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#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong
ct-multifandom · 9 months
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
#anti intellectualism#media#movies#books#music#critical thinking#my friend who primarily listens to one very popular band once said that people who listen to obscure music are annoying and pretentious#which rubbed me the wrong way because 1 she knows that I listen to obscure music and 2 it’s such a cowardly consumerist take. anyone can#make music and hey a lot of the people who do make GOOD music. and this goes for all *obscure* media#this post was mostly inspired by people talking about Barbie and those anti pick me girls like the pick nobody girls who insist thinking is#for boys and having fun with an empty brain is for girls. Greta gerwig is an artist. I haven’t seen the movie yet but I know it has a deeper#message than haha cute pink! I’ve seen the summaries about the true meaning. the pinkness and popularity doesn’t negate the narritive.#though in the notes I saw a lot of tumblristas comunistas shitting on the film for being one big ad that people *fell for* which tbh is#tbh almost as anti-intellectual. don’t get me wrong they milked this film to sell hella shit but I don’t believe kids who play with dolls#are the target audience as these people claim. Barbie is a culturally iconic symbol almost archetypical of societal expectations for women#you say barbie people think unblinking perfect plastic pink girly. reminds me of the poem The Last Mojave Indian Barbie. yeah yeah you all#hate brands but this one carries undeniable significance and makes for a powerful literary device. it’s been used many times before#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong#that they end up oversimplifying everything just as much as the other person. god I saw people doing this to Nimona saying transphobes were#looking too deep into her character and they’re reactionary clowns for making that jump. like for once the transphobes are right. she is#trans. it’s a queer story. and irl the first people who notice queerness are the bigots who can tell you’re different. sick owns telling#them the story’s not that deep is harmful and it’s like they’re ignoring the real message on purpose. okay enough rambling hehe! thanks#barbie#nimona
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garyfuckingking · 5 years
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My 10 pages long essay and Powerpoint on The World’s End and Gary King
(aka why The World’s End and Gary King are two of the most precious things that exist, aka why I love The World’s End and Gary King)
(Based on my own original idea and written after I read this post - @ineverhadadoubt thanks again for sending it to me-
Also please check out this amazing post about the pubs in the movie.)
(I thought I’d tag some people that seemed to agree with my original post and might be interested in reading this. It’s fine if you don’t btw: @smashing-anarchist-poet @jessefandomunited @shakespeareanmemes @jesusinanalcove @aknownlegend @snovyda @smuggsy @immortal-gamora @doodlerdoodle @zane-garrett @lady-dragonfruit @nogoatshere  @hum4n3rror @theforceawakcns @duskteeth - wasn’t gonna tag everyone, some I couldn’t even tag so that’ll do-)
Before I begin, I’d like for you to be aware of a few things. 
First off, this is gonna be a very very veeeeeery long post so bare with me if you can. I’m probably gonna keep apologizing for the lenght of it in between two things I’m talking about but I’m passionate, sorry.
It’s also a very big post because there’s pictures and a lot of gifs tbh. 
Like... i think like, don’t even try to read this on your phone? Idk what it will do to it. tumblr mobile ain’t that strong i think
There’s so much to be said about this movie.
TW: There’s going to be mentions of suicide, depression, addiction, ...
Also, I’m probably going to forget a lot of the points I’d like to illustrate and talk about, that’s one of the downsides of running on a three hours of sleep schedule. 
You can check the tags for some trivia on this whole post.
So if anyone wants to add something, feel free. I’d love for people to give me their opinion on the movie, etc. 
I’m also probably not gonna mention the direction of the movie too much. I love Edgar Wright with all my stone-cold heart but if I have to talk about how much of a fucking genius he is when it comes to comedy and his movies, we’re literally gonna be there all week, plus I’m not actually planning on writing a 10 pages long essay -or am I?-.
If you haven’t seen the movie, SPOILER ALERT. Seriously though. There’s some stuff in the movie you probably don’t want to know by reading this if you’re planning on watching it and I’m going to talk about everything so.
Finally, I’m going to talk about why I think the movie is not as popular as Shaun of the Dead and Hot Fuzz, and the rest will mostly be about Gary King and why he’s a great character but also why he’s an important one.
Well. Let’s go. This is gonna be a wild ride.
In this essay, I will...
Ok, in all seriousness.
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So I guess there’s supposed to be an introduction here. This is very unprofessionnal, and I’ve learned how to write essays so shame on me. Oh, well. We’re here to talk about Gary Fucking King. It’s ok if it’s a mess, the guy’s a living mess on his own. So, when Simon Pegg comes to mind, the Cornetto Trilogy usually does as well. At least, the first movie that you probably think of is Shaun of the Dead. And often, Hot Fuzz is mentionned as well. But I never ever hear anything about the World’s End. God, even Stephen Colbert got the name wrong while talking to Simon, calling it “The End of the World”. Granted the movie wasn’t the subject, but... Why did it happen? Why is The World’s End seen as “the weakest one”, as “not as good as the first two”, is the one people don’t remember, and is assimilited to other weird claims of the sort? 
I personally feel like it’s because it’s more layered than the other two movies, actually, it’s a bit more complicated. I’m not saying here “if you didn’t get it you’re dumb” or “only smart people will get the message”. Not at all. I had to watch it a couple of times before I started to get a lot of things about Gary and the movie in general, and even today, when I watch it, I notice new things and tiny details that I never realized were there before. That happens with the whole trilogy because the three movies are amazingly well done, but I feel like it’s harder to grasp with The World’s End. But why? 
I think it’s because we directly know what Shaun of the Dead and Hot Fuzz are about. The three movies are about more than an apocalyptic scenario or living surrounded by a cult made of murderers. There’s always a message behind the main themes. 
With Shaun of the Dead, it’s kind of a given, really. The little introduction of the environment shows you that it looks like the town is filled with z****es before they even actually arrive and just with that, the scene is set, we know what -behind the parody and other elements of the film- Simon and Edgar decided to criticize about society (it becomes deeper with Shaun’s character but I’ll get to that later, same with Angel).
In Hot Fuzz, the critic of society is a bit more subtle, but still there for people to see. That’s the point right? Send a message without making you feel like you’re “being thaught a lesson”, or something like that, and these movies do it brilliantly. Because that’s the thing. People watching the Cornetto Trilogy sit down in front of their screen to have a good time, have a laugh and go one with their day. But The World’s End is different. It’s still extremely funny, but it doesn’t give off the same vibe as SotD and HF. You feel like there’s something more, you feel that it’s actually a tragic movie. 
Yes, it still has the same kind of message, here with how much of a fuck up a human being can be, how humans are stubborn even if they make mistakes, but that it’s part of life and a word with “perfect beings” wouldn’t necessarily be better. It’s about growing up and accepting that you have to leave your childhood or teenage years at some point, and all that stuff surrounding these themes. You think it was the better part of your life, but often... it isn’t (again, I’ll come back to this later). It’s just harder to grasp because of the tone and maybe because people don’t like to hear this kind of things.
So the problem is, people often miss (or dismiss) the point. 
I don’t think you know about this but there’s this French website called Betaseries. 
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On it, you can have an account and have a list with the tv shows you’re currently watching or the films you’ve watched or want to watch.
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You can download subtitles for the new episodes you wanna watch if you need them, you can rate movies, comment to give your opinion, you can tick which episodes you’ve seen so that you can keep track of what you’re watching and not forget where you’re at, etc. Pretty useful website, I’m always on it.
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So, I obviously went to see what people thought of The World’s End. It’s got a good enough rating, really, 3.62 out of 5 stars. It’s not a four or a five but only because of two users who didn’t like it all that much. So I read their reviews. One was a 2/5 and one was a 3/5: 
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“To summarize the movie: the world is invaded by a pacifist extra-terrestrial entity that kills human to exchange them with clones but that accept to leave the planet if you ask (with insults, please!) ???
To use one of the movie’s favorite expression: WTF?????!!!!!
I liked the story of “Shaun of the Dead” better ^^”
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“Having liked "Shaun of the Dead” and “Hot Fuzz”, I was impatient to see Edgar Wright and Simon Pegg’s new movie, unfortunately, it isn’t as “good” as the last two. Technically perfect, the story drags on and the mid-life crisis Simon Pegg’s character goes through becomes tedious after some time… but not everything’s good for the trash! The English humor is really present, the play-on-words, the references… you don’t mind watching it. I feel like you need to watch it a second time to appreciate its real worth.
Naturally, watching it in VO is absolutely necessary.”
The other people that commented had all 4 or 5 stars and were only saying that the movie was very funny, therefore enjoyable and good.
