AND WHEN I TELL YOU THESE WERE PARALLEL CONVERSATIONS/SCENES??!! THEN WHAT??

Oh Jesus Christ I am the biggest dumbass there ever was 🤦🏻‍♀️🤦🏻‍♀️🤦🏻‍♀️🤦🏻‍♀️🤦🏻‍♀️

if some of my pjo opinions got out i’d be canceled

My superpower is being able to hyperfixate on a non-canon ship of a show that I have only seen six (6) episodes of

i just spent $150 at target can you guess what item it was on

Is it just me, or does this concept art of Barok van Zieks look like a von Karma ancestor?

The wasted time love triangle will you tell me who????? it can be our little secret wink wink wink wink wink wink wink wink wink wink

ITS LOW-KEY COMPLICATED CUZ ITS LIKE…MORE THAN ONE LOVE TRIANGLE

Hell hell I am in hell.

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

Something about how Jason Todd’s core character trait is how he lost faith. He lost faith in Shiela, in Bruce, in the entire concept that someone else can care about him and actually have his best interests at heart.

Something about how Catholic priest Flashpoint Jason Todd is someone who has such intense faith, who trust so heavily in someone basically unprovable. Something about how without Bruce, without being Robin, it was his faith that was his core character trait.

Something about how being Robin and the life he was led into changed him in such a tragic and deep seeded way. I don’t know

“I’ll save you the pain of watching your demon b die”

Lute thinks it is a mercy to die rather than see the one you care for most die.

Vaggie let Lute live.

Lute saw Adam die.

Haruspex: Where are the papers?

Bachelor: See the ashes over there, on the floor? Barely managed to do it before you arrived. Smart of me to burn them, rather than eat them. You’re a surgeon — you would have dug it out of my gut.

Haruspex: I would have.

Bleach is special because it’s the only show so far where I fixate on male characters the way I normally do with female characters

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Another one of the Peeta moments that rot in my brain constantly is the scene in catching fire when Katniss and Finnick get stuck with the Jabberjays.

Peeta had his hands pressed against the force field, trying so so hard to be there for her and wanting so badly to protect her. And when it finally ended he held her, and rocked her, and let her hide her face in his arms, and protected her for as long as she needed him to and…..that’s just so ughhhh….so heartbreakingly sweet.

So I’ve been thinking about the boys combining their powers recently and I ended up really wondering about what would happen if a supercharged Mikey (time/dimensional powers) mixed his abilities with a supercharged Leo’s (space powers) and all I could think of was: