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#this continues to live rent free in my brain
ffverr · 1 day
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hello I come to you with a request. I watched x men 97 recently and was saddened by how little time the whole magneto in charge of the x men storyline got and I know he does this longer in the comics (I can't say why but the phrase "its seven in the morning max..." lives rent free in my brain) so I wanted to ask if you have any recommendation for comics from that era / any recommendations for comics with mister magnet-os because I want to get into x men comics but comics as always are so daunting
It is my great pleasure to answer this!!
Disclaimer 1, I am still going through a lot of the issues of this era but I will try my best to make it as clear a guide as I can for you!
Disclaimer 2, Headmaster of the school and leader of the X-Men are quite different positions that they kind of fused together in the 97 show so I do want to make it clear that magneto in the "seven in the morning" era is headmaster of the school, teaching young kids, while Storm is leading the X-men team and Scott is leading the X-factor team, so with that said:
Magneto's teacher arc starts in uncanny X-Men issues 199 and 200 (iconic issues containing the trial of magneto that was adapted in the show!) And then he is headmaster of the school in the book "The new mutants" by Chris Clermont, from issue 35 to issue 75. It is A LOT I admit and he gets a more minor place considering the book is about the kickass young class of new mutants that he's teaching. But it is worth checking out! Many consider this to kind of be peak magneto because.... he's trying so hard to be a good teacher and to handle all these kids and it's very humanizing for him!
I mean look at him and his 8 kids!
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Now, how to get into Magneto overall? Let's get into it:
I believe it is impossible to get into Magneto without reading his ultimate origin story, Magneto: Testament by Greg Pack. It is a quick intro, it barely features his powers (not an action comic) and it WILL absolutely make you cry. I consider it essential magneto reading!
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Next up: Two One shots if you want to get a quick primer on the character pre moral arc instead of sitting through his few appearances in the Stan Lee comics:
A classic one: X-Men: God Loves, Men Kills by Chris Clermont. It is an iconic comic book one shot that can be read out of continuity just to see what his deal is when he's not necessarily on the side of the X-Men but fighting for his own ideals! It's also a brilliant comic book!
If you want a more recent retelling of the first appearances of magneto you HAVE to read X-Men Mythos that retells magneto's major first appearance in the 60s in quite a beautiful and amazing way! It also has an absolutely insane magneto scene that makes me scream so do check it out as a primer! (So this would "chronologically" come before God loves men Kills)
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Now for his switch from ridiculous villain of the 60s/early 70s to complexe guy in the classic era (80s), read the issues 149 and 150 from the run Uncanny X-Men by Chris Clermont. This is THE pivotal moment for "good guy" Magneto
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(know that after issue 150, somehow he falls in the ocean from asteroid M, is rescued from a shark attack by Scott's girlfriend lee forester. They have a quick relationship where he struggled with his change of morals then he comes to the new mutants)
if you want to continue chronologically you read the issues 199 and 200 that I recommended at the start then go to the new mutants I talked about!
If you want MORE MODERN comics, then I advise you get right into what's happening at the moment!
House of X powers of X are two series that intertwine (you'll easily find them in the right order) by the same writer, Jonathan hickman!
It serves as a status quo change/relaunch of the X-Men universe and it is absolutely brilliant! Magneto plays a big part of the story and it's basically all about the mutants winning for once! Don't worry too much if you don't know most of the history of characters, you'll get used to it quickly (that's what I did!) I'd say it's a bold but very functional intro to X-Men comics!
Then he appears as a major character in the GREAT series X-Men Red by Al Ewing alongside Storm, his eternal equal and great duo in my eyes (funny how when he's peak she's always somewhere around)
In this he is- epic, depressed, suicidal, sassy, it's great magneto stuff! This series is widely regarded as the best X-Men comic out right now!
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(if you want context for this book read the event X of Swords, or I could explain if interested)
That's about all I will lay on you ! If this is hella confusing, don't hesitate to dm me! I can detail more cleanly exactly what you have to read and when!
Good reading!
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jellieland · 1 year
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Oh. Oh.
Cleo's description. Now we know how it ends.
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Cleo ended with the family, reunited as ghosts.
Cleo ended with surprised joy.
