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#(and so many more! this script just has so much character)
marshmallowgoop · 8 months
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I combined footage from my Detektiv Conan Blu-ray with audio from my Case Closed FUNimation DVD and made an HD English dub clip compilation for Episodes 57-58, "The Holmes Freak Murder Case."
#detective conan#case closed#video#funimation english dub script#i wasn't actually gonna post this video to tumblr because it's so long (because i have a lot of feelings about this case!)#but folks on discord liked it and i'm all about my funi dub propaganda so why not right?#the dub script here is just so fun--and does so well at making the dialogue *work* and sound natural in english#and has so much flavor! it does arguably too much in terms of creative liberties but things like#'can i really trust what a kid saw?' of the sub translation compared to 'and what were you smoking before you ran out there?' in the dub#are much more enjoyable to me#(other fun phrasings: 'the one who's always hangin' around you guys' (sub) vs. 'the little-bitty one with the great big brain!' (dub))#(and 'of course not! the reason i applied for this tour was 'cuz i thought i might find kudo' (sub))#(vs. 'who me? no no no. actually i signed up because i was hoping to run into jimmy here. but i guess i'm out of luck' (dub))#(and so many more! this script just has so much character)#and while it is a shame that the dub eliminated heiji's accent i do like the changed line ('i know it's you!')#'cause you've met shinichi *once* heiji lol#but yeah this is a fun case! i'm really happy to have finally hd'd the funi dub for it :')#one of my favorite things about the funi dub is that jerry jewell (shinichi's va) voices conan's thoughts#and it's so nice to hear *shinichi* and heiji deducting together (and the way they finish each other's thoughts and vibe... it gets to me)
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climbdraws · 1 year
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so. avatar 2. as great as it was that sigourney weaver was in this movie again I felt like she would have been better suited for flashbacks showing the initial human /na'vi relationship as she's the one who taught them English instead of making her into a 14 year old Jesus
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baronessofmischief · 3 months
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I think Tarzan also has one of the best setups for a villain who monologues their true intentions at the end of the movie.
Clayton’s introduction is someone we hear before we see, spending the entire time hacking through the brush bragging about his accomplishments as a safari hunter. He lives for the thrill of the hunt and the recognition, praise, and notoriety those exploits garner. It means when Tarzan is restrained at the end on the boat, it’s entirely in character for Clayton to brag about exactly what he plans to do in betraying them and capturing the gorillas. He doesn’t even have to do it for long, just long enough to break the spirit of the hero before throwing him to the lowest point he’s been in the story.
If you’re going to have a character monologue it can’t feel out of place or disrupt the flow and pacing of the movie, and it definitely can’t be out of character for that particular character to give it. Too often monologues can sound like they were written for the satisfaction of the writer instead of serving the story, and when that’s the case it’s a “kill your darlings” scenario; every word in a monologue has to be necessary, or else it needs to be cut out
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bmpmp3 · 3 months
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one thing the musical isotope cevio voicebanks have on like any other vocal synth ive seen is how intensely moody and expressive they can be. i thought it was just kafu who had that gritty breathy seething sound but rime and haru are also both great for angrier or more intense emoting
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demonvibez · 9 months
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Hello, I came here to ask you a request: Mc is wearing a pajama (nightgown, little shorts, whatever you want) that shows a little bit too much. So one day, Mc comes down to the kitchen in the middle of the night, taking advantage about the brothers sleeping in their rooms so no one would see her like this, and suddenly, she bump into one of the brothers. How would they react?
A/N: Thank you so much for this request, and sorry for the delay! I started working on it, got writer's blocked, solved the block, then got...inspired, lol. This ended up being like 8 lil narrative one shots. Anyways - This is only part one of two; hope you like! ♡
Characters: [Lucifer / Mammon / Leviathan / Satan] x F! Reader
Word Count: 4.6k+
Rating: Teen [Suggestive Themes]
Tags: suggestive/sexual themes, making out, light petting/groping, reader = she/her pronouns, each demon has a lil backstory
[Part One of Two - Read Part Two Here]
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It was late at night in the House of Lamentation, and you had just finished preparing yourself for bed. You had finished your homework for the day, as well as your nighttime routine, and it was time for you to settle down. Just as you sit down on the edge of your bed, you start thinking about how it would be nice to have a quick little snack before you turn in to sleep for the night. Picking up your DDD from the nightstand, you check the time to see just how late it was. You decide that it was probably late enough for everyone to be asleep, and it was safe to venture out into the house alone with what you are wearing - a skimpy spaghetti strap tank top and tiny shorts that leave little to the imagination. You push yourself up off the bed and cross the room, making your way towards the door. Leaving your bedroom door open, you make your way towards the kitchen next door . . .
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For the Avatar of Pride, staying up late and overworking himself was a normal part of his daily routine. Usually after dinner, he hides himself away in his study so that he can start working his way through the mountains of paperwork sent to him from his superiors. Usually every night, he has the same routine - he finishes his RAD related paperwork, takes a break to patrol the House, stops by the kitchen for a cup of Hell Coffee and then back up to his study to deal with the paperwork associated with his political duties. 
Lucifer starts making his way down the hall for his nightly rounds through the House, as he normally does at this hour. He usually does this in order to make sure his brothers’ mischief was kept at a minimum, but it’s in order to keep you safe as well. He couldn't help but to notice that the chaos in their House had increased quite a bit since you had arrived - some of it from his brothers dragging you into their antics, some of it chaos created all on your own, and some of it external chaos that seeks to consume your beautifully shiny soul. When you first arrived here, you used to be a major source of his headaches. He used to struggle with how to punish you, seeing as you were the fragile little human sent here for Lord Diavolo's exchange mission. But now, the more Lucifer thinks about you, he cannot deny to himself the fondness that has grown for you within his heart. A smile twitches at his lips for a brief moment before he refocuses himself on his task.
Just as he is making his way down the stairs to check the first floor, he hears a noise coming from the kitchen area, a faint glow emitting from its frame and spilling into the hallway. He lets out an exasperated sigh to himself, believing it to be Beelzebub on one of his frivolous late night snack missions. Crossing his arms in front of his chest, he strides towards the kitchen door, scripting the lecture he wants to give in his mind as he walks. How many times must he punish the Sixth Born? 
When he reaches the doorway, he halts at the unexpected sight before him, and he can’t help but to stand back and observe. He sees you in the kitchen, illuminated by the light of the refrigerator, looking through what’s left of its contents for a snack. You look so innocent while doing so, completely unaware of your surroundings. He wasn’t used to seeing you like this - hell, he wasn’t even used to seeing you dressed like this. Usually dressed in your RAD uniform, the attire you were currently wearing is much more revealing than what he is used to seeing you in. The way the thin cotton fabric clings to your curves, he couldn't stop his eyes from roaming your entire body. You grab something from the fridge, closing it before making your way over to the kitchen island with the leftover Acidic Hell Fries you found. Sitting down with your back turned to the door, you open up the tray and lean in to take a bite, all the while Lucifer can’t help but notice the way your shirt rides up the arch of your back, the way the waistband of your shorts sit right at your hip, the way your skin just looks so soft. He wasn’t sure how a human could stir up such emotions in him, but he was in fact curious to see where it would take him. 
In a rare moment of impulsivity, Lucifer swiftly makes his way towards you. Before you even have time to register the Avatar of Pride's presence, he sets both of his hands on the table on each side of you, effectively trapping you between him and the counter. He leans down closer to your ear, the scent of his cologne filling your senses, as he whispers your name into your ear with a very seductive tone. "What do you think you're doing here," he asks, his tone husky as you can feel the warmth of his breath fanning against your skin. Your pulse accelerates as he presses his lips to your earlobe, his gloved hands now slowly finding their way around your waist as Lucifer trails light kisses down the soft flesh of your neck. You would usually have some sort of snarky comeback for Lucifer, stating how it was obvious why you were in the kitchen shoveling fries into your face at half past midnight. But in this moment you couldn't muster up a retort, your brain beginning to fog up with the haze of pleasure that Lucifer's touch can bring. As he continued to tease your neck, occasionally nipping at it with his fangs, his hands began to drift lower on your body, lightly teasing at your waistband. One of his hands pulls your chin up to him, your eyes fluttering shut as his lips collide with yours in a way that sets your soul ablaze with passion.
He slowly pulls away from the kiss, your eyes slowly opening to see his crimson orbs gazing back at you with lust, love and admiration. He slightly loosens his hold on you, before turning you around on the barstool you sat upon to face him. He brushes the hair out of your eyes, tucking it back behind your ear before leaning down to press one more kiss on your lips. When he pulled away this time, you chased his lips with his own, filling him with a sense of pride at the idea that you're craving more of him - much like he craves more of you. He lets out a small chuckle before suddenly sweeping you up in his arms, your legs dangling over one side while your arms instinctively wrap around his neck for safety.  "We're heading straight to my room," he said along with your name in a confident tone, "and I hope you have plenty of energy, because we won't be getting much sleep tonight." He carried you out of the kitchen and up the stairs, taking no time getting you to his room and into his silk sheets. 
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Mammon had just recently arrived home about an hour ago from one of his many side hustles he did to help earn some extra Grimm and pay back a few of his debts. The witches have been hassling him even more than normal recently, threatening a variety of curses if he doesn't comply with their demands, so he's had to take up multiple side hustles in order to make enough money. He could have sworn he paid them off a while ago - math is one of Mammon's strong suits and he always keeps his debt ledger up to date. He's pretty damn sure the witches are just jealous of you, and take it out on him one of the few ways they know will work. They would never mess with you directly - and risk earning the wrath of all seven Avatars of Sin? And perhaps even the Future King of the Devildom himself? Hell nah. They'll just keep toying with Mammon the way they know best.
