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#LOVE LOVE A GOOD VILLAINS HEALING/REDEMPTION
lunarifie · 2 months
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Hhhhhhhhh Kydron’s redemption journey including: whenever he goes into a trance he enters some sort of mind space where he talks to Kydelius, his younger, no robot, and much MUCH more naive self.
“What are you doing here.”
“What do you mean…? I’m a part of you?”
The more he talks to Kydelius in his trances, the more he learns to be Kyborg once again, or to at least stop blocking out that version of himself, the version he used to be.
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raayllum · 6 days
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watching The Dragon Prince is a problem because every time people express discontent with another cartoon show it's almost always something TDP did really fucking well so i just default to like.
you want multiple fleshed out villains / antagonists with backstories and well developed motivations who are also wrong and not let off the hook for their actions? say hello to viren, aaravos, claudia, karim, and more.
you want varied queer rep and multiple trans/nb characters? meet an assassin and a blacksmith and a god and a sign language interpreter and a boy who loves plants and his unhinged girlfriend and married queens and rival enemies to lovers wlw who are now planning their wedding.
you want complex family dynamics regarding culture, legacy, power, and abuse? meet the mage fam, the sunfire royal family, the two main princes, adopted children with four parents, step and half siblings and blended families, etc, all explored in their heart and messiness.
you want varied and in depth character for disabled characters and characters of colour? you have a helpful blind pirate and a bitter blind dragon and a sweet amputee wolf and a deaf lesbian general who's also asian. 2/3 main characters are biracial. every couple is interracial. elves and humans alike have a variety of races and we see all of them on display.
you want to explore cycles of violence and healing and grief and war and found family? you want interesting and varied magic systems? you want ethical dilemmas and grey morality and characters being forced to make bad choices for good reasons? well done redemption arcs that still feel fresh, discussions of culture and religion and the death penalty? friends and family becoming enemies and enemies becoming friends and family?
watch The Dragon Prince.
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bebx · 9 months
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and if we get Henry Creel | Vecna redemption arc at the end of Stranger Things 5 where he sacrifices himself to save Eleven and then it’s this scene where Eleven is crying as she hugs Vecna’s corpse, I think I’ll be so mad I’ll most likely cry.
like… they kind of pulled the same stunt with Billy when he decided to save Eleven in the end. and with Papa when he freed Eleven from the collar after he was shot. I’m not giving my opinions on either of these characters (Billy and Papa), but these are the examples of this trope that was repeatedly used on characters who are portrayed as villains in the show; they (somewhat) redeemed themselves before they got killed off.
**doesn’t matter if you personally think Billy and/or Papa didn’t redeem themselves or if you think their redemption arcs were not good, the point is, the show intended to give them a somewhat redemption where they are “better”, Billy decided to do the right thing and saved Eleven, Papa decided to “let Eleven go” (I know that was because he was dying, but in the end he tried to help her), so the point of this isn’t “whether or not they had a decent redemption arc” but that “the show gave their antagonists — if we considered Billy an antagonist — a redemption arc before they were killed off”.
anyway, this post is about Henry. and I only just mentioned Billy and Papa as examples of the pattern that’s been going on in Stranger Things when it comes to characters who are bad guys.
also, this may be nothing, but the fact they chose to give us Henry’s childhood and how he was abused at the Lab, as well as how he genuinely cared about Eleven and how he genuinely wanted to help her escape before things went downhill, might be a soft hint that he’s not a psychopath. because he’s not. (all of his crimes, Henry committed them because, in his belief, he was doing the right thing/what had to be done, he never did any of these terrible things he did out of pleasure, and all these hatred he harbored towards humanity as a whole could also be the result of how he’s been treated his entire life, whether it be by his own parents or by Papa and the people at the Lab who literally abused him since he was a child.)
I know I’m kind of rambling here, but what I’m saying is: give Henry a decent redemption arc where he doesn’t die in the end. give him a happy ending where he gets to learn how to love and be loved, the one where he can heal from his trauma and be happy. I know this is probably a wishful thinking, but Henry deserves better and I will always, always stand by this.
anyway, I know @twihs-blog is going to be amazing the next season ♡
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the-badger-mole · 7 months
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On the Unredeemed
Unredeemed villains are important in fiction. I feel like that needs to be said. There is a trend in recent years (probably since Wicked became a hit) of people wanting to see monsters redeemed. I'm not against that (per-se... glowers in Maleficent), but also, I feel like we do lose something when we lean into the idea that the monster gets to make good.
Fiction can be really useful for teaching us about life. I remember seeing a quote some time ago on Pinterest or something that said something along the lines of "fairytales are important not because they tell us dragons are real, but because they tell us that dragons can be slayed". That has been on my mind a lot recently when I see discussions about characters like Azula and (more recently) Ozai. They are fictional characters with super magic fire powers, but they represent something real- they represent the cycle of abuse in families, and while I understand the impulse to absolve someone as young as Azula, I think it's also important to tell the story where she isn't redeemed.
One reason that most Azula redemption stories bother me is because of the responsibility they tend to place on Zuko as her older brother, despite the fact that she victimized him probably more than anyone in her life (that we get to see. I don't think her soldiers believed her death threat for no reason). There are plenty of stories about the victims of abuse needing to be the bigger person to keep their families together and being villainized when they don't (I think by now we all understand that Terri was not the villain of Soul Food). We need stories about knowing when it's okay to walk away, and that illustrate the idea that "the blood of the covenant is thicker than the water of the womb".
In a time when more people are talking openly about going low contact or completely cutting off family members- close family members- I personally think that seeing stories about coming out of the other side of it, of building a new family, healing from the past, and dealing with the residual guilt that comes with "turning your back on family" even when it's the right call, is helpful in the same way that those fairytales about slayable dragons are.
I'm not saying any of this to discourage Azula redemption stories. In fact I would love to see more. Stories that have Azula confronting what she did to the people she should have loved most, and have her considering what to do with the knowledge going forward, instead of just using her past abuse and mental health to gloss over the real harm she did. I want to see her grappling to accept the fact that no one- not her brother, not Iroh, not her friends- owes her forgiveness, and then dealing with all the complex emotions that come with just one of them actually forgiving her. But also, I want to see stories where Zuko gets to let go of his father and sister and go on to be supported in that decision. Because to him, they were dragons, and they were slain.
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cosmics-beings · 6 months
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I think another thing I like about starscream, yet hate that the fandom fails to acknowledge about starscream is that, a lot of his rotten personality and his nastiness comes from way before he meets megatron and way before he was a deception.
That’s not to say that a lot of the ways he acts doesn't mirror megatron and the mistreatment he went through. and that impacts how starscream heals, makes friends, etc., idw - like what megatron did still badly affects him and that's not something to be ignored, and it's still not fair that he doesn't get the same happiness megatron did.
But, I think that people do tend to act as if Starscream was perfect and uncorrupt before Megatron.
That's not true...starscream was also a rotten, manipulative and bad person before that. and a lot of that was in response to how he was treated and hating his own body/existence, and the caste system, etc. We see how a lot of people in transformers react to oppression and I think starscream is such an interesting case of someone who is so angry and furious at the system he was created in that he takes it out on others yet still fights for himself and only himself. It is sad, and it’s awful to see how his own existence and the caste system does destroy him, but I think its important to note and to understand to just see how oppressed people still have to fight through their own oppression and sometimes, because of that, because of the trauma they go through, turn rotten. And Starscream did terrible, sneaky, and awful things. He did shitty things to climb to the top and he hurt those around him, he hurt people he trusted him, and he was happy to be that way. No one made him evil, manipulative, or untrustworthy, he did that on his own.
I don’t like that a lot of the fandom tends to tie Starsream’s negative and problematic behavior and personality to megatron because it also takes away from a lot of growth, agency and discussion about starscream’s personality and why he is the way he is.
He wasn’t a perfect, innocent and shy person before he met megatron, or before he became a deception. He still did awful things and while becoming a deception was a way he could grow past the system that created him, he still did very much do so for power. Starscream was an ambitious yet a morally ambiguous person before megatron and he had to be to survive in his own mind. His life wasn’t perfect and happy before megatron, he was still fighting and he was still scheming to survive.
I really don’t like how people kind of take that away from him, and act like everything he does and every shitty way he acts is *because* of megatron. I know it’s not fun to have to admit that he wasn’t a good person before megatron met him, but I think it’s necessary to understand his character, and not a lot of people do. And when you don’t do that, you have people misinterpreting his character and being genuinely shocked when he does villainous things. Like for instance, sky bound starscream’s actions shock a lot of people because they don’t think that he is a villain - I remember a lot of ES critique is that earthspark starscream doesn’t need a redemption act- he just needs people to love and accept him. And I think you guys forgot that he was also a space fascist and enjoyed killing people on his own accord. And while megatron himself does impact how starscream acts and treats others - starscream still was an extremely problematic person eons before he met megatron.
I don’t think this negates just how badly Megatron’s treatment fucked him up, and made it so that it was difficult for him to form relationships even after, or find happiness. And I think that’s just something that cannot be ignored. But I also think starscream is more interesting as a character if the fandom acknowledged that he was this way before, that he wasn’t perfect or innocent, and that he reacted that way because he was unhappy with is life, his station, his caste, etc.
this also isn't a chance to come and try to excuse how megatron treated him, so pls don't do that on here.
