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#victorian fiction
ibrithir-was-here · 2 months
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I know it wouldn't make a lot of sense, but I'm curious. How would you interpret a hypothetical crossover between Alice in Wonderland and Sherlock Holmes?
Oooh interesting!
Ok so, if Alice in Wonderland takes place in 1865 and Alice is 7, she'd be born in 1858, making her 4 years younger than Holmes, born in 1854.
(Conceding that the Alice in the story is a separate entity, then Alice Liddell, her real world inspiration, and so could have a different birth date)
So they're very much contemporaries, so a crossover is definitely possible without even much work.
Now, for the purposes of plot, when is the most interesting point for when could this crossover be taking place?
When they're both adults? So when he's already a consulting detective, and perhaps some sort of weirdness is going down around the old grounds of Alice's home where these portals to Wonderland and the Chesslands seem to be. Perhaps she disapeers back into them as an adult and he's hired by her family to try and figure out what's happened?
Or, maybe they knew eachother as children somehow? Alice Liddell was the daughter of a college dean, her counterpart could well be the same (given that the layouts of their homes are supposed to be described similarly one could make a case for a parallel)
So perhaps he crossed her path well at school and had some sort of strange childhood adventure that he later tried to rationalize, but still haunts him to this day?
I think whatever I'd do I'd like to leave the conclusion open as to wether the Dreamworlds of Alice are just that, dreams--or something greater going on. Let Holmes give a rationalish explanation if he can, but leave enough room for, "yes, but what if..."
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dickensdaily · 3 months
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There's still time...
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If you enjoy the installments of Dracula Daily, why not try Dickens Daily? We serialise the works of Charles Dickens at the same pace as they were originally published, so you'll get to find out how the Victorians felt waiting for the next chapter!
Our next novel will start going out on the 13th of February 2024 and last until November! Read on below to learn more about the book and to sign up.
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Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.
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yeastymuffin · 1 month
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It is well into thursday afternoon, the curse of living in Europe i guess, but I'll still post something for the wip wednesday. Thanks for tagging me @paperstomach!! :D
I don't know which one of my mutuals are working on stuff, so if you see this, feel free to share your wips (even if it isn't wednesday) and tag me in it if you want some feedback or just a fun comment ^-^
I have two things I am working on at the moment (three if you include my thesis 🤐) so I'll post both. One being a sapphic Victorian-esque ghost story about a haunted hotel near the beach. The second being my recently revived medieval Brittana fic inspired by this piece of art by @katimanki
At the bottom, below the 'read more' link, is the first chapter of the Brittana fic. It's like 5k words so enjoy! (@unholy-fabray you seemed interested so I'm posting this for u <3)
✦ .  ⁺   . ✦ .  ⁺   . ✦⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅✦ .  ⁺   . ✦ .  ⁺   . ✦
Premise: Addie and Dolly are riding horseback on the beach. This is the first time they are being honest to eachother about what they are dealing with (Addie being mentally unwell, and Dolly caring deeply for her)
Addie shared a look of deep earnest. A heaviness settled upon hers shoulders. The weight of which her companion shared, for she halted her steed, letting the silence beg for Addie to answer the unspoken question.
“I want to be emaciated.” She said at last. “To feel the same kind of instinctual hunger the gulls feel as a need to drive them up into the sky. That way, and that way alone, could I explain why I feel the way I feel.”
A breath of silence fell between them. The gulls sailed low today, feeding on what tiny creatures hid beneath the surface of the sand. Dolly watched the birds with a naïve kind of curiosity as they spread their wings to glide up each time a wave got to shore with the intent to wipe away all that was before – the rhythm of which never seemed to tire.
“Well then, it must be so.” She spoke. Her face contorted in a stern frown. “But only long enough for you to explain it to me. Then, afterwards, when you sink away in the despair you cried out, let me raise your chin and fill you with love. Let me fill you till it comes out of your nose, and I will wipe away the snot, and hold you, and tell you all can be well. If only you let yourself feel it.”
✦ .  ⁺   . ✦ .  ⁺   . ✦⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅✦ .  ⁺   . ✦ .  ⁺   . ✦
AAAAAND THE GLEE FIC:
Long Live: chapter one
Throughout the evening the regular folk enters the taverns until a lively buzz of songs sung by drunk rumbles through the streets. Every so often, when a drunkard is kicked out for becoming too rowdy, a passerby would be able to distinctly make out the lyrics of the drinking song as the words roll of tens of stumbling tongues. Where each tavern poured their own ale, so were the songs and festive hymns hand crafted and specific to the place.
The Vulgar Elderberry, known by locals as the most disorderly and unrestrained pub of the city, where middle-aged men go to pick fights and prostitutes make a humble fortune, is as busy as usual. At every hour of the day there is a group of drunk men, but as soon as the sun goes down the benches and stools fill till the early morning sun peeks over the horizon.
Santana, who might as well be wearing Hans Christian Andersen’s red dancing shoes, is having a blast. With only a bat of her eyes a new drink finds its way to her hand. Men are at her feet with every sway of her hips or twirl of the skirt. And they are at her feet in the literal sense since she is up on her third table of the night. Drunkards are watching her from below, tongues nearly rolling out of their mouth and on the sticky surface of the table which has seen the spillage of many a beer.
On the table next to her is a blonde girl she has seen a couple times before. She does not know her name but somehow they always end up at the same tavern and decide to entertain the guests together. Though it is clear the girl does this on a regular basis, dancing into the early hours of the day, Santana thinks she is decently able to keep up in her drunken haze.