Cleo ended with "We're all together!".
Why would they need to show bloodlust and betrayal and anger?
They have the happy ending.
They can stop there.
It's the survivors who have to keep going until it can't end happily anymore.
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karofsky · 4 months
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Werewolf Feud | 1x03
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Actually, happy one year anniversary to this exchange in particular:
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captiveinwayhaven · 1 year
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Okay okay so I've said I want the detective to be set up on a date by Tina to have the Adam jealousy angst BUT it seems my brain has only just caught up with book 4 having a masquerade (which in itself has me screaming) AND UH THE DETECTIVE DANCING AND GENUINELY HAVING A GOOD TIME WITH SOMEONE ELSE DOUBLE POINTS IF IT'S BECAUSE ADAM WOULDN'T DANCE WITH THEM BECAUSE HES SCARED OF EMOTIONS
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1candybrainrotdungeon · 10 months
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Oogh,,,the scrimblos
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dr3amofagame · 2 years
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not to interrupt the drestivities but dr3 art ? pog ?? <- is thinking about them (prisontrio) again 
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ft. some silliness + the inspiration (thanks angela) under the cut
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OPD spoilers up to the end of episode 7, because episode 7 was fun but brain insisted on a couple of thoughts before I can move on (or, apparently, work on thing I was supposed to upload today). Injury warnings, spoiler warnings, and talk about potential death, and also er I've had these characters for one episode running on auto-translated-auto-subtitles. You will pry them from my cold-dead hands, but it's not exactly the best way to study things like speech patterns, especially when my Portuguese is... I can now catch the gist of things and follow the rpg mechanics mostly, but very very far from me being able to use any words? I just kinda can sort of follow via context and stuff I /recognise/ but don't /remember/. Enough rambling, have two guys in a car.
"Where to now?" Johnny asks, as they drive away. "You're the one with the maps."
A groan.
Johnny glances up, checks his partner in the rear-view mirror. Some of his muscles still shift in ways Johnny is pretty sure aren't entirely voluntary, and Rubens holds his entire body like it is in pain. Still, he gives half of a shrug, and keeps looking out of the window.
Johnny is also sore, yes, especially from having been immobilised - but he's /not/ the one whose breathing sounds kind of janky, and hissed when the seatbelt touched his ribs.
"That bad?" He adjusts his question to, glancing up from the road every few seconds.
"Just head home," Rubens answers the first question instead of the second. "We can pick in the morning."
"What morning? It's already gone seven," Johnny takes the turning towards their flat regardless. A pause and then. "You sure you're good just to go home?"
Yes, they need to continue the investigation, but even Johnny can see that Rubens can barely stand; no matter what help they wanted to give those two other agents, it wasn't going to happen.
"What-" Rubens is cut off, hissing, as they go over a bump.
"Yeah, you know what, driver's rules - we're going to the hospital."
Rubens' lack of reply, not even a grimace, is pretty damning. It is also a little worrying, especially with the flinches and extremely deliberate breathing.
It is not that Johnny is paranoid, it's that he knows what that attack did to Johnny himself, and he's gained a decent feel for Rubens' tolerance over the last few months.
He takes the turn towards the hospital, and already starts constructing a lie. Rubens can probably pass for an electrician, and Johnny could have just been helping, and maybe someone turned the mains back on before they were finished? That's got to happen all of the time, right?
"Do you think we'll see them again?" Johnny asks, searching for a conversation topic. He's got to keep driving, but he is more than starting to get worried. "No clue what's up with the boy, but they seemed decent. Good to know the Order's always got people."
Rubens' laugh isn't very happy, "no."
"I thought you were an optimist?"
"Your job," Rubens shifts, seemingly trying to alleviate some discomfort, and only making it worse. "I'd like to, but… you saw them. Injured, electrocuted, and going to where their team went dark? They won't survive. We might not."
It's true, but that doesn't mean he has to say it. There's been a lot of deaths, recently, if what Sam has been telling them is true. Johnny isn't sure, but can't see any reason for Sam to lie about that; Johnny and Rubens have been undercover for months, but have managed to keep themselves above water so far.
A lot of people haven't, though. A great many people haven't.
