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thoughtfulfangirling · 4 months

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2024 Reads

Another human invented marker of time has passed moving us from one year to the next. It's a good reason to start over my lists right?! XD 2023's list can be found here! 2024 starts below!

You Made a Fool out of Death with Your Beauty - Awaeke Emezi

Pussypedia: A Comprehensive Guide^ - Zoe Mendelson & Maria Conejo

The Book Woman of Troublesome Creek -Kim Michele Richardson

Meru - S.B. Divya

The Cadaver King and the Country Dentist: A True Story of Injustice in the American South^ by Radley Balko & Tucker Carrington

Watching the Tree: A Chinese Daughter Reflects on Happiness, Tradition, and Spiritual Wisdom^ - Adeline Yen Mah

On Earth We're Briefly Gorgeous - Ocean Vuong

The Last Days of the Romanovs: Tragedy at Ekaterinburg^ - Helen Rappaport]

Pride and Prejudice* - Jane Austen

Fresh Girl - Jaida Placide

Butts: A Backstory^ - Heather Radke

The Girl Who Chased the Moon - Sarah Addison Allen

The Silent Patient - Alex Michaelides

The Blue Sword - Robin McKinley

In the Heart of the Sea: The Tragedy of the Whaleship Essex^ - Nathaniel Philbrick

A Wicked War: Polk, Clay, Lincoln and the 1846 U.S. Invasion of Mexico^ - Amy S. Greenberg

This Nonviolent Stuff'll Get You Killed: How Guns Made the Civil Rights Movement Possible^ - Charles E. Cobb Jr.

This Is Your Mind on Plants^ - Michael Pollan

The Silent Patient*~ - Alex Michaelides

Finding Me^ - Viola Davis

Wuthering Heights# - Emily Bronte

Exit Strategy~ - Martha Wells

The Girls Who Went Away:^ The Hidden History of Women Who Surrendered Children for Adoption in the Decades before Roe V. Wade - Ann Fessler

Bowling Alone:^ The Collapse and Revival of American Community - Robert D. Putnam

Fugitive Telemetry%~ - Martha Wells

The History of Wales^*% - History Nerds

The War on Everyone^% ~- Robert Evans

Searching for Black Confederates:^ The Civil War's Most Persistent Myth - Kevin M. Levin

The Great Influenza:* The Story of the Deadliest Pandemic in History [2004] by John M. Barry

Network Effect~ - Martha Wells

Zelda Popkin:^ The Life and Times of an American Jewish Woman Writer - Jeremy D Popkin

The Amazing Adventures of Kavalier & Clay - Michael Chabon

Currently reading: The Assassination of Fred Hampton and Medical Apartheid

Key: * = Reread ^ = Nonfiction ~ = Read with Empty % = Novella #= Doc book club

My goal for 2024 is for 40% of my reads to be nonfiction. I've had two years within the recent past where I managed 20% of my reads to be nonfiction, so I'm aiming to double that. THIS WILL BE HARD FOR ME! Not because I don't enjoy nonfiction but because I enjoy fiction a lot more and have a lot more practice reading it. Haha Also for me, I am in circles where I'm just going to have more awareness of fictional books that I'm likely to enjoy more so than nonfiction. I'm kind of hoping that this years journey will change that a bit too!

Okay, below the cut I'm putting the nonfiction books on my tbr, most of which I have the lovely people of Tumblr to thank for the recommendations!

1968: The Year that Rocked the World

The Age of Wood; Our Most Useful Material...

The Assassination of Fred Hampton

Behind the Scenes: Or, Thirty Years a Slave and Four Years in the...

Being Human:

The Big Oyster: History on the Half Shelf

Birdseye: The Adventures of a Curious Man

Bowling Alone

Brave the Wild: The Untold Story of Two Women Who Mapped...

Butts: A Backstory / Evermore Recommended

The Cadaver Kin and the Country Dentist / Automatuck9

Charity and Sylvia: A Same-Sex Marriage in Early America

Dancing in the Glory of Monsters: The Collapse...

Dear Senthuran

DisneyWar

Driven to Distraction: Recognizing and Coping with...