The regular bard is strumming away on a lyre, his beautiful song drowned out by the intoxicated attempts of the patrons singing along. Santana has reached the point where the loud chants do not sound loud anymore and the world is engulfed in a blanket of bliss. Yes, this means she sometimes misses a beat or nearly hits one of the guys who is sitting at her table in the face when she kicks her leg up, but hey, she is at the Elderberry. Any visitor is bound to come home with multiple bruises.
At a dark corner of the bar she sees someone dressed in a dark cloak and a blue tunic. The guest has had two mugs of beer at most and has been looking at her intensely all night. Santana, being a glutton for attention and praise, dances harder for every guy staring at her but tonight she has been dancing for this visitor and this visitor alone. Sharp eyes ogle her from under the hood, face inexpressive no matter how suggestive her dancing gets.
If anyone is sober enough to pay attention to the relatively tall visitor in blue, they would notice how out of place the person is. Not only does the person look too old to still be dressed as a squire, the light blue fabric of the tunic is too expensive for any commoner to wear to a pub like this. A night without a fight is rare, and though people like to show off their riches and power in any social setting, the average response to vanity in the Vulgar Elderberry is a punch to the throat. To wear a light blue dyed linen tunic is asking for trouble.
Santana’s eye fucking gets interrupted when she feels a slosh of beer hit her feet. Still dancing, she looks down at the two guys who just toasted too zealous for the state of their motor control. Their spilled toast is all over the table. She shouts a string of curse words at them and not so subtly stomps in the pool of beer, trying to splash them back.
Too drunk or turned on – or both – to care, the men wipe the drops of beer from their face and out of their beards. Two pairs of lust filled eyes look at her, not registering the thundercloud that is forming above Santana’s head. The bald one barks at her like a dog, which encourages another fellow at her table to howl at her. All night, men have whistled and jeered at her but now most guests are unable to remember how much they had to drink. The last bit of Santana’s rationale takes over. Too much exhilaration will lead to men grabbing her for a dance and trying to suck her tongue out of her mouth, which is the last thing she wants.
Helplessly, she looks over at her blonde friend as she twirls, which may not be the best thing to do as she is certain she would trip if asked to walk in a straight line. Still, Santana never said her rationale was logical or the most efficient. After a couple twirls, she finally meets the eyes of her friend who frowns at her, asking what is wrong. Santana nods to her feet where one of the men is trying to grab at her dress to smell it. The girl nods, having understood the cry for help, then looks at her own crowd of drunk men and smiles teasingly.
“Me and my friend here are kind of getting bored.” The girl shouts. Santana is barely able to make out what is trying to say despite their close proximity. The men at her feet perk up, ready to serve this nymph anything as long as it gets her to keep dancing for them.
One guy jumps up on the bench and props one of his feet on the table. He extends an arm and reaches out for the girl. She places her hand in his outstretched hand. He grabs it tenderly and kisses it. Despite the softness of the kiss, which feels out of place seeing the tavern they are in, it is the lewdest thing Santana has seen all evening. She gawks at the sight. There might as well have been two people going at it doggy style on the table next to her.
“Two ale for these lovely broads who have been entertaining us all evening.” The guy screams at the bar.
“It’s on the house!” the bartender yells back as he puts two large mugs on the dark oak surface of the bar. An ocean of hands reaches out to bring the mugs to their destination.
A hand grabs Santana’s lower arm. Ready to fight off a man who cannot keep his hands to himself, Santana spins around to face her assailant, fist in the air ready to punch a bloody nose. To her surprise, it is the girl. She is leaning dangerously far forward and beckons for Santana to join her on her table. Assisted by a steady tug, she jumps over to the table. Delighted when her shoes do not stick to the table top, a luxury her old table did not have.
The girl does not let go of her. Repositioning her hand instead and intertwines their fingers together, her other hand finds Santana’s waist. The blonde turns her head and screams something at the bard. Santana is too drunk to hear it, overwhelmed by the sudden close proximity and the intense brown eyes the girl has.
“Dance with me.” She says. And Santana does.
Never before has she danced a peasant partner dance. After a minute of stepping on toes and legs tangling in skirts, she understands the rhythm of the dance. She smiles brightly at her partner when she figures it out. The girl grins back, all shiny teeth and pink lips.
Beneath her, the men’s clapping slowly increases. Santana dances like it is the only thing she has ever done in her life. Her body moves on its own, keeping up with the pace that grows faster by the second.
They hop and twirl and shimmy. Without looking away from the girl, Santana knows her whirling her red dress and the orange dress of her partner creates for an impressive sight. Two flames growing brighter and brighter in an endless waltz until they burn up together.
They dance on and on. The muscles in her legs are screaming at her to stop, but Santana cannot help it. If this is where she dies, dancing on a table in a disgustingly dirty tavern, so be it. May the heavens find her exhausted soul and realise that for once she enjoyed what she was doing with every fibre of her being.
One of the gods must have heard her death wish, as in the next second one of Santana’s feet slips off the table and she nearly tumbles into the lap of a sweaty, overweight guy. The only thing keeping her on her podium is the blonde girl who instantly drags her back on her feet.
The delirium of her aching body is taking over, or perhaps she is a lot more drunk than she thought she was. An all-consuming laughter bubbles up from her stomach and leaves her body. She looks like a maniac, but she cannot find the energy to care. There is no one here able to scold her for her unruly behaviour. The chest pressed against hers starts moving in shocks. The girl, too, is laughing hysterically.