"You left them your knife," Rubens follows up with.
"Shut up and sort through that notebook instead."
"No." At least he's perked up a little, actually sounding a bit more awake, thinking and shifting a little and worrying his lip before he speaks again. "Maybe they'll surprise me and you'll get it back? Can't read the notebook. The bag is in the boot."
Neither of them comment on how, usually, Rubens would still just lean over and grab it.
"Maps, then?"
He makes a left turn, and they find themselves nearly there.
"They're maps," Rubens replies. "We need the notes to work on a target... Gameshow, orphanage, orphanage, gameshow, Menefreda, puzzles, Energy... I can't see the link; do you think there's any crossover in the cases? Should we ask Samuel for their notes? Something's missing here."
"Can't be sure," Johnny has to focus on this bit of road, busier than the further out streets. "We can ask, though."
"And the girl? Erin? She said the woman's voice was-" Rubens cuts off with a gasp.
Immediately Johnny looks up, checking over his shoulder. Rubens' back is arched and he struggles for air; he shoves on his hazard lights and pulls over before unplugging his seatbelt, and inelegently scrambling across.
By the time he has done so, Rubens' body has relaxed. He has leant back, breathing heavily and clutching at his chest. Johnny places a hand on his back, rubbing a thumb into the twisted muscles there.
"Rubens?" Johnny asks, voice lower. "You good?"
The shudder looks just as involuntary, but a little more normal; Rubens leans slowly forwards, resting only one elbow on his knee, and folding his chin onto it.
One moment, two.
Rubens starts gesturing a reply, only to cut himself off with a wince.
"An answer, please," Johnny keeps his voice low, doing his best to be reassuring.
"I'm good," he answers, blinking fast as he shifts to looking at his hands. "I'm... Good, yes, good. Just, fuck, the speed bump."
Johnny had barely even noticed it; Rubens has got to be much more injured than he looks to react that badly to just a speed bump.
"I'll be more careful," he promises, though he isn't quite sure how. "Good to keep going? We're another ten minutes out, looking at this traffic."
"All good."
It is not quite believable, given everything going on, but Johnny chooses to let it pass. He knows shit all about these things, only that his partner is suffering. He's also suffering, but he's Johnny - he can take it.
Rubens... Not so much. Not really his skill-set; Johnny doesn't jump in the way of fists because he enjoys getting punched, after all.
Choosing to climb back over instead of getting out, Johnny only slightly catches his ankle on the gear-stick. Still, he gets back to the driver's seat safely, turns off the hazard lights, and pulls back into the road.
"Any thoughts so far?" he asks instead.
Johnny can put pressure on a gunshot wound just fine, but electricity is weird. Magic electricity? Even weirder. He does, however, know that so long as everyone is managing coherent conversation he /probably/ can just drive to the hospital instead of faffing with an ambulance.
(Don't they have their own doctor now? Johnny isn't quite sure, but he does know that contacting the Order, outside of secure and prearranged chats with Samuel, is likely to break their cover.)
Rubens shifts his face from side to side, mouthing words to himself and gesturing his hand around in a much more typically Rubens fashion. After a little while he shrugs - only with one shoulder and that's something to make the doctor check - and answers, "hopefully the paperwork is more useful to us; I don't think the Director was actually anyone important. Show, Director, he only does this one bit most likely? And only had, what, five staff members?"
"Barely a crew," Johnny replies. "I don't like the thing with Erin's grandmother - she's definitely not any of the corpses. None were old enough. So why was her voice there?"
"The man too," Rubens replies. "You shouldn't have told them we were Order agents; the cameras were running. Whoever runs it might have heard."
"Shit," Johnny can immediately see the problem but, to be fair, in the moment that had been far from his highest priority. Getting the grenade out already blew more of his cover than either of them liked - he should have just stolen the gun and tried shooting the glass. "We can adapt, but..."
"Danger," Rubens replies. "We'll need to be more careful, right?"
"Right," and, fuck, Johnny has been here before. "We might need to be subtler to get in."
"Games," Rubens replies.
"Hm?"
"He likes games. If we-" another speedbump, and Rubens gasps again, entire body twisting at the pain, but he settles himself quickly, moving on. "Fuck. But, if we do get in... it might be to play with us specifically. If the recording got through. Champion's match. New difficulty."
