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#Harry potter Books
toorumlk · 3 months
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golden trio - character lineup
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valushk4 · 1 month
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First post here 🤭
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renini03 · 9 months
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💔💔 everything works out nice in the end
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cissyenthusiast010155 · 3 months
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Can I make a very NSFW request? Severus x reader fem. Ever since Severus and Y/N had sex for the first time, Severus feels a lot of sexual desire, and he likes to have his girlfriend moaning for him all the free time they have.
"Are you tired, love? So soon? Don't worry, you stay in bed and enjoy while I work between your pretty legs"—Severus
Addicted to My Girl ~Severus Snape xFem Reader
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Summary— Established Relationship, ever since Severus first heard Reader properly moan, he can’t get enough of her. He now lives to draw those sinful sounds from her. Smut ensues. Anon Response— Hi hi hi anon!! Thanks for the request! Yes, I absolutely would love to write this for you. Thank you for your detailed explanation. I sincerely hope you Enjoy this! ♥️
Mommy… Master List
Requests & Prompt-List
Prompt— "Are you tired, love? So soon? Don't worry, you stay in bed and enjoy while I work between your pretty legs"
Warnings: NSFW, 18+!!!, smut, fingering, sex, p in v, implied clit stimulation, overstimulation, light praise, pet names, voice/moan kink, honeymoon phase, established relationship, implied future smut, etc.
Enjoy (;
From the second that Severus had heard an unbridled moan erupt from your throat and vibrate through your entire body for the first time, the man was hooked. Owned. Addicted. Powerless. At your mercy.
You were spread out on top of his desk. Your legs wide and Severus planted in the middle of them. Clothes were discarded all across the room. It was heated and passionate. You had both finally snapped, not even making it to the bedroom.
Marks were littered across the neck and chest, but Severus’ tongue was not working away at something else. You gasped and your hand jumped into his head of hair, as the man’s tongue went feral on your cunt.
“OhhHhHh Sevvvvv—!!”
Before you could stop it, your sinfully loud moan tore through all the fibers of your being. Severus stopped at that, looking up at you dumbfounded.
Severus now spent all of his waking hours, that weren’t taken up by his classes, coaxing more heavenly sounds from your lips.
His sex drive, while he had always had one, had fucking skyrocketed since that first night, when you and Severus had first had sex. He couldn’t get you off his mind. Hell, he spent most of his time alone just getting himself off to the thought of you.
Severus stole you away every second he could get you. When you both had free blocks, the man was guaranteed to be teasing you or already in between your legs in some capacity.
Severus was extra lucky today, because it was Friday night, and neither of you had anything planned after your last class in the afternoon. So Severus thought you’d both skip the great hall dinner, after all, the man had the perfect dinner in front of him already…
It wasn’t even dark out yet, and Severus already had you in his lap as he sat in his office desk chair. The man’s fingers had simply slipped under your garments and past your knickers, sliding in and out of your cunt with ease. Your eyes rolled back as you held onto your man for dear life as he bounced you up and down on his fingers.
“S-sev… I’m going to… OhhHhH Sevvv…!” You moaned lewdly, nuzzling your face into the crook of Severus’ neck as you moaned out.
Severus eyes darkened further at your beautiful, addictive sounds.
“That’s it, my love… Cum on my fingers… Again…” Severus told you in his destructively low and sultry, sexy tone.
You held nothing back, crashing over the edge for the second time in the last 40 minutes, having already cum once in Severus’ lap from mere clit stimulation. You let out another sinful moan as you reached ecstasy, biting into your man’s neck to manage the overwhelming pleasure.
Severus fingered you through your high with ease, knowing just the right way to bring you down from your climax, while keeping you buzzing for more.
The man then gently removed his fingers from your dripping cunt, licking his digits clean, before he picked you up bridal style and carried you to your shared bedroom. He laid you on the bed, where you instinctively began to curl up with a yawn. But Severus chuckled, crawling up on top of you, beginning to remove his and your clothing. You giggled and let him help you with objection on your end.
