Tumgik
#(and then I apologized lol)
batbabydamian · 2 months
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in the guard's defense, fire ants sting 😔
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inkskinned · 9 months
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no, actually, where is the whimsy?
my ex had a best friend named larry who asked me once: what do you think comes after irony?
we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.
earnest positivity, i said, while my ex said, art self-destructs.
i stared at my ex. he stared at me.
his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!
it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.
and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.
my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.
which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.
but here's the thing: i wasn't wrong either.
the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.
so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.
and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.
where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.
it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.
this knowledge: where he said nothing comes after, my only instinct was what comes after is love.
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petricorah · 1 year
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“nothing much dog, what’s up with you?”
-with new group members comes more opportunities-
+bonus
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different POV of this comic
x
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kate-bot · 1 month
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i just know theyre SO annoying.... poor peppy.....
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calamaricollie · 1 month
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very goofy idea that came to me in a convo
Bonus: maybe grooming sheep wool isn't a good idea for a cat
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eddiediaaz · 30 days
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favorite 9-1-1 moments ↳ 31/? ✦ tommy and the 118 in 7.03 - capsized
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chiscribbs · 3 months
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Grown Apart AU - Musical Style ✨
What is This Feeling from Wicked pretty perfectly encapsulates GA Donnie and Leo's first impressions of each other, so the musical nerd within me couldn't resist doing this (lol).
Context within the plot: After saving Mikey's life (by total coincidence), Donnie manages to infiltrate the Hamato residence as a spy, planning to capture the oozesquitos and hand them over to Big Mama, thus gaining her favor. Leo, however, sees through his act easily and has been keeping an eye on him since he arrived. Due to circumstances outside of their control - i.e. Splinter's decision - the two of them are forced to share a room with each other, which neither party is particularly thrilled about.
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I just found out that, apparently, Grown Apart has made into the @tmntaucompetition preliminaries!!!! ASDFGHJKJH;!! Thank you to anyone who sent in a nomination! I guess we can officially call this "propaganda" now, so look forward to seeing much more in the very near future!
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tinartss · 10 months
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to love and be loved in return
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idolomantises · 2 months
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There's a pretty popular artist on here that once tried to steal my OCs because they were mad at me. every once in a while i see them and i'll think "oh yeah, thats the guy who tried to split up my lesbian couple and pair one of them up with her brother in law. Weird"
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getpissedonforjesus · 5 months
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pomfrittes · 6 months
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shar's favorite princess yells at githyanki woman
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bonus-links · 1 year
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RUINS, pt.11
first | <<prev | next>>
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ywuji · 1 month
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Omg so like I want to hear your thoughts on perv!Megumi like finally after so long of Gojo teasing him for being in college for two years at this point and being single, he’s finally procured a pretty girlfriend who’s unfortunately (for her) so naive and sweet??🩷💕 Idk I got shy but I know you’ll do something good with this lol
ik i told u id post this after my wips but i started on it n i couldnt stop i liked the idea too much LOL im sorry for being so confusing D; tysm for the ask though!!! :o i rlly enjoyed writing this!!! (n don’t be shy ahjwhs you’re so lovely T_T♡)
perv!megumi !!! please i feel like he’s the type to be a pervert that’s kinda embarrassed n self aware about himself—especially bc gojo kept teasing him all those years n he was kinda just jacking off to whatever x-rated video that came up first (i feel like perv!megumi is highkey into hentai too but he’s taking that to the grave!!)
n when gets a pretty little girlfriend who acts so cute and who he loves so much, when he gets hard he can’t help but let some of that side of him slip out from time to time...
i think he’s also the type to take lots of pictures,, like pictures while you sleep, peeking through your door while you shower, in clothing store changing rooms while you change, upskirt pictures… he’ll make you his little model!! some of them you know about but some of them you don’t, he’s so lewd.
it’s not just pics of you he takes, it's some of himself too. i feel like one of the things he’d love to do to you is when you tell him to come with you to some random uni event, n he’ll randomly disappear in the middle of it, only to go to the bathroom to take pictures of his hard leaky cock to send you with some casual caption like he didn’t just do that ?!?! he’s crazy (more under the cut)
it’s not megumi’s fault he’s so in his head about you, he still just doesn’t really know how he managed to get someone as pretty and doting as you are as his. 
he sometimes feels guilty for being so obsessed with you—your body clad in pretty little outfits that you show off to him with a twirl, the way you’ll always show him your shiny new sparkly nails when you get them done, how he’s always the first one you’ll pick to talk to about something new you’ve found to love—it’s all that seems to be on his mind recently.
