawa: [secondhand embarrassment is real]
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trendingdrama · 3 days
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baekhong being domestic is my kryptonite
QUEEN OF TEARS 눈물의 여왕 (2024)
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cinematicnomad · 3 days
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9-1-1 ▸ 4.06 jinx ↳ eddie & bobby heart-to-hearts (3.3/6)
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squid2corn · 11 hours
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Read part 2 here
Part 3 of deceitful bickering
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Hey, remember when i said the comic would be divided on 3 parts?
Sike
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e-vay · 12 hours
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I finally got around to expanding on Aurora and Sage's friendship a little more. This was so much fun, I couldn't stop once I started! I'm going to tag all posts regarding them with #luminescentladies since they both glow!
Sonic Frontiers Spoilers: Yes, Sage does end up being good in the end. BUT she's still the daughter of THE Dr. Robotnik! So her villainous side comes out from time to time ;)
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wernerherzogs · 3 days
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a sample of top ig comments
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eggcats · 3 days
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"people are mad that that artists wanted to be paid" no, people are mad that they HAD places of revenue they could have invested in and instead decided to fuck everyone over and piss off their fans who have been there since the buzzfeed days
(+ the only reason they're now saying they're not pulling content is BECAUSE of the backlash, and this isn't even going into how any growth is now impossible if it's their own platform, they are NOT big enough or produce enough content for this)
like, apparently they have a patreon? have never heard of it. absolutely no advertisement on it, when PLENTY of people would subscribe if they plugged it at ALL (like, fans love bts content, early episodes, extra/uncut stuff, having their names be credited at the end, a discord, etc) but I've never heard of it, and according to people who have subscribed, they didn't find it worth their money (not an ideal baseline for their own service)
they have merch? make more and better quality/nicer designs (or just fun quotes! so much of my stuff from their buzzfeed days is just shane quotes, but the only stuff I've bought from them now is their jackets and the professor doll, nothing else. I've looked at their catalog, it's ugly. put a funny quote on a shirt and I'll buy it guys, it's not that hard)
a youtube membership for similar stuff to the patreon, yt livestreams, USE THE PLATFORM YOURE ON MAYBE???
explicitly asking fans to turn off adblock for them on their videos
but, like, I am absolutely not paying $60 just for like 1-2 shows that only get like 4 episodes a year. they do NOT have the content for this on their own (and why tf do they have 25+ employees???? bro what) - not to mention, the inaccessibility the new platform and ability for non US based fans to even subscribe
people watch bc of the dynamic between Shane and Ryan, some of my favorite episodes are ones where we get the random text on screen- nothing fancy
tbh I get what they want but it's been my opinion that too much of their stuff that I watch has become a) formuliac and b) overproduced without much to show (imo mystery files comes to mind, it's Fine but I only enjoyed the banter vs all the unnecessary visuals, the same with ghost files)
I've seen people mention how expensive just the ghost hunting stuff is, and like yeah, maybe stop buying that big fancy brandname equipment without and instead ask for sponsors to advertise your stuff, all that stuff is nonsense anyway so it's not like you're lying about like betterhelp or something
and idk, maybe having a show where you apparently eat gold and caviar isn't the best if you're struggling with money (esp bc who watches it? not me)
what they need is someone who actually knows anything as their ceo, having less than half the staff they do, and investing in the avenues they already have with SOME pay walled content (not all), and maybe learn how to actually produce their shows without bleeding themselves dry bc the fans watch for THEM not the "production value"
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yume127 · 3 days
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I find it interesting how Roxas is often described as the “angry one” or “short-tempered one” when compared to Sora or Ventus, mostly because I always felt Sora and Ven have a shorter fuse than Roxas.
The association between Roxas and anger is understandable, because many of Roxas’ most poignant moments in the series happen when he is very (and understandably) angry, but I also feel like it’s a disservice to his character to only reduce him to his anger, especially when it’s far from who he is in normal circumstances.
For example, during Days, many Organization members treat him poorly and insult him to his face and, for the most part, Roxas doesn’t react at all. In Halloween Town, Lock, Shock, and Barrel throw bombs in his face multiple times before Roxas finally snaps at them. He senses that many people around him are keeping things from him, but it takes him months before he confronts someone about it. That’s far from someone I’d consider short-tempered or easy to anger.
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The only situation I can think of when we see him get upset quickly is if anyone does or says something bad to Xion and, even then, the most of his reaction is verbally snapping at Saix to make him stop disrespecting her. In Axel’s case (when Roxas is upset with him for attacking Xion), Roxas doesn’t confront him at all, he just avoids him altogether. Also, I think it’s important to note that every moment in which Roxas is very angry happens when his entire life is falling apart, which is a situation in which, I believe, everyone would be upset.
Roxas seems the kind of person who bottles everything up without much reaction until it becomes too much and he explodes, and that’s when he has a hard time controlling his anger/emotions. Having spent most of his life in the organization probably plays a part in it as, every time he brings up any emotion, his feelings are invalidated and suppressed. That’s not an environment that gave him the tools to process strong emotions in a healthy way.
Let’s compare that to Ventus. Ven is the definition of short-tempered in BBS. He’s ready to throw hands with Vanitas the moment he says something remotely bad about Terra, which was minutes after he met him for the first time. He fought the dwarves without a second thought just because they refused to talk with him. His first reaction when he becomes small and is trapped in a mousetrap is to shout. These are just some examples from the top of my head, but it’s clear Ven has a shorter fuse than Roxas.
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Ventus usually expresses how he feels in any given situation and has a short fuse. On the flip side, he doesn’t seem to hold on to these feelings at all. He externalises them the moment he feels them, but then he lets it go and it doesn’t bother him anymore. Out of the three of them, Ventus seems the most open about his emotions and, from what I remember, when he opens up about feeling a certain way with his friends, his feelings are usually not invalidated nor brushed aside. In UX, Ventus seems calmer and doesn’t have much anger in him, but he’s still open to expressing his feelings of low self-worth and sadness with the other union leaders.
Sora, I think he falls in the middle? He seems to have a shorter temper compared to Roxas, which was especially clear in KH2, where he snaps at the Organization multiple times, but he also bottles up his emotions more than Ven, especially around his friends. This happens mostly with his sadness, which he always tries to hide or brush aside, but in KH3 we can also see, for example, how much he’s bothered by everyone constantly bringing up him not passing the Mark of Mastery, even if he tries not to show it.
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I think Sora feels like he should always be happy for his friends’ sake, and even during the rare moments when he tries to express his sadness, his feelings are not truly welcomed (“No frowning. No sad faces. This boat runs on happy faces”), so he just tries to brush it off as a joke. He’s loud in expressing any kind of positive emotion, and he openly expresses his anger against his enemies (and to his friends too, sometimes), but he also doesn’t hold on to that anger and is pretty forgiving. However, he usually bottles up his sadness, low self-esteem and other negative feelings, and then explodes when he can’t hold it together any longer (like it happened at the Keyblade Graveyard when he thought all his friends were gone forever).
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ydotome · 3 days
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Reno Ichikawa (市川 レノ) - Kaijuu 8-gou - Episode 2
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