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astrow1zar6 · 2 months

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Astro Observations-32

Gemini moons have very unstable opinions and values. They usually change what they believe in based on their social environment. It’s very easy to convince them it’s this and not that if you’re convincing enough. These constant changes can make people confused in what they actually believe in. Very rare they have fixed beliefs about something. They contradict themselves a lot.

Gemini suns if underdeveloped can be big copy cats. I think they do it as a way to fit in so they’re more susceptible to changing their style or mannerisms based off of others they inspire to be like

Aries suns get triggered by everything very easily. If you say something they don’t like or that offends them they can take it from 0-100 real quick. They can be very mean at times but that’s usually their defense mechanism for feeling hurt. They can let wayyy to much things get to them they should learn to not take things so personally even if they are offended (this goes for Aries moon as well!!!) Controlling their reactions to how they deal with bs can help their mental peace a lot. When they learn not everything needs a reaction they can really become some bosses fr

Pisces/12th house placements show different versions of themselves based off of the persons vibe their interacting with. Which is why some ppl can see them as quiet and reserved and another person can see them as hot headed and loud and another can see them as sweet and outgoing etc. They can read ppls energy very easily which is why I believe they’re able to subconsciously change their personality to certain ppl as a defense mechanism to sorta see if that person is safe enough to be their true selfs. This can be why a lot of ppl see them in so many different lights. (Ex: my brother has a 12th house stellium and with family he’s extremely awkward & reserved but I’m his school he’s extremely popular & social and gets in trouble for talking too much). Learning to be more comfortable showing ur true self to others (other than the people they see as safe) can help others pin point better the person you are.

Cancer moons are so emotionally intelligent it’s insane

I notice your moon sign acts more like the stereotypical sign then your sun sign (ex: Scorpio moons act more like stereotypical Scorpios then Scorpio suns)

Leo moons are very passionate ppl. They want to live the intensity of life & they live it like that. That’s why ppl mistake their behavior for exaggeration & drama. These are actually their feelings they don’t exaggerate they truly feel that intensity. They’re only playful with selected people which is why others can see them as cold at times. If underdeveloped they can act like know it alls a lot, they can be very defensive and hard headed to others advice bc they believe they know better. Can result in big ego problems if not checked. But overall genuine hearted ppl.

Virgo moons get the “ick” from people easily that don’t value what they value

Sag moons do you guys deal with deep emotions at all? Everyone I met with this placement is abnormally very jolly & nothing usually bothers them much. How do you guys deal with emotions?? I’m lowkey jealous of this moon placement because of how well you take negatively. They’re able to transmute negative energy into something positive with such little effort. This can be somewhat stressful for deeper signs however to really see under all that joy. This lack of depth can make it harder for others to relate at times. This placement is the definition of golden retriever energy.

Ppl with Aries mars in their chart gain muscle VERY easily (especially in their arms) these people actually enjoy working out and going to the gym normally. As kids they had a surplus of physical energy. They were usually always running around or climbing stuff making obstacles courses, arm wrestling ppl etc. this placement is a blessing in terms of energy levels and health.

Taurus placement can sit around and watch tv all day if u let them. They really love TV especially movies. I notice this more with Taurus mars as well, they’re more likely to watch movies all day or binge watch shows for hours. It’s usually their happy place (and when u add food to it they’ll never leave lol)

Taurus moons usually always grew up loving fashion and clothes. Even as kids they can be very creative with the outfits the wore. They were usually too stubborn to have their mom pick out their clothes cuz they wanted a certain “look” (I’m guilt for this) they are also very fond of thrifting! Can be big shopaholics lol

Pisces moons tend to ghost ppl they’re close too with very little warning. They’ll just randomly decide to move to another state without informing anyone which can catch ppl off guard a lot. They do this especially when they feel overwhelmed with life and responsibilities. These are the hardest ppl to keep in touch with (unless you’re a love interest) they tend to put their love interests before everyone.

Pisces suns fall in love with some of the most psychotic/mentally unstable ppl ever lol. They tend to have very chaotic love life’s and tend to go for people that need some sort of mental help.

Out of all the Venus signs I feel like Taurus Venus’s have the easiest time in relationships. They tend to go for very stable people that usually treat them well. They have the ability to attract very helpful partners. (Cries in aqua Venus 🥲) however they can be more likely to take their partners for granted and don’t realize how good they have it.

Another question for other astrologers does the house of ur Venus give the same affect as the sign? Like for example ( does having a 5th house Venus give the same effect as having a Leo Venus in a way? Or is it not as strong?)

#astro observations #astrologist #astrology #astro community #astro notes #astroblr

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sp1ty0urh34rt0ut · 2 months

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✩ how you turn them on without trying! ✩ 18+

꒰ pile one ꒱ ꒰ pile two ꒱

꒰ pile three ꒱ ꒰ pile four ꒱

ೃ༄ png creds: corruptedromi !*ੈ✩

if you play any instruments, this turns this person on about you. especially instruments where your fingers are very active. it also turns this person on that a lot of people want you, and that you may not express this to them very much but they know that you get a lot of attention from other peoples. their friends and acquaintances have expressed how attractive you are to them and this also turns them on because they see that you are heavily sought after in their community. it turns them on that you seem to be in your own world, doing your own thing unbothered by others meanwhile other people are plotting how to get you, finding ways to impress you and overthinking the situation with you. you are very nonchalant and chill, and this really turns them on because it seems like you don’t really care for all the attention you get - you don’t even try, it just comes natural and it doesn’t seem to impact you in anyway. you’re not too cocky or boastful even though you very well could be if you wanted. it also turns them on that you put in the work; you’re a team player and you’re not going to slack off when you’re needed. you would rather work with others rather than against others, which shows how humble and peaceful you are at heart and this turns them on a lot.

your public image and the way others perceive you really turns this person on. a lot of people may praise you behind your back, or maybe you’re just well known for something. people know you as someone who is extremely generous and giving. you give with love and without expectations of anything in return. this person gets turned on about the fact that nobody can compete with you - you’re in your own lane and you’re not even interested in competing because you’re able to achieve anything you want without being jealous of others. you’re very alluring and seductive to this person, and you almost feel dangerous. this is giving me siren energy. you’re like a spider to this person, and they’re the unknowing fly that ends up getting caught in your web. they get turned on by how mature and wise you seem to be, especially if this person is older than you. they are turned on by how abundant you are, as well. you may be someone who is established in your career, have side hustles or maybe people just naturally enjoy giving to you because receiving is embedded into your aura. if you have any pets, it turns them on that you’re an animal lover and that you treat them as if they’re your own child. they feel like you are a powerful being that deserves offerings and for sacrifices to be made for you; that may be a bit extreme but this tells me that this person feels like they are willing to sacrifice nearly anything for you and it turns them on that you make them feel this way.

this person gets turned on by the bond you two share - this person could be a friend of yours that is very sexually attracted to you, which may leave them feeling heartbroken in the end because they may not be able to have you in they way they would like. this person gets turned on by your earthly energy; you may enjoy being in nature a lot, you may have a garden, or this could mean they are turned on by you when you’re high. they’re turned on by how grounded and down to earth you are. they find you to be very physically attractive and they’re turned on by how fiery and passionate you are. they get turned on by how emotionally intelligent you are, and how you’re not afraid to cut off anything and everything that causes you heartbreak. they also get turned on by your hair, whether it’s really long and thick or you have a unique hair cut. this person gets turned on by your quirks and unusual personality. you may be physically fit and this also turns them on about you. if you’re not afraid of picking up creepy crawlers and outside animals, this turns them on as well. you seem to be extremely compassionate and have an endless amount of love for nature and animals. if you’re someone that likes to get high off psychedelics (marijuana, shrooms, acid) then this also turns them on because you seem to be searching for a higher purpose or searching for higher knowledge. you’re someone that is very easy and fun to be around, as well.

everything about you is just so seductive to them. you’re stuck in this person’s subconscious like a “bad habit” - they dream about you and may even think that you’ve put some sort of spell on them. you ignite a fire within this person, you highly activate their solar chakra. it turns this person on that they have so much love for you that they didn’t intend to have at first. they find you to be extremely sexy and seductive, yes, but they weren’t expecting to develop deep feelings for you. you scare this person and that really turns them on because it may not happen very often where they become scared of their love for someone. this person has very sexual fantasies and dreams about you, specifically where you take control of them and “use them” however you wish to. it turns them on how they want to surrender to you and become completely yours. you’re a very positive and happy person, but you also have a somber side that you may not show as much. this person gets turned on by how deep and emotional you are, you’re not someone who’s just surface level attractive; almost every aspect of you is undeniably seductive and alluring. your body, your face, your hair, your movements, your voice, your opinions, your mind, your emotions, your eyes - everything. everything about you turns this person on and there’s no way they haven’t expressed this to you in some sort of way. if you have an extreme attraction to this person and you don’t know why, it’s you feeling their energy towards you.

