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#( sorry for the length. )
keirahknightley · 3 months
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Costume appreciation series: Barbie (2023) dir Greta Gerwig
Costume Design by Jacqueline Durran
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pomefioredove · 1 month
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could you perchance do a part two to the yuu getting sold to the highest bidder? like how would that characters treat them if they actually get them? sorry if this doesnt make sence!! but thank uu!! ^_^
more than happy to! <3 I'm writing this as a follow up/pt. 2 to this post but if you'd like something different don't be shy! I love getting requests
parts 1 | 2 | 3 | kalim | bad ending
summary: joining their dorms + wearing the uniforms (for some). a proper ending to this type of post: short fics characters: trey, cater, leona, rook, idia, lilia, malleus additional info: yuu is gender neutral, rook is weird, both fem and masc french words are used during rook's part but reader is still gn, I need to replay book 2 to get leona's voice down, Idia being fun to write, maybe a little ooc
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If you thought it was bad before, the news that Malleus intended to marry you made everything about twenty times more chaotic. Bids were upped to insurmountable sums, rumors were spread like the plague, fights were raging through campus as the deadline to donate approached. Even Crowley was starting to feel a little antsy, despite all of the brand new amenities he had already ordered for his office.
Finally, the day came. The announcement was held in the courtyard, where just about any student who had stakes in the matter had shirked whatever after-school responsibilities they had to gather. The prefect themselves was nowhere to be found, though only few noticed their absence.
"Maybe it'll be nice," you say to your direbeast companion, the both of you tucked away in a dark corner at Ramshackle.
"It'll definitely beat living in this dump. You think they got good food in Diasomnia?" Grim murmurs.
You grimace. "Uh... sure. I can't imagine they wouldn't, right?"
Crowley clears his throat, pulling a thin, delicate envelope out of his coat pocket while the crowd eagerly watches on. He takes his sweet time opening it, much to everyone's utter dismay, and when he finally withdraws the contents the entire courtyard falls quiet enough to hear a pin drop.
"And our winner is..."
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Trey and Cater's Ending
"Cater Diamond and Trey Clover!"
Everyone stops dead and turns to the back of the crowd. There's a certain sense of unity that, for a brief moment, everyone can feel in the form of a single thought: Them, of all people?
Cater, ever the people-person, can already tell what's on everyone's minds. "What can I say? I run a mean social media campaign. I had some sick infographics,"
Trey can only smile and shrug at the growing disdain coming from the other students, most of which from his own housewarden, who is s currently turning a lovely shade of crimson.
"...Right. Well, the prefect will be ready for you shortly," Crowley says, folding the envelope and setting it back in his pocket. "I trust your housewarden will help you sort out the details."
Riddle looks more like he's about to start throttling them.
"Nah, it's cool. We got this," Cater smiles, though he's only half paying attention as he posts an update to Magicam. "The prefect is in great hands. Right, guys?"
Ace and Deuce shrug. Not the best outcome, not the worst, and either way it's still their friend coming to stay with them. Riddle is gritting his teeth so hard you could practically hear them grinding from Ramshackle.
"Was anyone going to tell me you two had pitched in, as well? Or was it a surprise?"
Trey smiles, almost nervously. "Well-"
"We were only giving the dorm a better chance. It's basic statistics- more Heartslabyul names in the hat, more of a chance one of us will be drawn, y'know?" Cater beams. "No disrespect, of course."
"None whatsoever," Riddle hisses back.
---
"And you're sure he's not really mad?" you ask, trailing behind the two third years.
It had been almost an hour since you'd updated your Magicam feed and read the announcement firsthand, but the shock is still wearing off.
Cater scoffs. "Whaaaat? No, he's totally cool about it,"
"Well. Now he is, anyway," Trey murmurs back. "But he certainly won't kick you out. As long as you're in the dorm uniform, you're one of us. He's just upset we went behind his back."
"...Understandable,"
Cater holds the door open for you, letting you inside to see a precariously placed mannequin with a dorm uniform in your size already on it. You hate to admit it, but it's lovely.
