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#this mv has a lot of dragons
dranger78alt · 18 days
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this mv has a lot of dragons and i listed them here
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angryborzois · 10 months
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i feel like ive grown up with Eve's characters and it's actually cool thinking abt that
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project-sekai-facts · 11 months
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As of posting, it has never been outright stated in the game that Mizuki is transgender, although the fact can be inferred from several hints in the story, mainly from how their classmates act around them. Outside of the story, there are several visual codes that suggest or even confirm the fact that Mizuki is trans.
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A lot of color coding and symbolism is used to suggest that Mizuki is transgender, perhaps the most obvious example being their Fragment SEKAI, which uses the same color palette as the transgender pride flag. You can read more about that in this post.
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Both the 2D and 3D MVs for IDSMILE, Mizuki's first commissioned song, switch betwen a pink (typically feminine) and blue (typically masculine) color palette, but are pink for the vast majority of the song. In the 2DMV, the background changes to blue for the first part of the final chorus, before returining to pink before the end of the song.
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In the 3DMV, the lighting changes to blue during the instrumental, then shifts between pink and blue during the bridge, and then remains as pink for the final chorus.
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A similar use of lighting can be seen in Mizuki's trained The One Who Gave Me Courage 4*. Mizuki's room is lit in blue, with pink light filtering in through the window, which Mizuki is leaning towards.
This point was submitted by @glitter-and-strangle-hugs
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And if you look closely at Mizuki's Nightcord icon, you'll notice that it uses the same blue, white & pink color palette as the trans pride flag.
This point was via a reply from @misty-is-a-dragon
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All of the symbolism and color-coding aside, the fact that Mizuki is transgender is actually confirmed by their middle school appearance. When they were in middle school, Mizuki had a typically masculine haircut and wore more masculine clothes. They also wore Kamiyama's male uniform, indicated by the tie used, the side of the blazer that the buttons are on, and the fact that they are wearing trousers.
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You might also notice that in their middle school bedroom, they have a cloth covering their mirror, but in high school the cloth is folded over and the mirror is visible. This could be linked to their appearance at both points in time, and Mizuki being more comfortable with their feminine presentation.
A final, song-based example of Mizuki’s trans coding is that they (alongside Mafuyu) covered Villain, a song with a transgender narrator. Mizuki also has a solo Another Vocal of the cover, which you can listen to in the video above.
The song IDSMILE also adds to the case, since the lyrics describe Mizuki’s situation of being afraid to tell people their secret [about their gender identity] and distancing themself from their friends by keeping it hidden.
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mysadblacksoul · 3 months
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Twenty One Pilots 7 - tape theory lol
So I think we all know what happened the other days. The red tape appeared on the covers of the past albums. What is interesting is that the tape only covers the eyes. Yet in case of Blurryface it covers one circle - and since it's Twenty One Pilots we talk about it has a huge significance
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So get yourself a cup of coffee and let's break down the mystery 1. The tape - significance The tape was very important element to the previous eras. In Trench it was something that was used to cover what is important, which is yourself. Remember what happened in the Nico and the niners mv? After meeting Josh Tyler was given yellow tape to keep him safe.
But it was yellow - why? Because Bishops can't see yellow. So the tape this coloured can keep you safe. How we know that? Let's look back on Ride, Tyler says he likes to "stay in the sun where he's fine". The sun is commonly drawn as yellow.
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In Scaled and Icy era the tape also made an appearance. In Saturday mv, after the submarine was flooded Josh used tape to try to fix it. But it was still the same yellow tape
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Now the tape become red. It is usually associated with sacrifice, danger, and courage. But as you can see it is not used by the pilots. This tape is used by the Bishops to cover people/animals eyes. To prevent them from seeing something they are not supposed to.
But is it the first time we see the red tape? Not really, it is the colour that Josh used in Guns for hands mv. And as you can see the tape also covers his eyes...
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2. Tape - covering eves
How we know it's Bishops? Well, they are the one who banned music from Dema. It is possible that they don't want other's to see what Banditos were doing, the rebellion. What does the tape cover?
On Vessel, it’s on the eyes of Tyler and Josh’s grandfathers, who in the album art could’ve served as the same vessel for their spirit.
On Blurryface, it’s blocking out the first circle, made for HDS. The bishop associated with that? Keons, the one turned (told you it will be important later).
On Trench it's over the eyes of a vulture, the Bandito’s symbol.
And on SAI it covers the eyes of Trash. Why? Trash the dragon represents a vulture. Citizens of Dema literally call vultures “trash dragons”, it means that they’re covering the vulture’s eyes completely.
3. Covering eyes in lyrics
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The lyric from The Outside of course - "I’ve got a long drive, I’ll tape my eyes, so I don’t fall asleep again"
But we can also see eye reference in Heavydirtysoul in "Gangsters don't cry / Therefore, therefore I'm /Mr. Misty-eyed, therefore I'm". And you might ask yourself what the hell does HDS have to do with anything. Well it has a lot to do with Keons. 4. Keons and his importance
So we already established that he is important to this theory, because he is the one who is covered on the Blurryface cover. His name is derived from a Heavydirtysoul lyric, “choKE ON Smoke”. Th
So he is a Bishop but his eyes are covered - why? Well he could be on Bandito side this whole time. Crazy, I know but hear me out.