She needs a full minute to get her laughter under control. Suddenly, as the last hiccups of her giggle die down, she realises she is still clinging to the girl who is sweaty and hot under her grip. A droplet of sweat rolls down the girl’s neck and pools behind her collarbone. Aware of the heaving chest pressed against hers, and the inappropriate intimacy Santana lets go. Albeit hesitantly.
The girl smiles at her, bright eyed, then turns to the men at their feet. “Where are those beers? I feel hot!” She knows exactly how to play a crowd.
“Yes you are!” A guy screams from a couple tables over.
A large mug filled to the brim is pressed in Santana’s hand by the girl. Her head is spinning. If she drinks this and keeps on dancing, she will sleep in the gutter tonight. Having sweat off half of her body weight, Santana takes a big gulp of her beer. She cringes when the lukewarm liquid fills her mouth, having expected the beer to be cold.
“Chug! Chug! Chug!” A guy with a sophisticated moustache chants. He must be a notary of some sorts during the day.
The blonde nudges Santana with her hip and lifts her mug suggestively. Not really caring much for her future self, Santana lifts her own mug with a devilish grin. They toast clumsily, spilling a fair amount as the mugs hit and start chugging.
From across the room, Santana makes eye contact with the peculiar visitor as she chugs her beer. Wanton from dancing, Santana decides to do something she has never done before. With her free hand, she undoes two buttons of her dress, showing off her cleavage. Nearly finished with her beer, she pulls the mug away from her mouth ‘accidentally’ spilling the remainder which drips down her chin and disappears between her breasts.
The cheers of the crowd beneath her leave her cold. Still, Santana bites away her smugness. She caught the visitor biting her lip and fumbling with the belt, hands restless from seeing Santana act all licentious. The victorious smile on her face is hard to supress so she turns to her still nameless friend and focuses her attention on her.
Her heart is running in circles behind her ribcage and kicking up a storm. A heat is growing from deep within and burns her up from the inside. It is dizzying. Santana feels like she can puke at any moment.
The girl says something.
“What?” Santana asks confused.
“It’s Quinn.” The girl repeats. Santana blinks. She does not remember asking the girl for her name, but she must have. Whilst she struggled to keep the content in her stomach inside, her body must have taken over and made small talk. Like when her mind goes away to that special place where she can run away on the back of a horse and ride into the sunset, while her body is talking about the current affairs of the kingdom with some stuck up duke.
“Are you okay? Do you need to sit down?” Quinn asks. Her eyes warm with worry. Santana wishes she can take her home. Quinn seems like a person you can be truly honest with, who would not judge you for the demons in your head.
Santana shakes her thoughts away. She forces herself to take a couple deep breaths. “Yeah, I’m good. The dancing wore me out.” She says. “I’m San- Rosario. Rosario San Cruz I think we’ve met before.”
“Quinn Fabray.” Quinn grabs her hand and spins her around. The soft fabric of Santana’s red dress undulates in graceful waves as she twirls. “We have. I remember because I never had a dance partner that’s able to keep up with me the way you do.”
“Why thank you.” Santana says demure, instinctively bowing elegantly as she takes the compliment. As Santana comes back up she bites her tongue to keep from smiling too hard. Though it’s too late. This Quinn girl has already brought out her cheek dimples. Santana hates them. She is usually pretty good at showing off a certain emotion when really she is feeling something else, but when her cheek dimples show, everyone can see she is truly happy in and out. Information which she prefers not to give away.
Quinn takes Santana’s mug with one hand and holds her other hand up invitingly. “May I have another dance with you, Rosario?” She says with an accent mocking the highbrow and royals.
“But of course you may.” Santana grabs the hand, responding in the same accent.
Quinn regards her, then pecks a kiss to each of the mugs and throws them behind her without looking, like a bride throwing her bouquet. Men dive after the mugs, deeming them worth more than jewellery. Not even a peregrine falcon diving after its prey is as fast.
The bard is playing a joyful song, Quinn sings along softly as she leads Santana. Santana cannot fully commit to the dance however, she keeps one eye on the men fighting over the mug - not trusting it will simply blow over. The tension she had tried escaping by going here has returned. The tiny demon running around in her skull is pulling on all the strings, creating doom scenarios of what could happen. Ranging from a simple barfight to a dragon ripping the roof of the tavern and burning them all alive.
“Stop thinking.” Quinn points out sharply. “This is the third time you’ve stepped on my foot and your eyes keep darting to the side. I know for a fact you’re not distracted by a handsome knight.”
Santana frowns at what Quinn might be implying. “What? I totally like knights.”
“Yeah, who doesn’t?” Quinn lets go of her for a second to do her own little freestyle whilst she stares at the guy whose hand she kissed earlier. “But I don’t see them here. Just enjoy the moment. Worries are for tomorrow.”
Quinn’s hands find her body again and she leads them into a high tempo waltz. Santana gets twirled around again, seemingly Quinn’s favourite move, and lets her thoughts fly away from her as she spins around.
In anticipation of the dip Quinn leads her into she takes a deep breath and closes her eyes. Arms stretched out dramatically, she fully trusts the hands around her waist to not drop her. Her long, dark hair nearly brushes the table top. Her flair for the dramatics is appreciated as whistles and shouts fill the air, shortly drowning out the music.
Then she is pulled back up, rougher than she expected. A yelp escapes her mouth as she crashes into Quinn. Instinctively, her feet position themselves so she is ready to waltz away but the lead does not come. Quinn is looking at something behind her then hisses in her ear. “Duck.”
