Kerry is only available as a romance option for male-presenting V in Cyberpunk 2077 and is portrayed as a gay man. However, he is bisexual in the original tabletop game created by Mike Pondsmith. <…> “Honestly, we still consider Kerry to be bisexual,” replied R. Talsorian Games. Additionally, they provided the context that, “with male-presenting V vs female-presenting V we suspect Kerry’s attraction is deeply rooted into unresolved issues involving Johnny. Male-presenting V fits that particular mold better, to his subconscious.” This context, while potentially intriguing, isn’t particularly explored in the game, and has only led to more confusion about Kerry’s romance. Kerry associating a male-presenting V more closely with Johnny, and being more attracted to him as a result, shouldn’t change his sexuality as a bisexual man. As one reply to R. Talsorian Games says, “I am not straight when dating a man and I am not a lesbian when dating a woman. I am bisexual. To try to call me otherwise is bi erasure and plays into a lot of biphobic stereotypes.” In a role-playing sense, it’s also left those who have romanced Kerry feeling uncomfortable with the idea that Kerry is less into V on his own terms, and more into Johnny. <...> It’s clear throughout Cyberpunk 2077 that the grounds for Kerry and V’s relationship are found in each other and not Johnny. Kerry as a character is prevented from being an authentically bisexual man. It makes celebrating him as a gay man in Cyberpunk 2077 extremely complicated, for doing so requires the acknowledgment that this character’s sexuality differs across the material. And sexuality can certainly change. Kerry could have been bisexual at one point in his life and then later discovered that he’s gay. This would’ve been an easier explanation — and one that doesn’t undermine his relationship with V by making it about someone else. However, Kerry isn’t a real person; he’s a fictional character. And the universe in which he exists doesn’t acknowledge or address this possibility, so this credit can’t be given.

I can't stop thinking about how funny it is that Aang had all this secret lore on Zuko because of the Blue Spirit that he just, didn't share with the Gaang. That boy knew that Zuko was capable of fighting extremely well without bending, was excellent with swords and unnaturally good at infiltration and espionage. And then just never brought it up.

Katara's yelling at Zuko on how he thinks he'd be able to find and break into the Sun Warrior Temple while Aang is fidgeting in the background. Sokka starts giving Zuko a hard time about his swords, asking if a spoiled prince would know how to use them. Aang is vibrating unsure of how to explain that Sokka Might Die if he tried to swordfight Zuko unprepared but now its been too long and it'd be super awkward to bring up.

girl experiences gender euphoria and is immediately slammed by grief

for @litttlittt <3. this was supposed to be a portrait of caroline hill, but litta mentioned tim looking like janet when dressed as caroline and identity issues and angst and things spiraled

something about tim not knowing if he's his mother's child or bruce's or neither's.

figuring out the looks:

i wanted janet to have that poofy 70s hair

god okay disco elysium fans try and understand the consequences of actions challenge. jean is a dick but also he's like that... for a reason. kim has literally only just met harry he has no frame of reference for the past and NEITHER DOES THE PLAYER. Jean's been with harry since he was sober. he's seen the downfall. harry's gone clean before and all that happens is he fell in again. none of yall have had to be friends with an addict and it shows. it's constant. its painful. eventually compassion fatigue. you just can't care like you used to because every single time you offered a hand it got bit. sunk cost fallacy forces you to stay but its like poison. toxic, eating away at you, an albatross. you can't leave him but you can't live with him. you know hes hurting so so bad but the hurt spills from his overflowing heart into anger and its directed at you.

anyway td;lr jean's got good reason for giving up on harry, martinase was just his final straw. its not just "ough you shouted at me while being mentally ill once and now im mad :(" its "i have watched you systematically destroy yourself from the inside out. you are burning alive and every time i try to help you i get burnt. you have embraced the flames at this point and i don't know how else to help anymore. you arent who i used to know."

EXCEPT HE DOESN'T EVEN DO THAT BECAUSE HE CAME BACK. he came back literally as soon as the waterlock got fixed. he still fucking cares.