"Riddle had one ready. You know, just in case," Trey says, gesturing you forward. "And don't worry, we'll all be taking it easy on you while you adjust."
You run your fingers down the durable fabric. "Hm. Thanks,"
"You should get changed, I need a post to commemorate the moment," Cater says, beaming. "And I kindaaaa want to rub it in for everyone else who lost out on the best giveaway ever."
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Leona's Ending
"Leona Kingscholar! Please... be responsible. Ruggie, I hope you'll keep an eye out for the prefect,"
Ruggie rolls his eyes but doesn't say anything. Leona, who had been absent-mindedly picking his teeth before the big announcement, flashes a big smirk to the audience while swaggering to the front of it.
"Well, well. Look who's come in first place, after all. What, didn't think I'd bother to try?"
Vil grimaces, crossing his arms. "Is there a point to this?"
"Obviously. I'm showing off," he rolls his eyes. "I guess I'll be seeing the rest of you lot around my territory a lot more, then?"
He snickers and then disappears back inside the building. Ruggie can only shrug at the disgruntled crowd before tailing after him.
---
"Well, that felt nice," Leona sighs, stretching out on one of the lounge chairs. "Pity that I couldn't see the lizard's reaction, but I'm sure we'll get to that eventually."
You're sitting at the table across from him, playing cards with a very invested Ruggie. You raise an eyebrow. "Who?"
"Malleus," Ruggie mutters, shuffling his cards around in his hand.
"It's never a party without him, right? He was probably off cowering somewhere with his tail behind his legs," Leona chuckles, picking his teeth again. "But everyone else's faces just about made up for it."
"Whatever," Ruggie grumbles. "I'm all in."
Though you're not exactly invested in the game anymore. You set down your cards, much to Ruggie's dismay, and stand over Leona with your hands on your hips.
"I hope you know that I won't be one of your errand runners for you. I've done enough of that with Crowley,"
He pauses, sharp eyes scanning you over. "You certainly know how to rain on someone's parade,"
"This is not a parade. This is my sanity we're talking about,"
"Tch. And what're you gonna do? Run away?" Leona rolls his eyes. "Hide in the jungle? Maybe you can take Ruggie with you and make it a party!"
"Hey, leave me out of this," the aforementioned says, shuffling the deck.
You stand your ground, though you don't know what else to say. Eventually, Leona sighs.
"Fine. I won't make you do anything you don't want to if you're just going to whine about it,"
He pauses, and a small smirk crosses his face. "But you'll at least have to wear the uniform. I need the satisfaction of seeing the look on everyone else's faces."
You smile triumphantly, and sit back down across from Ruggie for another round while Leona watches on, pretending not to care about the game.
It could be better, but it could also be worse.
Plus, something about that smile of his let on more than just a little self-satisfaction.
This could definitely be interesting...
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Rook's Ending
"...Ah. Rook Hunt!" Crowley says, folding the paper back in his pocket and leaning down to whisper to Azul in the front row. "Tell the prefect I said good luck."
At the heart of the crowd, Vil turns to Rook, hands on his hips. "Rook..."
"Ah, magnifique! How happy I am, my heart could weep for joy!" he says, completely ignoring whatever disappointed comment Vil was about to unleash. "I must run to my prize at once, there's not a moment to lose!"
Vil grimaces as Rook bounds off into the school, moving so swiftly that he cuts through the crowd of confused (and mildly concerned) students like an arrow.
As always, Rook is genuine with his words- he truly feels as if his own heart is about to leap out of his chest and race him towards Ramshackle.
What a chance, what an opportunity! Not only to be close to someone he has his own private fan club for, but to truly, finally possess beauty in physical form. He would display you on a shelf if it were feasible.
The idea so overwhelms him with joy that you barely had time to ask what was going on before you suddenly found yourself sitting beside him in the Pomefiore lounge as he smooths out the crinkles in your new uniform.
He murmurs under his breath, kneeling before you while inspecting the uniform. "Magnifique, joli, belle, quelle beauté, une rose parfaite..."
