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#which is fine. of course
joplinspiderz · 9 months
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this person is just so biteable 💔💔💔
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pricklenettle · 2 months
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inspired by this post, Danny’s lost in the ghost zone and comes across pariah dark’s keep. I had to draw it and had The most fun with the spooky green ghost zone
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fishes for the homos i mean homies
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[ID: nine fish with collaged scales of different colored and patterned paper, each with glittery fins.]
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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milkybishop · 4 months
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"- but with whom can you sit in water?"
and who can hop in the bath with you to make a show of not caring about your tattoos, and how can you not find it hard to hide your disdain at the attempt.
because either this is a trap you have blindly walked into again . . . or he really does love you and could have loved you all this time. and despite all that-
you cannot turn from the path that you are on.
#fallen hero#fhr#fallen hero: retribution#fallen hero: revelations#ricardo ortega#sidestep#chargestep#dion bishop#my art#ok i did not realise the revelations demo was out so teehee i haven't played it yet#i have such a clear image of elena’s farm. refurbed a bit and lots of colour. ortega put in the bars himself hence the new plaster#and dion having an en suite and like struggling so much with being unable to just run away. and that people(especially ortega) have seen hi#pre-reveal dion is cagey but he’s definitely softer with ortega cause there was that barrier and almost dream-like curtain that#dion could go ‘i can have this much#cause anything real will never happen’. and then everything is too real. and dion is just trying to have a bath and he’s trying not to#be repulsed by his own body and markings. and the fact he can’t just escape if he needs to.#and then ortega is barging in and kinda making a show of how not-bothered he is by dion’s markings which manages to annoy dion more#i think dion is more..caustic(?) during this time. at first. because he kinda can’t accept the reality that ortega is fine with it#and it’s very self-sabotagey. that curtain is gone and so that softness is too.#but of course ortega persists and starts getting to dion proper#^these are tags are from when i posted the very first sketch of this in like september skjdghdjk#AND ALSO so sos so so happy with how this came out#shouout to my friend anonbea who gave me sooooo many helpful tips with this piece#it's very ambitious for me and i got overwhelmed once or twice but IM JUST REALLY HAPPY#hope to keep this momentum up and do more interactive + bg pieces
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calllynx · 7 days
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This was meant to be a warmup sketch but then I remembered how much I love adornment
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mcflymemes · 10 months
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i feel like people keep interchanging MAINS, EXCLUSIVES, and AFFILIATES and haphazardly using them without really recognizing what they mean, so here's a brief description of the differences.
MAINS are the primary group of roleplay blogs you interact with on a regular basis. you might choose to prioritize them in terms of replies or ask memes, or focus on their dynamics more often than you do others.
EXCLUSIVES are the only version of that character you will write with. as an example, if you add a canon superman or a princess jasmine to your exclusives, it means you will not write with or follow any duplicates of those characters.
** this can also include FACECLAIM EXCLUSIVES, where you won't follow duplicate faceclaims of your favorite blogs. weird example, but if you're writing with a blog using tom hanks as their faceclaim, you might say you're faceclaim exclusive with that blog and refuse to write with or follow any other blogs using tom hanks.
AFFILIATES are blogs with extensive ties to your blog's canon. their characters are weaved into your storyline to such a degree that you cannot separate them from one another. maybe they're your primary or single ship partner. maybe you created the characters together. maybe they're from the same piece of media and you want to establish their significant ties to your muse and their story. this is a step up from exclusives, and their url is often linked in your pinned or placed on your rules page.
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beaulesbian · 4 months
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loved this part of the onigashima raid - where zoro was carrying luffy so they could escape after luffy got attacked, and when an enemy dog tried to attack them, luffy snapped out of it and bit the dog himself
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*chomp*
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snarkspawn · 6 months
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shows up months late with another silly kenbig barbie redraw
porsche is not feeling the kenergy
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blackkatdraws · 9 months
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Love Plague AU Narrator (Black) draw in Magma.
