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#who look like dolls
slushed-puppy · 5 months
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raepliica · 9 months
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tristamp post-S1 mashwood sillies and tri98(?) merylwood :]
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burnorgetburned · 8 months
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EVEN MORE CLARA DOLL DETAILS:
So you know how the Dolls have their own distinctive clothes?
Guess who else has their own distinctive clothes!
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That’s right. The multiple Homuras are actually Clara Dolls.
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And that’s why ‘Homura’ is smiling.
Here they are! The one with the striped hat is Nekura (Gloominess or Pessimism) and the one with the flower is Mie (Vanity).
Here’s their descriptions from the art book.
[The second one to come was Gloominess. Walking out with a tapping sound, she sneered at Good-for-Nothing. “This is Good-for-Nothing! How very unbecoming.” These dolls are only disciples of Freedom, and are devoted to their lust for it.]
[The tenth to come running is Vanity. She exaggeratedly avoids Good-for-Nothing's head and says a few words. “I wouldn't be able to bear dirtying my cape with that sticky blood!” These dolls make fun of the witch's self-mutilation.]
Good-for-Nothing is Homura, by the way, but the Clara Dolls seem to consider Good-for-Nothing to be good for something after all after she splits Madoka. She turns into the Devil, and the Clara Dolls are stated to be “okay” with the Devil. If the young voices in the trailer belong to the Clara Dolls, then they also call her “Akuma-sama” now. Something like Mistress Devil, implying a sense of respect.
[… if they are not summoned, they will simmer. There are orders they will comply with, and also orders they will disobey. What they are and the witch herself's own magic are not well understood.]
At the end of Rebellion, Homura gave Madoka her ribbon back. She declared that they might become enemies in the end. Honestly, I thought that Homura would try her best to avoid Madoka entirely. The trailer suggested that Homura was meeting Madoka, though. Here’s the answer: it wasn’t Homura herself, but Gloominess, who wants freedom.
Now, I’m not sure how this situation works out. Do Clara Dolls have free will? Are they obeying Homura’s orders? Acting out Homura’s true emotions? Is Homura perhaps directly puppeteering them in order to fulfill her goals, or do they act on their own?
I find it likely that it’s a mix of both: some of them obey her, and some of them will try and fulfill her (probably very conflicting) desires, as familiars usually do. Gloominess is likely part of Homura who wants the freedom to talk to Madoka, for example, but Vanity seems to me like a Clara Doll who is obeying Homura. After all, she still needs magical girls to fight wraiths, at least until she finds a way to wipe them out.
[I'm Vanity (Mie). I'm pushing myself to the limit for someone.] And she is, of course. All of the theatrics, the calls, the organization of magical girls. These are things that Vanity is shown to engage in. All of this is for Madoka.
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We see with Gloominess, at least, that she seems to be fulfilling a specific desire: in the background are white spider lilies. Instead of the red spider lilies that mean death, final goodbyes, and lost love, white spider lilies mean a hope for the future and a fresh start. Maybe this really is the first meeting for these two in a while, and she wants to be friends again?
Or maybe, being Gloominess, she wants to warn her about something.
[I'm Gloominess (Nekura). Forcing smiles tires me out.]
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Then there’s this Homura.
Nothing about her clothes is very different. She is wearing ribbons as Homura in the wraith universe does, but look closely: the ribbons are different. They have some wavy stripes on them, while Madoka’s ribbons are plain. She does not correspond to any known Clara Doll.
However, there’s mentioned to be a fifteenth Clara Doll that is not yet born: Ai, representing love. This could be her. Is it love for others? Or love for herself? I’m hoping it’s the latter, but very likely it’s love for Madoka and her friends. This would explain why she’s trying to fight Homucifer in the poster, as Homura believes that she’s a danger to everyone else.
How can this be? Well, here’s a few options:
- The Clara Dolls are grown-up familiars. They ate souls, and they became a copy of their witch. This is a process that was explained to us in the original series, where some magical girls are stated to farm familiars by letting them eat people so that they would grow souls/grief seeds.
- The Clara Dolls are not familiars, or wraiths, but instead a secret third thing. “What they are and the witch’s own magic are not well understood”, as said in the Rebellion art book. They could be magical constructs of a different kind, but I do think that this would get into overcomplicated explanations quickly, so I favor the familiar explanation.
- The Clara Dolls could be familiars, but instead of eating souls they’re simply powerful enough to change their shape. Their strength is equal to the strength of a magical girl…. when Homura was a witch, before Homura became something more. It could also be energy from the contracts making them stronger. Maybe it’s me being sentimental, but I don’t like the idea of Homura letting anyone’s soul be nommed on.