I think that’s the thing. When you think “Cornetto Trilogy”, you think “having a good time”. You watch it, you can see that there’s a message behind it, but you don’t spend your time focusing on it or looking for it, because it’s usually pretty simple to get. You pay more attention to the comedy, the references, etc.  
And that is where The World’s End becomes different. It’s not focused on the comedy or the references (well, yes it is and it’s still incredibly funny, it was meant to be), but you have to focus on what is actually going on with Gary King to get it all. That’s why the big meanie leaves “just because they asked”. Remember what it says before leaving (and destroying the world btw)?
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That’s something that’s been said to Gary a few times throughout the movie, but here, it’s clearly aimed at the three of them, hence at the humans, because they’re speaking for their entire race. That’s why it leaves. Because the message is “it’s pointless arguing with humans, they’re going to do whatever they want anyway, you can’t change their mind, etc., they have to learn thanks to their own mistakes so you have to let them make them, not force them to be perfect.” This kind of things. 
But when you read the reviews above... These are the only two reviews where you can see that they really tried to get what was going on, but maybe missed it, and because of that, they didn’t like the movie all that much and rated it badly. Gary King isn’t just going through “a mid-life crisis”. He really isn’t. There is so much more to him that it drives me actually crazy that this movie isn’t as praised as the rest of the trilogy. Literally nuts.
With that being said, I think it’s time to really get into who Gary King is, why he is such an amazing character and why there’s more to him than a “mid-life crisis”. So I’m going to talk about him (obviously), about his effect on others, about his relationship with his friends, his addiction, etc., and why it just makes the plot so much better. I hope you’re still with me. And that it’s been understandable up to this point because I really can’t express my ideas the way I want to easily, sorry about that.
The Cornetto trilogy doesn’t just have these hidden messages, morals, … A common thing between these movies is that the characters played by Simon Pegg are all flawed. They’re just flawed human beings. And these characters have to work on themselves to become better. The plot is usually what makes them realize things and help them grow to become their best self.
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In Shaun of the Dead, Shaun is going nowhere with his life, he’s stuck in a routine with a dead-end job and a relationship he’s screwing up because Liz is the only one working on it. It’s not that he hates his life, but he doesn’t do anything to make it better either, he doesn’t really see the point. . He’s just there so he does what he’s got to do, but he doesn’t get out of his way to do more. And like Pete says, Shaun needs to sort his life out and do something. Here, killing z****e is apparently the way to a healthy and more positive life. (and no, I will not say the z-word and you shouldn’t either)
In Hot Fuzz, Nicholas Angel puts his work before anything else. That’s why his very serious relationship ended, it even caused him to be disliked by his colleagues and superiors. Like Janine says, he won’t ever be able to turn off if he doesn’t find someone he cares about more than his job. And throughout the movie, you see how Nicholas becomes, but also how other characters become thanks to him. I could talk about this masterpiece, about the foreshadowing in it and especially about Danny Butterman for hours on end but I’m not here for that today.
Also, Shaun had Pete to tell him what was wrong with him. Nicholas had Janine to tell him what was wrong with him. Who does that for Gary King? Because again, Gary is a very flawed character who needs to change as well. But first, we have to ask ourselves one question:
Who is Gary King?
Let’s get some answers.
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Well, I’d give you a lot of answers if I had them but… we don’t really know much about Gary King, do we? Well, what we know about his past is what he told the people in the rehabilitation session. That he was The King. But it’s only later on in the movie that we’re able to get new details about him that help us get a clearer idea of who he is. 
The King, the leader of their little group, the popular kid, is also selfish and self-centered. He’s injured his friends with his reckless behavior, he injured himself, he was already a heavy drinker and was using drugs. We don’t know much about his real past, about his family, or else. We know he hasn’t spoken to his mother in eight months when the movie takes place. He arrived in a psychiatric hospital after a suicide attempt but hasn’t told anyone, clearly. His mother doesn’t even know. He doesn’t like the way the hospital was “helping” him and after a quick decision, he got out of it to regroup his old friends and make an attempt at the Golden Mile again. 
We know he isn’t happy. He’s bitter and sad, clinging onto a past he thinks better than anything else he could ever have. Addicted for most of his life and depressed to the point where he tried to kill himself. In the movie, he clearly just tries to reassure himself about his life, always lying to himself and to others.
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Whenever reality catches up to him, he shies away from it, he’s not even able to look at Andy anymore. And the problem is, his friends are the reality and he’s the lie. He’s convinced himself of things so much that he believes in them and he can’t hear another version of the events that have happened, he needs to keep his embellished memories intact because he’d rather believe in a lie than in what he is.
He desperately needs the attention, because he’s so alone. He needs to live in his lie, to relive that great night, that moment when he could seduce Oliver’s sister, when his friends would have followed him to the end of the world, to finally prove himself right. And like Andy says, he’s never wrong, is he? He’d rather lie about his mother dying than face rejection and where he’s at. He’d rather have people stay with him because they pity him than because they want to be with him.
He lies about it as a last attempt to convince Andy to come along to Newton Haven, after also giving him money he had been owning him. (I’ll talk about the rest of this scene later on, it’s a very important thing to mention.)
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And then, when reality is thrown at his face by Andy again, he miserably tries to get his sympathy once more, despite Andy not having it:
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Just after that scene and right before they find out the truth about his mother, Peter says “I can’t help but feel sorry for him”, what Gary intended to do. He manipulates and is upset that things don’t go his way, no matter for what reason he is actually manipulating them. He wouldn’t admit it’s because he’s lonely and unhappy and that because he needs them to feel better, he’s fine with hurting their feelings again.
When he leaves the table to go to the restroom, he looks at himself and finally lets some real emotion out, only to realize what he’s doing.
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He’s not proud of it. His friends have changed, yes, but he hasn’t. He’s still the same impulsive and selfish young man he used to be, but now he realizes that’s not how life works. Life doesn’t just go his way like it used to, or like he thought it used to. Life happens to you, you're not in control, and he probably realized that months ago, as he tried to end it.
Still, when the teenager arrives in the restroom, he puts his walls back up again directly, tries to show off and to befriend the young man by impressing him. He sees himself in him, a young and free man who just enjoys his time with his friends. 
That’s why he was looking at them this way earlier in the pub:
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Or when both groups crossed path outside in the afternoon. Yet, when the boy doesn’t respond and ignores him, he gets upset again and is ready to provoke a teenage boy for not paying attention to a drunk guy inviting him to drink with him and his friends. 
Yes, the alcohol and the built-up frustration of the evening made him provoke that boy, but it doesn’t mean he’s not aware of the gravity of his actions every time he does something. He’s clearly aware that he manipulates his friends, that he only thinks about himself. It’s always in very short moments that you see him look away or having a hard time processing everything, because he knows the way he acts and as much as he hates himself for it, he can’t help it. To the point where he uses the terrible situation of Newton Haven, no matter if they might die, to finish the pub crawl. Why? He doesn’t care if he dies. At all. It’d probably be easier for him. 
He can’t stand himself, but he can’t be someone else. He got upset at the boy’s silence, taking it as an insult, a way of being disrespectful towards him and in his head, no one should disrespect Gary King. There was a time when he loved being himself but like Sam rightfully says:
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So with that in mind, what is Gary King? 
That, I believe, is one of the most exciting part of the character. He’s as much the villain as he is the hero of the movie. 
He’s a villain in his behavior, always has been. He liked being a “bad boy”, but he really did hurt his own friends and has been selfish for a long time. A lot of things that he did and still does make him a villain in this story. Yet, he doesn’t flinch in front of danger, he throws himself in battles the way he used to when Peter would get bullied. He fights for his life and stands his ground in front of the “big boss”, speaking on behalf of the entire human race so that the enemy would leave them be. He’s obnoxious, but he’s also very lovable. Again, like Sam said:
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He wouldn’t be able to make someone else happy, or maybe for a while, but he probably wouldn’t be able to resist getting back to his old antics. He’s not meant to live a quiet life with a family, he needs his freedom, as he calls it, but deep down, he’s never actually been a Bad Person™ . He does care about his friends, in his own fucked up way, but he’s too damaged to do any good around him, it doesn’t matter if he’d like to or not.
That’s why he leaves again in the end. He can’t stay there and face everything that has happened. He saw his chance to start all over again and let his remaining friends be happy together, without getting in the way. He did the right thing by getting sober, but he regained his freedom, is still a rebel by staying with a bunch of blanks and not humans, and he’s with the version of his friends he’s always wanted to be with again. Maybe it’s a bit unhealthy for him to stay with these specific blanks, but it’s a better coping mechanism than alcohol and drugs. He’s his true self, but he’s sober and definitely feels better, like he belongs there.
