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#they actually hit a lot of the 'those two villains' tropes while still being heroes
ct-hardcase · 30 days
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missing the phase 1 wave 1/2 polyam firebrand vibes today especially
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cherry-valentine · 2 months
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Winter 2024 Anime Season
I didn’t do write ups for the Fall 2023 season because I was only watching two shows and they were just new seasons of shows I’ve written about multiple times before (Dr. Stone and Spy x Family) so I didn’t feel the need. Both were great. I’ll just leave it at that.
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Mr. Villain’s Day Off is one of my favorites this season. Following a stereotypical Tokusatsu villain on his not so typical days off from villain work, the show is a tender hearted comedy without a single mean bone in its body. The humor here is more subtle and situational than the usual fast paced slapstick we often see in anime. As a result, the story actually has a heart. The main character, usually just called Shogun (reflecting his status in the villainous organization), spends his days at “work” fighting a team of Power Ranger-like heroes (each of whom actually get some decent characterization and cute moments, especially the perpetually lost Red) and plotting the destruction of humanity so that his race of aliens can take over the planet. But he spends his days off visiting the zoo to see the animals he’s come to adore: pandas. The charm of this extremely charming show is primarily in the contrast between the violent villain who wants to wipe out humanity and the quiet, good natured man who loves pandas and is genuinely enjoying learning about earth and human customs. The art is very nice, nothing too fancy but it serves the story well. The music is soothing. Overall it’s a very sweet and comforting series that wisely avoids going over the top with the comedy and never really drains its primary joke (villain who loves pandas) too much. Recommended (though you’ll definitely get more enjoyment out of this show if you’re at least vaguely familiar with Tokusatsu tropes).
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A Sign of Affection is an incredibly sweet and gentle shoujo romance about a young deaf woman named Yuki and the relationship she forms with Itsuomi, a handsome guy from her college who knows several languages and decides to learn sign language after meeting her. There’s been a bit of a trend lately that I’m totally here for: shoujo romances that are wholesome and healthy. Though I definitely enjoy the drama of more spicy shows, it’s also very nice to relax and watch something that’s not going to piss me off. A Sign of Affection is very careful with its romance. Characters behave in more natural, mature ways. There are fewer misunderstandings and the ones we get are completely understandable. It’s just nice to see healthy, equal, consensual relationships. Because those are the ones I want to root for. Yuki’s disability is handled with delicacy and tact. We see her limitations and struggles but we also see her living a full and happy life. The art style is very typical for high quality shoujo. Lots of pastels and gentle, natural designs. The animation is fluid enough for a show like this, and the music fits it well. Recommended if you like romance.
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Cherry Magic is a BL (Boys Love) series that continues the fairly recent trend of non toxic BL anime (that started with shows like Given and Sasaki and Miyano). Cherry Magic centers on Adachi, a shy man who discovers he has magical powers after hitting age 30 while still being a virgin. The power? To read the mind of anyone he touches. Out of curiosity he touches his handsome, popular coworker Kurosawa and finds out Kurosawa is in love with him. Once upon a time, nearly every BL anime that came out was full of toxic relationships and, I’ll call it a “strained relationship with consent”. There’s been a lot of discussion over the years about why that was and how people felt about it, but I for one (a straight cis woman, so take my opinion with a grain of salt) always found those aspects to be uncomfortable. Thankfully, like with shoujo romance, modern series have been moving away from abusive relationships with (very) dubious consent. Cherry Magic is refreshing, mainly in that the two leads are 30 and they actually form a very sweet and equal relationship. It’s a very slow burn romance, but it works well here. The art isn’t anything amazing. The character designs are rather generic and the animation quality dips noticeably after the first episode. But the music is nice and the writing is strong enough to carry the show. Recommended.
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High Card season two is, so far, a bit of a letdown. Following a group of people using magic playing cards to give them special powers as they try to gather all the cards, the first season was a blast. The characters were fun and the plot, while occasionally getting a little dark, was overall upbeat and energetic. Season two is fine. I’m enjoying it and it’s had a few great episodes, but the pacing just feels off. Some episodes feel disjointed, and just when it seems like the plot is getting tense and urgent, things come to a screeching halt to have backstory or even side story episodes. To be clear, it’s still a very good anime, but so far the second season is failing to live up to the first. The art and animation are still great and the music is too (though the opening and ending themes just don’t compare to the absolute bangers of season one). Definitely still worth watching for the colorful, lively characters alone.
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The Demon Prince of Momochi House is a very pretty supernatural shoujo series about an orphaned girl named Himari inheriting a house from a family she never knew, only to find it already occupied by a trio of handsome young men, two of whom are not actually human. It turns out Himari’s new house sits on the border between worlds, and one of the young men, Aoi, is tasked with guarding that border. The plot is fairly episodic, and the show’s main weakness is that it feels very familiar and predictable. The basic setup of “bright cheerful girl with no family moves in with supernatural hot guys” is not new. But it’s a common setup for a reason: it’s charming and fun. The art and design are very pretty. The music is a high point, with my favorite opening theme of the season. It’s a cute show. It doesn’t reinvent the wheel, but it’s still a fun ride.
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Sengoku Youko is a fantasy action series focusing a pair of traveling “siblings” (not related by blood) consisting of Tama (a fox spirit) and Jinka (a human who hates other humans and wants to become a spirit creature). Traveling with them is a young human man named Shinsuke who wants to be a swordsman. The plot is fairly episodic, with the siblings mostly wandering into dangerous situations involving spirit creatures. There’s an overarching plot about a human religious sect that’s been doing experiments to combine humans with spirit creatures, but that’s usually in the background of the other adventures and serves to provide villains. The characters are overall interesting and fun, and a few of them even avoid falling into the usual fantasy anime tropes, or flip those tropes around enough to be interesting. The fights are exciting, even if the powers and abilities aren’t always made clear. It’s nice that there are plenty of powerful lady characters as well. The art and animation are nice, and the music is great. The ending theme is hauntingly beautiful, and my favorite of the season by far.
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ecoamerica · 1 month
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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finitefall · 1 year
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Heya! I have a feeling we’ll get Winds of Winter either this year or next year. Probably next year. But… can I confess something? GRRM isn’t like D&D from everything I have seen. Unlike them he cares about his story and his characters very very much. And I know Dany is one of his favorites and he fully supports her ending slavery. With Fire and Blood if she must. Unlike the two hacks who think Dany is evil for killing slave masters (“good and innocent” slave masters they tried to portray). But… I never thought we would get that disgusting awful ending that we got in the shitty season. That’s why part of me is really really afraid that what if GRRM is gonna give Dany an awful ending? I suppose I could accept Dany dying if she dies as a hero and to protect her people and her loved ones. But I much rather she lived even if she doesn’t become Queen. But… I have seen a lot of comments on YouTube and social media and on Discord and they said that it’s obvious in the books Dany will go mad. I really just want our girl to get a good ending but it seems these idiots are determined to make people like me scared that she will end the same way in the books. And some of these guys even claim to like Dany but that it’s obvious she’ll go mad.
I feel you. While waiting for season 8, I still had hope, even though by then I knew D&D and it shouldn't have come as a surprise that they would give us this awful, out of character, misogynistic ending. And yet, it hit me hard. So I understand that when people say the books are different and she's obviously not gonna have this awful ending, we can think: "well, I didn't expect the show would do this either even after all the crap they had done in the previous seasons, so better be prepared this time". But as you say, GRRM isn't D&D. Their social and political opinions aren't the same at all. Martin isn't talking about "innocent slavers" and isn't against revolution.
There are already plenty of differences between her characterization in the books and in the show. It still didn't make sense in the show, but it would make even less sense in the books. Now, we can criticize GRRM for some things, but throwing away everything from the previous novels and doing fan service for those who loved season 8? I don't think so. We already know Tyrion isn't gonna be reading her the Geneva convention in the books (he was whitewashed to the point of being stupid when he joined Dany in the show), we know Varys isn't gonna join her, so we won't have those two telling the emotionally fragile woman to "fight her darkest impulses".
We know Martin wrote a heroine's arc for Dany, and that he likes to subvert tropes. Everyone looked for a boy, but it's Daenerys who's Azor Ahai returned/TPTWP. It's not a sword that's Lightbringer, it's the dragons. Now, there's a fear that she will die saving the world, which would be very disappointing (I agree with those posts here and here), although not as awful as the show's ending.
Those who claim to love Daenerys because she's "such an interesting villain" are just antis Dany. Their Dark!Dany foreshadowing doesn't make any sense. Those are the same people who claim they're not against her fighting slavery, but she should do it peacefully, meaning they don't want her to actually fight slavery at all and are totally on the same page as D&D, even though they won't admit it and tell us it's all right to like her as a villain. They’re going on and on about how it’s more interesting and more subversive if Dany doesn’t end being a hero, but there’s literally nothing interesting or subversive about Dark!Dany. Her ending in the show fell into the oldest sexist tropes.
Who are those people who claim to love Dark!Dany, anyway? Take a look around tumblr: almost all of them are Sansa stans who also loved their fave ending up QITN. Like that makes sense when you've read the books. Dany isn't gonna become mad or a tyrant, Arya isn't gonna leave to travel the world (nonsense ending for Arya too, it was really for every main female character besides Sansa to be gone) or become a psychopath, Sansa isn't gonna become QITN. We're delusional? No lovely, they are. If you want reassurance, just play along next time you see someone who claims to love Dany and says it’s obvious she’ll go mad. Tell them that you could see this happening, that she would indeed be a better and more interesting antagonist than the others, that the only thing you wouldn’t like if this happened is that no main female character would end up without power corrupting them which would be sexist, and wait for their answer. It’s not gonna be “there’s Arya, don’t worry!”, because Dany and Arya stans actually get along in the fandom and most of us love both of them (Dany stan first, but Arya is my second favorite). No, it’s gonna be "there’s Sansa”.
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My Fics
Heyy, I'm therealsophiependragon on Ao3 or Pendragon as I go by on the dangerous seas of the internet. Here's a comprehensive list of everything I have written and put on Ao3!
Recent notable mentions include:
- The Moon Told Me Of You has 7k hits, which is absolutely mind-boggling to me!
- Moon Rabbit is at 500 hits ✨
- Sidewalk Chalk reached 50 kudos!
Thank you very much!
Avatar: The Last Airbender
The Moon Told Me Of You
Cages are for monsters. Azula knew this well. Cages were deserved, by those singular enough to earn the watchfulness of others. And if that was true, then Azula was the queen of them, for hers was a very careful cage.
A careful cage for a monstrous girl.
Well, tonight they would see if it was careful enough.
Or,
A summoning-gone-wrong lands two princesses on a legendary quest to save the world that abandoned them both.
This fic includes:
Yuezula (Azula/Yue)
90k+ words, WIP multi-chapter
Dangerous quest
Obscene amount of liberties taken with the spirit world (the author admits to having only watched the first season of Korra... but I promise the liberties taken are kind of interesting?)
Annoyances-to-lovers with a sprinkle of grumpy/sunshine
Sun and Moon trope into oblivion
Moon Rabbit
“You think it was my destiny to be defeated by my pathetic excuse for a brother.”
“I think we write our own destinies.”
“Oh, for the love of Agni, go away.”
Or,
Yue visits Azula the night after the Agni Kai.
This fic includes:
Yuezula
4.8k words, complete one-shot
Sun and Moon trope
Musical inspiration (Moon Rabbit by Blackbird & Crow, very good song highly recommend also if you do give it a listen please consider writing out the lyrics and sending them to me because I have a very bad ear for lyrics and understand maybe half of what she's singing)
Yue Talking Sense Into Azula tm
Contains kneeling/subversion of hierarchal norms because love transcends all boundaries
My Hero Academia
Sidewalk Chalk
Toga does not know how to flirt, so naturally she stalks Uraraka for weeks before finally mustering the courage to ambush and invite her to participate in a sidewalk chalk challenge. As one does. Uraraka is unamused.
This fic includes:
Togachako (Toga Himiko/Uraraka Ochako)
2.4k words, complete one-shot
Toga being Toga
Improper usage of sidewalk chalk
An abundance of banter
Character study of the togachako relationship
Fun
Corporeal Levity
"I think my family is rotten."
"Yeah, welcome to the club, kid."
Or,
Hanako Takahashi used to have a family. Now, she's a villain, using her quirk to help the League of Villains find their leader, who they all know has to still be out there—before the rest of the world does. When a lead puts U.A. on their radar once again, Hanako must don a mask of morality and join the many wannabe heroes at the school to obtain information that could put the villains on top once more. And she might be able to pull it off, too... if her annoying new classmate would stop following her around like an overly-enthusiastic, opposite-of-stealthy puppy.
Eri Aizawa has a family, and a very nice one, but sometimes she feels... lost. When her dreams of heroism are put on hold by her wearily worried father, Eri knows she has to prove herself: by taking the U.A. exam anyway, and working her way up to being a hero everyone can be proud of. And if she can figure out her awesomely mysterious classmate while she's at it, well, that's just an added bonus.
This fic includes,
Not much actually because it's on indefinite hiatus after two chapters
12k words, incomplete
Found family
Teenage Eri Aizawa & LOV-child OC
Necromancy
Hopefully more once I decide I have time to write it
The Walking Dead
The Other Way
Sophia has always been a scared little girl in a world of monsters. The apocalypse didn’t change much.
But it did teach her one thing: there are lots of ways to turn.
This fic includes,
Zombies
A traumatized child
3.2k words (one-shot, complete)
Sophia Peletier character study
Is the brunt of all of my frustration that she died so early because DAMN if she had survived... ugh i wish
My pride and joy
It got hit with that kudos bot a while back too so now the kudos-to-hits ratio is obscene and makes me sad but whatever even the robots love me y'all
Harry Potter
Listen To Me Love You
Ginny and Luna are in love, they just don't know it yet.
Fortunately, all it takes to fix this is a nudge from Fate, and a little bit of bad luck.
This fic includes,
Linny (Ginny/Luna)
2.5k words, completed one-shot
Sun and Moon coded (kind of idk I say that but do I mean it nobody really knows)
Sad Ginny, Wise Luna
Set in Fifth Year (so Ginny's fourth year)
Actually beta-read, which is a first for me
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dangermousie · 3 years
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Mousie’s absolutely subjective, very biased Top 10 web novels list
Please note that this is hardly aiming to be objective, if one can even be properly objective about a work of fiction. It is 110% based on my preferences, which means this list is heavy on the angst and has nothing set in the modern day. It is also heavily danmei-centric, even though I read way more het romance than danmei, because for whatever reason, most of the danmei I’ve read has been insanely good.
10. Return of the Swallow - one of the two non-danmeis on this list. Smart and nuanced and with a large cast of characters. Our heroine is a long-lost daughter of the family that is brought back in and has to cope with familial struggles, crazy royals, court intrigue, invasion et al. It’s SO GOOD! There is romance with the sexy smart enemy general but honestly, it’s the heroine that is the main selling point for me.
9. Transmigrator Meets Reincarnator - the only other non-danmei novel on this list, this was my very first web novel and what drew me into this insanity. This is just a ton of fun, probably the lightest novel on this list, not an ounce of angst to be found. But it’s hilarious and features competent heroine and tsundere hero and I will always love it for opening a new world to me. Anyway, our heroine transmigrates into the novel as the female lead. Unlike the original lead though she doesn’t want to seek adventures and angst - she just wants to comfortably live with the wealthy, nice husband heroine has. Alas, said husband is no longer nice since he has previously lived this story where he was betrayed by FL and then transmigrated/reincarnated into the past. Oh well, the heroine opens up businesses and makes friends. And eventually, her husband realizes his wife is way different this time around. This actually doesn’t have much romance, not until close to the end, but this is so fun I don’t care.
