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catsvrsdogscatswin · 5 months

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I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.

RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.

See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.

Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.

The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.

In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.

Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.

Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.

So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.

So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:

"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)

"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)

"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)

And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.

#RWBY #fandom #wonder how much hate I'm going to get for this one #ho-hum #Getting frustrated when a show doesn't perform to your expectations is normal and natural but that's no reason to be a dick about it

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bingiessm · 2 months

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WARNING, LONG POST

Hello, welcome to the Bridgerton Season 3 trailer over-analysis corner. I am bingiessm--a film student that needs an outlet right now and wants to practice some film analysis--and am here to bring forth the FIRE/FLAME/CANDLE motif that was all over this trailer and I feel will be a HUGE motif throughout this season for Penelope and Colin (Polin).

So within the Polin context, let's look at each shot where a flame of a candle or lack thereof could represent their romantic interest in one another--and in particular the understanding/recognition of it.

This show is going all out putting candles EVERYWHERE--yes it was actual lighting in regency era, but you don't have to have it in the shot. That is a CHOICE. Also a choice to have it lit or not.

Also, "I burn for you" anyone?

FIRST SHOT: somewhat obvious but considering the context of both the mirror as well as other future shots within this trailer, this flame represents the feelings Penelope has for Colin, that she is well aware of and has held for a long while.

I also just have an inkling that she is seeing herself differently in this moment (feeling something for the first time possibly)--the way Nicola looks feels shocked/contemplative, but not scared as if it might be Whistledown-related.

SECOND SHOT: they are outside, talking about Penelope being a "lost cause." WHY IS THERE AN UNLIT CANDLE IN A MARKET STALL, if not to represent some unrealized feelings on Colin's part? It is also on his side of the frame. This is similar to this next one, both of which I believe are earlier in the season, as this is the start of him "helping" her.

THIRD SHOT: Once again, right there on Colin's side of the frame, YOU DID NOT NEED THIS IN THE FOREGROUND. It was a CHOICE to put a candle there again. They could have not had it, yes the shot would have had less depth and this does give a better sense of the space, placing them in a corner of the room instead of in an open space--but they didn't need to make it another CANDLE.

Colin has not fully recognized his feelings for Penelope yet, though they have always been there, and these two shots demonstrate that lack of understanding/feeling, but one that is soon to come with an unlit candle.

FOURTH SHOT: this, in the timing of the trailer, does come before the third, but RIGHT THERE IS A MIRROR AND CANDLES. It is on Penelope's side of the frame, but Colin, the mirror, and candles are what is in focus. She might be center frame, but we are drawn to the light as well as the contrast in Colin's outfit. This could arguably be Penelope's perspective, her burning feelings as he compliments her--also her future (we all want that mirror scene).

FIFTH SHOT: a HUGE TURNING POINT--a small flame, barely noticeable suddenly burning brighter as we focus on Colin in the background. This is so clearly him realizing his feelings for Penelope. It is also at the midpoint/turning point of the trailer when there is a big tonal shift. There is no more talk of Colin helping Penelope, but a larger focus on his perspective of her (all the gazing), the idea of romance, as well as mention of Debling--his rival. It will be a turning point for Colin when Debling--an actual suitor vying for Penelope's hand--comes into the picture. EDIT: Also going to add in, the candle is in a lantern--though that might have been easier to manage filming-wise--which could also represent him still holding back, especially with Debling in the picture.

SIXTH SHOT: This comes right after we hear Debling say "You look especially beautiful tonight, Miss Featherington." One of the many examples of Colin staring at the two of them, being jealous/worried. But right behind him? Oh, more candles. That they totally didn't need to have in the frame. Also, it doesn't look so much like a candle, but they are placed so close to one another that it looks like more of a flame. The lack of focus adds to this.

THEN WE GET TO THIS FINAL SEQUENCE--which imo is a FANTASY SEQUENCE

SEVENTH SHOT: Colin is coming from the darkness, with an unseen flame flickering directly behind him (small ember that he can't see).

EIGHTH SHOT: Penelope, also coming out of the dark, but with another flame on (what in this sequence is) her side of the frame. Though it is somewhat hidden behind these bars--some rough patches/guarded emotions? (probably depends on what point this is in the series).

NINTH SHOT: Penelope, already in the light of these fires, Colin entering with the large burning flame in the background covered by some growth.

TENTH SHOT: Penelope, lit by these fires, breathing heavily. A very clear close-up with so much blur to focus just on her face.

ELEVENTH SHOT: Colin, with a flickering/burning flame literally right behind him, lit by these other fires, staring right at Penelope.

So this whole sequence, in my opinion, is a dream sequence. But, in terms of this flame representation, this is Colin realizing he has feelings for Penelope. We see the flickering from the unseen light behind him in the seventh shot build and become the flame right behind him in the eleventh. It feels so obviously representative of the season. (The fog also seems to lift for him in this sequence, he comes out of the fog to Penelope--I could say more about this sequence and why I do think it is Colin's dream, mostly due to costuming and lighting and the fog as well) ______________________

And thus comes to a close my analysis/evidence of the FLAME/FIRE motif between Polin. I am cutting myself off here because this is a lot and I have an actual film shoot to plan. Thank you if you actually read all this. I love film analysis and Bridgerton is so fun and a stress reliever for me, so this was fun for me to write out.

Anyway, if any more of this fire/flame stuff comes up I might add on later.

TLDR: they are using fire and candles to represent the burning love between these two.

#bridgerton #bridgerton season 3 #bridgerton netflix #bridgerton s3 #colin x penelope #polin #penelope x colin #colin bridgerton #penelope featherington #film analysis #i'm bored and excited for this show so let me just do my silly goofy thing over here #I burn for you

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rosettyller · 9 months

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some analysis of this scene from 2x02, because i am going absolutely insane over it:

first up: it's 2 500 BCE. They've known each other for around 1500 years at this point, but they haven't been meeting up very often; it's implied at this point, that they've only met at the Garden, and the Flood, and now here (as well as in Heaven, but there's varying interpretations about how much they each remember of Heaven).

(worth noting that these meetings are all bible-related meetings)

So, they don't know each other very well at all. This is why Aziraphale approaches Crowley so cautiously (apart from the fact that he thinks Crowley's going around murdering goats and soon kids). He doesn't know what happened to Crowley when he Fell, how he changed when he fell in with Lucifer, how God's rejection has warped Crowley's perspective or changed his morals (their meeting at the Flood seemed quite short, not enough time to get a definite picture.)

Aziraphale is still seeing Crowley as demonic, although there's already that thread of doubt - can you really see him trying to talk Hastur or Ligur out of this the way he does Crowley?

Aziraphale clings to the memory of Angel Crowley - Crowley gets quite defensive.

Here, Crowley reinforces that he's changed - personally I don't believe that he did fight in the War, but his views of God's Plan definitely got more extreme than "thats terrible god should get a suggestion box".

But, I also believe that here, Crowley is reinforcing that he is no longer an angel, and therefore no longer has to play by angel rules. He can do what he wants. He's a demon, it's in his job description.

And of course, that he is a demon, and he is Evil, and of course he would kill goats.

(more under the cut, because I just can't stop talking)

This shot is very yellow. Crowley's hair being the season 1 orange rather than red, the yellow walls, all accentuate the colour of Crowley's eyes, highlighting the physical reminder of Crowley's demonic nature.

I couldn't be bothered to gif it, but here, Crowley leans forward into Aziraphale's face. There are two reasons for this:

Get his yellow Demon Eyes right in Aziraphale face, just to hammer home his point.

It's an aggressive action, moving into someone's personal space like that. Saying, I could hurt you, I'm violent and aggressive and dangerous, I killed those goats, the kids are next.

The way the light hits Crowley's eyes in the above shot and the below shot also make them a very bright yellow. (Edit: I think someone pointed out that Crowley is making his eyes glow, but the overall yellowness of the scene serves to highlight this)

Clever wording on Crowley's part, because as we will find out, he faked the destruction of the goats to keep them safe, while making himself sound very evil.

You'll notice the repetition of "blameless"; this makes him seem even more evil, hurting the innocent, but also gives deeper insight into one of Crowley's biggest issues: hurting the innocent. What have they done to deserve this? Nothing.

This ties in quite nicely with what we have seen before of Crowley and free will; he gives people the option to sin. It's their actions that decide whether they end up in Heaven or Hell; they get what they deserve for their actions. He just makes it easier to choose Hell. (see: phone lines being down making people crankier and encouraging them to be horrible to each other, but it still being their choice, setting the holy water bucket above the door, so it's Ligur's choice to come in after Crowley that gets him killed.)

Note also the use of "long":

Aziraphale says to "tell me you want to do this". "Long" has rather stronger connotations than "want", but also rawer, more fundamental. Crowley is reminding Aziraphale that he is a demon, and that he has the traits of a demon, this is what he is now. He longs for violence, for destruction.

Aziraphale looks quite sad here. If you watch the video I linked, his previous conviction that Crowley doesn't want to do it is very strong. He fully believes in Crowley, that all he needs to do is reframe not killing the kids as within the rules of Hell, the way Crowley so often comes to do for Aziraphale ("Then you can't be certain that thwarting me isn't part of the divine plan too. I mean, you're supposed to thwart the wiles of the Evil One at every turn, aren't you?" "If you put it that way, Heaven couldn't actually mind me thwarting you.").

Aziraphale believed Crowley was still good, that the angel he remembered was still in there. But Crowley rejects it - and it hurts. Crowley has become what a demon should be.

Crowley looks quite sorrowful here, too: he already cares for Aziraphale (he fell in love at the Garden), and it hurts to decieve him, to disappoint him, to hurt him.

I would argue that here, Crowley is scared.

He's in shadow, which dims the yellows; his undemonic nature is about to be revealed.

And that is not safe, because Hell does not send rude notes. And here, Crowley is not doing just any temptation, but trying to help Satan win a bet (supposedly). And out of every demon in Hell, Satan is the one you want to piss off the least.