maybe it was gojo’s accidental doing, those feelings of guilt. unintentionally planting a little growing seed of shame in him the first few times he started teasing him for not having a partner yet at his ‘big age’, borderline lecturing him with the ‘when i was your age’ stuff—maybe that was the logical reason why he felt so attached to you, the reason he couldn’t help getting fully erect even when he only saw as much as a pair of your flung-away panties lying at the edge of your bed when coming to your room one day.
but when he recalls back to those nights where you’re innocently cuddled against him, watching whatever movie, a quiet ‘megumi?’ leaving your lips as a sign to tell him you’re falling asleep, and he finds himself shifting in his seat, carefully adjusting your head to let you rest comfortably on him, pressing a soft kiss to your hair as he strokes it and tells you a ‘sleep now, angel’, he knows that’s not the reason.
nevertheless, he’s always been worried about it, thoughts of ‘am i doing too much?’ or a ‘would she not like this?’ clouding his mind. but for every single thought like this he has, he’ll always have two more memories where he’s coming up to you, his sweet-faced little girlfriend, waiting for him with open arms and open heart. and to him, it means more than the world.
and as his cheerful sweetheart girlfriend, you’ve never really minded of course.
you know he’s at least a little perverted, asking to take those pictures of you trying on your new swimsuits, or bras, or skirts, or those times when he pulls out after spilling his load into you, and the first thing he does after making sure you’re okay is to go face-to-face with the trail of cum seeping out of you to snap a few photos.
honestly, you’ve gotten used to it at this point. you just take these moments, seeing what you do to him, as a way of reassuring yourself that he really does just love you that much. and he really does. really!! :(
no matter how innocent or dirty the context, he’ll let you know whenever he gets that warm little feeling in his chest.
“i-i love you,” he pants, head coming up from sucking marks on your neck, languid thrusts coming to a gentle stop as he peers up at you with flushed cheeks. it feels like he’s admitting it for the first time again.
when you stare at him with his same love-drunk look, brows furrowed and eyes pleading, whispering out an “i love you too, gumi”, he’ll pause a moment to study your expression before gently raising you further up the bed, hooking his hand under your leg and repositioning it around his waist.
he’ll drop down to press a kiss to your cheek before resting his chin on your shoulder and picking up the pace again, now only determined to make you cum.
when he thinks of times like these, despite what you’re doing together, it’s innocent in his head.
a time where that’s not so much the case though is when you persuade him to come with you to some uni exhibition event, looking up at him with hopeful, doe-like eyes and as many ‘pleeeaaase, gumi’s and ‘please, guuuum’s as you could muster—cause it’s not like he could say no to that, right?
at first he put up an act of feign stubbornness. but eventually he agreed—only when he knew you’d excitedly hug him and press your soft chest to his as a thank you for it though.
he’d tour the hall with you, watching you gaze in awe at everything with your cute, simple curiosity, occasionally pointing out little things in the pieces he liked. before the artist began their talk though, he got up from his seat, pressing a quick kiss to your cheek before muttering a “‘m g’na go to the bathroom.”
in an empty stall, he’ll sit atop the lid and pull down his jeans, freeing his stiffening cock from his underwear. he quietly groans as he pumps himself a few times, a slow trickle of translucent white leaking down from his tip.
he silently curses, throwing his head back, thinking about how you let him flip up your pretty skirt before you left, letting him take a peek at your cute ass in the frilly panties he bought for you.
he reaches for his phone, fumbling to send a picture of the sight to you, adding a casual caption of something like ‘hi pretty girl’ or ‘u look so pretty today, angel’.
he pauses, realising that maybe you won’t see it for a little while. he’s imagining you so obediently listening to the artist speaker to notice the ping of his notification—he enjoys that thought too, but he can’t say why.
he’s careful not to thrust up into his fist, not wanting to make too much noise, but it’s futile—he’s too hard staring at the lewd shots of you saved in his secret hidden album—the way you act so innocently, the way you have no clue what the true extent is of what you do to him. he can’t help but let a few breathy whines slip.
he won’t let himself cum though, thinking he’s too good to be letting himself release over some scrunched up, bathroom tissue when he’s got his own pretty little girlfriend waiting for him a few halls down.
he sighs. cleaning up and tucking himself back into the band of his briefs, leaving the stall and washing his hands, walking back out like nothing happened.
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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