Before Santana can ask what is going on, firm hands grab her shoulders and she is pushed downwards. With a thud she falls on her ass on the table top. Tears jump in her eyes at the sharp pain that shoots up her spine. Her skin will be bruised for a week. One foot is in the lap of a passed out drunk guy. Carefully, she tries to remove her foot and crawl of the table. A heavy body crashes into her and nimbly slides off the table.
“There is no time to be nice.” Quinn chides. Rudely, she drags Santana to her feet and checks her over. By then, Santana realises the side of the table they are on is empty, aside for the passed out guy. The gears in her head are turning as she looks around. People are chanting, not the regular songs, but cheering and howling. Instead of the low notes of a mostly male choir, deep aggravated grunts fill the air.
The chanting, together with the groups forming between the tables click in Santana’s head. There are fights happening. Multiple.
“I knew the mugs were going to cause trouble.” Santana says to no one in particular as she looks at the fight at the opposite side of the table. A shoe flies through the air and hits a guy who had previously nursed his beer unbothered. Agitated from the beer that spilled all over his tunic he grabs the shoe and throws it back, hitting a different bystander in the face. The bystander makes a face that can only be described as an toad blown up with anger, and stalks towards the guy with heavy steps, nearly stumbling over a nearby bench.
“Good for you genius. We have to go.” Quinn snipes. Her hand locks around Santana’s forearm. With difficulty, Santana keeps up with the swift pace with which Quinn moves through the maze of tables and drunk, fighting barbarians. The closer they get to the exit, the rowdier things become.
The tavern has been filled to the brim the whole evening. Multiple fights are breaking out and escalating. In the chaos of fallen benches, mugs flying through the air and people being pushed over or stumbling away in a drunken stupor, it is hard for two women to fight their way through the crowd. Quinn pushes herself in the slowly moving stream of exiting people, attempting to pull Santana with her.
“Wait!” Santana shouts at Quinn. “I’m missing someone.”
“Forget it.” Quinn shouts back over her shoulder. “We need to leave now or a guy unruly from fighting thinks he needs a victory prize.”
Santana looks back but her vision gets blocked by two tall guys behind her, seemingly brothers. All around her are sweaty bodies. The air smells of barf and wet, dirty clothes. Her arms are pressed to her body. If people are not careful she will be crushed like grain in a mill. The only thing that is keeping her from fully panicking is the death grip Quinn has on her.
All of a sudden the pushing from behind stops, but before she can look behind her to see what happened, a strong arm wraps around her waist. She is yanked out of Quinn’s grip and dragged backwards. She screams in surprise, then a second animalistic scream leaves her throat fuelled by pure anxiety.
Quinn was right. A burly guy who has had too much to drink thinks he owns the world and anyone in it. In order to truly feel like the king he is, he needs his little princess to entertain him. And he has decided Santana will be that princess.
Her whole body stiffens. She is a drawn bow ready to let go. This is yet another guy who thinks she is only good for one thing. His audacity is as big as a dragon and his regard for the thoughts and feelings of others is as true as the existence of gnomes – just a fable. He is a dirty pig, just like the rest of the scum that fills this tavern each night. In a blind fit of rage, she turns around and punches the guy square in the face. Then adds another punch at the nose, for good measure.
Instantaneously, the person lets go of her and grabs at their face. Then throws the hood they are wearing off their face. Two angry and confused blue eyes stare back at her.
“Santana, what the hell?”
“Oh my god Britt I’m so sorry.” Shocked, Santana clasps two hands over her mouth.
Brittany, her self-acclaimed bodyguard and partner in crime, is standing in front of her. Blood seeps from her nose and between her fingers down her chin, dripping on her sky blue tunic. It will suck to wash the blood out later.
“What did I tell you? If something happens. You find me and we take the back exit.” Brittany’s tone is razor sharp despite her the slightly nasal tone from pinching her nose. It cuts through Santana’s heartstrings. Never before has her friend ever been this angry with her, and Santana has gotten entangled in big messes.
Santana nods quietly. Even her mother’s tyrannical scolding has never hurt as much as this. She grabs Brittany’s clean, outstretched hand and lets herself be lead outside. Whether Brittany has threatened the bartender or has found a way to pull some strings Santana does not know. Regardless, they exit through a hatch in the basement through which the beer barrels are transported.
The side street is quiet. There is a light drizzle but Santana refuses to wear the cloak Brittany offers her. She tells herself it is because Brittany will need it later on, as she will face the elements face first as they ride back home on their horse, not because she feels ashamed therefore refusing any comfort.
Brittany holds her close as they walk to the stable. The bleeding has stopped, but she sports a dark red moustache on her upper lip. More smears of blood cover her chin, cheeks and hand. Santana’s ears are buzzing and the ground sways like the sea. She hopes she will not have to puke later the evening, or worse, wake up in the middle of the night and having to find a tub to puke in. Besides her obvious drunk ailment, she is aware of her exhaustion. She just wants to cling to Brittany as she rides, maybe cry a little, and lay in bed.
They do not share a single word until they reach the stable. By that time, her intensely beating heart as calmed down, and the rush and fear from the last few moments in the tavern feel like a dream. In spite of that, Santana still knows it really happened. With every step she takes, she is reminded through a growing bruise on her ass. She sighs as Brittany pulls her pockets inside out for a pair of keys.
“I’m sorry.” Punching Brittany square in the face is not something she ever thought she would do. The shame and hurt inside her do not subside. On the contrary, they keep growing. Santana knows she did something very, very wrong.