...Leaving you in a torn state of embarrassment and shyness. You look across the room to Vil for help, and he rolls his eyes.
"I coulda get used 'ta this!" Grim shouts, lounging on a nearby silk pillow with a mouthfull of pâté. Two freshman are tediously brushing his fur with the nicest set of combs you've ever seen.
"Comfortable?" You ask, only a little sarcastic.
"Uh-huh! Ya know, when I found out the winner was Rook, of all people, I was a little worried. But this is way nicer than collecting dust in Ramshackle!"
You couldn't have said it better yourself.
Rook smiles. "Tsk, tsk. I would never let anyone harm a single hair on your precious head,"
The question is directed to Grim, but he looks straight at you when he says it. "Like a delicate porcelain doll, I will handle you with the utmost care,"
You're not exactly sure what you had been envisioning- maybe he'd release you on a remote island and hunt you for sport?- but this had far exceeded any of your expectations.
Though his gaze is as unsettling as ever, and any hopes of personal space are gone out the ornate glass windows, his usual guarded demeanor had softened just the tiniest bit.
It was unnerving. But nice, in a way.
"Mon trickster, this is just the beginning for us. We have many shining days ahead, and I plan on spending every beautiful breath of them with you. Do you hunt?"
"Oh, sevens," Vil murmurs.
Unfortunately for Vil, Rook's smile is contagious and you can't help encouraging him. Just this once. "Not usually, no,"
"A merveilleuse opportunity! I will teach you all I have learned, then. Ah, this reminds me of a poem I wrote for this exact occasion!"
He may or may not be watching you sleep tonight. Hopefully you're the kind of person who can live with that.
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Idia's Ending
LOL. Normies.
Look at them, crowding around like a bunch of sheep. As if anyone has a real chance. SMH.
I knew it was pointless to begin with, but getting into Crowley's banking account and seeing the bids... now I feel lame for even trying at all.
That money could've gone to some new parts. I've been itching to build another PC...
The door flies open, slamming against the wall behind it so loudly that even if Idia wasn't completely absorbed in watching the announcement on his biggest monitor, he would've jumped anyway.
He whirls around in his chair, wide-eyed and shaking like a prey animal, expecting to see some high level boss or classic horror game antag waiting for him.
Instead, it's Ortho. "Idy! You'll never believe-"
"Geez, Ortho, you nearly killed me. And I don't have any extra lives this time," Idia says, spinning back around to face his screen. "Something wrong?"
"Actually, I have some really great news! Wanna guess what it is?"
Idia grumbles, powering off his computer. "Nah, not in the mood,"
Ortho's brow furrows as he catches a fleeting glimpse of the camera feed playing over his brother's screen before it flickers to black. "You've been watching the announcement on the courtyard cam footage?"
"No! I mean- well, I was just curious," Idia says. "I watched for like two minutes. Who even cares about this thing, anyway?"
"Well-"
"I mean, it was a game over from the start. Taking on the highest level bosses at our school with my measly stats? Forget it,"
"But Idia-"
"Who even cares where the prefect ends up, anyway? I doubt they'd wanna be trapped in a basement like this for all eternity,"
"Idia!" Ortho shouts, loud enough to shake his brother from his ensuing pity party. Idia can only stare as he moves to the side, revealing a rather surprised looking you, dressed in the dorm uniform, behind him.
"Idia, you won!"
And then he dies.
That's what he thinks, anyway. Really, Idia goes into a state of complete shock and blacks out so hard that, for a moment, the blinding light shining through his eyelids feels like the light at the end of the tunnel.
"Is he okay?" you ask, tentatively watching as Ortho clicks off the small light he'd been shining in his brother's eyes.
"He's displaying symptoms of a panic attack. Don't worry, he gets them quite frequently,"
A distant groaning pulls the both of you back into the present moment and you watch Idia slowly rise.
"His heart rate has steadied to 70 BPM," Ortho says. You raise an eyebrow. "That's normal. Idia, can you hear us?"
He takes a long moment to respond.
