Prompt: Azula joins Zuko on his Avatar hunt instead of Iroh. I don't know why, I don't know how, but I'm certain to be entertained by whatever follows.
Ozai and Ursa were already dead by the time Iroh arrived home. He stepped from his ship into the palanquin, and rode past the places of their execution, holding the urn of his son’s ashes.
He had no time to entrust them to the Fire Sages before his father summoned him. He brought them along, because this was an easier thing than setting them down. And perhaps Lu Ten’s grandfather would like to see him once more, outside of the family shrine. Iroh would have given anything—
He placed the urn on the floor next to him. It did not kneel when he did. Fire Lord Azulon surveyed him from behind the flames.
“Rise, my son. It is good to have you home.”
They did not speak of Lu Ten. His father had always been a man to look to the flames of the future, rather than the ashes of the past.
* * *
They hanged Ursa, as befitted her attempted crime, and her past station.
They burned Ozai, as befitted his. A child of Agni should always return to the flames.
The children of the traitors had been stricken from the family line. Had been placed in the capital prison; bait for the trap. Azulon was keeping close eye on those who expressed concern for the offspring of regicides. Ozai had expected support for his position; it would be Iroh’s second task to sift through the court, and discard the chaff.
His first task was a more practical resowing. Azulon had already selected a handful of candidates: women of suitable birth and known loyalties. The wedding date had been set, pending selection of the bride.
“Thank you, father,” Iroh said.
Lu Ten held his silence.
* * *
Azula had never liked the servants who’d fussed at her hair and clothes, who’d pulled and tugged until she was perfect, like perfect was a thing outside of her for others to bestow. She only had to look at Zuko to know how far tailored robes and well-oiled hair could take one.
She couldn’t see Zuzu from her cell. Her robes were too cold against the stone and every tug to wrap them tighter just made them worse, she could see it in the guards’ faces, the way they’d stared when she’d first arrived and looked a few days after and now they barely even saw. No one would talk to her, no matter her demands. They didn’t even stop their own conversations anymore; just slid in her food and kept walking and batted away her fires and it was cold here.
There were things crawling in her hair that her nails couldn’t dig out. Sometimes she thought she heard Zuzu yelling, but she couldn’t be sure. And it would have been undignified to yell back. She was a princess. She was fifth in line for the dragon throne.
Fourth, now that Lu Ten was dead.
Third, because father was, too.
He’d yelled and then he’d screamed and it hadn’t done anything but make the crowd jeer. Fire Lord Azulon had been silent. Poised. In control. She was his namesake and she would be too.
She was nine.
* * *
Zuko yelled until his throat burned. The guards didn’t care, they didn’t listen to him, which was nothing new. He shouted and shouted and his own ears hurt. Maybe that’s why he never heard Azula calling back.
Grandfather had made them watch when he’d killed father and, and—
If grandfather had Azula killed, he would have made Zuko watch that, too. Azula was probably just better at being a prisoner than he was. Maybe the guards even talked to her.
He was eleven.
* * *
Iroh’s new wife was a third his age. A flower just coming to bloom. She looked like his first wife; Azulon knew his preferences. She was young enough to be Lu Ten’s sister. She smiled and laughed each day with the other court wives, and came to his room with lists of possible dissenters to discuss in their marital bed. It was not the pillow talk he was used to, but it was charming, in its way. She liked to lay on her stomach and kick her feet above her as they traced the web of treachery with his dead brother at its center. She was here to have his children—a task at which she worked with admirable diligence—and to be the acting Fire Lady. She had not had to struggle and flaunt herself for his affections; she had been picked from a line-up, her expectations realistic, her motives aligned with his. It was the least romantic relationship Iroh had ever been part of. It was… refreshing.
On the day the palace doctor confirmed their newly budded line of succession, the Fire Lord called them both in for congratulations. And for pruning.
* * *
Zuko had turned twelve, but had not realized it. Azula had turned ten. She’d counted the days.
Iroh had not been able to visit them in prison; only to inquire as to their treatment. Individual cells, regular meals of reasonable quality, no abuses. He’d moved his own people into position to ensure the last.
Azulon had moved them back, after a delay for his soft-hearted son’s conscience. They could not waste loyal men on cuckoo-vipers. And Iroh could not waste his father’s good will. Not when it would be needed in the future, for the most important request.
* * *
“And your wife agrees to this?” asked the Fire Lord, behind his flames.
Iroh’s wife had not been directly addressed, and so did not reply. She sat in polite and perfect seiza, her head raised, as befitted the woman currently running her half of the court. Azulon had never seen fit to replace his own wife, after all.
“She does,” Iroh spoke for her. “We have spoken on the issue at length, and believe it best. Our family is small, and cannot afford to be smaller. The children are young; too young to have been in their parents’ confidences. With proper guidance—”
“And how would they place in the line of succession?” Azulon asked. “How would they chafe, how would they plot, with a decade’s experience over your eldest?”
Lu Ten’s own connections at court had been built while his cousins were still in diapers. But he was no longer Iroh’s eldest.