In the music video storyline, Keons plays a pivotal role in aiding Tyler's escape from Dema and supporting the Banditos in their fight against the oppressive bishops. Keons orchestrates a diversion to allow Tyler to flee and leads a plan to crash the submarine, saving Tyler from the fake bishops' schemes. He also frames another bishop for the submarine incident, leading to their demise. Keons ultimately helps Tyler take control of a bishop vessel to destroy Dema from "the outside". Makes sense right? So it would make him a threat to the other Bishops - therefore he has to be eliminated or blinded. So that he won't interfere with their plan again.
5. Let's talk colours again I know I said that the tape is red. But is it actualy? It could be seen as deep orange and orange also plays a significance in the lore. It symbolizes being a prisoner, like in Heathens mv and Choker mv.
You might say that Heathens is not part of the lore at all. But if we talk colours then Tyler was literary wearing orange while bein opressed and then changed to yellow when he played with Josh. As if he gained the freedom to play music and where the music is prohibited? In Dema
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And in Choker Tyler wore orange beanie, as a symbol of still being controled
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So I believe that IF the tape is orange it could be a colour of opression. Which would makes sense for Bishops to use it. But overall it also stands for determination and strength. It is sure something that Banditos will need for the final battle lol
And in the rap part in Choker you have "You get taller, bolder, stronger and the rearview only blinds you".
The rearview has a symbolism itself. Meaning, if we knew in the past what we know now, we could have acted on that insight.
And fun thing. The drumset in Saturday was also orange
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6. Let's circle back to what we know so far
Well, that the album is comming, which is exciting. That it would be full of lore and that we would see more of the Bishops who are out for blood and revenge
So... I will keep you updated when something new drops!
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hrodvitnon · 24 days
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Lately, I've been noticing that people are comparing MV Godzilla to Doomguy and a cat. It's funny because there's one thing all three of them got in common: people misunderstanding them as violent and angry jerks who hate everything, when that just isn't the case at all.
It's also an unfortunate trend I've been noticing, and now Godzilla's getting mischaracterized to hell and back as a dumb, angry, and violent brute by these people after GvK and GxK, especially on Twitter. In worst cases, I've even seen them say that Godzilla shouldn't be a sympathetic character at all, and that he doesn't need to be because Kong's already there, and as everyone knows, mammals are supposedly "more" sympathetic and relatable than reptiles are. Even though these are all fictional characters at the end of the day, and if so many works can make you sympathize with dragons, non-humanoid robots, and even a literal talking tree-man, among many other non-human and non-mammalian characters, then what's stopping you from doing the same thing to a big nuke lizard?
Also, they act as if Godzilla has never been sympathetic in any of his previous movies before. As if the original Gojira movie, most Showa era movies, Return of Godzilla and Heisei era as a whole, Kiryu Saga (though that applies more to Kiryu himself), and even MV Godzilla's own solo movies and in Legacy of Monsters magically don't exist to these people.
(Apologies for the sorta rant there, but this is really disheartening to see. Even Matt Frank himself has joined in with saying that MV Godzilla is a jerkface and that's all what he should be.)
As if we need another reason to avoid the Wretched Hive of Media Illiteracy and Bad Takes! But if it's any consolation, this house/blog is a MV Godzilla Support Zone: We know why Godzilla behaves the way he does, and he's just as sympathetic as Kong is. Have I made the Doomguy comparison myself? Yes, but only in jest and in response to a meme that also compares Kong and Suko to Kratos and Atreus. (Y'know, from that franchise about a guy who gets angry and kills gods; the guy who, according to old memes, would see stale bread as grounds for deicide; there's a lot more to the guy than that, but not to anyone who thinks "Kratos having nuance is boring" and are so allergic to water that they won't even touch the surface of an iceberg video.) I know how to make a joke and have the required media literacy to understand there's more to these characters than surface-level dumbfuckery.
Godzilla is like Doomguy in the sense that he loves something soft and fluffy (Daisy/Mothra) and will go through bloody hell to save the world; they both harbor scars physical and mental. He is also like cats in that he may bite and scratch, but he is subtle in showing his trust. His story may not have the found family angle like Kong, but Godzilla is still a big grumpy lizard with soulful emotional eyes who saves the world and loves his moth wife very much. Anyone says otherwise, I've got a bridge to sell them.
(Matt Frank, you better be trolling or I will be very disappointed and not reblog any of your art for a while.)
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Mahiru Shiina: Trial 2 Synthesis Theory
Hello everyone! For the “I Love You” drop, I’m just going to jump straight into a full-length theory because I have a LOT that I want to cover and it’s much more comprehensive than my initial thoughts posts usually are. This is partially because all four other admins helped me out, as well as our 6th roommate who isn’t an admin!
As always, I will be using the very fast translation done by @onigiriico, which is linked here! I’ll also be using @iaobug ‘s wonderful translation of Mahiru’s 16 step guide in This Is How To Be In Love With You, which I’ll put here. 
T/W: Suicide, stalking, kidnapping/abduction, toxic relationships, murder, hanging, drowning, malnourishment, force feeding a rat. There WILL be images so please read at your own discretion!
Alright, let’s jump into it!
Mahiru’s murder took place in Aokigahara, AKA the Sea of Trees, AKA the Suicide Forest.
This is based on an initial post by @tomoesan, which has since become unavailable. I’ll post a photo of it here, though:
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It compares Mahiru’s murder location on her card from Undercover to a real place in Japan: Aokigahara. From the pictures, it’s very clear that this was an intentional move by the artists to place Mahiru’s murder somewhere actively recognizable through some google searches. I firmly believe that the forest that they move through in the MV is Aokigahara. 