"This isn't real. I'm sleep-deprived from my last speed run and now I'm hallucinating. There's no way,"
You look between the two brothers. This hasn't exactly gotten off to a stellar start.
"Your vitals are normal, although you're lacking Vitamin C. Might I suggest having a fruit cup while we talk?" Ortho asks. Idia shakes his head. "Yuu? Snack?"
"I could go for something,"
Ortho hovers out of the room, leaving the two of you alone. You're too nervous (or is he too nervous?) to ask to sit, so you stand over him while he practically rocks back and forth. His face is so red and hot with embarrassment you could cook an egg on it.
"Um..."
He mumbles back. "Just pretend I'm not here. IK you probably wanted one of those epic SSR students to pull you, I don't blame you for being disappointed,"
He talks so fast and quiet it's hard to make out what he's saying... but you get the gist of it.
"Hey, don't put words in my mouth. This is a hell of a lot better than it could have been,"
He seems to genuinely consider your words for a moment before you're interrupted by Ortho coming back with snacks.
Idia is back on high alert the second he's returned. "This doesn't make sense. I got into Crowley's online bank info and saw all the bids, I wasn't even close to the top five. How?"
"Oh, easy!" Ortho chirps. "I simply rewired funds from Crowley's bank account to up your offer!"
"You... took money out of his account and sent it back to him?"
"Clever," you murmur.
Idia grumbles. "I guess that's not technically stealing... fine. But why? I thought I told you not to bother!"
"My user intel indicates that the prefect is very popular amongst the student body. Their top three descriptors are helpful, kind, and friendly! I thought you two might be able to practice your social skills together... Perhaps you could show them around the dorm as a starting point?"
You turn around to look at Idia, who's sheet-white. Nonetheless... he sighs and stands, muttering a quick "Let's get this over with,"
You watch, as still as stone, as he stops in the doorway and turns to look at you from over his shoulder, his face and hair a pleasant shade of pink.
"Well? Are you coming?"
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Lilia's Ending
"And our winner... is... hm. I don't even remember seeing this one in the pile," Crowley grumbles, scratching his head under his hat. "Um, Lilia Vanrouge!"
Silver is the first to look at him. "Fa-Lilia, I thought we talked about this,"
Lilia, currently hovering in the shade of one of the courtyard's signature apple trees, simply shrugs. As if it were the most normal thing in the world.
"Oh, we did. I really thought about what you said, about the prefect's freedom, and I decided that you're right! But how could I guarantee their safety from everyone else?"
Silver groans (which turns into a yawn) and Lilia puts on his best cute look as everyone else in the audience turns to him.
Crowley clears his throat. "The prefect will be ready for your-"
"Oh, no need! Thank you, though," he says, and then disappears into the building.
---
You've been distracting yourself by counting cobwebs for far too long, as evident by your headache and the taste of dust on your tongue.
You turn to look at Grim. "Should be over by now. I'm surprised I haven't heard anything yet,"
"Surprised, you say?"
No matter how many times he does that, you're never quite prepared.
You jump, nearly hitting your head against the table you'd been taking refuge under. Grim yowls, clawing into your sleeve (and just barely missing the tender flesh on your arm, thank goodness), and you both stare at the fae ahead of you.
Lilia is sitting on the table, hanging his head upside down and staring right at you. Grim mumbles.
"Don't even tell me. I'm out!"
Lilia waves him goodbye as he makes a swift exit, and then turns back to you.
"I have a secret. Wanna guess?"
You're a little curious (aren't you always when it comes to him?) but that isn't enough to overpower your rising dread.
"No,"
"Aw. Really? I'm sure you'll like it,"
"Definitely not, then,"
He slinks off the table and lies on the floor, cupping his face in his palms and kicking his legs back and forth.
It would be amusing if you weren't so sure of what he's about to say.
"Well, despite your best efforts, I'm not surprised at all. But Malleus couldn't even come here to get me himself?" you sigh.
Lilia tilts his head to the side. "Now, why would he do that?"
There's something written within the margins of his tone that makes your eyes lower at him. Something he's keeping from you.
"...Well... he did win, didn't he?"