"Maybe the information we have will be enough?"
The look Rubens gives him is absolutely scathing.
"Yeah, okay, they weren't important enough to have anything actually good. I can wish, though; don't really want to be watching over my shoulder forever."
"It could work in our favour," Rubens settles on. "We need to get into deeper areas anyway. Toying, playing - if we interested whatever's in charge, perhaps it will bring us deeper to try again."
"They're deathtraps."
"But somebody always has to win. It's a bad game, otherwise."
Two people could have won the game they were playing, if they stuck to the rules, or perhaps there would have been more to it. Johnny doesn't expect them to be that generous again, though.
Ah, well, they'll work it out.
They always do.
---
It is not that much further to the hospital, and 7:30am is a blissfully quiet time. Most people from the night before have already left, but it's too early for most sorts of accidents.
Parking is easy, but getting out is more difficult. Well, no, Johnny can get out fine - stiff and weirdly cramping, but fine. It's Rubens he worries about, Rubens who scoots rather than steps out of the car, and still almost immediately collapses to the floor.
The concern - the /worry/ - is back nearly instantly.
"Ow, fuck, shit," Rubens mutters, in between the curse words as he uses the side of the car to leverage himself up.
Yeah, no, that is not going to stand. Johnny comes back over, taking the one of Rubens' arms that he isn't holding strangely, and pulling it over his shoulders. His own arm he wraps around his partner's back, protecting him from any potential falls.
When he squeezes his fingers, Rubens hisses; Johnny shifts them further down with an apology on his tongue.
"It's fine."
It's not fine.
The angle is awkward, so Johnny much crouch a bit as he helps Rubens to the emergency room. Even with the help and the rest he still keeps staggering and stumbling, his legs barely able to hold his weight.
The reception desk is even worse. By the time they get there, Johnny is supporting all of Rubens' admittedly meager weight.
"Hey," he says, reminding himself she may be the gatekeeper but if he isn't polite then they are both in trouble. "Sorry, we were doing some repair work, and some asshole turned the mains back on while we were working. I'm just kinda sore, but my buddy's having trouble breathing."
Always mention the breathing. They hate it when you cannot breathe properly.
Her eyes flicker momentarily wider, looking at the now disturbingly grey Rubens.
"Names, please?"
"I'm Johnny Tabasco, this is Rubens Naluti."
Rubens seems to try to smile and wave, only to grimace and flinch instead.
A few more questions follow - dates of birth, occupations, next of kin, particularly concerning symptoms... Rubens says unusually quiet, getting slowly heavier against Johnny's side.
Eventually, the questioning comes to an end.
"Please go sit down, and fill in these forms," two clipboards are handed to Johnny. Right. Insurance paperwork and medical history - at least he knows enough of Rubens' to fill it in, after so long doing this work together. "Someone will likely be with Mr Naluti shortly, though you yourself will likely have to wait longer. We're not overly busy, but there are still a few incidents already."
"Thank you," and oh, Christ, he's just glad to be able to get Rubens off his feet.
They end up on the plastic chairs, Rubens flinching at it.
"You alright?" Johnny asks him.
There are a good number of fast blinks before Rubens nods, "let's not repeat this, though."
"Sure thing."
Rubens' hand (and only one hand, the other stays at his side) shakes badly as he starts filling in his form - the simple bits like address he leaves just in case, and starts with his medical insurance details. Allergies, pre-existing conditions... Rubens is doubling back to fill in his basic details when a doctor appears.
"Mr Naluti?"
"Here," he raises his clearly good hand.
"If you would come with me, please?" she asks.
He glances to her, to the gap between them, and then to Johnny. Johnny goes to get up to help, and she says "wait here, please, triage for adult patients is done alone."
And, sure, but didn't they get the notes?
Rubens looks at Johnny, only slowly nodding after they have made eye contact. Johnny is not entirely sure what it means, but he prepares himself for trouble anyway.
And then Rubens /tries/ to stand.
This time when he falls, he catches his weight on his bad arm. Johnny just about manages to stop his head or chest crashing into the floor, snapping at the doctor with a "didn't you /read/ he can't walk right now?!" as he helps him back onto the chair.