“Are you tired, love? So soon? Don't worry, you stay in bed and enjoy while I work between your pretty legs” he cooed lustfully, coming up to your face and giving you a cheeky kiss on the lips, as he spread out your naked form across the bed.
You gasped as you felt Severus’ dick grinding against your dripping core. You immediately grabbed any and all of his exposed skin, pulling his body against yours and moaning once more.
“Tsk tsk tsk, not so fast, my love… Want a proper taste of you first…” Severus hummed, getting off of you to your dismay, and lowering himself down the bed so that his mouth was level with the cunt.
Your hand found purchase again in his hair as the man’s mouth began to devour your precious pussy. His tongue glided in and out of your core with ease, lapping up all your juices and using his own spit as even more lubricant. You threw your head back and let out a groan, as his tongue worked your centre.
“F-fuck Sevvviiiii—” you choked out, pulling tightly on his hair, as Severus buried his face in your cunt and pressed his nose against your clit while his mouth continued to work its wonders on your cunt.
Severus groaned in delight at your sounds, struggling with the urge to take you right there. But he took a deep breath and simply fucked you harder, knowing the wait would be well worth it. His tone continued to swirl its way through your folds, alternating between stimulating your clit and your entrance. And as soon as you tugged at his locks hard enough a gave him a desperate mewl of need, his tongue sunk into your core.
“Christ Severus Yesssssss…!!” You moaned, your back arching and toes curling into his touch.
The man worked you up with precise skill, having paid intense attention to exactly what made your eyes roll back. The pad of his thumb began to roll your clit, making your knees wobble and pulling another string of whimper and groans from your lips. By the time you reached your third edge, you were a begging mess.
“Please please Sevvv Oh God please—!”
Severus happily hummed into your cunt, “Cum for me, my Darling…”
Your third orgasm rocked over you like a fucking tsunami, feeling like every single one of your nerves were on fire as a hot, white pleasure took over your entire body. You sparked underneath your man’s hold, but he never relented, continuing to tongue fuck you through your high.
By the end of your climax, your vision was a little blurry and you were shaking.
“Still want more…?” Severus’ voice gently asked, as he came up from in between your thighs.
“Mhmmmmm yessss, give it to me Sev…” you mumbled, with a drunken nod.
With a smirk, Severus lined himself up with your dripping heat. You held onto the man in a vice grip as he sunk down into you. And the man nearly came right there from the sinful moan that spilled from your lips… Bloody Hell, he would be chasing those pretty noises of yours for the rest to his life.
~~~
Severus Snape Masterlist
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cimerran-714 · 3 months
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Hermione:
*Literally sets Snape on fire*.
*Steals from him*.
*Knocks him unconscious*
Snape: *Makes one rude comment about her teeth*
The fandom: Wow, he's such a child abusing psychopath & shouldn't be allowed to teach!
Mm... I can sense some hypocrisy here.
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kitgeometri · 5 months
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the boy
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giulscomix · 1 year
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And so it begins XD A new little sketched series. Don't get any weird idea, Severus and Minerva are just FRIENDS, I’m following the fanfiction's scene where she is giving him company during one of his many lonely Christmas.
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isalisewrites · 16 days
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A Deep Dive into JKR's Terrible, Amateur Writing - Part One
Welcome to my new series, where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.
And when I say 'poor writer,' I'm talking about her prose, her sentence structure, and her scenes. I am not going to discuss anything about the HP world nor the plots of the books.
This is all about the nitty gritty in the craft of writing itself.
Disclaimer for all readers: I'm going to sound very confident in my posts. I'm going to be working under the assumption that I'm a better writer than JKR. Because I am. My apologies if this rubs you the wrong way. You're just witnessing two and half decades of experience with the intensity from a neurodivergent who is hyperfocused on her special interest. I didn't just learn how to create stories; I learned the craft of writing to a minutia of details.
After years of being beaten down by others, I will no longer tolerate that.