"Oh, my. You were hoping for Malleus to win? Now I'm sure we both feel silly,"
You raise an eyebrow. "Hoping is... a strong word. But I was expecting it, yes. So he didn't win?"
"No, dear, Malleus is not the winner,"
"Then... who is?"
Lilia gives you a sweet, self-satisfied grin, his fangs glinting. "You're looking at him,"
Ah.
If there's one thing Lilia Vanrouge is good at, it's surprising you. No matter how stoic you act, no matter how clever you are, he always manages to catch you off guard.
This might take the cake, though.
"I didn't even know-"
"No. Initially, I wasn't going to. But Silver and I... we had a long talk about valuing your freedom and independence, and thus I so valiantly threw myself into the flames to save you from becoming someone's slave," he pauses to smile. "Chivalrous, yes?"
"...Charming," you mutter. "But what was that thing about-"
"Oh, yes. Don't worry, you'll be treated as any other student at Diasomnia. In fact, I'm sure we already have some uniforms in your size!"
"This is... quite the turn of events,"
"Ah, isn't it? I haven't felt this elated in... well... a long time," he grins. "Come along, now. I plan on treating you to a hearty welcome dinner!"
You can only grimace at that.
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Malleus' Ending
During all of the confusion, the fighting, the rumors that shook the school, no one, again, had remembered to invite Malleus Draconia to the announcement.
Not that it mattered. Not this time.
One knock at Ramshackle's creaky door and you were suddenly in the depths of the forest around the school, admiring a crumbled stone structure.
"What was it?" you ask, turning to your walking companion.
Malleus smiles slightly. "I believe it was a wall. Fascinating, no? Since you have inhabited Ramshackle, I come here when I want to be alone,"
Ah, right. You'd almost forgotten that you'd made a home out of his ruins of preference.
Ramshackle was in a much better state than this, though. At least you had four walls and a roof over your head.
"Are you alone a lot these days?" you ask, rather absent-mindedly for such a heavy topic.
You're well aware of the answer already. No, of course not. Malleus is constantly surrounded, whether that be his friends, personal guard, mentors...
"Yes,"
Oh.
"I'm... sorry to hear that," it's all you can think to say.
Fae don't seem to know the conventions of human small talk. Or maybe that's just him. Not that you mind. "What about Silver, and Sebek, and Lilia...?"
"Fine companions," he crosses his arms. "I owe them a debt of gratitude. But being physically surrounded does not amount to closeness."
Oddly profound.
You can't help but relate, thinking back to everyone you know. Even with good intentions, they're still out there, bartering over your life.
"I'm glad you came and got me," you say, breaking the tense silence. "I was afraid you'd gone to that... announcement thing."
He raises an eyebrow. "The what?"
"...Never mind. I guess my point was that I've been feeling a little lonely lately, myself,"
Malleus is quiet for a moment, staring directly ahead at the mess of stones and moss that once made up a sturdy wall. Now crumbled, scattered across the ground.
And the, he smiles.
"Well, there is a solution to this trouble of ours. But I'd need your consent,"
What exactly is he getting at? You raise an eyebrow. "Go on,"
"I've been so preoccupied with the formalities that I haven't had the chance to ask you properly, yet. Lilia suggested I might have more success this way,"
He pauses, and then smiles. "I would like us to marry. Does this agree with you?"
You thought you might be stunned. Speechless, even. But the answer comes so naturally.
"Yes, it does,"
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wigglebox · 9 months
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Sad Bois’ Story Time
Bonus:
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tactilescream · 1 month
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> the entity swims through the void, and it remembers
I don't think I ever actually uploaded this one. I consider it a half wip bc I have this idea I will add more onto it at some point
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charmac · 8 months
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Glenn Howerton on MacDennis (x)
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egophiliac · 6 months
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Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷
So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH
(P.s: Lovin' the art style ✨)
oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!