#tarot #pick a card #18+#MDNI

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elodieunderglass · 1 month

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Hi! I was wondering if you could help me out with a word I've forgotten? I'm trying to remember the name for a concept that (I think) talks about how people better understand or process Things once they have vocabulary to describe it - I've heard it talked about in regards to the colour orange, or coercive control, etc.

long story short i've just read a paper saying ancient Greeks and Romans weren't racist bc they had no word for racism and am trying to form an argument against!

(no worries if this is unanswerable, i'm aware its a bit of a long shot but you struck me as a person who Knows Things)

That’s extremely kind and funny of you. i don’t know much but i am ok at synthesis.

I think you might be thinking of the concepts loosely called the “Sapir-Whorf hypothesis”, which describes something called “linguistic determinism.” This idea has been “disproven”, as it is just too reductionist as a concept - people are clearly perfectly capable of having experiences that are tough to describe with words. There will be plenty of papers showing how this reasoning is applied.

but it is still commonly thrown around and still considered a useful teaching framework. That’s why you’ll see it referenced online as if it is fresh, new, and applicable - people learn about it every year in college. Also, elements of the framework are probably perfectly sound. It definitely seems to be the case that language shapes brains; it just doesn’t seem to be the case that humans who don’t have specific words for them can’t experience orange, or the future.

(Many things in college are taught using teaching frameworks that may not be, technically, true; the framework is intended to give a critical structure for interpreting information. Then, when we later find evidence that disproves the hypothesis, that single piece of information doesn’t destroy our expensive college education; what we paid for is the framework. This is mostly frustrating in the sciences, when fresh crops of undergraduate students crash around on social media, grappling with their first exposure to (complex concept) and how it’s DIFFERENT to what they learned BEFORE and their teachers LIED TO EVERYBODY and they’re going to save the world from POP SCIENCE by telling the TRUTH. You’ll notice that these TOTALLY NEW INFORMATION reveals map along the semester schedule. The thing here is that getting new information, or information being different from what you were previously told, does not cancel out the fact that you are getting what you pay for - an education. Learning new facts that change our relationships to hypotheses isn’t a ✨huge betrayal ✨ , but the expected process of academia. Anyway.)

You have an interesting response here, and can start by looking at the ways that Sapir-Whorf has been disproved. There will be loads of literature on that.

However, it would be interesting to look at the argument as an unpicking of the other side’s rather weird, ritualistic superstitious belief that a behavior doesn’t exist if the creatures doing it can’t describe it. It is not on the ancient Greeks and Romans to categorise and interpret their behavior for a modern educated audience. They do not have the wherewithal to do so. They are also fucking dead. We can name the behaviors we see, and describe their impacts, however the hell we like.

Sure, the ancient Greeks used “cancer” to refer to lumpy veiny tumors. We can infer that they still had blood cancer, because their medical texts describe leukaemia and their corpses have evidence of it - they just didn’t know it was cancer. But we do, so we can call it cancer. Just because Homer said “the wine-dark sea” in a flight of girlish whimsy doesn’t mean he was unable to distinguish grape juice from saltwater, which we know, because we can observe that he was an intelligent wordsmith perfectly capable of talking about wine and oceans in other contexts. We are the people who get to stand at our point of history with our words, and name things like “this person probably died of leukaemia” and “poets say things that aren’t necessarily literal” and “this behaviour was racist” and “that’s gay” and “togas kinda slay tho” despite Ancient Greeks having different concepts of cancer, wittiness, prejudice, homosexuality, and slaying than we do today.

Now just to caveat that people do get muddled about the concept of racism. Our understanding of racism from here - this point of history, with these words, probably from the West - is heavily influenced by how we see racism around us today: white supremacy and the construct of “whiteness,” European colonial expansion, transatlantic chattel slavery, orientalism, evangelism, 20th century racial science, and so on. This is the picture of racism that really dominates our current discourse, so people often mistake it for the definition of racism. (Perhaps in a linguistic-deterministic sort of way after all.) As a result, muddled-up people often say things like “I can’t be racist because I’m not a white American who throws slurs at black American people,” while being an Indian person in the UK who votes for vile anti-immigration practices, or a Polish person with a horrible attitude about the Roma. Many people genuinely hold this very kindergarten idea of racism; if your opponent does as well, they’re probably thinking something like “Ancient Greek and Roman people didn’t have a concept of white supremacy, because whiteness hadn’t been invented yet, so how could they be racist?” And that’s unsound reasoning in a separate sense.

Racism as the practice of prejudice against an ethnicity, particularly one that is a minority, is a power differential that is perfectly observable in ancient cultures. The beliefs and behaviors will be preserved in written plays, recorded slurs, beauty standards, reactions to foreign marriages, and travel writing. The impacts will be documented in political records, trade agreements, the layouts of historical districts of ancient towns.

You don’t need permission to point out behaviours and impacts. You can point them out in any words you like. You can make up entirely new words to bully the ancient romans with. You are the one at this point of history and your words are the ones that get used.

Pretending that “words” are some kind of an intellect-obscuring magical cloud in the face of actual evidence is just a piece of sophistry (derogatory) on the part of your opponent here. It’s meant to be a distraction. You can dismiss this very flimsy shield pretty quickly and get them in the soft meat of them never reading anything about the actual material topic, while they’re still looking up dictionary definitions or whatever.

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fyorina · 2 months

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ᡣ𐭩 YOU AND ME (ALWAYS FOREVER)!

FEATURING: dark era!dazai osamu

SUMMARY: more than friends, not quite lovers. that's been your relationship with dazai osamu for as long as you can remember. you didn't want to push him, and you gave him plenty of chances, but there's only so long you can wait for someone. you thought you would be better off moving on—you were wrong, of course. (wordcount: 4.8k; sfw; angst (???) but with a happy ending)

AUTHOR'S NOTES: dark era dazai </3 my heart, i got a sudden urge to write for him and i wanted it to be fluff but then i got this idea and just had to go with it (warnings: fem!reader, smoking & drinking, suicide attempt mentions)

In your defense, you were never dating Dazai Osamu.

Not for a lack of trying on your part, of course. You’ve made your interest in him clear since you met him at sixteen during the Dragon’s Head Conflict, when Mori Ougai pulled you back from where you were stationed in Kyoto dealing with his associates to help with the declining situation in Yokohama. And you’d thought he felt similarly to you. You really did. The two of you had become inseparable within weeks of knowing each other, such a swift and strong connection that it almost felt unreal. You’d heard rumors of him, of course, before coming back to Yokohama—the infamous Demon Prodigy that Mori had brought in and groomed into becoming his heir, ruthless and cold and so terrifyingly intelligent that he had the entire upper echelon of the Port Mafia on edge.

By the time you got back to Yokohama, he’d already taken the Colonel’s place as an executive—a shame, really, the Colonel was always your favorite of Mori’s five executives, he always brought you gifts when he came to visit you in Kyoto. But he never really felt like the monster that everyone claimed him to be.

He and Nakahara Chuuya had been the one sent to retrieve you from Yokohama Station, an area very close to the heart of the gang conflict, and even from the first meeting, he’d always been… well, you’re not going to say normal because he’s not normal. He’s always had an unnerving air about him, eyes a bit too cold and dark, smile a bit too teethy, but he’s always come across as just another kid your age. Maybe a bit lonelier than most, which could be off-putting to other people, but it never bothered you. And yes, you’ve seen the way other members of the Mafia treat him—they’re scared of him, go to extreme lengths so as to not cross paths with him, but you’ve never seen him in the same light they do.

Well, not until recently, at least.

Again. In your defense, you were never dating him.

But you’d known he cared about you as more than a friend. And you’d cared about him as more than a friend too. And you waited. You waited almost two years for him to say something. You didn’t want to do it yourself, you know Dazai is flighty and he’s not used to emotions, and you didn’t want to make him uncomfortable, but god, there’s only so much waiting you can take before you start to give up.

When the two year mark hit, you’d become convinced that Dazai was never going to act on his feelings for you; instead, he’d prefer to wait it out until they passed, and if they never did, he’d just pretend they didn’t exist at all. You can’t really blame him, the Mafia is not a place conducive for relationships, it’s only a matter of time before your luck runs out and one of you end up dead by a bullet through the head or captured by the enemy, and the thought of getting attached to someone only to lose them is enough to scare anyone away.

But you don’t want to live your life in fear, no matter how short it may be, and you also don’t want to live it alone. So when an opportunity arose at a cafe near the main headquarters, where you met a civilian around your age who showed immediate interest in you, you jumped on it. And it’d caught a lot of people off guard—Kouyou was surprised, Chuuya was baffled and questioning what a civilian could possibly have that interested you, even Mori gave you a double take and an odd look the first time he overheard Elise interrogating you about your new boyfriend.

But no one took it as poorly as Dazai.

Your throat feels tight as you remember the hurt expression that crossed over his face when you told him. It was so brief and so foreign of an expression to see on his face that you’d thought you’d imagined it, he was quick to school his expression back into a cold and closed-off one (one that he’d never directed toward you before that moment), but there was no mistaking the way the corner of his lip twitched and the way he suddenly couldn’t meet your eyes.