I will be using my writing to compare with hers to make some of my points. Some of what I say in these posts could be considered stylistic choices. However, in my humble opinion, most of this is a difference of skill, which can be learned. Yes, everything I'm going to teach and cover in this series can be learned. There's no 'talent' here. You can learn how to become a better writer right here and now. You only have to understand the craft of writing and sentence structure to better improve your prose and scenes.
I don't have fame and money.
I don't need them to teach you how to write better than JKR.
You're free to disagree with my stances about this and about everything I cover, of course. But if you're a writer, you might gain some insight from this post and I sincerely hope you are enriched by my efforts in this. I spent quite a few hours on this post. Helping others become a better writer than JKR is one of the greatest contributions I can give to society.
Thus, take what resonates and leave what doesn't.
I have stated before: JKR's writing is bloated in the wrong places, underwritten in others, and the prose is poor. These problems show up in all of her HP books.
Buckle up, my writing friends. Grab a snack. Hydrate. Let's begin.
Class is in session.
In this post, we're going to dissect a page from HP4.
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There's so much wrong with this page and the three pages of this scene overall. So much to go over. Bullet points I'll cover from this page:
Disconnected Dialogue Lines
The Great Sin of Adverbs
Too much fucking dialogue!
Wrong focus altogether in this scene
Out of POV writing
First point. This is a huge ongoing issue I see in all of the HP books. There are a lot of disconnected dialogue lines, which become confusing over time. This could be an issue of the publisher, but it's still a problem. In the middle of this page, we have:
Sirius hesitated. "I've been hearing some very strange things," he said slowly.
Wait, wait, wait. Who said this? Listen, I know. I know it's Sirius. However, this is an improper placement on the page and can become confusing because Harry also goes by he/him pronouns and he's also in this scene. While the dialogue here suggests Sirius is talking, it could easily be misinterpreted if there were other characters or if he said something that Harry could've just as easily said.
To make this dialogue more clear for the reader, it should go as follows:
Sirius hesitated. "I've been hearing some very strange things," he said slowly.
Second point. JKR is an adverb sinner, a criminal. Jail. "Do not pass go; do not collect $200." Arrest her for these blatant crimes, please, for the love of god.
Look, I love adverbs. They're great. Don't fucking listen to anyone who outright demonizes them (including your huffy, uppity literature professors). Adverbs are the seasonings of writing. You season your food; you also need to season your writing when the case asks for it.
However...
Adverbs should always be used sparingly when connected to dialogue tags. The setting in this scene is: Harry is in the Gryffindor Common Room at night crouched in front of the fireplace where Sirius is in the fire in a floo call. I read through the whole scene, though I've only shown one page here.
Harry says a line of dialogue 'slowly' three times and Sirius says a line of dialogue 'slowly' two times.
The same adverb 'slowly' is used FIVE FUCKING TIMES IN THREE PAGES.
I want to scream, not gonna lie here. Set this adverb on fire!
What does this adverb do for us in this conversation? What is so important that we have to be told that five lines of dialogue were said slowly? What do they contribute? Spoiler alert: nothing. What are their facial expressions? Harry is 14. He's exhausted since it's well after 1am or so and he's burdened with the new knowledge of dragons for the first task. He's kneeling in front of a very hot fireplace. There's fire fumes and smoke, potentially. Is he fidgeting? Is he yawning? Rubbing his eyes? Bouncing a leg? Is he picking at the carpet or rug?
Harry is a tired, burdened child.
Show me this!
Now I'm not saying that you can't use adverbs in your dialogue tags. There's a huge difference between "he said softly" and "he whispered." It's about balancing the moment when an adverb says just enough versus an adverb replacing well needed scene enrichment. Let's compare this with a section from my HP time travel fanfiction, Terrible, But Great, Chapter Thirty.