Now, the time has come. Let’s really introduce his friends, talk about his relationship with them before talking about how he takes responsibility for his actions and how he deals with change. (yes I’m sorry this is endless)
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All his friends have little stories to tell about his behavior during the movie. He injured all of them as well as he injured himself, and even if Oliver is the only one who didn’t receive a scar, he got his own birthmark removed because of the nickname they would always use. Gary was the only one using it still during the movie, despite being told off.
I’ll introduce them using Gary’s words in the beginning of the movie. It allows us to see the way he perceives them. Keep in mind that it’s the only way he could ever see them at that point, as he doesn’t know what they became and who they really are at that point in their lives. What we, as viewers, know, is that they seem to have all become pretty successful when it comes to their careers, and they just seem to have a good life in general, compared to Gary who is in that hospital and dealing with his addictions.
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So, we’ve got Oliver Chamberlain. Gary introduces him by saying: “Ollie was funny, he fancied himself as a bit of a player, but really, he was all mouth. We called him O-man because he had a birthmark on his forehead that looked like a six. He loved it.”
He certainly did not love it. Like I said, he got the birthmark removed because it annoyed him so much to be called O-man. We don’t know much about Oliver, really. He manages a boutique estate agency in North London, he’s doing good, he’s always working. His sister is Sam Chamberlain, Steve has had a crush on her since high school and Gary had sex with her in the disabled. He’s in a sort of competition with Steve to win her over. We know Oliver was already acting like a business man in school. During their first attempt at the Golden Mile, he was out of commission after the 6th pub.
He’s also often mentioning Gary’s drug abuse throughout the movie. 
He was clearly uninterested in going back to Newton Haven, he was very reluctant at the idea, but Gary succeeded in tricking him to go back. During the movie, Gary says a couple of times that Oliver is doing really good, as he didn’t go that far in the crawl the first time. He obviously doesn’t know he has been replaced by a blank in the middle of the crawl but he does say that he likes the new Oliver, the one that seems to be fine with following him around, who is able to go on with the crawl and encourages the others to join the party.
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Now, Peter Page. Gary says: “Pete was the baby of the group. He wasn’t the kind of kid we’d usually hang out with, but he was good for a laugh. And he was absolutely minted.”
The cool guy hanging out with the most bullied kid in school? He indicates there that his wealth was one of the reasons he was friend with Peter, despite saying that “he was good for a laugh.” You can see that they get along pretty well during the movie, once Peter is relaxed with the alcohol. They joke around and laugh together quite easily. During the first attempt at the Golden Mile, after smoking marijuana in The Smokehouse, he was left on a park bench while Gary, Steve and Andy kept on going. He still works with his father and became his business partner. He’s the one who sold The Beast to Gary back in the day.
The scar Gary gave him was when Peter let him drive his 50cc Suzuki. Gary rolled over his leg.
He clearly was looking up to Gary at the time, probably because he was defending him whenever he’d get bullied.
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There are a few moments where you can also see how submissive Peter still is, traumatized by the extreme bullying he went through in high school. He hates confrontation. He hides behind his newspaper when his kids are “fighting” at the table. It’s impossible for him to say anything when he meets his bully in one of the pubs and whenever a fight explodes, he’s the first one to try and hide, not fight.
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He was killed and replaced after finally standing up against the blank that replaced his bully.
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Steven Prince. Gary doesn’t have much to say about him: “Steve was a pretty cool guy. We jammed together, chased the girls. I think he saw us as rivals. Sweet, really.”
Like Oliver, we don’t have many information about his life. He had his own construction company, and he was bought out in ’05. At the beginning of the movie, he’s going out with a 26-year-old fitness instructor but the person he truly loves is Oliver’s sister, Sam. Gary and Steve got along just fine, but with what Gary says, you can see he thought he was better than Steve in different ways (shocking, I know). Gary and he used to play music together but stopped when Gary sold Steve’s bass to buy drugs.
In 1987, so when they were around fourteen, while they were playing cricket, Gary accidentally pushed Steven onto a broken bottle and Steve was left with a scar… well, on his ass. Now, we don’t know the origin of the bottle, but you certainly don’t need it to play cricket, from what I know? We also don’t know what they were drinking, so maybe I’m reaching by saying it could have already been Gary’s if he was already drinking alcohol, but we wouldn’t know so again, I might just be reaching! not confirming anything. Still, Gary injured him as well.
He wasn’t really happy when he saw Gary again for the first time, but still ends up going back. During the first Golden Mile, Steve was still there at the end. Even if they didn’t finish it, he was with Andy and Gary on the hills at sunset. 
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Now, Andy is the most important one, obviously. It wasn’t a surprise. Simon and Nick always play the two main characters and they always have a very strong bond. And Gary’s relationship with Andy is quite fascinating to say the least. For someone with as much pride as Gary King, talking about the way he feels is not all that easy. At least not without disguising it a little. Before we get into that part, here’s Andy’s introduction. This time, I’ll just explain who he is, and then show Gary’s words because I’ll talk about them more.  
So, from what we know, Andy used to play rugby when he was younger. When the film takes place, he’s a corporate lawyer, he’s married and has kids. He seems to be doing quite well, even though we learn he and his wife are separated at the moment and that he's trying to get her back.
During the first pub crawl, he made it to the end of the night with Gary and Steve, ending up on the hills at sunset and failing the Golden Mile. Back in ’86, Gary injured him as well when they reenacted the knife game from Alien. Gary accidentally stabbed him in the middle finger.
We know that he remained friends with Gary until December 1997. Gary overdosed and Andy, while being extremely drunk, attempted to drive him to the hospital. He crashed his car and he had to go through a life-saving surgery that lasted for 12 hours before getting arrested. At that point, Gary who had made a “miraculous fucking recovery”, as Andy puts it, had abandoned him on the scene of the crash. After these events, Andy stopped talking to Gary and also stopped drinking.
It seems that “the accident”, as it’s referred as in the movie, drove them amm apart. We at least know they were still talking to each other in ’92, two years after they left school, because that’s when they decided to stop calling him “Fearless Leader”.
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So they probably kept hanging out until the accident. Gary was certainly the glue sticking the group together but finally took it too far.
Now, when talking about Andy, Gary says this: 
“And Andy. Andy was my wingman. The one guy I could rely on to back me up. He loved me, and I’m not being funny, but I loved him.”
Why would he be funny by saying that? Because admitting he loves his friend makes him less of a badass? No, he really liked his friends. But he loved Andy so much.
And I’m not talking as a shipper or anything. I’m really not. Actually, I’ve never shipped Gary with anyone if I have to be honest. Like Sam says, he’s not boyfriend material. I’m talking about platonic friendship. A very strong friendship that still existed despite “the accident”. That’s why Andrew keeps following Gary until they arrived at The World’s End, because he still cares, and he can’t watch him destroying himself like that. That’s why they all went back. Because in a way, they cared. They kept complaining but seeing everyone wasn’t that bad. They did laugh together, even with Gary, despite being pissed at him. They also weren’t expecting much of him, they know him:
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But Gary’s relationship with Andy is special.
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Andy is kind of the one who made everyone come back. They clearly didn’t go back for Gary. They went because of Gary, but each of them has asked if Andy would be there first. Probably because Andy’s presence would mean that if he could get past Gary’s mistakes, then maybe they could and should give it a try. And Andy went back with the hope that maybe Gary has changed, even just a little bit. When they are sitting outside while Gary’s playing Need for Speed (for someone who hasn’t seen it, this might sound like a weird as fuck movie), he says this:
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Well, of course, he then learned he got money from the other three and gets mad, but you know. He did hope for a split second that he wasn’t exactly the same and that maybe, it was really because of what he told him in his office that Gary wanted to do that again. That’s also why he cuts him some slack at the beginning)
Speaking of the dialogue in his office! Remember I said I would come back to that scene at some point? Well, here we are. Yes, you might have forgotten because this post is very long and I ramble but if you’re still with me, well… it’s not almost the end but we’re getting there.  Anyway! So, Gary lies about his mom dying and that’s the following conversation:
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Again, maybe I’m reaching, but he seems so honest that I wouldn’t be surprised if he was actually using his mom’s death as a metaphor for his own suicide attempt. It got him thinking about the old days. He never really stopped thinking about them. He still has The Beast, he still has the tape Steve made him and that he was still always listening to, but these last months were probably extremely rough for him and got him really thinking about all of this in a more depressing way than he ever did. His life had been going downhill since he got out of school, but he finally hit rock bottom really hard.
He says his mother has always really liked Andy, but he might as well be speaking about his own feelings. He even says that he likes the guys, but that Andy was the best friend he’s ever had (and probably the only one he ever felt this way for.)