Normally, Mammon would be pretty exhausted after a grueling shift of serving tables at Hell’s Kitchen, but tonight for some reason, he was feeling restless and couldn’t seem to settle down. He had completed his nightly routine and settled into bed, but he found himself feeling restless, scrolling Devilgram instead and finding himself growing bored rather quickly. After tossing and turning in his bed for what felt to him like an eternity, he let out an annoyed groan and pushed himself out of bed. If he couldn’t lull himself to sleep, he might as well go find his favorite human. He crossed the room to pick up his designer underwear and sweatpants off the couch, slipping them both on before making his way to the door. Once his door is closed, he starts briskly but silently making his way across the hall and down the stairs, doing his best to avoid running into any of his brothers - namely, Lucifer. 
Making a beeline straight for your room, Mammon notices the door is open and just walks inside as if he owns the place. “Oi, human! I’m bored, why don't ya-” he says, before looking around to see that the room is actually empty. “Where the hell even are ya,” he mumbles to himself with an exasperated huff, turning about-face and exiting your room. As he steps out into the hallway, he finally notices the kitchen light is on. He starts stomping his way over to the kitchen, mumbling something about how much work it is to watch after one stupid little human, when he crosses the threshold of the door and almost bumps into you as he is turning the corner. "Aye, what gives," he says in an almost shouting tone, "ya gotta watch it, human! Ya gotta be more careful! Ya ain't always gonna have the Great Mammon to..." he trailed off as he finally looks down at you, taking in fully just how you look and what you are wearing. His eyes widen and his jaw drops, standing there completely frozen in shock as his eyes scan you up and down repetitively. 
Despite the many times the two of you have shared a bed, he has never seen you wear something so small and form fitting as pajamas before. Usually when he was over, you'd just wear an oversized tee shirt and some baggy sweatpants, which was usually cute and endearing in its own way. But tonight, since you assumed you would be spending the night alone, you wore something you thought no one would see you in. And now here you are in the kitchen, the Avatar of Greed stood in front of you, a blushing and stammering mess. The more of his golden eyes took in of you, the more he could feel the greed rise up within him. Every little inch of skin, every little curve of your body has Mammon craving more and more, his avarice knowing no bounds when it comes to you. Typically, in moments like these, the tsundere side of Mammon's brain would kick in, and a flurry of denials would leave his lips before you could even playfully accuse him of anything. Seeing you like this has Mammon forgetting all about those silly habits, his mind focused on wanting only one thing - you.
In this moment, Mammon can't help but succumb to his greed. His hands reach out to pull you into his bare chest, his demon form now on full display and eyes glowing as gold as Grimm. His arms tighten around you in a possessive hold as he buries his face in your hair, your scent as intoxicating to him as the most expensive Demonus on record. You feel his hands roam your body, feeling both his soft skin and his rings' hard metal gliding up and down your back. You melt into his touch, your arms instinctively wrapping around his torso.  "I've been lookin' for ya," he mumbles into your hair. Before you can even fathom a response, Mammon's hands find their way under your ass, hoisting you up and setting you on the counter. He leans in and presses his lips to yours with a sense urgency you hadn't seen from the Avatar of Greed previously, his yearning and need for you growing with each kiss. As his tongue brushes your lips, they part and allow him entrance, and the way your two tongues dance with each other sends Mammon over the edge, feeling that same greed start to build within you. Mammon's kisses became hungrier and sloppier the more he could feel his sin in the air, a hint of lust mixing with it as his hands squeeze your ass, your own hands roaming his beautifully brown torso. "Mine," he states simply, as he breaks the kiss momentarily. 
He picks you up once again, your legs squeezing his waist as you fling your arms around his neck. He runs off with you to his room to have his way with you - and to hoard you to himself like the Devildom's finest treasure.
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It wasn’t at all unusual for Leviathan to stay up all hours of the night. On this night in particular he was counting down the hours until the newest merch drop from his favorite idol group, Sucre Frenzy. He picks up his Bufo Egg Milk Tea to take a sip, only to hear the slurping sound of his cup being empty. Looking at the clock at the bottom right of his monitor, he mentally notes that he still has an hour and a half before the drop, which should be more than enough time to run downstairs and raid the fridge. He presses pause on the song he was listening to on Devilfy, pulling off his headset and making his way out of his bedroom door. He pulls his DDD out of the pocket of his hoodie, swiping it open and pressing on the 'Mononoke Land' app. Checking to see if there were currently any in-game spirits lurking in the House, Levi games as he presses forward towards the kitchen, his own IRL mission falling to the back of his mind as he continued to focus on the side quest on his phone. One hand in his pocket while the other clutches his device, his tail slides along the handrail of the staircase, making sure he doesn't stumble as he tunes out the rest of the world. 
He really hopes you can make it to hang out for the drop tonight! When he invited you at dinner you seemed interested, but you told him you weren't sure if you'd be able to stay awake that late or not. He would really love it if you are able to - everything is more enjoyable for the Lord of Shadows when he has his Henry by his side! It makes him excited even thinking about it! Maybe he'll swing by your room on the way back from the kitchen and see if you're awake! Or...that maybe awkward? What if you're asleep and he wakes you up? What if he annoys you? Maybe he'll just send you a text instead. Either way, he loves you more than all of his anime combined, and it would be the highlight of his entire month to spend tonight's event with you.
Refocusing on his game, he turns the corner to cut back towards the kitchen. He doesn't even notice the kitchen light on ahead, nor does he hear the clattering and clanking coming from inside. All he can seem to focus on is Mononoke Land. As he walks past your room, he does a double take, expecting to see you in your bed. On second glance, he notices you missing from your room, and Leviathan couldn't help but be confused as he pauses in your doorway. It's almost one in the morning and you aren't in your room?! Where in the Devildom could you possibly be?! You're probably hanging out with one of his brothers, aren't you?! You're probably in one of their rooms, in one of their beds, doing Dia knows what while he's down here getting some stupid snacks for his stupid merch drop. 'Stupid stupid stupid I'm so stupid! Of COURSE she wouldn't want to waste time her time with a disgusting otaku like me! IT'S NOT FAIR IT'S NOT FUCKING FAIR!!' A wave of envy washes over him so powerful that he fights everything within himself not to summon Lotan and flood the House. His fists clench his DDD, stressing it from the pressure as his knuckles turn white. His eyes blaze a bright orange as jealousy rages within him like a hurricane brewing over the sea.  
Wanting nothing more than to barricade himself in his room and never come out, Leviathan angrily marched onward towards the kitchen, determined to get his snacks and get the hell back to his room so he can wallow in his feelings. Hastily making his way through the kitchen's threshold, he doesn't see you as he barrels straight into you, knocking you backwards. Before his mind can fully process what's going on, his tail grabs ahold of you, wrapping around your waist and preventing you from hitting the floor. His eyes finally connect with yours, and he realizes that it's you he has run into. A quick scan of the room tells him you had been in here alone, and suddenly he feels foolish for the jealous tantrum he was throwing in his mind. 
"I-I'm s-s-sorry...I didn't see y-you th-" he stammers, now looking down at you to see exactly what you were dressed in. Is this what you normally wear to bed? Levi hadn't ever seen anything like it in real life. The way the fabric highlights all of your best features, putting just the right amount of emphasis on how perfect your curves were...he could have sworn you were drawn by his favorite manga artist. His eyes roamed your body up and down, his face heating up as rapidly as his heart rate is rising. 'OH FUCK, I'm staring aren't I?! She probably hates me, I'm so gross, such a worthless perv, I need to stop staring WHATTHEFUCKDOIDO?!?' he panics internally, his hands starting to tremble. He tilts his head down to focus on the floor, when he finally processes that his tail has been autonomously wrapped around your waist the entire time. "I'M SO SORRY," he half shouts at you, as he starts to unravel his tail. 
Suddenly, Levi takes pause, as he hears you gently call out his name, one of your hands resting on his tail while the other reaches out to stroke his cheek. "Levi...whatever you're thinking right now...stop," you reassured him. Before he could hide his face from you, you leaned in to press your lips to his in a soft but loving kiss. At first, Levi just stands there frozen in shock but after a moment he kisses you back. He's still unsure of what to do with himself - he doesn't want to ruin this moment - but he doesn't want it to end either, so he stands with his hands awkwardly at his sides and pours every ounce of love of passion he can into the kiss. While he may not know what to do with his hands, his tail seemed to enjoy exploring your body, causing you to let out a tiny soft moan when it makes its way around the top of your thigh. You wrap your arms around his neck, continuing the kiss as you press your body against his. 
After a few more moments, the two of you pull away from each other, both trying to catch your breaths. Before Leviathan could even muster a response, you grab his hand, the sweetest of smiles plastered across your face. "Come on, let's go to your room, Levia-chan. I can think of a few ways for us to kill time until your merch drop launches," you said as you start pulling him towards the door. Suddenly you weren't tired, and Levi didn't care about the snacks - with you, he may even end up forgetting about the merch drop.
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Before you had even thought of grabbing a snack from the kitchen, Satan had already made his way down there and was rifling his way through the fridge looking for something suitable to feed his secret kitten friend out in the garden. Earlier in the night, Satan came outside to the garden in order to calm down and let his inner rage subside. He had wanted to spend the remainder of his evening with you curled up in his lap as he reads to you, a warm fire crackling in the fireplace nearby, as the two of you ignore the world for each other and a great plotline - there was no other way he'd rather spend his evening. But of course, his insufferable eldest brother had to stick his prideful nose in where it didn't belong and drag you away, just as he was asking you to join him after dinner. It was almost as if the Avatar of Pride has an extra sense for when Satan wanted alone time with you, always interfering and coming up with some smug excuse as to why you need to be stolen away right when Satan needs you. That pompous ass was always going out of his way to stoke the flames of Satan's wrath on purpose! 'One day he'll get back at that bastard, he'll put him right in his place!'  