Dumbledore nodded at Monty, pocketing his wand. “Mr. Potter.” “Lo, Professor,” said Monty, pout gone, but still a watchful light in his gaze. “Is there a problem?” asked Dumbledore in a mild tone. Ice slipped in between Tom’s ribs, piercing his flesh. Monty tilted his head. “No, sir.” Oh, but Tom knew better. He could see through that innocent facade. The man could’ve been a Slytherin for how much he was cataloguing every little detail, from Tom’s appearance, to the content of the selected books, and to the supplies of ink, quill, and parchment scattered on the surface of the table. Tom masked the raw, whirling feelings in his chest with a well practiced blank, emotionless expression. He willed himself to hide.  “Nothing at all, sir,” said Tom lightly. “Young Mr. Potter was regaling me about his friendship with Miss Malfoy.” Monty glanced at Tom, brows furrowing. Those blue eyes were piercing, filled with suspicion. “Was he now?” Dumbledore said; though his tone was still without direct accusation, Tom could hear the hint of it. “Then, may I ask, why a silencing charm was necessary for such a benign conversation?” Tom wet his lips. His throat was dry. “I thought it wise to avoid disturbing others in the library.” “I am awfully loud,” said Monty with a sage nod. “Ah. A noble intent. However, it is not an appropriate use of magic in the library,” said Dumbledore, his gaze firm as it bore down on Tom. “Ten points from Slytherin. I think it’d be wise to take your studies to your common room, Mr. Riddle.” “Yes, sir,” whispered Tom.
I only used "said Tom lightly" once in this section to show Tom attempting to be unaffected by Dumbledore's interference. I did not dialogue dump information in giant chunks. I did utilized actions tags versus adverbs, like Monty tilting his head or Tom licking his lips. I suspect that if JKR had written this scene, she'd have used lines like:
"No, sir," said Monty curiously.
or
"I thought it wise to avoid disturbing others in the library," said Tom nervously.
The adverbs that JKR's uses add nothing to her scenes. They're just thrown into them without a thought. Did she even reread this scene after she wrote it? I cringe in agony if I use an uncommon word more than three or four times in an entire 4,000 to 7,000 word chapter, let alone the same adverb five times in three pages. Good grief.
There are two other adverbs used in this page, hastily and bitterly. Hastily does nothing for the scene and is connected to another issue, but I'll go over that in the end. However, bitterly is one of the adverbs I'd keep. It gives us a glimpse into Harry's feelings here. We need more of this, but we got nothing.
Thus, the overuse of adverbs in JKR's dialogue detracts and steals so much from the scene.
Third point: there's too much dialogue and no description whatsoever. Again, the adverbs are a pathetic attempt to give us something, but they're thrown in there without a damn forethought. We're missing the crackle of the fire and the smell of it. We're missing Sirius' facial expressions. We're missing Harry moving around on the floor, fidgeting, yawning, rubbing his eyes, feeling the heat of the fire, bouncing his legs, picking at the rug, something, anything, etc.
The dialogue is bloated with a terribly boring conversation. It's just endless dialogue with nothing else. No, it's awful. Welcome to the fourth bullet point. This scene focuses on the entirely wrong point. This scene is 100% a plot device and it's terribly done as well. It's three pages about Karkaroff being a Death Eater--oh no he might be trying to kill you, Harry, aaaaaa--and something about Bertha Jorkins being near Voldemort's last location. Meh. Who cares. Somebody has been trying to kill Harry in every book thus far. This isn't a new development, sweetie.
We been done know this, okay? Come on.
This is a stilted, unnatural conversation between Harry and Sirius. It's not realistic. It's not normal. Telling Harry about the Karkaroff's past is boring and does nothing for him. One line, maybe two, for Sirius to say, "Hey, keep an eye out for Karkaroff. He's an old Death Eater." Done. End of Karkaroff information. And cut Bertha Jorkins out altogether. I'm sorry, but why the hell are we talking about a dead woman to a 14 year old kid whose biggest problem at the moment is dealing with a jealous friend, school ostracization, and a giant fire breathing lizard???
These points are important to the plot, but they're not important to Harry.
The plot isn't important. No, it's not.