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staliaqueen · 6 months
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You don’t have a show without Henry Mills. Emma might be the main character, but Henry is the heart of the show (he has the heart of the truest believer!!! it’s right there!!!). Every single character is irrevocably tied to him. He changed everyone’s lives and gave them the opportunity to change each other’s lives. He gave Emma a family. He gave Regina redemption. He delivered Rumple to his son. He gave David and Snow their daughter back. He was the reason behind Emma and Neal’s relationship and the good thing that came out of it. He healed Neal by giving him the opportunity to break the cycle of neglecting father/son relationships. Killian redeemed himself from his mistreatment of Baelfire by Henry allowing him to take a stepfather role in his life. The text says Emma broke the first curse, but Henry is really 99,9% responsible for it, thereby giving every single citizen of Storybrooke their lives back. Regina’s love for him broke the second curse. He was the one who got them out of the Heroes and Villains story. He’s descended from the Enchanted Forest but was born and raised in our world, making him the bridge between them. He did the impossible when, for just one second, he made the people of our world believe in magic and reunited his family again. Once Upon A Time is a show that operates around fate and Henry is the person who ties everyone’s red strings together. He is quite literally the center of their universe. He is The Author. He is the truest believer. It’s been there all along.
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spidey-555 · 3 months
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Things I hope the devs of CotL don't do, but a part of me feels like they'll do anyways (or might already be doing):
Revive Ratau if we chose to sacrifice him. Like I said on a previous post, it would invalidate the weight of our decision, and would open the floodgates of "can we undo other heinous actions we do?" If yes, then why should we care about the events of the game if they can all just be undone?
Make the bishops so unlikable and unsympathetic to the point where the audience ceases to care about them. I know they already aren't the most likable characters due to their abrasive personalities (excluding Shamura), but people still find them tragic, so taking away that would just be the nail in the coffin. Unfortunately, this one already seems to be happening, if the description for the graphic novel is anything to go by.
Make Narinder seem like the good guy or otherwise have the story take a side in the whole "sealing of the one who waits" debacle. This kind of ties in when the previous bullet point (especially with the "already happening in the graphic novel" thing), but if they did this, it would feel like they're just pandering to the Narilamb fans by having the story bend over backwards for it.
Have the Lamb be this flawless, unstoppable, and perfect being who everyone (except bad people) loves and will never lose ever. This one is kind of self explanatory. If the devs decide to go this route, then I feel many people would cease caring about the conflicts if this game. After all, if the Lamb can't lose ever, then what's the point of caring about any the conflicts in this game of the Lamb? I will admit that this one is more of a "me" thing than anything else
Cure the bishops of their disabilities. Heal the injuries, sure, but not the disabilities, please. In my opinion, it would be very ableist to do this, as it would imply that the only way for the bishops to be truly happy is them being cured of their disabilities.
Have there be a "canon" interpretation of the Lamb. At the end of the day, the Lamb is a player-insert character, and the fun about those characters is that they can essentially be anyone and can have many interpretations. Making a "canon" Lamb would take away the fun of those characters. This ties into the other Lamb related bullet point somewhat.
Have the Fox and Midas become followers once we beat them. This is assuming we fight them at all, of course. This one is also very opinionated. I feel like getting them as a follower would be bad because it would A) imply they have a chance at redemption and personally I like the fact that we have at least 2 villains we can just hate (here's hoping to more!) B) let us treat them however we want, which means they could not get the punishment they deserve. And before someone says that you can do the same with the bishops (the whole "not getting the punishment they deserve" thing), they already suffered in purgatory, which counts as punishment imo.
Rely too much on toilet and "naked people are funny" humor. This one is another opinionated one. Personally, I'd prefer if we got more character-based humor (hell, maybe some surreal humor as well) than humor that only a child would laugh at. I do want to post this one on the suggestions channel, but I'm afraid of the backlash.
I'll probably add more onto this when it comes to mind
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nukedimplosion · 4 months
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Why I believe Spade King will be redeemed
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The Spade King is a... controversial character to say the least. From what I've seen, opinions of him range from a complete monster to an abusive douche with little leeway.
So, making a post about how this villain will be redeemed in future chapters may seem like a slap in the face. Let it be known that none of this is to upset real survivors of abuse, but instead it is to highlight the many indicators I feel show that Spade King is not beyond redemption.
I personally have had this theory since around when chapter 2 came out, and time has only solidified it, but this is the first time I actually got the confidence to post it.
That being said, let's get into the evidence.
THE FOUNTAIN
In the 6th anniversary stream for Undertale, Fangamer played through an edited version of Deltarune with Toby Fox making comments about development, the characters etc.
When facing the Spade King, Fangamer talked about how they hoped Spade King had been a good dad 'before the other mouth grew in'.
Toby Fox then says this;
'I mean, I think that fountain definitely changed his behaviour. For sure.'
This quote is stated around the 3 hour mark of the livestream video below.
So what does this mean? You may want to argue that Toby was not be literal when he made this statement, and that the fountain was a simple temptation instead of something that directly effected his behaviour. But then there's the queen...
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The queen seems to have also experienced this fountain brought phenomena despite only wanting to use it to serve the Lightners instead of oppose.
She threatens and attempts to kill the Lightners. She establishes a regime significantly more strict then the last. She won't stop going on about the Knight. These are all things the King does as well.
It seems that the fountain abstracts the behaviour of their respective rulers for the sake of the Knight.
Okay, so the fountain impacts the King's behaviour, great. Doesn't change the fact that he threatened his son, and refuses to apologise or acknowledge his wrong doing now the fountain is closed.
Well, that leads me onto the next part...
HIS SON
Let's immediately establish one thing; the Chaos King does care for his son. While how genuine that care is is debated by the fandom, I would like to make the case that he was a good dad and does want Lancer to be happy.
First of all is the quote about the fountain that Toby made in the anniversary stream, which was a reply to a comment about how Fangamer hoped that he was a good dad.
Replying then seems to indicate that the fountain did impact his ability to be a good father.
More importantly is his dialogue in jail.
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Here, he asked directly if his son is happy, in hesitant, even reserved manner. This is in direct contrast to how he mocks the Lightners with his boisterous grin or cruel frown.
Remember when he was yelling that he'll 'KILL ALL OF YOU' while his subjects dragged him away? An insurrection led by his son, who he called a traitor? Despite this, he seems to hold no ill will towards his son or his fellow darkners (we'll get to that). This behaviour I believe was caused by the fountain, thus the attitude change.
And yes, I do acknowledge that he has lied for sympathy before (his act before Ralsei healed him in chapter 1), but this is different. There is no reason to lie at this point; there's no way they would believe him.
He also admits that if he HAD let his son go, Lancer would have just... bounced. He then calls his son a bouncy little pumpkin. This line is notably similar to a line right after Susie casts pacify on him, calling her a 'sweet little pumpkin', again hinting that he was a good dad before the fountain and his love towards Lancer isn't a lie.
'But' you may argue, 'Lancer was afraid! He knew his son was scared of him but kept threatening anyways!'
Which is a valid point, and is obviously horrible.
BUT combined with the fountain being an impact for his decisions, I think it is also a valid idea that there's more to it than 'The Spade King is abusive'.
Both the Queen and King are callous when it comes to the opinion and wellbeing of others. Queen spends the entirety of Chapter 2 attempting to force Noelle to do as she says, even threatening to kill her classmates (and crush) for the sake of her goal.
What King does is similar, making Lancer watch as his friends get killed because he didn't do as he said. It's cruel, yes, but this is another case where you can argue the fountain may have led to this mutual behaviour.
(You may argue that the Queen has the excuse of being a computer who isn't completely in tune with peoples emotions. This argument doesn't really make sense because she actively uses Noelle's emotions against her in a way that shows she understands how upset it makes her.)
I do believe that Spade King knew his son was upset and still went along with it. This post isn't some elongated argument for Spade King's sainthood.
But I do have to say, him being aware and still going along with it may explain why he's hesitant to talk about Lancer in his jail cell. He knows he messed up and is feeling guilty post-fountain, he's just too prideful to up and say it to the face of the enemy. What he did is not a show of Spade King's abusive inhernet nature but an example of the fountain clouding his full judgement at that moment.
Also, you may argue that Spade King was neglectful of his son, leaving him to Rouxls Kaard to be cared for. I do believe that there has been a bit of exaggeration on this point. Yes, he does put his son in the care of his employees perhaps more than he should, but he's also straight up a King. He's a busy guy.
'Oh, but he doesn't feed him, the poor boy is starving!'
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Honestly, my big question is why he's cooking in the first place. He's a King, he has subjects literally fanning his son and he can't afford one chef? It seems like this is more a downtime thing he does with his son for the sake of family bonding (may explain where the food based nickname of 'sweet little pumpkin' came from) and he knows his son will be fed by his employees when he's busy.
Again, too dependent, but I don't see any signs of such an intense neglect to call him a bad dad.
Of course, this is more in the assumption category. It is possible the neglect is more active and that the King is just a douche, but I feel that we are being purposely mislead here.
Now, onto the final point.
HIS SUBJECTS
Let's talk about why Spade King did what he did.