Finding Me (Viola Davis)

The Five: The Untold Lives of the Women Killed...

The Food of a Younger Land

The Girls Who Went Away: The Hidden History of Women...

The Glass Universe

The Great Hunger: The Story of the Famine...

The Great Influenza

Helping Her Get Free: A Guide for Families and Friends of an Abused Woman

The History of Ireland

The History of Scotland

The History of Wales

How to Hide an Empire: A History of the Greater United States

The Immortal Life of Henrietta Lacks

The Indifferent Stars Above

In the Heart of the Sea / ecouterbien

In the Wake of the Plague: The Black Death...

The Indifferent Stars Above

The Last Days of the Romanovs / Automatuck9

Manhunt: The 12-Day Chase for Lincoln's Killer

Medical Apartheid: The Dark History of Medical...

Mutual Aid: Building Solidarity During the Crisis...

A New World Begins

Nonviolence: The History of a Dangerous...

This Nonviolent Stuff'll Get you Killed / Empty

Radium Girls

The Road to Jonestown

Paper: Paging through History

People's Temple

Pussypedia / Bookstagram Rec

Salt: A World History

Say Nothing

Sea Biscuit: An American legend

Searching for Black Confederates

This is Your Mind on Plants

Unmasking Autism

The Unthinkable: Who Survives when Disaster Strikes - And Why

Watching the Tree / found all by my little self

We Wish to Inform You that Tomorrow we Will be Killed...

A Wicked War: Polk, Clay, Lincoln and the.. / Rose

The Writing of the Gods: The Race to Decode the Rosetta...

I will actually add to this list as I get more recs and whatnot. And I still have some coming which I ordered from Thriftbooks. Once those are here, I'll add those. I'm a little sad there aren't more memoirs, but there's plenty of time for that yet! This is already 37 books, and given lately I've been reading about 70 (nonfiction may slow me down tho), these should give me plenty of ability to reach my 40% goal. Now it's just a matter of if I do it XD

#tfg reads #2024 Reading List #Books #tbr #Do I usually wait until I actually have more than one book read?#Uh yeah woops haha #Ah well I was eager to get my goal written to hold myself accountable #I'm really enjoying pussypedia!#So a promising start #I also have a silent private goal of some other nonfiction I want to get to #but it's going to be especially hard so that will wait to see if I can even get started XD #la de da #silly tfg #reading #my reading index

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zehecatl · 6 months

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holds your face so fucking gently please leave reviews for indie games. please. every single review legit counts, especially if the game is small enough, and you don't even gotta say much if that's the problem!!

like, anything from a long ramble to a simple 'it was good' matters, because steam (and probably also the Other Ones) uses an algorithm. so the more reviews, the more exposure, the more money the dev team gets. like, please. please. leave a review. throw your small indie dev team a bone

#ze.txt #indie games #video games #i'm genuinely so :( when people don't leave reviews like guys! they need those!!!#you can also just put a thumbs up or something like i PROMISE no one will get mad at you for it #like to put it into perspective hollow knight- one of THE most popular indie games ever- has half the reviews-#-that something like red dead redemption does. and fucking red dead was EXCLUSIVE for a long time #like. indie games are STILL a niche. a growing one. but a niche nonetheless #and it's especially crucial at the start like getting ten reviews is IMPORTANT

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fudgecake-charlie · 11 days

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"rebelle painter has an in depth brush engine to simulate traditional painting techniques" is all well and good until you only use your digital painting method. at least the impasto is really pretty

#hi IRL if you see this i PROMISE i am going to start the commission i am just so procrastinationpilled #hermitcraft #goodtimeswithscar #hermitcraft s10 #at least it's trying to be?? i kinda saw the leather get-up again and gave him leather chaps as i blacked out (/d)#if the quality is weird in some places blame the fact that i'm new to rebelle and the fact that i shrank the canvas down a lot to stop lag #this program is slightly a nightmare but i will get used to it... i will brave it for such nice textures #art out the oven #[scheduled]

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crimeronan · 10 months

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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

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sofiaruelle · 3 months

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Happy Valentines Day!