and sometimes it's just "weird things my sister has said that I make fun of her for"
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uc1wa · 8 months
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18+ minors dni
OCT. 6 — KINKTOBER ‘23
HATE SEX & BREATH PLAY WITH JASON TODD
ktober m.list
tags: fem reader, meanie jason, alcohol, penetrative sex ofc
it was a messy break up the two of you had when still in college, if that’s what you could label it as. an established relationship was hardly spoken of throughout your whole time being with him. something along the lines of friends with benefits and situationship is what you’d categorized it in your mind.
because fucking without feelings quickly turned into fucking and cuddling without feelings, which then introduced everything that was a relationship—but without a relationship as the title.
jason was allergic to the conversations you’d attempt to bring up. asking the man ‘what are we’ as you slipped his shirt onto your sweaty skin. to which he’d shrug off while allowing you to spend the night, wrapping an arm around you and making you breakfast in the morning. just the way you liked.
it was two years since you graduated and the man had hardly touched your mind. only the times in which you’d catch up with friends from the same era in your life would you be reminded of him. and sometimes on dates and one night stands would he flash through your head, the remembering of how good at sex he was with you in comparison to the midnight men who didn’t know how to touch you right.
the man of choice tonight, though, was the man himself. the man who you despised, who you tried to ignore all eye contact with when you saw him walk into the bar where you and your friends were all sat at. head kept down and eyes locked onto the drink in your hand
but, one drunken thing led to another and your ankles were now thrown over the broad shoulders of the man who—without a doubt—hit all the places in which you’d missed him touching.
but the sensuality that existed in your uni years was taken away. soft thrusts turned rough, hardly giving you a chance to breathe through the yelling moans that you let out. sweet kisses turned teeth clashing and bites hard enough to make blood rise to the surface. if a sober thought past your mind, you’d yell at the man for attempting to leave a hickey. drunken thoughts could care less though as he selfishly left his marks from the underneath of your jaw to the side of your hip. saliva trailing down your body and swollen skin rising with heat.
"y’know my pussy missed me," jason grunts, one hand grabbing at your thigh harshly while the other’s pushing on your waist, holding you steady as if you’d squirm out of his grasp if you were able.
the words make you moan. his ownership of something that wasn’t his—hasn’t been his for years now—making your walls clench around him, and he can only laugh dryly. "fuckin’ whore, should’ve known you’d miss my cock, yeah? couldn’t wait to get fuckin’ stuffed the second you saw me walk in with all your friends," it’s hard to understand what he’s saying, but you can only bite back. "y’know you only walked in that bar for free pussy," and now jason’s hand is moving upwards.
rough and calloused fingertips finding your throat and pushing down to disable any airflow into your lungs. "what’d ya say?" his lips are pulled into a smirk, head tilting curiously—stupidly, because he knows you can’t answer. you can only sit there with your mouth agape as jason’s thrusts don’t slow for a second.
the sound of his thighs slapping the back of yours was filthy. but the wetness that screamed inbetween was worse. cum dripping down jason’s balls that hit your ass, spreading more wetness and making that much more a mess. "that’s what i fuckin’ thought, fucked all stupid," he groans, releasing his grip for a few seconds to allow you airflow.
his body leans down, and it’s hard not to devour with eyes alone the man that’s before you. broad shoulders that are near double yours. pecs that surround a silver cross necklace the man has worn for years now.
it makes you want to laugh. his attempt at finding peace in religion when he fucks you hard enough that you swear you see god in an orgasm. the way he tears you apart with words alone as the tip of his cock is kissing your cervix. the way he leans over you so the stupid cross hits your cheek with a feel of cool metal when he’s groaning out the words, "stupid fucking slut."
he’s holding himself up with a single hand. rough scars littering the skin while veins draw their way up to his forearms. the muscle flexed beautifully. so much so, that when you finally reach it with your eyes, you arch your back and squeeze them shut.
getting fucked alone by jason was enough. but to drink in the man that jason had become? close to doubling his size since college—which was only two years ago… you needed an entire day to process it.
instead it’s squished into the few hours that he’s seduced you into his bedroom, fucking you round after round. "who’s been fucking you when i’m not around?" he grunts in your ear, breathing into it before his tongue slides against your lobe. the question takes you out of the daze that you’ve been put in, attempting to scoff but ultimately moaning at the possession jason’s showing.