Satan continued pacing in circles in the garden, his demon form on full display as rage flows through him like an ice river through one of the lower pits of hell. He wasn't doing the best job at calming himself down at first, you not being there to help ground him, so it was taking a bit longer than normal. It was always so much easier to calm himself with you there - just a few simple words or a quick hug usually doing the trick. But for now he was alone, and he was drawing a blank on what he else should do. He completed one more pace around the garden before, before letting out an annoyed huff and sat himself down on the nearest bench. As he was about to pull out his DDD to text you to see where you were, he hears a rustling in the bushes. His emerald eyes scan the area, no signs of life immediately apparently, before he sees a pair of glowing eyes peer out at him from underneath one of the bushes. A small smile tugs at his lips as it dawns on him who the eyes belong to - one of his stray feline friends that likes to wander through every now and then. He pushes himself up off the bench and slowly crosses over towards the cat, holding out his hand as he tries to coax it out of the bush. The cat immediately starts to back into the bush, shaking it's head at Satan, causing him to take pause. He chuckles to himself as he comes to the realization of what she is asking for - the cat wants a treat. 
Satan straightens himself up, making his way back into the House to find some cat friendly snacks in the kitchen. When he arrives there, he is alone, and makes a beeline straight for the fridge. It was usually wishful thinking for anyone in the House of Lamentation to try to hide food in the kitchen, but sometimes Satan was able to get away with it for the sake of his kitten buddies. Crouching down to open the bottom drawer, Satan reaches in to pull out some of the Devildom cat treats he had stashed back behind the drawer. Setting the pouch of treats on the counter, he opens up one of the cupboards and pours what is left of the treats onto a saucer, before tossing the empty wrapper in the trash and making his way towards the kitchen door. Little did he expect in all of this, you came walking through the door at the same time, neither of you really paying attention. Before either of you can stop yourselves, you quite literally run into each other, the saucer of meaty cat treats smooshing against Satan's chest and then dropping to the floor. Satan can feel his wrath rising inside him once again, drenching him like an ice cold shower, his aura turning dark as his demon form makes an appearance once again. He hasn't even looked up to see who caused the collision, assuming one of his brothers is to blame yet again, his jaw clenching as his mind races to formulate it's retaliation. 
His glowing green eyes finally lift to see exactly who the guilty party is, only for his eyes to meet yours instead. You begin to stammer out a stream of apologies, but seeing you immediately calms the inner turmoil of his mind, the storm suddenly calm within him. 
His gazes roams over you for a moment, Satan suddenly finding himself speechless as he takes in exactly how breathtaking you look in such casual attire. The way straps of your tank top accentuate your collar bones, giving way to how the fabric hugs your perfect chest...Satan suddenly couldn't remember what he was mad about in any point in the day. He couldn't even bother to care why he was in the kitchen in the first place. He gently takes one of your hands with both of his, raising it to his lips to press a kiss into your knuckles. A warm smile spreads across his face as his hands find your hips, pulling you closer into him. One of his hands moves to rub the small of your back as the other tilts your chin upwards to him. He holds your gaze for a moment, adoration apparent in his eyes, before he leans in to share a passionate kiss with you. 
The moment his lips caress your own, your heartbeat goes through the roof, and you can't help but to lean into him and melt into his touch. His hand on your chin moves to hold the back of your neck, his tongue brushing your bottom lip, asking for more. Your hands find themselves on his chest as your lips back, your tongues clashing together in a desperate bid to feel more of each other. Your hands slide down his chest and abs, lightly tugging at his belt when you get to his waist. He chuckles into the kiss before nipping at your bottom lip with one of his fangs, grabbing your hips with both hands as he slows the pace of the kiss. 
Eventually he breaks the kiss, resting his forehead on yours. "You always know how to make me feel better, kitten," he said as you slide your hands up his front and lace them behind his neck. "What do you say we retreat to my room to continue this encounter?" he leans in to steal one more kiss from you lips before taking you by the hand and pulling you up to his room.
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· demonvibez ♡ 2023 · do not copy, repost or modify ·
· likes, comments and reblogs are deeply appreciated! ♡ ·
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damiansgoodgirll · 2 months
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 hi, can you please make a story where reader is young like 19 or 20 and everyone loves her and she’s a pretty close friend with basically everyone in the wwe and one day she has a match with like Nia or someone else and she gets injured so bad that everyone around her is worried sick.? maybe she has a closer feeling with the judgement day or Jey but like if you can mention more wrestlers it would be amazing. Thank you so much. I love your writing 
i love this type of requests cause it makes me travel back in time when i was 13 and i used to play wrestling with my best friend (don’t do this at home) and i remember everyone loving me…anyway
sorry for making nia the bad one!
the judgment day x reader (platonic) / jey uso x reader (platonic)
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home is where you belong
you never thought you would find it but you did. the place where you felt safe and loved, the place that you called home.
you’ve been wrestling since you were fifteen and once you got eighteen wwe signed you in. two years later now you were living your dream;
travelling from city to city, having sleepovers with your wrestling friends, gossiping about what people you shipped together, talking nonsense with seth rollins and having becky teasing him, watching and learning new techniques from jey uso, training with the judgment day.
everything was a dream for you.
the fans loved you. even if they weren’t fans about your character, they still liked your persona and your positive energy. you had no enemies, you pretended of course, but you had no enemies at all.
many elders took you under their protective wing and you couldn’t be more grateful.
you we are currently training with rhea as you had a big match against nia and you wanted to be ready. you both already knew that the judgement they were gonna help you win this match because, according to the script they had to ruin this moment for you and for nia, but you didn’t care because you knew how fun it was going to be.
so you were ready to kick her ass.
nia, otherwise, wasn’t as happy as you thought. the idea of losing against some teenager like you made her blood boil. she was more experienced than you so why would you had to win? plus, by getting helped by the judgment day?
she didn’t like the idea but she didn’t tell you.
she had something else in mind.
so you were getting ready, your make up flawless, your hair perfectly posing over your shoulders and a smile that could make happy anyone who met you.
you were so ready.
you heard the “boos” when nia entered the ring and you heard everyone cheering for you when you entered. that’s how it was supposed to be so why did she have an envious look in her eyes?
you pretended it was nothing and you started the match as it was supposed to go.
ten minutes later, the judgment day music echoing through the arena, just like the script said.
rhea distracting nia.
following exactly what the script said.
so what did go wrong?
nia attacked rhea. it wasn’t in the script but rhea knew how to handle situations like that.
you could tell by damian’s look that this wasn’t supposed to happen but you took it as an opportunity to distract nia and make your final move, move that made you win that match.
earlier on the schedule but still, you had your win.
“someone beat your ass…” rhea screamed into the microphone, unleashing mixed reactions through the crowd. everyone cheering for you because of your win, not everyone was happy with the way you won but still, you better than nia.
that set her off.
she didn’t like the idea of a teenager beating her but she hated even more the way the crowd laughed at her face, making her seem weak, not strong enough.
the judgment day were leaving the arena, just like the script told them to do after your victory, so what didn’t go as planned?
you were still in the ring, fans clapping for you, the referee still held your hand high and as you were about the leave, nia hit you behind your back.
this wasn’t prepared.
you fell to your knees and before you could do something she dragged you through your hair into the middle of the ring.
“nia?” you said almost too terrified.
the referee tried to get into the two of you but nia pushed her away, hurting her.
“who do you think you are?” she said hoovering you with her body.
“nia what?” you weren’t understanding. why was she doing that? she was your friend, she wasn’t supposed to hurt you.
“don’t act so dumb…” she whispered before attacking you.
for real this time.
nothing prepared.
she was really hurting you. your face first, then your stomach, she kept hurting you, punching you over and over until you couldn’t feel your body anymore.
your head and nose were bleeding.
referees weren’t able to stop her either.
rhea and damian were the first one to intervene when they saw that the referee couldn’t stop her.
rhea attacking her, the referees, trying to get between the two of them, so damian so that as an opportunity to shield you with his body. he could handle nia attacking him.
“damian?” you almost cried.
“hey…shh it’s okay, i got you” he said, slowly moving your hair out of your face and it was in that moment that he saw your bleeding face.
“dam…it hurts” you said clenching your stomach. he felt his heart breaking. the way you were clenching your chest, the way your hands trembled a little, your bleeding face and your eyes full of tears.
he was mad. furious.
“i know…ssshhh…we will take care of you i promise” he whispered.
the crowd was cheering, assuming everything was scripted, but there was an uncomfortable silence going behind the scenes.
everyone watching what was happening in horror.
becky had tears in her eyes and seth was trying to keep her and himself calm because he was mad. cody was speechless. jey ran out of his locker room just to be stopped by the security. dom and finn paralysed in their steps as they were watching everything happening right before their eyes.
that’s what it went wrong.
thankfully, rhea and referees were able to drag nia away from the ring. she knew she went too far but her pride was something she wasn’t willing to give up.
damian was still in the ring with you as medical staff came and assisted you.
you already fell unconscious when damian lifted you up in his arms and dragged you down onto the stretcher waiting for you backstage.
you were rushed to the hospital and honestly no one felt like continuing the show but they had to. jey was next but all he wanted to do was rush to the hospital and stay by your side.
you didn’t even realised that when you woke up you weren’t in some hotel room but you were in a hospital bed. your head still pounding when you remembered what happened.
the doctor told you that you had a few broken ribs, a dislocated shoulder,a broken wrist, a sprained ankle and a heavy concussion. not to count all the bruising and red spots forming all over your body.
then what you didn’t want to hear : no wrestling for at least four months.
your body needed to rest and heal first.
you were trying to hold in all the tears but eventually let them out when the doctor left your room. you were supposed to have your first main event at wrestlemania and now that dream was gone.
while still crying a soft knock echoed through the room.
damian first, then rhea with the rest of the judgment day.
