Tumgik
#DO YOU CATCH THE DRIFT
drizztdohurtin · 1 month
Text
my brain is so plagued with thoughts of Rolan, Gale, and even Astarion's first children being boys, and it being so angsty and bittersweet because they don't want to see their precious babies go through what they went through, but also seeing it as an opportunity to heal since now they get to protect their sons in ways they weren't and ohfuckimgonnathrowup
32 notes · View notes
edscuntyeyeshadow · 26 days
Text
there are so many things i could say about this scene but i don’t think i could put it into words.
Tumblr media
“you’re a monster, a plague, you defile beautiful things” haunts me. never getting over it.
“stede bonnet is not a human” ofmd writers please im on the floor i can’t move please stop
and stede saying “i think you’re right” with that face. god. Fuck. rhys darby and rory kinnear you talented bastards. i’m throwing my phone across the room. screaming into my pillow. reliving my trauma.
the way the homophobia in this scene is just barely subtextual??????????? it’s not even there but it is??? what the fuckkkkk. guys this show is so fucking good. did you know ofmd is a really fucking amazing beautiful show??????????????
509 notes · View notes
qwainte · 5 days
Text
People are so weird about Halsin and other characters, I hate fandom sometimes.
157 notes · View notes
harmonysanreads · 28 days
Note
HARMONYYY i just finished the penacony quest and OH MY GOD. the emotional damage wtf... and the murderer 😕 i honestly don’t think anyone could’ve foreseen that
on another note, sunday really does have huge yandere potential !!! (i was swooning the entire time he was on screen im sorry.) he literally isn’t beating the allegations at all. even the other characters comment on how weird it is for him to casually keep a model of the golden hour, because what in the control freak 😭
he seems like he’d play dollhouse with darling. after all, in a place like that, every single aspect of it is under his thumb — literally. having that much control over your circumstances is a reassurance. oh, are the placeholder models crashing? don’t worry dear, he can fix the malfunctions. he can even make them speak more realistically for you. he can give anything to you, even change the layout of the place entirely if you’re bored of it. you want to get back to normal size? well, he can’t quite do that just yet, please understand..
or if he pulls that weird interrogation magic thing on them. darling who just lies through the entire thing, and he uses this to scare them about the death countdown while not mentioning the part that he has the power to really just cancel it in the end. though, the same trick won’t work on them twice. at least the process gets darling to become part of the family in the end.
not to mention the spies he has everywhere. stupid birds watching you in every corner…
idk i just want to hold him and shake him aggressively. out of love, of course.
- 🕯️
Tumblr media
When I tell you I've lost sleep over the thought of just how much more Sunday is probably capable of doing, nonnie.
If he has access to technology and power like this, which are all unrestricted for his personal use moreover, imagine the things he's hiding. And imagine farther the things he had to do to get to where he is today, another dash of spice to the mix. I went back to his scenes and did some thinking. The me-slandering-Sunday is obviously a joke but I really, really hope people just don't focus on the morally-gray and questionable aspects of him and completely disregard his other characteristics now.
If you think about things from his perspective, he really is just trying his best to keep the image of The Family. But the loss of probably the only person he trusted with his heart and the disregard to bring justice to that case from The Family's side, compelled him to put his agenda first (as he himself mentions that he allowed Aventurine to pull that stunt so that it'd lure Gallagher out). What we get from this is, while Sunday is an extremely dedicated member of their faction, he had to learn to be selfish in certain situations to save his and Robin's backs.
The desire to control usually comes from a feeling of helplessness. We can make some speculations based on the current information of why Sunday has these tendencies, I've also seen some people say he has OCD (Obsessive Compulsive Disorder) but, we can't be sure until his full lore drops. Another thing to note about Sunday is how lonely he probably is, especially at present. The Family is in chaos, the situation of Robin, external forces' traps, the Charmony festival's deadline and he doesn't even have one person he can sit down with and not question their motives. He really must want to rest just as much as the characters around him are suggesting.
So basically, Sunday is a multi-layered character, just like Aventurine. He's definitely a politician, is what I'll say. Even though he is a control freak whose motives are hard to guess, he's still that little boy fighting for his and Robin's shared dream inside.
Tumblr media
201 notes · View notes
hiort · 11 months
Text
Tumblr media
he has so much untapped sick bastard potential…
541 notes · View notes
elkdiaries · 2 years
Text
both the wheeler siblings getting their queer awakenings this season would be such a power move.
3K notes · View notes
flowercrowngods · 1 year
Text
When Eddie finds Steve lying on the living room floor, he’s not concerned at first. It’s what he does sometimes, and Eddie himself can appreciate a bit of floor time on occasion, too, but for Steve it’s sacred. So he smiles and sits down beside him, grabbing his hand to play with his fingers, a “Hey, pretty boy” already on his lips before he freezes.