8. Lord Seventh - I am only partway through this so far, but it’s already on the list because it’s smart and somehow intense AND laid-back (not sure how this works, but it does) and is honestly just a really really solid and smart period novel, with the OTP a cherry on top of a narrative sundae. Plus, I love the concept of MC deciding he is not going for his supposedly fated love - he’s tried for six lifetimes, always with disaster, and he’s just plain done and tired. When he opens his life in his seventh reincarnation and sees the person he would have given up the world for, he genuinely feels nothing at all. (Spoiler - his OTP is actually a barbarian shaman this time around, thank you Lord!)
7. Grandmaster of Demonic Cultivation (MDZS) - oh come on, how are you even on this tumblr if you don’t know MDZS/The Untamed? This was my very first danmei and it’s so much fun! I love everything about it - the unreliable narrator, the looping structure, the main OTP, Wei Wuxian’s laidback, traumatized insouciance, everything. Anyway, the plot in the event you somehow transported here from 2005 is that the Grandmaster of Demonic Cultivation, Wei Wuxian, was defeated by the righteous sects over a decade ago and fell of a cliff to his death. Only now that same Wei Wuxian opens his eyes in another body and everything that was supposed to stay in the past starts again.
6. Heaven Official’s Blessing (TGCF) - people either love its meandering narrative, picaresque structure and cast of thousands, or find it a detriment compared to much more compact MDZS. I love it even more than MDZS for those very qualities. It does have a rock-solid, darling OTP, but what really elevates it to me are the MXTX trademark combo of snarky/light tone hiding a ton of trauma underneath, the insanely intricate world-building, and what it has to say about the nature of grace and goodness. Xie Lian is one of my top 5 web novel characters and probably in top 10 from anywhere. Oh, and while MXTX’s stuff is not as angsty for me as Meatbun’s or even Priest’s, there are always exceptions, and there is one chapter in this novel that pretty much broke me and sometimes I still flashback to it and feel unwell.
Anyway, what is it about? There is a commotion in the heavenly realm - Xie Lian, the Crown Prince of a long-destroyed kingdom, has ascended to Godhood. That in itself is not so exciting. However for Xie Lian this is the third time (!!!!) as he’s ascended and lost his godhood twice prior. And now, the biggest joke of the divine realm is back, throwing the heavenly realm into chaos. And elsewhere, Hua Cheng, one of the four most powerful demons of that Universe, sits up and takes notice.
5. Golden Stage - my perfect comfort novel. Probably the least angsty of any danmei novel on this list (which still means plenty angsty :P) It also has a dedicated, smart OTP that is an OTP for the bulk of the book - I think you will notice that in most of the novels in this list, I go for “OTP against the world” trope - I can’t stand love triangles and the same. Anyway, Fu Shen, is a famous general whose fame is making the emperor antsy. When he gets injured and can’t walk any more, the emperor gladly recalls him and marries him off to his most faithful court lackey, the head of sort of secret police, Yan Xiaohan. The emperor intends it both as a check on the general and a general spite move since the two men always clash in court whenever they meet. But not all is at is seems. They used to be friends a long time ago, had a falling out, and one of the loveliest parts of the novel is them finding their way to each other, but there is also finding the middle path between their two very different philosophies and ways of being, not to mention solving a conspiracy or dozen, and putting a new dynasty on the throne, among other things. It always makes me think, a little, of “if Mei Changsu x Jingyan were canon.”
4. Sha Po Lang - if you like a lot of fantasy politics and world-building and steampunk with your novels, this one is for you. This one is VERY plot-heavy with smart, dedicated characters and a deconstruction of many traditional virtues - our protagonist Chang Geng, a long-lost son of the Emperor, is someone who wants to modernize the country but also take down the current emperor his brother for progress’ sake and the person he’s in love with is the general who saved him when he was a kid who is nominally his foster father. Anyway, the romance is mainly a garnish in this one, not even a big side dish, but the relationship between two smart, dedicated, deadly individuals with very different concepts of duty is fascinating long before it turns romantic. And if you like angst, while overall it’s not as angsty as e.g., Meatbun stuff, Chang Geng’s childhood is the stuff of nightmares and probably freaks me out more than anything else in any novel on this list, 2ha included.
3. To Rule In a Turbulent World (LSWW) - gay Minglan. No seriously. This is how I think of it. it’s a slice of life period novel with fascinating characters and setting that happens to have a gay OTP, not a romance in a period setting per se and I always prefer stories where the romance is not the only thing that is going on. It’s meticulously written and smart and deals with character development and somehow makes daily minutia fascinating. Our protagonist, You Miao, is the son of a fabulously wealthy merchant, sent to the capital to make connections and study. As the story starts, he sees his friend’s servants beating someone to death, feels bad, and buys him because, as we discover gradually and organically, You Miao may be wealthy and occasionally immature but he is a genuinely good person. The person he buys is a barbarian from beyond the wall, named Li Zhifeng. It’s touch and go if the man will survive but eventually he does and You Miao, who by then has to return home, gives him his papers and lets him go. However, LZF decides to stick with You Miao instead, both out of sense of debt for YM saving his life and because he genuinely likes him (and yet, there is no instalove on either of their parts, their bodies have fun a lot quicker than their souls.) Anyway, the two take up farming, get involved in the imperial exams and it’s the life of prosperity and peace, until an invasion happens and things go rapidly to hell. This is so nuanced, so smart (smart people in this actually ARE!) and has secondary characters who are just as complex as the mains (for example, I ended up adoring YM’s friend, the one who starts the plot by almost beating LZF to death for no reason) because the novel never forgets that few people are all villain. There is a lovely character arc or two - watching YM grow up and LZF thaw - there is the fact that You Miao is a unicorn in web novels being laid back and calm. This whole thing is a masterpiece.
2. Stains of Filth (Yuwu) - want the emotional hit of 2ha but want to read something half its length? Well, the author of 2ha is here to eviscerate you in a shorter amount of time. This has the beautiful world-building, plot twists that all make sense and, at the center of it all, an intense and all-consuming and gloriously painful relationship between two generals - one aristocratic loner Mo Xi, and the other gregarious former slave general Gu Mang. Once they were best friends and lovers, but when the novel starts, Gu Mang has long turned traitor and went to serve the enemy kingdom and has now been returned and Mo Xi, who now commands the remnants of his slave army, has to cope with the fact that he has never been able to get over the man who stabbed him through the heart. Literally. This novel has a gorgeously looping structure, with flashbacks interwoven into present storyline. There is so much love and longing and sacrifice in this that I am tearing up a bit just thinking of it. If you don’t love Mo Xi and Gu Mang, separately and together, by the end of it, you have no soul.
1. The Dumb Husky and His White Cat Shizun (2ha/erha) - if you’ve been following my tumblr for more than a hot second, you know my obsession with this novel. Honestly, even if I were to make a list of my top 10 novels of any kind, not just webnovels, this would be on the list. It has everything I want - a complicated, intricate plot with an insane amount of plot twists, all of which are both unexpected and make total sense, a rich and large cast of characters, a truly epic OTP that makes me bawl, emotional intensity that sometimes maxes even me out and so much character nuance and growth. Also, Moran is my favorite web novel character ever, hands down.
Anyway, the plot (or at least the way it first appears) is that the evil emperor of the cultivation world, Taxian Jun, kills himself at 32 and wakes up in the body of his 16 year old self, birth name Moran. Excited to get a redo, Moran wants to save his supposed true love Shimei, whose death the last go-around pushed him towards evil. He also wants to avoid entanglement with Chu Wanning, his shizun and sworn enemy in past life. And that’s all you are best off knowing, trust me. The only hint I am going to give is oooh boy the mother of all unreliable narrators has arrived!
The novel starts light and funny on boil the frog principle - if someone told me I would be full bawling multiple times with this novel, I’d have thought they were insane, but i swear my eyes hurt by the end of it. I started out being amused and/or disliking the mains and by the end I would die for either of them.
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popanalysis99 · 3 years
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Toxic Men in TV Series who are the absolute worst.
(TW: R*pe and Sexual Assault)
While there are some men who seem to be interesting, let’s not deny the fact that there are most male characters who act like their “toxicity” is cool but honestly, it’s horrible and something not to root for. So here are the toxic male characters who are the absolute worst, excuse my misandry:
Kevin McRoberts - Kevin Can F**k Himself
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We had to start somewhere from the bottom of the underworld. A recent entry on this list, Kevin is the lead character Allison’s husband who...let’s just say has the brain of a dumb frat bro who is extremely high on pot and hasn’t recovered since then. While most of the sitcoms in the past would portray these so-called goofy and dim-witted husbands as “big fun” and lovable, Kevin is not like that, at all. In this anti-sitcom nightmare, Kevin literally believes that the whole world revolves around him. He plans such stupid unrealistic schemes to seize the day, recklessly spends the savings on stupid irrelevant sports merchandises and doesn’t even let Allison have her own agency outside of his life. Plus he is so petty and spiteful to the point he destroys one good thing that any of the women in the series have, like Allison’s dream job and Patty’s love life. And that latter was because she didn’t bring him a burger! All of this makes him look less funny and more tyrannical. No wonder poor Allison got spurred into wanting to kill him.
Ross Geller - Friends
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Ross may seemed like a “nice guy”, but let’s just agree it was a facade. Ross believes that he knows what’s best for the women he dates in the series and thinks he is superior and is always right about everything. He is seems extremely disturbed over the fact that his ex-wife, Carol is a lesbian and is jilted towards her current wife, Susan and snarks at the latter for it. And then there is her extreme control and jealousy towards Rachel, especially in her career. While Rachel is no saint either, Ross jumps to the conclusion that the man who got her a perfect job wants to sleep with her, then goes out of his way to humiliate and mark his territory on her and even if it’s revealed that the said guy has a girlfriend of his own, Ross still doesn’t abandon his theory, unless he believes that the guy is cheating on his girlfriend with Rachel. And then there is the fact that he joined his student girlfriend on a spring break just to have her all to himself, not caring about the fact that what if one of his students or colleagues would’ve seen him on TV with her and that could’ve put him in a huge scrutiny.
Joe Goldberg - You
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The show is basically built around how toxic Joe is, but this didn’t stop him from having his own fanbase apparently, with most of them glossing over his actions. But Joe is not a dream boyfriend at all. Once he sees a woman in front of him, he immediately gets obsessed with her and believes she belongs to him and him only. And to achieve that, he stalks her, he checks everything about her, kills people he believes are harmful to her when he himself is the same and when the woman finds out about him and rejects him, he kidnaps and kills her and the cycle begins again.
Chuck Bass - Gossip Girl
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What is it with the teen drama industry’s obsession with the “Bad Boy who can be redeemed with love” trope? Chuck Bass is “the bad boy” of Gossip Girl. If his attempted rape of Serena and Jenny didn’t give fans an indication that how deranged he is, his violent and emotional abuse of his girlfriend Blair cements him as this. He slut-shamed women around him, hit Blair once and even traded her for a hotel ownership and somehow he gets a happy ending with her at the end! What?
Nate Jacobs - Euphoria
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Nate is a star quarterback of his high school football team and seems like he has it all, but underneath, he is fucking deranged. His untamed manly rage causes him to physically and emotionally abuse his girlfriend Maddy and blackmail Jules, who didn’t do anything wrong but just sleep with his father, which makes me think that Nate is blackmailing her into lying to the cops about his assault on Maddy when she wasn’t even there when it happened just because it’s fun for him. Honestly, I’d like to see the imagine Rue and Jules had of killing him become a reality someday.
Dawson Leery - Dawson’s Creek
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Just because the show is named after him since he is the protagonist, doesn’t justify his actions. Dawson sees himself as some sort of a Nice Guy hero who believes he is entitled to everything. He has this extreme view on women and how they should fulfil his fantasies of his Rom-Com world. He is extremely critical of Jen when he finds out about her promiscuous past and tells her that she should be ashamed of herself for it, and gets jealous when his two best friends Joey and Pacey begin dating. And when he was briefly in the movie business, he was a rookie but was already a primadonna with the director and crew of the movie was working on and insulted a film critic for criticising his movie which was actually bad.
Kilgrave - Jessica Jones
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Kilgrave is the main villain of the Marvel-Netflix series Jessica Jones. He becomes obsessed with the titular heroine when she breaks off from his mind-control. Before that, he spent years treating her as his sex slave and raping her constantly, which left her traumatised. He begins to stalker and believe it will be a “lover’s reunion” when he will see her again someday. He manipulates and brainwashes everyone around him to his whim and treats most women as objects but despite all that, sees himself as the good guy of the situation. Even after Jessica finally gives him his just desserts, he still haunts her everyday.
Fernando Vera - Mr. Robot
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This spawn of satan is the reason why I decided to write this list in the first place. Where do I even start? He is first introduced into the series when he forces Shayla to go on a date with her and later rape her. This is what causes the misandrist vigilante Elliot to sell him out to the FBI and this apparently turns on Vera and moves his unhealthy obsession to Elliot. He has Shayla killed when he tricks Elliot into breaking him out of prison, then returns to have him all to himself by kidnapping his therapist Krista and forcing information out of her about Elliot so that he could “break him and build him back up”, like a fucked up version of The Taming Of The Shrew. He psychologically abuses Elliot into remembering being sexually abused by his father as a child and proceeds to gaslight him into thinking that he was just helping him. The huge problem with Vera is that he sees himself as some sort of Christian Grey who believes that his abuse towards both Shayla and Elliot is charming. Whenever someone failed his desires, he immediately gets bored of them and moves onto someone else, like when he got Shayla killed and moved onto Elliot. That’s why it felt so cathartic when Krista killed him.
Tate Langdon - American Horror Story
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Apparently, he is Tate Langdon and he is...hot?? While most of the AHS fans glorified him due to his emo bad boy nature, let’s not forget the fact that he was a school shooter who murdered innocent students and staff and was in general possessive and toxic towards Violet. So no way he is boyfriend material!
Don Draper - Mad Men
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Don Draper was the main protagonist of Mad Men. He was an advertisement and marketing executive who had a lot of vices and did a lot of horrible things such as cheat on his wife and treat almost every women and colleagues like crap.
Dexter Morgan - Dexter
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While Dexter might seem like the serial-killer killer, there are a lot of things about him which are unadmirable. He gaslights those he is close to so that they could get off his back, obstructs evidence pointing out to him, captures those who didn’t even fit his victims like Doakes and caused the deaths of LaGuerta, Rita and finally his sister Debra. Yeah I think you should stay away from him.
Walter White - Breaking Bad
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Aaah..the worst of the worst. Walter White is the protagonist of the series Breaking Bad. He first starts off as a pushover high school teacher who isn’t respected by anyone. When he gets diagnosed with Lung Cancer, he gets into the meth business so that he could support his family, but we all know that it’s not true. He relishes on the power and glory from being a drug dealer and then kingpin and because of that he ends up abusing both Jesse and Skyler, emotionally abusing and selling out the former to the sadistic Nazis and raping the latter several times. He is so petty and spiteful that he kills anyone insulting his ego, just ask Mike. And even after all this, he still claims that it’s all for his family. Like what?
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ecoamerica · 1 month
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youtube
Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc
The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!
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ilikekidsshows · 3 years
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Honestly, I'm completely with you on the whole SentiAdrien thing, but what about SentiGabriel? I've never seen anyone talk about it and I imagine we'd run into a lot of the same issues, but what if Emilie made a mistake that cost her husband's life and because she was already fading, she created a replacement to either revive her or reverse her mistakes? I think it would explain some stuff, but probably also create more questions, like, what about GabeNath? How does it impact their partner-/ P1
P2 relationship? Was Gabriel Agreste really like this or is that Emilie's perception of him or what she wants/needs him to be? How do Felix and his mother and the rings factor into this? It does seem a little weird though to have your main villain basically comatose for most of the show and what amounts to a glorified henchman fill her shoes instead, so this is really more of a sudden thought that hit me after the Adrien flashback in Wishmaker.
There are some issues with the idea of Gabriel being a Sentimonster, mostly having to do with what that would mean for Gabriel's credibility as a villain and, of course, his dynamic with Adrien.
