If larries think Louis is closeted why are they surprised/offended he “acts straight” (my bros in cheezits it’s been nearly a year since he was pictured with a lady - what are you talking about), or bitch slaps “fans” who bring up gay relationship lore? And they make it about their feelings on the matter?? Does he not have his own feelings, like maybe he doesn’t want the entire world talking about how he’s gay (neon letters- gay w/ Harry Styles - who to anyone with a brain seems not straight)?!
All the times when there is actually a simple, straightforward explanation that, u kno what, would actually align with their narrative to some degree if they weren’t so obtuse, they take the L and become crybabies. Also, maybe they should just stop being cunts to him. I kno, what a concept.
It's the "maybe they should just stop being cunts to him" for me, but yeah, so much of this! Because here's the thing, he's a real-life person, and he's living his own real life, not a script, not a fic, not a built-up fantasy quilted by overly invested strangers. I feel for him, and I'm not here to say there was nothing there, clearly there was, but also? Maybe, just MAYBE there isn't anymore, and maybe, just MAYBE he's genuinely pissed to have to talk about it allllll the time as this cutesy GOTCHA by people who put in their bios that they believe in conspiracy theories around his sex life, desperate to break the fourth wall in a way that both outs him and dredges up a relationship that might not be something he wants to be dealing with at the moment. And rather than think, wow, oof, sorry, king, that's on me, instead, you have people all ass-hurt about it, acting like he's some kind of dick for (justifiably) losing it. You haven't been gaslit, you haven't been lied to, you haven't been baited, he owes you literally jack shit about something that maybe just MAYBE hits him on god knows what fronts (this is not YOU you, anon, lmao, you get it)
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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my thoughts about Geto sensei au:
Gojo and Geto are both sensei, Geto teaches children martial arts.
Geto doesn't work full time. He only goes on the most difficult missions. This was suggested by Gojo when he saw that Geto was having a hard time after eating curses. He suggested that he not eat all the curses, but only the most necessary ones.
This way, Geto has more time to have a "normal" life. Working as a teacher and looking after the kids.
They're married. That's out of the question.
Megumi likes Geto, but doesn't respect him for being married to Gojo.
They both helped each other, they both talked to each other and tried to work things out. Let's not forget that Gojo got hurt too, he was just a teenager too.
bonus :D
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