“hey…” she whispered but her heart broke when she saw the tears in your eyes “why are you crying pretty girl?” she asked sitting on the chair next to your bed, followed by the boys who sat on the small couch right beside the window.
“bye bye wrestlemania…” you said with a broken voice.
everyone knew how much you’ve been waiting and wanting that moment.
“i’m so sorry y/n…” she said softly.
“its just it’s not fair…” you whispered “why did she do that? i thought she was my friend…i would have never done that to her rhea…never”
“i know love…because you know your value, you’re kind and sweet and loving and unfortunately you’ve met someone who thought about her ego and her ego only…” she said smiling sadly at you.
“what matters now is that you rest and take your time to heal” damian joined the conversation “you scared everyone back there…” he said making you smile a little.
“i didn’t mean to…”
“we know…or you could tell them that yourself” finn joked.
“what?” you whispered.
“everyone’s here…jey almost punched the doctor when they wouldn’t let him see you” dom laughed “becky is here with seth, cody and shayna are here too…girl you even scared gunther”
“i don’t believe it…” you laughed.
“we can make you believe that” jey said entering the room with a beautiful bouquet of red roses. everyone followed him too.
you were relieved in seeing so many people caring for you in a way not even your friends cared about. you felt loved and appreciated.
you’ve spent the next hour talking nonsense with them all and you almost forgot about the wrestling problem thing.
almost.
when everyone left for your check up with the doctor, the only one who stayed was jey.
he was the only one who noticed the shift in your mood and he knew what was like staying away from what you love do the most, so if you needed a shoulder to cry on, he was willing to do that, if you needed a friendly advice, he was willing to do that too.
“care to tell me what’s on your mind sweetheart?” he asked when the doctor left.
“i’m going to miss all of these…four months of not seeing you all days, no wrestling, no wrestlemania and probably no summerslam too…it’s just, i feel useless and empty not doing what i love jey” you confessed.
“you’re not useless at all, and it’s normal to feel nostalgic right now but it’ll pass and i promise you that you’ll be on your feet for when summerslam comes! i promise you” he said sitting next to you and wrapping his arm around your shoulder - the healthy one - “i wish i could have done something to stop her but i was the useless one…i hated seeing you in so much pain…she lost her mind and finally she lost her job too”
“what?” you whispered.
“yup! got fired…you know you could sue her right?” jey asked.
“i would never do that…”
“i know…you’re too kind for that…what she did was wrong and completely unacceptable but i’m glad you’re here…” he said softly kissing your head.
“ill be here for a long long time…this is my home after all” you smiled, making jey laugh too.
and it was in that moment that you truly realised how important those weird people were for you, and how important you were for them.
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xamag-draws · 11 days
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BBR thoughts 2024
Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies
This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not
So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters
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I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash
I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted
Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it
At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do
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Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction
So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older
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I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet
When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"
But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work
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If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now
I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:
Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)
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I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat
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I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least
I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example
I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep
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I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor
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I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence
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The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers
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Some new Dolly outfits
Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days
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Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo
I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused
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One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book
An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well
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So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)
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sugrhigh · 3 months
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FIRST OF MANY - ( m.s )
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REQUESTED**
summary- you and matt have been dating for over a month now, and you’ve never had sex. his curiosity gets the best of him while you’re watching a romcom, and you find out he’s actually a virgin.
warnings- swearing, virgin!matt, technically unprotected sex, smut at the end (lmk if i missed shit)
virgin!matt x fem!reader
a/n: this is my first req that i’ve ever done, so THANK U TO THE ANON WHO LEFT IT i hope it lives up to your expectations ❤️ if u have ideas drop them in my inbox ! all da love
there is literally nothing matt likes more than spending the night in with his girlfriend, as corny as it might sound. it’s been well over a month of dating now, and he still can’t get enough of you.
the warmth of your body is comforting as you lay beside him on the sofa, dressed down in sweatpants and an oversized t-shirt. he has one steady arm wrapped around your shoulder so he can hold you against his chest.
he breathes you in as his fingers skim absentmindedly up and down your exposed bicep, a familiar mixture of laundry detergent and citrus shampoo.
“that feels nice.” you mumble into his shirt, eyes still glued to the tv.
you’re forcing him to watch friends with benefits, since he picked the last movie and you were in dire need of a romcom fix. it’s one of your favorites, mainly because you loved mila kunis so much in that 70s show.
it’s only been on for roughly thirty minutes, but matt’s been enjoying it way more than he expected considering this genre is not his norm. he’s even let out a couple laughs at the scripted jokes.
the main characters are in bed together again, rolling around as they banter back and forth about sleeping with each other. it sparks a fire of curiosity inside of him as he continues to stare at the screen.
“is this really what it’s like?” he asks without thinking, and he immediately regrets his words as you tilt your head to look up at him curiously.
“what, the sex? don’t act like you don’t know.” you say, playfully smacking him with the back of your hand.
matt isn't sure why he brought it up, but he figures now is as good a time as any to have this dreadful conversation.
“how could i know if i’ve never done it?”
he feels you tense up slightly under his arm, which scares him. the last thing he wants you to think is that he’s some sort of loser. he just hadn’t found anyone that he really wanted to be intimate with before he met you.
it’s not like you guys don’t fool around sometimes. he’s perfectly capable of using both his hands and his mouth; this is a fact you’ve been made well aware of.
you two just haven’t gone all the way yet, especially considering you hardly ever get real alone time together.
“you don’t have to lie about the girls you’ve been with just because we’re dating now.” you finally respond, quieter than before.
“oh my god, i’m telling the truth, so please don’t make me say it again.” he can’t look at you anymore, because he’s too embarrassed.
this makes you fully sit up in shock, no longer focused on the premise of the film. he can feel you staring at the side of his beet red face, clearly confused by this revelation.
“wait, are you seriously telling me that you’re a virgin?” you question.
matt glances back at you and crosses his arms defensively, because it suddenly feels like he’s under attack. “you’re making me seem like a freak or something.”
he watches your eyes soften as you put a tentative hand on his shoulder, trying to let him know that you weren’t making fun of him.
“shit, i’m sorry, i swear i didn’t mean it like that. it’s just…really surprising, that’s all.”
“surprising how?”
you pull your lips between your teeth, exhaling through your nose as you try and find the right words.
“well we’ve done stuff before, and you were just naturally good at it, so i assumed you’d learned from hooking up with other people. and i know girls must have liked you with a face like that.”
this boosts his ego, and he’s already in a much better mood knowing he’s at least made you feel good in the past. that doesn’t mean he’s not still terrified, but he’s a little more confident than he was before.
“nope, not really. you’re the only one i’ve ever done that kind of thing with, aside from a little making out.” matt admits with a shrug.
your lips part, and it’s making you feel all fluttery.
“wow.”
he smiles a little bit. “i don’t know what that means.”
“it doesn’t mean anything really. i’ve only had sex a few times, and it doesn’t change anything either way.” you move your hand up and down his arm a little bit.
the tv plays in the background, and your mind flits to his original question.
“are you curious? is that why you asked?” you tilt you head toward the screen, though you keep your focus on him.
his eyes go a little wide, and the feeling of your hand on his arm suddenly becomes overwhelming.
“yeah, i—uh, i guess i am.” matt stumbles over his words, and your fingers travel higher to run through his hair slowly.
“you don’t have to be nervous. you can ask me anything you want, i’m not gonna judge.” you say softly.
your fingernails raking along his scalp makes him shudder slightly, a response that you both enjoy.
“i’m…more of a hands-on learner.” he rasps.
you let your fingers travel to rest on the back of his neck, drawing him in for a soft kiss. it’s short and sweet, and his eyelids flutter a bit as you pull away.
“what do you want to do?”
he pauses for a moment before deciding to give in and say what’s on his mind. “nick and chris aren’t home. maybe we should go to my room?”
you grin, nodding your head like you’re in a trance. you’re both trying to hide your giddiness as you scramble off of the couch, carelessly tossing the blankets aside.
you can feel him staring at your ass as you lead him through the hall, and he gives it a little smack of appreciation.
“matthew sturniolo!” you laugh, turning the doorknob to his bedroom.
it greets you warmly, and you always love it because the whole place smells like him. the overhead light is off; it’s just the singular lamp casting warm rays across the mattress.
“couldn’t help it.” he says, smile prominent in his tone as he locks the door behind you.
you slow to a stop at the foot of his bed, and he stands at your side, hand intertwined in yours. it makes your heart swell as he admires you with those charming eyes.
“are you sure? we really don’t have to, there’s no rush.” you squeeze his palm reassuringly.
matt lets go just so he can hold your head, kissing you hard as an answer. you literally can’t help but beam into his lips, and you put one hand on his chest to push him against his silk sheets.
he falls onto his back, propping himself up on his elbows so he can keep looking at you. you crawl on top of him, slowly settling on his hips.
he sucks in a shaky breath as you shift against him to get comfortable. you can feel matt growing harder beneath you as you lean down to give him another swift kiss, letting his mouth melt against yours.
then you move to his earlobe, pressing your lips to the hollow part of his neck. you swipe your tongue against his skin, biting down just a bit so you can suck on the area slightly.
he groans, laying down now so he can move his hands to grip your ass, pushing you against him harder to feel a little more friction. the thin material of your sweatpants doesn’t hide a whole lot, and he’s straining against you now.