Now, before there’s a panic about how they’ll juggle fifteen extra characters, here’s a few thoughts:
- Just because they seem different doesn’t mean they’re actually different. It might be that the Clara Dolls are a way for Homura to present herself. As Vanity, she might show off more, or have dramatic flourishes like her throne and her dress. As Gloominess, it might be that she doesn’t believe that her plans will work, so she tries to do what makes her happy. It’s likely that the Clara Dolls are just extra ways to explore Homura’s character. They’re parts of her soul, after all, and right now she is extremely powerful. She might simply want to keep her true self away from humans.
- They could work like projections. Homura wants more bodies to work with, but she has to filter herself through the Dolls’ personalities. This could result in a lot of juicy character interactions, as the things she tries to keep hidden are closer to the surface.
- Will ‘Ai/Mystery Homura’ fight against Devil Homura? Very likely! How can this be when they’re the same person? Well, who hates Homura more than Homura? That’s right. Nobody. Anyone can fight and argue with their self, it’s just usually not on the level that a reality-warper like Homura can manage.
If this is true, there’s plenty of interesting directions they can take it.
- Because the Clara Dolls have a degree of separation from Homura, they can show other characters things that Homura herself has ignored or locked away. Bad memories, affection for her friends, the resentment she must feel - everything from concern to a cry for help can be plausibly shown through them as the actors.
- Manuke (Stupidity) is specifically more naive/sincere than the others. Maybe interacting with this Doll would show the Quintet that there’s something more going on than a Devil who wants to hurt other people.
- If Ai represents a love for other people, Ai can have a strange character arc where she learns to value Homura/herself, and become self-love.
- On the other hand, Ai can represent self-love from the start, and because Homura looks very fucking unhealthy in the trailer, she only wants to stop her because she’s hurting herself. This option plays into the themes of self-sacrifice and happiness, which I believe to be some of the major themes that they’re going for.
- The poster could be misleading and Ai ends up fighting everyone but Homura. I find this the funniest option.
- Homura can hug herself. It’s possible. In fact, every character can hug Homura 15 different times.
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Smiles are a Clara Doll’s default expression. We have yet to see Homura smile for real.
Is this going to get very ambiguous and confusing? Probably. But rewatching for details was the fun part in Rebellion, so I’m looking forward to it!
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harmonysanreads · 2 months
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thought of the day, aventurine who cannot stand coworker!reader in front of others but, is actually leading the [ aventurine x reader ] ship group in secret.
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beatriceportinari · 3 months
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Another year, another outfit to die in! Happy birthday again Izuna!!!!!!
Like last year, I played with someone else's lines for these charming patterns, thank you so much Lena @elhnrt ! I had a ton of fun :D
Check the readmore for pattern references and explanations, there are some easter eggs in there :)
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(x,x,x,x)
My goal for this piece, in addition to playing with patterns and textures and adding some Naruto references, was to add as many death flags as possible.
The idea of having Izuna in a fireman's coat is obviously not from me. I've always like the idea of Uchihas in fire resistant clothes, and the opportunity for a thick texture alongside a reversible double pattern is very appealing. I used the image of the second reference as a base, with skulls on one side and stylized lightning patterns on the other (visible inside the sleeves and collar). Both were common immagery of firemen coats.
The actual skull pattern is taken from the third reference. I'd seen this one before and before even learning anything abt it it was too beautiful to pass up. Those white and navy gradients are absolutely delightful and I enjoyed using my gel pens for them very much.... This particular type of imagery with skulls and bones in a field is called Nozarashi, inspired by Buddhist representation of death and transience.
The lightning pattern itself is a reference to water and lightning dragons :) Like Tobirama's iconic jutsu, it's one of the hints of what's abt to happen to our little guy. The scabbard is also decorated with dragon motifs for the same reason.
The background pattern is taken from the first reference, another fireman's coat with an illustration of Raijin, the thunder god. He is often representated with drums decorated with tomoes. It works nicely as a standard looking sharingan illustration, with a reference to Tobirama's hiraishingiris with the thunder imagery, like the thunder patterns inside the coat.
If you're interested in this I recommend the book linked in the second reference! It is entirely about skeleton motifs in japanese clothing of the early 20th century.