How nice, he’d told you, voice frighteningly icy, acidic, even, before he made a half-assed excuse about a mission that you knew he wasn’t assigned to. And it was so unlike him to offer himself up to handle missions, usually Mori has to force him with threats of giving Chuuya his executive position for him to do anything that makes him extend the barest amount of effort . But he did, and he handled it, very bloodily and uncharacteristically inefficient, as if he was releasing all of his pent up rage onto the unfortunate souls who happened to stumble into Port Mafia territory.

You were never, at any point, dating Dazai Osamu.

You think you’ve told yourself it hundreds of times over the past three months, throwing yourself into your work and enjoying a relationship with a boy who clearly was invested in you and cares about you in a way that Dazai Osamu would never allow himself to admit. You also think that Dazai Osamu has no right being as bitter and angry as he is—you gave him two years to come to terms with his feelings and make a move, you’ve made your own subtle hints that he promptly ignored. If he wanted to be with you, he blew his chance a hundredfold, and he can go screw off if he thinks he can be upset about it only after you’d found someone else.

Which is what he did, pretty much, and it was a lot harder than you expected—going from talking to him every waking second of every day, seeking him out whenever you have free time and vice versa, to only seeing him during the joint meetings between the executives and sub executives, where even then, he wouldn’t even spare you a glance. It was hard, and deep down, you don’t think being able to experience an actual relationship was worth losing your best friend, but the damage had already been done by that point, so you could only lie in the bed you made.

And you did enjoy the relationship. The boy you’d met was sweet. He was good. He was impressively smart—a government and law major at one of the most prestigious universities in this part of the country—and humble to a fault.

But he wasn’t Dazai.

You knew in your heart that you didn’t want sweet or good, no matter how much you tried to convince yourself otherwise. You didn’t want the type of smart that he was, top of his class and on track for law school, seeking out a job as a public defender in Tokyo. You wanted the type of smart Dazai was, wicked and devious, putting together vicious and efficient strategies to take down enemies of the Mafia, on track for taking over the position as boss in the future. You wanted him for all of his twisted moralities and questionable thoughts.

And it was unfair to you, and it was unfair to Dazai, and most importantly it was unfair to the boy you kept leading on, that you’ve refused to acknowledge this for as long as you have just for the chance of experiencing a real relationship.

Which is why you stand here now, outside the infamous Bar Lupin that you know Dazai has been drinking himself into oblivion at everyday for the past three months, notably single and possibly about to meet your end at the hands of a drunken and scorned Mafia executive.

You think you must look like a fool right now. You’ve been standing right outside the door in the rain for fifteen minutes debating on whether or not you should actually go in. You’re nervous, and that makes you sad because you’ve never been nervous to talk to Dazai before, and you’re not nervous because you’re scared of him, you’re nervous because you don’t think you have the balls to actually confront him, knowing that you’d genuinely hurt the boy that everyone claimed didn’t have the emotions to be hurt. He let you in when he doesn’t let anyone in, and you chose to be careless and you chose to give up, and you hurt him.

And you remind yourself again: you were not dating Dazai Osamu. You remind yourself that you gave him chances, he had opportunities, and he chose not to take them. You remind yourself that he’s just as at fault as you are for the falling out, but you can’t help but also remind yourself that he was the one that came out the most hurt by the situation. Yes, him cutting himself off from you was upsetting, but you didn’t have to watch him go around happy in a relationship with someone else. He did.

With that thought in mind, you push the door open to the bar. A soft bell rings above you and instantly, three heads swivel in your direction: the bartender, and two men that you recognize as Sakaguchi Ango, one of the Port Mafia’s special intelligence agents, and Oda Sakunosuke, who you only know through Dazai’s high praise of the man from when the two of you were still on speaking terms. The only person in the room who matters to you doesn’t even bother to look to see who entered the bar, one hand circling the glass of whiskey in front of him while a cigarette dangles from the other. You watch as he lifts it to his lips to take a long drag, head falling tilting back to look up at the ceiling as he exhales a cloud of smoke, seemingly unbothered by your presence.

Already, you feel as if you’ve made a mistake, but you force yourself to continue.

The bartender nods his head in respect to you, although you can’t help but notice he flashes a wary look to Dazai. You wonder, pitifully, how much he’s said about you in this place. Sakaguchi and Oda share a look with one another. Both of them speak a low murmur of your name, inclining their head dutifully—you’re not quite an executive yet, but with the Piano Man of the Flags dead, you and Chuuya are fighting for the next spot to open up. Chuuya will likely be the one to get it, which you think he deserves from all of the heavy lifting he’s done on operations the past two years, but you feel a bit awkward when they give you your due respect when you're here with your tail between your legs trying to talk to Dazai.

Sakaguchi and Oda take their leave when you arrive, giving short goodbyes to Dazai, telling them that they’ll see him another day, and the bartender makes a fumbled excuse about going to the back to restock, leaving you alone with Dazai. Internally, you wither just a bit because you think if they’d stayed, Dazai might keep a handle on himself because you know he views Oda highly; instead, they left you in the lion’s den alone. Which you might deserve, but you digress.

You let out a quiet puff of air as you make your way over to the bar stool next to Dazai, taking a seat in it carefully. Still, he doesn’t look at you, but you look at him and the aching in your chest returns tenfold as your gaze sweeps over him fully for the first time in months. During the joint meetings between the executives and sub-executives, you were always sure to keep your glances short and sweet, not wanting to risk any lingering looks, but now, you can look at him in his entirety for the first time since that fateful discussion three months ago.

He hasn’t changed much. Or, well, that’s a lie. He’s definitely changed. The circles beneath his eye are darker, his expression a carefully constructed blank mask. You think he might’ve lost some weight, his coat has always been big on him but the way it hangs over his shoulders now is looser than it was before. If it weren’t for the way his fingers were tense around his glass of whiskey, you’d have thought he was entirely unperturbed by your arrival.

You don’t know what to say, and you know you need to be the first to speak because you’re the one that showed up here to talk to him, but now that you’re sitting in front of him you’re floundering for words. You could just come out and say that you broke up with your boyfriend, but you feel like that would be a bit weird, and he’d probably laugh in your face and make a comment about how he doesn’t care. You could ask him how he’s been, but you think he might genuinely put a bullet in you for trying to make small talk with him like that right now.

The longer you stay silent, the more awkward it becomes, and you want to cry because you’ve never been awkward with Dazai before, and for a brief second, you wonder if things really have changed too much to go back to how they were.

Finally, you decide to just come out and say, bracing yourself for the inevitable derisive words that are going to leave his lips. “I broke up with him.”

Dazai’s scoff is loud and instantaneous, you bite your tongue, eyes sliding shut as you turn to face ahead instead of looking at him. Cowardly, you know, but you don’t want to see the sneer on his face when he asks you why he should care.

But he doesn’t say that. He doesn’t say anything at first. If you were looking at him, you’d see the way his cold expression shifted into a more conflicted one, still staring ahead because he can’t bring himself to look at you. You count each passing second, and it’s agonizing waiting for him to speak, a part of you thinks that maybe he won’t, and you’ll just have to leave the bar with your tail between your legs, humiliated.

But then he does.

“Why?” he finally asks coolly, and your eyes snap open and your gaze slides over to him when you realize he did not, in fact, hit you with the derogation you expected.

He still isn’t looking at you, and you watch as he lifts his free hand back to his lips, taking another long drag of his cigarette as he waits for your response. You swallow thickly when you try to figure out what to say next.

What you want to say is ‘because he wasn’t you,’ but you’re not ready to bare yourself vulnerable in front of him like that when he’s still so unpredictable. Just because he didn’t immediately hit you with the harsh words you expected, doesn’t mean he isn’t going to lure you in just to slap you in the face with it, which is how you’re sure he perceived what you did three months ago.

Rather, you say quietly: “He was boring, I guess.”

It’s a lie. Well, a partial lie, at least. He was a good guy, he was just boring compared to what you wanted, and what you wanted was Dazai Osamu, who no one in the world could hope to compare to.

“He was boring,” Dazai echoes your words, a cruel and mocking lilt to his voice, and you brace yourself now, taking the sudden switch in tone as the flicking off of the safety. But he shakes his head as he lets out a puff of air, you can’t tell if it’s another scoff or a laugh. “How cold-hearted of you. I suppose I shouldn’t be surprised, given your track record.”

Two paths lay before you: you can take the words as well-deserved, trying to avoid the inevitable fight, or you can spit back equally venomous words, dive in headfirst so the two of you can get everything off of your chest. Both choices are double-edged. If you avoid the fight, it means avoiding the topic altogether, and even if the two of you choose to speak again, the resentment of what had happened will only poison and fester. If you dive into the fight, there’s a chance of saying words you can’t take back, and everything might fall apart anyway.