But here, Crowley is scared because Aziraphale could reveal him - because Aziraphale is on God's side, and because it is revealed that Crowley is not nearly as demonic as he makes himself out to be. He's vulnerable. Aziraphale could scorn him, hurt him. But instead:

Aziraphale is incredibly smug. "I knew I was right", he says. "I knew you were still good".

And here is another issue: Aziraphale conflates God/Heaven/angels with good, and demons/Hell with bad.

And Crowley does not see Heaven as good. He doesn't want Aziraphale to see his angelic core past the demonic exterior. He's on his own side.

This, for Aziraphale, confirms that "the angel you knew is not me", is not correct.

And I think, out of the three minisodes, it's this one that does the most for fleshing out Aziraphale and Crowley's frames of mind this series, and why they choose what they choose in ep6.

Aziraphale has been proven right about Crowley's angelic nature, and that he wants to do good, but can't, for fear of Hell's retribution.

And Crowley does not see Heaven as good. He recognises that being an angel again will not allow him the freedom to do good. (as Aziraphale had to try and talk a demon into helping him save the kids from God.)

#good omens #crowley #aziraphale #meta #good omens meta #job minisode #ineffable husbands #aziracrow #go meta #good omens analysis #late.meta

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strawbeerossi · 1 year

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If You Leave Me

Pairing: Fem!reader x Spencer Reid

Description: After coming home, Spencer has nightmares of his wife leaving him after the weight of prison weighs on him after his release.

Content Warnings: Depression, mentions of problems with eating, nightmares, fear of abandonment, mention of parental abandonment, spoilers for the prison arc, mentions of blood and being beaten, anxiety, there’s a panic attack, general angst, light fluff towards the end

Word Count: 1.4K

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'The Show' is so amazing, so I might make more based on each song on the album.

“Change is the law of life. And those who look only to the past or present are certain to miss the future.” John F Kennedy.

Spencer had faced change for his whole life. Between his father leaving him with no explanation when he was a child to his mother’s schizophrenia spiralling, he was the poster child for adapting to the plethora of things that life can throw at you and making the best of things.

Child abandonment coupled with a mother whose illness was worsening, there was a lot of pressure on him at a young age. Spencer wanted to take care of his mother, make sure she was safe and sound. He enjoyed lying with her and reading, spending his time with the woman who he cared for. He struggled with making many friends.

Not a lot of high schoolers want to be friends with a twelve-year-old child prodigy. He was the target of relentless bullying, his safest place being home where he could read in the comfort of his own bedroom.

Most children who had any form of trauma as a child turned out to be psychopaths, incapable of empathy and most who exhibited those symptoms were serial killers, he was quite the opposite. Spencer would say that he turned out alright.

Three PHDs, being a supervisory special agent for the Behavioral Analysis Unit, as well as being a literal genius. He had a team of people who loved him dearly, a good amount of godchildren who he adored, as well as a beautiful wife who did so much for him.

When Spencer was imprisoned, his experience killed a piece of him. The once sweet, innocent Dr. Spencer Reid was now a man who was more prone to showing his complex emotions, his temperament changing. He wasn’t nearly as talkative, he was having a harder time processing things that used to take him mere seconds to understand. It was why they had placed him on a weird schedule; every one hundred days spent in the field would have thirty days off following behind. He thought it was the stupidest decision they made.

Despite all of his protests, nobody would hear him out. It brought on the thoughts of him being untrustworthy. After all, he did kill Nadie Ramos. He may have been under the influence of drugs but that didn’t excuse a damn thing. He killed her with his bare hands.

That haunted him. The fact that he could be capable of madness, capable of murder. It didn’t help that soon after, he was producing a tampered batch of drugs that he was being forced to push within those four cement walls.

Everyone told him that it wasn’t his fault, that some people were pushed to dark acts in order to ensure their survival. After all, a federal agent in the general population sector was a huge target, someone who would have a lot of enemies. Too many enemies.

After his release, there came a plethora of emotions. Y/N was a saint, patient as could be and more loving than he ever could’ve hoped for. Even when he was dissociating into his mind to shield him from all too familiar territory, she was right there. It had gotten to a point where he severely depended on her, the attachment so strong that he would follow her around the house as if he were a kitten who needed constant attention.

Dinner was hard, the man having to be reminded that he could take his time to eat and he had no risk of someone coming and taking it whether he allowed them to or not. There were nights where he wouldn’t take a packet of cookies from his wife, stressing over having to ‘pay her back’. It took a lot to break him out of that routine.

Don’t get him started on the nightmares. They were vivid, placing him back to the night when he was beaten in prison or to the day where Luis Delgado had his throat slit in front of him because of his own choices. It was like he could still feel the warmth of the crimson blood staining his hands in the failed attempt to stop the bleeding.

In addition to nightmares that were filled with blood and violence, there was another recurring nightmare. One that killed him more than any sort of guilt of association ever could. It started out the same way every time, he would come in the house after a long winded case. There would be a lot of stress on his shoulders, a tightening in his chest because of the fact the case didn’t end the way the team had anticipated. He would then walk into the kitchen, where Y/N would be waiting for him. There was no sweet greeting, no kiss against his lips while she hugged him and cried about missing him.

Instead there was a tense silence, the usually warm apartment freezing. She would turn to him, her eyes filled with exhaustion, no glimmer of love shining over them as they faced one another.

“I can’t do this anymore. You aren’t who you used to be, this time by myself has made me realize that I am much happier without you here. I don’t have to coddle you, treat you like a baby. I just can’t bring myself to love you anymore.”

Spencer was waking up in a cold sweat, his body jolting upwards on the mattress while his other hand was quickly, yet cautiously reaching beside him to feel his wife’s shoulder. The touch had Y/N stirring awake, a gentle frown on her face. “Spencer?” Her voice was filled with drowsiness, her hands slowly pushing her to sit up on her knees while her free hand was leaning over to turn on the bedside lamp.

Any form of annoyance from drowsiness was wiped away when she noticed her husband’s state. His face was drenched in sweat, his chest was heaving from the impending anxiety attack, he was unable to talk as his body trembled. “Shh, hey.” Y/N whispered as she was shuffling closer, pulling back the duvet so she could carefully pull her husband into her arms.

Her fingers were threading through the messy curls, a weak sigh leaving her lips as she could feel his arms tightly wrap around her torso, practically squeezing the life out of her.

“I’m here. It’s okay, baby, I promise. Luis dream again?” She asked softly, her lips pressing a kiss to the crown of his skull.

“You left.” His voice was hoarse, the tears joining in soaking his face the same way that the sweat had done over the course of the night. “Baby..” Y/N whispered while her fingers were lightly scratching over his scalp, her cheek resting against his head as she was being hugged tightly, as if she would disappear if Spencer let her go. “I’m not going anywhere. You know that.” Her words were dipped in that sweet assurance, her eyes slowly fluttering shut.

Spencer faced enough people who abandoned him in his life with little to no explanation, she could never be added to that list. He spent three long and gruelling months in a maximum security prison for a murder that he was pushed into doing under the influence of a drug that Cat Adams and Lindsey Vaughn got their hands on.

This wasn’t like he was a man who snapped and murdered an innocent woman because of deterioration of his sanity. He was absolutely nothing like the men and women he hunted down for his job, she tried to push that every time that she could. “You’re a good man, you know that. I would be a fool to leave you.” She said softly.

As her body was eventually laying down against the mattress, she couldn’t help but smile once Spencer quickly followed her movements. Her legs were spreading in order to invite him between them, the male laying on top of her as his head was against her chest. “There we go..” She cooed softly, her fingers continuing to comb through the tousled curls.

With his cheek now smashed against his wife’s chest, he listened to the steady rhythm of her heartbeat.

The drumbeat mixed his wife’s sweet words of assurance and the warmth of her love radiating against him was enough to have Spencer starting to drift off to sleep.

How did he manage to get so lucky to have a woman who wouldn’t give up on him?

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angelicdanvers · 5 months

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BREATHE DEEPER | four.

a charlie bushnell x fem!reader social media fic.

y/n

liked by iamcharliebushnell, levizmiller, dior.n.goodjohn, and others

y/n — australia’s my new fav country

tagged | levizmiller

levizmiller i’m challenging you to another round of pool tonight ↳ y/n bet

iamcharliebushnell when’d you go to australia? 😭 ↳ y/n when u didn’t show up for acai bowls >:( ↳ iamcharliebushnell im sowwy ↳ y/n DONT YOU DARE ↳ iamcharliebushnell okok sorry but thought you'd be in london ↳ y/n soon, yeah :')

levizmiller y/n im gonna poke you ↳ y/n okayy hi ↳ levizmiller let’s get boba ↳ y/n YES

dior.n.goodjohn I MISS U COME BACK TO ME ↳ y/n once my australian chronicles are over i promise i will <3 ↳ dior.n.goodjohn WOOOO

walker.scobell youre pretty! ↳ y/n thanks lil dude!

i.am.andrewalvarez AUSSIEEE ↳ y/n THE SWEET ESCAPE FR

aryansimhadri DID YOU SEE KANGAROOS ↳ y/n NO NOT YET THOUGH I HOPE I DO

dailymail Y/n and Levi? ;)

user omg bf reveal happening??

user2 ive never held my breath this much

“GALILEO’S GALS” — 5 notifications!

chanel’s enemy Y/N

lee lee Y/N

dr dre why am i in this gc

chanel’s enemy because u are

lee lee we’re getting off topic Y/NNN CMERE

↳ hiiiii?

chanel’s enemy HIIII HRU ILY

↳ ILY TOO BAE IM GOOD WBU

chanel’s enemy WE GOOD WE HAVE SOME ?’s THO

↳ oh?

lee lee ARE YOU AND LEVI DATING

dr dre OHH THIS MAKES SENSE YEAH ARE YOU??

↳ nooooo

chanel’s enemy that’s a very interesting no

↳ we’re not but idk

chanel’s enemy what

lee lee girl wdym

↳ we’re not dating but i think he likes me? idk

dr dre do you like him back though???