"fuck—shoulda-shoulda asked me earlier, would’ve made a list," you say between pants of breath. jason’s lips open to bite down on the soft lobe, a whine that pushes your head back against the mattress you were laid on.
"aw," he starts in a coo, "for being a slut," his tongue licks your neck, "still feel as tight as ever. still carved to the size of my fuckin’ cock ‘n nobody else’s." teeth clamp down on your sensitive skin, and your nails press that much deeper into his backside. an attempt at a warning, but jason loves the way the pain is subsided by the pleasure that is your dripping cunt.
his thumb finds your throat, pushing deeply to choke you once more. "must not be fuckin’ anybody worth a damn. nobody as big as me, huh?" thrust after thrust and you’re cumming on his cock without warning. a loud and choked moan slipping out of you while your vision turns dizzy and it makes jason wanna fuck you again.
after all, he could care less about the fact that you’re probably overly sensitive right now. maybe a few years back he would’ve pulled out, would’ve asked if you’re okay and thought of various ways to perform aftercare on your fucked out body. but, jason could give a fuck less, especially with the bratty words you’re spitting out to him. you don’t have a care in your tone, so why should he?
that’s why the snapping of his hips never halt. he doesn’t give you half a second to calm down when he feels you clench deliciously around his member. and when you’re whining, "jay-needa second, please!" he’s sucking on your tender skin, moving to cover your lips with his own.
"need a second? baby, all you need is my cock."
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🏷️: @ash_cl0ud @harleycao @idyllcy @hails227 @aviixol @hopeannalea @hearttjason @finnlikesyourmom77 @roysjason @blursotongz @zaxlrza @wartofart
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limeshade · 20 days
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What’s the matter with them? Why are they acting that way? Why, don’t you know? They’re “twitterpated.” Twitterpated? Yes. Nearly everybody gets twitterpated in the springtime. For example—
BAMBI (1942) Directed by David D. Hand et al. Written by Perce Pearce, Larry Morey et al.
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frm9pm · 11 months
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Harry “I’m not jealous” Potter
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bookshopbentley · 9 months
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i have the angel and demon on my shoulders except it’s aziraphale and crowley and instead of one telling me to do something good and the other telling me to do something bad theyre both telling me to do something gay
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god-of-this-new-blog · 5 months
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What if the two worst guys in the whole world were madly in love with each other?
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lotte-s-web · 4 months
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OH MY GOD I ACCIDENTALLY DELETED UR ASK 🫧ANON IM SO SORRY BUT PLS I KNOW I SAW IT😭😭 ur so right though about hobie having a thing for loser nerds its augh
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₊✩‧ ❝hobie x loser!reader❞ headcanons ✩‧₊
₊˚⭑ warnings: nsfw, gn!reader, teasing, penetrative sex
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He’s such a sucker for loser nerds, such a sucker for you. He’s addicted to the way the simplest of things get you riled up so easily, how he can do so little and watch it affect you so much.
He loves flustering you, loves teasing you by interrupting your rambling and asking you to repeat yourself, leaning in closer to “hear ya bett'r.” He just finds it so cute when you stutter over yourself, losing your train of thought ‘cause of how close his face is to yours. he loves the way you have to grip at yourself to keep your composure from faltering. He knows he’s being mean, he knows he’s being an ass, but god, he can’t help it that you’re so pretty when you’re a bit embarrassed.
He loves touching you, loves knowing how it ignites an uncomfortable warmth at your core that you desperately try to ignore. It’s never a big gesture either, just an arm draped around your shoulder, his knees knocking against yours. he pretends he doesn’t notice how your breath hitches, how your thighs rub together as you try to carry on with the conversation without thinking of the way his skin was brushing against yours. 
To both of your surprise, it’s you who makes the first move. It’d be a bold move on your part, but in reality, the teasing had just gotten too much for you to bear. you couldn’t go on like this anymore, your heart thumping wildly at having him brush against you lightly, having his breath tickle your ear whenever to confide in you what he thought of your outfit today. It was really the little things that had your chest feeling like it was about to burst, you couldn’t do it anymore.