“you’re so cute, baby.” you say against his skin, and his hands go to the bottom of your shirt, pulling it up over your hips.
you lift your hands from his chest so he can fully remove it, leaving you in your stretchy black bralette.
“god, you’re unreal.” he breathes, and you guide his palms to cup each of your breasts, still rocking against him slightly as you straddle him.
you can feel him squeeze your nipples between his middle and pointer fingers, whimpering below you as he starts to get worked up. you’re growing wet by the second, the delicious feeling of his clothed dick rubbing against you sending shocks of satisfaction right to your core.
“do you wanna keep going?” you ask, just to make sure he’s still on board.
“please.” he begs.
you move his shirt up his chest, and matt sits just high enough to rip it over his head. you trace the tattoos on his arm faintly, trailing a finger down the center of his stomach till you hit the waistline of his sweats.
“you’re terrifying.” he smiles as you slip your hand under the band of his boxers, slowly scratching the area gently.
“why?” you ask.
he grabs your waist and flips you so you’re the one on your back, feet hanging over the edge of the bed as he stands.
“because everything you do is perfect.” he says, and this time he’s the one that goes to your pants, grabbing the soft material and looking at you for permission.
“that is so not true.” you grin as you lift yourself up to help him.
he strips them off your legs and tosses them away blindly, so you’re left in your matching thong. the spandex-like material hugs your sides, the last layer standing between what you both truly want.
“i mean look at you.” he sounds dumbfounded as he gazes at your body, and you feel your face flush from the attention.
“trust me, i’m the one who’s punching.” you reply as he strips down to his boxers, dick clearly pressing against the plaid cloth. you’ve seen it before, on two occasions to be exact.
both of those experiences were great, and you didn’t know that was the first time a girl had ever given him head. now you know this is the first time he’s having sex, and even though it’s not the same for you, you’re still a bit nervous.
matt’s a little above average, and the last and only person you’ve ever done it with is your ex, so it’s been a minute. even so, you’re so enthralled with your boyfriend that you can’t help but pulse in excitement.
he pushes your legs apart with his palms, and air rushes across the wet spot that’s already formed over your panties. two fingers press against the fabric covering your heat, which shocks a gasp out of you. he moves them in a little circular pattern, applying more pressure so he can really feel you.
“love your fingers,” you rock with his pace, speaking through a moan, “but i wanna make you feel good too.”
“oh, okay. so i should…” he stops his motions to go for his own underwear, finally sliding them down so his hard length springs free.
you’re already working your own bottoms down your thighs, and he finishes the job for you once his hands are free.
“do you have a condom?”
“uh, shit…” you can tell by the solemn look that crosses his face that he doesn’t, and you let out a short laugh.
“it’s okay, it’s alright, i’m on birth control. we’ll be more prepared next time.”
his eyebrows shoot up before he can help it. next time. just the confirmation that this will happen again makes him disgustingly happy.
you wiggle up on the bed a little bit, so he has enough room to hover on top of you. he leans down a few more inches to give you a kiss, and you can tell he’s unsure what to do next, so you take control.
“don’t put it inside yet, just slide it against me a few times.” you try and instruct, and he follows well, dragging the base of his shaft up and down your wet cunt.
you let out a little noise of pleasure, and he wants to save it as a sound bite in his memory.
“okay, slowly, go ahead.” you say after a few more seconds spent enjoying the feeling, and both of you make sure he’s lined up properly.
matt looks you in the eye as he pushes inside, taking his time as you adjust bit by bit. he lets out a moan when he’s fully filling you up, shocked by how fucking amazing you feel.
you know he’s stretching you out, but the small pinpricks of pain subside as you get situated.
“you can start moving now, just keep it gentle at first.” you guide him, voice all choked up.
he nods, his long hair almost tickling your forehead as he starts to pump in and out at a leisurely pace. you’re both groaning messes, and your hands go to claw at his back as he keeps pace.
“fuck, you’re doing so well matt.” you mutter against his chest, pressing open-mouth kisses to his collarbone.
he’s getting into it now, finding a good rhythm and relaxing his hips slightly so he’s not as stiff. your bodies are molded together as you move back and forth, and matt can feel you clutching against his cock with each stroke.
“m’not gonna last much longer, angel.” he confesses, clumsily stumbling over his words as he tries to calm himself down, to keep it in just a bit longer.
“that’s okay, babe. tonight is all about you.”
he’s growing sloppier, and matt leans in to kiss you passionately as he gets closer and closer. surprisingly enough, you can feel the pressure building in your own stomach, and you’re both whining into each others mouths as your tongues mesh together.
“right there baby, i’m close too.” you breathe, and you can feel his body trembling against yours, one hand slipping underneath your bra so he can run his thumb over your nipple.
matt holds it all back, drilling into you as hard as he possibly can with the energy he has left. he loves the way you’re scratching at his back, pulling him as close as possible as you both reach your peak.
“i’m—fuck, oh my god.” he tenses up, and you feel him twitch inside of you as he comes undone.
his own reaction is what sends you over the edge, and you ease into the high, letting yourself finish all over him as he slows to a stop.
“yes, matt, holy shit.” you sigh, and he pulls out carefully moments later.
matt flops down beside you, rolling to press his lips to your cheek. you turn your head slightly to look at him, capturing his mouth with yours for another real kiss.
“i think i could get used to that.” he says with a small grin as he pulls away, and your ruffle his hair lightheartedly.
“lucky for you that was just the first time of many. so how was it?” you ask him.
he’s just opening his mouth when a loud pounding erupts on the door, and you both nearly jump out of your skin at the disturbance.
“hey! open the fucking door, we brought you guys mcdonald’s!” chris screams through the barrier.
you both look at each other, still grinning, and matt can’t help but roll his eyes.
“well, being alone was nice while it lasted.”
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pippin-katz · 9 months
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One Shots in Red, White & Royal Blue - Part 1: Alex's Room
Modern movies are fucking obsessed with jump cuts. Even scenes where it is completely unnecessary get cut to shreds. There's films I've seen where one, single sentence line got three jump cuts in it.
After watching Red, White, & Royal Blue over ten times now, I’ve noticed so many moments where they could’ve made jump cuts, but didn’t. There were moments where I was expecting it to cut because of how used I am to other movies cutting the shit out of scenes. They did not do that here, and believe me, it makes a difference.
Cuts temporarily remind the viewer that they're watching something scripted, professionally filmed, and edited. It's a subconscious feeling that most people probably don't even notice.
In case you're unfamiliar, a one shot in film is when a sequence happens without any cuts. One of the benefits of using them is the believability they add. Any amount of time could've progressed between cuts, like if they film a scene on two different days. When you see everything happening in real time, it just feels more real.
Red, White, & Royal Blue balanced their editing and camerawork incredibly well, and utilized one shots way more than I see a lot of other films doing nowadays. They use it for a variety of scenes, and it's done very well.
Example No. 1
From this moment, where Henry enters the room:
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GIF by taylorz-nicholasg
To Henry pushing Alex onto the couch:
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To when the sequence ends:
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is ALL ONE SHOT.
There are no camera cuts during that sequence, and there's a significant amount of movement and activity going on.
They are obviously aggressively making out, and crossing the room at the same time. Tracking this part might be common, but when they get to the couch, and Henry pushes him, I got this gut feeling that a jump cut was about to happen, but it didn't.
Instead, the camera rotates around to that side perspective, and lets Henry come back into frame and onto the couch in real time.
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The camera doesn't change position until Henry moves down, which could've been a cut to Alex's face, but they opted to zoom in on him, keeping the shot connected.
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GIF by sheisraging
This is not a small series of events to capture in one shot, and it means that Nicholas and Taylor had to memorize and perform the entire scene's blocking as a whole rather than in parts. If they mess up, they can't just say: "hey try that line again"
A one shot scene like this means that if you mess up at any point during the sequence, you can't use the take. You have to do it again from the beginning. That's the point of a one shot.
I think it's such a testament to Taylor and Nicholas' talent, skill, and dedication that they did such a long shot involving so much intimate, and difficult, choreography.
Breaking it down, they have to kiss for the first part, but it's not just kissing; it's aggressive kissing. Their eyes are closed, and they're grabbing at each other, while crossing the room. Taylor has to walk backwards. They need to have really good spatial awareness in order to move without hitting something or tripping.
Once they hit the couch, Nicholas has to undo the buttons on Taylor's shirt. If you've ever worn a button-down shirt, you know that sometimes you just struggle with those damn buttons; there's a moment in Paris where they joke about them. Nick has to undo them fast, and deliver his lines too. If he's too slow with the buttons, or they get stuck, take ruined.
Nick has to shove Taylor onto the couch. He has to be visibly forceful, but not knock him down so hard he falls off the couch, or land in a way that make it difficult for him to shift into where he's supposed to be. Nick also has to climb around onto the couch fast enough.
Obviously once they're on the couch, the difficulty comes in that they are being intimate, kissing and grabbing each other, and they need to remain in character. Then they have lines, and Nicholas has to get even more intimate by kissing his neck. He undoes another button or two and kisses his chest and down his stomach, all while delivering his lines correctly.
If either of them messes up a line, or breaks character for a second, or loses their balance, or anything, go back to the start, do it all again.