What do you want? You want to ask him, because you aren’t sure what the right decision is. Three months ago, if you and Dazai got into a disagreement about something, you would know in an instant whether or not he wanted to fight it out to let off steam or just pretend it didn’t happen. Now, you aren’t so sure. He’s still not looking at you, so you can’t use the look in his eye as a hint, but his shoulders are tense beneath his jacket, and his knuckles are white around his glass of whiskey. Your gaze drags up to his face, catching the way his jaw is tight, teeth probably grinding together, and you know.

You look ahead again, leveling your vision on a particularly nice bottle of wine on the third shelf of the wine rack as you say: “I’d rather be cold-hearted than a coward.”

For the first time since you’ve arrived, Dazai’s gaze cuts in your direction, head snapping to the side. You turn your head toward him just enough for you to eye him from the corner of your eye, catching glimpse of the way his lip curled up into a snarl and the way flames now rage in the browns of his eye—a far cry from the bottomless void, but you prefer the anger to the emptiness.

“A coward?” His voice is low, cold, dangerous.

You’re treading on thin ice, but you choose to stoke the flame more, gaze sliding back to the wine racks ahead.

“A coward.”

The silence that hangs between the two of you is tense and damning, you have to force yourself not to react to it, keeping your expression as stony as his as you wait for his response. He’ll either hit you back with more venom or he’ll settle down, one will lead to a blow out fight and the other will lead to a very tense conversation.

You don’t want to fight him, but if that’s what he wants, you’ll give it to him.

After what feels like an eternity, Dazai makes another scornful noise but he doesn’t say anything, gaze snapping back ahead as he takes a drag of his cigarette, this one clearly fueled by anger, far more aggressive than the last one. As if to piss him off even more, he hardly gets half of a smoke, down to the nub already. Frustrated, he puts the lingering cinders out on the bartop before reaching for the pack in his pocket, pulling out a new cigarette and his lighter.

You watch as he tries to flick the lighter on, cigarette dangling between his lips, but the old thing refuses to cooperate. Distantly, you wonder why Dazai is so damn stubborn: working with an old lighter, living in a shitty shipping container, wearing the same few pairs of clothes every day when he probably has more money than god hoarded from his executive paycheck. But you only force yourself to not roll your eyes as you pull out your own lighter, flicking it on and holding it out to him without looking at him.

You watch from the corner of your eye as he stares at your hand suspiciously before he exhales from the side of his mouth, dipping his head down to light the cigarette before he faces ahead again. He doesn’t say anything. Instead, he reaches out for his glass of whiskey, still mostly full, and then he slides it over to you.

An offering. A white flag.

You barely withhold the breath of relief that nearly escapes you, accepting the drink and taking a long sip of it. It’s his favorite brand, smooth and familiar on the tongue; you haven’t been able to bring yourself to drink it since your falling out with him.

“Was it really because he was boring?” Dazai finally asks. He’s not looking at you again, but you can see from the way his fingers are tense against the bartop that he’s probably waiting for a certain response from you.

You let your eyes slide shut. “No,” you admit.

“Then why?” he presses, as if he doesn’t already know.

“You know why,” you say tightly, shaking your head and looking down.

“Tell me anyway,” Dazai responds quietly, you can feel his gaze on you but you can’t bring yourself to look at him. Irrationally, even though the atmosphere between the two of you has shifted, you wonder if this is it: he’s going to get you to admit it and then laugh in your face, cruel but probably deserved.

“Because he wasn’t you,” you finally force out.

He doesn’t respond. Your heart sinks to your stomach, a sick feeling churning. You brace yourself again—you don’t know what for, maybe a laugh or a derisive comment, but he does nothing of the sort.

A long exhale, smoke billowing around his face, a heavy look in his eyes. He doesn’t look at you as he says: “You’re right.”

You don’t respond because you’re not sure what he’s referring to. Finally, he tilts his head to look at you, a wry smile on his lips—your chest feels warm at the sight, you can’t remember the last time you’ve seen him smile. Probably not since the falling out.

“I was a coward.”

Oh.

The frustration you felt all of those months ago returns with a vengeance. You had danced with possibilities back then: that you were reading too much into things, that he didn’t actually care for you the way you did for him, that he simply did not want to be with you even if he did care about you that way. Now, faced with confirmation that he had felt the same but was just too pussy to act on it, your chest swells with that familiar anger. You force it away.

“Why?” you ask after a few moments of silence, nails digging into the palm of your hands as you rest them on your lap. “I… I waited for two years, Dazai. I gave you so many openings. You knew how I felt.”

“I know.” His voice is quiet, barely audible.

“Then why?” you repeat his words back to him, pressing hard just like he did. His throat bobs beneath his bandages as he swallows, averting his gaze, or trying to, at least, because you don’t let him. You reach out to grab his chin tightly, forcing him to look at you, and the pads of your fingers burn against his skin, hyper aware of the fact that this is the first time you’ve touched him in three months. “Why?”

His hand comes up to grab your wrist as if to pull your hand off of him, but he doesn’t, grip firm around your wrist, fingers pressing against your pulse point, and you’re acutely conscious of the fact that your pulse is probably racing but you can’t bring yourself to care.

“I told you why,” he says, voice uncharacteristically soft. Vulnerable in a way that you’ve never seen him before. “I was a coward. I… didn’t want to risk ruining our friendship... I don't have many friends. You know that. I would’ve rather just ignored how I felt and kept you as a friend, because I didn’t think there’d be a chance of losing you that way. I thought if I acted on how I felt, one day you’d eventually see me for what I am and I’d lose you altogether.”

“Some good that did you.” You can’t help the resentful words that spill from your lips, but you feel guilty when he winces, hand dropping back to your lap, his grip slipping from your wrist. “You think I don’t already see you for who you are? We’ve known each other since we were sixteen, Dazai. I know all of the sick and twisted thoughts that run through your head, I knew exactly what I was getting into.”

Dazai shakes his head, as if to deny your words. You get frustrated.

“I spend hours at your recovery bed after your attempts, I’ve caught you in the middle of them myself, do you know what the first thing I did was after I told you I had a boyfriend?” you demand, and he stares at you, unsure. “I put a protection detail on him because I thought you’d try to have him killed, or try to kill him yourself.”

Dazai winces. You shake your head and look away, settling down again.

“For someone so smart, you really are so goddamn stupid sometimes,” you sigh, taking a long swig of his drink before placing the glass back down on the table. “I saw you for who you are, and I wanted you anyway.”

“Wanted?” Dazai asks, an uncertain expression on his face as he zeroes in on the past tense.

“Want,” you correct, voice little over a breath, and something akin to relief sweeps across his face as his gaze drops down to the bartop.

The silence that hangs between the two of you is more comfortable this time. Reassuring, even, because maybe things might still be awkward between the two of you for a while, but there’s a light at the end of the tunnel, one much brighter than the one the two of you lived in three months ago.

“I can’t believe you went for a civilian,” Dazai suddenly says, almost sounding indignant. “A civilian. You!”

“What the hell is that supposed to mean?” you snap when you hear the incredulous tone he takes when he says ‘you’.

“You’re a stone cold bitch,” Dazai accuses and you gape, but you can’t find it in yourself to be offended because his eyes are lit up for the first time in months, a lopsided smile painted on his face. “And you’ve got as much blood on your hands as I do. You. A civilian. I think I would’ve been less offended if you went for Chuuya.”

“We both know that’s a lie,” you snort, and then you add, a bit amused, “you know what he wants a job as?”

“Tell me,” Dazai drawls, resting his chin on his hand as he leans on the bar, watching you with such a fond expression that it makes you feel warm all over.

God, you missed him the past three months.

“He wanted to go to law school. Become a public defender.”

Dazai chokes over the smoke he inhales, and you press your hand to your lips to smother your giggles as he desperately wheezes between laughs. You’re not sure if he’s actually choking, you think he might actually be dying from how red his face is getting.

“Maybe you should keep in contact with him then,” he gasps between laughs, “we might need one of those one day.”

“As if you’re sloppy enough to ever get caught,” you say dryly.

He winks at you, his grin sharpening, and you know you’re not going to like what he’s about to say. “Oh, I’m not. By ‘we’, I meant you.”

“Douchebag.” You roll your eyes, letting another silence settle over the two of you, a smile on your lips now as you take another sip of your drink. He’s the one to break it again.

“... Odasaku convinced me not to, by the way.”

“What?”

“To kill him. I was going to. Odasaku convinced me not to.”

You let out a sigh of utter suffering, giving Dazai a pointed look—see, you say silently, I know you. He has the decency to look a bit sheepish as lifts his cigarette back to his mouth in lieu of responding to your unspoken words.

“Stop with the self sabotage, Dazai,” you finally say, tired. “For both of our sakes’.”

He doesn’t respond, and you know him well enough to know that he’ll probably never stop with the self sabotage, but he does reach out to lace your fingers with his, and the warm feeling that spreads through your chest is enough to satiate you.