Spade King hates Lightners, that much is obvious. He calls them scum, says that 'their existence goes against our own' and feels absolutely no guilt towards trying to kill them post-fountain.
Which isn't really not justified. Darkners were made to keep Lightners happy, only to be abandoned by them. The Chaos King has to watch as the kingdom, HIS kingdom, rotted without meaning. He had to raise his son with the understanding that he would never be 'truely happy' because the so called only source of happiness for Darkners left them to the wayside.
So, when the Knight came, is it really that surprising he would try to create a 'new purpose' as he said? Yes, perhaps world domination is a bit insane (maybe he's dramatic like that, maybe it was the fountain, he does hate Lightners so it's likely both) but the core of his ideals, that darkners can be something beyond what they are to Lightners is not only justified but correct.
In the scene where the gang are walking to the castle in Chapter 1, Lancer acknowledges how happy he is to be here, feeling like he's doing 'something important'. Ralsei replies that this is because he is serving the Lightners and that is the purpose of the Darkners.
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Susie is notably uncomfortable, and dismisses Ralsei's point as 'weird purpose' talk and simply says that Lancer is just happy because he ate a weird berry. This is the first sign that the plot beat of Darkners only gaining happiness from Lightners is not just going to be an accepted status quo by the main cast and that there is likely to be more contention about the subject in the future.
(I would also like to mention that Ralsei in this scene asks if the Spade King is happy, in which Lancer very hesitantly says he's not sure.)
Then, in chapter 2, Ralsei is shown to be confused about friendship. He starts to understand that friendship is more than just being nice all the time and that he should be more 'Ralsei-like', meaning more like himself.
The problem is that he doesn't know what that is. He's spent all this time forming himself into the perfect companion but he doesn't know how to be himself. This is a result of his purpose, his wish to be the perfect Darkner for his friends. Now, his purpose seems more cloudy. Should he continue being the perfect little angel for his friends or should he become someone who is more genuine on their own terms, like what his friends seem to want?
While Ralsei is still doing everything he can for the Lighteners, he is slowly becoming his own individual, which is what the King wanted for all Darkners.
Then there's the general themes of control. Be it Kris, the secret bosses or the Spade King, all of these people wish to be more than the binds that control them. While the Spade King is acting on behalf of the Knight, he does so to free his people from the influence of the Lightners, to make purpose on their own terms and be their own people.
Just like how Kris wishes to be free from, you, the player, also making their own purpose and be their own person. May I remind you that the Darkners are media and toys, fun things meant to be enjoyed. They are in universe equivalents of video game characters, made to entertain Lightners, just like Kris, Ralsei and Susie are made to entertain us. The only difference is that the latter is closer to the forth wall.
So yes, while his world domination thing was wack, I believe the Spade King is righteous in his core values.
So why doesn't any other character seem to agree?
Ralsei completely believes that Darkners can only gain happiness from Lightners, Queen does everything she does for the sake of Lightners, hell, the town that the Darkners live in isn't named after the Prince or anything but you, a Lightner. They even call you boss!
At this point, the only character who cares for Darkners having a purpose outside of Lightners is locked in a jail cell.
Now, it is possible that Toby Fox introduces another character who has Spade King's beliefs but is less nasty about it, but that's lame. It's also possible that Ralsei has an epiphany and realise that Darkners deserve better and that becomes the result of his arc. Better, and I can see him going in that direction, but I still think it's less satisfactory.
In any route in which you don't get all recruits, the King is the only person who acknowledges this and is actively upset about it. Even the Queen is hesitant yet still ultimately okay with leaving her subjects behind because the Lightners are onboard.
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The goofy cutscene where he asks for cashews? Gone. He simply remarks on how you left them behind like Lightners left the Card Kingdom darkners behind and tells you to 'Begone'. The first line is said with a smile, knowing that he's been proven right but after that, the smile leaves and he's just... cold. He seems genuinely upset about what happened to the Darkners you left behind, portrayed with a '...' in his second line and the loss of his smile. He is not trying to trick you, you simply disgust him at this point. He cares for Darkners in a way that no character has shown yet (aside from Nubert (the goat))
This is why the title of this post is why Spade King is GOING to be redeemed and not me saying he SHOULD be. The difference in levity between an interaction with the Spade King post full recruits and not full recruits indicates that by getting recruits, the King is more willing to acknowledge you and, perhaps with time, your points and intentions. If Spade King was supposed to be this abusive bastard, having characters such as the Queen be on positive terms with him seems strange. You can argue nuance all you want, but the Queen, a character who we're supposed to like, being friends with a character we're supposed to end up hating seems like a strange writing decision no matter how you slice it. Especially if he's a straight up child abuser.
(yes I know she might not know but are you really expecting an epic drama where Queen finds out he's an abusive scumbag and calls him out? Having a morally positive character be friends with an abuser can work but in this situation, it is objectively a weird choice and I will argue on that)
He asks for cashews in this chapter and suckles out a giant hamster water container. Maybe the second serves to make him look pathetic, but then the Queen apparently has the same thing but bigger. The cashew bit is played off as endearing more then anything.
This is all because you got those recruits. Without them, he doesn't even talk to you. Therefore, it can be concluded that Spade King does have a chance. After all, if all of him was completely against you and believed you would be bound to abandon them, he would not be talking to you in any route. It's only when you prove it directly that he stops.
Toby Fox uses the recruit dialogue to endear you to him, which I presume is to set up a redemption if you continue to go down the recruit everyone path. By proving him wrong in future chapters, I presume he will talk more about himself and his ideals and perhaps listen to the Fun Gang and his son in turn.
CONCLUSION
My prediction is that over the course of the chapters, players will see more and more endearing aspects of the Chaos King, with things such as his theoretical neglect and love for Lancer being properly clarified and elaborated on, but only if you keep all recruits. He will still be sceptical, perhaps even leading to him going against you when the Knight returns, but he will ultimately fight by your side if you have successfully convinced him through your treatment of the Darkners that Lightners aren't bad after all.
Hopefully by the ending point, Ralsei would have had enough of an extential crisis to hear the Spade King out on his whole 'Darkners deserve to be happy without the Lightners' deal. Susie would absolutely be on board with her friends finding happiness without needing Lightners (I can see her arguing with Ralsei about it in a future chapter).
I can see him sacrificing himself, but I don't want Lancer to deal with that.
The final point I would like to mention is his place in the narrative. A lot of people have argued that all he is meant to be in an objective evil to prove that Ralsei was wrong about fighting never being the answer and that a redemption would ruin that, and yes, that is his role is chapter 1.
But if that was his only purpose, bringing him back as the only person to actively acknowledge the consequences of your lack of recruits seems pointless. Giving him moments of endearment and clarifying he loves his son is unnecessary. You, again, can argue it's for the sake of nuance but I think at this point I have clarified that there is a lot more to it than that.
Besides, what would be more satisfying to see than the most stubborn character of your journey, the only one you could not convince in the chapter he appeared in, joining your side as a result of you sparing every darkner you can?
In a game with only one ending, making routes like full mercy seem worth it is kind of important if you want players to bother caring about those mechanics. The few dialogue changes we do get really don't cut it.
But witnessing the development of a character who you started off hating but then becomes your ally due to your decisions and comes to help you in your darkest hour?
That would be worth it.
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Thanks for reading this theory! It's been a while since I've written a theory like that. Do say your opinions, I know this is a desisive topic but I am still happy to hear people's perspectives!
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ben-the-hyena · 2 months
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What are your thoughts on Kung-Fu Panda 4?
Kind of like Wish (still liked it better tho, Wish was just "okay")
In itself, a good movie I liked, I was surprised to love Zheng (is that how it's spelled ?) when I was sure I'd hate how she was shoehorned in the franchise but no she was touching and fun, the humor held up, even if she were not deep I liked the Chameleon (I guess a franchise does need at least one villain who hss no trauma and is jist evil because, she was still likable and charismatic and not exagerated), Mr Ping and Li Shan were amazing and hilarious together (you can't tell me they are not married at this point), I thought I would hate how the Furious Five were not there but they were given a satisfying explanation why that truly made it feel like Po's own journey this time and it felt like all was forgiven when they appear at the very end, Tai Lung was there and even if I was disappointed we were actually clickbaited and lied to (HE DOESN'T BECOME GOOD OR APPEAR MUCH !?!?! FUCK YOU !!!!!), he still finally found solace and a form of redemption or at least a path closer to it by finally being at peace with Po and accepting him as the dragon warrior and grow respect for him which was enough for my 10 years old soul to have found inner peace and feel feels about him. My baby, he finally healed...
