“Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are. But both are sensitive.”

Genly Ai, Ursula K. Le Guin, "The Left Hand of Darkness"

What is true?

What is you?

Where do we begin

After we fall?

When the seasons all passed

As all things do,

Will it come to an end?

When April is over 

And now comes October

Will I still grow?

When I am planted 

In the soil, enchanted 

Will the wind still blow?

It seems like the branches won’t budge

From their color of fudge

To a whiter snow

One of the most memorable interactions was Saturday. Into our booth strolls a small family, tempted by free samples of freshly brewed tea. We chatter and give them the spiel, that the tea is character merch and we’re a cozy health-based app called Forage Friends.

The young girl zeroes in on our pride pins.

“They have my pin!” She says excitedly. “They have my flag!”

The dad blinks. He is surprised, but also calm and positive when he sees it’s the lesbian flag. “Oh. That’s… different from what you told me.”

“That was months ago, dad.” And she rolls her eyes. Definitely a teenager.

I turn to him and say, “Yeah, dad.” And we share a little laugh about it.

He says, “No, it’s great. That’s amazing, honey. It was just news to me.”

“Well, I guess I just decided to stop lying to myself. About liking guys. Like right now.”

A little lesbian just came out to her dad and he was super cool about it.

I’m standing there in my tie-dye mask and my cheery blue apron pouring tea and making small talk and I’m trying really hard not to cry or compare it to my experience, the fire & brimstone, the disgust, the conditional acceptance as long as I never bring it up.

So as this beautiful bonding is going on, the girl’s even younger brother turns his gaze around. He’s in a snorlax hoodie and bored and wants to go look at the swords across the hall. But on the other side of our booth….

“WHY DO PEOPLE DRAW THAT?” He asks loudly, and we all turn to our neighboring booth.

Our neighbors were extremely lovely people. Every time we had a break we would talk, and we became good friends over the weekend. They kept apologizing that their booth was next to ours and we kept repeating that it was totally fine. Their booth was great. I even bought their merchandise.

The thing that was so contentious, that they felt the need to apologize for, was that they were selling explicit titty hentai stickers of popular characters. They were censored with little yellow R18 labels but the content was very clear.

So back to the family: I freeze and immediately go somewhere else to let dad handle this question. With adult customers I’ve been loud and positive about our neighbors. (“Man, how has it been boothing next to them?” It’s been great! They bring a lot of foot traffic and they’re kind and wonderful professional neighbors. If anything it’s a fun juxtaposition. We believe in artistic freedom. I bought a sticker too!)

But this is a kid, it’s not my place to explain anything…. But I was extremely curious about what this chill dad would say.

“Well,” dad says with a long measured silence between each word. “Sometimes people are horny.”

DONT BE AFRAID TO COMMENT ON OLD FICS DONT BE AFRAID TO COMMENT ON FICS IN A FANDOM THE AUTHOR MAY NO LONGER BE ACTIVE IN. IF THE STORY IS STILL UP LET THEM KNOW YOUR THOUGHTS IT MIGHT JUST BE THE REMINDER THAT MAKES THEIR DAY.

SINCERELY SOMEONE WHO JUST GOT A REPLY THAT MADE ME WANNA MAKE THIS POST

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

Unstoppable villain, meet immovable agent of friendship!

I was wondering in what circumstances Charlie would just OFFER her soul to Al.

And he would short circuit as all his manipulation plans become unnecessary.

Cause Charlie cares about her friends and if they need help she won’t hesitate.

pjo tv show episode 5 alignment:

Returning home

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:

There is never a satisfying answer to ‘Why didn’t they love me?’

like wow babe. good fucking point

Zuko: well, if I was the blue spirit

Zuko: AND I’M NOT

Sokka: *suspiciously and reluctantly crosses out Zuko’s name on his list of possible blue spirit suspects*

reminder of the true

A burning house

A memory of hope

Things that had meaning 

All put to waste

Left with the true

The used

A body

And a soul

Burnt

But

Still alive

PEDRO PASCAL as JAVI GUTIERREZ The Unbearable Weight of Massive Talent (2022)