Little steps, because no, the Mafia is not a conducive place for relationships and yes, it’s only a matter of time before luck runs out for one of you, but if your life is destined to be short, there’s only one person you want to spend it with.

#ᡣ𐭩 carina’s archives #dazai x reader #dazai x you #dazai osamu x reader #dazai osamu x you #bsd x reader #bsd x you #bungo stray dogs x reader #bungo stray dogs x you

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astrosky33 · 5 months

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Aspect Associations 1

Venus sextile Mars: The aspect of extreme charm

Venus rules over charm/attraction and Mars rules over lust/flirting. It can indicate someone has a way with words and is very good at flirting. Sextile’s are also harmonious aspects that can be associated sometimes with sexual energy, enhancing the effect of this aspect

Example: Jack Harlow

Pluto sextile Midheaven: The aspect of worldwide fame

Pluto represents areas where we have a lot of power and the Midheaven rules over career, public image, and fame. Sextile’s open pathways for areas of growth, so their fame just continuously grows, sometimes even after death

Example: Elvis Presley

Venus trine Jupiter: The aspect of easy wealth

Venus represents attraction and Jupiter represents success/wealth. Trines represent talents as well as things coming at ease and are a harmonious aspect. With this aspect you can attract lots of wealth with minimal effort

Example: Mark Zuckerberg

Venus trine Neptune: The aspect of extreme musical talent

Venus rules over harmonies (not just harmony in general), Neptune rules over music, and Trines represent our talents/things that come at ease. People with this aspect have natural talents involving music

Example: Ariana Grande

Mercury square Jupiter: The aspect of underestimated intelligence

Mercury represents the mind/intellect and Jupiter represents knowledge/wisdom. When these two aspect each other it indicate extreme intelligence. However, if they square each other because squares are challenging aspects, it can cause people to have a false perception of your intelligence

Example: Marilyn Monroe

Jupiter trine Chiron: The aspect of dark humor

Jupiter represents humor and Chiron represents karmic wounds. Often people with this aspect joke about their trauma due to this. The Trine makes them have naturally humorous dark jokes

Example: Theo Von

Mars square Pluto: The aspect of ops

Mars represents conflict/aggression, one of things Pluto represents is toxicity, and squares indicate challenges. Often people with this placement regardless if they’re someone who’s toxic or not will attract lots of ops (enemies)

Example: Nicki Minaj

These aspects are most relevant when under an orb of 4°

MY MASTERLIST - EXCLUSIVE CONTENT - READINGS

#aspects in astrology #aspects #astrology aspects #astro community #astrology #zodiac #astro placements #astrology tumblr #astro chart #birth chart #aspect associations #venus sextile mars #pluto sextile Midheaven #venus trine jupiter #venus trine neptune #mercury square jupiter #jupiter trine chiron #mars square pluto

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astroaid · 3 months

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astro observations

Accuracy influenced by entire chart.

🪻 Family member w/ a cap venus met his wife at her workplace.

- This placement is generally attracted to polite, well-dressed/groomed people. Partnerships work best when the partner has a steady plan for their future. Cap venus spouses generally are: reliable, humble, and hardworking.

🪻 Taurus Venus+7th H Venus may have relationships (friends, lovers, and business) with lazy people. (lazy is a harsh word but I can’t think of a better one)

- Ex 1. My taurus venus friend had a partner in university who was financially supported by their parents well into adulthood. This resulted in the partner having terrible work ethic. Their laziness resulted in unemployment and lack of ambition in career.

- Ex 2. This taurus venus had a partner who would ask to cancel dates to stay at home. They preferred to spend most of their free time gaming. Very much a homebody.

🪻 Aqua is a fixed sign and I’ve noticed aqua venus people have fixed types physically. And their “type” can often be physically different from them.

- Ex 1. Aqua venus man says he loves to date tall girls. He’s about 6 feet and has only ever dated women very close to his height. And right now is trying to rizz up a woman taller than him.

- Ex 2. The other aqua venus has only dated men from a different racial background than her. The type is “fixed” because the men are always the same race although different than her.

🪻Venus in 9th H woman ik is in a long distance relationship. I know it’s such a generic example of this placement but it’s accurate!

🪻 Gemini Venus friend loves a lil toxicity. Picking fights to get the other person riled up in a fun & loving way.

- This may be a negative manifestation of this placement. Because (generally) this placement is prone to get bored in long term connections. This does not mean that they don’t love their partner or they can’t have a forever relationship. It means partnership work best with partners who have a youthful energy. Someone who is as curious and clever as they are.

- This placement’s likely to have a spouse who is witty, a little devious in their humour but overall intelligent & respectable.

🪻 Not all libra risings have symmetrical bodies. If the ruler, venus is afflicted you may have some asymmetrical features. This does not mean you are unattractive.

- Libra rising w/ venus in scorpio & venus conjunct mars. She has asymmetrical dimples.

- Libra rising conjunct mars. She has had a prominent scar on the left side of her chest from a heart surgery she had as a child. ngl it looks badass. my scorpio venus is intrigued & wld love a scar like this.

🪻 6th H chiron can manifest as becoming extremely critical of oneself. I’ve noticed 6th H chiron people are likely to seriously consider & get cosmetic surgeries.

- Person A w 6th H chiron in gemini is open to their circle about having rhinoplasty (nose job). They aren’t ashamed and I’ve seen them give info and joke to those who are curious/interested. Ex: Joking that “you should try learning to contour your nose before spending so much”

- But Person B has 6th H chiron in scorpio. When they had their cosmetic surgery done, they only told those who it was necessary to tell. Like the people who would be taking care of them in their recovery. They have told me they joke to their social circles that they’re just a late bloomer to avoid speculation.

🪻 As a scorpio venus, it is nice to see our loyalty being constantly recognized and appreciated. However, that is such a generic analysis of this placement. Often people seem to forget that Scorpio deals with possession and power dynamics.

- Ex: Scorpio venus man asked for a one sided open marriage from his wife after she has their first child. This allowed him to see other women but she was not allowed to see other men (nor did she want to though). She was incredibly hurt but did not want to be a single mom. And she did financially rely on him as well. This is a negative manifestation of scorpio venus. Instead of loyalty, there were toxic power dynamics at play.

🪻 Ruler of 10th in 7th. I’ve noticed these people can mainly become known for who they are dating or dated.

Ex: This can manifest as having a partner who is more social or popular in their social circles.

Ex.2. It can be negative as people may gossip about your relationships for their entertainment.

🪻 Gemini 7th house can experience getting friend or sister/brother zoned.

🪻 Venus opposite Uranus indicates someone will suddenly end their relationship with you. This can be someone you’re dating, a friend or family. It may even be getting fired from a job since venus is connected to money.

Some may find that people repeatedly surprise them by cheating, leaving or ghosting. There may be some behaviour or pattern within yourself that you must confront for this to end. For others, it may happen once and it will hurt by at least it can be a lesson learned or karma cleared.

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cupidlovesastro · 6 months

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°❀⋆.ೃ࿔*:✮ °❀⋆.ೃ࿔*:✮ °❀⋆.

𝒲𝒶𝓉𝑒𝓇 𝒮𝒾𝑔𝓃 𝒪𝒷𝓈𝑒𝓇𝓋𝑒𝓈

°❀⋆.ೃ࿔*:✮ °❀⋆.ೃ࿔*:✮ °❀⋆.

༄ water mars/moon are scary when they’re angry because they can get really emotional really fast and will destruct💀

༄ air sun with water moon are some of the nicest people ever. air signs are super friendly and talkative, and water signs are empathetic and understanding

༄ having your moon sign in the 4th, 8th, or 12th house can amplify your emotions intensely

༄ you can always tell when someone is a water sun or rising because they have sleepy eyes, round face, and big lips or cheeks

༄ scorpio risings aren’t secretive, but their eyes make it seem like they know something you don’t. they also tend to wear a lot of black, dark red, or dark purple

tw: miscarriage, trauma

༄ chiron in 8th house can show someone has trauma surrounding death and birth. they might’ve gone through a miscarriage or have a lower fertility rate. this could also signify that when you go through changes in life, or the way you learn life lessons can cause you to end up having trauma from it

༄ lilith in 4th house could’ve had a mother or mother figure who was jealous of their looks or youth. this also could show that your family made you an outcast for no particular reason, or you could rebel against your family a lot (doesn’t have to be in the most extreme way)

༄ chiron aspecting neptune can show that this person used escapism as a way to cope and heal from their trauma. it can also show that this person could’ve became addicted to something that helped them cope. you may also tend to avoid topics surrounding your trauma or completely block it out of your brain

༄ lilith aspecting pluto can mean that when this person rebels, it can get really destructive really fast. they could get extremely reckless and revengeful if you’ve hurt them enough

༄ pisces sun, moon, venus, and mars forgive way too easily. especially if it’s people they already believe are good people and care about because they have a hard time seeing things for what they are due to them not wanting to accept reality

༄ 12th house stelliums can keep a secret for years, literally years

༄ having a lot of water in your chart can mean your emotionally intelligent, empathetic, understanding, fertile, value family & children, imaginative, deep, dreamy, emotional, intuitive, and spiritual

༄ lacking water elements can show lack of emotional intelligence, logical thinking, calculated, you dont feel emotions as deep, your not as family oriented, you seek the truth through books and research rather than spiritually

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obsessedwithceleste · 21 days

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Theodore Nott Headcanons

Dedicated to this lil request here 🫶🏽

©️ obsessedwithceleste. all works posted here belong to me and should not be reposted or copied in any way or form.