But as the way it was advertised... a fucking joke. We were lied to for Tai Lung, Shifu was useless to the plot and made into a joke, Po's new status was super simplified as a magical power, I don't like the different style for the new characters they don't feel like belonging to the KFP universe, the Dragon Warrior is supposed to be known all across China but now only the Valley knows about him, not enough serious moments for too much comedy (it was good sure, but really not the balance the first 2 movies had), speaking of which SO many retcons (LORD SHEN NEVER WAS A KUNG FU MASTER !?! NOR WENT TO THE SPIRITS REALM, HE LITERALLY FUCKING DIED !?!?! ANF KAI WASN'T A MASTER EITHER ?!?!) and oversimplification (magic used to be subtle in the mortal world in the franchise. Now suddenly a DBZ/final boss type of fight really ?), and ALL THE FUCKING WASTED POTENTIAL WHEN YOU READ ALL THAT WAS GIVEN UP ON BY THE SHITTY DIRECTOR WHO DARED CALLING THE ONE OF THE FIRST MOVIES A NOBODY (Then I am told *I* disrespect her for shipping a ship she sees as friends !?!) AND IN FACT PLANNED WORSE (LIVE ACTION !? HUMANS ?! NO FURIOUS FIVE AT ALL ?! NO BACKGROUND STORIES FOR THE CHAMELEON AND ZHENG AT ALL SO THEY HAD TO CRAM THEM LAST MINUTE ?! *HE* IS A NOBODY) AND WE WILL NEVER HAVE HER AMAZING IDEAS I'D HABE FUCKING KILLED AS A 10 YEARS TO EVER SEE BUT NEVER EVER WILL BECAUSE OF HIM AND THE MOVIE IS DONE !?!? (Tai Lung truly being part of the plot and redeeming and having closure with Shifu, I fucking would have loved and cried)
ALL WASTED FOREVER BECAUSE IN ANIMATION THERE NEVER IS ANY SNYDER CUT BECAUSE IT'S SEEN AS A SUBART FOR CHILDREN BY EXECS ?!?
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*pants*
*inhales*
So I'll say I liked it, as much as the 3rd in fact, but knowing how much better it could have been if it were not given to an egocentric manchild who understood nothing about the heart and soul of tge first trilogy and how much better the concepts are 10 years old me had been wishing for and would have finally found closure in but I will never, *ever* have this closure about Tai Lung and I wilm never ever see them animated and voiced because his return was wasted because of HIM, it makes me mad and sad...
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mysterycitrus · 6 months
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i dont know who a writer would be who could handle it (more ignorance on my part than lack of good writers though there is that too) but i’m curious what you think a real, earned redemption could look like for jtodd and if you would even want it.
i definitely think there’s a path, esp because so much of bruce’s philosophy relies on a genuine and earnest commitment to rehabilitation and restorative justice, but i also think (and maybe i’m wrong if anyone has comics recs lmk) but i don’t think i’ve seen a comic with the hard work of reaching out and healing/moving on from the past from both bruce + co and jason
i really love his character but especially now i don’t think dc knows what it wants to do with him so he’s in this perpetual limbo where he’s always on the edges of the batfam, a fringe black sheep member but a member nonetheless, still entangled with them
personally i would love either way but i wish dc would either separate him and let him do his own thing that’s not just punisher lite or really actually go through the process of making amends and fully integrating with the crew, learning to love and trust again and all that
omg this really got away from me so apologies for just word vomiting in your asks but yeah im curious dc puts you in charge of j todd’s next big character arc, what would you do with him
i don’t think that’s ignorance — dc is not known for hiring writers who can include and explore complex themes in their comics lol
personally i think the easiest way to trigger a redemption arc for jason would be take him away from the batfamily and force him to interact with other villains, specifically amanda waller and the suicide squad. task force z came kinda close to this, but didn’t push the concept far enough imo. jason’s interactions with black mask were some of the best parts of utrh — i want to see his ideology be questioned by people who do the exact same things as him, and are fully aware that they’re selfish and destructive.
the truth is that while jason is acting out and murdering people, he’s still bound to bruce. he is autonomously making decisions, but fundamentally he is choosing to stay. he’s choosing to be tethered. he’s choosing to care. seeing the indentured recruits of the suicide squad would be confronting to him.
i don’t think the happy family fanon dynamic will ever be possible without ruining every included character simultaneously, but that’s okay. that’s not what jason truly wants anyway.
specifically, i don’t think he’ll ever be able to work with bruce, which is why i find the jason + dick dynamic so interesting. you’re right — bruce’s fundamental mission is about restorative justice, and he would continue to reach out. dick, however, is a realist, and is extremely protective and territorial of the people in his care (tim, damian, the titans, etc) all of whom jason has hurt. jason has been shown on page to respect dick and his position, and simultaneously think he’s pathetic because he refuses to lose control.
for me ideally, he’d be someone on the very outskirts. i feel like dick and babs would be his point of contact — dick because he’s keeping an eye on jason, and babs because she has way less hangups about working with killers. otherwise? i think he’s lost the chance to properly bond with anyone who knew before he died. that’s the risk he took when he decided to become the red hood. that’s the tragedy.
but to be perfectly honest, the most restorative thing jason could do would be to leave the game entirely, and relearn how to live.
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stardustizuku · 1 year
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PART 5: The Core of Everything and Why Thomas is BAD
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As I said.
The moment I realized that this show was losing its footing, was when they started to mess up Mairinette.
The moment I realized this was going to be bad show, was when they messed up the Love Square.
The moment I realized this show was going to mess up the Love Square, was the introduction of Rena.
But.
That’s not when I dropped the series. That’s not when I became disillusioned with it. Because, as I said, I could overlook that.
I don’t care, as far as this essay is concerned, if it’s a good or bad show. I don’t care if it has cringey writing. I don’t care if it’s a mess.
What I care about, is how it treats the magical girl genre. What it borrows from it, how it interprets it, and what it transforms it into as a westernization of the genre.
That’s what this is about.
The moment it fucked over the magical girl genre, was when they destroyed Chloe.
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People have a variety of different opinions on Chloe. Hate her, love her, think she’s wasted potential, think she’s a villain beyond redemption.
But the mere fact, we can all think about her and have an opinion, proves she was the best thing the show ever had going for itself.
Not because she was likable, but because it spoke. It dared to say something. That something being good or bad, it’s irrelevant to this point.
It said something. For the first time, since the fucking series debuted, Miraculous Ladybug dared to say something. Make a bold statement.
I think we can all agree that the show was trying to do something with her. It build her up through many episodes as a sympathizing character.
I did have my suspicions that it was going to fumble her arc, when a lot of the time these small details of her character got introduced - just to be dismissed by the narrative a few episodes later.
She was always back to being a villain and acting in reprehensible ways, even when previous episodes attempted to give her character growth.
But, I truly wanted to believe. I kept trusting this show. Over and over again. Because it was finally, finally, saying something. And most importantly, it finally touched the core of Magical Girls.
But everything crumbled away when Mayura happened.
Marinette never gave Chloe a miraculous back again. And while she claims it was (mostly) because she’s not someone Marinette trusts, someone who reveled her identity to the world…I don’t buy it.
(Also sorta weird that Ladybug is the one who forbids it when it Chat Noir who continued to seek Chloe as Queen Bee, and it was his choice but…we know how Ladybug never treats Chat as equal at this point)
Time and time again Chloe showed she is very willing to help. Yeah, sure, she is not good at it. But it was also showed that her not being able to be good was linked to the neglect she suffered as a kid.
I mean, she couldn’t remember someone’s birthday because her own mother forgot hers. This clearly upset her. She wanted to care for Mrs Bustier’s birthday, but her own trauma was making it extremely difficult. And in an attempt to to rid herself of the guilt, she lashed out.
That’s a realistic way in which hurt people, hurt others.
But she also proved that, if given a chance, she is more than willing to resist those urges to hurt others. In Miraculer, she fights off an akuma. She wants to be Queen Bee, she wants to believe in Ladybug.
While her trauma makes her prone to lashing out to others, by having Ladybug in her life as a role model, she wants to be better. She wants to heal. She wants to be a hero.
In a GOOD series, this is a way of proving the MC that not everyone who is annoying or a missy, or has a different attitude than Hers, is a bad person. That are people who are willing to do good, if given the chance to do good.
But this is not a good series.
The reason behind this…can’t call it anything other than insulting take, is that Thomas claimed in various tweets that “bullies can never be heroes”.
This was the last straw for me.
I truly do believe I snapped and it was the moment I stopped watching the series altogether. This is spitting on the very sacred name of Magicals Girls and everything that came before it.
Never mind that Chloe is a neglected teen - this is show inspired by magical girls. Name ONE magical girl anime where the girl who’s kinda mean to the MC but WANTS to do better - is shown to actually be cruel.
None.
Princess Tutu has Rue.
Shugo Chara has Utau.
Sakura Card Captor has Mei.
Sailor Moon has - well not girl but Fisheye -.
Mermaid Melody has Sara.
Mermaid Melody PURE has Michelle.
Madoka has Homura.
Lyrical Nanoha has Fate.
Pretear has Mayune and Mawata.
Tokyo Mew Mew has Mint AND Zakuro-
THIS IS THE CORE OF THE MAGICAL GIRL GENRE
I don’t know WHO in the name of FUCK does Thomas think he is to imply he knows more about this genre than the women who created it. But he always hides under the defense of “this is a little girls show for little girls and they need to have a positive role model”
It’s not.
I have already said that Marinette herself has failed as a protagonist. Not only is she unlikable, she fails to represent anything. She fails to stick to a theme, she fails as both a role model and a flawed character.
And it speaks to me about Thomas incredible misogyny how he keeps treating this genre as nothing more than excuse to fulfill his thinly veiled fetishizes and power trips.
He has no right to be in show linked to the genre of Magical Girls, or anything related to its westernization.
