Alright look Enchanted is my favorite movie and I love all the actors involved in both, but Disenchanted looks like Disney tried to make an actual Disney movie again and absolutely forgot how

I want to talk more about Rogue. How she’s left a queen over a broken dream, wearing a crown over a broken ideal and so many deaths.

I think Erik knows. I think his heart aches. Because he’s lived with himself and his survivor’s guilt throughout. And he’s inflicted that on her.

I wonder if she understands. I wonder if she knows the reason why she was the right person for Genosha. I wonder if, once the pain in her heart quiets down, she will truly understand Erik’s ask and the responsibly he needed to share with her. Because she is better than him. Better than anyone who’s only known how to play on just one side of the fence.

Because she is the only one strong enough to overcome.

Everyone is so focused on Magneto and Gambit and what they did. It was astonishing. But we need to talk more about the ones that are left with the excruciating task of having to rise up from the ashes and fill the void.

what i find most attractive in people are signs of life

crows feet and laugh lines and bushy eyebrows and grown out haircuts

scars and tattoos and chipped nail polish and floppy ear lobes and still-open piercings that you just don’t wear anymore

scuffed shoes and clothes you’ve had since high school and that green stain on your fingers and neck from cheap jewelry

proof of life!!! so breathtaking!!!

humans!!!

you were somebody, and you are somebody, and you will continue to be!!

Meursault askblog post #3: what do you feel when you think about your Mother?

Askblog tag: #nmoroder meursault ask Please see pinned blog post before asking questions!

Ooh boy here we go. i've had several thoughts abt Meur's mother just off the top of my head when i was new to the characters and overall lore, but time passed and my knowledge grew and now those theories suck and im excited to know what its really all about. Nevertheless i feel like its something not so pleasant to think about for him, and since we've got like endless time before his canto comes up, i am free to do whatever i please. sorry man!

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

love how eeaao climaxed with Evelyn's whole hearted acceptance and open support of Joy being gay. starting at that put upon tolerance at the beginning and then the "you!! youre the reason my daughter is gay!" when she first meets Jobu Tupaki. obviously her marriage and her business and her father's rejection of her are also crucial to the film but when Joy and Evelyn are fighting, "stop calling me evelyn, i am your mother!"- thats not an assertion of her authority- thats saying "whoever wherever whatever you are i will love you because i choose to be your mother. of a thousand possible realities for the both of us i'm choosing you". their relationship is deeply flawed at the beginning of the film. Joy spends half of her act one scenes near tears, in turn harped on for her life choices and dismissed entirely. to go from that to being unequivocally accepted and protected- of course she runs! what do you even do with that!!! and then not dragged back or left to drift away- but followed to the point of no return and asked to stay. not just Straight Joy. not just Successful Joy. not Joy-Who-Listens-To-Her-Mom, not even Mediocre, Just-Okay Joy. any of these Joys Evelyn couldve had, any of these changes were entirely within her reach. but its tattooed college drop-out lesbian Joy who is told she's the only version of herself that her mother needs to be proud of.

Evelyn's father disowned her for marrying a man who he disapproved of. she doesnt want to risk that relationship again, between her father and her daughter, for Joy yes as well as for herself. one of the first jumps Evelyn makes is one where she stayed at home, listened to her father, and the world is her goddamn oyster. "i saw my life without you. it was beautiful, i wish you could have seen it." but we also see a world where she is blinded as a child and her father supports her and her opera career for the rest of her life. she's worn down over the years, yes but her first biggest bad-turn trauma is Gong Gong telling her "i am not your father". and she stares down the possibility of that again and proceeds to step up to bat and step up as Joy's mom. how different is "it's protocol" to "it's tradition"? kill your daughter shes a monster kill your daughter its for the good of us all- evelyn doesnt kill joy but she still wants to change her. the movie doesnt end until she chooses that for all her flaws none of them matter. all that matters is joy.

Hiccstrid really gave me whiplash when I was younger

Like, I watched httyd 1 and was like “Hiccup and Astrid are definitely dating now”

Then came RoB/DoB and they WEREN’T dating?

Then httyd 2 and “now they are in a deeply committed relationship?!?!” Okay okay good that is what I wanted all along

Rtte… “THEY’RE NOT DATING!?”

Day #78: Movie-goers

Fuck it Friday

Tagged by @diazsdimples and @tizniz. Thank you lovelies for the tag! Everyone be sure to check out what they shared okay?!

Today I present to you some tsunami action from Rival Firefighters 🚒. I finished all of the tsunami stuff for Buck’s chapter today which I am happy about … I’m just not sure how I feel about what I wrote 😬. I found the tsunami difficult to write and I’m very nervous and slightly overwhelmed at revisiting it again in the next chapter but in Eddie’s POV. It’s definitely going to be a challenge, but I want to improve and stretch myself as a writer which means challenging myself haha.