That’s not all, though. From this image, you can pretty clearly see that the photo seems to be taken from inside a cave. We’ve determined this specific cave to be Ryugu Cave, or The Dragon Cave.
This article shows the exact same photo in the earlier post, citing it as being from the Ryugu Cave. 
The Ryugu Cave also contains the Seno Umi Shrine, within it. You can read a bit about it here, but I firmly believe this to be the shrine mentioned on Day 15 of This Is How To Be In Love With You; more on that later.
Furthermore, the shrine is to Toyotama-hime. In mythology, this references a goddess who falls in love with a prince at a water well. However, he breaks a promise not to spy on her, which results in him seeing her in a monstrous form. Given the lyrical translation of daisuki (which should just mean I love you repeatedly) in the chorus to “monstrously in love,” “monstrous cause I love you,” “monstrous dilemma”... I think that the writers absolutely knew what they were going for, and they were giving a nod to this specific story and the shrine, with Mahiru being the lover turned monster.
Based on all of this, and the fact that I do believe Mahiru’s lover committed suicide, I think that all signs point to Aokigahara, specifically Ryugu Cave, being the location of the murder. I’ll be using this assumption throughout the rest of my theory.
I’ll follow along with the guide, starting at Days 1-8.
I think that Mahiru portrays Days 1-8 approximately correctly.
Days 1-7 are, I think, completely correct. Mahiru meets this guy, assumes it’s fate, and does small things to try to get closer to him and get to know about him. At this point, things probably seem completely normal to him, so there wouldn’t be any reason for him to reject her jogging with him or whatever.
Day 8 is when she waits outside his work, takes him to the park and presumably confesses her love to him. This is where her first inconsistency is. 
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She says that they talked the night away, but she also says that she “chooses not to believe they talked the night away” and that “it felt like no time passed at all.” She also very notably doesn’t actually say what his response was, though she implied it was positive.
I think that it was actually very short; rather than them talking the night away, he probably swiftly rejected her. This, therefore, ends Mahiru’s attempts to get him into a relationship normally. If he won’t love her the way she wants him to, she’ll find a way to make it happen, no matter what.
Mahiru sets a plan into action, starting Day 9.
This is the first page in her journal where the text switches from normal, pristine rows to slanted text. That’s a sign that something is going wrong.
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She mentions that her “boyfriend” is really cute when he’s blackout drunk. I think that it’s possible she drugged him, but even if she didn’t, she used this to get some kind of information. It’s possible she brought him back to his house, getting his address, possibly even stealing keys or something like that. 
I’d theorize that, rather than going here together, she followed him to the bar. Once he was pretty drunk, it’d be a lot easier to convince him to go along with her.
Day 10 is her talking to her beautician; I think that’s all correct. The beautician simply heard about the story through Mahiru’s eyes.
Day 11 is, I think, similar to the bar; she probably followed him to the “date” location. She says it “can’t be a coincidence” their tastes are so similar and that she’s become a different person. That indicates that this isn’t actually a shared taste: he went to the location and she followed him there.
On Day 12, Mahiru abducts her lover.
Day 12 is the day when Mahiru goes to his house for the first time, but somehow, she can’t actually seem to remember anything.
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While that alone is suspicious, there’s also the mirror. We can see her beautician in the mirror, so the fact that he isn’t in the mirror at all seems to imply that he isn’t within the camera’s view at all. Why is she in his entryway without him there to greet her?
The answer is that she’s uninvited. She enters his home, and she takes him. That’s what I think the shot of her jumping on the couch spreading the flowers in This Is How To Be In Love With You is:
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Rather than this being her killing moment, I think that this is her going in and snatching him from his own house. I firmly believe that Mahiru took him to Aokigahara, and I think that this is when she did it.
The scene in the house with the feathers immediately follows Day 12, so it makes sense chronologically. Additionally, for Day 13 onwards, the text switches from just being slanted to being stitched together from smaller boxes; it seems like it’s mimicking a ransom note that’s patched together from magazine or book clippings. This indicates that this is when Mahiru is more actively committing a crime: in this case, kidnapping. 
Days 13-15 are Mahiru moving the body.
If we assume that Mahiru’s end destination is Ryugu Cave based on earlier research, Days 13, 14 and 15 can be interpreted as movement.
Day 13 may seem strange, given that it’s Mahiru seemingly attending a wedding. However, if you pay careful attention to her phrasing, she does not say that she actually attended. She says that she was invited, and that soon, her dreams will come true. I think it’s possible that the wedding location was closer to Aokigahara–it’s near Mt. Fuji, so I’d imagine there could be some scenic locations or something–and she’s mentally using the wedding as a justification for heading that direction. Maybe she even did attend, if it was over that way.
Day 14 is an outdoor date under the stars. She practically begged him to come along. This is her taking him into the woods. I’m not sure exactly how compliant he was being and if she literally dragged him or if he was in more of a “resisting seems like a bad idea” kind of headspace, but I believe that Day 14 is them arriving at the forest and entering. 
It’s notable that, in the scenes in I Love You, Mahiru seems to be leading her lover into the forest. Here’s a screenshot from around 1:37:
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At this point, it doesn’t seem like he’s being forced. However, this ends with him groveling on the ground at 1:55.
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Comparing that to the image immediately after, we understand that Mahiru isn’t seeing the situation clearly. Given that he’s in this kneeling position in both shots, I think it’s safe to say that the shots with the golden lighting are the situation through Mahiru’s eyes. 