Magical girls are about forgiveness. They’re about kindness and the power of perceived feminity. It’s about offering a helping hand, when the world is cruel to you. A magical girl doesn’t raise her sword first. She talks. She asks. She feels. And only after all has been exhausted, she fights.
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It’s something you can’t get in media catheter to other demographics, where kindness and love is seen as weak or corny.
If a girl wants to be better, it doesn’t matter what she did before. She is allowed a second chance.
Even in Madoka, the “darkest” magical girl - she saves every girl who wanted to do better. She stopped them from becoming witches, because they didn’t want to. But they were forced to. Forced to become horrible monsters, until someone killed them. But Madoka saved them.
The fact is, even other children’s show about, borrowing or alluding to Magical Girls touch upon this theme.
Have Star and Eclipsa for example. Eclipsa is a person who’s done everything wrong in the book of Mewni magic. Even when she herself and narratives admit she has done wrong things, it still brings forth the main issue. She was hurt too. Her family was taken from her, her baby, her husband, her Royal linage, her magic, her own history got erased and rewritten. She’s shown as someone who did bad things but ultimately who meant well. In the end, she is granted by Star redemption. By giving her her child, and her wand back.
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Steven Universe touches upon it too, via all the other gems that are from Homeworld, mainly Peridot and Lapis, who despite having a hard time, after getting kicked out of Homeworld, make an honest attempt to integrate into Earth
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As I’ve said, She-Ra is perhaps the best integration of Magical Girls into western children’s show. The way they handle Catra is the perfect example of why I say that. She is the best example of someone who wants to do good but can’t because of the trauma she’s faced. She’s extremely sympathetic but her actions are undoubtedly wrong. Even so, Adora’s adversion is never towards Catra, but Catra’s action. Because she knows she’s a good person, but until she admits fault and asks for help - she can’t really help her. Even if she tried (and she did) Catra would simply lash out. This drives home the message “you can’t save or help does who do not want to be saved or helped” but it also reinforces to girls the idea that - no matter how late your change of heart is, that’s all you need. Admit your mistakes, try to do better, and you’ll find a place where you’re truly happy.
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But, if you wanted a slightly more cynical look at it - we have the Owl House
That’s one of the few that say “some people are straight up evil, don’t try to sympathize with them or they’ll trick you”. Belos is bad news, period. No matter how human he may appear to be, he’s far more of a monster than the witches he hates. But that’s an adult man.
The teenagers around Luz’s age are just that. Teens. Amity is not a monster, Hunter is not a monster. And Boscha is annoying but not a monster either. Nor is she irredeemable. In fact, she’s portrayed in the last season as more of a lost child without Amity’s mean girl guidance. Yeah, she’s a mean girl but she cares for her friends, she misses them and cries when she reunites with them. That said, for every Boscha we had, we also had an Amity, a Mathomouel, and a Hunter. Three other mean or bully characters that were shown to be secretly good or with the need of nothing more than a push in the right direction to become good.
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(Also, side note but if you’ve noticed, Magical Girl stories are extremely intertwined with queer stories. I do find it extremely odd that MLB never touches on any queer main story - aside from Marc and the subtext of Rose and Juleca. Which again, subtext. Most westernizations of magical girls make it explicit and risk cancelation over it. All more to say that the creators of MLB have a complete disregard and outright contempt to the genre they’re stealing from, if this is as far as they’d go.)
Their attitude towards Chloe, in comparison, is nothing short of petty.
Why would Chloe be beyond sympathy? Beyond empathy? Beyond an attempt to a second chance?
If she truly showed that she’s remorseful, if she truly tried to become better, why would a man like Thomas deny her that simply because “bullies can never be heroes”?
BULLSHIT. That’s a terrible terrible message to send to kids. We all want to believe the ones watching are perfect girls who get bullied and have never done anything wrong - but a lot of them aren’t. And you’re essentially telling them “if you made bad choice in the past you’ll never be a hero. You’ll never be good enough”
You’re hurting little girls. You’re hurting this genre.
THIS IS WHY CHLOE MATTERS. This is why I dropped the series when I did.
Instead of saying something important with Chloe, it doubled down and said “actually she’s a monster” even when it was shown she could be good, that she could be better.
And maybe I could understand it, if they hadn’t introduced Zoe.
She’s seen by the creators as a “watered down version” of Chloe. They realized Chloe was actually a good addition but they didn’t like how she was too much of a bully or too mean. So, instead of dealing with their flawed compelling character, they make a “nicer” version of her.
Yeah Zoe was mean but she was mean once (1) and because of Chloe’s pressure.
Which is. Bad. Writing wise.
Not because the message is bad but because it’s hypocritical. Why should one be praised for being mean because of peer pressuring but stopping - while the one doing it to impress her family, her mother, and trying to stop, be considered bad? Because one gave up the “mean” act sooner?
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Again, terrible message. Healing and becoming a better person isn’t as quick as talking once to someone. It takes time, it takes effort, it takes work.
Why is someone who doesn’t struggle with being a good person be “better” than someone who tries to be good even when it doesn’t come naturally to them? Not to mention, by the point in time, Chloe was not only hurt by her mother’s neglect but Ladybug’s neglect. It makes sense she’s mean to others, she’s known nothing but neglect and abandonments from the people she looks up to.
Is it that weird she treats everyone she sees as below her as disposable, when the people SHE looks up to sees her as disposable?
Chloe deserves sympathy, if not forgiveness at least a chance to understand her.
The fact that Thomas spat on the very core of THE Magical Girl Genre. Shows what he is. An old dude, who THINKS he knows what little girls want. Who thinks a woman who was mean, is an evil creature that knows no remorse, and deserves to be hated forever. Not forgiven, or handed a second chance. But despised.
He is the type man that pollutes the genre. Who thinks he knows, but really no one wants him here.
Fisheye isn’t a a girl, but because of the LatinoAmerican dub I grew up believing he was. And his interactions with Usagi, to this day, left an impact on me bigger than you can imagine. Fisheye was someone who constantly made fun of Usagi, who was a villain in every sense of the word. They kept constantly trying to steal Mamoru from Usagi and made fun of her on the way out.
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But Usagi, when she say how down and heartbroken FishEye was - she cheered them up. She invited them to her house. Shared with them her dream. In the middle of poor Fisheye having an existencial crisis over being nothing more than a creature without dreams, Usagi offered a helping hand and comforted them.
Because Usagi cannot leave someone crying alone. She recognizes that Fisheye is a bit mean, but just like Rei, secretly cares for others. In the end, Fisheye sacrifices themselves to save Usagi. They cry when Usagi’s dreams get shattered, horrified but finally understanding why dreams are important.
It sounds silly, but it changed my brain chemistry. Something inside me recognized at my 12 years old that you have to be kind. Because you never know what the other person is going through, because you never know the impact your kindness can have on others.
And this is why I love Magical Girls so much, why I love Sailor Moon so much.
Yet.
What this show did to the genre I love, it’s…it’s plain unforgivable.
ML is bad. For a number of reasons. But it fails to be what it promised to me. It failed me on the first day. And I still stuck with it. Because a lot of western series failed me on their initial take of a Magical Girl.
Star Vs wasn’t best. Steven Universe didn’t borrow enough. She-Ra’s transformation left much to be desired.
But they all gave me something. And what’s most important, it held its core belief.
“Women can help one another. And kindness isn’t weakness”
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Miraculous isn’t that.
It disappointed and hurt me, because it believes the exact opposite. Marinette only cares about Adrien, and cares little for other women. She is antagonistic for any girl who shows interest in him.
In her eyes, kindness isn’t a priority. Her friends and teammates are all people she chose, not those who she had to learn to love and fight alongside with.
If She-Ra’s last season is the culmination of everything a Magical Girl should be in the west. Miraculous is the exact opposite.
It doesn’t only fail as a show. It doesn’t only fail as a Magical Girl show. It borrowed every last thing it had from the genre.
And once it was popular, it spat on it.
Miraculous ladybug hates magical girls. And honestly,
I hate it too.
PREV << MASTERLIST >> NEXT
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musclesandhammering · 6 months
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Unpopular Phase 4 & 5 Opinions
Quantumania is the worst Phase 4/5 movie. And it wasn’t even because “kang got beat by ants.” (I liked kang in this movie). It’s just that the Spy Kids aesthetic & bad acting & overall weird vibes just weren’t for me.
Love and Thunder is no worse than Ragnarok. I would argue that it’s better in a lot of ways, actually. I really liked it.
Taika Waititi ruined thor with bad humour all the way back in Ragnarok tbh, but y’all weren’t complaining about it then 😒.
BuckySarah is better than sambucky every day of the week.
The Marvels was a good ass movie & they’re one of my favorite teams in the mcu. I’ll never forgive cbm sites & online dudebros for killing the hype from the moment the film was announced.
I adore America Chavez & Kamala Kahn and I want to see them in everything. They must be protected at all costs.
Multiverse of Madness had shitty characterisation & basically just copy-pasted the ‘grief made me go off the deep end & hurt people, then I realised and stopped myself’ storyline from Wandavision… but Wanda was extremely selfish & apathetic to other people’s suffering from the time she was introduced in the mcu. MoM didn’t make her like that.