He has a weird behavior around Andy. He’s always acting so confident, but throughout the movie, he keeps seeking some kind of reassurance from Andy. Either because he wants his approval but also because he wants to prove himself right, or because he wants to believe everything is fine between them.
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He has a really hard time expressing his true feelings, probably because he’s used to hiding them all the time. Every time he does express them, we can see how miserable he is and why Simon calls him “a walking tragedy”.
This leads me to the three most powerful dialogues in this movie, I think. I mean, in my opinion, they are the most telling about Gary’s truth, even though the movie is sprinkled with hints on what’s going on, like with this very obvious line:
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We clearly know that it was something that was told directly to him, we know where, despite him acting like it’s just some trivia.
So the first dialogue I have in mind is the one with Sam. Sorry, loads of gifs are coming your way:
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I feel like for the first time in the movie, he’s kinf of done with his own behavior and he’s ready to have a serious talk and admit some important things. Like when he says Steve is better than him, because he knows he’s a fuck up but now he’s ready to admit it. And in a few lines, you see something else. No, it’s not all about that night, it never was. Life doesn’t have purpose for only one night in your life. Yes, maybe it was the happiest night that there ever was, if it even was, but it doesn’t mean shit, really. But Gary holds on to it like his life was depending on it. Well, in this scenario, it kind of is. Sam tells him that it doesn’t have to be all about that night, kind of letting him know he has the choice to leave it behind and finally move on. And she can see that he gets it. But then, if Gary can’t hold onto that night, he at least wants to keep some things from it, hence his questions about the disableds. Sam agrees, giving him at least that because either way, he’s losing against his own life. If at least he’s trying, she can let him hold onto that memory.
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It makes me think of the moment Gary tells Andy that the Golden Mile is all he’s got. There could be so much more, but Gary feels like he’s got nothing else, unlike his friends who have “everything”, like he says. That’s wy he fights for it, because it’s what’s important to him, like Andy is fighting for his marriage.
The second dialogue would be this one: 
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No, it wasn’t his fault that Andy crashed the car. He didn’t overdose on purpose, and Andy chose to drive him to the hospital while drunk and driving four times over the limit. But he did choose to flee the scene and leave Andy to die. And Andy wouldn’t be so angry and resentful if it hadn’t hurt him so much. It hurt him because he loved Gary. 
Remember, when introducing Andy, Gary himself says that Andy was the one guy he could rely on. You’d think it would be the same for Andy, but Gary betrayed him.
Before the third dialogue, I want to elaborate on this, on Gary taking responsibility, kind of? He doesn’t talk about his mistakes.
Every time someone points out one of his past mistake or how his behavior is inappropriate, he changes the subject or tries to get his way.
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He doesn’t want to face the things he’s done because he knows he can only blame himself for these situations and he already hates himself enough, he doesn’t need to be reminded of these things again and again.
And it’s also because he wouldn’t like to see his friends discover the way he really feels. Whenever his suicide attempt could get discovered or whenever he thinks about it, he quickly tries to hide the truth.
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At first, I’m pretty sure he thought that Andy knew about his attempt, because he’s so surprised when he asks to see his arm. Then, when Andy tells him what injury he wants to see, he’s in full defensive mode and changes the subject again, trying to prove he’s him thanks to his memory, and not a scar.
Andy was ready to bash his head right in if for one second he believed he was a blank, but even then, Gary won’t show his arm, because he can’t let them know he hit rock bottom.
It’s the same with Sam:
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The same old gary. Gary doesn’t like change. He hates it. He hates to see that his friends have changed and he knows that in a way, he changed as well, no matter how hard he tries to remain the same old Gary, the one that was happy.
When he learns that there are robots and that it’s not them that have changed but the town, he’s ecstatic.
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And finally, the third dialogue I was talking about:
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Getting help put Gary in emotional pain, even worse than what he already had before, because of the way he was treated. He hated it, he felt so miserable. Feeling like he’s living a lie, like nothing is what it’s supposed to be, feeling like he has absolutely no control. He doesn’t, not on life, but he could decide to do better. He just doesn’t have the courage.
Andy was already caring, way before that. And he’s always known Gary needed help. At that moment:
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Andy wants to finally put the limit. It’s true, it’s the last one. Then, Gary will have completed the Golden Mile. Then, what? That’s not the point but what would Gary have done after that? He would have no purpose and like he says, the Golden Mile is all he’s got. Still, Andy doesn’t let him have one more drink.
Back in the tenth pub, he seemed to happy that Gary was accepting to let it go, to have one last drink and put an end to the crawl. He was still hoping for change.
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I feel like this scene just shows how hard it is to overcome addictions just by yourself. He tried, when he got in the hospital, and he ended up leaving. He was really drinking his last beer, at that moment, but he couldn’t resist, once again, and had to have the other two. He really wanted to try, but the temptation was so strong.
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Andy follows him because like his marriage, Gary is important, and he fights for what’s important to him.
Maybe Andy was able to make it on his own after the accident, but Gary isn’t Andy. He knows that Gary can’t make it on his own. He was never able to. It doesn’t mean he isn’t strong. Andy knows how strong Gary is, living through his addictions for so long, seeing that he tried to kill himself. He knows he’s strong, but it doesn’t mean he can’t have some help from people who really care about him. Now, he knows that can’t happen unless you force him to. So if he has to actually physically fight Gary to stop him, he will, because he knows his friend wouldn’t be able to stop unless being actually knocked the fuck out. He could let him have the last pint of the Golden Mile, but it would mean he allows him to do what he wants one more time. He puts a stop to it because the Golden Mile doesn’t matter, Gary matters. If he has to shatter his last chance of completing the crawl, even if he’s so close he can almost feel the beer on his tongue, he will if that’s what it takes to make him come to his senses.
Besides, he knows that Gary regrets what he’s done, both in the past and that day. He doesn’t constantly mean to hurt his friends. He does it because he can’t help it, but like Sam says, he’s not a bad person.
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By the way, I often wonder what would have happened if they had forced him to show his arm when checking everyone’s scars. If Andy, Peter and Steve had discovered about his suicide attempt at that point.
Would they have understood that Gary was on a suicide mission, at that moment?
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And that it was only making it all the more exciting for him?
This is Gary King, everyone. 
Also, funnily and terribly enough, he relieved the night the same way he first lived it back in 1990. Some gifs and images as evidence:
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Which begs the question; was the first night even that great to begin with?
I think I covered everything I had in mind (not bloody quite but well). I don’t even know. It wasn’t supposed to turn out like this but I’m glad it did, I got to ramble about my favorite trilogy for hours on end so. And also... I’m pretty sure I was trying to prove something with all this but my point is: I’m in love with Simon Pegg. 
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No, ok. Again. Seriously. 
The World’s End is such an underrated movie. And Gary King is such an important character. The movie depicts human nature in the realest way, with all its flaws. And Gary King is depicting mental illness, was written by someone who went through this kind of things. The movie is very personal for both Simon and Edgar, actually. I don’t know much about Edgar, to be perfectly honest. I love his movies, he’s an genius, but I don’t know much about his personal life. I just do know this movie is important for him too. I do know that Simon has dealt with alcoholism, if I’m not mistaken he’s been sober since 2010, he knows what it’s like to battle addiction and depression.
The movie doesn’t romanticize these problems one bit. It shows how bad it can be, and how it can be perceived as by people not knowing much about these things. Remember that comment talking about the fact that the “mid-life crisis” Gary’s going through gets annoying after a while? Welp.
Could you imagine actually living in Gary King’s head for more than an hour. Unbearable. Especially since he’s aware of some of the fucked up things he’s doing and must hate himself for it. 
Yes, there’s the humor and the crazy robot stuff going on on the side, but that was my point at the beginning. That’s why the big weird entity that invaded earth isn’t the big villain of the movie.
I always say the same thing about villains. Take Thanos in the MCU for example. He’s the fucking worst and yet, his actions are justified. Careful. Not excusable, justifiable. You understand that there’s a point for him, that he firmly believes in what he’s doing, that he’s sure his actions are what’s supposed to be done to make Earth a better world, that what he does is right. Yet, because we’re rational and fucking decent, we know that’s not the way you solve problems. Here, the enemy believes it needs to replace humanity with perfect beings, to… make Earth perfect, or something. You know that it’s pointless, because like they show, only three humans in Newton Haven were spared. Earth is filled with flawed humans, you’d have to replace everyone to make it better. And yet, these actions are “justified” by a thought process. Doesn’t mean turning humans into compost is excusable. That creature’s definitely a villain, but not the main one in the movie.