“We believe—”
“No,” his father interrupted again. “I will not allow their adoption. Not by you, where they could smother your own babe in the cradle, and certainly not by someone I trust less.”
Which was everyone, since the night his daughter-in-law had served him tea sent by his son.
“Father,” Iroh began, and his wife shifted her elbow just so, the only indication that she wished to dig it into his ribcage. “They are young, and innocent. They are my beloved nephew and niece. Your grandchildren. We cannot in good conscience—”
‘Good conscience’ had never factored into his father’s policies. Iroh had… begun to realize that, of late. His wife let out a small sigh, deliberately audible only to the man next to her. She had cautioned very strongly against a—how had she put it?—a feelings-based approach to this situation. Feelings rarely factored into her own decisions. She had been hand-selected by his father, after all.
His wife went into a half-bow, her head lowered. “May I speak, my lord?”
The flames crackled. The shadow of his father inclined its head, just slightly.
“To kill the children is wise, and I admit, would set my mind at ease for my own child’s sake. But my husband feels strongly on this matter, and so I support him, for his happiness is my own. May I suggest a compromise? To place them outside the court, where they cannot build influence, nor harm your son’s heirs. A position from which you can judge their characters and value to the nation as they grow.”
“You suggest banishment,” the Fire Lord said.
“Not unstructured, of course. To leave them roaming freely would invite those that would take them in. Perhaps a military commission? As they are commoners, they should begin from a rank befitting their station, of course. Let them prove their worth on their own merit.”
Iroh could not see through the flames, but he knew his wife’s small smile was reflected on his father’s face.
“A naval position,” the Fire Lord said. “On a ship that does not frequently make port. The frontlines would be the best place for them to prove themselves, wouldn’t you agree?”
Iroh closed his eyes.
“Father,” he said. “Please,” and he could feel his wife willing him to stop talking. The Fire Lord had already agreed to spare their lives. A banishment could be undone, so long as he and the children both outlived the man before them. “I… thank you for your wisdom in this ruling. But perhaps, if they complete some feat worthy of our line, they could be allowed to return?”
The flames were hot against his face. His new wife was still and silent against his side. His father… his father laughed, a low exhalation, the wheeze of a humorless old man.
“Let them bring me the Avatar,” Fire Lord Azulon said, “and I will welcome them home with honor.”
* * *
Zuko didn’t know why they’d pulled him from his cell or scrubbed him down or taken his old clothes. They’d been dirty but they could have been cleaned. His new clothes were scratchy, and too big, and they looked like a common soldier’s, and… and—
And they’d shaved his hair.
* * *
It had gotten rid of the bugs, Azula admitted, in the privacy of her own mind. Still. She memorized the faces of the woman who’d held her down and the man who’d shorn her. For future reference.
They hadn’t bothered sizing her new outfit for a child. Azula noted the quartermaster’s face, as well.
* * *
They were put on a ship. It was the first time they’d seen each other in nearly a year.
Zuzu looked at her head, and wisely said nothing.
She raised an eyebrow at his, and graciously granted him the same.
It was hard to tell them apart. They had their mother’s face. And their father’s.
* * *
Their captain’s name was Zhao. He invited them to dinner in his private quarters, once the Fire Nation was behind them. Zuko fidgeted. Azula didn’t.
The captain spoke on how much potential he saw in them, under a commander who saw their true value.
Together, they could go far. Very far, indeed.
Azula smiled and said all the things she thought father would have said. Zuko scowled.
Zhao brushed over their arms with his own while reaching for things. He served them more when they said they were already full. He squeezed their shoulders when he brought them back to their rooms, which were next to his, even though the rest of the lower crewmen slept together in the same big cabin. Zuko scowled harder.
Azula was invited back. Zuko wasn’t.
* * *
Zhao was… Zhao wasn’t a good person.
“I know that, dum-dum. But do you want to stay banished forever?”
“Uncle said—”
“Uncle’s going to change his mind, when he has his own heir and a spare. We’re threats, Zuzu. And Zhao knows father’s old friends. He’s one of the smart ones.”
The dumb ones had already been executed.
“I… I think he wants to—to tie himself to the royal line.”
“Eww,” she said. “I’m ten. If he wants to get engaged, I’ll just break it when we’ve got the throne. It will be too late for him to retract his support, then.”
They’d barely left port before Zhao had made his first move. He didn’t seem like a man who waited.
Azula was ten, but Zuko was twelve. Being twelve was almost thirteen, which was almost a teenager, which was almost an adult, and adults understood things that ten year olds didn’t.
They had to get off this ship. They had to go home.
Zuko had to find the Avatar.
* * *
(This ficlet is now posted on AO3.)
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Can you list some of your favorite horror movies facts you know? :0
oh anon you have opened up pandoras box
-In Midsommar, the images of Dani's dead family is overlaid multiple times throughout the film despite her never seeing their bodies like the audience did
-X and Pearl were filmed at the same time!