Because Steve isn’t all relaxed like he usually is, with his mind just a few inches off to the side where everything is calm and fine and better. And when he finally meets Eddie’s eyes, they’re not glazed over but sharp. Sharp with something that cuts right through Eddie, because he’s seen this look before, and he knows just what to do.
“Stevie, baby, I’m right here. I’m gonna make a call, okay, I will be right back.” When Steve opens his mouth, Eddie just leans down to press a kiss to his forehead. He’s not sure how much invasion of space is allowed, but Steve is still holding his hand so that has to count for something, right? “Shh, don’t speak,” he whispers. “It’s okay, I’ve got you.”
He tries not to kiss Steve like he’s about to break, or talk to him like something’s wrong, because nothing is wrong. Steve is not wrong for getting like this sometimes, it’s not his fault; it’s not something Eddie can’t handle. Steve doesn’t deserve to feel like he’s somehow wrong for getting into that headspace where words just won’t come out of his mouth and he needs to lie down and hope that will help.
Which, today it didn’t, apparently.
Eddie gets up with one last kiss to Steve’s hand and a reassuring smile, and goes to make a phone call. There’s only one person who can help Steve get out of his head, and Eddie doesn’t really understand it, nobody does, but they all know it.
“Hey, Joyce,” he sighs in relief when she answers the phone. “Is El home?”
“Eddie! Yes, she’s there, what… Steve?”
“Steve.”
Joyce sighs and Eddie knows she’s worried and wants to tell her not to be, it’s not fair to be worried, Steve hates when they worry, but. He’d be a hypocrite.
“You know you don’t have to ask, honey. Get over here, I’ll make some cocoa.”
With a smile, Eddie hangs up and goes back to Steve, crouching down beside him to stroke the hair out of his face. “Hey there again, pretty boy. I’m gonna drive over to Joyce’s, wanna tag along?”
What he really wants to say is, I’ll take care of you. Everything is gonna be just fine. But Steve doesn’t like the fuss. That kind of discussion is for another day, though. When Steve can actually get a word in.
That is how they find themselves in the Hopper-Byers household, Eddie holding Steve’s hand as the boy tries to make himself smaller than he is — like every time. Joyce doesn’t fuss, and Eddie knows just how much that takes, knows that Joyce is so much stronger than him in moments like this.
“Steve,” comes a small voice from the door to Eleven’s room, and Eddie finds the girl approaching them slowly. Beside him, Steve sways and Eddie tightens his grip for a second, brushing a kiss to Steve’s cheek before letting him go.
Eleven wraps her arms around Steve’s middle and the two of them just hold each other. They have a bond that none of them truly understand, one that Eddie knows even Robin is jealous of. But it makes sense, he figures. On some kind of deeply existential level, it does make sense for Eleven to be the one who can help Steve when he’s nonverbal like this.
Maybe because she doesn’t talk much. Maybe because around her he doesn’t feel like he has to be anyone or anything because it’s all the same to her. Or maybe there’s a special kind of magic in the way she will pull him onto the floor, their backs against the couch, his head on her shoulder and her fingers running through Steve’s hair.
They’ve been through something together. Maybe they go through something together every time they talk each other down without words — because in return, Steve does the same for her. It shouldn’t work, but it does.
It’s calm and quiet in the living room and Eddie shares a glance with Joyce before they step outside to give Steve and El some privacy.
“I hate seeing him like this,” Eddie admits finally. It’s hardly more than a whisper, a treacherous little truth that cuts into his heart every time this happens.
“I know,” Joyce says. “Me too.”
“I hate that I can’t help him.”
Oh the truths just keep coming. It’s that kind of moment.
“You’re helping him, honey. You are. But sometimes we need different people for different hurts. And that boy has more than all of us combined. Or… Well, not all of us.” And she’s looking through the window, watching El and Steve still wrapped around each other.
And it’s true. Eddie knows. Maybe that’s why he hates it so much. Steve’s nonverbal episodes are a stark reminder for all the pain he had to take upon himself. Alone. For years.
“Just love him through it,” Joyce continues. “Not despite it, not because it it. Just through it.”
“I am. I do. Don’t think I could stop even if he asked me to.”
She smiles and squeezes his hand. “Good. Now, join me on a run to the bakery? I think they’ll need something sweet when they’re back with us.”
With one last glance through the window, seeing Steve calm and quiet, Eddie bows and offers his arm to Joyce. “I’d be delighted to join you, lady Byers.”
It’ll be fine, he tells himself. They’ll be fine.
845 notes · View notes
emblazons · 1 year
Text
Thinking about how people who only (or primarily) understand Mike’s arc through a “hes queer and coming to accept it / struggling with heteronormativity/will get his happy ending when he gets with Will” lens are missing at least half of what defines his arc in the wider context / themes of the show.