He’s very clearly actually beaten down and miserable, but Mahiru depicts them as a cute and happy couple. In fact, at 1:20, the lyrics support this interpretation:
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This too-perfect image of her relationship is captioned with “I actually believed that.” It’s telling us, the audience, that while she actually, genuinely believed that these fantasy segments were reality, we, perhaps, should not do the same. These fantasy segments aren’t real.
Mahiru has already proven her capability of being an unreliable narrator in the past, concealing a lot of information within the text of her 16 Day Guide. I don’t want to completely discount these fantasies, but I’m trusting the side by side comparisons it gives us that they are NOT, in any way shape or form, what she portrays them as. I don’t want to take any of it at face value.
Anyways, Day 15 is the end destination of their journey: the arrival at Ryugu Cave. This is the shrine that she mentions. 
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As stated earlier, Ryugu Cave contains a shrine. Though the cave isn’t available to tourists, that just increases the chances that Mahiru could get away with imprisoning her captive there without being spotted by the patrols that go through.
For reference, this cave is very deep: 96 m, or approximately 315 ft. It would be pretty hard for him to escape once they’re there, which resounds with her wish: they’ll stay like that until the end of time, and no one will stand in her way.
Day 16 is… a snapping point.
Day 16 is when we see Mahiru prepare her lovely boyfriend a wonderful meal of all his favorites. I think that this is when the 2:13/2:14 fantasy split happens:
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While she sees herself giving him cake pleasantly, in reality, she seems to be… force feeding him a rat?? 
I know some people think that the cake is a metaphor for toxicity, and that because he feeds it to her first in the video, it means that the relationship is mutually toxic. From what I’ve seen, this theory completely disregards both the rat aspect and the fantasy filter over the cake scene. I think it’s far more likely that him feeding her cake was Mahiru idealizing the real events. Maybe she ate the rats, too, and she liked to think he’d feed her, too. It’s them eating together; if the cake can be a rat, him feeding it to her can be a similarly significant misperception. 
In any case, given that this is the last day in the guide, I think that this is the end of the line for him. He can’t take being her captive anymore, and sometime when she’s not away, he commits suicide.
I’m not entirely sure how. Obviously, we see him hanging at several points in the video, most prominently at the end:
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But we can also see that he appears to be soaked with water at the very beginning.
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There are lakes within Ryugu Cave. They’d also likely be cold enough to give him some form of hypothermia, explaining the blue tint to his skin in the second of the two images (he seems to have dried off by the second). Because of this, I’m somewhat inclined to lean towards drowning because it seems like it would have been more accessible to him. In that case, though, I’m not sure how he ends up hanging. I don’t feel like Mahiru would put him there; it feels much more likely to me that she would jump into the lake with him so that they could be together forever or something. 
So, I’m not sure whether he hangs himself or drowns himself, but the gist is, he ends up dead. That’s what Mahiru blames herself for.
VOTE: GUILTY
I know that she’s currently leaning innocent and many people feel strongly about it, but please hear me out here.
In Mahiru’s audio drama, she very clearly does not grasp the gravity of what she did. If she really did kidnap him, bring him to the suicide forest and force feed him rats… that is NOT loving someone “normally,” as she’s so insistent that she did.
Her current perception is that when she loves someone normally, it’s wrong. That’s what she’s said about her guilty verdict. However, if we switch gears and vote her innocent, what will that tell her? 
I think it would tell her that her love is okay–and, to the delusional Mahiru, that means saying that all of what she did is okay. If she believes this is loving someone normally, then I’d rather tell her not to love anyone like this again. It’s going to be hard for her to accept, and I recognize we might lose her between trials, but I think telling her that this is okay is even worse.
I do meta vote, but I do it in the context of trying to secure as many viable innocent votes for the third trial as possible. I think that, if we vote Mahiru innocent, she’ll go back to her fully delusional self. I think guilty is the only way to make the message stick, and the message has to stick if she has a chance at getting an innocent verdict in the end. I really urge you to consider it, because I think that voting her innocent will be a huge mistake on the fanbase’s part (which is the same exact way I felt about the Kotoko vote in Trial 1).
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alexandia03 · 3 days
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Inkpot Gods?? I'm listening 👂👂👂
Ahhh, yes. This is my baby project that started as a little joke and spiralled into me planning a spin-off fic for Memento Vivere. It is still in the early stages and I had a separate post prepared for this but...
Inkpot Gods will be a collection of stories about the other Cardulo-Tavis idiots I absolutely fell in love with (and everyone gave them a warm welcome so far so...). The first chapter already has 3K words and unlike with MV, I have no idea where I am going with this story. It will mostly be a place where I will throw all the stories and flashback scenes I come up with about Braelyn and Derik (if I am suffering I am taking you all down with me).
And there will probably be many 'afterlife' chapters with these two watching over their younger siblings because I love to make myself suffer like that.
The title is inspired by this goddamned song from The Amazing Devil, which reminds me a lot of Braelyn and Derik's dynamic as a couple.
And now a little sneak-peak...
I look at the soldier standing closest to the bars, laughing at a joke his colleague made, paying us absolutely no mind - we are a threat they have already neutralized, in their arrogant narrow minds. But oh, I could make him throw me his sword though these bars with just a couple of words… better yet, I could make the rider next to him, a mountain of a man who is twice my size and who probably has a lame-ass fire signet, turn on his friends and kill them for me. I could do it all and even more.  “No, you couldn’t.” Derik groans and I am vaguely aware of his spectral presence squatting next to me. I don’t even know when he moved through the cell to come next to me by the cell bars. “You haven’t eaten anything since before you were captured by General Bitchgail, you haven’t slept in days… not to mention you almost drained yourself when you manipulated those two dragons yesterday.”  “Since when are you the voice of reason?” I grumble, my voice barely above a whisper and still refusing to look towards him. He is not here, not really - I know he is just a trick of my own sleep-deprived mind and the last thing I want is to draw the attention of my mom and Mrs. Tavis by arguing out-loud with this fucked-up hallucination of my dead boyfriend. 