This is something I'll probably never actually do but I'd love to take a plain white t-shirt and write 'I HATE SEX' on it. I'm sex repulsed, not sex negative, but it's annoying how somehow you have to justify being sex repulsed by specifying that you're not sex negative

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

“Me hating men isn’t radfem behavior! TERFs don’t even actually hate men, they just hate trans women.” Radfems would beg to fucking differ!! They most certainly hate men, and they will tell you so with pride. Have you ever actually heard from a radfem? They think all men are inherently predatory and dangerous and should be kept as far away from women as humanly possible if not outright be killed. Yes, they hate trans women the most—because they conceptualize them as men mocking and harming “real” women. That doesn’t mean they aren’t also misogynistic towards trans women; they are. That also doesn’t mean they don’t team up with cis men against trans people sometimes; they do. But if you look into it literally at all you will immediately see that radical feminist ideology hinges on blaming not just the structure of patriarchy but individual men for the oppression of women. If coming to terms with that makes you uncomfortable, sit with that for a while and figure out just how comfortable you are with bio- and gender-essentialism.

Attempting to get the beast used to a dental hygiene routine is… well, it’s going.

(She stayed that way for a solid 8 seconds despite hating being held belly up so I think it’s safe to say that Mim is not beating the ‘tiny speaker playing elevator music instead of a brain’ allegations any time soon.)

ao3 commenter: wow I noticed this pattern in your works that might be saying something about your psyche! why do you think this one thing repeats in your fics?

me:

i was thinking about tim & his interesting (to me) relationship with physical distance from gotham & how he will often choose to leave to clear his head in moments when he's unsure of life or just not doing very well.

& to me the parallels between the fact that his parents used their trips as a way to try to salvage their marriage & how while he had issues about feeling like they left him behind to go on adventures, he also probably internalized some of the need to get away to think from them.

like robin i, we have tim choosing to leave gotham (& his parents, which was very hard and strange for him) immediately after the events of rite of passage and his mother's funeral & him officially getting the robin costume. and he goes to train, but he goes to train because he feels unsure about his place and whether he's really ready to be robin.

and then we have him choose to leave again to finish his training after the death of young el & tim's inability to save him.

and then he leaves again to go help danny temple after bruce gives away his identity to stephanie & he's struggling with the betrayal of bruce & steph with that whole thing.

and then he leaves for bludhaven after his dad & steph die.

and then bruce, dick, & tim leave gotham during 52 to heal after the events of infinite crisis.

and then he famously leaves gotham to go have his around the world breakdown & search for bruce in red robin.

&&for all of these, it's like. the going away is the breakdown, the return is when he truly heals. so it's like to me, i guess. for tim, he has an extremely good head for when he needs to get away and be alone because he's not happy with his status quo or where he is in life. in fact, the first thing he usually chooses to do when he's at a low point or he's not acting like himself is leave to get some distance from his problem, but him being away is also inevitably a sign that he's avoiding his problems & not actually dealing with it (much like his parents going away to work on their marriage was not actually addressing the underlying problem that is the fact that their marriage was fundamentally not working out). and he always comes to the realization after he's had some time alone that he needs to go back to gotham and not avoid the problem in order to actually make headway on dealing with whatever he's struggling with.

because tim is a character where that physical distance is him trying to get some clarity for himself on whatever situation is ailing him, but he can't actually deal with the situation that's ailing him until he returns home to actually deal with it (also related, why him leaving inevitably ends up in him getting wrapped up in other people's problems, so he can avoid dealing with his own). the answer is usually, for him, "oh, i should go home and face it head on". and that kind of tracks for tim in that, imo, that he is not a character where distance heals for him, necessarily, and space isn't what he needs to work things out, he's the kind of person who needs to be there in order to actually resolve the conflict he feels internally. he's a needler--he will poke & prod at the problem until it's worked out to his satisfaction.

random Hunter headcanon GO!

AHH OKAY one of my random hcs is that hunter's smile is kinda asymmetrical/lopsided/wider on the left side cuz of his scars, especially after thanks to them. i imagine they'd significantly pull on his skin and could even affect nerves and definitely some range of motion, so-

sorta like this:

I am seeing some of the WORST takes about tdp season 4. Sweet, sweet tumblr users. This season was a lot of set up, not everything was supposed to be explained or resolved, or even "should" have been. Season 4 had to do the heavy leg work of re-establishing characters and arcs and the plot moving foreword. It just needs a little time to be able to act on everything it's now established. It did a good job building off of arc 1, and now we are fully indoctrinated into arc 2!

