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#with that fucking smirk
frownyalfred · 2 months
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I think several members of the Justice League hate the Batfamily because every one of them — every single one — has the same, Batman-esque look on their face when they know something you don’t. Which they do. Frequently. Just like the fucking Bat.
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jangmi-latte · 7 months
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FELLOW HONEST SHAKES
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japanifornication · 9 months
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the evolution of the ace attorney weirdgirl based off this post
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Michael, at some point: Fuck demons
Aziraphale and Gabriel, sweating profusely and looking at each other: yeah, fuck demons...
Master post: here
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sporkberries · 1 year
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Local Archivist has beef with the most annoying group of Georgian era Gay men
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theotherpacman · 29 days
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listen I respect the "L is pretty" take like I get it I do but personally, to me, in my heart, L is NOT good-looking. between the malnutrition (all he fucking eats is sugar) the lack of sleep and the neglect of all self-care including personal hygiene he Just Looks Terrible. he looks terrible. he looks like a gargoyle. he looks like a goblin creature that you'd find in a cave.
this makes it so much better to me when light yagami has the desire to push him against a wall and rail him, I mean he'd be so mad, "he's so fucking ugly why the FUCK do I want to put my mouth and hands all over his body this is NOT FAIR"
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VERY interesting that this moment took place in the "woman in house and wilson's building thinks they're gay/dating" episode
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also. hugh laurie's little smirk here really adds a certain . . . dimension to this moment that would not be there if he'd responded to the joke in a different way
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chuckwon · 3 months
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I was randomly thinking about this little tidbit again and realized I never posted this video on here, so I thought I'd give you all psychic damage tonight.
Misha: “Obviously Chuck would be younger [in The Winchesters], and he’d be played by a…” Jensen: “Somebody much younger than Rob Benedict, like Alex Calvert.” –August 2022 (The Winchesters started airing in October 2022 and ended in March 2023)
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Yeah... that checks out.
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kairospy · 7 months
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Woke up to the thought of Regulus beating the ever loving daylights out of someone and letting James clean his knuckles
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xdeath-by-poisonx · 2 months
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🔺.🩷•💗•🩷.🔺
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This is, 100%, the face of someone about to start 😂
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🔺.🩷•💗•🩷.🔺
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Never ever ever getting over Smith and Jones because you know the doctor could've just hid in a broom closet somewhere if he needed to check the place out but he CHOSE to admit himself as a patient KNOWING they'd check his heartbeat. This man really said I'm about to ruin a med student's entire life
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minthepm · 1 year
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let me say fuck, ren amamiya, crayon on paper, 2023
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its-your-mind · 3 months
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*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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drunkonimagination · 3 months
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family portrait
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wormswurld · 2 months
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im just letting this speak for itself because if i said my thoughts right now i would be immediately banned off of this fucking app. i am not kidding.
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larrylimericks · 7 months
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6Oct23
With hues blue and green, Lou was tinged, Sang ‘7’ in Barça, then grinned Cos sharing is caring And H still likes wearing Lou’s jumper — Um, bro, they’re unhinged.
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