Prev snippet from this au can be found here

“I can’t hold on!” Chris cries out before he’s losing his grip and slipping under the water.

Heart hammering in his chest Buck waits for a moment before diving into the rapids, swimming with all his might. If he timed it right he should intercept Chris.

Fuck he hopes he timed it right.

Debris clouds the water making it hard to see but not impossible, and coming straight towards him is Chris. Buck reaches out and grabs onto Chris, pulling him towards him.

I’ve got him, I’ve got him, I’ve got him.

They break through the surface, both sucking in deep lungfuls of air as they hold tightly to each other, Buck cradling the back of Chris’s head as he repeats I’ve got you over and over again, as much a comfort for himself as it is for Chris.

With Chris now in his arms, Buck begins swimming in search of safety where they can rest and wait for help, ideally somewhere out of the water.

He doesn’t have to search far, for less than a mile ahead Buck spots a fire engine, the red of the roof standing out among the ocean of blue and white surrounding them, a bright beacon of hope. Buck swims towards the engine and pushes Chris up onto the roof as quickly as he can. He begins to pull himself up, arms shaking from exertion but he doesn’t stop, keeps pulling up and up until his torso is over the edge and he’s able to crawl into the center, collapsing beside Chris.

We’re safe.

We’re alive.

We’re alive.

No pressure tagging: @wildlife4life @hippolotamus @spotsandsocks @steadfastsaturnsrings @wikiangela @watchyourbuck @athenagranted @alliaskisthepossibilityoflove @malewifediaz @spagheddiediaz @lover-of-mine @ladydorian05 @loserdiaz @exhuastedpigeon @elvensorceress @eddiebabygirldiaz @evanbegins @rainbow-nerdss @rewritetheending @thewolvesof1998 @try-set-me-on-fire @theotherbuckley @princessfbi @shitouttabuck @devirnis @disasterbuckdiaz @fiona-fififi @fortheloveofbuddie @giddyupbuck @hoodie-buck @homerforsure @honestlydarkprincess @jeeyuns @puppyboybuckley @jesuisici33 @captain-hen @bekkachaos @nmcggg @monsterrae1 @missmagooglie @epicbuddieficrecs and anyone else who has something they want to share -> consider this your official tag 😉

Ohhh don't attack me like that

I really love how much mp100 stands out against other shows of its genre with its finale. there isn't some final boss, there's no grand fight between good and evil. it is, like the show has always been, about emotions and self acceptance. the finale barely involves fight scenes in the traditional sense, like I wouldn't call the encounters with teru and ritsu fight scenes since neither of them intend to hurt him, and even the fight with the suzukis ends not with someone being defeated but rather with an emotional break through. the final conflict is resolved not with violence and defeat. it's resolved with honesty and compassion and self-love. I can't get over how deeply kind this series is

basically do you prefer to play solo or do you prefer to get the story run with the scions and then play with others or do you hate support/trust etc etc

this occurred to me when I was making the least favorite dungeons polls and people were mentioning other players as reasons they didn't like certain dungeons which is something I didn't consider for my own choices in later dungeons since I always run them as trusts unless I'm with a friend

Reblog this post if you love Lee Pace so that I can count up the number of reblogs and show it to my friend who dissed him today

This is a justice for Lee Pace post against my friend

Thinking about how very rushed the pacing of OFMD season 2 felt, I realized that it's actually a good example of why Neil Gaiman taking a gamble and deciding to write a completely new season for Good Omens to properly link season 1 and season 3 and end it at that point was the best thing he could ever do.

OFMD felt like David Jenkins and the writing team were so scared they'd get cancelled that they crammed as much plot as they could in season 2 and tried their best to end it in a way that would work as an actual ending if they cancelled the show, but doing so they sacrificed a lot of interesting character developments and character dynamics, and (imho) wasted a fantastic villain (Ned) killing him off in one episode when he could have been a great foe for the whole season, with Ricky being set up as the main villain in season 3.

I'm not saying OFMD had to end in a cliffhanger like Good Omens did, but they could have still taken a gamble and tell the story they wanted to tell properly, and then adapt it in some other way if the show didn't get renewed, similarly to how Neil said he will write a book if they don't renew Good Omens.

OK so. I need to say. I have to say it because it's been bothering me since like. What. wtnv 229, but that whole Blake plot? Sucked. He was stuck up and a suckup. But then suddenly he just. Changed??? And we literally see none of it??? He's horrible to Carlos one episode, explaining Michelle another, and then the next he's just like "ohhhh boohooo lubelle is scarrrryyy i like night vale now :(" Like. Where did this come from. Finknor. Where the fuck did any of this come from. It would've helped a whole fucking lot if there was. Any indication of this change but there, literally wasn't??? Unless you count the whole Blake calling Cecil out of the station thing??? But like. Gragh. They shouldn't have rushed that arc, it needed to have been paced better, hell they could've made it last two years for better pacing but. here we are.