↳ eh he’s very sweet but i’ve always seen him as a best friend, i don’t think we could be more

lee lee do you want to be more??

↳ i mean, i’d give him a chance if he asked? but it’s not anything i’m particularly into or wanting

chanel’s enemy okay that helps

↳ uhhh why

dr dre well if my sleepy ass remembers correctly, everyone and their mother are wondering if you’re dating

↳ nah that aint possible

lee lee it is, stupid dailymail picked up on it first 💀

↳ my manager’s asleep, no wonder she hasn’t updated me lol oh well idgaf they can think what they want

chanel’s enemy but even walker and charlie are 😭

↳ they’re gonna forget it in t-minus four secs it’s fine

dr dre whatever you say, ma’am but are you sure that ‘cryptic’ caption won’t cause any issues??

↳ uhh andrew you’re scaring me

dr dre what if someone likes you? like like-likes you and knows you and gets hella jealous or doubtful? and not saying charlie does but he was raving about how he might finally get to hang out with you, ONE ON ONE. what if he thinks he can't because he thinks you two are dating?

↳ bro first off ik you don’t like me, neither does aryan and i know its DEFINITELY not walker

lee lee girl he had a celeb crush on you a few years ago dont tell him i told u that

chanel’s enemy LMFAOOOO but no andrew has a point how come you didn’t mention charlie? 🤨

dr dre yeah i was just aboutta say 🤨 especially after my little analysis?

↳ SECONDLY, guys, charlie doesn’t. not one bit and that’s obvious, like he isn’t even in considerations. i understand what he may feel but he has nothing to worry about. he knows i won't ditch him or anything lol (right?) but if anything the only person that’d be a little confused or whatnot is william

chanel’s enemy WHAT?? AS IN WILLIAM FRANKLYN MILLER??

lee lee huh 😃

↳ we dated for a month back when we were 15 or so and realized we were way better off as friends

lee lee why ?

↳ idk i think i was just jealous of lily 😭 but anyways we’ve been just friends since and i’m completely happy with that. i don't see him romantically anymore, yeah he’s hot but like nah. but yeah if he was confused, it's probably because i was best friends with levi when we dated too and might question if he was the cause of our split?? AGAIN THATS IF HE OVERTHINKS IT

dr dre i feel like i’m reading an autobiographical analysis you definitely are fond towards “millers”

↳ ur welcome <333 and NO i am not

chanel’s enemy okok so we got several people who’d be jealous

↳ WHAT WDYM SEVERAL I ONLY LISTED ONE

lee lee ain’t no way you’re ignoring charlie

↳ DUDES I REALLY DONT THINK HE LIKES ME

dr dre but there could be a possibility? just don’t rule him out

↳ bro he doesn't like me 😭 but yeah trust me everything’s gonna be okay again i dont like anyone and no one likes me, and we'll make sure it's obvious i'm single in case anyone does though that may take a while... ANYWAYS

lee lee suuuuure you should hang out with charlie btw

↳ idk why but im scared to 😭

lee lee but you need to he misses you a lot yk

↳ doesn’t change the fact that im SCARED

lee lee WHY WOULD YOU BE SCARED ITS JUST CHARLIE

↳ IDK I JUST DONT WANNA SEEM STUPID OR UNATTRACTIVE AND SHIT

lee lee HE FLIRTS WITH YOU ALL THE TIME AND MESSES UP JUST AS MUCH, YOURE NOT THE EMBARRASSING ONE HERE

↳ DUDE I KNOW I CAN BE AND I DONT WANNA DRIVE HIM AWAY

dr dre sure you and levi hang out and are sweet and shit but BRO the teeth rotting sugar is you and charlie in your damn COMMENTS

↳ ITS NOT THAT BAD, IS IT?? 😭 GOD I HOPE CHARLIE DOESNT THINK OF ME ANY DIFFERENTLY

chanel’s enemy i think u like charlie, miss girl

↳ NO

dr dre nah, they’d be cute together, even charlie said so himself

chanel’s enemy you dumbass

dr dre uhhh ANYWAYS said too much im gonna sleep again love youse

lee lee BRO yeah night babes <3

chanel’s enemy LOVE U BAE GN

↳ what the duck STUPID AUTOCORRECT WHAT THE FUCK AINT NO WAY YALL JUST DIPPED fine ily guys too </3 BUT DONT THINK IM LETTING THAT GO EASILY ugh what do you guys mean 😭 aint no way thats true OKOK YK WHAT BYE!! FOR REAL THIS TIME

— taglist.

@shokocoded @istillremberthefirstfallofsnow @surftrips @svtsimp22 @gcidrvsh @idontevencare1223 @thames-fig @captainshischier @reggieslifeboat @multifandom-loser @wheelerslover @mermaid-mqtel @randomnpc456 @kaithoughs @isab3lita @mariposa555 @sunshinessky @myr-cheri @thedeadlynights @ella33 @c1nn4mng1rl @poppysrin @breadbrobin @lucy-the-ant @jules-loves-lukecastellan @taloulalila @tom-pls-fuck-me @mia-luvs @iknowyoureabigfan @rinisfruity14 @chasebeth @auttumnsayshi @prettygirlformula @alwayswndr @balletfilmss @kestisvrse @1forthemoney2forthekish @eissaaaa @emelia07 @toffytaste @soulaires @bearwon @happy-mushrooms @simrah1012 @blimp-blimp @obxstiles @yuminako @hopexcroc @mackycat11 @knowugetdejavu @0puddleofgender0

thank you so much for all your love and support, it really means the world to me. y/n's beginning to find out certain things, wonder where things will go from here 🤔

as always, i will continue updating the taglist :)

i love you and am so proud of you, stay safe and drink water <3

#charlie bushnell #charlie bushnell x reader #charlie bushnell x you #percy jackson and the olympians #percy jackson #pjo #pjotv #social media fic #luke castellan #percy jackson x reader

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marie-swriting · 14 days

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For The Very First Time - Emily Prentiss

Masterlist

Summary : Emily always thought she'd end up with a man, however it's a woman that makes her heart beat faster.

Warnings : set during season 16 (spoiler free), alcohol consumption (be careful with your alcohol consumption!), questioning sexuality, happy ending, maybe some grammatical mistakes as English is not my first language, tell me if you see some or if I missed any warning.

Word count : 3.1k

French version (will be published today at 6pm)

Song inspiration : 10x better by Marielle Kraft

Emily Prentiss is nose deep in her Sicarius files. She re-reads every piece of information, searching for a detail she and her team might have missed, in vain. She runs a hand through her grey hair, sighing; she looks once again at the first page when you interrupt her reading.

“Excuse-me, I’ve waited until the last minute but I’m closing now and I’m going to ask you to leave, please.”

“Oh my God, sorry !” Emily apologises while glancing at her watch. “I didn’t see the time. You could have told me earlier, I would have understood.”

“Don’t worry, I had to clean everything behind and I noticed you were busy.” you reassure her with a gentle smile.

“That’s an understatement though it’s not an excuse. I’ll be more careful next time.”

“Are you working on something important ?” you ask as she packs her things in her bag.

“You could say that, yes.”

“Where are you working ? If you don’t mind me asking.”

“I’m an FBI agent, more specifically I work with the Behavior Analysis Unit.” she informs, standing up.

“I get why you were tearing your hair out then” you joke.

“Stress comes with the job.”

“Not to the point of losing your beautiful hair I hope. I mean, I’ll probably be doing just the same at one point, this job is taking all my energy, though it’s clearly not the same. I’m not afraid of coffee beans.”

“You’ve been working here for a long time?” Emily questions.

“Since the opening, I’m the owner. I used to work in insurance and then, one day, I just decided to stop everything and open the café I had been dreaming of for years.”

“It was a good decision. I like this place a lot.” She sincerely compliments and it warms your heart.

“Thanks.”

“I’m gonna leave you alone. I wouldn’t want to make you work even later. Sorry again.”

“No worries.”

You start taking the coffee cup and the small plate when you hear the doorbell ring. You wait for the door to close when Emily’s voice resonates one last time in the café.

“By the way, I’m Emily.”

“Y/N. Come back whenever you want.”

Emily gives you one last smile before leaving the café. You watch her leave through the window before closing the main door and finishing your cleaning.

After that night, you don’t see Emily for weeks. You live your life as usual but you can’t deny you wish you could see her again. Emily has managed to get in your mind with one single conversation. Therefore, as soon as you end up seeing her again sitting at a table, you can’t help the smile on your face. Emily has at least three files spread in front of her and a pen in her right hand. Like last time, she goes through the different pages, a desperate expression on her face. You serve another client before coming to her.

“It looks like you need another coffee.” you say, making her raise her head.

“I need more than this.”

“Are you getting anywhere?”

“Slowly. Too slow for certain people.” Emily sighs, rubbing her neck.

“I’m sure you’ll find all the clues you need.” you softly tell her and you put your hand on her shoulder, making her heart beat faster. “I’m bringing you this coffee right away.”

Emily doesn’t move until you come back, still in shock because of your touch. Once you’re back, you give her her new cup of coffee and a small plate with a chocolate donut.

“I thought you’d need some sugar, too. It’s on the house.”

“You didn’t have to.”

“I want to.”

Before you can add something else, you hear one of your employees calling for you. You smile at Emily then you go see your employee.

Just like last time, all the clients have left, except Emily. And just like last time, you leave her alone whilst you do almost all the cleaning. The second you come back to her, Emily hears your steps and raises her head up before you can talk. She looks at her watch and sighs.

“I didn’t pay attention to the time. Again. Sorry.”

“Oh, don’t worry.” you smile, taking her dishes.

“Do you need help?” Emily asks. “It’s the least I could do to thank you for your patience and the donut - it was really good, by the way.”

“Thank you and I only have to wash the floor and your table and I’m done so no need.”

“I insist. Besides, it’ll get my head out of this case.”

“As you wish.”

Emily takes the broom while you wipe the table.

“Do you often work late?” you ask, interrupting Emily in her task.