Brittany sticks the key in the lock and pushes open the heavy stable door. “I should be sorry. For stealing these keys of the stableboy. He probably got into a lot of trouble for losing these.” Brittany jingles the keys. She grabs a burning oil lamp that hangs on a nearby hook and turns it up, leading them to Fleetwood.
The gelding is chewing his hay loudly. Being the glutton he is, he attempts to take a couple last bites as Brittany pulls him from the stable. Santana watches with her arms crossed as Brittany tightens the girth. She is swaying lightly on her feet, too intoxicated to stand still. They left Fleetwood in his tack with the knowledge they would be back within a couple hours and wanting to leave as soon as possible - maybe even fleeing from a scene.
“After you, my lady.” Brittany bows elegantly as she lets Santana get on first.
A bit unstable, Santana climbs on the back of the tall, grey dappled horse. She has climbed on many a steed with a dress, but alcohol is a consistent humbler and makes even the greats question their skill if they consume enough. Once she sits secure with both her legs on one side Brittany leads the horse outside by the reins and locks the stable again. She then pushes the keys through a gap between two planks of the door.
It is as if they were never there.
Santana is staring at the stars when she feels the saddle underneath her shake. Brittany climbs on behind her. She watches as Brittany makes her red dress disappear by pulling the dark cloak over her legs, protecting her from the cold of the night. A warm hand splays over her stomach, pressing her into the squire’s body. Unconsciously, Santana chooses to believe Brittany wants to feel her close, and that it’s not an act to keep her from slipping off the horse’s back.
With the slightest pressure of Brittany’s feet, Fleetwood takes off in the direction of the castle. His heavy hooves echo through the narrow city streets, a nuisance to anyone who is not vast asleep. Santana cannot muster up enough energy to care, both her body and mind exhausted from drinking and dancing.
“I danced the whole night.” Santana mumbles as soon as they reach the edge of the city. Fleetwood steps sound muffled on the dirt. The words fall off her tongue with difficulty, the muscle too ungainly to pronounce words properly.
Brittany nudges her cheek with her nose. She hums. “That you did.”
“And, I made a friend.”
“You always make friends. You’re very charming.”
“Yeah but, she’s a real friend.” Santana turns to face Brittany, since she is sitting sideways on the horse she does not have to turn much. Nonetheless, the hand around her waist clings on tighter, making sure she does not fall off. “Like… We talked. We had a connection.”
“Sounds amazing.” Brittany deadpans, her focus on the dark trail ahead as she encourages Fleetwood to counter.
“You don’t have to hold on so tight.” The grip of the hand on her hip is bordering on painful. “I’m drunk. Not dumb. I can sit on a horse.” The grip slackens, albeit a little bit.
By the time they reach the castle, Santana is sure she is not imagining the tension between her and her best friend. Normally, Brittany would guide Fleetwood in an easy canter once they leave town until they reach the open field. From there, they would watch the lights on the castle walls grow bigger, Fleetwood walking at his own pace.
Brittany would reminisce about funny figures she saw at the bar or how she won the rigged game of dice. Santana would giggle, perhaps even laugh vehemently in that way only Brittany can make her laugh. She would ask how she did it, how does one cheat the cheater. Brittany would stay silent, and smile a smug smile that makes Santana melt like cream on a warm cake. In those moments, with her head nestled underneath Brittany’s chin as she listens and the light of the stars guiding them home, Santana feels normal.
Any sane person would argue it is extremely dangerous, two girls on a horse in the middle of an open field at night. Raiders or anyone who is uncivilised enough to attack random people could easily sneak up on them and overpower them. Perhaps it is exactly that, the fear of being raided, something any peasant on a trip fears, is what makes her feel normal. Between the castle walls, there is always one pair of eyes on her at least. Where the most vile thing that can happen is someone dropping her new gown on the floor. There, the things she fears most being Miss Corcoran’s lectures about taxes or her father finding out about her nightly escapades, which don’t seem so bad when compared to being held at knifepoint in the dark.
Besides the couple sentences they spoke at the beginning of the ride, they have not talked at all. Brittany forced Fleetwood to canter home without taking a rest, making no effort to enjoy the nighttime through laughs.
Santana feels like an intruder as she watches Brittany remove the tack and makes Fleetwood comfortable for the night. She lingers in the walkway between the stables and pretends to be busy with one of Fleetwood’s neighbours. When the horse retreats her head and there is nothing around Santana can distract herself with. She mumbles an apology.
“What?” Brittany sticks her head out of the stable she is in.
“I’m sorry.” Santana repeats, supressing her usual jeering. She never repeats an apology. She barely even apologises for things in the first place. So, if Brittany can simply accept her apology that angry feeling in the pit of her stomach will go away and they can both sleep soundly.
For a moment they just stare at each other. Brittany’s face is blank, but Santana knows she is thinking. She can tell by the way Brittany keeps tapping the handle of the bucket she is holding with her index finger. She is bothered.  
Brittany sighs deeply, closing her eyes for a moment. “It’s okay. It just… hurts.” She flashes a forced smile.
They confronted the problem, talked about it, and Santana apologised. Perhaps not in that order, but it doesn’t matter. Things are a-okay again, starting now. There is totally no reason for tension anymore, Santana decides.
“Yeah.” Santana lets out a shaky breath. “Let me at least clean you up.”
As response she gets a smirk that blooms into a toothy grin. And now Santana knows things truly are okay again.