While the idea of a henchman running the show while the evil overlord sits on their laurels or is unavailable is not that uncommon, it's more a fantasy trope than a superhero trope. She-Ra, in its first iteration, had the main villain Hordak serving Horde Prime, who barely showed up in the show. Similarly, the reboot has Hordak tinkering in his lab for over half of the series while his henchwoman Catra fights the heroes as the main villain and he, in fact, never takes over as the main villain. The closest superhero media has gotten to this is probably Darkseid from DC or Apocalypse or Galactus from Marvel, who all often send envoys to fight the heroes, but they are always somehow behind the plan and the henchmen do report directly to them or are preparing for their arrival. Doing a simple villain switcheroo isn't something that would fit the scale of the Agrestes as a threat. All the examples I have given are some kind of evil overlords, godlike beings or both.
It's not just that the trope doesn't fit but there's, of course, some theming issues as well. I have seen a post earlier that criticised the idea of Emilie being evil specifically in relation to a scenario where she's actually even worse than Gabriel, making our main villain literally the lesser of two evils. This would make it so that Gabriel wouldn't really be fully responsible for his villainy, if he was brought onto that path by his wife, and it has some pretty unfortunate implications towards how women are viewed that can be seen even in mythology, like the tale of Adam and Eve. Basically, the implication is that evil, evil women corrupt poor, hard-working men with their seductive feminine viles.
Gabriel being a Sentimonster that Emilie made that was accidentally made evil by her has similar connotations of Gabriel only being evil because of Emilie, meaning that this man's crimes were only caused by his lady love. Women are just fundamentally evil and corrupt the men around them. I doubt a show that tries to be feminist would go that route. Emilie recreating a beast of a husband has less of those implications but it's still kinda iffy. Never mind the Pygmalion associations of Emilie sculpting her husband into existence, even if only as a copy, and a copy with no agency at that.
As a side note, I doubt Amelie or Félix would be aware of it if Gabriel was a Sentimonster or that there's anything up with him regardless. Otherwise they'd try to capitalize on that to get what they want: the rings. However, I doubt the rings would be the Amokized object, since then Gabriel would be more alarmed over losing one and Nathalie would be able to sense the Amok, since I doubt she would be in on it, unless she also used to be Emilie's confidant. Instead, the rings would be symbolic of the pretend marriage bond to Emilie, which explains why Gabriel fiddles with them in order to center himself, with the Amok being somewhere more secure. The other option would be that even he thinks he's the real Gabriel Agreste and doesn't realize that the ring(s) hold his essence. The Gabriel in the show being a Sentimonster would mean that Emilie would want her actual husband, so Nathalie could keep the copy she fell in love with, but any relationship with Sentimonster Gabriel would be iffy in terms of consent because Sentimonsters don’t have agency.
Finally, the show has shown us that Sentimonsters' capability for emotion can vary, most Sentimonsters barely emote, while Sentibug's mood flipped on a dime and came across as more performative than real, and she was the best effort of Nathalie to create a versatile Sentimonster that could pass off as the real thing. We don't know much about Sentimonster behavior since they're often created for a simple, singular purpose, but Astruc has said that all relevant information has already come out, so Sentibug's strange emoting is most likely on purpose and relevant. Her missions was "pass off as the real thing", and even then there was something off about her.
This would serve to excuse Gabriel's inability to form a true parental bond with his son. As a Sentimonster, it is very likely that Gabriel would be incapable of loving his son selflessly and taking care of him properly, either because Sentimonsters truly do feel lesser emotions or because Emilie didn't give him that ability. You could argue that there's some symbolism with adoption with them not really being "blood-related", and that being why Gabriel abuses Adrien, but that's a pretty weird parallel to make, unless the show is actually going to side with the myth that a parent will always love a child of their blood more than an adopted one. I just think that we really don't need more media that vilifies adoption, adoptive parents in particular. In addition, adoptive parents don't have a magical condition that makes them incapable of feeling as deeply as real human beings, so it would be ineffective symbolism as well.
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akane0waris · 3 years
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you don't get to keep talking abt how your kirumi characterization is the best and then not TELL us abt it, thats rude!! i wanna knowww
dsfgdkjsf idk if it’s The Objective Best (personal feelings have slipped into how i engage with her of course), but i will gladly take the opportunity to talk about her. 
(tl;dr because this got long: kaede was right when she said kirumi’s selflessness was both her best and worst feature as it’s simultaneously a virtue and her tragic flaw.)
the thing with kirumi is that the game itself doesn’t really care about her all that much. v3 doesn’t seem to care about chapters 2 (outside of bringing motive videos in general back up later) & 3 much in relation to the others, and only barely cares about chapter 4 as set up to chapter 5. which is pretty disappointing especially since both ryoma and kirumi’s whole deals in chapter 2 actually get more tragic in retrospect as the game goes on, but the game doesn’t care to bring that up.
with kirumi specifically she kills ryoma and tries to guilt the others into dying for her because she believes that she’s responsible for the well being of a whole country. later on the game tells you that these 16 characters are the only humans left alive, meaning that she would have ended up being the last person alive and would have killed/let other people die for nothing if she’d succeeded - and if this were true. but then it turns out to be a reality show where the people she was so desperate to get out and save are enjoying her suffering. even before the various plot twists, she’s also experiencing the personal tragedy of failing to keep promises she either thinks she made (to serve the citizens of her country) or actually made (she was one of the first people to promise kaede that they wouldn’t let the killing game continue).
speaking of kaede, she’s a key part of kirumi’s character imo. they both care a lot about other people and resort to planning a murder for the sake of the greater good - with kaede’s being the immediate group and kirumi’s being people outside of the school. their key point of divergence though lies in how kaede gave up her chase for the mastermind when it became clear that the others were in danger of dying if she let the trial continue the path it was heading down, while kirumi makes what might be the first selfish decision of her life in trying to convince the others that the work she has to do matter more than the rest of them - a thread that becomes all the more interesting if you do her free times with kaede beforehand where kaede encourages her to do more things for herself rather than only for other people.
but the thing is is that kirumi doesn’t view it as “my existence as an individual matters more than the rest of you”, but rather “the purpose i’ve been asked to fulfill is more important”. she thinks of herself as a tool of sorts (not the same way peko does, but there’s a little bit of overlap), as someone who only exists to support others. she genuinely wants to and likes helping people, but in her desire to do so she’s put her own needs on the back burner. while i really don’t like her love hotel event, it shows that she does desire to be treated as an equal by the people she serves, but that she’s relegated that desire to simply being a fantasy. she still has some boundaries, some lines she won’t cross, but the request we see her make repeatedly to people - to not refer to her as a mom/motherly - is also repeatedly ignored. 
she’s got more anger about that then she lets on, repressing it along with most of her emotions. she has thoughts and feelings that she will share if that’s asked of her, but she’s operating on the belief that they don’t matter as much as those of others. she’ll go with whatever the group decides because she’s here to help them, regardless of whether she’d make a different choice on her own. the opinions she’s most dead set on actually sharing unprompted are when she thinks it’s something the person needs to hear - i know these two examples are outside of v3, but her advice to byakuya and how she helped settle an argument between mondo and taka in utdp are good examples of this.
kirumi cares about people and genuinely finds joy in helping others, but she’s put the needs of others so far above her own needs that it leads to her literal tragic downfall. she puts herself through hell, actively causing harm to herself, because her own health and safety isn’t important to her unless it’s in relation to helping someone else. her most selfish decision - killing ryoma and trying to get everyone else to trade their lives away - is one she doesn’t even consider as a decision she’s making for the sake of herself. in her final moments she’s angry, she’s petty (as seen by voting for shuichi), she’s stubborn. she’s experiencing so much of what she’s been repressing in order to fulfill the duty she’d been repressing them for. she’s fine with people thinking of her as a villain for what she’s done, but she doesn’t see herself as either a villain or a hero. she just believes that the end she’s working towards justifies the means.
but everything she’s ever justified to herself doesn’t matter in the end. rage and indignation propel her closer to her goal when those were things she felt she wasn’t entitled to before. it doesn’t matter that ryoma had no one waiting for him; no one did, including her, and at the end of the day she still took a life. she’s going through actual torture trying to help people who are watching her at home, awestruck by the brutality they’re witnessing and possibly even cheering when she fails. 
basically kirumi is a tragic character that hits on some of my favourite character tropes - a character who doesn’t know how to deal with the fact that they’re a human being with emotions like everyone else, and a character who ends up making selfish decisions despite not having much respect for themselves.
i won’t go into detail on these, but i do project onto her a bit and that does effect how i engage with/characterise her, but i tried to keep all that out of here as best as i could. as someone who’s trying to get better at not compromising myself, my health, and my safety for people, and actually maintaining personal boundaries, and not repressing my emotions because i’ve decided i’m not allowed to have them, i’ve latched onto her pretty hard.
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anakinthetrashking · 4 years
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BnHA One-Shot Fic Recs (pt1)
Making some fic-rec posts has been on my to-do list for a while and I’m finally doing it, yay! Currently I have 6 word doc pages full of just BnHA recs. So I’m splitting them up by length and completion, so first up is (part one of) one-shots! Let’s go!!!
Lets start with some classic Izuku and DadMight!
Pictures, Posters and Tender Beauty by ProPinkist (tumblr: @dazais-guardian-angel ) Rating: G    Category: Gen   ~4,400 words Summary: Izuku has virtually every All Might-themed item out there, and prides himself on all of it, as Toshinori is well aware. However, somehow, the boy still decided that there was something vital missing. This is fluffy and very cute. No one truly appreciates All Might as much as Izuku does, but 1A comes close. All Might deserves all the love, and this fic truly provides!!!
Dear Mr. All Might by QuizzicalCrow (tumblr: @quizzicalcrow​ ) Rating: G   Category: Gen   ~5,000 words Summary: As the #1 hero for decades, All Might has collected a lot of fan mail over the years. Toshinori tracks down a series of letters that only now, years later, does he appreciate for their significance.  I always love the thought of All Might looking through his fan mail, even if he can’t get to all of it. This was a wonderful glimpse into that AND it was made to be so, so personal and sweet. Go have some heart-healing fluff.
Growing Pains by LordofLies (tumblr: @theangelofchildren ) Rating: G   Category: Gen    ~5,900 words Summary: Izuku finds himself changed by his encounter with the Hero Killer, but changes of a more physical kind are in store for him as he begins to truly accept One for All as his own. Once, he would have been thrilled to look more like All Might, but now those connections are as much a source of anxiety as they are of pride.Or, Izuku wakes up one morning and sees the world through different eyes. Izuku having anxiety and Toshi being there to help him through it and calm him down? Sign me UP. Its also a pretty cool take on how One for All is able to change things about it’s holder. Could this happen in cannon? Who knows.... Regardless, it was a great read!
I’ll Carry You Home by Renesvetta Rating: G   Category: Gen   ~2,700 words Summary: While training with All Might, it wasn’t uncommon for Izuku to be so exhausted at the end of the day that he unwittingly fell asleep without regard for where he was. It consequently became part of All Might’s routine to help his young protégé home. During that time, Izuku may have let loose more than one sleepy confession towards his mentor.  Yes, it is as adorable as it sounds. Its tagged with “self indulgent Dad Might fluff” which is both accurate and appreciated. In other words: Superb you funky little writer!
Simple Gifts by QuizzicalCrow Rating: G    Category: Gen   ~6,700 words Summary: One year ago, Izuku received the greatest gift he could ever imagine. Now he’s determined to return the favor for the one responsible for it all with a gift of his own.  First off, I love the idea of Izuku and Toshi quietly celebrating the anniversary of passing on OfA from All Might to Izuku. Even just taking the day to hang out with each other. It’s a really precious idea. But there’s not just fluff! Izuku finds himself in a fight, again. (cool villain quirk, too!) I love all of the small details that are in this fic (and in Crow’s other works, too!) anyway its exciting AND very heartwarming, so go read it!!!
Affectionate by Sevi007 (tumblr: @sevi007 ) Rating: G   Category: Gen   ~2,600 words Summary: Toshinori starts to show affection very easily around his students. The  reactions he gets for that are not quite the ones he had anticipated - well, not all of them, at least.  Toshi is LOVED, APPRECIATED, and 1A feels like HOME. how many times can i say “cute” and “heartwarming” on this post?? bc these are some amazing writers, whom I adore, and their writing makes my heart WARM. AND. FUZZY. i mean, even just the first few paragraphs of this one just, really sets the scene of what i like to believe the 1A dorm is (on a good day, lol). its a really nice read, so go treat yo’ self by reading it.
paint me in trust by dinomight Rating: G   Category: Gen   ~6,400 words Summary: The first mark Izuku gets is a slight brush of green across his temple. It’s the soft touch of a mother holding her son for the first time. Inko has one to match, the same shade of green staining the tips of her fingers. Hers is more noticeable; Izuku’s tends to blend into his hairline. He loves it anyways. He has to. It’s the only soulmate mark he has. (Or: how Izuku goes from just green to a rainbow, UA-style.)  Ok, so this fic sort of plays off the idea of soulmates, and does not fit in with soulmates in the usual form of the trope. First off its completely platonic. Its categorized as Gen and sticks to that. Also it doesn’t seem to be as obligatory and permanent as you would think it would be. It seems to be more of the universe telling you who has the possibility of being important in your life. I really really loved this, it was so adorable and gives you that sweet, sweet Izuku angst, before healing your heart with the power of friendship and found family!!!
The Die Has Been Cast by ChiwiTheKiwi (tumblr: @chiwithekiwi​ ) Rating: G   Category: Gen   ~5,400 words Summary: “There’s something about that kid you aren’t telling me, isn’t there?”When no answer meets him, Shouta tries again.“You know something about Midoriya’s quirk that you haven’t shared with me. Is that right?”(Or: A canon "What If" surrounding the latest manga events and focusing on Aizawa finally making a connection.) First off, this fic has spoilers for the manga, so dont read unless you’re past chp212! I loooooooove OfA reveal fics, especially when it’s Aizawa that finds out. He deserves to know!!! its kind of important!!!! This fic chooses a great moment to work off of, and does a great job with Aizawa’s character. I really enjoyed it and couldn’t keep myself from going back and reading it just now LOL
These last two are actually two-shots, but it makes it an even 10! also Izuku and dadmight, so we can continue the theme here...
Some Unspoken Thing by LittleKy Rating: G   Category: Gen   ~7,900 words (2chps) Green, Toshinori has always thought, is the color of life anew.(Or: It's time for Yagi Toshinori to finally accept that he has a son, now, in all but blood. It's time for Midoriya Hisashi to accept that as well.) YES ALL MIGHT! ADMIT THAT IZUKU IS YOUR SON! great portrayal of the characters and really hits the nail on the head for DadMight. and Izuku in this story is just the smallest green floof that you wish to give a hug. NEVER MIND ALL MIGHT, YOU TOOK TOO LONG SO IZUKU IS MY SON NOW AND IM NOT GIVING HIM BACK ( no but seriously i want to hug this fic its so cute TTuTT )
LAST BUT NOT LEAST! I See You by BirdAntlers (tumblr: @aarymk )
Rating: G   Category: Gen   ~15,400 words (2chps) Midoriya Izuku is a quirkless child, blind from birth. Yagi Toshinori is the most powerful man in the world, loved by millions. They could not be more different, and yet their loneliness is the same.   (From a pair of AU posts on Tumblr that got way out of hand; I wanted to put it here because it turned into more of a fic than a "what-if." Basically a vessel for me to vomit as much Dadmight as I can.) Hey, you! Yeah! You! Do you want to cry? Do you want to start sobbing in a public space?? Do you just want to be destroyed with words and be left there kneeling at the feet of a writer who has torn out your heart and stomped on it before they gently wipe the tears from your face? Yeah?? y oU Wan NA D IE??? READ THIS AND GET REKT.  you’ll thank me later
(under the cut is just me rambling, i kept all the important stuff up here, ur welcome)
Now that the actual recs are over I can rant here- look i really tried to slim my recs down, but i have almost 300 bnha fics bookmarked,some of them are “to read” or theyre in progress, etc but i managed to get this list sorta slimmed down? a little?(to only 58!!!) but as i was gathering this post together it felt like i dont have very many Dadmight recs on that list??? but i havent rechecked all the other fics i was just going through the oneshots. i... kinda read a lot more fics with AIzawa in it instead. it be that way. DadMight content is SO GOOD. but my fav is aizawa im sorryyyyy anyway i have another SEVENteeN oneshots to put in rec posts and that does NOT include the mulitchapter and friikin series and stuff... and like i said this is aaaaaaallllllllllllllll BnHA. batfam fic posts will come after, and then star wars, and then maybe star trek? we’ll see. i have a very specific taste in ST fics and that is Tarsus IV whump. which. i have not read in a while. when they say “that trope came from ST” for sooooooo many tropes, you WISH other fandoms had tarsus as a trope, holy crap it is TOP TIER angst fodder. if you love to write/read whump, angst, and h/c i would HIGHLY recommend that you take a bit of time and explore the content and stories there. heck maybe i will make a ficrec post for just tarsus angst. ok.
my INTENTION is to edit these posts later with little links to the other fic rec lists so that itll be easier to find. but., its me, so itll either happen in painful detail or not at all
asdjkdgh its 2:30am and i need to sleep and not be rambling incoherently again I WILL SAVE THIS AS A DRAFT. 