Forewarning: long post (& also maybe an unpopular opinion)
Even as a queer person myself, I know that his arc isn’t solely about embracing his queerness (though it’s inherently interlinked). In Mike, you have a character who is being radically challenged by both external circumstances and his own decisions through a journey away from all kinds of forced conformity (social, familial, romantic & heteronormative) and into someone self actualized enough to live how they want…while also being strong enough to accept that they made mistakes along the way. Someone who is learning to be brave enough to say “this is who I am, what I enjoy, and what/who I love…and while it took me a lot of time to figure it out, now I can exist in the world embracing that even though it will take consistently resisting the tendency to accommodate people who think it’s unacceptable.”
Like. Even from a time before puberty (see: S3) Mike wants a life that stands apart from what’s expected of him in every area, not just in choosing a romantic relationship with another guy. He wants to continue to be a nerd and “child at heart” even though something else is repeatedly demanded of him by everyone from his parents to El in his romantic relationship. He wants to be a writer and someone who takes those nerdy interests into his adult life (cue aggressive gesturing toward the duffers themselves) and grates against all that’s been constructed for him even when he’s not (yet) brave enough to challenge it directly. Mike liking boys/loving Will is just “the final nail in the coffin” of his social and societal nonconformity—not the first (or the last) aspect of what makes him different from Hawkins or the life he was made to believe would suit him best.
Even the fact that Mike has a desire to be “normal” comes from an insecurity and fear that choosing what he truly wants will lead to him being outcasted and losing the people he cares for entirely—which is partially motivated by his queerness yes, but that also has a basis in his general interests and personality…which becomes especially obvious when you realize we are repeatedly shown that he is punished/has his wishes ignored in all areas he doesn’t conform, even long before we get into a plot where it’s clearer he likes boys.
We see it in how his parents have already started to demand he put boundaries on the time he spends playing his “childhood games” the very first scene of season one, how they demand social acceptable emotions from him when Will is missing, and how Karen & Ted want him to give up toys in S2 when he’s showing signs of depression (because they think the issue is him growing up, not that he’s struggling with loss or guilt for what happened to El).
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
We see it in how his own father comments about taking his CA trip away from him after calling Hellfire being a group for “dropouts” in S4 (implying that he is failing on an academic and social level that matters to wheelers—and that Nancy is good at).
Tumblr media Tumblr media Tumblr media Tumblr media
We even see it in the way everyone from his bullies to his own girlfriend threaten and take things away from him when he doesn’t conform to social expectations...from Troy telling him to jump off the cliff to save Dustin in S1 (as punishment for the one time Mike stands up for himself in the gymnasium) to El jumping straight into breaking up with him and spying on him when he doesn’t do exactly what she wants him to in Season 3.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
All of these moments are critical to understanding Mike as a person because they show us that, even without addressing his queerness, Mike’s desire to conform to socialized expectations involves but is not solely about him moving out of heteronormativity—it’s about him moving against everything that WASP, patriarchal, heteronormative and capitalistic and performative “wholesome American” values…and how he is learning to move past the fear of what will happen if he steps outside the lines in general, even though he already knows he hates those standards.
Mike’s “coming of age” arc is about finding the strength to choose the “path less traveled” in all areas of his life—even when it means (potentially) losing the support of the people he cares about. It’s about starting from a place of privilege and becoming okay with being outcasted from it in a way your insecurities never let you be before (which is inherently different than Will, who has always been shown to have some kind of support not just for his queerness but his artistic endeavors as well). Mike’s lack of support is why he starts from a place of deep insecurity, yes—but it’s also why him learning power of choosing to be himself, even if it means “losing” people when he’s honest about who (& what) he is will be universally powerful.
You don’t need to be queer to understand the power of what it means to know you will be okay even if people leave you. You don’t need to be queer to understand the power of stepping outside social expectations or your family’s way of raising you. You don’t even need to be queer to understand the weight of breaking up with someone you were only with to satisfy what you thought you should do, rather than be with who you want to.
The power of being strong enough to overcome your insecurities in order to “step out of line” and live and love as you want to is universal, and a stunningly brave choice no matter what or why you chose to do so. The fact that Will will be there waiting to love him in that honesty with himself is beautiful, yes—but it’s not the only lesson to be learned for Mike’s character.
Mike starting out with everything the world (or, at least America) tells would make you happy, realizing he is not happy with those things and rejecting them knowing it might have consequences is what makes his arc powerful, because he is learning (exactly like his sister Nancy) to be brave enough to accept those consequences (which for him are getting dumped, and feeling like he’s being left behind by some of his friends) to follow his own heart.