Quietly Brittany shuts the door that leads to the kitchen. Santana lights up a discarded oil lamp and searches for some rags in drawers. Which, despite the light of the lamp, is hindered by darkness. She grabs the empty air next to a handle on multiple occasions. Once she finds a clean rag, she dips the cloth in a vat of water that stands off to the side and walks back over to Brittany who perched herself on the table. Next to Brittany is a tray covered by clean cloths, the surface of which billowed by the pastries underneath.
“Do you really think they’ll miss one or two?”
“Mercedes worked really hard on them. They’re for the feast tomorrow.” Santana puts the oil lamp on the table and brings up the damp cloth to brush of the dried blood. “Or tonight, I guess.”
“Another one of those stupid dinner parties? Didn’t you have one a couple days ago?” Brittany scrunches her face. The cold cloth uncomfortable against her skin.
“I did.” Santana responds factually. “My parents are inviting all the princes from neighbouring kingdoms and hope I like one. That way no more stupid knights die from Sapphian. Apparently she already has 110 documented deaths since she first appeared, not counting the peasants she kills when she raids the nearby towns. Half of those deaths are our own knights.”
“Never come between a dragon and her treasure.” Brittany says solemnly, then grins.
“You’re so weird.” Santana scoffs, feigning annoyance.
Brittany wraps her legs around Santana’s waist and pulls her close, locking her feet together at the ankles. “You love it.” She teases.
Santana hums in agreement. She ignores whatever Brittany is doing with her hair. She assumes the squire is braiding the strand of hair, judging by the repetitive tugging on the left side of her forehead. When she deems Brittany clean, she grabs a dry part of the rag and wipes off the damp skin.
Brittany pulls a face of disgust and lifts her head backwards, away from the dusty cloth, and wipes her lips with the back of her hand. “It’s good. You know I hate that.”
“You prefer staying wet?”
Instantly, she regrets her word choice. Brittany bursts out laughing. Santana punches her lightly in the stomach, directly in a patch of dried blood. She wipes her knuckles clean, an annoyed frown on her face.
“The gods punish immediately.” Brittany smirks. She sits back, leaning on her elbows. She has this smug twinkle in her eyes that messes with Santana’s head. She hates it, and Brittany is very much aware of that. The legs around her hips tense up, squeezing slightly in a teasing manner.
Brittany stares at her for a while. The light of the lamp reflects in the corner of her eyes and highlights a few loose strands of hair. This observation jogs Santana’s memory. She looks down to see a tiny, messily braided tuft of hair. She picks it up to get a closer look.
“You know Tina is going to brush it out in the morning, right?”
Brittany shrugs. “’s our little secret.”
For a few seconds Santana simply stares at her. “I am way too drunk for riddles right now.”
“I meant,” Brittany sits up and reaches over towards the tray of pastries and grabs two, “that only we know who ate these.” She bites into her enthusiastically, spilling crumbs all over the table and her lap. She presses the other one to Santana’s lips, waiting for her to bite it.
Santana gives her one of her ‘are you serious’ stares but bites when Brittany keeps pressing. She moans obscenely when the flavours of the icing and the berry filling blend in her mouth. She stuffs the rest of the pastry in her mouth.
“These are so good.”
“Told you we should try them.”
Santana rolls her eyes. Not knowing what to do with her hands, she plants them on Brittany’s warm thighs. “You always want a bite of everything when there is food available. You’re always hungry.”
“Yeah, but these are Mercedes’ pastries, so they make me like, extra hungry.” Brittany waggles her eyebrows.
“Weirdo.” Santana says through a yawn. She wants to touch the tip of Brittany’s nose lovingly but instead presses her finger into the cheek beside it. She frowns, annoyed with her own failure to perform a simple task. Brittany watches her for a moment, then jerks into action.
“Let’s get you to bed, my lady.” She says solemnly. Her feet untangle and drop to the side, finally freeing Santana from her leg trap.
As they sneak to Santana’s room, Santana anticipates getting her cuddle on; The only thing that will help her survive the tedious dinner tomorrow.
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microcosme11 · 10 months
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Something I just read that is absolutely beautiful
@cadmusfly mentioned run-on sentences in old literature. I think this is one of the best ever written:
‘The Independent, sir,’ replied Pott, ‘is still dragging on a wretched and lingering career. Abhorred and despised by even the few who are cognisant of its miserable and disgraceful existence, stifled by the very filth it so profusely scatters, rendered deaf and blind by the exhalations of its own slime, the obscene journal, happily unconscious of its degraded state, is rapidly sinking beneath that treacherous mud which, while it seems to give it a firm standing with the low and debased classes of society, is nevertheless rising above its detested head, and will speedily engulf it for ever.’
— The Pickwick Papers by Charles Dickens
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spacebookettes · 2 years
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An essay
18th Avant Garde
Bertram walks up the steep cobbled walkway. He passes someone sat on a small stool, they are knitting. Bertram looks down at his package and a glorious smirk spreads across his face.
Milly is busy with the comb, she has two mirrors to see all the way around herself. Milly is in a hurry, she’s only just had her own glorious smirk and she’s not too sure if there's enough time.
In saunters Bertram a string of linked sausages around his neck, his eyes pop at the sight of Milly with an 18th century Beehive hairdo. They both fall about laughing. “imagine if anyone saw us!”
Bertram loosens the fire. They both sit back snuggled together squeezed into a large old chair. Milly makes a buzz. Bertram giggles deeply.