#Stardew valley #Stardew valley elliot #sdv elliot #as promised the start of the pinup series #aesthetically he’s so fabio coded~#just had to draw elliot first #Elliot and his emotional support crab #is the wine bottle a metaphor?#who knows #wink wonk #this one is a bit lazy cause i just took that one sketch from last year and colored it…#iykyk

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unproduciblesmackdown · 1 year

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Lackadaisy Enrichment

#in our enclosures!!#video linked as source; which i'm glad to see already has a million views and is trending. That's Right #lackadaisy #WHICH i have been reading since at least '07 when i was thirteen my god b/c this animation is based on the ongoing webcomic #like does its influence show up Directly in some Discrete way i can point to in my art? not very easily probably. And Yet.#the inspiration....i wasn't able to be Regularly Only for at least another year / art done Nonprofessionally Online was novel to me #like wow ppl can make & post fanart of w/e they love huh....didn't know webcomics were a thing & i never really read that many since but.#good god the quality of Lackadaisy at its onset is like this is superb?? this person putting in all their talent and effort???#and Then you get years & years more art and i don't even know what superlatives to throw out abt its quality as it evolves. obsessed w/it..#if i see a new lackadaisy comic page i Will be acting out. obviously this animation is a delight & also stunning. and fascinating to also #juxtapose as a Translation / Interpretation of the comic in a different medium & standalone snippet of Story #and that we're not even quite there in the comic timeline; Taking Notes abt character info we get distilledly here....genuinely love like #take it back to '07 i'm like oh boy can't wait for the dream team to assemble. then a decade later when it did? Oh Boy. that is payoff lol #namely hooray for stitches and mudbug at the field office for every passing gangster. killing one marigold associate but not the other #which seems like a promising start to shootouts w/the other dream team triumvirate. i adore that in canon so far mordecai freckle & rocky #have met but only over a nice brunch. re: all intentions anyways. anyways i'm like Gifs Must Be Made while i'm also so riled afresh abt the #comic that i've been sooo hype for for over fifteen yrs now babeyyy Deservedly. i've done a couple of rereads & ought to do another....#For Interest it'd probably take a few sittings to catch up from the start but there is much to be engaged over....this ongoing story that's #historical fiction prohibition bootlegging cats with plenty of focus on characters & several Mysteries. which i'm better at parsing now lol #like one of the more recent rereads like Oh Of Course x (probably) accidentally killed his y & z took the fall & that's a binding secret...#Not [oh of course] abt the circumstances surrounding a's death & how b & c were involved. nor the ''what's marigold's damage'' mystery #which is great. love to not know things. love that we can readily follow all the emergent drama everyone's wading in nowadays. hell yeah #anyways admire my organized approach to gifs here. four shots each Expressions Atmosphere Action Groupshots #sure might've muddled through gifmaking for this anyways but fr being a huge lackadaisy comic enjoyer for now most of my life helps #and its very Overall Inspiration like. just really getting the [you can really just draw stuff out here] going. fr the art's detail & skill #and that enrichment like i'm gonna have a great time following this. And I Have #you don't expect a crowdfunded indie animation in the mix back then but hell yeah fellas #SIGH ok removing a 4th gif that's broken / not displayed despite reuploading then entirely remaking it. if it's a bug i'll try again later

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hellmandraws · 8 months

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Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞

#reminder that the strike has NOT called for a boycott from viewers!#we want to show that we want more of this show and that Netflix has to pay their writers properly if they want to keep profiting from it #don't forget: the continuation of a popular show is a bargaining chip for the writers #one piece #one piece live action #monkey d. luffy #roronoa zoro #nami #usopp #sanji #when I first heard about the LA years ago I thought they were crazy #manga live actions are never good and OP is basically unfilmable #but when the strawhat cast was revealed I sat up straight and started paying attention #they were all spot on! absolutely unheard of in a live action!#and everything I've seen and heard about it since has just seemed so promising #early reviews are starting to come out and they're all positive #guys I think they did it #I think... Netflix actually made a good live action adaptation??#and of OP of all thing?!?!#(I won't be able to watch it until Sunday though so I'm gonna have to stay off the internet completely to avoid spoilers! TAT)

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crabsnpersimmons · 3 months

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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

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