“More than I’d want to but it’s for a good cause.”

“And isn’t it too complicated with your personal life? I mean, I guess you have a lot of work to do and you have to travel quite regularly.”

“It can be complicated. My ex was also an FBI agent and even if it was nice because he could understand how busy our life could get, we ended up breaking up because of this. He was kind, it just wasn't working. It’s a bit more complicated to have a lasting relationship when there is distance.”

As you understand Emily’s last relationship was with a man, you feel dumb for thinking you could have a chance with her. Though, you quickly remind yourself she could be just as attracted to men as she is to women. However, you have to keep in mind that you might have zero chance with her.

“I get it but for me, it used to work with my ex. We broke up because our relationship had run its course, not because of the distance. I think that with the right person and the right efforts, it can work.” you genuinely admit.

“What’s his job?”

“She is a stewardess.”

Hearing you correcting the pronoun, Emily is embarrassed and yet, a part of her is also… reassured? She’s not sure why.

“Oh, sorry, I shouldn’t have assumed-”

“It’s okay.” you promise.

“You haven’t found someone else since?”

“No, I’ve been single for a year now so you can make me work late, I don’t mind.” you laugh.

“I still feel a bit guilty.”

You keep cleaning up as you get to know each other. Rapidly, you start laughing together. Emily is fascinated by you, she hadn’t felt this kind of connection with someone so quickly. She can’t stop asking you questions, she wants to know as much as possible about you. Once the café is completely cleaned, Emily is disappointed. She wishes this moment would never end.

“It was nice talking. We should do this more often.”

“Yeah, we should.”

“Maybe somewhere outside this café. What do you think?”

At your sentence, Emily stops functioning normally. Are you flirting with her? She can’t tell if you are though, she is sure of one thing: she wouldn’t mind it if you do. You give her your phone number, bid her goodbye then you walk to your car while Emily watches you leave, a million emotions running through her body.

As the weeks go by, you meet each other several times. At first, in public, in a park, at the movies, at the restaurant, then, one night, you invited her to finish the evening at your place and you discussed until late in the night.

Emily yearns for those moments with you. She always wants to be with you, listening to your voice, making you laugh. She doesn’t understand what’s happening to her. At first, she just thought she found a rare friendship but the more she thinks about it, the more she wonders if her feelings are only platonics. However, because of her work, she doesn’t have the time to question herself so she just juggles between her professional and personal lives.

You invited Emily over for dinner. Emily is nervous about it though, she’s excited to see you, especially after the stressful day she’s had. She wants to relax and she knows with you, she can.

As you finish making the sauce, Emily knocks on your door. You open it and let her in. Right away, Emily inhales the smell coming from the kitchen.

“Oh my God, it smells so good.” she compliments as her mouth waters.

“Thanks! It’s the last recipe I learned at my cooking class. I hope you’re hungry.”

“Now more than ever!”

You give Emily a big smile before dragging her to the kitchen. As a way to whet her appetite, you make her taste the sauce and Emily thinks she’s never tasted anything better. Your cooking might compete with Rossi’s, though she’d never tell him.

After eating your supper, Emily’s stomach is perfectly full. You finish the evening sitting on the couch, a glass of red wine in your hands. Emily talks about her work and her team. She tells you some anecdotes and it makes you want to meet them even more. They seem to be important for her, to be her family. Whilst Emily is talking, you tenderly admire her as your bodies get closer and closer without both of you noticing.

As soon as she looks up, Emily realises how close your faces are. Despite her, her eyes look at your lips. You see it and smile before breaking the distance a bit more. Emily doesn’t back up. Quite the contrary, she lightly leans in, only leaving a few inches between your lips. You’re about to press your lips on hers when a ringtone breaks the tension. Emily takes a step back and takes her phone, finding a new message indicating that there will be a meeting first thing in the morning with Miss. Davis, the attorney general.

“Nothing bad?” you question, frowning.

“No, just some information for a meeting tomorrow.”

After her sentence, there is a heavy silence between you two. This sudden interruption brought you back to Earth and you don’t know if you should act like nothing happened or try to get closer again. Embarrassed, you clear your throat before replying:

“You should go, then. I feel like you don’t sleep a lot and I wouldn’t want to be the reason why you’ll sleep at work.”

“You’re right. I’m gonna go,” Emily accepts and she stands up from the couch. “I had a great time tonight. We should do this again, at my place. Although, I can’t promise you a diner as good as yours.”

“As long as it’s made with love.”

Upon hearing your last word, Emily doesn’t know what to add. She wonders if your sentence was innocent or if you were implying something. She is an outstanding profiler and yet, you manage to make her lose her composure. And so, she simply says goodbye to you before leaving your apartment.

On the way to her home, Emily can’t help but think back to your evening together and the moment you almost kissed. If her phone hadn’t rang, she could have an even more delicious memory than your food in her head. Before that night, she hadn’t realised how much she wanted your lips. As she thinks more about you, she ends up imagining a future with you where you’d be together and for the first time in her life, she’s not reluctant to it. She’s even delighted about some domestic moments, the same moments she used to get bored of in her previous relationships. She knows with you she won’t get bored. It’s different. What she feels for you, in spite of the fact that she might not fully understand it, already feels easier, more pleasant.

You might be in Emily’s mind more than she’d like to, the fact is, she has a case to solve. Indeed, when Emily is in her office, she’s professional. Sometimes, you find your way to her thoughts however, Emily doesn’t let you distract her. Still, her thoughts become louder and louder and Emily feels like she’ll explode. She needs to talk to someone, even if it’s the last thing she wants to do.

At the end of the day, someone knocks on her office door, getting her out of her head. She invites the person in and Tara appears.

“I wanted to say bye before leaving.”

At her sentence, Emily looks at her watch and discovers it’s almost 8:00 P.M. She sighs before looking up to her colleague.

“Tara, I’d like to talk to you before you leave.”

“Sure. Is it about Sicarius?” Tara wants to know before sitting in front of Emily.

“No, it’s… personal. Rebecca is the first woman you date, right? Before, you only dated men.”

“Yes, I did. Why?”

Tara stares at Emily, confused as Emily searches for her words. Never had Tara seen her in this state.

“How did you understand you wanted to be with Rebecca when…”

“When I had never been attracted to women before?” she finishes with a smile, finally getting where this conversation is leading. “First, now thinking back, I know I’ve been attracted to more women than I thought. As for Rebecca, it was just… natural. We met at a meeting and we clicked instantly. I admit I didn’t understand what was happening to me at first. Suddenly, I found myself wanting with her what I wanted with my exes, the only difference is that this time I found the right person. Why this question? Did you meet someone?”

“You could say that,” Emily admits, avoiding Tara’s gaze. “Nothing is done, but I never felt this before. You know, when I was younger, I did everything to fit with kids my age, even if it meant making stupid mistakes. My relationships never really worked at first so I drafted a list for the ‘perfect man’ and whenever the man I thought I loved didn’t fit those criterias, I’d break up with him. The rare times a man checked the boxes, I would always search for a flaw. I always felt like something wasn’t working. I never knew if it came from them or me but those relationships never worked and those men always seemed more attached to me than I was to them.” Emily confesses, sighing. “The fact is, there was always a problem then I met her. Just like for you and Rebecca, we clicked instantly and it seems natural. I don’t feel like I’m playing a role and the more I think about her, the more I realise she fits everything I want in a relationship, even things I never thought about before. But… I don’t know…,” she says with hesitation, “I never imagined myself with a woman and yet, with her, I wouldn’t mind it. For the first time, I see a relationship with someone and it seems… peaceful. It’s ten times better than I thought. You know what I mean?”

“I totally get it.” Tara confirms with a big smile. “She really caught your eyes, didn’t she?”

“You have no idea. But I don’t know what to do. I know she likes women and I think sometimes she flirts with me but I don’t know.”

“You should talk with her. Trust my experience and update me.”

Emily hasn’t stopped thinking about her conversation with Tara and she rapidly understands she’s right. Thinking back, Emily knows what was missing in every of her relationships: she never liked those men, no matter her efforts to like them. Emily also knows the feelings she has for you are more than real so, she decided to invite you over so you can talk.

Yet, once you’re at her place, Emily can’t bring the topic up. She does everything to avoid it. Emily always struggles to talk about her emotions as she learned dealing with them after the fact. However, once she sees your face brightens while you speak about the new things you want to do at your café, she only wants one thing and it’s to act emotionally and kiss you right now. You keep explaining the last baking recipes you want to add when Emily mutters:

“I want to kiss you so much.”

“What?” you exclaim, furrowing your eyebrows and with an ounce of hope.

“Huh… sorry, that’s not what I meant.” Emily apologises, blushing.

“Oh… okay.” you say before marking a pause and getting closer to her. “If it can make you feel any better, I wouldn’t be against it. I’ve been wanting to kiss you for months.”

“What held you back?”

“I wasn’t sure you were attracted to women.”

“I wasn’t sure about it either then, I met you and everything became clearer.” Emily admits, looking deeply in your eyes. “Since I was a kid, I knew I was different, but still I never understood why. And the minute we met, I understood why. I’m a lesbian and… Oh my God, it feels so good to say it out loud!” She screams, joyful and you lovingly look at her. “ I never thought I could be so at peace with who I am.”

“I get it. Realising who you are is never easy, even less when you realise this at our age but it’s so liberating. I’m happy you accepted yourself,” you state, taking her hand in yours.

“I still have some questions, but I think I’ve done the hardest part.”

“Well, I’d be happy to accompany you on this journey, unless you’d rather do it alone, which I wouldn't mind.”

“Did you forget the part where I want to kiss you?”

“Oh no, I still have it in mind.” you chuckle, “though I also know sometimes we need to be alone to unpack all of this. So, I’d understand if you didn’t want a relationship right away.”

“Quite the contrary, for once, everything is easy and I want you. I’m 100% sure about this and I’m not afraid of committing with you.