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marzipanandminutiae · 3 months
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was just watching a deep dive on why the 90s AG characters suck and
the American Girl twins of 1999, age 9: we're going to do a cool Spice Girls dance for the New Millenium celebration! it'll be da bomb!
me on December 31, 1999, age 6: MOTHER I MUST RESEARCH THE LOCH NESS MONSTER ON THE WORLD WIDE WEB RIGHT NOW
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elskiee · 11 days
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we need to ABOLISH alphadude podcastbro instagram accounts because what the fuck are these:
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like you HAVE to know that he'd suck cock if that meant he'd get money from it. he looks at his MALE ENEMIES like he wants a piece of their horsedicks. don't fucking rile me up.
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uncanny-tranny · 8 months
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The frustrating part about conversations like "should people with self-harm scars warn others before showing off their body?" and conversations like it is how nobody would tell me that my scars are obscene or should be hidden despite, literally, being self-harm scars. They just do not know because people literally do not know what self-harm scars are and what self-harm is.
Our bodies are not vulgar or gross. We deserve to live our lives, and if our scars make you uncomfortable, we can be compassionate about that, but that doesn't mean that our bodies are Bad and should be Locked Away. Treat us like we belong, because we do.
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fromtheseventhhell · 21 days
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I also find it funny that fandom will only accept Lyanna being her non-conforming, wild self in the context of saying that Arya isn't meant to be pretty; Any other day we get back-to-back posts about how Lyanna is actually super traditionally feminine cause she sniffled at a song once, so she's actually more like Sansa. Instead of constantly speaking on Arya and Lyanna, how about you guys reflect on why your standards of beauty for women are attached to how well they perform feminity within the patriarchy?
#lyanna stark#arya stark#asoiaf#/Lyanna isn't actually pretty she was a wild tomboy/ Those two things are not mutually exclusive 😭#how you look is not a reflection of your personality and this is also a running theme within the story#we have morally good characters who are ugly and morally bad characters who are beautiful this is like...kindergarten level#Lyanna is idealized in terms of her personality hence /you saw her beauty but not the iron underneath/#and Ned correcting Robert when he said Lyanna wouldn't have shamed him like Cersei had#he's a very shallow misogynistic character and I truly doubt he would've been as attached to the idea of her without surface level beauty#reminds me of people saying that Olivia Hussey is a bad fancast for them because she has a /doll like/ beauty and they're /rougher/ 😭#as though their entire facial structure magically changed once they realized they enjoyed playing with swords instead of sewing sdksdkdsksd#it's giving that one tiktok with the /cat pretty vs doe pretty vs bunny pretty/#even if you wanted to make the case that her beauty is idealized in her death we get Arya described a pretty multiple times?#idk it's just so wild to me to use personality as an indication of looks it just sounds so stupid#Arya/Lyanna can still have /delicate/ features (which is extremely subjective) and still have a wild personality#how about we acknowledge that the perception of both of them is warped by strict patriarchal gender norms instead?#some real analysis just to shake things up idk
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didderd · 5 months
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i had a sleep paralysis nightmare this morning.
so i decided to make content out of it 👍
but really, sometimes if i'm not feeling well, i daydream about one of the characters i simp really like helping/comforting me.
n this time i started daydreaming about Nightmare comforting me. bc this was the worst sleep paralysis i ever had, and it left me feeling on edge for a bit after waking up. (i don't usually get nightmare-ish sleep paralysis)
n so i decided to make it into a little Nightmare x reader drabble where reader has a sleep paralysis nightmare, based on the one i had this morning.
this goes from horror to fluff real quick lmao. hope yall like it! :>
if you want to skip the sleep paralysis, go straight to the pink sentence!
(tw: sleep paralysis. sleep paralysis demon.)
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You're laying in bed, with half of your vision blocked by the hood of your jacket. All you can see is your bed.
You go to lift your hood.
But you can't move.
But you feel your arms move.
You feel yourself move to grab your hood. As heavy as it may feel, you're sure you did it.
But your hood is still there.
You don't see your hand.
Panic wells up in your stomach. You can't move. You can't see.
Gathering the little strength you have in your groggy state, you try to push yourself into a sitting position.
Again, you feel yourself scoot up the wall behind you.
But you don't see anything change.
Your vision feels frozen.
Closing your eyes, you try again to push your hood up.
When you open them, you can see your hand grabbing your hood.
But your hood is still there. and your hand is frozen in place. even though you feel it at your side again.
It's like your vision is broken.
But closing your eyes helped?
You close your eyes, and attempt to push yourself up again.
Opening your eyes, you think you're sitting up now. at least a little bit.
You close your eyes again and attempt once more to push your hood off your head.
It's off your head. You feel it on your neck.
When you open your eyes, you're laying down and your hood is blocking half your vision.
