rue is, i think, in love with the idea of love.
they set a wager. the lords of the wing will find true love in this romantic, ephemeral bloom, if they only seek it. they can win it, as though it’s a game.
they long to abolish the courts. their own court has never held any love for them - why would any other court be different? a court stifles, a court smothers, a court suffocates love. the courts must be abolished, so that love can bloom. true love, love that is unfettered by politics, or station, or duty.
they are the architect of the bloom. the hunt, the heart. the dance. the potions. they will pour love into a cup and the guests will drink their fill. fae from across the realms will fall in beautiful, perfect love at rue’s hand.
they have become the arbiter of love. when an engagement between a cruel prince and a wild goblin is set, what else can they do but judge it unfit? it was not love, it was not true.
they share a moment in a forest with a venerated captain. he is tall, as they are. he is clawed, as they are. he is a beast, as they are, and so beautiful for it. they fall fast, and hard, and heavy. and perhaps it is only the nature of queerness, of a life lived behind a mask, yearning for the faintest spark, that causes them to love so fast.
or perhaps they did not truly fall in love with hob at all. for they did not see him.
they fell in love with a reflection of themself.
except, of course, that hob is not a reflection of rue. hob is his own person, and like any real person, he cannot live up to an idea. and while rue is on a wonderful journey of revelation and self acceptance, it is baffling to them that someone else’s love does not always mirror their own.
rue, in an act of bravery and vulnerability and hope, removed their mask. and they long so very much to remove hob’s - but he has never worn a mask. he has always been exactly as he is - a soldier, devoted and dutiful. an outsider, used and abused by his court. rue’s true form was hidden by their court, while hob’s otherness has always been mercilessly exposed.
rue loves hob for the idea of who he could be, if he could simply unmask as they did. but hob needs, just as rue does, to be loved for who he is.
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Xie Lian isn’t a hero.
I started with TGCF first when I was introduced to danmei, and I was floored by what I read. It wasn’t just boys kissing in ancient china, it was actually about human tragedy and the selfishness of the omnipotent.
The theme of TGCF doesn’t revolve around XL alone. It’s much bigger than that. This isn’t a ‘TGCF is better’ post, but rather, TGCF is different. And it’s different because Xie Lian isn’t a typical human hero.
XL is not a heroic character like WWX, and he isn’t a sarcastic/comedic relief hero like SQQ. And it isn’t because of their personalities. XL is just as selfless as WWX and just as unreasonably punished as both other MC’s. However, when bad things happen to WWX, you know it’s because of his personality. Because of his kindness, his confidence, his wit. It’s simply BECAUSE it’s WWX as the protagonist.
Same with SVSSS. That story couldn’t have happened without Shen Yuan in SQQ’s body. Like we never would have gotten that level of sarcasm, pity, and empathy. And the novel tells you that repeatedly. Everything that happens in the previous two novels does so because of who the main character is.
But when things happen in TGCF, XL isn’t even the center of the conflict. It’s almost always someone else’s fault, someone else’s business, or someone else’s issue he just happens to be present for. But somehow, it always comes back to him. It’s always his job to resolve things.
Unlike WWX, the conflict isn’t his fault. WWX actively pushes the narrative with his actions. He drives the conflict and later becomes it. Whether he’s at fault or not is the point of his story, but for XL, he’s really just incredibly unlucky. He’s tragic in the sense that he’s just being fucked over by everyone in his life. For what? For being…wonderful!?
I absolutely love that his one little phrase pissed off the evil emperor of heaven. Like his mere existence is a problem.
It’s an incredible piece of writing that the things that get him into trouble are his altruism. Altruism that is fitting for someone who thinks himself a GOD. But also, altruism that many of us mortals share.
Why CANT he save his people if he’s a god? Why CANT he answer everyone’s prayers? Why is he not good enough or strong enough to resolve this conflict if he’s literally a GOD.
XL is constantly facing issues and asking questions that humanity itself has asked.
Why isn’t god answering me, why isn’t god helping me, why do we have a god at all? TGCF has a commentary that doesn’t limit itself to just XL and the type of person he is in the way that MDZS relies on WWX and SVSSS relies on SQQ.
Those novels are how most novels typically function. You choose a specific type of human and see the world through their eyes.
But XL isn’t human. Not in the way he acts nor in the way he tells this story. He tells you everything he witnesses and it barely affects him anymore. He just has some wise thoughts about what everything means.
But TGCF isn’t asking: what would happen if a kind prince ascended to godhood?
Instead—
TGCF begs the question:
What if you told the story of humanity, not through the eyes of a human, but through the eyes of god.
Xie Lian is god.
XL is 800yrs old, has lived through countless tragedies, celebrations, friendships, betrayals, and he ascends. Again.
He’s been stuck with the burden of immortality and now he’s re entering the place that gave him that burden. He walks into heaven to see new gods, but the same old problems. And the whole vibe he has in this is less benevolent and wonderful and more like a fed up mom who’s tired of seeing the girls fighting.
He sits back and watches these issues devolve and shuffles his way into the conflict by accident. Because he’s the only one competent enough to do anything about it.
XL doesnt react like a human being, at the start of the current timeline, he’s a god.
He’s an 800yr old god. He’s seen everything, learned everything.
We see this prince who thinks himself a god then become one. And instead of learning what it means to be a god so he can help the common man— he learns what it means to be a common man so he can become a real god.