Prompt 241

Wing au? Wing Au. With perhaps a bit of a twist. Also a hint of eldritchness perhaps. For fun! 

Ghosts have wings. Sure, they aren’t normally seen, not in the visible spectrum, but they do. Scanners pick them up, and sometimes a ghost might even reveal them, which was hypothesized to be some sort of animalistic intimidation attempt. (Something more than one Amity Parker rolled their eyes at)

Everyone had seen them at least once- the motorcycle-driving ghost’s mass of shadowy feathers, the green-haired girls matching shaggy ones, the rocker’s ones that looked like pages of music before bursting into flame. Even the box ghost’s had been spotted- feathers looking more like sheets of cardboard than anything else. 

It wasn’t until the whole kidnapped to the ghost zone that anyone saw Phantom’s, but that was another tale unto itself really. Honestly the arrival of the GIW would have maybe been seen as positive before, but the fact that many of them had looked in the mirror or gone to the doctors only to find feathers beginning to sprout on their back soured it. 

Especially as the GIW continues to prattle on and on about how all ecto-contaminated scum are less than human, less than bacteria. And well, what does that make them? Them, who have been to the realms of the dead and gods and back, touched by the swirling green energy in ways incomprehensible? Changed by that energy? 

So the people silently brush hidden feathers together, quietly rebuff the white-wearing lunatics from the city as best they can, and hope to anything listening that they can stop anyone else from disappearing. That maybe they can find the few no one noticed had been taken before it’s too late, even if they have to tear down the entire government to do it. 

So I’ve been trying to get into a new anime and had to force myself to go through the first three episodes because the protagonist did not sit well with me. Nothing bad about him, he’s just not the kind of intelligent bastard character I prefer.

And that got me thinking. I’ve been obsessed with Luffy for two years now. He’s my favorite One Piece character. He’s one of my favorite characters in all media, period. I adore him.

But, and I think we can all agree, he is very much not the sharpest crayon in the box.

Usually, I would hate this type of character. In fact, it was one of the reasons it took me so long to watch One Piece – I was one hundred percent sure Luffy would bore me. I saw the fandom joking around about his idiocy, and didn’t really look more into it before deciding that 900+ episodes is too long of an investment when I knew the main character is exactly the kind of protagonist I hate. The fact that I actually started One Piece was a total fluke, and I did it despite everything I saw and read about Luffy.

Here’s the thing. I still hate the stock shōnen characters. But I love Luffy, and I think that the main difference here is that Luffy is, before anything else, competent.

He is not a stupidly naive, bleeding-heart hero trying to see the best in everybody and having no actual connection to the real world. He does not bumble around, being tossed around by forces bigger than him and only resolving an impossible situation thanks to luck or being able to throw a bigger punch (though the punching bit does play a significant part). Luffy is always the instigator, the one in charge of the plot, the one driving the whole thing forward – the plot does not happen to Luffy, Luffy happens to the plot.

He’s not the smartest. Often, he’s not the strongest even. But when something needs to be done, when someone needs to step up and resolve the problem, he knows what to do. And he does not hesitate to do it, often in the most surprising of ways. He is a very simple thinker, but that simple thinking lets him see a clear line from a problem to a solution, without taking any detours a more intelligent character might have taken. It’s not just about who punches the strongest. It’s about pulling the right emotional lever (Robin in Enies Lobby), or finding a hidden weakness (Crocodile), or even about concocting the most outrageous solution that would resolve the situation immediately (destroying the Baratie, anyone?)

Also, he might not be the cleverest person around, but his insane emotional intelligence ensures that he does not have to be. He has friends for that. He surrounds himself with people who are smart and strong and just as competent as he is. His nakama do what he cannot, and so even this personal drawback is eliminated.

Luffy is just straight-up competent, in every way and situation possible. He does what needs to be done, always and without hesitation. And he does it well.

In his own way, he is just as effective as my personal favorite intelligent bastard characters. He’s just so much simpler about it.

Me: I want thousands of eyes on my work, I'm dying if I can't have that, I want compliments on my posts

*gets it*

uhmmmmm actually i need personal love and attention from people I specifically deem as worthy to compliment me

*gets it*

hey actually i thinkh i'll jsut kill myself nothing is good enoguh