You try again.
You're sitting up. You can see your room.
You can see your window.
Something passes by your window. A shadowy figure. It looked humanoid, but were those antlers?
You're scared.
It happens again.
Your mother is in the room now. You're trying to ask for help, but she seems confused, and you can't get the words out.
She's standing near the window. Not too close, but you're scared.
Something. someone. appears at the window. but not outside it. They're inside.
Their eyes are wide, and they have an unsettling smile. Something about them seems deeply wrong.
You try to scream, and point at them to alert your mother.
Nothing but air comes out.
When your mother turns around, she only seems more confused. She doesn't see them.
Are you hallucinating?
You see something else in the corner of your eye. A dark figure.
You turn your head to look at it.
... Nightmare?
It's Nightmare. He's standing at the foot of your bed. Looking at you with a calm, yet concerned expression.
You remember you'd been living in his castle for a while now. This is your room in the castle... So why is your mother here?
Looking back, your mother and the unsettling person is gone.
Everything seems clearer. You feel like you can move better.
You look back at Nightmare as he walks closer. "Nightmare?" You spoke. You can speak again.
He stops next to you and places a hand on your head, comfortingly petting your hair. "You are safe. It is only sleep paralysis." His tone is soft, made to comfort you, and it works. You feel some of the fear melt away. You feel protected.
"Sleep paralysis?" You remember what it is, and it makes sense, but you ask anyways.
"Yes." He leans down and places the hand not petting your hair on your chest, just below your collar bones. "You should wake up now."
Everything fades out.
And you open your eyes.
Nightmare is sitting in a chair next to your bed, with a hand on your forehead. He'd pushed the hood off your eyes while you were asleep.
He opens his eye a second after you, and smiles warmly. "There you are."
You blink up at him, but immediately decide not to do that again, as the fear of falling back in runs through you. Instead, you decide to sit up, and Nightmare retreats his hand as you do, looking slightly more concerned, as he likely noticed your fear.
He places the same hand on your back to rub soothingly, and leans a bit closer, using the other to gently guide your chin to look at him. "Don't worry. You are safe.. I'm here." His words are firm, but so gentle.
Your face is warm at how intimate his hand on your chin feels, and his very smooth and handsome voice in your ears, yet it also helps so much to relax you and make you feel safe.
Half to distract from the warmth in your face, even though he's definitely noticed, judging by how his expression turns more smug than concerned, and half out of genuine curiosity, you finally speak. "Um... was that- was that really you in my dream?"
It seems to work to distract him as he answers. Moving his hand from your chin to tuck some hair out of your face as he does so.
"Darling, that wasn't a dream, that was a nightmare." His expression regains a bit of concern for a moment as he pauses, but it's gone before he speaks again. "But yes, that was me. I'd felt your fear as I was passing by your room, and when I came in, I saw that you were having a nightmare, so I decided to lend my aid." His hand had moved from your hair once he was done righting it, and is now resting on the bed, next to your thigh.
"I'm sure you know of my ability to enter and control dreams and nightmares. Sleep paralysis is no different. I was happy to help you out of yours, little shadow." His smile is fond as he raises his hand once more to cup your cheek, and rub his thumb over it, leaning a little closer as he does.
Your cheeks feel warm again, at how close he is, and how gentle his hand is on your cheek. You can't help the urge to lean into his touch, and so you don't even try to fight it, placing your hand over his as you lean into it.
Even though you know you weren't in any real danger, you still feel like he saved you. You're grateful to him. You're not sure how to repay him, but you do know what you so badly want to do in this moment.
Placing your free hand over his collar bone and lightly grip at his sweater, you lean a bit closer to his face, and look down at his mouth. but you stop there and look to the side.
You retreat that bit you'd just leaned in, your face feeling much warmer now. You don't know what you're doing. Maybe your lack of good sleep gave you too much confidence. As if The Guardian of Negativity would want to kiss you. What were you thinkin-
Nightmare chuckles. You look back at him with widened eyes.
His smug expression is mixed with that of fondness... You sometimes forget that he can basically read your mind... Fuck.
You look away again. Your face feels like it's burning.
But you quickly look back when he gets much. much closer. His hand moving from your cheek to the side of your neck, and brushing into the hair on the back of your head, while his other hand slides down your back to the lower half.
He chuckles again, no doubt at how red your face is, and your shocked expression. "Darling, if you thought I wouldn't want to kiss you just as bad as you want to kiss me right now, you'd be sorely mistaken.~" He just about purrs, inches from your mouth.