That is so much, and the two of them nailed every part of it. I still admire how they were able to trust each other and become confident in doing all that they do.
This being a one shot created a really incredible scene. It's fluid, and grounded in space and time. It's not the only scene that's drastically improved by the fact that it's a one shot, so I'll probably write more essays breaking down those scenes cause this movie has me in a choke hold.
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gb-patch · 2 months
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Another query of mine, hoping that's fine after my first being so soon just now, is that knowing there won't be additional LIs ( like how Derek became one in the first game ), I'm wondering what makes Tamarack ( I LOVE HERRRR ) and Qiu ( They're sups cool ) so highly complex for that reason? Cove seemed pretty complex too! Or was it a time crunch reason? Or maybe an actual game mechanic? I hope I'm making sense and not offending or overstepping! I wonder how diverse the branching of choices are
It's the fact that there's two main leads who get as much time as Cove did instead of one, significantly more choice options on the menus, more personality traits being tracked, more ways to customize your relationship/dynamic, and your choices/personality impact more of the script.
With all of that combined, Moments in OL2 already require twice as much words/effort at a minimum than they did in OL1. And I'm not even in Step 2 yet where there will be more elements to manage, ahah. I can only spend so many years on a single project. For OL2, all the time I've got has to go into the main game and the DLCs for Qiu and Tamarack. I'm afraid I can't add side character DLCs on top this time around.
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mylittleredgirl · 1 month
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i know some of you have been pressing your faces to the glass waiting for me to see this one in particular SO i saw "the nurses" the other night and am still thinking about it!!
i love love love it when characters get pushed to a point where you can almost see their childhood selves pop out, like are they even talking about what's happening right now? or are their 12-year-old hearts just screaming?? i love that margaret's outburst is both irrational (the hostile work environment is coming from inside the house; i was yelling at my tv "baby it's your fault!!!") and so so honest.
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[this turned into a bit of a character thesis, so not only is there a readmore, there will also be a reblog soon with the rest of the post because i maxed out the image limit] [edit: part ii now in the reblogs!]
this whole time, margaret has treated her subordinates with a heavy hand because she thinks it's the right and fair thing to do. the rules say this is how it works!
she maintains a high standard of excellence in brutal circumstances, but she's also reactive, moody, and unforgiving. she's often shown on the edge of losing control and authority, she inflames situations by overreacting, and the thing she punishes most egregiously is disrespect (toward frank, toward the army, toward herself). she intentionally underlines the distance between herself and the other nurses at every turn.
from season 3 "there's nothing like a nurse": [all IDs in alt]
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really, everything she thinks and does comes from a place of "they're not supposed to like me," but the childish part of her that is completely unable to see her own behavior is confused and hurt because "i'm just doing my job so why don’t they like me???"
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it's her job to maintain discipline, but especially here in 4077-land, she doesn't have to lead with the whip. henry was beloved because he was an overly permissive clown, which will never be her speed, but colonel potter has all the same training as she does. he's loved and respected as the Good Regular Army Guy because he leads with discernment and mutual respect.
it's easier for him. he's more experienced, he's respected and supported from above and below, and he has a calm temperament — which isn't nothing.
from season 4 "the interview":
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whether she's aware of this as a problem or not, we at home can see how margaret's inability to control her emotional reactivity causes her as much grief as her inability to control other people.
if she were capable of laughing off small slights, hawkeye and trapper wouldn't have used her as a chew toy so much, and henry might have taken her real concerns more seriously if they weren't lost in the noise of daily fits, you know? she rarely started it, so i'm not blaming her for the hostile chaos circus of seasons 1-3, but i am saying she would have had a better time if she knew how to take a few deep breaths.
this description from the script, after the near-brawl in the nurses' tent in act one, is basically her character thesis statement:
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and here, when she's reacting fully emotionally, the truth comes out! the reason that she won't be flexible and show compassion to the nurses isn't because of the rules, but because they're mean to her!!
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that's obviously a very bad place to lead from. she has enormous institutional power over them, including controlling their freedom of movement, but she feels like all the other girls in school are hanging out together and they hate her. because they are! and they do! the fight in act one boils over when they make fun of her hair, and that sent all of them back to middle school.
and in many ways, that's where margaret's emotional maturity is stuck (which is, i think, why i find her so endearing). she can't see herself. she knows they don't like her, trust her, or want her around, but she doesn't understand how she dug this hole herself, or how to get out of it.
to add insult to jealous injury, one of the nurses (mary jo, who gets between margaret and baker to stop the fight and takes care of the others in different ways) is margaret's age, and the others look to her as their chosen leader and personal support.
and i'm sure margaret had NO IDEA this was the messy truth until she heard it come out of her mouth.
and her emotionally breaking on the "one lousy cup of coffee" in particular…
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i wonder, how often does some version of that first tent scene happen? does she deliver their assignments every night? she walks in already defensive, they immediately stop laughing, and then... she either finds a reason to scold them or they ice her out until she leaves. (and they probably start laughing again as soon as she does!)
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from her perspective, when she arrived for the dreaded sleepover and they turned out the lights the minute she walked in, it's like they cancelled the nightly coffee klatch just to avoid spending one social minute with her.
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i also think the nurses are right when they assumed that she wouldn't have accepted an invitation to hang out with them (and might even have snapped at them for being inappropriate for asking). she doesn't cross that emotional line, even when she should — she didn't know gaynor was spiraling after losing so many patients in a row, and didn't respond compassionately when she learned.
has she ever invited them for coffee or a friendly chat? no.
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...... but her circumstances have recently changed.
[reblog with the rest of it is here!]
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thankskenpenders · 1 year
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It's a bit late, but I figure I have to touch on the big news from today, which is that for an (early) April Fools celebration Sega went and released a free visual novel about Sonic getting murdered
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Here's a thing you should know about me: I am deathly allergic to ironic visual novels, and the related trend of announcing dating sims (which are synonymous with the medium of visual novels as a whole to many people) on April Fools
Aside from an incredibly small selection of titles that have seen wider success, it feels like much of the game industry is only willing to acknowledge visual novels as a punchline. And said jokes about dating sim stereotypes have been done a million fucking times by now. They're parodies of parodies of parodies. Even when these prank dating sims actually go and get made rather than just being a few fake screenshots, it feels like it's just because VNs are seen as cheap, disposable entertainment compared to "real" games. Companies can afford to commission some bullshit like the KFC dating sim and write it off as a marketing stunt. And it works. These games will get widely reported on for being so ~wacky~, while devs pouring their hearts into doing sincere, interesting work with the medium of visual novels are usually out of fucking luck. It's so, so tiring. The fact that this happens like clockwork every year has made me come to dread April Fools Day
So imagine my surprise when The Murder of Sonic the Hedgehog drops out of nowhere and it's actually one of my favorite Sonic games in years
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Aside from the intentionally tongue-in-cheek, attention-grabbing title (and Sonic doing the Family Guy Death Pose), there isn't an ounce of irony here. It's just a straight up whodunnit VN set on a train, albeit a lighthearted and pretty easy one. It's still a Sonic game, after all, and Sonic games are for kids. But it's so clearly made out of a place of love, both for the characters and for murder mysteries, rather than being a parody that's constantly winking at the camera and going "haha, isn't this absurd that this even exists at all?" Forget that. This wants to tell a genuinely good little Sonic story. Not to mention how gorgeous all of the artwork is throughout, with character illustrations from IDW cover artist Min Ho Kim (AKA deegeemin)
Like, for real. I've wanted the Sonic games to explore the supporting cast more for years, and I can't believe the game to finally do it is a murder mystery visual novel released for April Fools. This might be one of the best showcases of the cast... ever, in the games? The script from Ian Mutchler is so, so great, with fun and cute moments for everyone involved. And, smartly, you see the cast through the eyes of a new character (I named them "Blorbo") who isn't necessarily familiar with things like Blaze being a princess from another dimension, making this a surprisingly valid way to introduce people to the supporting cast. I'd say more, but it's a short game, so I think everyone should just go out and play it if you haven't already
There is still part of me that wishes a Sonic visual novel like this could've been greenlit for release any other day of the year, rather than being yet another April Fools visual novel. But regardless of the excuse they used to make it, I'm extremely happy that this exists
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ourflagmeansgayrights · 2 months
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so part of me wants to blame this entirely on wbd, right? bloys said he was cool with the show getting shopped around, so assuming he was telling the truth (not that im abt to start blindly trusting anything a CEO says lol), that means it’s not an hbo problem. and we already know wbd has an awful track record with refusing to sell their properties—altho unlike coyote v acme, s3 of ofmd isn’t a completed work and therefore there isn’t the same tax writeoff incentive to bury the thing. i just can’t see any reason to hold on to ofmd except for worrying about image, bc it would be embarrassing if they let this show go with such a devoted fanbase and recognizable celebrities and it went somewhere else and did really well (which it would undoubtedly do really well, we’ve long since proven that). it feels kinda tinfoil hat of me to making assumptions abt what’s going on in wbd behind the scenes, but i also feel like there are hints that i’m onto something w my suspicions: suddenly cracking down on fan merch on etsy doesn’t seem like something a studio looking to sell their property would bother with, and we know someone was paying to track the viewing stats on ofmd’s bbc airing, which isn’t finished yet, so i’d expect whoever is monitoring that to not make a decision abt buying ofmd until the s2 finale dropped.