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mira--mira · 3 years
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One obvious for the ask game. The main protagonist; Naruto Uzumaki and Izuku Midoriya.
@shiryusamarkanda it’s so nice to hear from you again! <3 
I totally didn’t forget to post this and had it fully finished in my drafts for days...totally. 
Naruto
What I love about them:
Naruto's a bratty kid who’s not afraid to speak up and challenge something he thinks is "wrong". This, of course, is part 1 Naruto. I actually like when he's a bit insensitive without being explicitly malicious bc its very fitting for his background/how he grew up but also gives him a clear path forward as he learns how to work as a team/starts to grow. It wasn’t exactly a smart move, but I really liked how he continued to challenge Zabuza in the Wave Arc saying “he’s still my enemy” after Kakashi told him to back off. This is all good and strong characterization that, to me, was more often endearing than it wasn’t. Naruto had goals and a purpose and in early Naruto that was still clear.
What I hate about them:
Part 2 (Shippuden) Naruto. There’s a lot that goes into this but the core deviation is getting away from the underdog story. In Shippuden Naruto is the son of the 4th, the Child of Prophecy, a reincarnation of the Sage of Six Path’s kid, makes friends with Kurama, and has the most OP power of the them all: Talk no Jutsu. What makes all of this even worse is Naruto went from a loveable bratty kid to an insufferable messiah figure. To be “perfect” his natural personality is shorn down until he’s only allowed occasional “stupid” mistakes rather than mistakes that emerge from his characterization. This also makes his ideological “wins” with villains...completely meaningless. Shippuden Naruto doesn’t really...have beliefs. He wants to be hokage and bring Sasuke back to the village. “Being hokage” was fine as a kid but I expected the progression into shippuden to be “what kind of hokage do I want to be?” This seemed natural bc we get in the Wave arc Naruto pushing against “what a shinobi is supposed to be: a tool” from Haku and declaring he’d make his own ninja way. Flashforward to the chunin arcs: hates Orochimaru for messing with Sasuke (esp when he eventually leaves to join him) and Neji for treating Hinata the way he did until he learned more about the Hyuga before declaring it wasn’t fair and you had to fight against fate and destiny. Tsunade’s arc was more about reemphasizing the village was something worth protecting and the Sasuke retrieval arc, while focused on Sasuke, at least kept up this theme. But these moments of growth are only alluded to in shippuden and by the time the war arc and ending come around...nothing changes. Naruto didn’t upset the status quo, he only maintained it. And once that ending was established it was a lot easier to go back and pick out exactly when his characterization started to fall through and the weird messiah figure took over instead. Part of this, imo, is the focus of his ultimate goal being “bring Sasuke back to the village” rather than understand what Sasuke is doing/why he’s doing it and then deciding to help him or stop him. 
Favorite Moment/Quote:
“You’re cute when you’re chubby” [in reference to the frog purse] 
I really love the quiet moments Naruto has and watching him live out his daily life. The frog purse is absolutely adorable and I love seeing it crop up time and time again. A close second is when Gai kicks Jiraiya in the face and, a short time later, offers Naruto the green tracksuit which he’s appreciative of. 
What I would like to see more focus on:
In Part 2 Naruto having a long-term goal alongside bringing Sasuke back to the village or trying to seriously think about why Sasuke does what he does and how that would potentially affect the plot. If I could go back to the very start, keeping the actual heart and intent of an underdog ninja story rather than everything turning into superpowered mecha/kaiju battles and aliens from space this is the big point that I’d want to address. In general, I really like fics that focus on training and give him a range of jutsu besides spamming shadow clones and rasengan variants. I’ve said this before, but if Naruto really wants to keep the “number 1 unpredictable ninja” moniker, learning a variety of small, diverse jutsu and using them in interesting/creative ways would be the way to go rather than spamming the aforementioned two. I also really like fics that buckle down and just go ham and create their own variety of jutsu, especially if it’s small practical jutsu rather than the latest and greatest OP Power #839281 kind of jutsu. 
What I would like to see less focus on:
The messiah figure. Talk no Jutsu. The obsession with having a morally pure hero in a world that routinely employed child soldiers and put them in war. I understand Naruto was a shonen manga first and foremost but like...this was the setting/world Kishimoto decided on having. However, I will say some fics take it to far on the other extreme for my taste, creating a edgy nihilistic Naruto that hates everyone and everything. 
Favorite pairing with:
Uhh...I don’t actually have a strong feeling for this one LOL. The most I’ve read has been SasuNaru (Sasuke x Naruto) because I’ve found really interesting set-ups. I like the ship and it does have a decent amount of backing in canon but it’s the little moments (or my ability to see possible little moments) that really make or break a ship for me. SasuNaru is all Big Declarations and I struggle to see how they’d actually settle down post Shippuden time into something sustainable. My favorite iterations of the ship is focused when they’re genin age and have a better relationship...but then I recognize that this is getting closer and closer to Hashimada. The other big things I run into with shipping Naruto with Sasuke is 1. Sasuke needs a shit ton of therapy/willingness to process his family related trauma and 2. Naruto needs a good support network/family outside of a romantic partner because it personally makes me uncomfortable to read ‘you’re my one and only’ (here being: I have no other friends, family, loved ones outside of you). It’s a ship that can work but it’s not my personal OTP.  
Favorite friendship:
Canon/OoT - Naruto & Sakura
I do have a softspot for fics where Naruto realizes his crush on Sakura is actually a desire to have friends/someone to care about him and then they do become close. In canon Sasuke was clearly the favorite of Kakashi (if chunin arc is kept the same/similar and he takes him away for the month to train) I really like Naruto and Sakura sticking together and trying to help each other. They’re both loud and can wind each other up but Naruto can help Sakura relax a bit from her rigid view of herself and she can help keep him on track/encourage him. 
NOTP:
Again, no real strong opinions here. Probably harems? I remember seeing a lot of those a couple years ago and I fundamentally dislike the harem so it will never be ‘done well’ to my personal taste. 
Favorite headcanon:
Naruto is smart, he just needs things to be explained in a way he can understand. 
I’m not a fan of ‘he’s the smartest person in the entire world’ trope but Naruto is creative, he created the oiroke jutsu before he graduated to genin and has a lot of stubborn determination. He’s just really bad at typical ‘book learning’ and traditional testing and he’s not a genius/prodigy like Sasuke or Neji.
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Read line for BNHA manga spoilers
Izuku
What I love about them:
He’s such a smart kid and while he’s unsure/insecure about himself he still does his best. Honestly the premise of BNHA is amazing and I was so excited to watch this little quirky (heh) boy do his best and outthink heroes, utilizing his intelligence and knowledge of quirks. I really love early Izuku and how he has to approach situations from a different angle bc he grew up quirkless/can’t properly handle OFA. The sports festival arc remains one of my personal favorites and really showed his ingenuity. I also really love that Izuku is openly emotional, he cries, he gets super happy about things, he’s angry, he’s sad, etc.  
What I hate about them:
Why do stories insist on calling themselves “underdogs” when for a majority of the time, they’re not? Or not as much as they would be from the original premise? Look, TDP came about exactly bc BNHA was billed as ‘quirkless boy becomes number 1 hero’ it changed rapidly into ‘Izuku gets the strongest quirk but can’t control it’ and while I was...disappointed with that, it happened so quickly I wasn’t really upset. Fast forward to apparently OFA has...what seven(?) quirks inside it and I just...it’s frustrating. Even more the longer we go the more Izuku strays away from a character that is forced to use his intelligence and creatively outthink his opponents and instead becomes...I just have to hit him harder! The Muscular fight already inched towards this but the Overhaul fight just felt like Super Shonen Smack-down 728329. Which, isn’t an inherent problem, it just doesn’t match up to the expectations I had about BNHA I had at the start and how I hoped the series would go. For a character trait that I hate: Izuku is stupidly self-sacrificing. It makes sense with his character but he shoots beyond what is safe and reasonable and I wish there would be more internal emphasis on the question “is it better to save one person today if it meant I couldn’t save ten people tomorrow?” I think he’d choose the former or forsake the question altogether (we touched briefly on this during the overhaul arc with Eri) but I think it’s a serious question needs to be touched on (or I just need to go back and rewatch things again LOL) 
Favorite Moment/Quote:
See entire sports festival arc. I don’t really have a favorite moment because I love the entire arc and we get so much out of it. 
What I would like to see more focus on:
Quirkless Izuku. There’s already a lot of fics, but I really do love them. It deviates a bit, but I do like the creativity of giving Izuku his own unique quirk and then exploring what he can do with that/how it changes canon. Really I want Izuku to keep his original characterization and not trade his smarts for more punching power or deus ex machinas for quirks hidden inside of OFA. If OFA!Izuku is kept, I like story ideas where he still has to rely on means outside of his quirk. Preferably this is isn’t because he injuries himself so much, but I like toying with the idea that Izuku never gets OFA to All Might’s level so he really does have to make the quirk his own and still rely heavily on his intelligence and quirk journals to become the number 1. 
What I would like to see less focus on:
Quirks hidden inside OFA. Strength should have been enough, it was already billed as the most powerful quirk of all. I know this is a common theme for shonen stories, and I don’t mean to harp specifically on Izuku, but again the premise of BNHA was an underdog story. 
Favorite pairing with:
Tododeku (Todoroki Shouto x Midoriya Izuku) 
Friends to lover and battle couples lads, I am weak to them. I like the contrast between their personalities as well as origins (Shouto being the number 2′s (now 1) kid and Izuku from a quiet civilian background). At the end of the sports festival arc both of them are extremely well characterized and it’s easy for me to imagine how their relationship progresses from there and how they can support each other and help each other grow. It’s a very sweet and wholesome ship the way I write and read it and it’s v cute.
Favorite friendship:
Canon- Midoriya Izuku & Uraraka Ochaco & Iida Tenya
I really like the core trio and think their interactions are really sweet. They balance each other out well and their friendship was immediately believable to me. I also like later when Tsuyu and Shouto start to get included in the group and out of the “main” core friends I’m endlessly entertained whenever Izuku and Tokoyami interact with one another. (This is also because I love my bird son, but you know.)
TDP - Midoriya Izuku & Ashido Mina or Midoriya Izuku & Hatsume Mei
Really, I love all of TDP’s kiddos interactions. Their chemistry is one of my favorite things about the fic and all the villain school kiddos meshed really well and had hilarious interactions. Mina and Mei are my faves but just barely. Mina came out of left field for the fic but she plays a similar role that Ochaco does in canon as a usual source of positivity (but unlike Ochaco with additional chaos). She’s Izuku’s first real friend even before starting HIVVE and wouldn’t hesitate to call Izuku her cousin as she views him as family. In return, Mina’s someone Izuku can completely count and depend on if necessary. Mei is...Mei. Izuku is her best “useful customer” and it’s actually terrifying how similar their thoughts are, just Mei has an (un)healthy dose of Hazmat’s insanity and her own business acumen added into the mix. They have slightly different fields of interest but are intellectual equals that work well together and that’s something new to both of them.
NOTP:
Bakudeku (Bakugo Katsuki x Midoriya Izuku)
It’s unhealthy. Unless it’s an AU that changes what the start of their relationship is like, Bakugo and Izuku will always have a toxic friendship to me and I can’t ever see them in a healthy relationship. Both of them have a lot to learn and I am of the opinion that Bakugo should get the opportunity to grow and become a good person and leave behind his past as a bully. However, I’m also of the opinion that no matter how good of a person a bully becomes their victim is never required to absolve them of past wrongdoings. Izuku and Bakugo were friends once, their relationship turned toxic, and now it’s in the interest of both of them to grow apart from one another. I even hesitate to really say they’ll be friends again because the early characterization of their relationship was so imbalanced to me, but for the right author and the right work I may see them being on good terms. It’s still a romantic relationship that I dislike. 
Favorite headcanon:
Crack headcanon? Izuku does have a natural quirk, the force of his tears is clearly superpowered 😂 Regular headcanon, (that is canon in TDP and kindaaa in regular canon(?)) when Izuku gets really engrossed in a super stressful fight he focuses on what will work rather than what is moral. It has...mixed results. 
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For the ask game. 
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She-Ra Review (Better late than never)
Okay, I just watched the first episode of the original She-Ra and... PFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF! I think we evolved quite from that. Even though Bow used to have more male empowerment by showing off even more skin, lol.
But here it is. Review of the new She-Ra:
So, for me the show overall used to be quite in need of getting used to. I guess because the stakes are rather low and I preferred more adult-orientated shows. Falling from a high point and not getting hurt or getting hit by a laserbeam and just stumbling backwards wasn't doing it for me.
But after giving AtLA a chance, I was able to go back to more child-like shows and to just roll with it. The plot never really interested me. We need to do this or that in order to accomplish this- fine by me. Just do what you do.
I never cared much about the kingdoms or the people living there. It was just decoration. Some interesting character designs in the background. No culture. When the evil-doers took the decoration away, I didn't care. I was missing some "war leaves scars, in people and the landscapes". Sometimes wounds can't be healed. Sometimes we can't return things the way they were. Make the loss of something count so you see its worth.
There was also never a moment where I wanted to know more about the lore or the past. How it all functions. What carried the series were the characters. But a lot of them are more like a walking gimmick and aside from that nothing.
I think Bow is one of the best characters. He has some nice, positive masculinity going, he is a mediator, he tries to find solutions and tries to keep the team together. When he later just snaps and says "I can't be the happy one all the time!", I felt that. He has a right to be mad at someone too (Glimmer) and he doesn't have to instantly forgive. Lol, I had people say you are immature if you don't forgive and stuff. And dozens of characters who constantly have to be the bigger person, no, more like they have to be Jesus in order to keep the rest happy and zero damage is shown. Their psyche doesn't matter.
So. Big <3 for Bow and his only weakness: A covered belly! x'D
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Scorpia is probably the heart and soul of the series. And after seeing how her original was... that's fucking evolution times ten! xD She is just so genuinely likable and clueless while also being insecure. When she wears the princess-prom dress for the first time and blushes... what a cutie! I was going AWWW! And when she finally realizes that Catra is no friend material and Catra realizes who she chased away with her behavior: That was true loss! I felt that. I didn't do wrong to Scorpia, but I felt the pain anyway. So, like Bow, Scorpia didn't stay the punching bag forever and reacted. I like that!
10 out of 10 scorpions for Scorpia!!