The hairs on your neck and arms stand as he speaks, and both your hands ball into his sweater over his chest. You didn't think you could get warmer, but you do.
His cheeks are looking a little flushed too as the lid over his socket lowers, and he looks down at your lips, before slowly, and gently closing the gap.
It's a very tender and loving kiss. Not what you were expecting coming from him, but it's amazing.
You lean into it the moment the shock melts away. You feel like you're melting in his arms.
After another long, blissful moment, he pulls away, before picking you up to move you over and make room for him on your bed, and climbs in next to you.
Once he's laid down, he pulls you close again, and combs through your hair, nuzzling your face, before sighing into your cheek, and then kissing it. "You make me soft..."
You're so full of warm feelings right now, it's almost overwhelming, and you hope it's not overwhelming for him. It's all so hard to believe, but seems so genuine. More genuine than you'd ever seen Nightmare. To think he'd let his guard down so much with you.
You almost let out a giddy giggle as you bury your warm face in his sweater, just under his chin, and he wraps his arm tighter around you, using one of his tentacles to pull your blanket over both of you.
As you lay comfortable and warm in his arms, feeling his chest rise and fall against you with his breath, you start to feel yourself falling back to sleep. You forget you even had that nightmare before all this.
The last thing you hear and feel before you're asleep again is Nightmare placing a kiss on the top of your head and speaking, almost in a whisper.
"Goodnight, little shadow."
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mjtfosi · 2 months
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the indescribable pain I feel every-time i remember this article. like wdym “at the age of 11, as carlos sainz jr was trying to forge his way into karting,it became apparent he was too nice.” ENOUGH. and the parts about his father… like let me not get started on that.
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zivvis · 2 months
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barbie doll gore mod where you can do his hair and put him in situations. it's exactly the same mod
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reamed · 12 days
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iff you aren’t a little weird looking and off-putting I want nothing to do with you
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puppetmaster13u · 8 months
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I wasn't going to do any designs for when the robins were older yet but I was sleep deprived and just started sketching, so have a Red Hood.
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Au belongs to @phoenixcatch7 and you need to check them out <3
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ct-multifandom · 10 months
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
#anti intellectualism#media#movies#books#music#critical thinking#my friend who primarily listens to one very popular band once said that people who listen to obscure music are annoying and pretentious#which rubbed me the wrong way because 1 she knows that I listen to obscure music and 2 it’s such a cowardly consumerist take. anyone can#make music and hey a lot of the people who do make GOOD music. and this goes for all *obscure* media#this post was mostly inspired by people talking about Barbie and those anti pick me girls like the pick nobody girls who insist thinking is#for boys and having fun with an empty brain is for girls. Greta gerwig is an artist. I haven’t seen the movie yet but I know it has a deeper#message than haha cute pink! I’ve seen the summaries about the true meaning. the pinkness and popularity doesn’t negate the narritive.#though in the notes I saw a lot of tumblristas comunistas shitting on the film for being one big ad that people *fell for* which tbh is#tbh almost as anti-intellectual. don’t get me wrong they milked this film to sell hella shit but I don’t believe kids who play with dolls#are the target audience as these people claim. Barbie is a culturally iconic symbol almost archetypical of societal expectations for women#you say barbie people think unblinking perfect plastic pink girly. reminds me of the poem The Last Mojave Indian Barbie. yeah yeah you all#hate brands but this one carries undeniable significance and makes for a powerful literary device. it’s been used many times before#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong#that they end up oversimplifying everything just as much as the other person. god I saw people doing this to Nimona saying transphobes were#looking too deep into her character and they’re reactionary clowns for making that jump. like for once the transphobes are right. she is#trans. it’s a queer story. and irl the first people who notice queerness are the bigots who can tell you’re different. sick owns telling#them the story’s not that deep is harmful and it’s like they’re ignoring the real message on purpose. okay enough rambling hehe! thanks#barbie#nimona
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heckyeahponyscans · 7 months
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I think the reason people have so much nostalgia for 80s and 90s Barbie--even collectors who were too young to have actually had them--is the material and tailoring of her clothing was better than on modern Barbie.
If there was a giant tub of 80s Barbies and a giant tub of modern Barbies and I randomly grabbed one doll for each then, yeah, I think the odds are that I would find the 80s Barbie more technically impressive.
But looking at Barbie as an entire line, something about her 80s toys feels so . . . elderly. Like an old person's conception of female beauty and fashion, as informed by southern beauty pageants.
It is completely unsurprising to me that Bratz ground Barbie's face into the dirt with their oversize feet when they debuted.
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