Harry is the POV character.
Harry is the single most important aspect in every scene and should be treated as such.
The plot should weave around Harry, slowly revealing itself to both Harry and the reader. Harry should not be the weaver of the plot. He should not be used in plot devices.
Do you know what part of the conversation was summarized in the prose between Harry and Sirius in a single paragraph versus the three pages about Karkaroff?
Harry talking about how no one believes him about not putting his name in the Goblet of Fire. About the school hating him. About Ron, about his betrayal and his jealousy. About Rita Skeeter. About seeing the dragons as the first task. These are all important to Harry. These all are causing pain to Harry's heart right now. Somebody give this child a hug, please.
We missed out on exploring Harry's feelings here. The author skips the MOST important part of the conversation, what could've been a deeply emotional, either positive or negative, conversation between Harry and Sirius.
Oh, this scene could've been so good. It could've been amazing. There are so many paths that could've been explored here, too.
We could've had a callous Sirius, who doesn't notice Harry's state of being, and just goes on and on about nothing of importance where Harry clams up. Or we've could've had a comforting Sirius, who attempts to give Harry some actual advice about his friendship with Ron. We could've seen Harry opening up in his body language, connecting with this parental figure in his life. We could've heard a story of Sirius' time as a kid at school with Harry's father and the marauders.
We were robbed of an important moment between Harry and Sirius.
Instead, the author puts the focus on the red herring 'foreshadowing' of Karkaroff. What a waste. She's trying to put suspicion on him, rather than Moody/Barty Crouch Jr., the real Death Eater in disguise. Again, who cares. It's not about them. It's about Harry and how his experiences are affecting him. It's about how he reacts to them.
This scene is a waste of time and paper. It's empty of emotion and movement/flow. It's just there for a set up and it's glaringly obvious during a second read of the book.
When I say, "The writing is bloated and underwritten at the same time." this is what I mean. We're focusing on the wrong things here.
Fifth point. JKR breaks the POV character with the following line:
"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm," Sirius said hastily, seeing Harry about to speak, "but...
Harry is the POV character. Sirius 'seeing Harry about to speak' should NOT be occurring in the prose whatsoever. To fix this with the bare minimum of effort for this poorly written dialogue line:
"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts--" Harry opened his mouth to interject, but Sirius said hastily, "Yes, I know she says it was another false alarm, but..."
I wouldn't write these lines like this, by the way. I just don't want to rewrite this. It's a poor paragraph overall, but this is an example of returning the POV back to Harry. Sirius isn't 'seeing' anything anymore. Harry is doing an action and Sirius reacts to his action.
Breaking POV is a rule that can be occasionally broken, but should be done so with intent and purpose. I'm pretty confident when I say that JKR probably had no idea that this was a mistake on her part in the prose.
All right then.
We have come to an end of Part One in this series. We have dissected a single page and a single scene in JKR's Harry Potter and the Goblet of Fire. The page in question is 333 should you wish to look it up and study the scene yourself.
More to follow because I have lots of pages to go over. This will definitely be series, ah dear.
And so, please do the world the greatest of favors and write better than J.K. Rowling. I promise, it's not that hard once you see the differences.
Until next time.
Isa
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natuart · 7 months
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Harry and Hedwing
-Harry Potter Fanart-
Instagram: https://www.instagram.com/natu_art/
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These are just my personal headcannons about Severus’s Clothing:
1. It is his armor against the rest of the world, a physical way to represent the shutting out of others, a kind of bodily Occlumency that makes him feel safe.
2. It is impossible as an adult to do to him what the Marauders did to him as a child, I.E strip off any part of his clothing. There are so many layers and buttons I image it makes him feel physically and sexually safe as well. No eyes where he doesn’t want them. No hands where he doesn’t want them. No Wands to remove what he doesn’t want removed. (Could he possibly enchant his clothing too; to make it impossible for someone besides himself to undress him?)