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Entrapta has a really cool design, especially with her moving hair. All the budget to the hair! For some reason I also like her name a lot! It's rather extraordinary, heh! Unlike "Glimmer" or "Bow" which are rather on the nose. Normally I dislike the "limitless young genius" trope, but Entrapta at least had some limitations (mostly when they were plot-relevant, though) and she is a princess after all, so a special affinity to something (and if it is machines) beyond a normal person's grasp is believable. Unlike others... (Raph from TFP. "Hacking into the FBI? No problem!" H-How?!) And while she is in regards to anything else rather airheaded (uhm, robots kill people. Well, not on screen, but... I'm sure they killed someone), she at least realizes that later and it got her a connection to Hordak which no usual good guy could have done.
An army of robots for Entrapta!
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Hordak the missed opportunity. Not enough screentime at all. They gave this cliché evil guy a soul and they did next to nothing with it. All his good scenes are with Entrapta and there are only a few. Later he sheds TEARS when he realizes she never betrayed him! Why can't we get more scenes like that? Him being a failed clone is a good backstory and a scene with the creation of Imp would have complimented that a lot. Imagine the half-dead baby lying there and it's about to be flushed away, but Hordak hesitates. He picks Imp up, looking at him. Discarding him because he is not perfect? Because he will never be what he was supposed to? But who says that he can't accomplish something? Hordak sees himself in the baby and shows fate the metaphorical middle finger. He presses the baby tightly against his chest and murmurs: "We will show them...", accepting the baby and ultimately himself...
In the last season we get Wrong Hordak and while having someone around who is completely pure and naive to a world beyond the hivemind (just like a person escaping a cult) is important to show so we get the clones's perspective, we kinda lose on the real Hordak there. All he does is stare at that one crystal sometimes... until the end when he does the "throw the emperor in the pit Darth Vader style!" thing. Lame. He should have been with the good guys sooner and shown some recovery there.
A baby bottle for Hordak so he can feed his future robot children with Entrapta.
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Glimmer. For some reason I always saw her as a side character who somehow got cast as a main character. She just constantly slipped out of my mind. Oh yeah, she has mother issues and a whole family and kingdom, but... she just seems so flat! You could put Adora in her position and nothing of value would have been lost. Still the main hero who fights evil. Maybe without fancy glitter magic. When she becomes queen and later almost a tyrant, that's when she gets more interesting, but still... I was just "where is Adora?" whenever she hogged the screentime. Not interested in this character in the slightest. No glitter for Glimmer.
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Adora. Does the main character things. Even doesn’t hesitate sacrificing herself for the greater good. Is the typical main character. Doesn’t think things through, runs towards the enemy, is immature, gobbles down food. Main character. I don’t like this kind of main character, but I don’t hate her either. Neutrality for Adora.
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Catra got too much screentime. Yeah. We get it. She has issues. She makes bad decisions. Very bad. She regrets it. Is hurt. But can't be the bigger cat. When she later visits Glimmer constantly in her prison, I was just groaning. Give someone else the screentime! We get it! We get Catra's problems! Sometimes less is more!
I don't know how people viewed her coming together with Adora in the end, but I was glad they were allowed to kiss and say I love you and so on. Not that I shipped it, but hey, be happy. They were all over each other throughout the series. Just let them be happy. Yeah, Catra did horrible things (but what I said about lasting damage in this series. It ain't there.), but if Catra was Starscream, I wouldn't object either and I have to stay fair here. If Starscream is a war criminal and I still simp for him, then I have to give other villains the same treatment without finger pointing and screaming "Abusive! Toxic!". Except I want it to be, but that is another story to tell...
Aside from that, Catra showed regrets and emotional pain. Starscream is entirely different there. I love him the way he is, but... sometimes it's hard to stay on his side. But that's the writers's fault. I also like about Catra that she just laughs into villains's faces. I didn't expect that character to be able to carry a whole army on her shoulders and lead them. With nothing but cat powers, lol. That thing with electrocuting Entrapta and pushing the "planet gets blown apart" button... juuuuust stop. It ain't worth it. That's some serious own grave digging there.
A cat for Catra.
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The lesser princesses. Why are the elements so weirdly spread? We got magic, plants, water, ice, lightning bolts. And some others who don't have crystals. But the main elements are really weird decisions. From the traditional elements we got only water and it hogs two crystals! Then we got the element of magic which is okay in the context of this world. Then plants and red electricity which is also okay on a greater Pokémon-esque scale. It feels like something is missing there. Especially when they talk about their weaknesses "Fire, fire, fire..." Where is the fire princess? The earth princess? These are two main elements and if you don't want to go the traditional route then make all elements something out of the ordinary. Not water AND ice if you only have five crystals around.
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Frosta could have been entirely cut. She says nothing of worth and adds nothing of worth. Her gimmick is "Toph" but with heart and soul cut out. When she was introduced I expected her to be the most mature, raised from a young age to act more adult than she actually is, because she needed to grow up fast in these times. Her country is the largest and with great power comes great responsibility. We could have gotten quite political here, how complicated it can be. The hard decisions you have to make and the compromises you have to take. All for the sake of keeping your people safe. Her character arc could have been about that and about finding her childish side again which was denied from her. There. Also her big country is meaningless aside from her introduction episode. Since she always fights with the princesses alone with ZERO bodyguards and all... Where is the power of that country??
A snow-less winter for Frosta.
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Mermista's gimmick is "snarky". When she shows new parts of her personality like reading novels, it's a one-episode thing. It takes quite a while for her to get actually likable. Not that I disliked her, she just had no presence. When she later leads a mission we get to see more of her, but those are the moments where I feel like we are missing a couple of episodes that should be dedicated to the other princesses alone or with them as the focus. They are just shoved into the background so much by Adora, Bow and Glimmer, that shouldn't be. They are in the opening after all as if they are part of a group that is always together.
Sea Hawk is constantly dancing on the thin line between okay and annoying. Though I like that it is a fabulous guy having a relationship with a girl and not the "boring guy". But the men of She-Ra are mostly beyond the usual men tropes of angry, stoic, boring, stupid dude. So it doesn't even stand out as much as it should, lol. Like I hate this trope that the most beautiful girl/sexy woman of a show comes together with "the average Joe" or "comedic relief who is also often times small in stature". I guess... I know why that is...  Anyway, the main girl/more chaste woman gets together with the main hero. Mr McBoredom but strong! While the fabulous guy... is either evil, has a bad character, is not traditionally manly, is just shallow. No pretty men for the girls. Well. Not anymore!
A dolphin for Sea-Ra and what she could have been if she had more screentime.
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Perfuma is the hippie princess and I guess my favorite from the lesser princesses (though, there is no real competition.). The way she handles things are in line with her beliefs and sometimes she says some actual intelligent remarks, but isn't listened to because she isn't the brash one, but the harmonious one. Which is sad. Everybody rather calm down and meditate instead of getting in each other's faces. That could work wonders sometimes. So, she actually is the first to see that Scorpia doesn't want to attack them when she left Catra while the others just keep attacking. Her shtick really is taking into consideration when she is written in a situation. However, sometimes it is a bit too much. Power of friendship isn't going to break the mind-control chip and they all saw time and time again that IF the controlled person can get a grasp on themselves again, it's only for mere seconds. So cut the crap, it's not against your beliefs when you stop thoughts-and-prayers-ing for something that won't change without actually doing something against it.  Fun fact: Because she was so insisting of poweroffriendshipping Scorpia out of control, I was almost expecting a digivolut- uhm, a transformation there, lol! Especially because they mentioned before, she could be one of the strongest princesses. Well, of course she wouldn't become more forceful. Except she might get the power to swipe negative thoughts away and disperse fighting will. Now... that didn't happen, but still... (Also a nice episode with her having to admit she doesn’t get cacti. There is actually some character development here!)
A beautiful flower for Perfuma!
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Spinnerella and Netossa. “The biracial gay couple” hanging around in the background until they became characters in the later seasons. Finally! I found the “biracial gay couple” trope so often in shows, it’s like they want to stuff as much diversity as they can into two characters and then keep everything else conservative. Thankfully She-Ra shows a lot of diversity everywhere.
A net carried by wind for Spinnerella and Netossa.
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Swift Wind. Back to the sketch block. Nothing of worth was done or said. He is supposed to have this super important magical connection to She-Ra, but she hardly uses him. He is just another fighter... somewhere else. If he is there. And he stands out like a sore thumb as the only talking animal. Maybe you could make it a gimmick for a toyline that every princess can summon a pet to ride. That would have been cool. Or if he stayed mute and acted just like a horse. Then you could have had the cuteness factor. And the animal behavior factor which is also cute... and funny. Think of Pegasus from Disney's Hercules. That's a good horse companion! But Swift Wind? Annoying. Unimportant. Waste of time.
No unicorn for Swift Wind.
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Shadow Weaver. Didn't like her. Wanted power, got what she wanted, but too much. Ugly now. Her powers are rather weak. I didn't even pay attention to the episode where she haunts Adora. As if that's gonna do something in the long run. Then Catra stole her job. Rightfully so. She got imprisoned, then fled, then became an ally. When she later sacrificed herself and said to Catra that she is proud of her, well, did she say it so Catra would do what she wanted or did taking off the mask symbolize that she finally said the truth? We might never know and we might never care.
No dark magic for Shadow Weaver.
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Emperor I have two many eyes. (Badumm-Tss!) "I want to destroy the universe!" What a lame motivation. What can I even say to that? Of course only mind-controlled people would follow this goal and I remember a series where someone carried their own clone and said "It's sad when oneself is the only one you can rely on/trust". Yeah.
Why did Hordak even build an empire when everything was supposed to be destroyed? Why open a portal to the asshole who didn't want you in the first place? So many toxic parental figures in this series. And the children won't stop wanting their approval. When Prime shows Glimmer the last pieces of destroyed worlds or gives her food that is made of things that could only be found in these worlds, one gets a glimpse of the horror he represents. He could be the most horrible gourmet of all time "I only eat things made out of extinct lifeforms". Petty. But oh so scary. When you are so powerful that you can destroy worlds, what do you care about the ants living on them? But nah, he has some pseudo-religious thing going, assimilating people into his hivemind like the borg in Star Trek do. Actually, just assimilating people and growing his army and enriching the collected wisdom of galaxies could be a motivation, too. Then the good guys could make a stand for individualism. But eh, too complicated.
No green juice for Horde Prime.
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Prepare for Trouble and make it Double. Double Trouble. I learned something about the incompatibility of neutral pronouns and my native language. Their gimmick is "actor" and it's pretty over the top, it gets annoying fast. Not even the gayest nurse I'm working with talks like that and they would make any gaydar explode in a second. Maybe they could have gone a little deeper with that and give them some meta jokes about how scenes are gonna unfold and give us some surprises there. I don't like the opportunist crap they pull off, why even bother working together with Catra in the first place? Always join the winning team? What a Knock Out. Get out of here, before I make you swallow your own tail! Yes, I’m still salty about that. Fuck you, Predacons Rising! Fuck you!
A mirror for DT because after all they still have a sexy body.
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tlbodine · 3 years
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The History & Evolution of Home Invasion Horror
Here’s my prediction: In the next couple of years, we’re going to be seeing a sudden surge of home invasion movies hit the market. For many of us, 2020 has been a year of extreme stress compounded by social isolation; venturing outside means being exposed to a deadly plague, after all. 
And while many people have already predicted that we’ll see an influx of pandemic and virus horrors (see my post on those: https://ko-fi.com/post/Pandemic-and-Pandemonium-Sickness-in-Horror-T6T21I201), I actually think a lot of us are going to be processing a different type of fear -- anxiety about what happens when your home, which is supposed to be a literal safe space, gets invaded. Because if you’re not safe in your own house...you’re not safe anywhere. 
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Home invasion movies have been around a long time -- arguably as long as film, with 1909′s The Lonely Villa setting down the formula -- and they share many of the same roots as slasher films in the 1970s. But somewhere along the way, they separated off and became their own distinct subgenre with specific tropes, and it’s that separation and the stories that followed it that I want to focus on. 
The Origins of the Home Invasion Movie 
In order to really qualify as a home invasion movie, a film has to meet a few requirements:
The action must be contained entirely (or almost entirely) to a single location, usually a private residence (ie, the home) 
The perpetrator(s) must be humans, not supernatural entities (no ghosts, zombies, or vampires -- that’s a different set of tropes!) 
In most cases, the horror builds during a long siege between the invader and the home-dweller, including scenes of torture, capture, escape, traps, and so forth. 
To an extent, home invasion movies are truth in television. Although home invasions are relatively rare, and most break-ins occur when a family is away (the usual goal being to steal things, not torture and kill people), criminals do sometimes break into people’s homes, and homeowners are sometimes killed by them. 
In the 1960s and 70s, this certainly would have been at the forefront of people’s minds. Truman Capote’s In Cold Blood detailed one such crime in lavish detail, and the account was soon turned into a film. Serial killers like the Boston Strangler, BTK Killer and the “Vampire of Sacramento” Richard Chase also made headlines for their murders, which often occurred inside the victim’s home. (Chase, famously, considered unlocked doors to be an invitation, which is one great reason to lock your doors). 
By the 1960s and 70s, too, people were more and more often beginning to live in cities and larger neighborhoods where they did not know their neighbors. Anxieties about being surrounded by strangers (and, let’s face it, racial anxieties rooted in newly-mixed, de-segregated neighborhoods) undoubtedly fueled fears about home invasion. 
Early Roots of the Home Invasion Genre
Home invasion plays a part in several crime thrillers and horror films in the 1950s and 60s, including Alfred Hitchcock’s Dial M for Murder in 1954, but it’s more of a plot point than a genre. In these films, home invasion is a means to an end rather than a goal unto itself. 
We see some early hints of the home invasion formula show up in Wes Craven’s Last House on the Left in 1972. The film depicts a group of murderous thugs who, after torturing and killing two girls, seek refuge in the victim’s home and plot the deaths of the rest of the family. In 1974, the formula is refined with Bob Clark’s Black Christmas, which shows the one-by-one murder of members of a sorority house and chilling phone calls that come from inside the home. 
Even closer still is I Spit on Your Grave, directed by Meir Zarchi in 1978. Although it’s generally (and rightly) classified as a rape-revenge film, the first half of the movie -- where an author goes to a remote cabin and is targeted and brutally assaulted by a group of men -- hits all the same story beats as the modern home invasion story: isolation, mundane evil, acts of random violence, and protracted torture. 
Slumber Party Massacre, directed by Amy Holden Jones in 1982, also hits on both home invasion and slasher tropes. Although it is primarily a straightforward slasher featuring an escaped killer systematically killing teenagers (with a decidedly phallic weapon), the film also shows its victims teaming up and fighting back -- weaponizing their home against the killer. This becomes an important part of the genre in later years! 
In 1997, Funny Games, directed by Michael Haneke, provides a brutal but self-aware look at the genre. Created primarily as a condemnation of violent media, the film nevertheless succeeds as an unironic addition to the home invasion canon -- from its vulnerable, suffering family to the excruciating tension of its plot to the nihilistic, motive-free criminality of its villains, it may actually be the purest example of the home invasion movie. 
Home Invasions Gone Wrong 
Where things start to get interesting for the home invasion genre is 1991′s The People Under the Stairs, another Wes Craven film. Here the script is flipped: The hero is the would-be robber, breaking and entering into the home of some greedy rich landlords. But this plan swiftly goes sideways when the homeowners turn out to be even worse people than they’d first let on. 
This is, as far as I can tell, the origin of the home-invasion-gone-wrong subgenre, which has gained immense popularity recently -- due, perhaps, to a growing awareness of systemic issues, a differing view of poverty, and a viewership sympathetic to the plight of down-on-their-luck criminals discovering that rich homeowners are, indeed, very bad people. 
Home Invasion Film Explosion of the 2000s 
The home invasion genre really hit the ground running in the 2000s, due perhaps to post-911 anxieties about being attacked on our home turf (and increasing economic uneasiness in a recession-afflicted economy and a growing awareness of the Occupy movement and wealth inequality). We see a whole slew of these films crop up, each bringing a slightly different twist to the formula.
*  It’s also worth noting that the 2000s saw remakes of many well-known films in the genre, including Funny Games and Last House on the Left.  