Determined, Emily puts her hands on your cheeks and gets closer until her lips touch yours. You smile while kissing her and one of your hands finds its way to her grey hair and the other to her waist. Whilst you keep kissing, Emily’s heart is about to explode in her chest. This kiss is the best one she’s ever had. This kiss is soft and yet, ten times better than all the ones she’s shared before. She could kiss you until she can’t breathe anymore and for the very time in her life, Emily knows she’s found the right person for her. In the end, the idea of the perfect man didn’t exist, simply because it was a woman, because it could never be anyone else but you and you’re ten times better than she imagined.

Masterlist

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bvckleyydiaz · 11 months

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hottie hotchner - aaron hotchner

title: hottie hotchner

summary: during a conversation with your team, you let it slip that you find your boss very attractive. little did you know that said boss could hear every sordid detail.

pairing: aaron hotchner x f!reader

word count: 856

warning(s): it gets a little suggestive towards the end but nothing too explicit

a/n: i honestly didn’t think i would finish this as fast as i did. hope you guys enjoy this round’s winner of pick my next fic!

When you accepted the position for Administrative Liaison for the Behavioral Analysis Unit of the FBI, you definitely had some reservations about what the agents would be like. Most of the jobs that you’ve had were assistant jobs, and it’s safe to say that you had encountered your fair share of asshole bosses along the way.

That being said, the agents of the BAU were nothing at all like you expected. You walk into the building on your first day, and you are greeted by a taller, slender blonde woman. She reaches her hand out with a warm smile. A smile that says she’s genuinely excited for you to be there. “You must be Y/N. I’m Agent Jennifer Jareau of the Behavioral Analysis Unit.” You shake her hand. “But you can call me JJ.”

You return her smile and let go of her hand. “It’s nice to meet you, JJ.”

“Follow me, and I’ll introduce you to the rest of our team.”

You nod, and she leads you through glass double doors and a maze of desks that she calls the bullpen. The two of you go up a small staircase to a conference room with a circular table, and six heads turn when she opens the door. Sitting around the table are a tall, lanky man with brown hair that curls just below his ears, a taller, bald man with biceps that look as big as your head, a brightly-colored blonde woman holding a remote, a dark-haired woman with an air of confidence that could tear apart your entire being before even blinking, an older man that exudes a grandfatherly energy, and… oh. You stop at the last person–a man that looks just a bit older than you with dark hair and eyes that could bring you to your knees without having to ask.

“Guys,” JJ starts. “This is Y/N, and she is our new Administrative Liaison.”

You hold up your hand and do a shy, awkward wave. “Hi.”

JJ points to the lanky man and goes from left to right introducing everyone to you. “This is Spencer, Derek, Penelope, Emily, Rossi, and our Unit Chief, Hotch.”

Unit Chief? That means… Christ, you haven’t even gotten to your second day yet, and you already want to fuck your boss.

Hotch stands and holds his hand out to you much like JJ did, his smile a lot more understated than hers. “Welcome to the team, Y/N.”

His hands are warm. “Thank you, sir.”

He turns to the rest of the team. “Alright, let’s get started.”

–

It takes a little while to get used to your new job, but you soon find your footing and nestle into the spot the team–your team–has created for you. The eight of you have become like a family. A big, dysfunctional family. You trust each other with your lives and your deepest, darkest secrets.

That is the only way you can explain how you ended up in this predicament.

“Hotch?” Derek asks, his face a mix of confusion and surprise. “Really, pretty girl? Hotch?”

You narrow your eyes the tiniest bit at him. “What’s wrong with Hotch?”

“Nothing’s wrong with Hotch, sweets,” Penelope amends. “We just… weren’t expecting him to be your answer.”

“Yeah. We thought you would go for someone a little closer to your age.” Derek points at Spencer. “Like Pretty Boy.”

You shake your head. “I have a type, and as much as I adore Spencer, he is not it.”

“And Hotch is your type?”

You nod. “He’s a DILF. I like DILFs.”

Emily nearly spits the water she’d just taken a sip of out of her nose. “Oh, my God. Never say that again.”

“Never once in my days of working here did I ever think that I would hear Hotch and DILF in the same sentence,” JJ says.

“Neither did I,” says a voice from behind you. Fuck my life. You turn and come face to face with none other than your boss and the aforementioned DILF.

“Hotch,” you breathe.

He points over his shoulder at his office door. “My office.”

Hanging your head, you nod. “Yes, sir.”

The two of you head up to his office, and once the door is locked and the blinds are closed, he turns to face you. “Y/N, we talked about this,” Hotch says, sighing.

You shrug like you see no problem with the situation. “What was I supposed to say? You are a DILF, Aaron.”

His stony facade drops and a shy smile pulls at his lips. “I just didn’t expect you to say that, especially in front of the team.”

You bring your arms up and wrap them loosely around your boyfriend’s neck. “Blame Derek. He asked.”

A laugh bubbles out of him, and he leans down to press a soft kiss to your lips. “I love you.”

“I love you, too,” you tell him. “You know, for a group of highly-skilled profilers, they still haven’t figured out we’re together yet.”

“I’m sure they will,” he tells you before moving his lips to your neck. “Especially after tonight.”

Your only response is a giggle.

#e posts #e writes #aaron hotchner #aaron hotchner x reader

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nadjabea · 9 months

Text

Crowley and Aziraphale never broke up. The conversation we (believe to) see in the end is not the conversation they had.

Aziraphale and Crowley play their own game of spionage and sabotage - and talk about it while we all are watching.

Edit 10/22/23: This analysis needs to be updated because there is more evidence of the body swap and because of that some of my interpretations what they REALLY say is much more precise. Will do it soon.

My point is: Aziraphale communicated a plan in the confession scene – in the subtext. And it culminated in a full body switch.

How? They have thousands of years of practice of talking and signaling their next steps to each other in a way that would not be noticed by any bystander, even less by their respective headoffices. We have seen this in the Job minisode.

They use body language, signs and references to films, songs, everything their head offices won't understand because they lack the earthly knowledge.

Maybe Aziraphale and Crowley even had a back up plan before the Metatron entered the scene. Why I got this notion? Because after their conversation in the bar about Jane Austen, Aziraphale has adapted Crowley’s notion of Austen as a spy and the mastermind behind a bank robbery. Doesn’t this seem odd for the owner of a book shop? (There is this interesting theory of Crowley planning a heist and the turtle neck being Crowley’s “spy dress” by @justhereforthemeta

So here is my analysis/interpretation of the conversation they had.

Note: I am not a native English speaker, I am German. This might of course influence my interpretation of the conversation.

-> After he spoke to the Metatron, Aziraphale comes back to the bookshop and plays happy.

Just as Crowley starts to talk – Aziraphale knows he has to interrupt him.

Aziraphale's hands sign: Stop! First, he tries it soft, watches out of the window to indicate: "We are under supervision!" As Crowley doesnt pick it up, Aziraphale lifts his hands in front of his chest. So they are more visible. Still: Crowley does'nt get it.

Aziraphale: I have some incredibly good news. Uhm The Metatron. I don’t think he is as bad a fellow. Um. I think I might have misjudged him. (Incredibly good news! My ass! Look at my face. Do I look happy? THE METATRON!!! Be aware! He is much worse than I thought!”

While Aziraphae plays the happy and exited angel, he signs "Time out!". His smile is forced. He points into direction of heaven, looks out of the window and hopes Crowley will pick up: "SOS! We need a time out because we have to talk without heaven listening."

But Crowley is like a steam train: He is on his track to confess and does'nt get Aziraphale's distress.

Aziraphale parafrases the talk with the metatron. His body language indicates he is stressed, again and again he turns into the direction of window, his eyes are forced open. Crowley still does'nt get it.

Crowley: He said what?

Aziraphale: He said, I could appoint YOU (tumps to Crowley) to be an angel (it seems that Aziraphale's thumps point to himself). You could come back to heaven and everything. Like in the old times (the old times when we had to pretend to be apart, but in reality worked together and did each other’s work without heaven or hell noticing).

(I don’t think that Aziraphale refers to the pre-fall times because I don’t think Crowley and Aziraphale spent much time together than. Crowley was probably more a loner “minding his own business” or hang out with the wrong group, Lucifer and the gang. Aziraphale would have been much too afraid to spend time around the trouble maker angels.)

Aziraphale: Only even nicer (You know that I know that you hate nice! Come on, get it!)

As Aziraphale gets on with his “excitement” about the new job, Crowley still don’t seem to get the subtext. After Crowley tells him he said no to hell, Aziraphale escalates: He falls back to their "Kayfebe", their way to play that they are along the "party line". (For more on Kayfebe read this post of @nautilicious).

Aziraphae „But heaven. It’s the side of truth, of light, of good.“ Looks obviously into direction of the window as he plays a sharade for the metatron. (Crowley, you know that we settled for shades of grey! Get it, we are under attack! )

Crowley (still doesn’t get it): When heaven ends life here on earth it will be just as dead as if hell ended it. Tell me you said No.

Aziraphael turns his head into the direction of the window to show Crowley they are being observed.

Crowley: Tell me you said no.

Crowley starts to realise that they are in danger but still does not pick up the immediate threat from the Metatron. So he starts his confession but changes it to propose to run away. > You only need to run away if there is someone hunting you. So at least, he gets that now.

During Crowley's statement Aziraphale shakes his head. (we wil not be able to outrun heaven)

Aziraphale: Come with me. (Pause) To heaven. I’ll run it, you will be my second in command. (Crowley, follow my plan: Ill will run this command, you will be my agent in heaven.)

As a non native speaker I looked up the synonyms for “second in command”. They list “substitute”, “replacement” “sub-agent” and “agent”. Agent! Here we are with our spionage story. Jane Austen, the spy, smuggler and mastermind behind a bank robbery.

Crowley: You cant leave this bookshop. (Okay, I get what you mean. But, no, we cant be separeted! you cant leave me on my own - in (an ambessy of) heaven. - Another interpretation: It cant be you who leaves. You have to stay here. )

Aziraphale: Oh, Crowley, nothing lasts forever.