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sunlit-haruka · 6 months
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Kotoko Yuzuriha and Love
Hello Milgram fandom ! So while I prepare my longer Kotoko theory post (the post about Pink-Shirt-Girl), I wanted to make a shorter post about something that has been on my mind for a while now, and I wanted to invite some discussion to it with this post !! Basically: Kotoko has a lot of references to love in her character. So many in fact that I really do feel like it might be relevant. Firstly, let's start with the most prominent example
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Girl friend, what does this mean. From the probably hundreds of questions that were asked to Mikoto and Kotoko, this one was one of the twenty that were picked out. And considering how Mikoto's questions were used to foreshadow parts of his MV like the phone call with his mother, I feel like this could very well mean something important that will be explained later on Another thing that I feel is important to comment on is her cover songs, specifically her cover song in T2, Streaming Heart
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(source: Vocaloid Wiki)
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(source: Vocaloid Lyrics Wiki) Now to be completely fair, a large majority of Deco's library has to do with the theme of relationships, so it's not like Kotoko is necessarily special in that regard. But when you add in the fact that Streaming Heart could be connected to Monoprisoner, Mikoto's T1 cover, abd a few of the lyrics like > "You're a weakling, aren't ya?" (tfw useless weaklings won't shut up and let you protect them like how dare they /j) The choice feels very deliberate and I feel like it is meant to tell us more about Kotoko's character than we're made to believe. These next two points are a pretty big stretch, but I'm going to mention them anyway so I can gloat about being right if I end up being right /j So, Kotoko's birthday art.
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I know. She is very beautiful. But more than that, the fruit associated with her cake is the Dragon Fruit, which on one hand is absolutely genius considering the first kanji in Kotoko's name means Japanese Harp (according to the milgram wiki) and that instrument, called a koto funnily enough, has connections to dragons and protection, which fit Kotoko very well (the urge to make a Milgram name meanings analysis post is rising) However, the Dragon Fruit also has connections to love
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Now the most likely answer why the dragon fruit was chosen (especially since I could only really find this on one website) is the koto thing I mentioned earlier. But I did find this, so I thought I'd note it down And lastly, probably the biggest stretch of all:
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Deep Cover's MV coming out on Mahiru's birthday...is probably a coincidence let's be real. But considering how much love has been foreshadowed for Kotoko's character, her MV coming out on the birthday of Mahiru fucking Shiina feels like something to note This post wasn't comprehensive at all and was mostly just a bunch of rambling about things I've noticed and thought about, but I would love to hear if anyone has any interpretations of what this could mean overall ! PS: I wrote half of this post dead fucking tired after an all nighter. if you see any typos, no you don't
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sophietv · 10 months
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What are your thoughts on 1975 fans trying to attribute a lot of Easter eggs to Matty in the new video? :( Someone on Twitter put a visual together of all the highlights and it’s so annoying because when it’s laid out like that I see it and I hate that I see it. Just like lighting visuals being very similar, and particular dates being significant to the 1975 and/or Taylor. For example, the July 9th 1:38 people are saying is for Taylor and Matty’s birthdays (the 13th and the 8th). I guess the timeline makes sense because early April when she filmed this video would have been around the time when she was hanging out with him and doing whatever pr nightmare that was…talk me off the ledge pls! Lol.
Hi!
Don't worry, I went and check the threads you were talking about and I'm confident that it's not related or at least not as they think.
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The lighting in I Can See You Lyrics Video is the bisexual lighting and fits really well with the theme of the song.
Her comparing being in love with another woman to being a spy and having to navigate cautiously to not be seen.
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The spy scene is remisnescent of a commercial she did:
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(X)
And what she was trying to protect back then in the briefcase was a microphone you know to "Speak Now" maybe...
The videoclip has a lot of references to Look What You Made Me Do both MV and Eras Tour number, and I think it's very important and meant to point at Karma.
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A girl, that is remisnecent of Lizz comes and save her with her beard at the time that shielded her.
All her outfit of her public appearance (X) emprisonned behing glass.
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Side note on all of this is reminescent of the Tom Ford commercial Karlie did not long ago
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With the lyrics video too:
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Her being locked up in a Vault. With an orange door.
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And the Eclipsed Sun imagery (do with that that you will ;-) )
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Also some Karlie's parallel:
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With Long Live lyrics on her arm.
"I had the time of my life fighting dragons with you"
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Long Live was written a month after Chely Wright came out. And if you take the time to really look at the lyrics, you see how well this all fits together.
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Someone counted all the marks on the wall, and there's 1468 lines/days.
The exact number of days between when her masters got stolen and her releasing Speak Now Taylor's Version (X)
When she's finally free. All the glass closet shatter.
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And even more. The building holding her captive explodes once and for all.
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The person who help her escape has stars on her right side (Eye theory I'm looking at you)
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Stars on the face are there always to depict Taylor Swift TM public personna.
And she's the only one that can actually see Taylor and help her out.
Some say it might be gaylors, who can actually see the real Taylor.
But whoever this person is meant to represent.
She codes...
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And has a ring on her right ring finger....