In 2008, Bryan Bertino directed The Strangers, a straightforward home invasion involving one traumatized couple and three masked villains. By this point, we’re wholly removed from the early crime movie roots; these are not people breaking in for financial gain. Like the killers in Funny Games, the masked strangers lack motive and even identity; they are simply a force of evil, chaotic and senseless. 
The themes of “violence as a senseless, awful thing” are driven further home by Martyrs, another 2008 release, this one from French director Pascal Laugier. A revenge story turned into a home-invasion-gone-wrong, the film is noteworthy for its brutality and blunt nihilism. 
2009′s The Collector, directed by Marcus Dunstan, is another home-invasion-gone-wrong movie. Like Martyrs, it dovetails with the torture porn genre (another popular staple of the 2000s), but it has a lot more fun with it. The film follows a down-on-his-luck thief who breaks into a house only to encounter another home invader set on murdering the family that lives there. The cat-and-mouse games between the two -- which involve numerous traps and convoluted schemes -- are fun to watch (if you like blood and guts). 
In a similar vein, we see You’re Next in 2013, which starts off as a standard home invasion movie but takes a sharp twist when it’s revealed that one of the victims isn’t nearly as helpless as she appears. Director Adam Wingard helps to redefine the concept of “final girl” in this move in a way that has carried forward right into the next decade with no sign of stopping. 
2013 of course also introduced us to The Purge, a horror franchise created by James DeMonaco. If there was ever any doubt as to the economic anxieties at the root of the genre, they should be alleviated now -- The Purge is such a well-known franchise at this point that the term has entered our pop culture lexicon as a shorthand for revolution. 
Don’t Breathe, directed be Fede Alvarez in 2016, is one of the creepiest modern entries into the “failed home invasion” category, and one that (ha ha) breathed some new life into the genre. Much like The People Under the Stairs, it tells the story of some down-on-their-luck criminals getting in over their heads when they target the wrong man. However, there is not the same overt criticism of wealth inequality in this film; it’s a movie more interested in examining and inverting genre tropes than treading new thematic ground. The same is true of Hush that same year. Directed by Mike Flanagan, the film is most noteworthy for its deaf protagonist. 
But lest you start to think the home invasion genre had lost its thematic relevance, 2019 arrived with two hard-hitting, thoughtful films that dip their toes in these tropes: Jordan Peele’s Us and Bong Joon-ho’s Parasite, which both tackle themes of privilege in light of home invasion (albeit a nontraditional structure in Parasite -- its inclusion here is admittedly a bit of a stretch, but I think it falls so closely in the tradition of The People Under the Stairs that it deserves a spot on this list). 
What Does the Future Hold? 
I’m no oracle, so I can’t say for certain where the future of the home invasion genre might lead. But I do think we’re going to start seeing more of them in the next few years as a bunch of creative folks start working through our collective trauma. 
Income inequality, racial inequality, political unrest and systemic issues are all at the forefront of our minds (not to mention a deadly virus), and those themes are ripe for the picking in horror. 
I know that Paul Tremblay’s novel The Cabin at the End of the World has been optioned for film, so we might be seeing that soon -- and if so, it might just usher in a fresh wave of apocalypse-flavored home invasion stories. 
Like my content? You can support more of it by dropping me some money in my tip jar: https://www.ko-fi.com/post/Home-Invasion-Stories-A-History-R6R72RV7Y
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strangermask · 4 years
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Evil Kai au talk
This is a rant about evil Kai aus. I don’t know if rant is the right word because it’s mostly me talking about evil Kai aus without the complaining part of the rant? I’m really tired, so bare with me.
@anxiousworm
warning: I do talk about emotional manipulation.
There are a lot of evil Kai aus. Hell, I have five. But what is it about them? What is it about a villain Kai? Is it the seriousness and ruthlessness or is it the way he becomes a maniac. The times he becomes mind controlled, the times he becomes a monster with no memory. So many of them are amazing. Inspiring even. But what is an evil Kai au?
As many fans of Ninjago know, Evil Kai aus are aus where Kai becomes the villain. There are many interpretations to this. 
The ones Kai gets overcome by the need to become the green ninja.
The ones where Kai gets mind controlled by the staff of elements.
The ones where Kai loses his memories and becomes evil.
The ones where Kai gets possessed.
And many more.
Since I didn’t ask anyone to use their evil Kai aus as examples for this, I will use my own. Be noted though, now of my evil Kai aus have the interest of being the green ninja.
We will start with my first evil Kai au. Title 7.
In this au, Kai only becomes a villain because he was kidnapped by Garmadon, and raised by Clouse and Chen. Kai was influenced to become a villain due to his environment. He was taught how to be a villain. Due to this, he got ride of Wu before he could even recruit the other main guys. Kai got the weapons and brought Garmadon back. Kai started an apocalypse, and made everyone fear that using elemental powers will make you evil. He knows about the green ninja prophecy, but he didn’t care. There was no sign of green ninja coming to fight Garmadon. 
In this universe, Kai is seen as a maniac who doesn’t care about what happens to others.
In another universe, there is Kai & Addanc.
Addanc is an evil spirit who once knew Wu. Addanc use to be a kind man, but after a misunderstanding from Wu, Addanc changed. He vowed he would one day come back and haunt Wu for what he has done. Of course, the promise was fulfilled. Addanc came back and possessed Kai. In my eyes, he would be the worst one. Addanc can manipulate emotions with just a single word. He uses words to take down the ninjas. The one he mostly leaves alone is Zane. Before Addanc came, Zane and Kai were in a relationship, and Kai got possessed on the wedding day. Addanc understands the lost of a love, so he tries to keep Zane out of it.
Of course, I know it’s bad, so I won’t bother the subject anymore from now on.
The next universe, Red Snake.
Kai was the one who got left behind instead of Lloyd during the King of Snakes. Kai hopes his sister would come for her. Then he learned she is Samurai X, and is stuck on the thought she abandoned him on purpose. He became a serpentine because he felt like he had no family. He gives up on the title of the Green Ninja. He becomes serious and ruthless, not caring about the others since he only known them for a couple of months.
The second to last universe is the Haunted universe.
Haunted is Kai becoming a monster with no memories. He goes on rampages and destroys towns. The villain who did this, didn’t plan very well. Kai was stuck as a rampaging monster with no memory. There isn’t much to say but... it’s almost the same.
In almost every evil Kai universe, Kai is seen in two ways. Ruthless and serious or Crazy and lost his mind. Yet, from my time here, I’ve just notice something. This was pointed out to me, and I’ve realized “It’s kind of true.”
With all of these aus, there is one trope I’ve haven’t seen on here from my time here. And that is the trope is wholesome villain. I’m not saying it doesn’t exist, I’ve never seen any aus like that. Well, except for my Megamind Kai au.
For those who don’t know what Megamind is, Megamind is a movie about a blue alien who is a villain. He has a nemesis, a hero, that became “Dead”. Megamind takes over the city, but soon finds out he has no purpose. He creates a hero, but Megamind ends up being the hero by the end of the day.
Why would I take inspiration from a movie where the villain becomes the hero? It’s because of Megamind traits. A comic inspired me to do this. Kai seemed like a perfect fit.
Megamind Kai is a big goofball but also still kind-heart. The way he acts as a villain... it’s different from what I’ve seen.
Kai lost his memories and was convinced he was evil. He wasn’t told how to act as a villain. So he became a villain in his own way. He had Echo, who Kai could have so much horrible things, but he treated Echo like a brother. Kai doesn’t remember Nya and hasn’t met the others. But to him, they were just the heroes. He already accepted that he’s gonna get his butt kicked but continued because he doesn’t have anything else to do. He kidnapped Nya and Skylar during his career, but that was the bad guy thing. He didn’t mean anything personal, in fact he made sure they were at least comfortable while the ninjas came. He was a tea maker, and he tested them out on himself. He can make fire creatures, but he just makes litter of puppies and don’t expect them to do anything for him.
Kai would never actually hurt anyone. If he did, he made sure they were alright. He would help kids who got lost and take them home. If the weather was too bad, he would take the kids home and treat them with kindness. Hell, he tackled Skales when he almost hit Lloyd when he was a kid. 
Despite all of this, he stills doubts himself. He has times where he gets nervous around large crowds. He doesn’t like he becomes an oni every full moon and stays that way for three days. But he still goes on being the villain Ninjago knows. Echo is there to help Kai. Even if Kai is a villain, he still has some of his personality. But he picked up new things. Inventing, making tea, plotting how to defeat the ninjas, and all the other villainy stuff.
It feels strange. I wonder if I’m the only one. But to imagine Kai being a wholesome villain, it sounds nice. Hell, if he met any of his counter parts, they would ask how the hell he even is a villain. (Which will lead him to getting defensive about his villain title.)
Though, in my perspective, the one thing every evil Kai au has in common is that there is always one small piece of him left.
Thank you for reading, and I don’t expect anyone to really understand what the point of this is.
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komatsunana · 4 years
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My Reincarnation Isekai Villainess Rec List
So.  I’ve gone and found myself in Isekai/Reincarnation/Villainess hell.  For those who don’t know Isekai is a genre in which character(s) are transported to a different world.  Initially you might be thinking “oh, she’s gonna share a both a series like Sword Art Online.”  Oh no.  You have underestimated the amount of taste I have.  By which I mean I have none but that SOA is a taste I’m not here for.
Now a very specific sub-genre of that is the reincarnation one, particularly in which a character is reborn as a character from one of their favorite books or games from their previous, modern life.  An even more specific sub-genre of that one is in which the MC is reborn as a villainess from that book or game, thus creating a bit of a challenge as villainesses usually are destined to die in the source material. 
So! Here are my favorites, many of which are all 3 but some combine one or two of the above tropes.  It’s my list so I do what I want.  And most of my faves have a shojo genre tag, or at least a romance tag, because that’s where all the good stuff is: 
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Survive as the Hero’s Wife by Nokki
Canaria is reincarnated as the villainess of a popular cliche novel. Based on the novel, she is destined to be executed but can she prevent this from happening before it’s too late? 
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Why *I* like it:  So this one was the one that really got me into the villainess reincarnation isekai genre!  And it remains the top of my list. The huge draw for me in this one is that I actually really like the main couple!  Like not even just lukewarm, I really like it!  I’d read fic for it, if that existed.  A lot of the villainess genre tend to portray the original heroine as vapid, unworthy of their status of heroine, or the actual villainess but in this case Gracie just turns out to be just an amazing strong woman who doesn’t actually need a man.  (In fact I ship the three together full stop tbh lol).  In fact, it’s a subplot that Gracie realizes (because of MC’s words) that if she wants to inherit her father’s title even though the law says a woman cannot... That she just should strive to change the law rather than be a tool with no use outside of marriage.   And not to spoil anything, but she will definitely do just that.
And since I’m mainly finishing the rough draft of this list out of absolute RAGE at being made fun of for being into this genre.... A compilation of the main love interest, Cesar, because he’s absolutely beautiful.  Look at those eyes!  He’s such a great example of the sullen, dark love interest because he’s not those things when he’s with his wife, the MC!!!  He’s so soft for her.  And the whole point is that the love interest shows a different side to their lover right??
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And like the great thing is Canaria, the MC, totally doesn’t notice for the longest time.  She read the novel in her previous life so she’s *convinced* that one day Cesar will fall for the novel’s original leading woman, and she makes plans accordingly throughout their early days of their marriage.  She completely hadn’t thought about the fact that since she’s not being a villainess this time around and not abusing him and everyone around her, and makes friends with Cesar... Like of course the course of events change.  It utterly baffles Cesar when his wife keeps bringing up divorce because he’s so completely in love with her and you just gotta eat that shit up with a spoon because it’s so good and perfect drama but also funny.
There’s even a Halloween chapter where everyone wears costumes and basically I believe I was pandered to specifically.
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Tbh, the arc going atm is sorta losing my interest but that’s because there’s political intrigue and I’m like just here for the romance lmao.  So someone looking for substance and not just fluff might be more pleased than I. But it’s still on-going so.  It’s just all in all a fun and great introduction to the genre imo.
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I Reincarnated into an Otome Game as a Villainess With Only Destruction Flags by Hidaka Nami (Art) and Yamaguchi Satoru (Story)
Eight-year-old Katarina Claes is the only daughter of a duke, living her life peacefully and without incident until she hits her head on a rock... and then remembers that she is not actually the duke's daughter. She used to be an otaku who died on her way to school after spending the entire previous night playing Fortune Lover, her favorite otome game. After noticing that her current surroundings seem oddly familiar, she is shocked to discover that she has been reincarnated into the world of Fortune Lover as the villainess.
The villainess in the game usually winds up dead or exiled, so Katarina decides to use her knowledge of the game and its routes to avoid any bad situations. But is it even possible for the villainess to reach a good ending?
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Why *I* like it:  Ok ok ok, lol. So this one is probably one of the most well-known of the villainess reincarnation isekai genre atm!  Particularly because of the anime currently running.  And for good reason... the MC is so brilliantly stupid in the best of ways.  While she plots on how to escape her fate of being killed or exiled by learning to sword fight and how to garden, she’s more or less seduced every capture target in this dating game... AND all the female rivals to boot AND heroine.  The thing is that she is completely unaware and continues training for the day she is inevitably killed or exiled, as per the game’s original ending.
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It’s just a silly, fun series and all the women’s feelings for her are taken about as seriously as all the guys’... Which isn’t much because absolutely no one really has a chance of getting this woman to understand they are all madly in love with her.  Not a series to take seriously which is part of it’s charm, but it retains a lot of heart especially when it comes to the MC Katarina (affectionally called Bakarina by fandom) remembering her friend and family from her past life.  
This series also has a manga spin-off about what if she’d been reincarnated while already in high school and bullying the heroine instead of a child... So basically she’s in hard mode, and yet she still succeeds in getting even more people into her little harem she has for herself.  
Whether you chose to watch the anime or the manga (or the LN, which I haven’t got to) you can’t go wrong.
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It Seems Like I Got Reincarnated Into The World of a Yandere Otome Game by  Hanaki, Momiji (Story) and Setsuri (Art)
As a precocious child, Lycoris suffers from a strange sense of deja vu. On the day her father told her about her fiancé, she realizes that her fiancé was a character from an otome game she once played in a previous life.
“I am the heroine’s rival from the game?
And in the bad ending, I get stabbed to death?
What a joke.”
A story in which the protagonist is determined to avoid a yandere situation.
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Why *I* like it: Hear me out! I know what you’re thinking... Yanderes??? But here’s the thing...  Just by the MC being kind and getting 2 of the “yandere” characters out of abusive environments, they no longer end up as yanderes as they grow up.   They aren’t those tropes any more!  While the characters remain protective, they aren’t possessive and are happy to see MC branch out, if a little lonely.  And the yandere that remain aren’t treated as hot, but annoying.   So like sorry to disappoint if you think yanderes are hot but this isn’t the series for you.
Additionally, unlike other series of this trope, the MC is pretty quick to realize she just needs to trust her lover, that he will not turn on her and kill her as he did in the game nor will he fall for the heroine instead of her.  It’s somewhat refreshing, as a huge part of the trope is the MC typically doesn’t realize until it’s spelled out that by not acting as a villain.... the rest of the characters don’t want to harm them... And might even have fallen in love with them.
Another fun aspect is how MC doesn’t remember things immediately, but only remembers things from her past life (and of how the game went) until it comes up.  Additionally, she wonders some interesting things that aren’t even mentioned in other series like... What if she’s destined to be exactly like the game character? Will she be forced to be exactly like her? It’s a fun exploration of some common reincarnation isekai villainess tropes if you have experience with the genre!
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Ascendance of a Bookworm by Shiina You (Art) and Kazuki Miya (Story)
A book-loving student and soon to be librarian ends up crushed to death by the pile of books during an earthquakes and wakes up as a five year old girl named Main in another world where books are scarce only available to the elite.  Main, retaining her memories of her past life, decides to create and print her own books so she can read again.