It’s no secret that Theodore Nott had a rough childhood

Between witnessing his mother’s death at a young age and having a particularly ruthless father, Theo learned to be quietly reserved early on

1000% Theo is an introvert

Despite being seemingly closed off, he’s extremely observant and good at reading others and picking up on things quickly

While he may not be the best at deciphering his own emotions, he’s able to sort through others’ easily

This makes it easy for him to be rather manipulative because he knows what makes other’s tick and how to go straight for the jugular

He may be distant and off putting in the beginning, but once you get close, he’s a clingy bastard because he doesn’t let many people get close, so once you make it there he’ll basically hold you captive forever

He’s also stupid smart

(Canonically he’s able to re-create an illegal time turner after they were all destroyed in the department of mysteries so//)

And this makes his a bit of an arrogant asshole

Looks down on people he thinks aren’t as smart as him

He definitely thinks that he knows best and can have a “my way or the highway” type mindset

Probably has some type of gifted kid™️ trauma and a crippling fear of failure

Anyway, he’s super intelligent and witty and has the potential to do really well in classes

But he has a nasty habit off skiving off with Mattheo Riddle

Who happens to be his best friend along with Lorenzo Berkshire

A lot of people think Theo is the “mother” of the group, or at least the one with the most impulse control

They’re wrong

Theo is the one that Mattheo goes to with his dumbass ideas and Theo’s response is generally something along the lines of-

“Absolutely not you tosser. If we’re going to do it, we’re going to do it right”

Queue Mattheo’s initial plan- only methodically planned out to cause maximal emotional trauma for the Hogwarts population

Theo and Mattheo are also a chaotic duo on the quidditch pitch

Theo is a chaser

Making the quidditch team in his third year is one of the only times his father showed a hint of satisfaction with the boy

Being on the Slytherin quidditch team, he’s often labeled a preppy jock

And Mattheo does help him break out of his shell more

But he’s a nerdy lil book worm at heart and likes to be holed up in the library most days

Theo also has quite the reputation of being a ladies man with rumors about his escapades swarming the student body

But really they’re just that- rumors

Lorenzo is more of the openly flirtatious pretty boy, and Mattheo certainly knows how to make his way around which is perhaps why people think Theo would be the same way

But he isn’t one to really form physical attachments- emotional or not

He prefers to fly under the radar

He may have had a fling or two, but isn’t one to kiss and tell

He has a hard time entering a real relationship

Mostly because when he first realizes he’s caught feelings, he’s convinced he’s actually just ill and stays in bed pretending to be sick

But once he comes to terms with things, he’s one determined wizard

Makes sure everyone knows that you’re off limits (possibly before you know yourself)

Definitely goes to Enzo for advice on how to woo you

With varying degrees of success

King of subtle PDA (just enough to mark his territory)

Confident and secure in his relationship, but also still jealous as hell

Will hex the living shit out of someone for breathing at you the wrong way

Finds it amusing when you get jealous though

But will shut it the fuck down as soon as he picks up on you being actually upset (probably embarrassing whoever it is in the process)

Not always the best at communicating his feeling cause he’s emotionally constipated af

But tries because he knows he doesn’t want a relationship like his parent’s

Okayyy I think that’s all for now, but I have a feeling these will grow and evolve with time sooo- ongoing (?) idk

#slytherin boys #theodore nott #slytherin #harry potter universe #theodore nott x reader #theodore nott fic #theodore nott fanfiction #theo nott fanfiction #theodore nott headcanons #theo nott headcanons

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vivelarevolution13 · 1 month

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tbh I still think Brock Rumlow was an interesting character and upon further examination way more unsettling a villain than most to me because like. Let’s be real, the second you lay eyes on Robert Redford as Pierce monologuing in his pristine suit and glass office high up in the sky he just screams Evil Politician! at you. You can see it coming a mile away. Meanwhile Rumlow is….Just Some Guy. On the surface, he’s just some side dude. He’s not enhanced, he’s not in some major position of power, he’s just someone who’s really good at what he does and seems dedicated enough to the work and functions well with his team. He respects Steve, might admire him even, but not so much that he gets starry eyed like everybody else. He’s lighthearted but focused, he’s no nonsense, he’s the everyman Steve can relate to way more than spooks like Natasha or Fury.

And okay, maybe what Rumlow does for a living is beat intimidate and kill people, but it’s not like that’s the primary objective, right, because SHIELD are the good guys and this is what Steve does now, too, anyway; except that Steve doesn’t really use any weapons other than the shield, he holds back, he doesn’t carry a gun anymore which is usually fine since he’s dangerous enough without it. But when that leaves him vulnerable, he’s covered: Rumlow’s got his six, and he does it well, and he earns some of his trust. This is familiar to Steve.

And maybe Rumlow’s a little too good, fine, maybe he shoots a guy in the head within the first fifteen minutes of the movie when he doesn’t necessarily have to and then cracks jokes immediately after but that’s alright too, because that guy had Steve at gunpoint and that guy was Bad whereas Rumlow is One of the Good Guys just doing his job, right. Rumlow’s joking around because he’s used to the violence, they’re all used to it, and this is just how it works. They’re just soldiers doing the grunt work and following orders, and this is familiar, too.

Except that they’re not soldiers and this isn’t a war, except that the work is for an intelligence agency whose job it is to hoard and steal information and monitor civilians and orchestrate and sabotage and meddle in internal and external state affairs. Except that the Good Guys, in reality, are extremely grey at best. Except that many of the Good Guys turn out to be Nazis on top of everything else, and it’s not that far of a stretch.

But when it’s all starting to unravel, you’re still thinking well maybe some of these guys didn’t know. Maybe they didn’t do it out of individual belief, and if faced with the right choice, they can be redeemed.

That is until you realize that Rumlow maybe didn’t respect Steve and what he did so much as what Steve could do if only Steve weren’t “weak” in other ways, if Steve had chosen the right side. That it not being personal is less a cop out and more a taunt the same way just following orders has always been, for Rumlow and many many men that came before him and will continue to come after. Until the vault when, by the most charitable of interpretations, Rumlow looks at the Winter Soldier letting himself be smacked around and crying and getting shocked like he’s maybe a little unnerved (if not just downright fascinated) by the whole thing, but not enough that it really changes anything for him, because the end justifies the means and it’s not really his problem, anyway.

Until Sam shows up and Rumlow looks at him like a bird of prey and says This is gonna hurt with a fucking smile on his face, and then you think: shit, man, obviously. How was it not clear from the start.

To me, what makes someone like Rumlow a good villain, even a side one, is not that he’s straight up Insane & Evil™️ or suffering from Tragic Backstory Syndrome or all hopped up on magic superstrength juice or whatever, but precisely the fact that he’s Just Some Guy with a cockroach survival mentality who operates well within the established system and just so happens to be really good at his job - a job that he might’ve even joined thinking it was for a good cause, or because he had something to prove, or simply because it gave him one hell of an excuse to be a bully. Because he either wholeheartedly believes in HYDRA or he just doesn’t give much of a shit either way so long as he gets his due in the end, and both are just as bad.

Because when you strip away all the grand scale superhero theatrics, you’ve seen this before. You’ve seen Rumlows in your school and in your neighborhood and in the military and the cop car patrolling your street. They’re the ones who sometimes say or do somewhat offputting shit but you figure it’s fine because they’re otherwise real nice or charismatic or normal looking, or maybe they work a job that’s framed as helpful or protective or inherently good despite the power dynamics at play, or they share your background and interests and you chat about the weather being crap this time of year.

And every time one of them turns out to be a violent, hateful piece of shit, you’re still somehow surprised then, too, when you really shouldn’t be.