It leaves Rubens even more off-colour, and shaking, and Johnny not a great deal impressed with what is going on.
"I'll be right back," the doctor vanishes back the way she came.
"Will you be okay alone?" Johnny asks.
"Eh," Rubens manages a small laugh - his breathing is not settling this time, remaining too fast and too shallow. "I'll manage."
"Of course you will."
Johnny wishes there was an easier way to solve this specific bullshit at least.
Quickly, Johnny finished Rubens papers, and lets him sign them. They are ready when a different doctor appears - this one accompanied by some lower ranked staff member pushing a wheelchair.
"Mr Naluti, I'll be taking over from my colleague," the new doctor says. "We need to speak to you alone - privacy and protocol, you understand - but he can help you transfer if that is better for you?"
It is better for Johnny, at least.
"It's up to you," he still manages to say, standing and offering his arms, just like getting out of the car.
Rubens nods, and takes them, struggling the few short steps from the chair to the wheelchair. Johnny helps him get... not comfortable, but less uncomfortable, before placing Rubens' clipboard on his lap.
"See you shortly," Johnny promises.
"Yeah," Rubens replies between tight breaths. "See you soon."
---
Johnny does not see Rubens shortly, not even close thereto. They did bring the evidence with them, split between their bags - it's been stolen from their car before, and that was it's own form of nightmare - but he cannot exactly work on it here. Neither can he work on it without Rubens, who...
"Mr Tabasco," one of the nurses had told him. "Your friend - Mr Naluti? He asked us to tell you... He needs to be admitted due to internal damage? Primarily to his lung. There is surgery involved, though the tear is small and so it is a relatively simple procedure. It is not common with electrical injuries, especially with mains supplies, but it can happen. The doctor wished to work on it immediately, and he consented. There were some other internal injuries too - all consistent with severe muscle spasming or electrical burns. You'll be able to see him once the doctors have finished, but he'll be here a few nights most likely; until the chest tube comes out, at least, perhaps longer depending on his ribs. Given the nature of his injuries, and that you were injured together, the doctor wishes to see you immediately."
And Johnny liked none of that, not at all. He complied with the doctors simply to get through everything, and given an injection to force his muscles to stop cramping. He hates how it helps him feel less like shit, and concedes to their desire for at least 24 hours of wires and monitoring only once he realises it will place him and Rubens on the same ward.
The ward is louder, and busier, and Johnny hasn't slept since this time yesterday, if nobody counts getting knocked out and kidnapped. Still, he cannot rest yet, not until he knows Rubens is fine. There are, at least, some non-work related books in his bag; he'll text Sam with an update once he's sure what's going on, and until then at least try to relax.
Thankfully, he does not get more than two chapters in before Rubens is brought through. Something he said must have stuck with the doctors, as he is given the next bed along. Propped to half-sitting, with some wires and tubes and thick bandaging around one shoulder, but awake and unhappy about it. Johnny waits for the medical staff to finish adjusting him to take a better look; Rubens' eyes trail after them somewhat nervously, and hospital blue does not suit him but he is looking a distinctly better colour.
"You alright?" he asks, drawing attention from the room to himself.
Rubens visibly relaxes when his eyes catch on him, bored and reading. He gestures to himself with his unbandaged arm, clearly moving carefully so as not to disturb anything.
"You?" he returns with.
"Painkillers help," Johnny offers, and receives a firm nod of agreement. "I'm sore, but fine. Might have torn something, but swelling needs to go down to check. The burns are too deep, but my nerves are a bit sensitive and they want to be absolutely sure the ones around my heart are fine before they let me leave."
"Heart?" Rubens asks, his attention focusing in for a second, before someone dropping a tray of medicines with a loud 'fuck!' draws a flinch and his attention.
"Doctor said if there was going to be a problem there probably would be by now, but he wanted it monitoring just in case," Johnny does his best to reassure. "You... look a bit more alive?"
"Not alive enough to read."
Johnny laughs, "I wasn't going to ask you for that already. Did they say how long you're here for...?"
Rubens shakes his head a little, "no 'heavy exercise' for at least 4 weeks. Maybe more. Depends on my ribs."