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anglerflsh · 28 days
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wow ive been kind of off lately I should take a day to rest an[explosion]
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sonic-adventure-3 · 3 months
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re: “this is like stealing candy from a baby, which is fine by me!” of shth05; i’m obsessed with the smartasses that’re like “well shadow wasn’t literally saying he’s fine stealing from babies, he just meant that it’s fine that it’s easy” cause that’s like, true, if kind of a downer when you’re making a joke, however it completely misses the context THAT HE’S LITERALLY STEALING FROM A CHILD IN THAT SCENE. HE IS STEALING FROM TAILS. ACTIVELY. THATS TAILS’ SHIP HE’S STEALING FROM. AND SAYS “IT’S LIKE STEALING CANDY FROM A BABY”. and the best part is that depending on the route you take, HE’S DOING IT FOR A SECOND TIME. cause in circus park, the infamous DAMN fourth chaos emerald is tails’, having been dislodged from the cyclone, and if you do the neutral path shadow just takes it. if after that you then do mad matrix hero, THEN YOU STEAL AN EMERALD FROM TAILS A SECOND TIME IN THE LEADUP TO LOST IMPACT. HE STEALS FROM THAT CHILD TWICE. AND IT’S EASY AS FUCK
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tbgkaru-woh · 3 months
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hi! i was just wondering what it is specifically that you dislike about wangxian? i'm kind of intrigued, because while i get how someone could find them boring, i've never really considered anything about their dynamic (and as you mentioned in response to a previous anon, their confession scene) particularly off putting. no pressure to answer this, and this is in no way hate towards you i'm just genuinely curious <3 (i love your art by the way it's gorgeous)
Thank you for the compliment! ♥ This is gonna get ranty so I will hide it below read more as not everyone has to deal with reading this, so proceed with caution :'D
Wangxian is the weakest WWX dynamic. On god, even if I'm not fond of Yanli, they have very loving relationship where they are protective of each other and gentle with each other in a harsh world. I don't ship WWX/JC but their story and complicated love of someone you grow up with and care for deeply but clash constantly with is more interesting than anything wangxian ever had. Nie Huaisang and Wei Wuxian clicked together so naturally, they are chaotic and are similiarly not too interested in being up to rules. Jin Zixuan and WWX had a potential of going from enemies to partners in crime, to become family and have each other's backs but JZX was cut short and WWX never really cared afterwards either. WWX with the wens took time to build up but his YLLZ farmer era was one of the best WWX's in the story. Damn, even Lan Xichen who's always amused with WWX's temperament and secretly has a drink with wwx and is altogether looser with the rules while still being lawful matches with him way more than LWJ where there's... nothing. They were smashed together for convenience and we were suppossed to just go with it cause they are the two main characters. LWJ feels like he was just made so WWX has a "hot stoic top" to fuck him and the rest of the characters are actually build with the story and therefore feel more natural
Wangxian don't feel like they are in love, not in the way the fans make them out to be into some romantic picture perfect angsty deserved lovestory. LWJ's personal space is constantly disrespected, he's punished constantly for WWX's mistakes, he constantly needs to be the one to adjust to how WWX is instead of the other way around and after all that, LWJ doesn't really /know/ WWX so his attraction feels very idealized. WWX is the bad boy that goes against the rules and LWJ wishes he could be that (or with that) but it's almost a childish infatuation from their Gusu days that never evolved into something more mature. And WWX? I can't see how he'd like LWJ as anything more than in a physical sense. Even their obnoxious "Back then I wanted to sleep with you" confession scene is purely physical. He doesn't really know LWJ or respects him, LWJ is just a familiar face in a world that is against WWX and he's a hot body that likes him. LWJ is an easy score in a way, he's a safe option. And it'd be SO interesting if they went into that, but instead it's played like the only true love (dont forget, they are meant to be as the ONLY gay pairing in MDZS which I find insane when everyone else has more chemistry and in the end gets shat on so wangxian can fuck in a bush. I mean, LWJ leaves LXC to be depressed and alone after everything LXC stands for and did? Fucking ridiculous.)
It tries to "subvert" tropes but ends up being more stereotypical than anything. WWX was almost meant as this jock-y rebellious hotshot but instead we got a quirky twink, early 2000s shonen protagonist and every yaoi's Uke I've been seeing since like 2008. Are they suppossed to be different because the "stoic white-coded" one is not the bottom? Is the bar this low? If anything, this ornament top is the most usual top, let's be real, LWJ barely has personality or growth or focus, he's there to fuck WWX.
This is a petty reason but MXTX's "wangxian is the only gay couple" everyone else being implied straight as if to highlight just how real their love is that they are gay in time period where it's frowned upon, even though Yi City and 3zun combinations had more chemistry than anyone is. Annoying. And so is the "Don't ship them with anyone else and don't switch their dynamics" that fuels some of the most obnoxious people in the fandom to go after fanwork creators that do/like things differently.
All in all Wangxian is THE face of danmei, they are the most known even outside of danmei circles and they are extremely mediocry written for that. I mean, fuck, you put straight couple in their place and I guarantee no one would like it, it has the depth of a high school hormone-riddled couple who have different classes and "only" get to see each other during breaks and make out during lunch with others at the table, idk it's so fucking annoying to me when I know there were better options, when WWX had so many interesting dynamics that got shat on in favor of bland ass ship and I'm tired of having to like it/tolerate it just because it's gay.
Thank you for coming to my ted talk, this was extremely healing 🤣
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dilutedconfusion · 25 days
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I did a thing…again.
Just realized that ya’ll need to click for better quality for some reason this post looks especially bad 🤚
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booasaur · 1 year
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Willow (2022) - 1x01 - “She'll feel like I'm abandoning her when she needs me the most.”
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youchangedmedestiel · 2 months
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Something that would fix me: see on my screen Cas or Dean hug the other from behind in the bunker's kitchen, arms wrapped around the waist and head resting on the shoulder. You get it. You get the visual.
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