Now the dates:
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It's tonight.
Remembre how Taylor said that Speak Now her version would be out on July 7th just in time for July 9th where we would be able to celebrate?
Now the time 1:38. The mission starts at that time. But how much time would it take to get her out? 20 minutes maybe?
Wich leads to: "Lit through the darkness at 1:58" and "That July ninth, the beat of your heart"
Both lyrics from last kiss.
To me it does sound like a rendez-vous. Now the only thing to determine is: is it 1:38 ET or 1:38 Liverpool time wich would be 8:38 ET (just before Taylor goes on stage for the show tonight).
And notice that in the countdown yesterday. Beside the clock in the front, every other clocks pointed to 1:58
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And the other date is where it gets really interesting...
I found this last night.
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May 22 2020
Here's what happened for Taylor on that date:
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And when you type the adress, you are still led to her website with this ULR message:
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"they wouldn't me do it Karma" (X)
And yes, I think it is exactly what you think it is...
Remembre how last week right before Karlie posted 6 palm trees (Karma was supposed to be TS 6th album)
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The URL on karmaonthewall.com changed for "after Midnights it starts" to "Ready For It"
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Suki, Austin and Kristine Karlie's sister also posted palm trees last week....
Here's a post I did about how Ready For It is relevent for all of this (X)
So yeah... everything in that MV is sooo important.
Nothing is related to Matty.
Now we just have to wait and see. And show a lot of support and love for that amazing woman who's been throught so much and deserves the world.
And after this URL change of last night... I think we can safely agree that karmaonthewall.com is really related to Taylor too...
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phyriaxi · 5 months
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Another ask separate from my rq, are there any artists or other influences that have inspired your art that you'd like to share?
ohh boy, this is definitely a question I can ramble about (apologies in advance for the long text!!)
Short Answer (a list of lasting artistic influences):
Movies/animanga: How to Train Your Dragon, Avatar (not ATLA, sorry) , Evangelion, Pinch Point (by VLANCAT), Land of the Lustrous, Tower of God, CSM, Tokyo Ghoul, 86 EIGHTY-SIX
Games: Arknights, Cytus II (rip art team..), Honkai Impact 3rd, Destiny 2
artists/illustrators/animators: Shilin, Ishida Sui, yasutatsu, WOOMA, par0llel, suzumesakiii, Dino_illus, liduke, ligton1225, Curie Lu, 96yottea, many many others... I could write nearly every Arknights illustrator as well and still not be satisfied ..
Music: classical music, Ado, KIVA, Eve (the MVs..!), i think i need to stop listing things now because it'll never end
Long Answer (rambling):
when it comes to art, i am definitely inspired by other visual artists, but i am also very inspired by the world around me as well as creators of other types of media. i'm extremely lucky to have grown up in a lively, diverse city with a wonderfully creative family, so the art and music of my family and environment plays a large part in my artistic preferences!! Something I have really wanted to integrate more deeply into my art is the contrast between new and old, grungy and refined... it reflects a lot of the conflicts that make up what I consider to be "me." Also, I just really like the vibe of chaotic industrial zones and rusty metal combined with a shining city in the distance, lol.
Regarding particularly influential media: pretty much anyone who's taken a glance at my blog will know immediately that Arknights is one of my biggest influences. it's basically all i draw nowadays... whenever I'm not thinking about Responsibilities and Adult Life i'm usually thinking about either Arknights or Ado (<3).
before Arknights, I spent a long time drawing fanart and fan-characters inspired by How to Train Your Dragon. Both the visual and musical aspects of that series still have a very dear place in my heart, even if I don't engage much with the community anymore. I actually only really started drawing not-dragons about 3 or 4 years ago at this point. Something I have been thinking about a lot recently is how I can go back to drawing more creatures alongside my humanoid subjects, since it's not something I've done very much recently.
Gradually I began to find more friends in the art community, and I think I'm very influenced by those people as well! It isn't a competition, of course, but being around people who are also pushing to improve is a big motivator when I am feeling low on passion. "I want to stand together with them at the top of world one day", is how I often feel. I really want to work on a collaborative project with other artists someday as well. Trying to build my skill is partially because I want to better express my ideas, but also because I want to inspire and be inspired by other creators. :D I think my art has been evolving at a pretty good pace recently because of these motivators.. the friends and regulars (including you, burstfoot!!) that visit my blog regularly here really motivate me too!!
and lastly, I'm at a point in my life where I feel that if I can't get this art thing off the ground, I will probably have to give up on pursuing it properly soon... so it's partially desperation that is inspiring me to change and try new ways of expression as well :,]
[ thank you for the ask!! ]
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snapdragons-sunshine · 6 months
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An Introduction
Hi, I go by either Snap or Newt. I've had a Tumblr blog before, but this time I want to create one solely focused on writing, whether that be relating to writing or just writing in general. I have a bunch of main wips as of this time (not counting my short stories or the occasional oneshots/flash fiction pieces I do that I call fanfiction but I don't think can really be counted as such).
wips with titles
Lost Paradise. Set in Italy, possibly in the 1800s, and is dark fantasy with religious themes. So far, I have the rough draft done but just keep on procrastinating with the editing. tag is: lost paradise.
Seven Nights in Roseblood Hall. Short vampire-centric story about a murder mystery that I started writing for Halloween this year but haven't completed yet. I have written about four chapters of the first draft. tag is: seven nights at roseblood hall.
The Secret Sun. Possibly a stand alone story, possibly a short story in a sequence of four stories. I haven't decided yet. I know the Secret Sun is a historical story set in a fantasy (or alternate world) with time travel as the main theme. tag is: secret sun.