but also i think part of me just wants there to be a clear villain in the situation. it’s kinda comforting to have a face to blame, a clear target to shake my fist at. but the truth is that the entire streaming industry is in the shitter. streaming is not pulling in the kind of profit that investors were promised, and we’re seeing the bubble that was propped up w investor money finally start to pop. studios aren’t leaving much room in their budgets for acquiring new properties, and they’re whittling down what they already have. especially w the strikes last year, they’re all penny pinching like hell. and that’s much a much harder thing to rage against than just one studio or one CEO being shitty. that’s disheartening in a way that’s much bigger and more frightening than if there was just one guy to blame.
my guess is that the truth of the situation is probably somewhere in the middle. wbd is following the same shitty pattern they’ve been following since the merger, and it’s just a hard time for anyone trying to get their story picked up by any studio. ofmd is just one of many shows that are unlucky enough to exist at this very unstable time for the tv/streaming industry.
when i think abt it that way, tho, i’m struck by how lucky we are that ofmd even got to exist at all. if the wbd merger had happened a year earlier, or if djenks and tw tried to pitch this show a year later, there’s no way this show would’ve been made. s1 was given the runtime and the creative freedom needed to tell the story the way the showrunners wanted to, and the final product benefited from it so much that it became a huge hit from sheer gay word of mouth. and for all the imperfections with s2—the shorter episode order, the hard 30 minute per episode limit, the last-minute script changes, the finale a butchered mess of the intended creative vision—the team behind ofmd managed to tell a beautiful story despite the uphill battle they undoubtedly were up against. they ended the season with the main characters in a happy place. ed and stede are together, and our last shot of ed isn’t of him sobbing uncontrollably (like i rlly can’t stress enough how much i would have never been able to acknowledge the existence of this show again if s1 was all we got)
like. y’all. we were this close to a world where ofmd never got to exist. for me, at least, the pain of an undue cancellation is worth getting to have this story at all. so rather than taking my comfort in the form of righteous anger at david zaslav or at wbd or at the entire streaming industry as a whole, i’m trying to focus on how lucky i am to get to have the show in the first place.
bc really, even as i’m reeling in grief to know this is the end of the road for ofmd, a part of me still can’t quite wrap my head around that this show is real. a queer romcom about middle-aged men, a rejection of washboard abs and facetuned beauty standards, a masterful deconstruction and criticism of toxic masculinity, well-written female characters who get to shine despite being in a show that is primarily about manhood and masculinity, diverse characters whose stories never center around oppression and bigotry, a casually nonbinary character, violent revenge fantasies against oppressors that are cathartic but at the same time are not what brings the characters healing and joy, a queer found family, a strong theme of anti colonialism throughout the entire show. a diverse writers room that got to use their perspectives and experiences to inform the story. the fact that above all else, this show is about the love story between ed and stede, which means the character arcs, the thoughts, the feelings, the motivations, the backstories, and everything else that make up the characters of ed and stede are given the most focus and the most care.
bc there rlly aren’t a lot of shows where a character like stede—a flamboyant and overtly gay middle-aged man who abandoned his family to live his life authentically—gets to be the main character of a romcom, gets to be the hero who the show is rooting for.
and god, there definitely aren’t a lot of shows where a character like ed—a queer indigenous man who is famous, successful, hyper-competent, who feels trapped by rigid standards of toxic hypermasculinity, who yearns for softness and gentleness and genuine interpersonal connection and vulnerability, whose mental health struggles and suicidal intentions are given such a huge degree of attention and delicate care in their depiction, who messes up and hurts people when he’s in pain but who the show is still endlessly sympathetic towards—gets to exist at all, much less as the romantic lead and the second protagonist of the show.
so fuck the studios, fuck capitalism, fuck everything that brought the show to an end before the story was told all the way through. because the forces that are keeping s3 from being made are the same forces that would’ve seen the entire show canceled before it even began. s3 is canceled, and s2 suffered from studio meddling, but we still won. we got to have this show. we got to have these characters. there’s been so much working against this show from the very beginning but here we are, two years later, lives changed bc despite all odds, ofmd exists. they can’t take that away from us. they can’t make us stop talking abt or stop caring abt this show. i’m gonna be a fan of this show til the day i die, and the studios hate that. they hate that we care about things that don’t fit into their business strategy, they hate that not everyone will blindly consume endless IP reboots and spin-offs and cheap reality tv.
anyway i dont rlly have a neat way to end this post. sorta just rambling abt my feelings. idk, i know this sucks but im not rlly feeling like wallowing in it. i think my gratitude for the show is outweighing my grief and anger, at least for right now. most important thing tho is im not going anywhere. and my love for this show is certainly not fucking going anywhere.
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misstycloud · 1 year
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Yandere actor x actor!reader
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Yandere!actor who is known for his exceptional theatrical talent, and is highly rewarded for it with big roles in the movies. The kinds that people actually look forward to seeing in cinemas.
Yandere!actor who has many casting directors requesting him specifically for their role. With him in it, the movie would aoutomatically become successful in one way or another. If the script and plot wasn’t satisfactory then the film would get a lot of views solely because he was in it.
Yandere!actor who mostly does action or horror related work, the things more suited for older audience. Never before had he started in an all-age romantic type film. But he supposed sometime had to be the first.
Yandere!actor who met you on set as his co-star and quickly hit it off with you. You weren’t as recognised back then and really wanted to do well in this movie by impressing the directors along with the audience.
Yandere!actor who finds himself enjoying acting out the scenes; the intimate ones especially. At first he plays it off as not being used to it but after a while he realises it’s bigger than that.
Yandere!actor who makes you somewhat uncomfortable in how enthusiastic he appears to do the heartfelt act, he almost makes the whole thing seem real. It’s a little weird. If someone asked you, you’d say he is a bit too into it for your liking. It’s nothing more than a job, chill.
Yandere!actor who often searches for you between takes in hopes of starting a conversation. You try to distance yourself a little when you notice your collogue rarely talking to anyone else besides you, which isn’t very good.
Yandere!actor who wishes things weren’t scripted. It would be a dream to experience those things with you for real. Then the way you so delicately whispered the ‘I love you’s wouldn’t be an act and you’d genuinely love him back; not the character he was portraying.
Yandere!actor who is devastated when the filming eventually comes to an end. He always knew it would. But just not so…soon. And there was nothing he could do to stop it either.
Yandere!actor who refuses to take on any male lead roles after the movie was a big success. The actor could not find it in his heart to play such scenes if his ‘lover’ wasn’t you. It just didn’t work.
Yandere!actor who finally manages to pull a few strings and get you two on a new romance. It turned out that the viewers absolutely loved you and demanded to see more of your chemistry. Now you simply needed to pop out more movies.
Yandere!actor who has been every type of couple with you. Childhood friends, rivals to lovers, forbidden love and much more. His only wish now is to be a real one.
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crienselt · 2 months
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So a few days ago I saw someone (elsewhere) questioning Zutara fans’ excitement about the scarf scene. It wasn't a mean comment, more general curiosity. And well, I didn't have time to get my thoughts out then. But they haven't gone away, so I'm getting them out here:
Here’s what everyone need to understand about Zutara shippers. We were baited baaaad during the initial run of the show–from the magazines to the shorts to the trailers and how they were cut. And Zuko and Katara’s relationship on the show certainly underwent a lot of development and featured objectively emotional–if not overtly romantic–moments between the two. We were well fed, and we had reason to hope. Right up to the end, we had reason to hope.
The shipping wars were the shipping wars, of course, with all the usual tensions; there are always going to be overzealous fans of each (and any) pairing willing to get toxic. Generally, I think Kataang fans were always jealous of Zutara’s popularity and Zutara fans, post finale, were jealous of Kataang’s, well, canon status. But really it operated much the same as any other large fandom’s shipping wars.
And then came Bryke and the panel where they showed and mocked Zutara fan art, some of which had been created by teens if not straight up children. Then came their, “Come on, kids! It was never going to work. Zutara is just dark and intriguing.”* And the pièce de résistance, their telling Zutara shippers (specifically girls/women) that they were doomed to have failed romantic relationships. Like, what? The thing with the art was arguably cruel, and the rest of it was oh, so condescending. Just all around not well done. 
The after effect was that Zutara went from being simply a fanon pairing to a wrong pairing. The ATLA fandom at large became a far more hostile place for Zutara fans, who were now more commonly deemed delusional and viewed as lesser fans. The vitriol only got worse when the show came to Netfilx and the next wave of antis rolled up with their co-opting of legitimate socio-political terms to paint Zutara not just as wrong but morally corrupt if not evil. It’s all very puritanical.**
So Zutara fans need to be reminded that we weren’t delusional, and we aren’t alone. It’s why it means so much to know that Dante Basco and Mae Whitman shipped their characters. And that so many other VAs came out as Zutara supporters too: Jack De Sena, Michaela Jill Murphy, Grey DeLisle, Janet Varney--even the cabbage man. For it to be revealed that it was discussed in the writers room; that the writers fought over it; that it WAS a canon possibility. (And that writers Joshua Hamilton and John O’Bryan are perfectly comfortable admitting their preference for Zutara.) To know that the Elizabeth Welch Ehasz described Zuko and Katara as an “Avatar-style Mr. and Mrs. Smith,” in the script for The Southern Raiders, and used the phrase “Zutara-feuling synchronicity and cooperation” to describe their action sequences. To see Giancarlo Volpe, a Kataanger, admit Zutara might been the better pairing in retrospect and choose a quiet scene between them (to see their “chemistry”) as what he’d most look forward to in the live action adaptation. It’s why we cling to the artwork done by Korean animation director. We aren’t delusional. We aren’t alone.
But try telling that to the general fandom, right? Most are ignorant of a lot of this, particularly Hamilton and O’Bryan’s revelations re: the writers room. A lot of Zutara fans don't even seem to know. But being baited by Netflix on their official accounts? Oh, people see that. And we are reminded in a big way that we aren't delusional and we aren't alone. And everyone else has to remember it too.