#apologies for the extra long post but I’ve been thinking about why he freaks me out as much as he does #the world is full of brock rumlows is all i’m saying.#and that to me is way more terrifying than evil crazy russians in underground labs or deranged aliens could ever be #brock rumlow #ca: tws #brock rumlow meta #I guess???? hello how the fuck did I get here at 5 pm on a tuesday jesus christ #mcu meta #max.txt

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moonymiel · 23 days

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the thing about jily is that yes james is absolutely besotted and a lover boy but lily is the original lover girl. james is extremely charming and funny not to mention INCREDIBLY intelligent and you’re telling me lily wouldn’t like him for the first few years??? pls if anything she would be so annoyed at herself because everyone is falling over stupid over james and co. because they’re all grossly attractive in their own ways and she wants to be better than that. but then james makes his interest so clear it’s almost ridiculous and it’s just too good to be true isn’t it?

lily would have to hide her smiles until she was safely hiding behind her curtains when james made a silly go at a love confession in the common room. she would wear her hair down every transfiguration class to hide her blush because james would make the best jokes with minerva teaching while still getting every exercise perfectly because that was His subject. every time he asked her to hogsmade her heart would beat so loud she could barely hear her own voice as she rejected him. because of course she would have a sense of injustice over her childhood best friend that she is trying to cling to so hard as she watches him drift away in front of her eyes. but she has seen so many times how truly good and gentle james is with the people he deems worthy. so of course she is going to appreciate his affection. and of course she has loved him back the entire time. but she is the brightest witch of her age and she has to have some pride, doesn’t she? james needs to sweat for it a little, but it has never been a matter of lily loving him back, just a matter of letting herself love him and be loved by him openly.

#she’s a complex character with emotions #but she’s not some mean bitter girl #y’all forget her main character trait is kindness #lily evans #marauders era #marauders #jily #let lily simp too #james potter

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8hsaturn · 1 year

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-- my astrology observations pt.1

Aquarius risings with Neptune on the ascendant can be extremely popular for their appearance amongst their peers, they’re also pretty influential and can be copied very often if Uranus is conjunct the ASC. They tend to have an immaculate fashion sense especially if paired with Taurus placements.

What separates Libra from Taurus is their way of expressing Venusian energy: Taurus, fixed earth, expresses it through a beautiful voice and coveted seduction, they’re down to earth and aware that they’re naturally attractive, acting chill and not being a try-hard is their trick. libra, cardinal air, on the other hand, isn’t scared to shake things up and keep people on their toes, they’d flirt to see how well their charm works and would change “tactics” to hook people in. they’re cardinal and so know how to spark someone’s interest but their air nature can make them pull away before they feel trapped. Taurus alternatively might prefer to simply sit because they know they attract people without moving a finger. Both can be very charming but also difficult to pin down especially as they grow older and more in tune with their Venusian nature.

As someone who always does readings for my friends, I noticed people with similar majors tend to have similar placements! law/political science majors tend to have a lot of Libra or just Libra on the angles and even 7th-house placements. IT/coding majors tend to have a lot of Scorpio/Virgo/Aquarius. actually, you can even guess why they chose the major from their chart.

My Capricorn friend chose software engineering because of the job prospects and because he enjoys working hard on a program and seeing it come to fruition which is very Saturnian.

8th house synastry is a complex matter but I believe the issue lies in people looking for that one overlay that guarantees a perfect relationship: there’s no such a thing. each overlay will have different results depending on both people’s charts and how they use or abuse their own placements. 5h synastry with your 5h stellium crush can seem incredible until you realize their Saturnian nature makes them see 5h energy as inherently immature and repress that nature, and have their ego drive them to see all fun they don’t initiate as cringey. 7h synastry can seem like a promise for marriage until you realize your person hates how they lose themselves in their relationships and distance away from you. In short, you can’t promise anything even with a synastry chart in front of you if you don’t know the trauma and experiences of both people. Makes sense, because astrology is truly just a tool to understand better, it doesn’t control or define anything.

8th house moon synastry can make the moon person very attuned to the other person’s feelings and want to know how their deepest emotions. Bad intentions can make the moon person use their knowledge to manipulate the house native though. it can be an aspect for understanding but if the house person has a Scorpio or Saturnian moon, or a natal 12h/4h/8h moon, or moon aspecting Saturn they might see this desire as annoying and could put them off, especially if they’re emotionally unavailable/stunted: they see the connection as making them too vulnerable and will escape it.

Sun conjunct Saturn… might make the sun person feel as if the Saturn person is repressing them, dulling their light, and just dampening their mood. In what exactly? that depends on the sun sign and house where the conjunction happens. e.g: if the sun conjuncts Saturn in Gemini in the 9h: sun person might feel that Saturn isn’t as enthusiastic or excited about the things that they’re passionate about or doesn’t understand their jokes or interests, shuts down convos or doesn’t let them talk. They might feel mocked for their beliefs or that the Saturn person doesn't take their philosophies and deeper concerns seriously.

I disagree with the notion that certain placements indicate intelligence or otherwise lack of. Intelligence is so complex and difficult to define, and I don’t mean eq vs iq or mathematical vs linguistic Intelligence, I mean that people’s experiences can push them to hone certain intellect over the other: having a libra stellium doesn’t mean all you got is street smarts, but that’s what you found yourself focusing on developing due to the cards you were dealt in life. I believe your chart will indicate which skills and intelligence you had to use, or need to use, be it something you have to learn from scratch or an instinctive talent, rather than natural skills.

that’s all, thank you for reading this far <3

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physalian · 3 months

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Plot Holes and How to Fill Them (Or, The Hidden Potential in Your Mistakes)

“But why didn’t they just do that earlier!”

“You can time travel – so time travel!”

“Doesn’t X have Y spell? Why aren’t they using it to escape?”

“You. Have. Telekinesis! How are you this stupid?”

Plot holes! The bane of every writer’s existence. You think you’ve polished your beautiful manuscript, you have it all sent out for the masses to consume and praise and shower with compliments and adoration… and then they start tugging at a thread that may or may not begin to unravel your entire story. You’ve read this thing top to bottom, forwards and backwards and upside down, so many times the letters are burned into your brain. You mumble your monologues in your sleep — how did you not see this? How do you fix this?

See this post about beginning the writing process that might help you avoid opening a plot hole entirely with a solid enough script and outline.

Types of Plot Holes

Your magic system’s established rules have just been broken for TeNSioN

Your Deus Ex Machina really did come out of nowhere and is quite out of character

Why doesn't Character just run away from a fight they can't win?

Characters forgetting they have superpowers, extreme intelligence, handy tools or weapons, survival skills, common sense, or crucial information to escape and/or solve a situation

Characters dying for the above mistakes when said death could have been avoided

The entire story could have been avoided had Character A just told Character B the truth

Character X should have known ___ all along given their profession/backstory/friend circle/education/personality

And variations of the above, I’m sure I’m missing a couple. Fixing plot holes generally come in two camps: Those you can fix by rewriting the existing manuscript that contains the hole, or those you have to work around from a previous manuscript that’s already been published.

Why Plot Holes Happen

Plot holes happen in reality. Expecting your first, second, or 15th draft to be completely foolproof is utter nonsense. Real people forget stuff they’re supposed to know all the time, tools that would be useful are left behind, GroupThink makes very bad decisions.

The difference is: You are writing fiction. Your goal is to be entertaining, not necessarily realistic. A character simply *forgetting* Macguffin X at the climax of the story does not make for an entertaining read, no matter how likely it might be to happen in the real world.

You’re making this entire world up as you go and that alone is an impressive feat millions of others can only dream about – cut yourself some slack, okay? Everything is fixable.

Plot holes also happen because we’re so engrossed in our own story that we forget it’s all made up. You’re 22 chapters into a 24 chapter novel and you’ve just realized your psychic hero would never have been caught unawares like this. “But that’s just how he is!”

No. Stop. That’s not just how he is. That’s just how you wrote him – and you can go back and un-write him. Any excuse you can dream up you can un-write, and unfortunately, you’ll likely have to do a fair bit of it if you still have the opportunity.

Plot holes generally open long after the inciting incident that causes them. If you’re going to fix it, duct-taping together a solution in that very same scene isn’t the way to do it. You have to figure out why it’s a hole at all, then go back and fix its foundations.

Finding Your Own Plot Holes

Sometimes you’re lucky enough to stumble upon them before it’s too late. A fair bit of the time, though, your audience has to tell you. Finding your own plot holes requires stepping back from your work and looking at it like you’re just a reader, not the author.

Read your plot out loud to yourself and keep asking questions like:

Does this make sense for the scene?

Does this only exist to look cool at the cost of logic?

Are these rules I wrote too easy to break or contradictory in any way?

Is there any other way for this character to escape this situation?

Is the only solution here too contrived?

That, and having an army of beta readers who should show you flaws you’ve overlooked. Even then, some things just aren’t obvious at all until someone too smart for their own good points out something no one else considered before.

It’s okay. It’s not the end of the world.

Filling Plot Holes

Fix your broken magic system

A “magic system” broadly describes any type of powers/abilities/supernatural entities that function in your world. They can be in high fantasy, urban fantasy, sci-fi, or any genre really. The Force is a magic system, as much as is bending in Last Airbender even if no one calls it “magic”.

For example: Force users are telekinetic… and yet don’t simply repeatedly spam the “chuck my enemies into a wall/off a cliff/anywhere that is away from me” button. It’s what you’d call a “soft” magic system, it doesn’t have explicit rules on how and when it can and should be used. It just *is*.

Fixing holes in your magic system first demands examining why you wrote it the way you did, why you gave it these specific rules, or why you didn’t, and all the ways characters should otherwise be able to use it when your story demands they get creative.