Cecilia and the Ghosts is a short story (hopefully) that is about a girl that can see/hear ghosts, and is told from the point of view of her friend Alexander, who is a star that is sometimes also a human. tag is: cecilia and the ghosts.
wips without titles (yet)
a sci-fi apocalyptic story that doesn't have a set plot yet but that has so far been exclusively created from listening to too many Imagine Dragons songs. tag: imagine dragons story/id story.
a fanfic story with a lot of semi-ocs that is centered around the cast from the HoneyWorks mvs ai no scenario, light proof theory, cherry blossoms dance at dawn, and pride revolution. tag: reincarnation story.
Some of my other, older stories and wip projects I may post about from time to time. Zehm is a fantasy universe that I've created, somewhat outside of story writing, and I use zehm tag for it. There are a lot of characters and worldbuilding/lore I have for Zehm, but I'm always down to talk about it. Thinking up more and more stuff for it is always an enjoyment of mine.
I primarily enjoy writing fantasy (urban fantasy is my jam :) and mythical/fairy tale like stuff, but I also have a weakness for historical novels if they have a magic aspect. I do enjoy a writing challenge, though - and I hope that making this blog will help me with that.
I also really enjoy reading, so I'm always down for book or fic recs.
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wildflowercryptid · 8 months
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it's kinda fun to speculate on which pokémon miku will be partnered with for project voltage so here are my predictions of what pokémon we'll see with miku for the remaining types! (this is also kind of a wishlist bc some of these could be a bit of a stretch.)
i'll start off with the ones that have a more obvious connection to music or sound and don't really require an explanation bc of that.
BUG : kriketune
FLYING : altaria*
DARK : obstagoon
FAIRY : jigglypuff
POISON : toxtricity
now, the ones that i feel like require more of an explanation.
FIGHTING : sirfetch'd — regional evo of project voltage's poster pokémon, farfetch'd. doesn't have a connection to music or electronics, but does have a huge ass leek. could also be galarian farfetch'd, but sirfetch'd is what i'd like to see more.
GHOST : gourgeist — its gen 6 pokédex entries all reference it singing, its hair-like tendrils also remind me of miku's twin tails.
DRAGON : noivern — BOOMBOX BAT. okay, enough said. moving along.
* (actually, not moving along bc i wanna mention that i feel like you could easily swap noivern and altaria for each other since they have similar typing. it just depends on what aesthetic they're going for for each type.)
GROUND : flygon — its wings create a "singing" sound when they're flapped, earning it the name "the desert spirit." *insert sand plant reference here*
ROCK : nihilego — mystical pokémon aren't off limits so they might as well throw an ultra beast in there. it's said to show the mannerisms of a young girl at times, along with being able to create illusions and see the memories of human in the anime. that reminds me a lot of how miku is able to take on whatever form producers or artists wish to put her in. i feel like there's a lot of cool imagery you could do with this combo, too. like making miku's hair look like nihilego's tendrils or nihilego transforming into miku, but looking like her standard design.
STEEL : jirachi — the lore around jirachi is that it only awakes for 7 days every thousand years unless it is awoken by a voice of purity singing to it. you can't tell me that wouldn't be perfect for miku, just imagine the mv... it also has the ability to grant wishes, like how miku is able to grant people's wish to create beautiful things like music or art through her! 😊
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sofia-drawsmore · 1 year
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I started trying to make a silly little game about being a tiny dragon named Tart and collecting enough treasure to make an even bigger dragon notice you and maybe fall in love with you and sleep with you in your big bed
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So far it’s not going too great! I’m making it in RPG Maker MV because it’s the only game engine I’m familiar with. But I’m also working on an M1 Mac mini. This program was made before macs stopped supporting 32-bit apps, and while the editor itself runs just fine, testing the game is a nightmare because it constantly crashes.
I’m hoping to eventually get my hands on the newer version, MZ, since it apparently has bug fixes specifically for newer Macs, but until then I’m gonna try figuring out how to update the njws files properly so I can keep working.
In the meantime, I’ll keep making assets and writing the story. It’s gonna be very short, a cute little experience that I hope makes people laugh a lot while they play it. Nothing too ambitious. I’m very excited to show off more as I go!
You can follow along with the tag “tart game” if you’re interested, and if not, I hope you at least check it out whenever it’s finished!
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fumikomiyasaki · 1 year
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A Bloody Banquet
Speaking of the Previous Co-connect song “In the dead of the Night.” There is a Girls and Boys version of the song and in the Server We discussed how the MV could play out.
Ellis @starry-night-rose is the more Wolf in sheeps clothing Vampire, she is sweet and Malleus knows nothing of her Identity hence he faces away from her... in the end of her part she will be feasting of him cause he offered it.
Juvia @windbornearchon has befriended the commoner Mellow yet she has regret over her hunger for his blood... hence she is crying and he also doesn’t know about her identity and faces away.
Chizuko @sakuramidnight15 was after the local Noble Flynn, yet he has suspicions about her, so in this pick her is looking at her... being one that escapes her a lot before her accepts his fate.
And Lastly Carol went after Jesh @silent-dragon however he was well aware about her Vampire Nature while she was clueless about him being a werewolf, hence he left bitemarks on her while she has a bitemark on him... like they are accepting each other as species.
This was lotsa work with all the details so I would appreciate some sharing.