Bertram is walking back down the steep cobbled walkway; someone is battering a rug hung up outside. A quizzical look and Bertram says to himself there's something in that one.
Milly is beating an old rug out in their back yard, she sneezes. A watery quizzical look and Milly is thinking.
Bertram walks up the steep cobbled walkway, he has a cardboard tube from the factory, the street is empty thankfully. He enters the house, Milly hears and stays silent. Bertram slips upstairs for a while. Milly waits patiently with the kitchen door closed. Bertram comes down stairs with a cardboard contraption. Fake cogs and strings, a honker and sack stitched to the top; he places it in the sitting room and waits. Milly bursts in with two bottle seals clamped to her nose and her grandmas old glasses painted bright red, a piece of paper above the glasses reads Champion Duster. Bertram can not sit still from the laughter and the anticipation. Milly takes off the Dusting equipment. And sits utterly perplexed. Bertram tells her she has to guess. The long cardboard tube has a box at the top and a sucky bit at the bottom. Absolutely no idea she says noticing her toothbrush and his toothbrush protruding out of the bottom. She can not stop laughing for a good while... “what is it?”
Bertram refuses to budge. “you can have two clues”. The first “great minds thing together". Milly grins, “it’s a Dust Buster".
Bertram is walking down the cobbles, the street is empty. He walks past the collection of small shops. He walks past the pub. He walks past the factory doors.
Milly is arranging pastry into the shape of a pig. The pie is lamb.
Bertram walks past the factory doors. He walks past the pub. He walks into the pub.
Milly walks into the pantry door frame and says sorry.
Milly has forgotten to cook the pie.
Two pints of warm beer and Bertram’s eyes pop. He has no ideas. Nothing planned or prepared. He’s seen nothing of inspiration today.
Milly is sat in a slump, her face turned down, her eyes closed; she is not asleep.
Bertram goes for a walk. It's summer and still bright. He goes to the park. He goes to the Chip Shop. He goes to the pub.
Milly sits with particles of bright dust drifting around her.
Bertram walks up the steep cobbled walkway. He opens their front door. Milly stirs. In bursts Bertram with two tree branches for arms and giant leafed hands. Milly is hysterical with laughter. Bertram brings one real hand from behind his back, it has a packet of double fish and chips. Milly laughs louder. Bertram brings his other real hand from behind his back, it has a bottle of sherry. Milly's eyes pop and her hands launch for the bottle. She is grinning deliciously.
Two tatty people are dashing around the back yard , one is in the wheel barrow, one is pushing. On the front of the wheel barrow are two paper sparkling eyes and a scrunched paper sparkling magical horn. Milly has her hair down flowing behind her. The wheel barrow shunts sideways and Bertram falls out of it onto the yards cobbled floor. He has rainbows on his cheeks. He honks the horn attatched to the front of the wheel barrow. They both laugh cheekily
“we should have kids"
“we should have kids"
By Peter Stringer
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unboundprompts · 2 months
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Pirate Terms and Phrases
-> Pirate Lingo
-> A Pirate's Glossary
Batten Down The Hatches - tie everything down and put stuff away for a coming storm.
Brig - a prison on a ship.
Bring a Spring Upon 'er - turn the ship in a different direction
Broadside - the most vulnerable angle of a ship that runs the length of the boat.
Cutlass - a thick, heavy and rather short sword blade.
Dance with Jack Ketch - to hang; death at the hands of the law (Jack Ketch was a famed English executioner).
Davy Jones's Locker - a mythical place at the bottom of the ocean where drowned sailors are said to go.
Dead Men Tell No Tales - the reason given for leaving no survivors.
Flogging - severe beating of a person.
Gangplank - removable ramp between the pier and ship.
Give No Quarter - show no mercy.
Jack - flag flown at the front of the ship to show nationality.
Jolly Roger - black pirate flag with a white skull and crossbones.
Keelhaul - a punishment where someone is dragged under the ship. They are cut by the planks and barnacles on the bottom of the ship.
Landlubber - an inexperienced or clumsy person who doesn't have any sailing skills.
Letters of Marque - government-issued letters allowing privateers the right to piracy of another ship during wartime.
Man-O-War - a pirate ship that is decked out and prepared for battle.
Maroon - to leave someone stranded on a. deserted island with no supplies, typically a punishment for any crew members who disrespected the captain.
Mutiny - a situation in which the crew chooses a new captain, sometimes by forcibly removing the old one.
No Prey, No Pay - a common pirate law that meant crew members were not paid, but rather received a share of whatever loot was taken.
Old Salt - experienced pirate or sailor.
Pillage - to steal/rob a place using violence.
Powder Monkeys - men that performed the most dangerous work on the ship. They were treated harshly, rarely paid, and were expendable.
Privateer - government-appointed pirates.
Run A Shot Across the Bow - fire a warning shot at another boat's Captain.
Scurvy - a disease caused by Vitamin C Deficiency.
Sea Legs - when a sailor adjusts his balance from riding on a boat for a long time.
Strike Colors - lower a ship's flag to indicate surrender.
Weigh Anchor and Hoist the Mizzen - an order to the crew to pull up the anchor and get the ship sailing.
If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.
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rantsintechnicolor · 26 days
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the haunted mummy... episode 16
The tea concluded and the party exited the parlor into the gallery. The gentlemen lingered there to open and inspect crates while the ladies meandered into the library. 
As soon as Rebecca’s mother shut the door, she leaned against it and exclaimed, “What has happened to Henry? He is much changed. Rebecca, what did he say to you?” 