3. On a lighter note, it’s Victorian chic as hell. It’s Screaming Byronic Hero from a million miles away. Like something out of a Mary Shelly or Dracula novel, just so romantic and sweeping and refined looking. Goth King we stan.
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hms-harmony-discord · 2 months
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"Home is where the heart is." A cozy moment by @arwaisherenow  
Arwa is a participating artist in the Harmony Art Raffle for charity 🍉 For a chance to win art of your choice from Arwa + get a guaranteed H/Hr artbook, check out this post.
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oxydiane · 2 years
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looking back at the harry potter books with like… actual time frames you realise that the most ron’s ever gone without really talking to harry was like two weeks but everyone always makes such a bigger deal out of it because harry is the one who makes a gigantic deal out of it. i think the fandom should make fun of him more for how dramatic he gets when fighting with ron.
you read the books and each time ron doesn’t talk to harry the narration is like. harry woke up feeling miserable. he turned to talk to ron but then remembered they aren’t talking and that made him start wallowing in his own sadness. there’s no point in going to the great hall, he can’t eat. he spent the potions class looking at ron who decided to sit with seamus instead of him. he was so busy staring at ron wishing they could make up he didn’t notice his cauldron exploding. snape is screaming but ron is still not talking to him. he has detention? big deal. if ron was there they would have detention together
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chaztalk · 3 months
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orions-hole · 5 months
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The amount of people I am seeing complain about the PJO show. Y'know something real funny you could do that HP fans still do
Make them meet. Come on, take out your notebooks and ✨ write ✨ or ✨ draw ✨
I want you to make art, what if book Percy met show Percy?
Stop being babies about it and start being children.
You're cringe already so stop caring abt if it's cringe, because trust me, watching you complain is cringe enough, it can't get worse than that.
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dramionefandom · 11 months
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Art by: incendiosketches
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cimerran-714 · 3 months
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The fandom likes to talk about how Ron was willing to let himself get hit by the Cruciatus curse in order to prevent Hermione from getting tortured. What happens afterwards, though, is that Romione shippers argue about how Harry hadn't done anything like that. After all, he was just asking Ron to shut up.
This, they claim, is evidence that Ron cares more about Hermione than Harry does. Or that Harry doesn't care about her at all.
I do think what Ron did here is very admirable, and there's absolutely nothing to critique about that. What I hate is how it turns into Harry bashing to justify shipping Romione.
First, it's important to keep in mind that Harry's comparatively more level-headed than Ron is. He's not as emotional & he rarely displays them openly (and when he does, it's in Hermione's presence, but that's something for another post).
As Harry wanted to figure out a way from the problem, he was getting disturbed by Ron screaming, which was affected his. concentration. Unlike Ron, who was reacting emotionally, Harry wanted to think about whether they would be able to escape the place. That's why he was asking him to shut up.
And that's a good thing. When you are in trouble and someone you like is getting tortured, you attempt to try and escape instead of getting carried away by your emotions.
To try and spin Harry trying to save Hermione into "he doesn't care about her" is a flat-out lie.
Honestly, if I were Harry, I'd be pretty pissed as well. Just look at it:
"HERMIONE!” Ron bellowed, and he started to writhe and struggle against the ropes tying them together, so that Harry stag- gered. “HERMIONE!” “Be quiet!” Harry said. “Shut up. Ron, we need to work out a way—“ “HERMIONE! HERMIONE!” “We need a plan, stop yelling—we need to get these ropes off—"
Harry wants to get the bindings off and work out a way. He wants to save Hermione, instead of just screaming to the void.
If even more evidence were needed:
Hermione was screaming again: The sound went through Harry like physical pain. Barely conscious of the fierce prickling of his scar, he too started to run around the cellar, feeling the walls for he hardly knew what, knowing in his heart that it was useless.
Her screaming "went through Harry like physical pain". And, also notice how he was "barely conscious of the prickling on his scar".
He's only done that once before, and that was when he was thinking about Sirius.
His love for Hermione is so powerful that he was able to block Voldemort out of his mind.
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