The end of the world ain’t even a bad thing in the movie. On the contrary. A lot of people survived and Andy himself says things are simpler. They’re kind of back to the Dark Age and they realized that all their problems seemed very small in comparison to such events, and they’re happier.
Here, Gary is his friends’ enemy, he’s the blank leader’s enemy, and he is his own worst enemy. He hurts absolutely everyone, himself included. Because of his own addictions and depression. That’s what can really happen in real life and that’s something I really like about the movie.
And he ends up alone. He took the decision to leave but you don’t have a dumb female love interest that falls for the bad boy and make the worst decision she could by getting with him at the end so that we’d have a happy end and so would Gary. Sam’s very honest with him, she tells him how things are until he finally understands and agrees with her. He makes the right choice (“for once,” like he says) and makes her save herself and is fine with her ending up with Steve.
He’s always known the truth, but he had to accept it and he does. It’s difficult, but he does.
I don’t think Gary’s end’s a happy one. I have mixed feelings about Gary’s end because I don’t think he’s going to be satisfied on the long term and he does deserve some happiness at that point in his life. He excluded himself from everyone and is still stuck in that circle of not growing up. He’s definitely happier and he’s sober. But what is going to happen? He’s going to grow old and the blanks won’t change and then what? How is he going to feel about that? 
It’s a real ending, not a cheesy one. But at least he always has that option of coming back at some point. He did once. And he would be more welcomed, and he’d act the right way.
Like he told his teacher back in high school, all he ever wanted was to have a good time. With the four blanks, he’s traveling and having his own fun, he does what he wants, he has the freedom he always wanted to have, he kind of found his path. That’s all he ever wanted, he just found a new way to do so. At least, he’s got that, and he knows his friends have what they want as well. Earth is destroyed but Steven is with the love of his life, and Andy got back together with his wife and lives happily. 
Well. I think that’s about all I wanted to say. I hope. That was long enough. I just hope you guys are still reading, and that you “enjoyed” this thing that took me forever to write. I’d love your opinion. I’d love it if it made other people watch the movie or enjoy it more than they did at first. I just love this movie so much. And I just love Gary King so much. 
I rest my case. Lets’ Boo-Boo.
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leta-the-strange · 5 years
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Spoiler-free COG feelings/essay/thoughts before I see the movie. Spoiler-free because the movie isn’t out here til the end of the week but obviously, I’ve picked up info from trailers and interviews and things like that so sort of common knowledge stuff but I guess if you’ve avoided all the promos for the year I wouldn’t want to ruin it for you now so don’t read until after you’ve seen it if that’s the case (again, I only know basic info).
I have a lot of feelings that I’ve been sitting on for a while because frankly, large parts of the Fantastic Beasts and Harry Potter fandom terrify me. It’s why in my nineteen years (okay, thirteen years – I had to learn how to read) I’ve distanced myself from engaging in the fandom too much and when I do, I try and stick to as safe, neutral content as possible.
But I’m going to write a little bit a lot (my anxiety’s poppin off the charts right now) not to antagonise anyone or personally offend people just to get this pent up crap off my chest before I see the movie. 
I have Māori and Pākehā parentage. Although I am proud to be a Māori girl and I’m definitely not white-passing, I do acknowledge that out of my family, I was born with the lightest skin and being a lighter-skinned/mixed poc among my family and friends has made me recognise my privilege. That isn’t to say I haven’t experienced lifelong struggles with racism, bullying and discrimination but I will never experience the same micro-aggressions and experiences that they have. Although, I do have light-skinned privileges and I don’t ever want to take away the struggles of my family that I won’t experience on the same level, growing up looking a little different opened me up a lot of feelings of invalidation within my own culture. When I experienced racism as a child, I was also met with disdain for being upset about it when I wanted to talk about it. This was when I was a child and I didn’t understand lighter skinned privilege or the animosity from some of my own people. I am far more educated now, but during that confusing time I, like most children, turned to literature (which in turn is what helped me make sense of the world).
I’ve gotten a little off track – this isn’t overly important to what I’m writing about, but it is introducing my opinion as coming from a woman of colour who has experienced racism and horrible bullying, but I always feel the need to clarify my position as a lighter skinned poc before giving my opinion based on those experiences.
Obviously from my content, I love Leta Lestrange. Perhaps it started out as a matter of representation, but I feel like over the past year, I have become intrigued with her for a number of reasons. She’s striking me as a Sirius, Regulus and Andromeda Black type character. Different to her family and caught in a struggle of light and dark (magic, not skin colour). Loves magical creatures. I haven’t seen it yet but it seems like she is one of the centre point characters of the film. She seems to be connected to many of the main characters in one way or another and has always striked me as the most intriguing.
I really do hope I am wrong but the ‘other’ love interest’s in the Harry Potter universe are usually treated terribly. They experience character assassination to further the development of the canon/new interest.
I really hope this film doesn’t do the whole blow out a woc character to make the white, self-insert, classically beautiful, ‘im not like other girls’ character shine brighter.
Before everyone comes for me, I wouldn’t say I’m a Tina ‘anti’ whatever that is. There’s no like extreme hatred at all! I would say I don’t like Tina as a character, or Queenie for that matter. Not yet anyway. The new trailer gives me hope that this movie might win me over finally. It doesn’t need to be upsetting or offensive to anyone. There are lots of people out there with favourite and not-so-favourite characters. A lot of people dislike Ron, Dumbledore, Snape, even Harry…and there are people who have those characters as their favourite.  
There are a lot of reasons I don’t like Tina and Queenie. I may address them in a different post if being vague upsets people more than going in-depth but at this point, I am trying to stay as unconfrontational as possible but I have seen people get extremely furious when they don’t deem your reason for disliking them to be ‘good enough’ so if not saying exactly what I find uncomfortable about them is not as preferable as telling people then I can write it up as respectfully as possible if I’m treated the same way. All I’ll say is that I think Tina is a good person, but, in my opinion, not a great character. Queenie is the opposite. I would not like Queenie as a person but I have to admit, she’s a good character. But I’ll hold the rest of my opinions until after the second film. 
Honestly, the film adaptions leave some of my favourite book characters to be desired. Maybe if FB was a novel, I’d like Tina but I really dislike her in the movies. I have seen people blow up when this is said. I try to understand the outrage. I think one of the reasons I dislike Tina is one of the reasons why people love her. She is, at this point and in my opinion (which is ONLY an opinion), a self-insert character. Any Newt x Reader fanfiction can easily read as a Newtina fanfiction and vice versa. I know. Because I’m a FB fanfiction writer myself and tried to write her. Sometimes when you attach yourself to a character so much, it can feel personally offensive when someone says something as harmless such as they don’t like then. I don’t experience this as often. Every Reader/OC fanfiction is, perhaps unintentionally, but nearly always aimed at a white person in description. In actuality, nearly every character in literature is, intentionally or not, described with textbook white features or assumed white by the fandom/readers/watchers.
I know people are going to hate this opinion because I’ve seen people jump down other people’s throats when this gets brought up. I do believe, whether it is conscious or not, Leta not being white COULD, subconsciously, be a factor as to why she is so inherently hated. I’ve seen more hate for Leta than any other character – even the antagonist! I hate what they did to Lavender Brown, book and movie wise, but even she, being as over exaggeratedly unlikable as a romantic plot device, received and still receives far less fandom hate than Cho Chang (who was also eventually written to be ‘jealous, hysterical, unlikeable’, etc, etc – I don’t agree btw I love, understand and appreciate Cho and Lavender)  who was smart, talented, kind, traumatised, and until it was no longer convenient to the main characters romance for her to be ‘likeable’ anymore.
I wish I could enjoy going through the Leta tag but often, her and Newt can’t even be in a scene or photo together and people lose their minds with anger and hate. Literally, the comments on any scene/photo they are in are all along the lines of ‘stay away from newt!/poor tina/urgh, don’t flirt leta/leta WHAT ARE YOU DOING?’. Sorry, to break it to you guys but it isn’t a love triangle. It’s a love conga line. The only person getting in the way of ‘Newtina’ is Newt. Instagram is even worse. By worse, I mean horrible beyond belief. The better comments are the ones are the ones merely (though still grossly) comparing her to Tina and how much they dislike her, the other ones are wishes that she’ll get killed or join Grindelwald. It’s literally not even hidden the fact they wish either of these things happen so Newtina can happen faster. I’m not a Newtina shipper at all (Yet. Again, this might change if the films improve) but this would be one of the worst ways to further your ship. That is literally not going to change the fact that Newt’s still in love with her (you can have feelings for two people at the same time. The filmmakers confirmed - in fact, one of the first things about the new movie that they confirmed - that Newt is ‘absolutely still in love with her’), it just makes her conveniently unattainable. I do have a feeling that Leta might die and if it happens, it better not be because she’s unwillingly in the way of a ‘love triangle’ that people have forced these three characters into. If Newtina is going to happen in a way that isn’t awful, rushed and horrible, it will be slow-burn and it’s in own time AFTER Newt has healed and properly fixed things with Leta. You can’t be best friends and in love with someone for 15+ years and fall out of love with them immediately after they die, turn bad and settle for a woman you met for like two days and collectively spent maybe ten hours with. It might be a Ron/Hermione situation where it’s slow and eventual. That’s the only way I could possibly get on board and I think it could be done tastefully if they don’t resort to lazy writing. I do have my fingers crossed I’ll start to like the Goldsteins before this happens and I can enjoy it as much as everyone else does.