XL goes through HELL. He loses countless times, is left, betrayed, ruined, trampled, destroyed. He is constantly being thwarted by not just people but the very gods he worshipped and the god he himself became. But again— XL isn’t even that big of a personality for us to cling to that alone and see how these things happened to him??
He isn’t boasting about how great he is out of pride and ego, he isn’t rampaging or going mad with power, he isn’t a huge character. But his lack of those qualities is what triggers Jun Wu to ruin him. He wants to see him go crazy, wants to see him struggle. Wants to see his ego and pride. And he’s not the only one!!!
Mu Qing is also incredibly jealous, so are the other gods!!! And Qi Rong, his own family!!! His parents even get upset with him for not doing enough. Everyone saw this kid blessed with so much and started wishing for him to break. And they succeed. He goes insane, he starts killing, he starts wanting to die, he starts losing faith.
But MAN it is just so gorgeous to me that this character is almost…forced to be a main character? Forced to suffer, forced to make mistakes, forced to be a problem. He is so powerful and smart and incredible and then he is made to believe he is nothing. Here is this god who has been forced to feel HUMAN.
And once he finally feels that way, once he finally falls to the ground and loses everything, someone comes by and offers his hat.
And that’s all it takes for a man to truly become a god.
TGCF asks what if you told a story through the eyes of god? It shows you this guy sighing through drama and fixing peoples problems.
And then it goes back and tells you: What makes a man, god?
And we read all of XL’s history. His victories and failures. And it perfectly describes how he’s ascended again. Not out of heroics this time. But out of his pure humanity.
God is a kind, gentle, but confident man who wanders around helping who he can and opening his doors to those who wish to come in. He resolves the conflicts he’s there for, and takes note of those he wasn’t there for. He trudges along holding no grudges and sighing when people make mistakes. He loves selflessly and holds no judgment. He feels strange letting people take care of him but he will take care of you. When he can, and when he has the chance, he will take care of you.
XL is almost born with every book definition of what a god is: kind, selfless, strong, and true. But his story forces him to learn how to be human instead. To fail, die, love, kill and suffer. And when that god was beaten and broken, he was saved by one thing. A human.
That’s how you become a god. And that’s what it means to be one. To be human. To be a good person.
XL couldn’t have been a WWX. He couldn’t have been a staple protagonist with a heart of gold, wit and passion. He couldn’t have had a story with everyone’s conflict directly tied to him and because of him. That isn’t what TGCF is for.
It isn’t about XL himself. It’s about god. It explores the selfishness that comes with immortality, and the selflessness that comes with mortality.
There are other aspects that make it a nice protag story. He falls in love, he’s kinda air headed and sassy. He did have the character and maturity to choose to become a wonderful godlike person but that’s a post for another day. But honestly, if this were a regular novel, it probably would’ve been about Hua Cheng. He lives for love and passion and devotion. He kills and saves and sacrifices, he denies godhood and wins the girl in the end. Now THATS a hero.
But XL isn’t a hero. He’s a god.
MXTX wrote a story that wasn’t about a sheepish prince who lost it all, but instead wrote a story about gods and humans. She wrote what reads like a Greek epic to me. With such hard comments on morality and cruelty. She really hit me with everything I love about literature. And yes I do love MDZS and SVSS but TGCF is different.
Like guoshi said: the gods are human, after all. But XL above them all, is most definitely a god.
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the abarat tag exists! it has posts on it! (woo!)
anyway shuffles in here with the rarepair (I assume) of christopher carrion/finnegan hob
no they haven't actually interacted, but listen:
canonically hopeless romantics in ways that have hurt them so so much, and made them afraid of loving again, but also they can't help themselves...
were both duped and manipulated by the same woman in the exact same way (boa really played them like cheap kazoos huh)
the themes of night-and-day as something that need to be reconciled carried within both of them
specifically the whole fairytale element of "marriage to heal the kingdom" type story, first subverted with boa dying and then again by her resurrecting and being evil....... then possibly deconstructed by being very gay? (well, that and maybe the fact that it isn't a marriage that was really needed to heal the abarat, so much as candy's different perspective, so they can just do it without all that pressure on them)
finnegan is a fixer and carrion is a fucking mess
also finnegan needing to fix things/be Heroic is something to unpack as well, considering these books are continuously flipping character Types on their heads and I think carrion might like being supportive as a way of building some form of selfhood/finnegan learning to be cared for...
smthinsmthin on that above note carrion could conceivably save finnegan's life right now, considering finnegan is basically boa's hostage and carrion is trying to learn how to do right/interesting reversed damsel in distress tropes?
pretty boys -- I understand that mr clive barker's illustrations and descriptions of carrion have not been giving us pretty boy, but he's got that pathetic goth boy swag to finnegan's jock-hero type pretty
both flamboyant and performative
they hate each other on principle, simply because their stories have had boa in the middle up until a certain point, but she's been deliberately stoking up that enmity/manipulating that story, so now the scales have fallen from their eyes, what better way to counter that than by realising that they... quite like each other when they actually meet, perhaps even-
barker has yet to give us as much queerness in this text as in his other ones, and it's been enough years that I think he could get away with it more in a YA than back in 2003
also as an extra, both of them retiring out of the idea of kingdom/prince type shit, because neither of them have seen that sort of setup have good results (although of course, abarat wasn't really feudal by the time candy came along, so much as just... the idea of an aristocracy as something still to be respected? anyway, tear that down, especially now that most of the aristocracy is just straight up dead), and just retiring to one of the islands
wonders which time would suit them.... feel like a dawn-or-dusk would be their preference...
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