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Why *I* like it:  So here is we depart from solely the villainess sub-genre (but only briefly!)  Because there is another sub-genre of reincarnation isekai and that’s in which the MC uses the things they learned on our planet earth to re-invent things like shampoo and the printing press.  And no other isekai does it better than Ascendance of a Bookworm imo. Main’s love for books leads her to recreating things she took for granted on Earth and starts selling them from a young age... Which might just end up saving her life as she ends up having a terminal disease that ordinarily she’d only be able to survive by being a slave to a noble... But by selling her products she has a chance to save herself!!!  And the products she creates are available to commoners, not just the nobles who of course make it impossible for the poor to have nice things.
Additionally, a majority of this trope centers around nobles and royalty (and all the best ones are historical settings)... The fun thing about this one is that it actually centers around a povert stricken family.  It’s a good break from the noble hierarchy within most isekai.
Finally, this series is the one that hits most closely to my feelings if I were to be reincarnated in another world... Which is to cry at the realization that I will never finish any of the on-going books and manga I had going on.  That’s absolute hell, I don’t know how any of these MCs deal!! ;_;
btw there is an anime and manga both. Also LN but tbh almost all of these have LN.
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Isekai Omotenashi Gohan by  Shinobumaru (Story) and Medamayaki (Art) 
Akane, an ordinary office lady, gets summoned to a different world along with her younger sister and pet dog. There, she ends up treating rare guests one after another with hospitality through meals!! Can she satisfy the citizens of a different world with home cooking...?! 
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Why *I* like it:   Continuing our brief deviation from the villainess trope, Isekai Omotenashi Gohan is my favorite example of another subgenre of isekai - one without reincarnation - but one in which a “hero” is transmigrated to another world to save it... The problem? Oppsie, 2 people were taken.  Sometimes in this sub-genre there is a question who the true savior is but in Isekai Omotenashi Gohan’s case they figure that out pretty quickly.  They quickly figure out the MC’s younger sister is the savior.  At first the older sister (Akane) is set aside as unimportant... But her sister only wants to eat the food her sister makes and it quickly becomes obvious that Akane’s role is important.
Akane makes lots of allies and friends by sharing the food from Japan and of course has a very subtle romance going on with her guard.  But honestly I just enjoy this series as a person that likes food manga, like that’s it lmao, so much so that don’t be surprised when I make a best food manga list and yeah sorry Food Wars won’t be on it.
But fr, even if you don’t love the food manga genre try it!! It’s a sweet series and mixes domestic with fantasy in a great way.  Plus only a few series are complete, with the rest being on-going, so if you want a complete and finished series try this one!
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The Duke's Fiancee, Why She Had to Go to the Duke by Milcha (Story) and Golae (Art)
When Park Eunha dies in modern-day Korea, she awakens in the body of Raeliana McMillan, the eldest daughter of a nouveaux riche baron. However, this is no ordinary world; it's the exact same one as a novel she once read. Beloved by her family, it would seem as though she is in a fairy tale. But Raeliana is far from the main character—she is a mere plot device, whose murder at the hands of her fiancé instigates the entire story.
Raeliana has no intention to accept her fate quietly. She sets her eyes on someone in a position of great power—the vieux riche male protagonist Duke Noah Volstaire Wynknight—aiming to completely change the original story. Using her knowledge of future events, Raeliana offers information to Noah on the condition that he acts as her fake fiancé, but the Duke's two-faced nature throws a wrench in her plans! 
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Why *I* like it:  This one is a fun one!! It really plays with different concepts that don’t often get explored in reincarnation isekai like where did the original consciousness of the character the MC became go??? Because MC only remembers her life on earth and is otherwise treated as though she has amnesia.... But is it amnesia?  Is she another person entirely?
Also the humor is... great.  Listen I refuse to give the best joke in the series just to make you read it but... the series is worth it just for this running joke.
Of course the romance is good too. The dude is kinda an asshole but she gives as good as he dishes out and it quickly becomes flirting anyway.  I don’t want to say too much and give any thing away... but s’good!
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Who Made Me a Princess? by Plutus (Story) and Spoon (Art)
The beautiful Athanasia was killed at the hands of her own biological father, Claude de Alger Obelia, the cold-blooded emperor! It’s just a silly bedtime story… until one woman wakes up to suddenly find she’s become that unfortunate princess! She needs a plan to survive her doomed fate, and time is running out. Will she go with Plan A, live as quietly as possible without being noticed by the infamous emperor? Plan B, collect enough money to escape the palace? Or will she be stuck with Plan C, sweet-talking her way into her father’s good graces?!
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Why *I* like it:  Ok, big sigh.  How do I explain the pull ‘Who Made Me A Princess?’ has on me?  Now a lot of the pull for many people is how cute the budding father daughter relationship the MC (Athy) has with her dad.  But like, her dad is the worst and I want to fight him.  On the other hand, most of the fandom hates Jeanette, the MC’s sister who has done literally nothing wrong except make everyone around her miserable but it’s not her fault ok, and I’ll fight the entire fandom in her honor.  So it pains me to rec this series knowing that more than likely anyone who picks up this series because of me might have Wrong Opinions and I invite you to tell me just so I can shake my head about another wrong person existing in this world.
Never the less, this series is very cute!  All the other series I have recced had the MC remember their past life at early childhood at the earliest, if not as a teenager.  Athy? She has the misfortune to remember as a *baby* and it’s exactly as hellish as it sounds for an adult to be stuck growing up as a baby and suffer through the absolute embarrassment of having people feed and wipe her ass. 
The MC was an orphan in her previous life and the book that she wakes up in is a shitty book even by her standards but then she really only skimmed it it sounds like that’s what interests me.  As Athy makes changes to the original events of the novel and depth is added to the world, I start to wonder if the added depth was in the original novel or if the world had to add its own depth to stand as an actual lived in world?
Additionally, since I made the cover image Athy and her dad you might as well see her with her 2 love interests (and Jeanette!).  People need to know who to ship, I get it.
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Also I need a moment to appreciate, up close, the beauty of Athy’s eyes. So gorgeous. 
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Living as the Tyrant’s Older Sister by Aperta (Story) and Chyobab (Art)
When I opened my eyes, I was inside a fantasy novel world! The beauty I see in front of the mirror is the future tyrant’s older sister, Alicia! She’s not even a protagonist or an antagonist, but a character that doesn’t appear much and gets beheaded by the (upcoming) tyrant little brother. My life is all about escaping that fate from the novel. In the end, I seduced the male lead’s merchant friend who also doesn’t appear much and was about to leave the country with him. How-e-ver. The face of the man who spent the night with me was extraordinary, and was the male lead himself!
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Why *I* like it:   ……………...keke. Ok so this one is one I like just for the laughs.  The love interest is an arrogant asshole, but see… The important detail the summary leaves out is that the MC’s… cousin (?) wrote the book that she woke up in!  Moreover she’s the one that told her cousin to change the MC of her novel and make him good at everything and also make him a freak in the sack.  Like who is really at fault here??? Lmao.  Especially when she goes out intending to seduce a character she remembers being rich from the novel and accidentally bags the MC from the novel, aka the dude who kills her and her brother in the original novel.
In seriousness though, it really is funny.  The facial expressions of the MC is just… chefs kiss.  She’s got a pretty face but then she makes all these goof ass faces and I love it.  If you need any more reason to at least give it a go, just know that at one point the male lead comes to check on her, expecting to find her crying and instead…. Walks in just as she screams FUCK at the top of her lungs and then begins a tirade of very creative curses including "Bitch oompa loompa ass bitch" which how can you not love her?  Anyway the face the male lead makes after that has me maintaining that’s the moment he fell in love with her lmao.. but this is not Confirmed so it’s not a spoiler!!
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EDIT: as of August 2020, I’ve since dropped this series. It remains on the list since I’d still rec it to people looking for a laugh.
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Seduce the Villain’s Father by bia and dalseul
Upon opening my eyes after a bus accident, I found myself in the fantasy world of a webnovel I enjoyed reading... the only catch is, I reincarnated 20 years before the novel begins! Reborn as Princess Yerenica of the small Lebovny kingdom, I'm determined to change the future in order to prevent the series of unfortunate events that will soon occur!
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Why *I* like it:   How many times have you yourself had a suuuuuper side character be your favorite in a series and be depressed to see them done dirty?  Well MC has a chance to fix that, to save a character that basically one appeared in prologue and basically prevent the birth of the villain character that later kills his own father… by seducing his dad, before he can marry the villainess!!
Yerenica is just adorable in her attempts to thwart the original novel.  And like, I have to give her lots of respect for seeing the villainess character and having herself a good moment where she had to consider seducing her instead lmao.  She knows when to let well enough alone though so she immediately boards back on the dad train, much to his chagrin because she keeps calling him father……………….. Even though he’s like…. Not a dad yet.
The characters are still relatively early on in their romance, but I have high hopes for it yet!
Edit: As of August 2020, I’ve dropped this series.  It remains on this list because I think it’s a cute series and I think anyone who feels really strongly about the main couple will enjoy it.
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Death Is the Only Ending For The Villainess by Gwon Gyeoeul and SUOL
Penelope Eckart reincarnated as the adopted daughter of Duke Eckart and the villainess of a reverse harem dating sim. The problem is, she entered the game at its hardest difficulty, and no matter what she does, death awaits her at every ending! Before the "real daughter" of Duke Eckart appears, she must choose one of the male leads and reach a happy ending in order to survive. But the two brothers always pick a fight with her over every little thing, as well as a crazy crown prince, whose routes all lead to death. There's even a magician who's enamoured with the female lead, and a loyal slave knight! But somehow, the favourability meters of the male leads increase the more she crosses the line with them!
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Why *I* like it:   So this one is another relatively new one added to my list, but it’s shot high up rather quickly!!  The other otome game isekai’s that I have on my list are just like the real world, but the interesting thing about this one, is that it also retains otome game mechanics such as she can see the love interests love meter and also she can chose to use the video game script choices to reply to the characters, in the hopes of raising their love meter.  This adds challenge, since she knows that if she gets any of the dudes to -10 she’ll be killed even as she sort of wonders if she truly would die or wake back up in reality.
What’s interesting also is that while she is the villainess character in the game… It ends up that the character was actually abused for years and that her title as a villain is unfair and that the game can be played as the villainess as even a player as a ‘hard’ mode compared to the heroine character.  It’s up to her to turn things around and it’s actually a fun take on the villainess genre.  I’m really looking forward to how things proceed even as my fears about which dude she’ll end up with continue to increase.
Finally, another layer I enjoy is that the MC lead a similar life in her previous life.  She’d only just escape her own abusive family before she’d ended up here and MC just desperately wants to escape once again… using any means necessary.
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The Villainess Reverses the Hourglass by SanSobe (story) and Ant Studio (art)
With the marriage of her prostitute mother to the Count, Aria’s status in society skyrocketed immediately. After leading a life of luxury, Aria unfairly meets death because of her sister Mielle’s schemes. And right before she dies, she sees an hourglass fall as if it were a fantasy. And just like that, she was miraculously brought back to the past.
“I want to become a very elegant person, just like my sister, Mielle.”
In order to face the villainess, she must become an even more wicked villainess. This was the new path Aria chose to take revenge on Mielle who murdered both her and her mother.
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Why *I* like it:   If you thought that this list might be in descending order, guess again!  This one is one of my favorites.  Now this one lacks isekai, but is a reincarnation of a villainess!! Rather the MC was an absolute horrible person in her past life, but finds out at the last minute that her ~pure~ sister had been leading her by nose into acting like a brat just seconds before she is executed.  Now that she has a second chance, she’ll be a proper villainess and turn the tables on her sister.
In her last life, Aria never bothered educating herself so now that she’s a teenager again she actually has to learn things again (it’s not just like she gets to act like she’s a genius and good at everything) but she works hard at maintaining a sweet image and making everyone love her, even as she snickers behind their backs, all the while subtly setting her sister up for failure.
This is a proper revenge story, I’m promised by those who read the LN!! Revenge stories about women are rare to come back, especially one that doesn’t make revenge look like a total evil thing lol.  What can I say, I have my interests.  Anyway, it’s super cathartic to watch Aria slowly unfold her masterplan to foil her sister’s plans and take everything that her sister had cherished in her previous life. And all that not to mention the certain powers that Aria later discovers she has at her disposal... :3c
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Beware of the Villainess by Bbongdda Mask (story) and Pureunkanna (art)
I became the villainess of a novel! Do I hate it? No! I find it rather nice. A duke’s daughter equals a jobless rich person. How can I miss out on a chance like this?! This is the best chance to just enjoy life. I should throw out the main plot and just live life how I want to! Not long after waking up as the villainess, I witnessed my fiancé, the crown prince and the novel’s male lead, cheating. I saw him embrace a lady other than I and he was smiling so bright. I was brought to tears… Just kidding, I didn’t cry! My tears are worth too much to be wasted on that garbage. Instead of tears, I yelled out, “Your highness, are you trash?”
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Why *I* like it:   Listen there are 2 ways to react to waking up as a villain of a series you once read… Either you turn the tables and become a good guy OR you can embrace it!  The world the novel is based on has the basic premise of the pure and good heroine winning the affection of 4 bratty, horrible men.  MC is the fiance of one of them and says fuck that.  She also has some thoughts that none of these dudes deserve the heroine of the novel but this one is still pretty early on so the jury still out on if she’s going to save this poor girl from her fate of ending up with any of these absolute assholes.
This one is along the veins of the previously mentioned Living As the Tyrant’s Older Sister, in that the pull for this series is even less of the romance and more about the comedy aspect… Also MC’s facial expressions are…. Choice.  Just so good. Enough with pretty girls making pretty faces!!  We need more girls being ugly.  It’s what we deserve.  Yell at cheaters!!!!!! Tell them to fuck off!! Yes please.
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Accomplishments of the Duke’s Daughter by Reia (Story), Umemiya Suki (Art)
Although she had reincarnated as the daughter of a Duke's house, by the time she regained her memories, the Ending was already here.
"After he cancels my engagement, the story would have me confined to a church. Where can I find my happy ending?"
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Why *I* like it:  I never read or watched Wolf and Spice but I imagine this is isekai Wolf and Spice… Well it’s got a lot about the economy at least lmao.   That’s literally the only thing I know about Wolf and Spice.  Anyway!!  The twist in this one is that the MC remembers her past life just as she’s about to be exiled, the end of the original game.  What the series focuses on is her life afterwards, as she scrambles to grab at any semblance of a good life… And she does so pretty quickly!
Her past life comes in handy as she sets to work managing a dukedom and fixes the economy!!  Moreover, even though it pains my heart whenever two women are pitted against each other… It does a great job of putting into question the original heroine’s pure shtick as she spends extravagantly on dresses and would rather just donate to the poor one day, instead of Iris the MC who sets to work on fixing the economy and creating jobs for the poor and putting money into bettering their lives in the long run, rather than throwing money at them and running.  Also, she’s grabbed the attraction of a mysterious man who takes a job helping her even though he is a prince aka the brother of her ex-fiance who he is fighting for the crown for.
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And that’s it!! My list for now!! Tbh by next month there’ll likely be even more faves as I continue to add more and more series to my read list lol.  Because this isn’t even a fraction of all the reincarnation isekai series I’m into, just the best for certain reasons.
BTW, if you’re like... wow this list sure is straight then true unfortunately. I’m waiting for the day “I Favor The Villainess” gets adapted somehow.  Also there are several isekai in which a straight girl reincarnates into a yaoi novel but I haven’t found a true gem among them yet.
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theleagueof13 · 4 years
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Rewriting the Entirety of SGE: The School Years
All of this is solely up to my own preference. Yes, some parts may be messy because I am inexperienced. I don’t even know what a plot is. Here we go.
I didn’t have any major problem with Book 1 until Agatha’s Glow Up, so we’re starting there.
Canon: Agatha realizes she was beautiful all along and literally two minutes later Tedros falls in love with her.