To be honest, after seeing the trailers, I see only two endings for Leta (and I hate them BOTH):
She joins Grindelwald: If this is the plot twist, it’s the shittiest plot twist ever. Pretty much 90% of the fans since seeing the first film have assumed/liked to believe she’s pure evil. Probably the characters themselves all assume she’s evil from her last name. I was worried the whole ‘haha, I was on Grindelwald’s side all along!’ situation was going to happen. We know JK hates Slytherins. My ‘Leta joins Grindelwald’ theory would be that she has always been on the good side – or trying to be – and after YEARS of oppression and discrimination and being distrusted by maybe the central characters in this film no matter how hard she tries AND maybe finally realising that Newt isn’t going to ever forgive her she just snaps and goes all ‘f*ck you guys then’ (I wouldn’t blame her tbh). HOWEVER, I doubt this. In a trailer, you literally see Leta THROW a fucking spell STANDING BY HERSELF (what u doin bby?) at Grindelwald. Trust me, if this was Tina it would have been all everyone was talking about but of course the fandom was all ‘yeah, see, she’s in the same frame as Grindelwald SHE’S EVIL’. One of the trailers is literally titled Leta vs. Grindelwald. Everything in the trailers/promos points to Queenie joining Grindelwald but *shrugs, I guess*.
Leta dies: I get this may seem the preferable way to appease the Leta haters and the Leta lovers especially if she dies after redeeming herself or heroically or whatever but urgh, no. I know everyone’s like ‘DoNt MAKe ThIS AbOUT RaCe’ when the woc character inevitably is killed but I’m sorry. To have been able to sit in a theatre as a little girl and see Leta Lestrange in the wizarding world would have blown my tiny mind. Honestly, as an older teen seeing Zoe Kravitz in that little photo frame in Newt’s case in the first film was iconic enough for me. After growing up being made to believe I was ‘unattractive’ because of how I looked, seeing total dreamboats like Callum Turner and Eddie Redmayne’s characters being all heart-eyes over Leta is, like...wow!  And I do have an uncomfortable truth for people who want Leta to die. That would possibly be the WORST thing to happen for the Newtina thing (would pretty much be the last nail in the coffin for me ever coming around to it). I’ve seen it happen in my family when someone you love dies. Your feelings for them essentially FREEZE. You can’t fall out of love with someone who is dead. That’s of course not to say that you don’t love again and just as much as the first time. But it takes time (LOTS of it) and there’s a little part of your heart that’s like…permanently sealed off. I don’t even like Newtina yet and I’m hoping for the sake of the Newtina fans that Leta doesn’t die because freakin’ yikes. Just let them heal and connect and be besties again goddammit, its POSSIBLE (and bet your ass I’ll write it my god damn self to prove it if they don’t). 
I know these are highly unpopular opinions and I HOPE that I am wrong, and they do her character justice and don’t discard her via death or the dark side.
In summary, I suppose my biggest struggle with Leta’s character is definitely the overwhelming fandom hate which I still can’t quite comprehend. I really want to believe it isn’t a race thing. Though, I have seen horrible posts about Leta, mean comments on nearly every Leta promo, Zoe Kravitz literally being called a c*nt in the comments of a Leta post on tumblr, a lot of fanfictions having her be primarily evil, selfish, manipulative, in some a rapist even, ugly, cruel, etc. But honestly, she’s literally not interfering in Newt having a relationship with anyone at all??? She’s literally been villainised because her friend can’t get over her (getting Snily nostalgia). But buggered if I’ve been able to find next to anything of that calibre about Jacob’s fiancée (literally a Queenie doppelganger) who left him, like, the day he met Queenie. I get that it was a deleted scene for those non-hardcore fans, but Leta-hate was literally kicked off by a picture in a photo frame and a comment made by a, in my opinion, kind of not-nearly-as-infallible-as-people-think character that barely knows Newt breaking into his head non-consensually (after being repeatedly told not to) who had an agenda to hook him up with her sister. Sooo…*shrugs*.
Even I personally have tried to keep out of the fandom debates, but I wrote a Leta and Newt story (still ongoing) that I stopped for a while because the kind of disgusting comments I was receiving about people hating the pairing. Which, I get. You don’t like a pairing, that’s cool? Why are you going and seeking out a piece about them and then taking the time to leave a comment? Whenever I start to read a story about Leta being this horrific monster of a person and being torn apart and compared and occasionally borderline racist, I just…click out? I know it’s only a small patch of weeds in what is likely a garden of roses, but I have never come across such an insecure fandom for a literal canon ship. If the relationship was that pure and strong, you wouldn’t feel the need to kill or villainise the (non-existent) ‘threat’. I just hope the writers feel the same way. You can write healthy closures and strong women of colour characters without casting them aside for plot development/man pain/stereotypical Caucasian romance/plot device, etc... I’m going to go into the theatre at the end of the week slightly optimistic to be fair but I’m also fully expecting to be disappointed but honestly, Leta could avada kedavra every character and she’s still going to be my favourite, I don’t make the rules. 
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onceuponamirror · 7 years
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riverdale S2 tag game
got tagged by @raptorlily​ (thank you!!!) and y’all i’m so sorry because this is gonna be another one of my eight year long essays 
but i don’t always talk about riverdale, even though i’ve got thoughts coming out my ears---and so it builds up and then, well, this happens 
rules: answer the questions and tag seven people!
a character/characters you hope gets more screen time: 
the facts were these: kevin keller
but---really, i want a lot more kevin. that kid is so funny and so dry but also like i want him to see him be more than a comedic relief! like he’s pretty blindly moralistic and judgmental in a way that’s gonna have him coming down on a different side than betty or jughead, and i see him butting heads with his best friends and i am super excited to see how that plays out. 
i also am excited to see more of reggie! i’ve said before that reggie just felt like a character that showed up to be an antagonist whenever cheryl was in a good mood and that bugged me. i realize now that some of that was the filming schedule for the previous actor but like---still, c’mon, there has to be more nuance to this guy.
also also, probably an unpopular opinion but: archie, in some ways. i felt like the show really dropped the ball on archie. there was so much potential. like i was really excited for his narrative to explore the downfall of golden boys (especially as someone being thrust into the mantle of jason blossom), social expectation and grooming in small town hierarchies. 
not to mention completely flat-out ignoring the fact that this kid was raped by a repeat sexual predator who was established as having cut him off from his relationships, fucking with his head, manipulating his self worth, etc like??? i’m still waiting for that to come up bitch  
instead archie has just felt so lackluster and goofy high school musical, which sucks, because there was just a lot of potential there. anyway we’ll see where it goes from hereon out 
character you’ll miss: i mean i wish we’d seen more of joaquin, who ostensibily did nothing but stare into a corner and think about how utterly fucked he was and then make out with kevin a bit
but building off my earlier point about grundy, she should be on trial and i wish she wasn’t just welp, viva las vegas! and out the door without any consequences 
though i wouldn’t really classify this as “missing her” lmao 
one death you would like to see: i hate deaths on tv, generally. most of the time it’s just a cheap attempt to shake up the other characters for 3 episodes (i’m definitely not talking about robin from ouat what do you mean) 
but a death can also be a good catalyst for radical character development, so it all depends on how it would go down 
then again i mean i hate hal cooper and how he pulled his whole family into his shakespearean melodrama and the resulting gaslight bullshit he pulled so like i wouldn’t sweat over his death 
one death you would hate to see: i’d write a very angry but also very polite MLA format letter to the writers if betty cooper died
a storyline you like: i loooove when riverdale dips its toe into classism. i’ve said this so many times so i apologize, but the show really reaches an important level when it touches upon privilege and class. 
i’ve seen this floated around as a “civil war” in the press junkets and i think that’s a good way to generate buzz but also heavily simplifies what i hope to see; which is the desire that the show continues to present things as gray zones. 