I think this is a code phrase of them. It might refer to a song which was in the charts in 1966/67:

“Nothing last forever” sung by Margaret Whiting, who was already popular in the 1940s.

These are the lyrics:

Now you're down and broken hearted

you have lost your lucky star

You are sure you have no future

You don't know how wrong you are.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Now you've lost your only lover

Now your dreams are torn in two

You are sure you'll live in darkness

But the sun's gonna shine for you.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Now you've got an inch to go

If you still be a mile

Now the bidder's calling you

Capture this to a smile

Now what seemed eternity

Was the sun in a while.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Wait and see.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter (fade)

Somehow I can imagine that Crowley liked this song and they listened to it together in the bookshop. So he knows the lyrics - and gets what Aziraphale tries to tell him.

Crowley: No. No. Don’t suppose it does.

He puts on his glasses to hide his tears but also because now he has to pretend. And he has the need to cover his eyes when he lies. You can see this in the 1941 minisode. While he watches Aziraphale perform the coin trick, Crowley led his glasses slide down his nose and you can see his eyes. But the second he starts lying to Aziraphale about him being a professional magician Crowley puts his glasses up und covers his eyes.

So Crowley starts to go along with Aziraphale's plan, plays to be reluctant - which he probably still is. He doesn’t want to go to heaven, considers Aziraphales plan probably to be a - to use the German expression - “Himmelfahrtskommando” which means literally “a squat that goes to heaven = a suicide squat) - Another interpretation: Maybe he doesnt want Aziraphale to go to heaven?

Crowley: Good luck.

Aziraphale: Crowley, come back. Work with me (I have got a plan, trust me and work with me). We can be together. Angels (you can have my body. So you will be an angel.) Doing good (saving earth and us) - I need you. – I don’t think you understand what I am offering you (Are you really that daft?)

Crowley: I understand. And I understand a whole lot better than you do. (Heaven, hell, I have been there. And it is me that has to go to heaven now. And I don’t like it. - And it's you that will go to hell instead of me. And I dont like it either)

Aziraphale: Well, than there is nothing more to say. (If you understand that I am offering you to posses my body, than do it)

Crowley: Do you hear that?

Aziraphale: I don’t hear anything. (Come on!)

Crowley: That’s the point. No nightingales (neither in heaven nor in hell).

“No nightingales” can have several meanings.

a) It's their song. The symbol of their love. There is no love in heaven, nor in hell.

b) The nightingale sings to protect clandestine love. Now they are not any longer under the protection of the night and the nightingale. Their love is laid open and we know what happened to Romeo and Juliet when the nightingale stopped singing.

c) Someone here on tumblr pointed to a novel called “No nightingales”. There is movie from 1947 that is based on this novel. In Wikipedia you can find this synopsis:

“In the 18th Century, Burlap and Kelsoe are officers in the army of Queen Anne who have recently retired and purchased a house on Berkeley Square. At a house-warming party the pair speculate how to win the war however they learn that the Duke of Marlborough has other plans that will lead to the Battle of Malplaquet. Believing the battle will end in slaughter they hatch a plan to capture Marlborough and hold him prisoner until the threat of hostilities passes. https://en.wikipedia.org/wiki/The_Ghosts_of_Berkeley_Square

Problem is: They are not at all competent and get killed bevor they could prevent the war. So they are cursed to be ghosts until a member of the royal family visits their house.

So could they plan the kidnapping of the Metatron or even God herself? Hold that thought! I definitly will think about that as a plot for season 3.

Crowley: You idiot. We could have been US. (Why did you have to get yourself associated with Gabriel? We could have led our own lifes, in our own bodies)

The kiss - and the body swap /posession

It is not a kiss to show they love each other, it is a kiss to mask the body possession, they exchange their essences

@doctorscienceknowsfandom has laid down already a lot of hints and signs Neil Gaiman planted in the open in the meta "Banana Fish Gorilla Shoelace with a dash of nutmeg" that Crowley and Aziraphale changed bodies.

@lonicera-caprifoliumhas some more hints.

Here are even more points that indicate: they have changed.

When the kiss ends "Aziraphale" cries und when "Crowley" leaves he touches his lips and his hands are shaking.

Several people already pointed out the face, the movement of the jaw and so on: This is Michael Sheen’s Crowley. I think the shaking and the tears are another hint that this is Crowley. Why? Until now we have only seen the hands of one of them shaking on screen: Crowley’s, in the 1941 minisode. Crowley’s hands are shaking if he is under pressure, and overwhelmed. Aziraphale on the other side seems to get nerves of steal when he has to perform (his tricks only work when it counts).

There are even more hints that they have changed their bodies:

“Crowley” is standing upright at the Bentley. He doesn’t move his body, he doesn’t move his face. Something that is so NOT Crowley, who is always in motion.

Also: Remember the first episode when Crowley and Aziraphale fought over Gabriel. Aziraphale told Crowley that he can leave when he doesn’t want to help and Crowley couldn’t contain his rage about that. He was fuming and throwing lightnings – all visible in the middle of the street, surrounded by humans (!). All because of a fight that – in retrospective – was much less threatening to their relationship and their lives.

In a script there is nothing without meaning. And I can’t discover any other meaning for the scene in which Crowley throws lightnings after a fight with Aziraphale than to show that the scene in the end was not a fight.

Hence: There is no way that the real Crowley would be that calm in the last scene. Crowley has much less control over his emotions than Aziraphale.

And even if it was Crowley at the Bentley and managed calmly to watch Aziraphale leave. He would not be able to contain himself after Aziraphale was in the lift. Once in his car (his save space) he would release his anger and pain. Crying, shouting, maybe even hitting the steering wheel, he would drive away as fast as possible screaming at an invisible Aziraphale because this might give him some relive.

But what do we see? A very contained demon.

Next evidence: The colour code of Aziraphale (yellow) and Crowley (red):

When “Aziraphale” is on screen people wear red. When “Crowley” is on screen a lot of people in yellow pass.

And even the plants in the Bentley appear to have changed to yellow. Bonus: A yellow flower blooms behind “Crowley”. Hence: It has to be Aziraphale.

So: Why would Neil Gaiman use the same trick twice?

Because it isn’t the same trick.

In S1 they changed their appearance. Aziraphale presenting as Crowley is still an angel. Therefore immune against holy water. Crowley presenting as Aziraphale is still a demon, immune against hellfire.

But this time, I think, they really posses the body of the other (wow, they really have come a long way from “What a pity you cant have my body” – “Angel, demon, probably would explode” ).

So, what does this mean? Angel and demons are from the same flock. It is impossible to distinguish them, except for the marks on their bodies. Now Aziraphale is indistinguishable able from the other demons, Crowley indistinguishable from the other angels.

This raises the stakes when it comes to “The Second Coming”.

And this explains Crowleys worried face: He knew about the planes for Armaggedon 2.0,the destruction of earth.

The "Second Coming" is different. It is about judgement.

In the end everyone is going to be judged. The righteous will go to heaven, the other are cast away, extint. So what about an angel in the body of a demon? You see where I am heading ...

There is a lot to explore. The concept of "pretend to be good" and "properly good" and much much more. I will write about it another time.

Now I am curious: Am I delusional? Cant I just cope with the break up? What do think? Tell me you views. Let us discuss.

#good omens #aziraphale #crowley #good omens analysis #good omens meta #good omens theory #good omens spoilers #good omens theories #good omens season 2 #goodomens #neil gaiman #nothing lasts forever #body switch #body swap #aziracrow #azicrow #antony j crowley #ineffable divorce

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byebyassociation · 10 months

Text

Analysis explaining why Daan can be inferred as a survivor of sexual violence, particularly in childhood through the Bunnymasks.

Text version below cut

“But it’s never stated Daan is a csa survivor”

Daan’s parents raised him in the Bunnymask sect of Sylvian’s cult. This sect is one of the few religious communions we’ve seen ingame.

It’s a massive orgy.

His parents traveled around to attend these orgies and neglected Daan

“Since you were a toddler, you had been travelling around the Europa with your parents. Your parents were devout followers of the older god of fertility and creation, Sylvian. Because of the nature of Sylvian's cult, in each new town you'd witness your parents putting on their rabbit masks and heading to the meadows naked with all the other cult members. You hated this life. Your parents would be more concerned on the matters of religion than you.”

Which would be the end of it if not for this line

“To make it worse, they even tried to pass on the healing gift of Sylvian to you.”

Daan does not learn healing whispers at this point in time. He does not learn loving whispers either. Both are spells which restore the body’s health. He doesn’t learn anything from this, in fact. This is not something that can be used in a playthrough nor even further elaborated on in flavor dialogue.

In the original Fear and Hunger when you encounter the Bunnymask cult you are able to join in their activities. This gives your party a full mind and body heal. Unfortunately this is likely what Daan learned in his youth.

Daan was sexually trafficked through his faith while under the age of 13.

“You were 13 years of age and alone in the Kingdom of Rondon. You had to do something for living...”

Pickpocket Route

“You weren't cut out to be a street thug, so you had to rely on the only skills you had for the money... The healing gift of Sylvian. You ended up starting a street praction of medical care where you'd heal people of all social classes. You soon became surprisingly adept with the healing gift of Sylvian.”

And sadly escaped this sex cult by further being exploited through underage sex work, here is where he learned formal Sylvian spells

“You learned Healing Whispers and your affinity with Sylvian grew!”

Honest Work Route

“A butler of a local aristocrat took you under his wing as an apprentice. You started working for the Baron Eihner Von Dutch.”

Or offering sexual knowledge to an older man in exchange for an education, a deal called a ‘proposition’ by an older Daan.

“He taught you about the modern medical practices in exchange for your knowledge on the older god Sylvian.”

Note: Eihner being a predator of some kind is a heavily contentious theory as it hinges on his behavior as a sulfer cultist. However it is pretty fucking weird tm to be having a kid talk about sylvian, goddess of fertility, sex and lust in exchange for some sort of education

This is not all, just the instances and implications that immediately come to mind.