He watches you stumble over yourself as you try to get out how you like him, wringing your hands together in an attempt to channel the panic thrumming through your mind. He’s patient, waiting for you to say what you need to say before taking your chin in his hand and tilting your head up to kiss you, sealing the deal before you can go back on your confession. He presses his tongue to the seam of your lips and you melt, making him smile as he slips his tongue past your eager lips.
Being with him doesn’t make him any less teasing though, if anything, it just makes him more intense. he’s meaner, more teasing, his hands growing more brazen in their attempts to rile you up. 
He’ll rest his head on the junction of your neck and shoulders, murmuring in your ear about how good you look as his hands go to hold your waist. He’ll toy with your clothing when you’re out with your friends, pulling you against his side and continuing on with the conversation as you try to keep yourself from molding into his warmth. You both know he’s doing it on purpose, know he likes seeing you cave into him, and as much as you’d want to detest it, he knows you like it too.  And he’s not above using it in the bedroom, not above taking advantage of the way you’re so willing to please him no matter how embarrassed you were about it.
He loves seeing your eyes when he’s fucking you, loves the way it’s in your most ruined state that he gets to see just how much you admired him, how much you worshipped him.
He holds your cheeks to keep your eyes on him when he’s fucking you in missionary, watching as they look up at him as if he had hung the stars in the sky. he almost laughs at you, close to calling your devotion pathetic.
He has you on your knees in front of a mirror as he gives you backshots, watching your face contort at each calculated thrust of his hips as his tip hits just right against your sweet spot. He holds your face up by the neck, applying just the right amount of pleasure to make you dizzy. He tells you to keep eye contact with him as he wrecks you.
You watch him in the mirror as he uses his free hand to pull your hips back against him with each thrust, your whines growing in volume. He has you absolutely cock-drunk, going cross-eyed and shuddering violently as you cum around him with a loud cry. 
You catch your breath together once everything has subsided, his cock still sheathed within you as you both pant like dogs. He brushes his lips against your cheek and sighs, wrapping his arms around your torso. 
“Ya’d do anythin’ f’me, wouldn’ ya?” He asks, turning your head with a gentle grip on your chin, moving you to face him. The look in your eyes tells him everything he needs to know, anything.
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a/n: 🫧anon IM SO SORRY I DELETED UR ASK MY BADD AGHHGSHDSH HOPE U LIKED IT THO😭😭 ๋࣭ ⭑ tag/s: @eyesxxyou
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HI i’m personally a crutch user and i love scout with crutches but consider
pyro or engie crutch user(s)
im a big enjoyer of my comfort characters being just like me i hope this is ok 👍
Pyro or Engie crutch users? ❌️
Pyro AND Engie crutch users ✅️
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Hopefully these cane personalisations don't look too weird?? I have no idea where I was going with Pyro tbh, I think I was trying to make it a mini lighter but kinda failed miserably :')
Edit: FUCK, YOU SAID CRUTCH NOT CANE I'M SO SORRY I GOT IT MIXED UP
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cj-kenobi · 5 months
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I have no idea how this ended up so long but thank you @vetinarivimesy for this brilliant idea. Grievous is definitely Clam Shaped in Obi-Wans otter brain
Tags under the cut :)
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essektheylyss · 27 days
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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asgardian--angels · 8 months
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Izzy Discourse Masterpost
Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.
Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.
Izzy's death served no narrative purpose.
Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.
Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.
From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.
Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.
As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.
If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.
Izzy's growth & healing arc was rendered pointless by his death.
As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.
Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"
I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).
It was bad and irresponsible to have a suicidal character die
Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.
Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.
As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.
Killing off Izzy was ableist/bad for disability rep.
I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.
OFMD was my comfort show/safe space show, now it's ruined for me
I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.
We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.
You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.
Izzy should have become captain of the Revenge.
Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.
Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.
Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.
More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.
Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.
Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!
Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.
Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew
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