for example, i’ve seen a lot of romanticization for the serpents and that’s really interesting. we’re definitely made to empathize with them and that’s important but also gang inductions and gang life is driven by class warfare; people are left disenfranchised by their local infrastructure and have to turn to each other for help, but it also is usually a deeply destructive cycle.
the parents get wrapped up in gang life, the children are neglected, the rest of the gang swoops in and takes care of them, then inducts them, and so on. it’s a really complicated narrative that has a lot of real world grittiness and i hope to see it handled right!
similarly, i think that an honest dive into the drug epidemic sweeping across america, particularly rural/small towns/suburbs would be really fitting on riverdale. i mean they already showed a very graphic overdose death and the show ended with a reveal that a character was moving major quantities of hard drugs, so....i know it’s a teen show on the cw that i’ve convinced myself is being written by the showrunners of true detective.....but, i mean, you never know
a storyline you don’t: i mean can i just take a moment to be upset that veronica took cheryl to her house to warm in front of the fire, fresh off a suicide attempt, and then left the damn girl alone to go to a dance?????????? that really upset me and if you thought i wasn’t still thinking about it we haven’t met properly
i also deeply disliked the show’s portrayal of chuck clayton. i get that they needed a villain but like did it have to be the sweet, artistic black character who was created at a time of limited positive representation? anyway, here’s an article that speaks to it better than i could: [x]
a pairing you hope to see more of: i mean mostly just bughead lbr 
but i’m also very excited for cheryl’s upcoming relationship, who i expect will be with the new character toni! i also feel like i haven’t been sold on varchie beyond a basic appreciation for some cute moments so i’m looking forward to seeing them more
something you would like to happen: a solid discussion about mental health issues and how they manifest. i want to see a deeper exploration into the kind of trauma jughead has gone through (i loved when he talked about why he didn’t like his birthday), for example. i also see cheryl as a bipolar character (an illness very close to my family and which i see a lot in her) and i’d like to see that hopefully touched upon. 
mostly though, i want a more nuanced approach to betty’s obvious mental health issues. i’ve seen a lot of people chalking it up to sort an “evil alter ego” type thing, as if she’s jean gray or something, but in reality, dissociative personality disorders are rare and very complex. and not really something i trust in the hands of the cw, nor something i see in betty. 
i see her as having pretty intense anxiety disorders and as someone with those, i would love to see that treated not as a stigma, but as something that one lives with and accepts and works through. 
on that line, i also want to see more of betty’s somewhat black and white perspective on justice competing with jughead’s moral apathy/grayness and how that creates a tension that will ultimately lead to a better understanding of one another and life. 
also: i know, i know, jesus christ sarah please relax 
I tag:
listen to be honest tagging people fills me with a weird type of social anxiety that i’ve otherwise mostly moved past so i like can’t tag people without it stressing me out! but if you want to do this, i will cover for you, i have tagged you
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i'm interested in academic papers about anime! and not at all surprised that they exist, lol. can you recommend any?
My undergrad thesis is on cyborgs (not just in anime, but certainly referencing it reasonably often) so I have tons of references for academic anime papers, though all of them skew towards being about robots/robot women/sci-fi. I do have some divergent essays because I am, at the end of the day, a big fucking geek. Also! This is long! Sorry!! I’ll put the second half under a cut. 
My biggest rec for any academic work about anime is the journal ‘Mechademia’ put out by the University of Minnesota. There is about 10 volumes as of right now, and there are some really interesting essays on a pretty wide variety of subjects. Not everything about it is perfect (literally their current CFP subject is ‘queering’ and while that seems like it could be fine the description makes me….nervous. Also, some of the writing is kind of bad), but its convenience has made it my best research friend in the past few weeks. All the current journals are available on project MUSE. Some of the papers I’ve enjoyed so far are: 
My Father, He Killed Me; My Mother, She Ate Me: Self, Desire, Engendering, and the Mother in Neon Genesis Evangelion by Mariana Ortega (this is the one I was talking about in my tag! Fully not the last word in nge critique but an interesting perspective. Also, I love the title a lot.)
Topologies of Identity in Serial Experiments Lain by Craig Jackson 
Emotional Inefectivity: Cyborg Affect and the Limits of the Human by Sharalyn Orbaugh 
An Unholy Alliance of Eisenstein and Disney: The Fascist Origins of Otaku Culture by Ōtsuka Eiji (Not completely finished with this yet but so far…wow) 
The Girl at the End of Time: Temporality, (P)remediation, and Narrative Freedom in Puella Magi Madoka Magica by Forrest Greenwood (this paper argues for the use of ‘game time’ elements in Madoka, which is not something i’ve ever seen argued before. Not sure how convinced I am, but I still think its worth a read) 
These are the ones that I found particularly noteworthy, whether that be for the strength of their writing or that I thought their perspective was unique. Also, as a rule, I don’t agree with like…every single thing in all of these papers. Some of them I’m not even done with, or have significant criticisms of. I do think they’re worth reading, but i’m not like…officially endorsing every single word. 
Outside of like frantic searching on google scholar, one of my favourite ways to find more papers is to mine the sources of the ones I already like. If any of the articles in Mechademia interest you, I would take a look at their works cited and make your way through the ones that sound fun.  
More recs under the cut! 
Outside of Mechademia, I like these articles as well: 
Stylistic Crossings: Cyberpunk Impulses in Anime by Jane Chi Hyun Park
 https://womenwriteaboutcomics.com/2014/07/ghost-in-the-shell-the-majors-body-1/ (this is actually a series of blog posts! I don’t always love the writing here, but I can’t fault the careful, thorough analysis)
Bodies of future memories: the Japanese Body in Science Fiction Anime by Dolores Martinez
The ethics of Sekai-kei by Christopher Howard (this is from volume 7, issue 3 of the Science Fiction film and Television journal which was the ‘anime issue’. Haven’t investigated it too far beyond this paper and one on Tokyo Cyberpunk but might be worth checking into!)
Actually, while i’m on the topic, Tokyo Cyberpunk by Steven Brown is an great book on SF anime. 
Robot Ghosts and Wired Dreams is a book of collected essays, excerpts of which I have found incredibly useful (because I dont have the full book yet :/ ). Specifically, When the Machine Stops by Susan Napier is a really wonderful analysis of Lain and NGE. I’ve been reading through it today and like it a lot so far! 
Prince Charming by Day, Superheroine by Night? Subversive Sexualities and Gender Fluidity in Revolutionary Girl Utena and Sailor Moon by Catherine EBailey (I came across this one for a conference I spoke at like 2~ years ago so I can’t recall everything about it anymore. I remember liking it then though!)  
Magic, Shōjo, and Metamorphosis: Magical Girl Anime and the Challenges of Changing Gender Identities in Japanese Society by Kumiko Saito (also for a paper I did a while ago, but I still like this one.) 
I could go on but this is already kind of obnoxious! I will also probably mess with this over the next few days and add stuff because I’m constantly doing research lately and love sharing interesting reading!
As a final note, I will say that a lot of these papers are available to me only bc i’m at a university and get a subscription to a lot of databases. It may be more difficult for you to access these kind of works if you don’t have that, but I’m certain that there are ways to get around these kind of things. Also, if you are really really curious and can’t find a rip or anything anywhere, I know so many writers will just send you their papers if you email them. And i’m aware that sounds horrifying but like… if theyre writing academic papers about anime I’m pretty fucking certain they aren’t too intimidating. 
Thank you for this question!! I had waaaaY too much fun doing this. 
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s-hadow-chan · 6 years
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Moving blogs + a reflection essay
tl;dr -- I’m moving my main blog. Because lots of my views on life have changed, my life has changed, and obviously my tastes in fandoms have changed. I’ll put the URL here later once I’ve made it. To see how I got to this position and where I am now, keep reading ^w^
Note: This is just my own opinion as to how I’ve seen Tumblr over the past few years. 