However, I think it would’ve been so much more impactful if she simply changed her perspective on her “ugliness” from a negative light to an objective standpoint.
We already know that Agatha is badass, so I think she should view herself that way. Insecurity is nothing if she amounts her features to the raw human ability that they possess. Her frame is tall and skinny because she’s athletic, her big eyes serve her the purpose of seeing. Agatha may not be pretty, but every bone in her body was made so that she could eat, breathe, laugh, fight, do parkour around School for Evil.
It’s obvious that Ever Girls only care about their appearance because they want to impress boys (in School for Girls, they are shown as letting themselves go). Agatha is characterized as having no interest in boys, and therefore she doesn’t need to be pretty in the first place. Now, I know that princesses need a prince in order to have their fairytale, but Agatha already thinks that’s bullshit -- why not go against it?
Also, this is extremely minor, but I'd rather have Agatha have some kind of deformity, like a cleft lip or crooked spine. It would really sell the idea that she was different. As a kid, even if Soman screamed in my face that Agatha was canonically ugly, I couldn’t imagine how she could be if the features she was described with were SO normal. Of course, her deformity remains throughout the book, because that is Not Cool if it’s magically removed.  
I’ve said this before in my I Don’t Really Like Agatha post, and I’ll say it again. She is ungrateful for the opportunity she could have at School for Good. I’d literally kill to be there, I’d sit through every mind-numbing, subtly sexist class about smiling and posture just so I could practice magic, and I’m sure a lot of people think the same.
[edited: didn’t mean to sound so callous, it’s only an opinion]
Agatha isn’t even using this to expand her power. She uses her wish a total of 2 times in this book, and it’s not like she didn’t have time to use it. It’s disappointing.
So, imagine that Agatha just GRINDS in her school-work. Sure, she fails the challenges related to Strategic Blushing and Matching Outfits, but everything else she excels. At first she just didn’t want to be turned into a plant, she was only studying to survive. Now, it’s more than that.
Agatha is introduced as having a fondness for villains, and it’s apparent that beauty is irrelevant in their success stories. Although she is hurt when Sophie alludes to how she’d “fit in” with the immature, trigger-happy Nevers, she can apply those values of dismissing outer appearances while still being Good. It’s not as if Agatha is greedy or deceitful. She saves the Wish Fish, forgives Sophie countless times, and doesn’t do anything outright vicious. There’s no reason to question that she’s NOT a Never. She can be ugly and an Ever at the same time, wasn’t that the original message?
Hypothetically, she gains more knowledge and strength in spells and potions and such, and just like Sophie, even if everyone doubted her, she could rise through the ranks. There’s no point in worrying about your looks when you’re the most powerful girl in school. (Did I make Agatha too close to Evil? Maybe. But she doesn’t need to push people down to bring herself up, she’s just a natural like that.)
Also, if she needs a boy to ask her out to the Snow Ball, she 100% hates that. She could just talk to Dovey, are they really gonna fail the baddest bitch there?
No. They’re not.
Okay, here’s the biggest part that everyone will hate me for. No Tagatha. At least, not until TLEA.
When Agatha comes out of the Groom Room having just kickstarted her self-esteem and everyone’s drooling, Tedros is attracted to her instantly. I guess that’s fine. Reasonable. But consider this:
Agatha doesn’t love Tedros back.
When Tedros asks her out at the Circus of Talents, she declines. Because if she really knew her own worth, she wouldn’t say yes before making friends with him first. That’s only fair. Actually, I’d say a part of insecurity is settling for any guy who gives you attention (aka Tedros). Y'all are gonna hit me with the damning “We accept the love we think we deserve”.
EVEN IF SHE BELIEVES SHE DESERVES HIM NOW, IT DOESN’T MEAN SHE’LL JUMP AT THE CHANCE TO DATE HIM. THAT’S MESSED UP.
Okay, I know Sophie threw her bitch fit because Agatha was being a hypocrite and dating Tedros. So, tweak that and have Sophie throw a bitch fit simply because Tedros asked Agatha out in the first place. That still makes sense with her entitled selfish personality.
In the stupid war of Evers and Nevers, (which was like, strange considering they’re kids but they’ll have a similar conflict for the next two years), Tedros and Agatha are not together. You could throw in a bit of “Tedros wants to prove to Agatha he’s a hero” but for god’s sakes we are NOT putting in that little chauvinistic “how dare a princess question me”. That one line gave me a bad feeling about Tedros — foreshadowing for AWWP? And it’s crazy that Soman wrote that, along with his lack of brain cells. Are you trying to make readers bully him in memes and instagram group chats? Not from personal experience.
Oh, and this is more of a complaint. But, why did Soman make Sophie bald, pockmarked, and toothless in her transformation of embracing Evil? I thought this was about breaking stereotypes.
The Evil stigma that’s drilled in their heads about being pretty and in general taking care of yourself, is completely inane to me. I can’t believe that Sophie’s “trickery” of Tedros was so revolutionary. None of the Nevers, in 200 years, thought of that?
Instead of her beauty regressing, I’d actually want it to be heightened. It’s what set her apart from the Nevers the moment she walked in. It should be the icing on top of the cake. When Sophie is at her peak of power, she’s a princess. Who could kill you.
If you’re worried about reducing women to be pretty objects or seductresses, stop. It’s okay. Sophie has other powers like summoning ravens, wasps, locusts, bats, using her singing voice for torture, and she is skilled in curses and death traps. In short, the Hot Evil Lady trope works for her. (I think. Someone correct me.)
At the end of SGE, Agatha chooses Sophie over Tedros. Needless to say, Tedros feels betrayed. If you wanted to make him an idiot, with anger issues, daddy issues, and an inferiority complex, this is the easiest way out. He’s under the misguided impression that Agatha belongs with him simply because 1. He loves her. 2. He’s the prince of Camelot, damnit. Doesn’t that mean anything to you?
Not to mention that his father pressured him not to make the same mistake. And Tedros thinks that School for Good is his pool of suitors since Arthur married his classmate Guinevere? There is no line of logic in this man at all, did you miss the part where Guinevere cheats and runs away? Maybe Ever Girls isn’t the only place you should look! There are thousands of other girls in the Woods and you intend to find your soulmate at 14?? Goddamn. 
In conclusion, Tedros’ hurt feelings continue to AWWP. Easy.
And if y’all gonna come for me about how Tedros is easily swayed by looks (he’s convinced that Sophie and Agatha are in the wrong schools for half the book) I’d want to make him a bit smarter. I know that’s impossible.
In canon, Tedros turns on Sophie because her true colors showed, and her witchy phase gives him that confirmation bias. He goes feral with testosterone and heroism, as we know.
I’d like him to understand that just because his solely physical attraction to Sophie grew when she’s evil and pretty, it doesn’t mean that she’s not any less dangerous. If Tedros, of all people, learns the difference between appearances vs reality, it would really drive the point home.
All right. You’re still here?
Here’s some extra headcanons you could add in here and here.
In the meantime I’ll think of more.
If there were any hard-hitting themes I was supposed to include, please tell me, I usually gloss over them while reading. 
But anyway, thanks for reading this far.
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sebastianshaw · 4 years
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And I’m sure Snowbird getting a happy ending had nothing to do with her being a blonde white woman and Haven being a dark skinned woc
I don’t think it was THE reason, but I would not rule it out as a contributing factor.
The major reason is that Snowbird is a hero and a major character, whereas Haven was an extremely minor character and a villain. So it’s pretty standard in that regard for Snowbird to get a happy ending, and Haven not to. Especially considering that, while Snowbird was not a character that “belonged” to anyone in particuliar, Haven was the creation of DeMatteis and when he left the book, so did she. That’s why her story just ENDS so abruptly after her confrontation with Charles, even though it seems like it should just be getting starting---her creator took off, and the new writer wasn’t interested in her.
She pops back up in the annual a year or two later to die, and I strongly suspect this was due to readers writing in and asking what happened to her; I can’t confirm this for fact, but TV Tropes claimed that fans actually refused to root against her because she was so sympathetic and benevolent, so I imagine a lot of them wanted to know where she went and this was to get them to shut up.
(It kind of reminds me of when this webcomic writer wrote a character he meant as despicable and twisted, and she was, but she was also way more deep and interesting than the 2D mouthpieces the protagonists were, so fans kept asking when she’d come back. He got so fed up he drew her dying in a gross and humiliating way. So yeah, if people were indeed asking “what happened to Haven and her evil possessed fetus?” and writing her dying in the mud giving birth while a goddess victim-blames her was the response...yeah. Again I cannot be for sure this is what happened, it’s just a GUESS.)
But yeah the big reason is Snowbird is a heroine and important, Haven was a flash-in-the-pan villain that only one writer wanted to write and had to be gotten out of the way when someone new came in. Nothing deeper than that. But the WAY that Haven’s story played out, especially compared to Snowbird’s...that’s got a lot of sexism and quite potentially racism there, yeah. So um, let’s get into that. Under a cut for length because I doubt people following a Shaw blog for Shaw want to see a bunch of non-Shaw rambling.
Haven’s story, as I have written about MANY times on her blog, is REALLY UNCOMFY in its sexism, racism, and xenophobia. Let me say, I do not think DeMatteis intended this. He writes Haven as a very kind, well-intentioned person even at her worst, and I happen to know he has a genuine real-life interest in Indian spirituality, which I think is definitely what inspired her. Unfortunately, these good intentions didn’t stop Unfortunate Implications galore: - Our first Indian/Hindu/Zoroastrian character is not only a villain, her “evil” philosophy is taken directly from real-world Hindu beliefs - She is opposed by a team comprised ENTIRELY of white people who work for the US government who scoff at those beliefs and refer to them as “New Age” (aka a white hippie movement that appropriated a lot of actual Hindu ideas but certainly did not invent it!) - The US government says she’s a terrorist. Polaris raises doubts, because Haven’s actions at that point have been nothing but benevolent (she saved Polaris) whereas the same government making these accusations has been malevolent (the people trying to kill/capture Polaris were US agents, despite Polaris working for the government, who attacked her because she had the same energy signal as Magneto) When they go to see Haven in person, she’s preaching peace between humans and mutants. Havok opens fire on her---so basically, a law enforcement officer shooting without warning at an unarmed WOC who isn’t doing anything threatening and they don’t even know has superpowers yet--and Haven has to hit the deck. Despite her own great power that we later learn she has, she never retaliates. But we find out that yes, actually, everything the government said about her is true, she’s leading a terrorist death-cult, and so it’s a-okay that our white government cop FIRED A FUCKING PLASMA BURST AT HER WHEN SHE WAS JUST STANDING THERE. The moral of her story is seriously “this brown woman with a funny religion is a terrorist because the government said so, no matter how nice and gentle she seems, and thus any excessive force against her was definitely justified even if we didn’t know that at the time” like it’s CHILLING. - Haven herself actually has very questionable agency in all this. She’s actually been pregnant for twenty years; her unborn child is permanently in the first trimester and possessed by the powerful demon known as The Adversary (which doesn’t make sense timeline-wise, but I have no doubt this thing can time travel, its entire point is to fuck the rules of universal order) We don’t know exactly how much it can influence her or perhaps even control her, but we do know it’s been talking in her head from 20 years and came on at a time she was REALLY messed up and vulnerable, and manipulated her at the least. I personally think it probably was controlling or influencing her at a very deep subtle level, but that’s just my interpretation. At the least though, again, talking in her head for 20 years, that’s the supernatural equivalent of schizophrenia and we wouldn’t blame her for THAT, right? - Oh, and about it appearing when she was at her lowest, most vulnerable point? Know why she was at her lowest, most vulnerable point just when she happened to be pregnant? Haven’s story is she was born extremely rich but was so passionate about using her privilege to help the poor that she ran away from her parents---philanthropists themselves, but who wanted to protect her from the outside world too---to go work directly in the streets, bathing lepers and cradling dying babies. She got her name “Haven” because she used her wealth to renovate a children’s hospital of the same name, I’m serious. She was literally a fucking SAINT. And then she fell in love with a man, and he used her, knocked her up, and ran off. She was DEEPLY ashamed and berated herself not only for her loss of “purity” but also for being “selfish” and forgetting the children. This is...so sad, and so DEEPLY entrenched in how women, ESPECIALLY women of color in a colonized culture, are considered “selfish” and “evil” if they don’t utterly sacrifice themselves 24/7 to care for others and dare have wants/needs of their own. So she fell into this deep despair and that’s when her fetus starts talking to her and filling her head with twisted lies that preyed on both her devout spirituality and her desire to help others.
There is no more sympathetic villain setup POSSIBLE, you’d think Haven would be a SHOE-IN for a redemption arc or at least being saved from her own “child”, but she gets neither. She dies alone in the mud, having only now realized as the birth is coming just what it is she’s about the bring into the world. Roma, the Omniversal Guardian Goddess and eternal foe of the Adversary, appears to watch. Haven begs her, not to save her own life but to stop the Adversary from the terrible things it’s going to do to the world. To her last breath, her concern is others. And Roma tells her “I would weep for you, but you brought this on yourself.” So basically, Haven, who is the most wonderful person in the world and who VERY much fits expected gender roles (gentle, maternal, loving, non-violent even when attacked, long hair, pink and purple flowing clothes, literally SPARKLES) has sex ONE TIME and she’s punished for it in the worst fucking way while the guy who impregnated her gets off scott-free. It’s just...it’s the worst narrative, in terms of sexism AND racism AND just in general. That’s not even getting into, say, the really uncomfy way her meeting with Xavier is handled, eesh. Compare, Snowbird. She’s actually far LESS the “perfect” woman than Haven is, she’s very cold and aloof and she even contemplates LETTING HER SON DIE so that her ties with mortality will be severed and she can join her divine family in paradise. But she had that son within the confines of MARRIAGE to a mortal man, and she only got married after her duties were done, unlike Haven on both counts. And her loss, and the loss of her child, are deeply mourned by those around her, she has a very dignified and beautiful funeral with Snow White style glass coffins, and we see the spirits of herself, her husband, and her child all ascend to the Inua paradise together, the gods having decided to let them in even though mortals have never been allowed before. She gets divine exception, Haven gets divine condemnation. She gets a beautiful funeral surrounded by loved ones, Haven’s corpse is probably still rotting in the jungle and her brother likely still has no idea what happened to her. To be clear I in no way resent Snowbird for her better treatment in a similiar story, I like Snowbird, but it is very disparate in how differently these seemingly similar situations---possessed baby and such---were handled, and the specific ways in which Haven’s were handled so badly ARE very much the product of bigotry that Snowbird didn’t suffer in part due to her being a white or white-coded character (in addition to being, again, a heroine and a major character, which helped her a lot too) Also, is it just me or is Marvel like...weird around childbirth/babies/motherhood and mixing that with demons/evil spirits/possession? Because in that same vein we’ve also got Madelyne Pryor and Wanda Maximoff who also go through demonic possession that’s related in some way to being mothers of babies. That’s a very strange pattern to have and something’s going on there.   As a note, it bugs me that Snowbird’s human disguise as “Anne McKenzie” is a BLONDE WHITE WOMAN. Like, yes, her human father was white, but her mother Nelvanna is one of the Inua, the ancient gods of Canada from LONG before white people showed up and WHO LOOK LIKE FIRST NATIONS PEOPLE, Snowbird herself is constantly emphasized as a child of these lands, she is literally magically BOUND to these lands and can’t leave them without weakening and dying, she was raised by an indigenous shaman, and she can only turn into animals that are INDIGENOUS to Canada. She is very unsubtly the embodiment of pre-colonial Canada, so it’s just...asinine to me her human form is that of a colonizer. I get they probably didn’t think further than “let’s give her human form blonde hair so it’s recognizably her” but like, that’s the problem, they didn’t THINK. Also I feel like her being mixed would really thematically fit her, since a strong part of her story was struggling between her divine and human heritage and being forced to try to “pick a side” which is something I’ve heard (I’m white) that a lot of irl mixed people deal with. It just would make more SENSE.
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