"I'll let Sam know. We can sort through the paperwork and update reports in the meantime."
"Ugh," he flops harder into the pillows, seemingly trying to lay down - something the nurses made impossible for the both of them - but gestures consent. "Tell him 'just hack the hospital records'."
"Alright. Get some sleep, or I do have our bags? I think your wallet is in there if you want to buy access to the TVs. Not sure what else you packed."
There is just the problem of getting Rubens' bag to him.
Rubens seems to choose sleep, though, or at least closing his eyes to think about something - it's been a long night, and Johnny will probably follow once he's reported in.
Just a short text message; Sam can work out a more secure connection if he wants information immediately, otherwise he can wait until at least Johnny can head home and ring. Scanning he can also do, but accessing the digital documents will have wait for Rubens. Not that the Order is ever running to time anyway.
'Hey Sam' he types, keeping things on their personal phones as civilian sounding as possible. 'So first off, don't panic, nobody's dead or dying, but Rubens and I are in hospital. He said to tell you to just hack the hospital records, so now I've said it. Not really in the mood to explain
.., but the short is some asshole got us electrocuted...'
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entropii · 2 years
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Just a little eye contact, as a treat
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adahlenan · 1 month
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My darling, you will never be unloved by me. You are too well tangled in my soul.
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proud-mama-joyce · 1 year
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“when the hell are they?”
Currently driving me crazy: we have a show with constant time references, homages to Back to the Future, significant things happening around 8:15 p.m. (like Will’s disappearance), meta-references to 8:15 like Will’s disappearance happening at 00:08:15 in 1x01...
So what do we find at the timestamp that would correspond to 8:15 p.m., if you started the whole series at midnight?  That would be 20 hours, 15 minutes, 0 seconds into the series’ runtime: doing a little math, that’s 3x07 at 00:13:58 (41:52 remaining on the Netflix counter for the episode). 
...which is...
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If that’s a coincidence, it’s a hell of a coincidence. 
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goldenflurry · 9 months
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knockmeoutbabe · 5 months
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I have the entirety of Sherlock memorized now cause I've had it running in the background 24/7 for several days 🙃
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theslowesthnery · 1 year
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re: last reblog, thinkin about mohg whose purr has always been a subtle, quiet thing that one would feel more than hear if allowed close enough, but then when he has his babies and nurses them, his purr is loud enough to damn near make the room shake
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generic-sonic-fan · 1 year
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Curious, why do you use it/its for Metal Sonic?
Ah, great question! Thank you for sending it.
I use it/its for specifically the version of Metal in my vaguely-mentioned bigass redemption fic I'm writing for it right now (but also anytime I get too far into headcanon land with the character)!! To give you a Doylist reason- It uses it/its pronouns to refer to itself in the third-person narration, which I feel provides an interesting narrative voice that you don't see in a lot of other fics/books/etc. It's certainly fun to write.
The Watsonian reason for these pronouns is that my AU/headcanon version of Metal is nonbinary! It eventually comes to the realization that it does not wish to be perceived as male in the way that Sonic is. It settles on using it/they pronouns. "It" is preferred, but it realizes that some people are uncomfortable using this pronoun for a sentient person, so it allows the use of "they" as well to avoid being called a "he" at all costs.
(Sonic, in the end, has an interesting opinion on all of this. He's the one that messes up Metal's new pronouns the most simply because he's used to thinking of it in terms of himself. . . and he would be absolutely offended if someone called him an "it". He means well, but this sort of projection is a major sticking point between the two of them, and one of the reasons why Metal elects not to befriend Sonic when all is said and done.)
(The source of all this headcanoning, mind you, was a really good post that I can't seem to find now that said something along the lines of "Metal Sonic using it/its pronouns as a sign of its self-actualization from Sonic makes my brain go brrrrrrrr" and sure enough the idea latched onto my brain like a barnacle.)
(EDIT: found the post!! It's right here.)
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wafflefrie · 10 months
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The oat milk latte wasn’t some kind of murder plot or devious in any way.
It was foreshadowing that THEY ARE GAY AND IN LOVE BECAUSE NOTHING IS GAYER THAN OAT MILK LATTES
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