Also tagging: @nem0-nee @rosietrace @authoruio  as well
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jmdbjk · 1 year
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It’s a VIBE
OMG I CANNOT WAIT FOR JIMIN’S OWN MUSIC!!!
I CAN NOT WAIT ....
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Watching Taeyang’s Youtube live waiting for VIBE MV... 
Firstly. I am gonna preface this with a lot of excuses because I am a BTS stan and I’m only here for BTS and no one else. This is my first experience with Taeyang. I never saw or heard of the man prior to the first VIBE teaser drop. I don’t really know anything about BigBang except I’ve heard of G-Dragon and that there was some scandal but I didn’t even read up on the details of that. And also that they were popular back in the day and that Jimin (and maybe the other members) admired them or thought they were cool, probably emulated them. But I’m simply not interested in any other groups. 
I have immersed myself in BTS for a few years now. I know the members of BTS... I know their personalities, their laughs, their relationships with the other members, their relationship with Army. I’ve watched them during Vlive and Welive broadcasts. I am very strongly biased to BTS. So I am trying to explain why I am saying me, personally, didn’t think Taeyang was very engaging during his live broadcast. This coming of course from someone who watched Jimin put together a plastic flower for thirty minutes...
Secondly, I felt like I was watching Taeyang do a PowerPoint presentation with that flip chart thingy. If you can’t speak extemporaneously for an hour then don’t do an hour. Thirty minutes prior would have been plenty.
Thirdly, the production of the live broadcast was crap. There were noises in the background, the volume of a device was turned up enough that there was the constant delayed echo of everything he was saying and then when he decided to sing, the feedback was awful. We end up seeing there’s over a dozen other people with cameras pointing at him recording his PowerPoint presentation.
I stopped watching when he started to sing because the audio feedback. 
The ONE thing that WAS pretty nice during the broadcast was the English transcription CG’d right on the screen while he spoke. THAT is something I wish would happen when our guys did live broadcasts. I can understand how difficult it would be when they are together as a group, but when they are doing individual lives, that would be most awesome
ALL THAT BEING SAID... I understand Taeyang has been away from the limelight for a while. This is his comeback in the true sense of the word. I think he said six years since he put out new music? And in that time he’s done his military service, gotten married, had a kid. So his live was a way for him to reconnect with his fanbase. I get it. YAY FOR HIM AND THEM! I mean that sincerely. 
I’m sure Taeyang is a very pleasant person. 
Other things that stuck out to me: he spoke about Jimin briefly, said his rote bit almost verbatim that we saw in the Rolling Stone interview, about how working with Jimin came about. Then he moved on. Didn’t make a big deal out of it. And at the top of each of his flip cards were the words: TAEYANG’S VIBE... his team making sure to reiterate this was HIS song. Or maybe TAEYANG’S VIBE was just the title of his presentation, his reconnection with his fans... But my first impression was the former not the latter because twitter trends were #jiminVIBE etc... etc...and maybe his team took it too personal. Sorry fam, that’s how we roll. Get out of the way or get run over. 
BACK TO VIBE (I am shamelessly starting the video at approx 1:15... so hate me I don’t care, I only care about Jimin)
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hanarchy · 1 month
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was tagged by @slowwshoww and i want to preface this with: you wanted music recs but i am very public on this blog abt my very strangely limited music taste so this is on u and now u have to deal with it. that being said though, I’m gonna give u some reasons for each song 🙏
i was tagged to post the first 10 songs of my on repeat playlist and here they are
1. chung ha - i’m ready (club banger, like its just good gay club music, chung ha is such a fucking star its wild)
2. stray kids - stop (weird old deep cut from skz discography that sounds like if u mix minimal techno with a kpop impression of imagine dragons and weirdly goes extremely hard bc of it)
3. key - gasoline (listen like. this song is like the platonic ideal of a kpop song to me. which isnt to say it’s the best one but like its such a good illustration of what a lot of kpop sounds like today. like a little cringe on first listen, a bit of rap you dont really wanna deal with, some belting in between but after listening to it like twice it’ll be stuck in your head and the beat/background instrumental/hook is just FUN)
4. zakwe - music (Zakwe is like the godfather of south african rap from what i gather and i REALLY have to ask all of u to listen to it just ONCE if youve never heard someone rap in zulu, that shit is INSANE. This song was made in 2011 and his wikipedia says he once opened for kanye west so 2011 kanye gives you a decent idea of what this song sounds like)
5. Han from Stray Kids - RUN (i love him. its a really good song)
6. kehlani - piece of Mind (i love this fucking kehlani record sooooo much and this song is so painful imo but also very lovely in many ways)
7. bruce springsteen - tenth avenue freeze-out (listen like. I have never been able to resist some good horns OR a great saxophone and this song has both. is it a little cringe? yes. all the best bruce springsteen songs are.)
8. Stray Kids - The Tortoise and the Hare (top 3 skz songs ever made. insane experimental rap thing they made kind of mangling a korean childrens rhyme as well as the fable of the tortoise and the hare obv)
9. taemin - press your number (listen if you only ever listen to one kpop song in ur entire life make it a taemin song and dont just listen but watch the mv is my opinion. not this one tbh, it’s just the one I’m currently obsessed with)
10. stray kids - easy (also top 10 skz songs easy (lol) its just so good. the rap is there the beat is there the vibe goes hard, the choreo also slaps if ur inclined to look at the mv)
i tag @wantbytaemin @hyunpic @bourgeoix @alexenglish @biolums @geniaparadox @mybodyfails and thats everyone i can think of rn but also u guys dont have to give commentary 🙏
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