For soft magic systems — never let the magic system win the day. It invites far too much scrutiny. Gandalf from Lord of the Rings is a Wizard. He can do an undefined number of spells and has an unclear number of abilities and limit to his reach. Gandalf’s magic is never the saving grace of the Fellowship. So asking “why didn’t Gandalf just do X” isn’t ever a question people have because success never depends on Gandalf doing X.

Everyone hates on the time turner in Harry Potter, as they should. Time travel is essential to the plot of Prisoner of Azkaban, without it the heroes fail. And yet, because it is time travel, why it never existed earlier and why they never use it again to solve more massive plot problems is a valid question. As goes with many spells and abilities in the series.

For hard magic systems — remember that you wrote the rules, you can go back and change them at any time before it’s published. Bending in Last Airbender is rarely the focus of any conflict. Yes, two benders will fight each other, but it’s not “who’s the stronger bender,” it’s “who’s smarter with their element”. Who better uses their environment? Which one is racing against a clock before reinforcements arrive and overwhelm them? Which one runs the risk of exposing themselves if they start bending? Whose mental state is crippling their bending today?

These are all character-driven explanations for why certain abilities do or don’t manifest in a given scene… until the finale when it really is just a clash of red and blue aura lasers.

There is never a scene where a character is trapped when they shouldn’t be. Never a “why didn’t you just X” moment, because it’s never about the bending, it’s about the bender.

Turn plot-reasons into character-reasons

This means taking a “why don’t they just do X” and making the reason because one of the protagonists is morally against doing it, not because the hand of the author demands it.

In Last Airbender, Aang is vocally against simply killing the Fire Lord. It would be easier, it would risk far less casualties and carnage, it’s fastest. And yet. Aang doesn’t do it simply because he’s not strong enough or he doesn’t have some magical super weapon, or the stars have aligned and now he’s lost a very convenient ability – Aang doesn’t want to take the easy road because that’s who he is as a person.

He’s been raised as a monk to value the preservation of life above all else (ignoring any accidental casualties over the course of the series). Him being desperate to not simply kill Ozai is central to his character and even when he has the chance in the climax of the fight, he still doesn’t take it.

Now “why didn’t you do that earlier” does, still, concern the “energy bending” established out of nowhere just for the finale so Aang doesn’t have to compromise his morals to win… but the show is so damn good and Ozai’s just desserts so damn sweet it doesn’t really matter.

Making these plot decisions character decisions, so long as they are in-character, gives some juicy potential for schisms within Team Protagonist as fan favorites clash over ideals and morals and whether or not the greater good is worth them sacrificing something so central to their being.

This also applies to characters not sharing crucial information with each other. Make them distrustful of the others, or let them attempt it anyway and have some other consequence for the effort. Anything is better than a character sitting on valuable info simply to maintain the mystery.

Avoid Deus Ex Machinas

The “surprise reinforcement cavalry charge” is one of my favorite deus ex machinas in fantasy. Everybody cheers, it looks amazing, the music is swelling, our heroes on the battlefield realize they haven’t been forsaken by their friends, etc. In Lord of the Rings, yes, Theoden could have arrived 30 minutes earlier and saved even more lives, but we already knew he was on his way moving as fast as he could without exhausting his horses. Theoden’s army also took care of the bulk of the battle so when Aragorn arrives with the second surprise reinforcements, it’s less a decisive blow that comes out of nowhere and more the victory lap.

In “Battle of the Bastards,” Game of Thrones has its third surprise cavalry charge of the series, only this one much more explicitly comes to save the day. The difference between this scene and Theoden’s charge is: Audiences had no idea Littlefinger was on his way, and neither did Jon Snow. Had Sansa told him she had a plan, Jon could have waited. He wasn’t backed against a wall and forced to fight right then and there, he could have stalled an extra hour by just not showing up to the battlefield to wait for his cavalry. With Sansa inexplicably not telling him, she risked his life and the lives of his entire army because the hand of the writers wanted to keep it a surprise. Worst of all, when the battle is over, he compliments her decision, despite all the blood on her hands.

Surprise reinforcements, saviors, powers, and abilities always run the risk of “why didn’t they do that earlier” and you should be asking yourself the same question. If you can’t come up with an explanation other than “because it’ll look cool” go back to the drawing board.

Or, have your very own characters pissed that the savior didn’t just do that earlier. Have your characters ask where this special power was, have it mean something to them and the story at large. Had Jon been angry with Sansa, given their incredibly pyrrhic victory and the potentially avoidable death of their youngest brother, it might’ve made for some interesting character drama.

Give your saving graces deadly costs

“Why didn’t they just do X earlier?”

“Because doing X would have killed Character D, dummy.”

Giving your super special magic, mutant, super, or supernatural powers costs, drawbacks, and limitations forces the characters who use them to not resort to them every single chance they get. Their magic drains their physical stamina, or the demon they made a deal with camping in their brain threatens to overtake their psyche, or the sword is cursed and every time the hero raises it in battle, they lose a little piece of themselves. Or, using this creepy power strains their relationship with their friends or community.

Without risk and consequences, you cannot avoid “why didn’t they do that earlier,” because the only answer you have to give is “because I, the author, said so.” The only time a character is allowed to have selective amnesia about their superpowers is if it’s been established beforehand as a potential problem. Then it’s not “this came out of nowhere.” Then your audience is dreading the entire time waiting for that chekhov’s gun to fire.

Don’t compromise your story for sensationalism

I can complain about ~subverting expectations~ in another post, but what I mean here is this: Are you writing this scene purely for shock value, for the sake of a twist, because a story this grim demands at least one character death, or because it’s going to look epic?

In this post about pacing and this post about how to write tone, I talked about making your scenes pull double duty. You can write a scene for shock and awe, but if it’s at the expense of a character’s integrity or intelligence, come up with another way to make it spectacular.

You want the villain to monologue to give the heroes time to save the world? Then write a villain with an ego and personality that would monologue. You want the hero to be a one-man-army? Then write their personality as the lone wolf type and have it be a flaw of theirs that they keep striking out alone, consequences be damned.

You absolutely need the hero to not take the easy road and fight the bad guy without using their most effective weapon? Give them a reason to stall this fight. Maybe they really do need to simply run out a clock, or they don’t actually want to kill/subdue their opponent, or in doing so, the villain’s death is what causes the Bad Thing to happen.

If I write a character that can kill with just a look, every time I put them in a dangerous situation I need to then justify why they don’t do that over and over again, unless it’s by their own stubborn integrity that they choose not to.

If I write a villainous plan so devious and well thought out, the only thing standing in the way is living protagonists? I need a reason the villain doesn’t just murder the heroes every chance they get. Maybe they’re internally struggling over actually going through with it, or their ego demands the hero doesn’t get a quick or honorless death, or they do actually need a living hero for the plan to work.

Fixing Plot Holes in Sequels

All of the above is advice for issues within the same manuscript. What happens if you’ve already published and have the chance to address a known plot hole in the sequel?

About the worst thing you can do is slap in a throwaway line or hasty explanation to cover your ass. Everyone reading and watching will notice. Saying nothing is better than saying that.

See the duct-tape in Rise of Skywalker when the heroes explained that they couldn't just hypersspace-jump another ship into the enemy fleet because it worked so horribly effectively last time. Doesn't matter that they could have put it on autopilot or sacrificed a droid, or that, at any point in the history of Star Wars, someone else could have and should have done this desperate maneuver. For the sake of "looking cool" it opened an entire sinkhole.

Less a “hole” and more an inconsistency — the pegasus Blackjack in Percy Jackson is explicitly a mare, a female horse, in one book, and then inexplicably male in later books. Why? Well the author made a mistake, simple as that. He did *not* attempt to explain this error away or dig the hole deeper. It just is. Though I’m not sure why Blackjack couldn’t just stay a mare and how he didn’t reference the previous book when writing the sequel is a bit baffling.

If your heroes can no longer use the Deus Ex Machina they used before – have them attempt to use it, and then come up with a solid reason why it’s not possible. Maybe it was one-time use, or the savior simply doesn’t want to, or the cost/risk is too high to attempt it again, or it simply can’t be found and it’s very frustrating.

Have the heroes be morally opposed to doing what they did before, or overconfident, or skeptical that it will even work again only for that choice to bite them in the ass later. Have the magic item all used up, the recipe to recreate it lost to history. There’s a hundred better excuses than the hand of the author simply saying so.

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If you aren’t going to write a sequel and you accept living with the plot hole unfilled… chances are people are going to love the story despite its flaws. Harry Potter is the poster child of “why didn’t they use X spell to solve the problem” or “they have a spell for X, yet they don’t have a spell for Y?” and how many people love that story?

In the end, a plot hole can be tiny or massive and chances are the story you told is entertaining enough to make up for it. It’s just a story, it’s just fiction. Learn from your mistakes so the next piece you create is even better.

#writing advice #writing resources #writing tips #writing tools #writing a book #plot holes #magic system

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