-Miles Fischer, who plays Peter in Film Destination 5, is also a musician and made a music video with the cast of FD5 which was a parody of said movie and sitcoms like Save By the Bell. It's called New Romance and can be watched here
-Speaking of Final Destination, Mary Elizabeth Winstead (the star of three) actually produced a that single tear in the final scene all naturally. She had to do it twice because the first take was ruined.
-The Roller Coaster scene in 3 was also the last filmed!
-Tony Todd appears in every Final Destination movie except for 4 (In three he voiced the ominous devil statue in front of the Coaster). His character is named William Bludsworth (yes really).
-Scream had originally Dewy dying at the end, but the director made a decision (I mean literally while filming that scene last second) to change his fate
-You can tell who is Ghostface at any point in time by the way they hold the knife. Stu uses two hands with the knife, while Billy only holds it with his right hand. Billy also tends to strangle people for whatever reason.
-Wes Craven did not know about line about all the Nightmare on Elm Street's sequels sucking so he had no part in that.
-None of the Cloverfield movies were written to be in a connected universe, and two of the three were actually made under different titles that had both those and their scripts altered to fit the "connected universe" thing. So if you ever felt like those movies felt weirdly disconnected, congrats! you're right
-John Goodman actually makes an appearance in The Cloverfield Paradox in a brief news interview. Once again, he plays a character whose theories are 100% correct but sounds insane, but they are confirmed not to be the same character
-The first Cloverfield Movie actually had an ARG. Really. like a whole ass ARG for promotion. wild
-In the Hellbound Heart book, Pinhead and the rest of the Cenobites are written as gender neutral leaning towards feminine. Diversity win! the torture bondage demons are nonbinary!
-Hereditary was originally planned to take place during winter, but Ari Aster changed his mind once arriving on set
-The set of Hereditary was constructed in a way that had the walls and ceiling able to be moved/removed which allows for the more creative camera angles seen in the film.
-Tony Todd has played Candyman/Daniel Robitaille in every Candyman movie. Yes even in the sequels
-Prey is the first full lengthen film to have a full Comanche dub (which was all recorded by the originally actors!)
-The translator in Prey, Raphael, appears in the Predator comics (specifically, Predator: 1718) and is referenced in Predator 2
-Cabin in the Woods was obviously heavily inspired by Evil Dead. But the infamous betting board actually names Deadites as a monster. This implies that Ash's unfortunate adventures in the cabin was a successful ritual and the only reason he was allowed to live was because he played the role of the Virgin (this is obviously not canon, but its a neat idea)
-It also makes reference to the "Angry Molesting Tree" from Evil Dead. "Snowman" may be a reference to Jack Frost (killer snowman movie) and the Reanimated may be a reference to The Reaminator
-The dog in The Thing, Jed, was not trained to a lot of the odd behavior the Thing actually shows. For example, the brief moment where he looks into the camera and then looks away, which creates a very uneasy feeling of being seen in the audience. There are also moments where he dead still. He was not trained to do either of these things. He was just a very talented actor and I love him.
-The first victim of The Thing's shadow is not done by any of the actors of the movie. Its actually the director's, as it creates more ambiguity as to his identity
-Joe Hill is Stephen King's son. He is also a writer, and wrote the original source material for things like The Black Phone, Horns, Locke and Key, and NOS4A2. They both wrote In the Tall Grass
and now for facts about one of my favorite horror movies
-Nope originally ended with the deaths of both OJ and Angel. Even after OJ's fate was changed, they only changed Angel's fate after Brandon Perea (his actor) convinced Jorden Peele to change his fact. Angel's plot armor ascends even reality fr
-The track that plays during OJ's final scene is called "A Hero Falls" likely because it was written for his death. The song also has parallels to a track that played in the beginning of the movie during OJ and Em's car ride to the ranch
-OJ's actor, Daniel Kaluuya, mentioned having suffered an injury years ago due to a horse riding accident and developed a fear of horse riding from that. He had to work through that for the role.
-Ricky is referred to as "Jupe" through almost the entirety of the film, even in the subtitles. This has no meaning or symbolism for his character whatsoever im sure.
-Jean Jacket and it's alternate form was inspired by sea creatures like Jellyfish and Octopus, but it was also inspired by the angels in Neon Genesis Evangelion. Specifically Sahaquiel, the tenth angel
-Em performs the Akira slide during the climax of the movie
-There's a few alternate dialogue for scenes that can be seen in the deleted scenes. it doesn't make that much a difference in terms of themes/story/characterization/etc but we did learn that OJ had a thing for Oprah when he was younger which explains some of Em's jabs at him
-There's a deleted scene that has an alternate introduced to Em that revealed the reason she was late was because she hitting on a group of girls. cant say im surprised tbh but I find it funny the longest deleted scene is just another confirmation that Emerald gets the most pussy in the state of California
-Antlers wears a skirt for the entirety of the film
-While OJ was going after Ghost and sees the power going out during Ricky's practice for the Star Lasso Expereince, you can see the power line's lights going off which shows JJ's path back to the farm
-Brandon Perea was the one that insisted on expanding Angel's character during development past Peele's original baseline idea
-Michael Abels scored this film as well as Get Out and Us
and I probably have more but. christ this post is long
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