Rebecca clasped her hands in front of her, the force of her mother’s interrogation bringing the uncomfortable memory back into her body. “He said something about us being married.”
“Is that all? What else?” Alice’s head was on a swivel between the two women. 
“That he couldn’t wait. But it felt…” Rebecca grimaced while trying to find the right words to communicate how wrong it felt. The only word she could come up with that wasn’t too shocking and sensational was, “inappropriate,” she finished.
“Ah.” Her mother said. Within seconds she was tucked into her mother’s shoulder and comforted. “My dear, do you want to marry him?” 
Rebecca had not actually thought of it before. She had loved him, to be sure. He had always been there to mop up her tears when John would be horrible to her. She felt gratitude toward him and he was also family. But now she suddenly did not feel safe with him. If there was any person she wanted to tie her life to, it was Eva. 
“I don’t know.”
“Well, darling, even if you did, I think you had better try not to be alone with Henry while he is here. He is a man now, with the appetites of a man. What did the girls say about venereal disease when you were in school?” Her voice was gentle and warm.
Rebecca blushed and stammered. Of course her mother had been young once and talked about the same things with her own peers. While embarrassed, she felt strangely relieved to hear her mother be so direct in her questions. “That it comes from husbands visiting brothels and that when we get married we need to keep them,” she gulped, “happy or they will bring it home and give it to us.”
Her mother nodded as she spoke. “Well, men may shame us for gossip but let no one let you think that it isn’t sometimes useful,” her mother mumbled ruefully. “There are more ways to get it than brothels. They can get the disease before they are married. They can give it to you before you get married, too.” Rebecca’s mother spoke slowly and carefully watching how each word landed on her child to make sure she understood.
“Oh!” Rebecca replied. Her eyes felt impossibly wide as the realization dawned. She put a hand over her mouth and took it away. “Do you think Henry might have a pox?”
Her mother raised her eyebrows and inclined her head. “It is possible. We cannot be too careful. And you must be careful.” She rubbed her daughter's shoulder. “Don’t be frightened, my dear. I can’t protect you all the time but I can make sure you have as much information to protect yourself. Ask me anything. I won’t hide things from you. Alice, come here. Same for you.” Alice entered their embrace. “It’s about time I came out of the green study and spent more time with my girls, especially while there are so many strange men in the house. And we shall lock our chamber doors tonight.” 
Rebecca was relieved and yet afraid. Suddenly, the world was much more dangerous. Her thoughts landed on George and the unchaperoned walk they had shared, that she had actually enjoyed. She felt none of the wrongness from that half hour alone that she had felt two minutes with Henry surrounded by people. She felt torn between wanting to walk with him again and obeying her mother.
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nolitethoughts · 5 months
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November Reading List #1
Pride and Prejudice by Jane Austen
This haul was a complete impulse buy and I don’t regret it.
I adore small pocket books, one of my all-time wishlist items is a leather pocket version of the LOTR and the Hobbit altogether.  
Also, I really need to step up my classical reading skills which were pretty discouraging these past years.
This little book fits my small hand perfectly, and it has a hard cover which is just perfect. It also has a fabric bookmark which matches the pale blue colour of the dust cover, and! the hard cover, it has illustrations and gold sprayed edges. 
I mean I want to open a shop where I re-print all my favourite books in this manner. Heaven, paradise, parallel universes unite!
If you are interested about the whole list of what I have read in November follow the link below:
*I’m a Bookshop.org affiliate
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shizukoakatsuki-blog · 6 months
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Soooo I've picked up Wilkie Collins' The Armadale and it's an obsession. I don't usually like his novels but this one is absolutely addictive..
The tragic bromance between the main characters, the eerie gothic atmosphere, the plot twists, EVERYTHING is mesmerizing so far :')
So glad I gave it a chance
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marzipanandminutiae · 10 months
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quotes by Victorians about the 1920s view of their generation's women
"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)
"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)
"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)
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unamazing-sheep21 · 6 months
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The many uses of a Byronic Hero
chair ( Jane & Edward - Jane Eyre)
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Pillow ( Christine & Erik - Phantom of the Opera)
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Car ( Catherine & Heathcliff - Wuthering Heights)
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Water dispenser ( Edith & Thomas - Crimson Peak)
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mayasynth · 4 months
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My beautiful unhinged daughter, Mary Elizabeth Frankenstein <3 I know this was not at all how the scene actually went, but humour me
(Pssssst everyone please read Our Hideous Progeny, pleaseee 🙏)
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sarielsnowings · 1 year
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Where are my fellow Gothic Fiction fans? Surely some of you ended up in here somewhere. Come out I need you.
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I want to draw them more, please feel free to suggest scenarios. I feel like they need to interact. Let the fanfiction begin!
I even made a reference sheet for them and everything. I just need to practise some more. Let’s just pretend they’re my OCs.
Edit: there are now more doodles. Find them under the #Sariel's Victorian disaster men tag
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fictionadventurer · 29 days
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Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.
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forsythiaproductions · 10 months
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Ending Soon! 😱💖
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All your support means the world, thank you for being here with us! Of Sense and Soul is our Queer Victorian Romance visual novel and it has...
Two lives, one love story 🎩👓
Victorian setting 🕰️
Soft queer romance 🌈
Slow burn pining 🔥
Happily ever after 💖
Help us make Of Sense and Soul a reality and back our campaign here! 💪
(Backing is just one way to support the game; you can reblog & like this post to help us with our community challenges, too!)
Play our demo | Get our newsletter | Send us an ask 💌
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