Wanda should’ve been looking for Vision (her actual real life boyfriend whom she spent years with irl) in MoM instead of the kids that weren’t even real that she spent like a week using as characters in her sitcom.
Making everyone forget Peter Parker wasn’t profound or poetic in any way- it was just frustrating and needlessly cruel.
I’m begging marvel to understand that heroes don’t have to be in constant suffering to be heroic & villains don’t have to sacrifice themselves to achieve redemption. Let characters heal and atone, you absolute weirdos.
What If…? is the most boring show ever. I’d rather watch Secret Invasion or She-Hulk.
Season 2 of Loki is, in a cinematic & artistic sense, the best marvel project period.
Loki season 1 was meh- more of a fun au than anything because his characterisation kinda sucked. Season 2 fixed it, though, and made it way easier for me to incorporate this version of Loki back into the larger mcu.
Having Steve stay in the past with Peggy was stupid af.
I don’t hate Peggy (or Captain Carter), though. I actually think she’s pretty cool.
I don’t really love Steve. He’s arrogant & they never really let him have flaws & something about him being a perfect metaphor for the American military industrial complex (and marvel painting that as a good thing) doesn’t sit right with me.
The Illuminati got done dirty and the only reason they went down so fast was because Wanda had all that plot armor.
I thought the retcon of having Wanda be “destined” to become the Scarlet Witch since birth was an annoying cop-out. Her powers originating from being experimented on with an infinity stone was way more interesting.
Loki & Wanda have almost the exact same powers.
Nebula deserved a bigger rule in killing Thanos & everything else moving forward.
I love Kathryn Newton but her acting as Cassie Lang was the worst acting I’ve ever seen in the mcu, like it was outrageously bad.
I’m glad Sam is the new Captain America and not Bucky.
The fact that Bucky probably isn’t gonna be one of Thee lead characters in the upcoming avengers movies feels sick and twisted.
Secret Invasion was actually passable until the G’iah scene at the end. That ruined it. And Nick Fury deserved way better for his solo series.
Kang is so much more interesting than Doctor Doom. I really hope they just recast him.
Carol Danvers does NOT deserve the hate she gets.
I actually disliked Carol until The Marvels. That movie made me a stan.
The way people treat Monica as Wanda’s little inferior pet creation or smth & then brag about it is uhh very sus.
I don’t like sylvie (bc she’s an amalgamation of 3 different comic characters- which killed any hopes of them appearing individually in the mcu, the creators used her existence to butcher Loki’s genderfluid rep, & she was written poorly) & I HATE sylki (bc it’s weird & unnecessary).
Marvel isn’t dead. I actually love where they’re taking things. But that’s just me.
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We're finally at the final (thank the gods)! Things that we talked about that I haven't seen discussed:
Nathalie trying to kill Gabriel is such bullshit. "You can't do this! You'll hurt someone!" Nathalie, you have known that since day one! You knew he was working on this all season and you're good now! Why are you only trying to kill him now? You were healthy most of the season! You even physically pinned him! Oh, right, because you're not actually good. It's all just "better than thou" lip service. Hypocrisy is the easiest way to make us dislike a character and Nathalie's a massive hypocrite, so we're not fans.
Evil Nathalie was pretty fun. "Good" Nathalie is aggravating and has as lackluster a redemption as they gave Felix or perhaps even more lackluster. Felix at least switched for love of Kagami. Nathalie switched because Gabriel didn't heal her even though she had zero knowledge that he truly had a chance to do so (she wasn't there and Gabriel has never given up an opportunity to save Emilie so that he could chase Ladybug before). Adrien was never Nathalie's motivation or else we would have seen her protest things like Gorizilla, Style Queen, and Chat Blanc.
Moving on!
The mass teleport to Ladybug should have killed everyone because the whole world is supposed to be after her. A couple billion people teleporting to the same location should mean people squish each other or that portals open over each other/on top of people. Just saying. Budget saved her life because Mirauclous' Earth has a teeny tiny population due to rendering costs.
SO was mad how anticlimactic the final fight between Marinette and Gabe feels. Oh two people who barely interacted, have minimal personal connection, and always hated each other are fighting? Such a big moment! I'm so invested! He talked about how other shows build up to moments like this by making the villain terrifying or by making the villain and the hero have a strong, personal connection or even by making the fight super fun to watch, but miraculous did none of that. SO seriously didn't care about the fight at all and, to be honest, neither did I when I first watched it. I only tuned in when Marinette detransformed and I went, wait, wtf are you doing?
We get to all the scenes with heroes in other locations and SO paused the show every few seconds to ask me who tf person X was. Fei resulted in multiple pauses because of her varied forms. So I can confirm that the casual viewer totally followed this part and it was a wonderful addition (that's sarcasm, btw). He did ask "why would the French say that they need a bunch of Americans to win?" Which I though was pretty funny. That's certainly one way to read the Americans showing up!
SO works in IT. He was so mad that the laptop wasn't remotely wiped after it was lost/Lila stole it. And why does it have access to the Agreste mansion and not just the police robots? I thought Tsurugi corp was a tech company? This is all security 101.
SO's final thoughts: well that was soulless. I feel nothing. I can see why you're so done with this show.
Credit where it's due: while the final was massively disappointing from a story perspective and while I don't think Caline Bustier was written like a good teacher for anyone above the age of 5, it is really cool to show a pregnant woman run for office, win, and then be allowed to do her job with her baby in tow without any of that being treated as a joke. That's a really powerful thing for a young child to see and I'm glad it was included even Caline would make a terrible mayor in real life.
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julietwiskey1 · 6 months
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If ATLA had a fourth season, what do you think would have been the plotline of Book 4 and what would likely have been the good and bad parts of it?
If we keep the original three then I think it would have gone into Book Four: Air. Likely seeing Aang work to restore the Air Nation and searching for traces of any survivors. Perhaps he sees that culturally they are dead but their are still people who can bend air. Now Aang’s role in the previous three seasons is flipped upside down, he is no longer the student but the master.
We also probably see Zuko, Azula and the gaang search for Ursa. It would serve primarily as Azula’s redemption and growth arc. Let her heal and find love with Zuko and Ursa, maybe even forgiveness by the gaang. Zuko’s story focusing more on his growth as a leader and facing the problems that beset his people that it’s his job to fix. Not just punching the lone corrupt official but making actual changes to his government.
I think to keep it on theme we would see Sokka and Katara try to find parts of their culture stolen. Perhaps even look for water benders like Hama who still know the southern tradition. Though I see this being the most likely to be cut.
The best part of the season would be its emotional beats. Focusing on healing, coming together and love. It would nail down the hope Aang always inspires. Show him and Zuko leading everyone into that new world of peace and harmony they promise.
I think something like this would struggle to keep everyone together. All of these character naturally want to do their own thing now. So why Zuko and Azula need to search with the gaang would be in question. Why aren’t Katara and Sokka going home to heal their tribe? Shouldn’t Aang be heading off on his own now?
That’s what I think is most likely.
Though I personally think if the show knew they would have a fourth season it would have been better to split season three into two. Season one takes place up until the day of black sun. Have it take place in the colonies. Focus more on Ozai and his role leading the war and the struggles Zuko and Azula face at home. Show him as a villain by showing how two of our previous villains who love him still fear him. The gaang runs into a lot more stories like the headband and Hama. Show the oppression of the colonies and how the Fire Nation exploits the land.
Then with the season four show Zuko earning his way with the gaang as they hide in the Fire Nation Islands (not colonies but Fire Nation proper). Show him slowly earning their trust. But most importantly let him interact with the Fire Nation and learning what has to change about his nation. But I think he needs to also serve as a supporting character in several episodes. Where he’s not the focus, but rather holds up or steps out of the spot light for Katara, Sokka, Toph and Aang to shine.
Aang could also be discovering energy bending or another Ozai solution. Make the reveal of energy bending at the end feel like an earned discovery and not a deus ex machina.
During this fourth season Azula, Mai, and Ty Lee take the secondary story plots. Show the fracture of the friend group. How Azula is struggling under Ozai expectations and how it forces her to act contrary to a teenager with her friends. Give her breakdown time to fester and grow. But also show a girl who is deserving of redemption. Who quite simply currently does not feel or does not see any way out or can fully see what is wrong. Her side story can pair with Zuko’s. When Zuko finds a problem and fixes it give it to Azula and show how constrained she is.
And most importantly show Ozai being the villain beyond Azula and Zuko. Let him personally hurt and burn people. Maybe even give an episode where the gaang nearly runs into him and show how he can take them. Make him a terrifying enemy before the final fight.
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FANTASY HIGH JUNIOR YEAR FINALE PART 2 LIVEBLOG: SPOILERS AHEAD
ITS GAME TIME BABY! :D I'm so ready for this. LETS FUCKING GOOOOOOO
Spoilers Under The Cut!
GOD their outfits are so fucking cool. I love their bullying of Brennan. it's so great I love it. I CANT BELIEVE THEY DIDNT TELL HIM thats so funny.
"I spent 217 dollars at Hot Topic" Real for that Siobhan.
I would have KILLED for Brennan in Emo Kid Clothes but alas. Some other time.
