The robins’ arrested development is fascinating to me on a meta level.
The first child sidekick of the golden age of comics, never meant to be a man, a child for forty years who fought and demanded the right to grow up.
The second robin is slain in his career’s infancy. An unaging symbol of lost innocence because innocence itself was no longer required. Who burst back out of his grave unwillingly, in a man’s body, dragged into adulthood all at once. A child killed twice over.
The third robin, who was comfortable in his place as a child as a sidekick, evicted because someone else needed that spot, only to be wedged back into the box. Not quite a man, but he can’t go back to being a boy either, stuck in the in between.
And the fifth robin, still a child. Destined to grow into an adult role that will never be vacated, and so cannot grow up.
I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.
For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)
But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.
Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.
Civil Defense rescuer Nooh Al-Shaghnobi is trying to raise funds to evacuate his family from north Gaza. The situation is extremely dangerous, and due to the danger of his work, he is concerned that if anything happens to him, he will no longer be able to provide for his elderly parents. Please consider donating, or share the link.
a very unhinged bishop raphaniel charlock as a @d20exchange gift for @yeehawpim !!!! it was so fun designing this little abandoned cathedral bahaha i hope you like it !! 🫶🫶
"I don't want to bring something up from the past, but Fernando did braketest me many years ago, but I was in the McLaren. He braked 30 meters earlier. We went to the stewards, and he went, "Oh, it's my right to brake where I want to brake. That's where I needed to brake!" I was just flabbergasted. And the stewards went "oh, well, no further action."
Okay, I'm looking at rarepairs for the fic exchange nominations, and I need y'all to level with me: why does no one write Fjord & Essek (platonically! not even romantically!) when, despite their canon conversation being minimal, every SINGLE instance of it is iconic. They do admittedly exchange very few words, but that's because they do not need any further conversation to absolutely carry a scene.
Have we forgotten the Dungeon of Penance con? "So are you saying you want to date Fjord?" Fjord egging him further into a panic attack in the middle of the arctic? THE RANGER MOMENT? THEIR EXCHANGE AT THE END OF 140???
Fjord and Essek are an absolutely buckwild duo who should absolutely not have the bizarre chemistry that they do and are complete opposites on a lot of surface levels, except for the fact that they are both the type of person (pointedly restrained, skillfully manipulative, ruthlessness simmering under the mask) who Caleb is immediately inclined to distrust but also, unfortunately for him, so incredibly attracted to.