Even though The Duffers aren’t writing this into a tragic ending (aka: he’s not going to die or be left alone, because the duffers writing is inherently designed ro champion the outcast), these are the things that have (and will) make him relatable even to an audience that doesn’t know queerness. Erasing the fact that his lesson is the bravery it takes to follow your heart solely to talk about him liking guys (even Will) is to undermine his humanity, and the lessons to be learned from him by even the most general an audience.
TL:DR - the heteronormative aspect of Mike’s character is not the sole or even inherent issue within Mike, though heteronormativity is inherently built into his struggle.
There are deep dives on how his arc is also about a war against toxic patriarchy, toxic masculinity, emphasis on capitalistic and academic accomplishments over artistic ones, and even conformist relationships (whether they’re queer or not) that should be explored for his character—and I for one like him too much not to move out of just “this boy is queer because xyz” and into “let’s talk about Mike in terms of the wider scope of his cultural context and upbringing.” 🤷🏽‍♀️😂
341 notes · View notes
kryypt1c · 3 months
Text
Hoffstrahm is just rarijack send post
47 notes · View notes
threadbaresweater · 1 month
Text
I don't think any of us should ever be sorry for posting things that are outside the norm for our blogs. I mean, people change, and so do their interests. Folks have the option to follow/unfollow/block at will, and there are rarely hard feelings. As long as you're doing what brings you the most joy, the right people will find you. And the ones who love you for you will stick around through all of your hyperfixations and cheer you on.
25 notes · View notes
karuoke · 8 months
Text
Okay people be honest, how often is Zoro the bottom in SanZo/ZoSan cause if it's low I may have to look for a different pairing with him
76 notes · View notes
codealiaswave · 12 days
Text
Tumblr media
22 notes · View notes
organised-disaster · 18 days
Text
Tumblr media
Peak character description: narrator gushing about how pretty the person literally trying to kill them is
No joke:
Tumblr media
20 notes · View notes
luvbug724 · 26 days
Note
obsessed w jeanee Actually. she drove hours in the middle of the night for him. she organised a heist for him. she blackmails a university for him. she was willing to break into the nest w brute force for him. she was willing to rob a hardware store to do it. she seriously contemplates climbing over barbed wire fences to get to him. she handles diversions and distractions with grace for him. she has the invasive curiosity to want to know all abt his little knick knacks. she resorts to violence when someone tries to stop her from getting to him. she prays for him. she talks to him softly when the only feeling in the room is rage. she pushes his hair out of his face. she checks his pulse obsessively. YEAH………… are we all seeing this rn
its so wonderful to me too because like this is RENEE. renee, who is a bad person trying very hard to be good. there was a post going around maybe a month ago how empathy for everyone circles back around into empathy for no one i can't remember any of the specifics but it rlly did something for how i see renee because shes a protector. its defensive. its safe. she knows the limits, she knows the point of no return because shes been to rock bottom and clawed her way up but she's willing to do whatever she needs to to get jean out of the nest.
there is a big difference between cradling allison when andrew hurts her vs actively threatening eau, going on the offense to make sure jean leaves safe with her. there's something insane to me abt how a few months of texting and calling jean could push her to that point, the point where she needed to be talked down off the ledge before the plan was more natalie than renee because this was something she absolutely could not fuck up. she knew that her efforts would be worthless if she didn't create a plan that couldn't backfire, because the punishment for jean trying to leave and failing (and i'm sure that message to renee would be used against him) or leaving and coming back would be 1000x worse than whatever they could do to him from a distance.
and then when she has him in his arms and she knows he's going to be safe, he'll be okay as long as she can get him to abby, she can let herself be kind again.
28 notes · View notes
lord-of-the-ducks · 2 years
Text
Ok but on the topic of that one scene with Guillermo’s grandmother describing what happens when you are next to a vampire and how the camera immediately cut to Nandor and how everyone is freaking out about the implications of that and what it means for Nandermo, it would be really fucking funny if that was their meetcute
Like, Guillermo’s at Panera Bread doing his shift, it’s late at night, and all of a sudden this random guy walks in who’s super tall and is dressed like someone from a completely different century, and you feel hot inside and get goosebumps, so you logically conclude that you’re attracted to this (admittedly handsome) man when no, it’s just your secret vampire slayer instincts telling you to stab the fuck out of him
519 notes · View notes
fabrizio-art · 11 months
Text
Magnificent Century is wonderful and hilarious and worrying.
Tumblr media
I kid you not, as a result of a Political Geography assignment, my WHOLE FAMILY is now watching this show together.
And I am quite worried about it, because we're enjoying it A LOT for a lot of... different reasons, but also the comments on YT and what people seem to be learning/getting from it make me fear this getting popular was a terrible mistake.
Expect extensive blogging about it.
Especially since the ease of finding related tags makes me think I've come to the right place for it.
85 notes · View notes