FABIAN'S ABOUT TO DO THE COOLEST FUCKING THING :DDD
MIRRORS??? MIRRORS?? ROMAENCE PARTNER APPEARANCE MAYBE??? MAYBE??? MAYBE??? It'd be so funny
That dice span for SO FUCKING LONG oh my god. The dice are FEELING IT today.
Fabian pushing Jace into the lava is maybe the funniest use of Brennan's own fucking encounter design against him. I love it.
18 D10???? EIGHTEEN??? INSANE.
"I served Rueben up a plate of redemption arc and he fucking cast a ninth level spell on it" is great.
"AHHH I SHOULD HAVE STUDIED A LITTLE BIT" beautiful final words for the duplicate
Ohhhh Jace is being HIVE-MINDED. He's just a minion. Damn.
WAIT. SO ONCE THE RAGESTARS ARE GONE, THEY COULD PROBABLY BE SAVED RIGHT??? Ratgrinders might get to go away, maybe?
Oh god if Kristen gets rage-starred they're seriously fucked,,, thank god it didn't happen.
MAZEY NOOOOOOOO.
"I mean I don't Hate it" NOT THE TIME FABIAN
They're already two people down [sobs]
OH MY GOD PORTER REALLY FUCKING HATES GORGUG HOLY SHIT. He's so fucking scary actually.
Oh god I'm so worried ANKARNA NOOOOOO
RIZ'S FUCKING PLAN IS INSANE I LOVE HIM SO MUCH. Murph the GENIUS YOU ARE. The fact that it did ONE HUNDRED AND SIX DAMAGE is absurd.
"VERY GOOD ON PAPER BUT NO PRACTICAL APPLICATION" OUCH!
SHE'S NOT EVEN RAGE-STARRED??? SHE WAS DOING THIS WILLINGLY?? HOLY SHIT MOST COMPELLING VILLAIN EVER. SHE REALLY IS JUST THAT FULL OF HATE. #1 HATER. I LOVE IT.
Mary-Ann CHOOSING to take the damage is absurd. We stan a dedicated queen.
Oh god three people down is worrying. I'm sure they'll pull through.
ANOTHER CLUTCH SCATTER FROM ADAINE!
God, Brennan's homebrew spell coming back to bite him is SO funny.
GET FUCKED JACE YOU LITTLE BITCH!
ARTHUR AGUEFORT'S CONTINGENCY MEASURE IS SO FUNNY.
Killing KLCK fucking over Jace and Porter is incredibly funny. Turns out Rage does not make for Good Planning.
LOWEST INT BITCHES AS YOUR LEADERS IS SO FUNNY
"I really can't I tried" GOD jace is such a stupid fucking sorcerer I love him.
Jace failing to Bigby's Hand Adaine into the lava and then fighting with Porter is amazing. Peak. ANOTHER CLUTCH NAT 20 FOR GORGUG! The gym really is pulling things off for them.
"He just rolled a 4" in the most defeated voice ever is so fucking funny. This is what happens when half your villain party has shitty strength.
"eat this gizard and get the fuck up" God I love Brennan's random ass magic items. It's great.
"You might still be trapped in a Burning Elmville with a raging giant" So an average Tuesday in Solace?
Honoring the Cock and Getting a Nat 1- the Dimension 20 Way
Fig's tricky little Shatter is my favorite tactic in her toolbox. And her getting 40 damage of shatter is ABSURD, even if her rolling them one by one is nerve-wracking.
SIXTY-NINE FIRE DAMAGE :D
SO IF BUDDY COMES BACK HE JUST FUCKING DROPS STRAIGHT INTO THE LAVA??
BAKUR BABY!!!!!!! LET'S HOPE HE'S NOT EVIL!
He doesn't have his own mini so he's basically just That Guy
Bakur might choose to join either side so let's see :eyes eyes eyes:
GOD I love Fabian and his clutch rolls. BAKUR and ALLIES!
SQUEEEEEEEM!!! FUCK YEAH!! SQUEEM! AND HE BROUGHT THE CORTADOS. BALTHAZAR'S BACK!!!!! HOLY SHIT??? I DON'T KNOW ANYTHING ABOUT YOU BUT I LOVE YOU!
YOU GOT YOUR HEALS! GET A CORTADO AND JOIN THE PARTY SQUEEEEM!
Mary-Anne rolling a nat 1 is so funny i'm losing it. Clutch ass cutting words. The Hangman is winning!
Fabian and Mazey are SO cute. They deserve the fucking world. ITS ALL LOVE NOW!!!!
The value of protective anger,,,, the strength of love and light and the desire to combat those who would hurt the ones you love,,, Brennan Lee Mulligan you are a genius
ANOTHER K2 BLIMEY NAT 20??? THE DICE ARE THE REAL HEROES OF THIS STORY. It's fucking. It's so fucking funny. I'm literally crying.
Zac in the DM's seat again is making me laugh so hard.
Brennan actually packing up behind them is so funny. He's really committed to the bit.
"She's about to become a normal person" this is actually tragic when you think about it. Luckily, K2 is in a comedy show, so it's going to be funny instead.
"This spell is MEANT to be comedic" yeah it's literally a fucking snowman.
OH MY GOD. CASSANDRA MADE K2 A REAL PERSON???? HOLY SHIT THIS IS SOME PINOCCHIO LEVEL BULLSHIT IM ECSTATIC. OR LIKE, FROSTY THE SNOWMAN???
"Unsleeping City K2???" I WANT THIS
K2 is now a human cleric and she's fucking real. Holy shit she's fucking real.
GOD THE MOMENT WITH CASSANDRA AND BAKUR IS SO FUCKING COOL.
BALTHAZAR GOT FUCKING DISINTEGRATED [sobs] GOODBYE SWEET MAN WHO NEVER DOES ANYTHING. THE MOST CRINGEFAIL MAN EVER
Oh god the Bad Kids are fucking down again :sobs:
"We're just collecting Barbarians" I love that <3 Barbarians Only
Mazey is definitely an honorary bad kid <3 Epic crits and clutch heals for all!
Fabian and Gorgug have gone down SO MUCH. It's incredible how they keep fucking pulling themselves back up. They are truly living on the edge.
We're halfway through the episode and I am very excited and also a little nervous.
OH THANK GOD SANDRA LYNN'S FINE! :D It's also nice to see Lydia and Ragh! :D
I love how Fig immediately calls back to her mom to help. They're the family ever.
GOD Jawbone's full mini is so fucking cool.
BRENNAN YOU CAD WHERE'S AYDA???????
"All I have to do is be dead and I can roll anything" should be printed on a dice holder FOR SURE
THE FUCKING AGENT IS HERE??? IM LOSING IT
BAXTER IS FIGHTING PORTER??? OH MY GOD
Lydia's wheelchair sliding is actually so fun. I love Brennan taking into account wheelchair physics for his combat. It's always nice to see.
GORGUG HAS A FUCKING FLASHBANG?????? ONCE AGAIN GORGUG'S ABILITIES COME IN CLUTCH.
"is this Justice? Is this a New Dawn?" GOES SO FUCKING HARD???? ADAINE YOU ARE THE COOLEST
BAKUR BACK TO HIS HIGH ELF SELF!!!!
EVERYONE'S GETTING A DIVINE INTERVENTION????? HOLY SHIT.
HOLY SHIT FABIAN DID IT???? FUCK THATS SO COOL. FABIAN, A PROTECTOR, ALONGSIDE ADAINE. THEY ARE THE BEST FRIENDS!
Mazey and Fabian are so sweet. I want them to be in love forever do you hear me???? YOU HEAR ME???
"All the ways you've protected people is what makes you cool" GOD MAZEY GETS IT. FABIAN HAS SO MUCH LOVE TO GIVE.
Ankarna, sitting in the bottomless pit; THAT BOY DESERVES TO BE WITH HIS FUCKING GIRLFRIEND. LET ME RISE UP!!!!
AHHHHHHHHHHHH ANKARNA LIVES. SHE FUCKING SLAYS!!! SHE SLAYYYYYYYYYS
Jace getting fucking arrested is the funniest ending for a villain in this show. ITS NOT EVEN THE REAL JACE.
"I WAS HILDA HILDA THE WHOLE TIME!" EMILY THE COMEDIAN THAT YOU ARE!
God this battle was so cool it really did a lot for the Bad Kids as characters.
All of the scenes in the ether were SO GOOD. They really show how strong they've grown, and the strengths of their heart. Their desire to look ahead is built into them, and I love it.
"rebellion without a new dawn to look forward to is just cynical"
"where's the fucking cat" KRISTEN YOU'RE SO FUCKING FUNNY
SQUEEM AND BALTHAZAR HUNTING KALINA IS GREAT
"bring back everyone but Kipperlilly"
"No, just Mary-Ann"
The Bad Kids are great, Funniest people ever, 10/10
"Juicy God Gossip" is such a funny line. Another t-shirt I want.
GOD DAMN IT ARTHUR AGUEFORT WHY ARE YOU JUST NOW SHOWING UP
FORGIVEN, HE BROUGHT AYDA BACK, WE ARE WELL. God their reunion was perfect it was so sweet. And Adaine and Ayda also had a really good moment.
Arthur Aguefort is the single funniest character Brennan has ever written.
Kristen Applebees is going to be the president! HOLY SHIT!