#fear and hunger #daan #daan fear and hunger #character analysis #f&h #tw abuse #tw sa #tw cult #tw rap3 #tw csa #f&h termina #daan termina #fear and hunger termina #funger #tw religious trauma

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hannibals-favourite-meal · 3 months

Note

Congratulations on 5k

Could you do 6 and 16 for Orm if he's not allowed Steve.

.⋆｡Dosage｡⋆.

Orm Marius x plus size reader

You get stuck babysitting the Ocean Master, you should’ve guessed that he would stir up some trouble

Warnings: sex pollen so little bit of dub-con, mention of tranquilisers and death, Batman not being helpful, swearing, no smut but nudity and implied smut

Minors DNI

Library- @hannibals-favourite-meal-library

5k Follower Celebration

You wondered what you did to warrant this terrible punishment. The lab was silent, your music having been forcefully turned off by your employer an hour before and you were pinned to your seat by the icy blue eyes of your charge.

Babysitting, that’s what you had been reduced to. It’s not like your three PHDs could be put to better use than making sure Arthur’s brother didn’t wander off and get himself into trouble. You rationalised that you could deal with it fine as long as he kept his mouth shut and his hands to himself but evidently the ex King of Atlantis had a serious staring problem and it was so much more distracting than if he had been chatting your ear off.

Sighing heavily, your head dropped between your shoulders and you pulled your glasses off your nose. “Do you really have to stare at me the whole time like some kind of fucking vouyer?” Orm huffed, finally looking away and giving you a chance to observe the Atlantian.

There was no doubt that he was beautiful, with a chilled jaw, perfect skin, fluffy blond hair and a body that would rival Michelangelo’s David but as soon as he opened his mouth, all that beauty melted away. He was arrogant and entitled and for some damn reason he refused to let you work in peace.

“You should be honoured to be in my presence human.” Your eye twitched in annoyance. Breathe Y/N, breathe. You told yourself. You crossed your legs and shot Orm a look that would’ve had Batman shaking in his boots.

“Just- find something else to do and let me work, please.” He raised a dark brow at you but nodded anyway. His muscles rippled beneath the compression shirt he had been given upon his arrival to the tower. You forced yourself to look away and back to your work. “All I need is an hour and then we can find something productive for you to do.”

He hummed noncommittally, which you were perfectly fine with.

The lab settled into a blissful silence and you were finally, thankfully, able to really plug into the data analysis that you had been putting off. Occasionally, you could see the disgraced prince out of the corner of your eye as he wandered around the lab, his hands clasped behind his back. He could follow directions well, you would give him that.

You didn’t mind the company, now that he was not staring at you like a fucking creep, in fact he was quite comforting considering you spent most days in complete isolation save for when Batman needed yet another project completed.

Just as you were reaching the final compiling, Orm’s voice rang through the lab as if he were commanding his people. “What the fuck is sex pollen?” Your entire body seized with fear and as you turned your chair to face him, time slowed.

His large hand had turned one of the many labelled specimen jars in the open cabinet at the other end of the lab, the cabinet that you had forgotten to lock when Bruce had barged in earlier. Your eyes widened almost comically as the delicate jar tipped and the neon pink dust gathered to one side. Orm tried to grab the sealed beaker but the glass was already rolling off the shelf.

Your hand was already moving towards the contamination shut down as the container met the solid ground, shattering immediately.

The pollen exploded outwards, coating everything within 2 metres of the impact point in a bright pink dust. Orm coughed and tried to wipe it from his skin, but the pollen was already soaking in, quickly making its way into his bloodstream.

The lab doors slammed shut and the industrial strength locks clicked into place. You yanked a medical mask from your workstation and quickly tugged it on as you rushed towards Orm, whose face was now flushed. His chest was already heaving with laboured breaths and as you drew closer, you could see the sweat collecting on his brow.

“Hey, I need you to listen to me very carefully right now.” His gaze snapped to you and you held up your hands to show that you weren’t a threat. “We can fix this, we just have to work together. Understand?” He nodded his head and you sighed in relief.

“I need you to strip off your clothes, the longer you’re in them, the more pollen you’ll ingest. And then I’m putting you in the decontamination shower until I figure out how this is going to fuck with your fishy DNA.” You expected some fight out of the prince but he followed your directions to the letter, his eyes staring intently into your own.

You were thankful for your mask concealing your face as he pulled off his shirt, exposing the toned muscles of his stomach. You swallowed thickly, heat defiantly pooling between your thighs as his thumbs hooked into the waistband of his sweatpants and yanked them down. Evidently, Atlantians didn’t wear underwear. He leaned closer to you, his nostrils flaring.

Orm’s eyelids fluttered as he let out the most erotic groan you had ever heard. “Fuck, why do you smell so fucking good?” You hated to admit it, but your knees buckled at that. Swallowing down the whine that threatened to spill from your lips, you pulled yourself together.

“O-okay now, into the shower.” You nodded your head towards the stall in the corner of the lab but Orm remained still. His breathing was quickening and his pupils were blown, leaving only a sliver of blue around the black. You stepped in that direction but still, he refused to follow.

“Goddamnit.” You muttered and grabbed his muscular shoulder, forcefully yanking him to the stall and quickly shoving him inside before he had a chance to refuse. You locked the door, knowing that there was no possible way for him to drown himself, and started the auto decontamination.

As soon as he lost sight of you, Orm gave a shout of protest and slammed his fists against the door. “No! Come back!” The glass trembled with the force of his blows and if it weren’t for Bruce’s tendency to make everything strong enough to hold Clark back for a minute at least, you would have been scared of it shattering.

You carefully walked backwards to your desk, your eyes locked onto the shower which was now running but it was doing nothing to hinder the man inside. In fact, his efforts to get out doubled as the water hit his overheated skin. “You’re mine!” He screamed and a crack appeared in the glass.

You snatched up the phone that directly connected you to Bruce, pressing it to your ear as you continued to back up. As soon as you heard his gruff voice, you shouted at him. “Orm ingested that sex pollen shit from Ivy, what the fuck do I do?”

There was a pause and for a second you thought the line had dropped. Then he sighed heavily into the receiver. “Fuck. The antidote you developed won’t work on him since he doesn’t have any human DNA and his body won’t burn out the pollen fast enough before his system overheats.” Silence settled between you as the solution dawned on both of you at the same time. “So-“

“So I’ll have to help him through it or he dies.” You finished his thought for him.

“I’m sorry kid.” Then the call cut off. Orm threw his body at the door and another crack appeared. You had a choice here, there was a tranquiliser in the drawer of your desk that could put down Flash, you could wait for the door to shatter and use it against the raging prince. Or…

Your mask dropped to the floor, along with your shirt and pants. His shouts had now devolved into unintelligible growls that only served to make your inner thighs even wetter. By the time you reached the shower, the frosted glass now resembled a spider’s web and you were completely bare.

You hit the override switch to the side of the stall and the screaming stopped. The damaged tracks groaned as the door slowly opened, revealing you to Orm once more. “Take what you need, I only want to help.”

The air was knocked from your lungs as strong arms grabbed you and pulled you into the shower with him. Cold water washed over your naked body though it did nothing to lessen the fire between you. A moan was forced from your lips as Orm ducked down and buried his nose in the crook of your throat, pressing his hard body to your soft one.

His chest rumbled happily as he inhaled. “I will not be gentle, I cannot. But once this curse has passed, I will treat you like a goddess, a queen.” His tongue licked up the column of your neck until he could rise to his full height once more. “You will experience pleasure like never before, my claim will be laid upon you.”

And you could only nod as his large warm hand gripped your knee tightly, bringing your plump leg up to wrap around his lean hips. “Prepare yourself for your king.”

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babybells123 · 1 month

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I’ll never get over this - what an insanely cryptic statement to make . It’s also interesting that GRRM will give long rambling answers about other ships (as he tends to do in interviews and asks) but this is his response here. Short and sweet but ambiguous and entirely up to one’s interpretation - essentially think about what you’ve read.

And then it had me thinking…

To imply that George isn’t a careful writer and doesn’t put immensely intricate thought into every sentence he writes is entirely reductive to him as a writer. Especially if you claim to be a fan of said writing (you’d have to be apart of this fandom). This is the man who has taken 13 years to write TWOW, who consistently writes, scraps, and rewrites chapters if he dislikes them or they don’t fit what he’s envisioned.

And with a fandom that has discussed, debated and analysed every possible theory - providing some well-thought out essays onto the internet, consistently stating that nothing is ever a coincidence with George before delving into a lengthy analysis - it has me wondering why said theorists and ‘very intelligent’ contingents of fans will be grasping, bursting blood vessels, losing their mind and their sanity in the process just to disprove a possible match between J/S.

Now as an example that I’ve come across just yesterday on the infamous r/asoiaf - When S*nsan is brought into the conversation, it’s absolutely accepted as a plausible theory due to *checks notes* people devoting time to and picking apart evidence and to the wider fandom either not dismissing it or remaining neutral about it. (I mean, the redditor I was made privy to yesterday just disproved the Ashford tourney theory and it’s connection to Jon on the basis that it was made by a s*nsan shipper - wow !! Thanks :)) I never knew , finally my rose tinted glasses have been removed and I can bow down to you, oh wise redditor … these J words are CRAZY delusionals indeed!!

This is just one example among the many of the possible future romances that are debated endlessly on the various social media platforms , and all said ships - whether they’ve met or interacted or are very close or whatever require analysis . Deep deep analysis. Picking apart sentences, imagery, chapter ordering, literary references you name it . We all become literature students, and every ship is privy to it and hey ! More power to them - we’re all just having fun here theorising about all the possibilities for a book/s that has not yet been released.

So it begs the question , and bear with me here - I know I’ve been talking quite a lot about people opposed to and entirely dismissive of my ship - but yesterdays’ conundrum had me thinking about generalised fandom receptiveness.

See, normal fans (normal people) when presented with a theory that they genuinely believe to be so absurd/dislike/are entirely opposed to , would simply block the user, filter the content, and move on with their lives. A far happier solution, it means you’re not worked into a frenzy over something you’re aware you don’t like. Yay! Everyone’s happy! But…..

