when you finally have time to write but you're too tired 🥲

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

It's truly so funny letting Astarion drink your blood when you aren't romancing him and absolutely do not want to. Like I'm so sorry man I know you're really laying it on thick with the "sweet thing" and "darling" and lascivious innuendos but I'm literally just being a bro. I don't mind you drinking my blood because I care about you, as a homie tho. Sorry.

“Take my hand” pages 5-11

1 - day 2 - truth - 3

It's wild how many people took Kristen's line of questioning as her saying Tracker isn't taking her religion seriously instead of what I heard her asking which was:

How many of these people would be here if it wasn't religious Coachella?

The ringmaster and the amphitheater. The chessboard and the player. Round and round they go.

a few days ago my brain demanded i draw polywitchlight RIGHT NOW and who am i to refuse

original and closeups under the cut

original/template is from “Go For It Nakamura!” by Syundei which i have not read actually

+ closeups; feel free to use as icons with credit smile

Accidently cooked up a silly little au the other day that I am very much enjoying gonna. talk about it under the cut because4 the FUCKING WORMS

OKAY so basically. literally everythign is the same except for the fact that. Ed got entirely yoinked instead of Alphonse. I dunno why that happens but. It does because I say so. Anyways. So this basically mean that Ed gets bonded to an armor instead of Al, and because I desperately wanted the secondary set of Armor to see some light I thought it would be funny to bond Ed to that instead. I haven't fleshed everything out, but as I'm working on that I wanna add a few of the different things in here just because. And I still might tweak things if I think it doesn't make sense. - Al lost his arm first, then traded his tongue and his eye to bond Ed to the armor, making him effectively mute. He's learned ASL and Ed has to translate for him a lot. Although in my hcs Al is a foodie so like. major bummer for taste buds. He likes fun textures and stuff though. I gotta figure out what problems this poses though so we'll figure that out. - Al most likely is going to go into being a state alchemist just for the fact of staying somewhat close to the storyline and stuff. and I don't know, insert random reasoning in here. Yeah - just a little design note. uhmmmmm I thought the cross thing on Ed's head/helm was cool and I had the bright idea of like "hey what if I put the emblem like. through the cross yk" and I might not do that. But at the moment it looks cool to me. so yeah. I'M STILL TOYING WITH THINGS. . . I have to figure out what happens and designs and stuff. but yeah. I think that covers. what I have for now. p sick. scuttles away

the level at which people are misusing the term "Never Again" in the far left absolutely infuriates me.

"Never Again" doesn't refer to the idea of no more genocides -- unfortunately people are evil and corrupt and seek scapegoats and destruction, there were genocides in the years following the Holocaust, there were genocides 10 years ago, there are multiple genocides going on as we speak

"Never Again" means we as Jews will pay attention to the warning signs, will not mindlessly allow antisemitism to fester and take over our communities, we will fight back. it means we will be proud. it means we will not let you hate us without a word of refusal.

"Never Again" is a warning for us, it is a reminder that what happened then can happen now -- is happening now. The Far Left doesn't get to use it against us. You don't get to turn our tragedies into hate-speech and antisemitic rhetoric.

Am Yisrael Chai

what if the tomshiv baby wasn't aborted and turned out to be just like a weird cunt. this is my unadulterated vision

narcissists are too focused on themselves to realize they're being played.

click on the image for better quality cause tumblr fucked it up 🥰

Still accepting Ideas? If so, Spy asking advice on Sniper on how to tell Scout that he is his dad.

Passing as a trans man is a nuanced and complex topic, but one thing I have been noticing as somebody who is a cis-passing (white) trans man is the way I'm treated when there is conflict.

I've noticed that in conflict, people are almost meek around me, willing for me to try working with them up until a woman is involved. When a woman (or, really, anybody who the other party assumes is one) is part of the conflict, they direct all their anger and rage to them. It's fucking insane the way a woman is treated when there is conflict, even if it isn't her fucking fault. These people are fundamental cowards for seeing my manhood as the only reason they can't be openly hostile to me, but it reveals a lot about how a misogynist thinks on an almost primal level.

I'm watching the women and people around me I care about being torn apart by people, and that's unacceptable. I can't sit around to watch it, and I don't want to do that. I need other people to perhaps read this and remember to not stand by if there is something that you can tangibly do to help, even if it's to lend a listening ear or let the person vent.

CORRUPTS ABSOLUTELY.

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.