YOLANDA AND LUCY ARE BACK!!!! I LOVE THEM!!!
RATGRINDERS REDEMPTION ARC!!! So they were ALL just possessed. This is a good ending.
Oisin and Ivy should hopefully have a terrible senior year :3
Mary-Ann is so funny and earnest and sweet and I seriously love her. I hope she has a wonderful senior year and nothing bad ever happens to her ever again. ENEMIES TO LOVERS GORGUG AND MARY-ANN WAS NOT ON MY BINGO CARD
Is Gorgug's type just barbarians who can kill him????
GOD all of them are so fucking funny.
Kristen as a Pantheon Type Cleric makes SO MUCH SENSE!!!
Riz switching to tea and embracing change is beautiful. He's so fucking strong. "whatever you choose to do, you're going to be good at it" I love his relationship with his mom so much.
Adaine's mom is being a little bastard in the Nightmare Forest? That's going to be fun to follow up on if they ever do.
"i'd take them to get you" made me SOB. They're THE SISTERS EVER.
"we know what its for, we don't have to talk about it, it wasn't great" IS SO FUCKING FUNNY. Realest teenager moment ever.
HIS MOM SHOWS UP??? CRYING LAUGHING
HOLY SHIT FABIAN'S GRANDAD IS BACK!!
FABIAN's MOM IS ACTUALLY PREGNANT [screaming] THATS SO FUNNY
HIS INFANT SIBLING IS LITERALLY THE NEWEST NEMESIS IM CRYING
"Do you ever talk to Jawbone about any of this?" Mazey's gonna learn her new boyfriend has NO CHILL.
FOUR GOD PANTHEON???? That's going to be SO FUN!!!
Tracker and her girlfriend broke up I'm losing it.
GERTIE DECLARED KRISTEN HER NEMESIS I'm SCREAMING thats so funny. I mean it was intensely funny. It is a bit fucked up she led Gertie on, but that's teenagers for you.
GORGUG AND FIG ARE SO SWEET I'M SOBBING. GORGUG'S GIFTS ARE ADORABLE. THEY ARE THE BEST FRIENDS EVER.
The Thistlesprings are the Most Adoring Parents Ever I love them so much. PROFESSOR THISTLESPRING ARC???? I REALLY HOPE THAT HAPPENS.
"maybe next year i'll be the bad guy?" ARTHUR AGUEFORT I SWEAR TO FUCKING GOD.
AYDA AND FIG MOMENT. I LOVE HOW INTENSE AYDA IS. THE GIRLFRIENDS EVER.
Oh my god the Complicated Women Podcast I'm screaming. I love how Sandra Lynn talks about it.
Fig's going to be SUCH a good big sister. Hopefully Fig can help Fabian handle things.
GOD the Hunter's Mark from Sandra Lynn to make sure she can always find her daughter is so sweet. They're the cutest ever.
"Maybe she can just trust that they'll be friends outside of school" GOD I LOVE THAT. Fig is THE BARD EVER.
THE AUTOMATONS HUNTING FIG IS SO FUNNY.
Ayda connected the Bottomless Pit with Leviathin and I'm just sobbing. Her point about learning was so strong and brilliant I love it.
"it's hot tub time!" - GOD THATS SO FUNNY
OH MY GOD BAKARATH IS REAL???? AND KALINA???? THATS SO FUCKING FUNNY. IS BAKARATH GOING TO BE THE FINAL BOSS OF A FUTURE SEASON???
That ending was amazing and I had such a good time. It's bittersweet, but I'm happy I was here. GO BAD KIDS!!
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randomnumbers751650 · 21 days
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Thanks to constant recomendations from my discord friends and the fact it’s on Netflix so I can do the dishes while watching, I finally watched Wakfu and gotta say I was really impressed with the season 1 villain: Nox.
My friends used him to hype up the series and, gotta say, it does deliver. I have never seen a villain that combined themes of “choice” and “destiny” so well as in Nox. When he’s introduced in episode 1, he’s basically sparring with Groug…Grougalora…Gurren Lagann? But you can see how jovial he sounds – he really doesn’t seem to be in a hurry and it’s obvious Groug is strong and he leaves him alone.
Then, the series continues. He appears in the first three episodes, curses Alibert, and then disappears for, like, 11 episodes. We see him as a ruthless person, sending his minions to gather wakfu from all available sources. It’s kinda funny how he left the Oak alone and then returned the moment he needed more wakfu, it was like as if he was saying “Oh, wait, I remembered I could just its wakfu instead”.
The battle against Groug also shows that, in spite of his possession of the eliacube, he still has to rely on his resourcefulness, given how close Groug came to kill him. In spite of being active for 200 years, he’s still defeatable. My friends said he doesn’t show up in the prequel games, which means he was very efficient in not letting witnesses, his attacks could be masked as Ogrest’s calamities, and it seems he avoided large populational centers (if the world’s armies and heroes united against him, I don’t think he’d have a chance); some characters expressed skepticism at his very existence. The fact that he’s defeatable makes the battle much more compelling, because he’s going against something closer to a god. He prevails but not without great cost to him.
But we see brief moments there’s more to him than destruction. He has a strange sense of honor. In the day he harvests the Oak, he appears to Alibert and heals him, curing him from his curse. When Alibert asks why, Nox just replies “I don’t know” and then tells him he’s the only one who can understand why he’s doing that to the world. Given how much he understands how Alibert loves Yugo, it does feel Nox believes if Alibert was in his place, he’d do the same (Alibert’s response would probably be "no, I wouldn’t…right?”). In the battle against Groug, he does tell him that he’s not evil, there’s a sliver of goodness and he urges him to use it to stop, but Nox can’t/won’t.
In the final battle at the Sadida kingdom, he uses everything, his elite puppets, RAZORTIME, his clock mecha, managing to even kill a couple of important characters. The final showdown with Yugo and Adamai was great, because both sides were giving their all. In the end, Nox prevailed again – it did feel like a cop out (until a friend pointed out it was freaking Ogrest), because Yugo got distracted and then Nox killed him so easily, to the point you can even make the point he didn’t kill, only disabled him…but, yeah, he killed him, regretfully. And that meant he won.
Pay attention to his monologue as he activates the eliacube. He genuinely believes that his sins will be forgiven because he’s resetting time to see his family. Success means redemption. And he did it. Groug had told him it’s impossible to go back in time and he did the impossible. Unless the gods did it and didn’t tell anyone, he was the first being to do that. And what did he get?
Miserable twenty minutes.
All the wakfu he gathered for 200 years only last for 20 minutes. Do you have any idea of all the atrocities he committed for 20 minutes? So many life harvested?
The eliacube give him power beyond his comprehension. The amount of wakfu energy to rewind time 200 years would have to be incomprehensibly enormous, maybe all the wakfu in the entire universe. And Nox was just a man, resourceful but defeatable.
All that talk about forgiveness through success, that all his sins would be erased, all that for nothing. He will never see his family again. Then, the weight of his sins crushes him down and all he can spare is a single tear. That was even enough for Yugo, who had lost Percy, to sympathize with him. There’s even a soft 4th wall break, when Nox is looking at everyone surrounding him, it’s as if he looks to the camera, to the audience, and all we can feel in this moment is pity – he really realizes his sins will never be forgiven.
Nox’s tragedy raises the question: what if we had full awareness of our sins? He convinced himself he could, he bargained with himself for 200 years of his righteousness. And reality vibes check him so hard he just leaves. I feel that was the most poetic ending to him, no justice system can ever account for the multitude of his sins.
This makes worse with the OVA detailing his backstory. He was a father, with a beautiful wife and three kids that loved him dearly. He had struggles as a clockmaker, but even them they weren’t that bad. You can tell they were low-middle class or even medium middle-class, he borrowed money out of a healthy ambition – even if his “usurer” – Nox’s words – while playing the role of nagging banker seemed actually reasonable, even apologizing for letting the dog run, which implies that the guy was just a bit unpleasant, but not unreasonable, maybe willing to renegotiate the loans if something bad happened.
Maybe that’s this ambition that attracted the eliacube to Nox. His wife mentioned the bad feeling and it seemed he’d leave it at there. But there was really a mix of “choice” and “destiny”, the cube wanted Nox and Nox wanted the cube. And the cube changes him, gives him intelligence at the cost of everything. He kept building out of necessity and couldn’t see his family leaving him – they loved him until the end, even paying all his debts, but the cube made him forget.
In the final scene, when he finally turns into the Nox we know, he’s an emaciated husk of a man, so different from his healthy introduction. When the banker informs him about the death of his family, he loses it – it was probably the first time he thought of them in months, maybe years, and vowed to rewind time to get back to them. The cube made him a worse version of himself. Rewatching the series or some scene might be an interesting exercise of how much the cube was influencing him – I believe when he cured Alibert, the cube’s influence was somehow low.
Nox will just be remembered as a lonely madman who caused so much strife in the world for reasons that proved to be futile. Only Yugo and Groug will know that there was something more to him, but they will never know what this something was. In the end, he wasn’t a malicious person at heart, but a thoroughly broken man that lost the capacity of distinguishing between good and evil, and to reflect on his own actions, thinking he had already done that and that his success would redeem him.
But that wouldn’t happen.
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