So, of course, we're having fun clowning over the scarf scene. And I think most Zutara fans know we are clowning. I don't think most expect to get canon Zutara in live action because of one little scene or the fact that their Netflix icons are facing each other. (I headcanon that that was totally the doing of Zutara shipper on staff, though, lol. Because there are a lot of us, and we are everywhere.)
And this is okay. Zutara has been doing just fine as a fanon ship. Meanwhile, NATLA might actually do Kataang justice. It always worked better as a future ship. (Really all the pairings do. But I especially don't ever need to see another 12 year old kissing let alone making out, in animation or live action, ever again.) There's a reason Padme and Anakin don't get together in Phantom Menace, after all. Also, there's always the chance they could give us Dante's or Mae's headcanon of them basically suppressing their feelings and choosing duty over love/right person-wrong time. And the odds of getting some more moments to clown over are high enough. 
Anyway, TLDR: Zutara has been made to feel like an out-of-nowhere crack ship and the live action crumbs remind us that it is not. And this is at least partially why we are enjoying it. (Because, also, it's just fun!)
*Side tangent: I’ve never gotten this dark and intriguing comment. Even during Season 1, the height of the capture fic era, Zutara was always a ship fundamentally about hope, predicated on Zuko's redemption. (Back in the day, there were also plenty of antis arguing that there was no way Zuko would ever be one of the gaang.) And they say “intriguing” like it’s a bad thing? Are we not supposed to be interested in the relationships of their characters???
**There have been some very good think pieces written lately on late stage capitalism and consumption as morality. Worth googling.
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Just Another Win
I’d like to call it my victory lap
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Authors note: Y’all really ate the first one tf up soooo… (me acting like I didn’t read every Rhea ripley x reader on tumblr)
Also Rhea with long hair makes me wanna crawl to Australia 
Warnings: smut, hurt comfort, fluff, wrestler!reader, (twisted/noncannon storyline) Nia Jax, Rhea being stubborn, mommy/mami kink, oral, strap on (reader receiving), praise, choking, manhandling… that’s about it (not proofread, I’ll go back and fix it later lmao)
You were livid, you were positively fuming. You watched in gut twisting fear as Nia Jax went off script again and started to beat the ever loving shit out of your girlfriend Rhea. You knew that Rhea was in actual pain when her signature smirk wiped off her face as she got slammed onto her back again and again. You glance around, frantically making eye contact with a few of your friends that were sitting in front row with you. The mirrored horror and confusion that was on their face’s confirmed to you your very worst nightmare. None of this was planned. 
Nia just wanted to win. And she was going to do anything she could to secure that. What made it worse was when the mic and camera would pick up Rhea’s tortured facial expressions and pained groans. You were sick to your stomach as Jax slammed her onto the monitor covered desk, the ragged gasp that Rhea let out caused you to swiftly turn your head away from the match, scrunching your nose in apprehension. 
Nia’s plan failed in the end. You cheered every time Rhea kicked out of a pin, and when she won, you didn’t care that you broke character, When camera’s weren’t focusing on you, you blew Rhea a kiss, your smile growing wider as her eyes softened while she nodded back at you.
You showed more of your concern later when you both were back at the hotel. “I won didn’t I?” Rhea responds when you ask her if she’s okay. You smile before arching your brow quizzically. “If you say so hon…” you trail off kissing her cheek before wrapping your arms around her. “You worry too much.” Rhea says softer before pulling you in closer to her body. You can tell she’s flattered by the sentiment although when she kisses you quickly on the lips pulling you backwards onto the bed. “I worry too little baby,” you crow, climbing on top of her with ease. Rhea chuckles letting you straddle her, strong hands coming up to grip your waist. As she winces softly, ribs no doubt sore, you frown. “My point exactly.” You say more seriously leaning down to kiss at any skin you can reach.
You know you’ve done your job when you pull away slowly to find Rhea blushing heavily the back of her hand attempting to cover her mouth. You giggle at this scooting closer to her as Rhea’s arm snakes around your torso pulling you snug to her chest. “I love you.” She purrs smoothly, and no matter how many times you hear it, the words still make you beam, blushing as you mumble back “I love you more.” 
“You’re always so good to me.” Rhea whispers and the tone in her voice has you shivering, but nonetheless nuzzling into her to place several lewd and biting kisses to her neck. Rhea bites her lip, a whine falling past them anyways. “Are you up to this?” You say trailing your hands up— and much to Rhea’s delight, they dip under her shirt coming to massage delicate  circles to the sensitive skin of her boobs. “Fuck yes I do darling.” Rhea stutters as you lean your head on her chest, looking up at her knowingly, batting your eyelashes in a way you know she loves. 
She licks her lips as you scoot your body lower rolling up her band t-shirt as you do. “You don’t think I would want to celebrate with my girl?” She smiles, a hypnotic look of lust evident in her eyes as you kiss down her tattooed stomach. You shrug, hiding behind your hair while you pull her shorts and panties down smoothly. “Ah ah none of that my love.” Rhea looks down at you through hooded eyes. You moan softly as her hand wraps in your hair, pulling it away from your face. “Mommy wants to see you tonight sweetheart.” You laugh at her stupefied expression as you begin to suck at her clit. 
“Fuck you taste so good.” Your words are muffled and when Rhea’s thighs shake at your words, you whimper into her pussy. “Y-yeah—Jesus-you’re too-shit-too fuckin’ good to me.” Rhea repeats, her hand grips tighter in your hair and you know you’re eating her out the way she always craves. “Like this mommy?” You hum out before slowly licking down to her gushing heat. The way Rhea’s hips buck into your mouth is answer enough, but the unrestrained moan that she lets out has your own cunt throbbing with need.
Rhea’s eyes roll back when your middle and index finger slip inside her. You giggle quietly loving the reactions you can coax out of the usually stoic woman as you continue to pleasure her to the best of your abilities. And your abilities were good you thought, as Rhea let out a pleasured cry that distinctly had a mix of your name in it. “Fucking hell.” Her words are slurred as she pushes your head closer to her cunt not that you minded. 
You gasp as Rhea begins to grind against your face. A mix of curse words and praises fall from her lips as her hand comes down to grip at the sheets. You can tell she’s going to cum when her thighs start to close around your head. And when Rhea feels you moan her name softly into her she does. You can’t help but to stare, absolutely enraptured with your girlfriend’s pleasured expression.
You crawl back up to her slowly lips quirking up as Rhea swears at your debauched appearance. You were panting softly, pupils blown and darkened, a heavy pink hue painting your cheeks. Rhea groaned as she pulled you in to place a sultry kiss on your swollen lips. You lay partially atop her as she reaches to her bag on the nearby bedside table. Your smile grows absolutely unrestrained as Rhea smirks at you pulling out her purple and black strap. 
You strip as she puts it on, throwing your shirt into the room. Rhea’s longer hair falls into your face as she climbs on top of you. “Have I ever told you how much I like you with long hair?” You mumble as she kisses you once more. “Considering you tell me everyday I would think so love.” Rhea laughs, voice low and raspy.  You cling to Rhea as she rubs the tip of the dildo on your clit loving when you gasp out. “You’re so fucking sexy.” You hiccup as she finally thrusts into you. 
Rhea’s hand finds its place at your throat before she responds “That’s all you sweetheart.” You blush mouth forming an ‘o’ as Rhea quickens the pace of her hips. “Taking this so well darling.” Rhea coos to you whining when the sound of your wet heat reach her ears. Your back arches off the bed as you wrap your arms around her neck. Your voice is pitchy as you mewl out her name, Rhea muffles your cries as she drags her lips across yours yet again. 
“Such a good girl.” Rhea murmurs to you as her head dips to suck at your collarbone. Your moans warble unintelligibly as you clench around the girth of the dildo. “Rhea-I-oh my god!” You can’t even speak a full sentence with how good she’s rutting into you. Rhea knows this responding with a knowing chuckle. “Does that feel good baby?” She purrs to you lowly, hand gripping just a little bit tighter on your neck. 
You nod simply, already fucked completely dumb by her precise thrusts. Another keen slips from your lips as Rhea lifts up your legs, the position making her immediately find the part inside of you that had you writhing beneath her. “Oh there we fucking go.” Rhea sighs as your eyes roll back again. “Right there? Yeah?” She chides. She knows fully well that you couldn’t answer even if you wanted. But as you nod your head vigorously Rhea’s smirk deepens. “Right fucking there.” The gravelly timbre in her voice has you clawing at her back as she continues to pound into you.
“Fuck me…” you trail off in your wreaked state unable to get out more than a few words. “M-mommy please I- Rhea!” The tightened coil of pleasure winds deep in your belly, close to snapping. You’re so very, very close. 
“Don’t stop—don’t stop I’m-‘m gonna cum!” Rhea groans at your state grabbing gently at your face. “I don’t plan on stopping love.” She grins as you shudder. “Go ahead and make a mess sweetheart, mommy’s got you.”  Rhea squeezes again at your throat, and at her lewd words you moan out her name, coming with a hoarse cry. Rhea continues to piston her hips until you’re fucked throughly through your orgasm. As she stills, you pull her body against  yours. 
“All good?” Rhea asks smoothly, her breath hitches however when you press several love bites onto her bare chest. You nod tiredly but nonetheless brighten as Rhea draws nameless shapes into your skin gazing at you lovingly. “My pretty girl.” She whispers wrapped up in the feeling of just being with you. “My stubborn woman.” You coo back just as lovingly but you both laugh knowing how close to the truth it was.
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