People must be debby-downers and ruin the fun , turning into genuine clouds of negativity, invading tags in which they don’t belong, creating anti blogs, writing lengthy essays disproving it all - yep, we’ve seen it, and we just ignore it as best we can.

But it gets to a point where it’s just frustrating. Because this is all so painfully hypocritical. If said intelligent fandom can provide 3 hour video essays, 50,000 word essays and reddit debates of threads with 100+ replies based on the notion of tyrion being a targaryen, or j*nrya is actually canon or the blue rose is metaphor for a future romance whatever theory that’s been put into the world - why - gods why does the entire fandom jump on the bandwagon of hating/dismissing Jonsa as soon as it’s brought up as a theory??

When we are just doing what everyone else has been doing vigorously for the last 13 years - theorising, analysing, debating like we’re literature students (and I’m a lit major, so it does feel this way). And whilst we quietly engage with and make our content, we’re ridiculed, picked apart, and vilified elsewhere for being awfully stupid people - because ….why?? Oh yes, that’s right - it is not a valid plausible theory at all, we just ship it because we self insert as sansa and jon is a heroic figure or the even sillier assumption - because Kit and Sophie are attractive people (which indeed they are, but most theories stem from the books, lmao.)

Sooo, essentially jonsas aren’t allowed into the club because …. (Well I’m actually still wondering why), because every other popular ship theory is either incestuous or involves a child being shipped with a grown person.) so Jonsa is obviously the latter, but that’s not the reason that the general fandom (J*nerys and to an extent, J*nrya) dislike them because those too - are incestuous.

If you’re an individual who is uncomfortable with all incest ships period . Then I respect that since I understand it. What I don’t understand, as seen through reddit and what I was made privy to yesterday, - were the multitude of disprovers fine with J*nerys and J*nrya and S*nsan but god forbid someone brings up Jonsa because then it’s a crackship - except all those other ships I mentioned are valid because people have analysed and theorised and written metas etc etc etc and Jonsa’s are just plain silly crackshippers.

I really have to wonder about fandom mentality, because it’s making less and less sense to me ….

Anyway George you ARE a sly one and I’ll always giggle when I come across that image.

#jonsa #jon x sansa #anti sansa antis #fandom mentality #anti asoiaf reddit #anti asoiaf fandom #anti jonrya #anti jonerys #anti sansan

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emmcarstairs · 21 days

Text

From Gloves to Fingers: The Ghoul and Lucy MacLean

Despite their mostly practical usage nowadays, gloves used to be a powerful tool in society. There were rules about how and when a person should wear them, and what messages they relayed to others. Gloves were more than a fashion accessory; they had symbolic functions. Across various sources, such as visual media, art, and literature, gloves are associated with notions about power, protection, purity, as well as sexuality.

In the following analysis, I will examine the Ghoul’s gloves in Fallout (2024) as a visual key to understanding his character, motivations, and relationship with Lucy.

What if I told you that the first thing we see about the Ghoul, his introduction to us, is his gloved hand?

His character is shrouded in mystery, and his gloves facilitate this impression. When a character hides their hands, we assume they have secret or evil intentions. That’s why gloves have come to be associated with villains. And at first glance at this character, this assumption would not be far from the truth. But in the Ghoul’s case, it’s more complicated than that. Let’s roll back to the beginning!

As soon as we learn that the Ghoul used to be the famous Hollywood actor Cooper Howard, and the face of Vault-Tec, we start to make the connections. For instance, we know he refuses to do the thumbs-up for the photo during the birthday party. The thumbs-up, his thumbs-up in particular, is a symbol for Vault-Tec, a company he has grown to despise. So it isn’t surprising that he would try to conceal his relation to the company, figuratively and physically.

Two hundred years later, we learn about the nature of ghouls. Radiation has ravaged their skin and appearance. In this case, the gloves might serve the cosmetic purpose of hiding most of his scarred body.

However, it all comes down to the image he presents to the world around him. His gloves, and his hat, are accessories for the costume he’s chosen to wear. He doesn’t go around by the name of Cooper Howard anymore; he has built himself a new identity, using props just like an actor would. He is recognizable by these attributes and they are a makeshift armor for the real man underneath it. I’d even argue that his gloves act as a physical and psychological shield between him and the atrocities he’d committed to survive.

Now that we’ve discussed the symbolism of him wearing gloves, it’s time to ask the important question. Do we see the Ghoul’s ungloved hands? We do. Two times. And both of them are connected to Lucy: one in her presence, one in the presence of her finger.

The first time we see the Ghoul’s ungloved hands is after the significant scene of him mercy killing Roger and feeding on him in front of Lucy. The fact that Lucy witnessed him eat, not just any food but human flesh, is extremely important. In that scene, he reveals his animalistic nature. It’s an intimate scene because he begins her initiation into the Wasteland by offering her his knife to cut off some pieces herself. In a way, he shares his meal with her. Her repulsion is clear but she relents. It’s important to keep this scene in mind.

Cut to the scene with him with no gloves. At this point, he’s shown her a part of himself. In the past, the removal of gloves was a sign of closeness, and even inferiority. He has shed his skin, literally in the form of his gloves. He has allowed himself to be vulnerable in her presence. He’s naked in a way we haven’t seen before. It’s no wonder what happens next has so many sexual undertones.

To put it plainly, in this scene we see the Ghoul relishing the taste of irradiated water while Lucy is right next to him… thirsty. It’s an interesting juxtaposition to a previous scene when Lucy politely asked for water but he denied her (with his gloves on, retaining a metaphorical barrier, an air of superiority). She then saw the pool of water but resisted drinking from it while he taunted her. Now, it seems different. He watches her with a silent challenge in his eyes, tempting. She isn’t asking him anything this time. All she sees is the water, the means to quench her thirst, and… his ungloved hand.

Personally, I find the choice to include his hand here very interesting. What happens next, even more so; Lucy succumbs to her thirst. In contrast to her hesitation and revulsion with slicing pieces off Roger for food, she eagerly drinks the irradiated water the Ghoul drank moments ago. It’s a desperate physical need, and it’s out of her own volition. If you don’t see anything sexual about this frame, I don’t know what to tell you:

It’s worth mentioning the way the Ghoul stoops to her level here which enables the iconic “Oh, I’m you, sweetie.” She’s almost his equal here, as they stare after she’s drunk the water, their hands ungloved.

Lucy, being ever the opportunist, sees his weakness and tries to run away. Her attempt is short-lived because he catches her in his lasso. And all the build-up ends in one of the most memorable scenes in the show; and for a good reason!

In their struggle, Lucy takes advantage of his exposed hand, his weakness, and bites his finger off. It’s almost like she’s turned into him: an animal tearing flesh. The gloves would have protected him against harm but he’s taken them off, he has allowed himself to be vulnerable around her. Perhaps, he underestimated her.

In a violent imitation of a lover's touch, he cuts her finger off. This is the first time they touch hands. In the past, a woman had to be wary of a man’s ungloved hand because it signified danger and the loss of her chastity.

In Lucy's case, chastity refers to her naivety about navigating the world around her. The Ghoul opened her eyes about the surrounding world, but she dared to go one step further and stole something of his, a part of him. For two centuries, he's managed to keep his ten fingers intact, a sign of his competence, and it's none other than Lucy who overpowers him this way. So he feels obliged to take a part of her to replace his missing one. It's very much an exchange of rings/vows type of situation. But I digress.

After the finger exchange and the visual replacement of Lucy's finger, which for a second looked to me like adding a band/ring, we see the most significant scene for her character yet. She survives alone in the Super Duper Mart and despite it all, retains her principles, by saving his life. She emerges the victor, both in terms of survival and morals. But how does the exchange affect him?

In a rare scene of self-reflection, the Ghoul watches his old human self on film. The gloves are back on and he mimics pulling the trigger, nothing unusual.

But as we watch him rub the leather of his missing finger, we know that something has shifted. Beneath the seemingly intact glove, there is a missing piece. Try as he might to conceal it, and even if it's unnoticeable to others, he’s aware of its absence. Despite the external armor, the damage is internal.

Which brings us to the second scene with his ungloved hands: the scene of him sewing Lucy’s finger on his hand.

The Ghoul is held responsible for the thrashing of the Super Duper Mart. While they question him, he asks for the needle and thread (red thread of fate, anybody?) in his bag. As he unrolls the piece of cloth, we see Lucy’s finger.

Here I want to make an important note: In the past, gloves were considered an extension of the wearer’s body; another symbolic body part. In the classic novel Little Women, Meg loses one of her gloves and it turns out that the man who is interested in her romantically – Mr. Brooke – has hidden it in his pocket. Later, characters would consider this act a declaration of his intentions toward her. The Ghoul has neatly packed away Lucy’s finger in his bag. The subtext is definitely there.

In the first scene when he was ungloved, it was in Lucy’s active presence. In this scene, she’s not here but her presence is felt, and not only because it’s her finger he’s sewing. While he is attaching the finger, he takes the blame for what she did in the Super Duper Mart. He throws away the act for a moment, his hands are ungloved and unprotected, as he surrenders himself in her name. The intimacy of the mere image of him sewing a part of Lucy’s body on his own, literally tying the knot, deserves its own analysis.

You could say it fits him like a glove. ;)

This is the last scene we see him without gloves in S1. But every time we see his gloved hand afterward, we are reminded that he carries Lucy’s finger. It’s a symbol of what Lucy reminded him of: his lost dignity. It’s his trigger finger, a moral compass. It led to him shooting her dad when she herself wavered, but also letting him go alive. And it’s her replaced necrotic finger which pulls the trigger when she mercy kills her mother, a lesson she learned from him. Their fates have intertwined and their fingers are the perfect representation of that.

With the focus on hands and fingers we saw in S1, I expect this symbolic storytelling to continue and expand in S2.

#vaultghoul #ghoulcy #the ghoul #cooper howard #lucy maclean #fallout #fallout tv #fallout meta

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