Well, it’s the start of a New Year. I haven’t been active much in 2017 but I’ll try and be active this year. Thanks to all the people who’ve helped and supported me this year and the following people who have made my life on Tumblr : *a list of people I rarely talk to anymore*
....Is what I would have said perhaps a year or two ago. I’m still glad I’ve joined this site and had conversations with some KnB fanatics like I was. However, I haven’t talked to them in a year. The only people I usually talk to on this site are basically nonexistent. I mean my friends from high school technically, but I talk to them irl during classes and lunch. The truth is that I have not been active on Tumblr for the past year. And my activity on the site was starting to wane in 2016 as well when I accidentally deleted my main blog last year when I was actually trying to delete a side blog I was working on. But that’s besides the fact as to why I’m moving. I’ve changed quite a bit since 2014 when I first joined Tumblr. My views of the world have changed, my life has changed, even the tiniest things such as my fandom tastes have changed. Because of this change, I’m moving to a new blog. Since you’ve decided to keep reading, I’m going to write a long detailed essay about the three things that have changed with me: my taste, my views on the world, and my life in 2014. You have the complete freedom to click out anytime ^w^
The fourteen-year-old me has a different shit taste in anime than the shit taste I have in anime now. Obviously, no one person can stay the same. If you’ve reblogged the little posts I’ve reblogged from other blogs (try saying that five times lol) notice how there’s barely any Hetalia or Kuroko no Basket or Haikyuu for that matter. Even when I’ve been active for the past few days, it’s been more positive posts, memes, and occasional anime of Hero Aca and such. So really if you want to know what I’m into at the moment, it’s Honeyworks, Hero Aca, Shigatsu wa Kimi no Uso (Your Lie in April), food, study things, any Makoto Shinkai film (doesn’t have to be Your Name but it can be) and always memes. And getting off from the high of finishing Yamada-kun and the Seven Witches, I’ll be looking for that too. Also, notice the decline in squealing yaoi fangirl that used to squeal in the tags section about two dudes cross-dressing. Ah, yes. The Hetalia days of where I’d ship APH America with everyone and just had a huge obsession with APH America. The title of my blog (on mobile anyway) is still a quote from the dub haha.  To be fair, that squealing, yaoi fangirl did have a brief revival when Yuri on Ice was still airing. I still have a soft spot for the anime as it was very good (and still is, Phichit will forever be an angel) and I absolutely LOVE Makkachin still. But for the most part, I have mostly lost the whole yaoi fangirl that I once was in Freshman year of high school who still loved shipping countries together. Why I deviated from Hetalia is another post unto itself.
I mentioned how I haven’t been posting a lot of kurobas lately. Yes my interest has waned in the show, but I still appreciate what it’s done for me in my high school years. I still have a quote from Aida Riko back in the earlier chapters of the manga hanging on my wall as I work on homework: “I want you to have a big concrete objective and the will to achieve it.” I won’t deny, KnB really helped me set the mentality I needed to tackle high school -- to keep pushing myself to become a better person. Whether I fulfilled that expectation or not is debatable. But as always, the inspirational quotes of KnB will undoubtedly carry me onto college too.
Now don’t get triggered when I say that Tumblr can really take leftist ideology to the extreme. It’s definitely right to treat everybody equally no matter their skin color, gender, sexuality, shape, size, disability, etc. Basically, everyone deserves to be treated equally. That’d definitely fine and it’s the right way to live life after all. However, it first hit me in Junior year that Tumblr was getting annoying. The whole “the straights are terrible” and “white men should burn in hell” preaching gave Tumblr the black and white views of the world without any grays (or greys however you spell it) in between. Now I’m a straight CIS female. I’ve got good friends who are asexual, bi, lesbian, etc. I will say this, but I doubt it will be heard by the screams of hate against a straight CIS gender like myself: I DON’T CARE WHAT YOUR DAMN SEXUALITY OR GENDER OR COLOR OR WHATEVER IS AS LONG AS YOU ARE A NICE PERSON! If you are a trans, gay Hispanic (an example, not pointing you out) who treats other people terribly, that means I will flip you off and beat your ass (to some extent of this statement). Not all straight people are bad and not all gays are good and it goes for every demographic that exists ever.
Though it may seem that I am blaming all of Tumblr for acting this way, I am. But I can’t forget that I too, once had a black and white view of the world. As a fourteen-year-old who was very much shielded from the world because of a private Catholic school with conservative parents who are very well off, I had an inkling of what the rest of the world was like. And I feel like the people on Tumblr were just as uneducated about the world as I was. By no means do I know everything about the world now. A seventeen-year-old who hasn’t even finished high school will never know how the me from four years from now feels. I am just saying that my opinion from leaning so far left a damn tree would break has become more moderate. This website made me think: gosh being straight and CIS is uncool and being a normal functional being with no anxiety or depression isn’t normal too. I need to be bi and genderfluid! That was stupid thinking. Right now, I’m completely fine with being a straight, CIS female with no mental illnesses such as depression or anxiety who will gladly respect your pronouns.
Now life is really crazy. It was crazy in 2016, and it was crazy in 2017 too. I don’t think I’ve ever mentioned that I’m from Las Vegas, Nevada now did I? Times have changed man. I don’t think I would have said that when I was 10 on a website lol. But yeah if you’ve somehow been scrolling this far down I commend your efforts. And I’m sure you’re getting really strained rn. So get some water, take a break, I’m sorry if you can’t get to a laptop or computer right now. Don’t read this in one go. If you’ve returned or decided to read straight on through welcome back or good for you respectively. Now I’ll repeat that again. Yes, I live in Las Vegas, Nevada. Right where Stephen Paddock decided to shoot from the 37th floor of Mandalay Bay onto the Route 91 Harvest Festival where over 500 people were wounded and 50 people were killed and where three students from my school were at on Sunday night (they were unharmed physically I believe). I found this out when I was tucked in bed at home, far from the strip checking my friend’s snapchats before I fell asleep. For the largest mass shooting in modern US history to take place in an area where my family would take our extended family to dinner or where we once had a New Years Eve celebration at the Vdara, is sickening. My cousins and I used to go to Mandalay Bay and hang out at the pool and stay the night because it was Spring break back when we were in middle school. My mom’s 40th birthday was at the Mandalay Bay. It’s terrible. I know how those people in Orlando and Colorado and everywhere else in the world feel when a mass shooting happens and completely disrupts your life. I’ve barely even been to the strip this year. The fact that a terror attack happened in my own backyard is beyond words. It makes me angry that some bastard decided to fuck up the lives of everyone in my city by ruining a good time at a concert. It makes me sad when I read a Washington Post later about a group of girls who went to a Lutheran school were affected by this event mentally and some even physically by this event. And that in turns makes me pissed off that some dude ruined the lives of teenage girls exactly like me, who were worried about the SAT and ACT and AP Classes and college. Fuck him.
So that’s my feelings on the shooting a few months late. But remember that I live in Las Vegas. You can’t just forget a mass shooting that happened in the city you live in. I’d mention how people would disagree with me that other events on the strip have happened such as a robbing at the Bellagio (it’s always the Bellagio man! That’s my fave part of the strip with the dancing waters and the seasonal garden inside like man they don’t deserve that) and etc. but feel free to disagree with me when you submit an ask dear anon.
Now on a somewhat lighter note, high school will forever be stressful. Going to the best high school in the state is stressful when all your friends have a nonstop grind to be one of the valedictorians (apparently you can have more than one?? I had no idea until I went to high school). Though I am nowhere near becoming a valedictorian, I still have plans to graduate with high honors ( wearing white for graduation) because half of the people graduating will wear white because it’s a magnet school dammit we’re kinda smart. AP classes have been part of my workload since Sophomore year which is right when I deleted my blog, but I managed to keep my activity up somewhat. Junior year slumped in my activity big time. APUSH is hard you guys. That’s it. I believe I posted a reflection at the start of 2017 detailing a bit more of this. But the difference this year is that I’m a senior in high school. That means college and scholarships. As I’ve mentioned before, I live in Nevada. I either stay in Las Vegas and attend the university there or I head up to Reno, which is like a 6-hour drive from home or just an hour flight. That means living in a dorm away from everything I’ve known. And that includes my boyfriend.
The biggest change in my life between Freshman year and now is that I’m taken! And honestly, it was the biggest fucking plot twist of 2016 (and the largest failed segway of 2018 thus far). I’m dating the largest weeb at my school ever and I’m happy dammit. Most of the time. I’ve learned a lot from being in a relationship like how to shut the fuck up and listen and appreciate more in life. By no means was my relationship perfect either. We’ve had a lot of fights. I’ve mentioned this in my reflection of 2016 at the start of last year so the rundown is that we’ve been together a year and a half now. I’m in a healthy relationship. Then college comes in and says hi. Now my boyfriend has decided to go to the university here in Las Vegas. I’m still very unsure as to where I want to go next. After all, the decision as to where to continue my education lies with me and I’m running out of time (I’m procrastinating on the decision right now lol). Four years ago, I had dreams of going out of state to either a UC school or the United States Airforce Academy in Colorado, until I learned that school outside of my state is expensive so I decided to stay within the confines of Nevada. 
And honestly, that’s where I’m at right now. Thanks for reading this long ass rant. I spent an hour or two typing this up. I just have a lot of feelings haha. I hope everyone has the best year ever. If this is after I’ve posted my new URL, go follow me there. But for now, thanks for all the support thus far and especially for reading this long ass rant. See you!
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