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sam-t-a · 3 years

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Okay.

*Deep breath*

I think I’m finally calm enough to put into words exactly why I hated the finale and why I wasn’t completely surprised that I hated it.

(Heads-up: this is really long and pretty negative. If you disagree, I would of course appreciate your point of view and love to hear it, but just thought I’d let you know in case this is the kind of post you would like to avoid.)

To me, it felt like every character on the show got betrayed in some way or another, but the main ones are Han Seo (devastatingly), Chayoung (obviously) and Han Seok (bear with me).

Cha Young:

She started out as a solid FL who annoyed some people for sure, but who had so much promise as someone unconventional and bold. The way her mother’s death affected her and caused a clear shift in her personality was a super interesting plot point that really never got explored. We have no idea how she came to sacrifice her morality in joining Wusang, just that she wanted to spite her father, which is a very superficial exploration. She gets cute idiosyncrasies in lieu of an actual character and an actual character arc.

We also, halfway through the show, seem to forget that her father's death was the initial trigger. Cha young does not suggest bold ideas or intricate plans, she doesn’t fill the gaps Vincenzo is incapable of filling (because that would require that Vincenzo have flaws, and that’s not something the writers can abide), and she’s literally victimized in episode 19 and bedridden in episode 20, and that is IT.

Someone who started out supposedly as Vincenzo’s equal just became another piece in his chess set, no matter how important a piece she may be.

So her role as a badass avenger is trashed. That leaves her role as a love interest. Now, as Vincenzo’s love interest, she was supposed to get kidnapped in like episode 5 or 6 at the most if the villain has any brains whatsoever (Han Seok may or may not, more on that later). We need a reason for that not to happen too early. Cue villain is somehow in love with her for all of 15 minutes or so throughout a 20-episode series because a love triangle is inconceivable with the show’s current structure and for its purposes.

So, she spends 15 or so episodes making the first move on Vincenzo, every time, putting herself out there, creating cute moments, getting nothing in return, and then he leaves. No confession, nothing much, he wasn’t even going to say goodbye or give her the choice of coming with him.

I’m sure more chayenzo-oriented fans have already expressed all the necessary outrage over this, so I’ll move on to the part that I’ve personally been way more emotionally invested in from the get go: the Jang brothers.

Han Seo:

I was among the minority that hated the “Vinny hyung” angle from the get-go and I’ve ranted about it in another post, so I won’t get into it here in-depth, but basically it was because I felt like Vincenzo hadn’t earned it, so to have the last words Han Seo hears be “You deserve to be my brother” or whatever the fuck he was on about PISSED ME OFF. It’s VINCENZO who doesn’t deserve to be Han Seo’s brother and hasn’t done a single thing to earn it. He was a good ally. The situation he allowed Han Seo to be a part of was beneficial to him, but Han Seo’s attachment to him was neither healthy nor heartwarming, and it certainly wasn’t returned on the level he offered it.

Vincenzo’s disregard of his death didn’t strike me as odd because I never saw enough indications that this was a two-way street and Han Seo’s safety and well-being came second so often that I didn’t get the impression Vincenzo was doing much to keep him alive. This is what I meant when I said the show was glorifying a torture survivor’s trauma responses. Han Seo himself, as a torture survivor, meant nothing to them. He was just there to create one more contrived comparison between Vincenzo and Han Seok. Instead of recovering from the trauma, it’s simply employed to someone else’s favor. He doesn’t go to prison for Han Seok, he takes a bullet for Vincenzo, and we’re supposed to see that as so much better.

All of that might (JUST MIGHT) not have ruined the show for me if he’d died better. 1) It was narratively pointless and totally avoidable, 2) they could’ve framed it as heroic, but instead Han Seok’s hand patting his head is pushing it down, so he can’t even get shot with his chin up and his back straight, Taec’s already taller, so the angle’s fucked and the whole cinematography screamed “kicking an injured puppy” and most certainly NOT “survivor finally stands up to his abuser”. The final nail in the proverbial and literal coffin is that he is mourned by no one. They’re FLIRTING not 3 MINUTES LATER, it felt so tone deaf and left such a bad taste. As I said, I didn’t expect significant mourning from Vincenzo (gotta say, I didn’t expect no mourning, that was a shocker), and Cha young and the tenants had no real interactions with him and no reason to mourn him, which left only one person who could.

Which brings me to Han Seok.

Han Seok started out as a solid villain, clear goals, clear skills that help him achieve his goals and basically make him a villain worth defeating, and a very complex relationship with both his own psychopathy and his brother.

Let me get it out of the way: I do not believe Han Seok is capable of killing Han Seo because he had every reason and every opportunity to do so in previous episodes and couldn’t do it (I say couldn’t because a certain degree of reluctance is in itself inability). Han Seo’s danger far outweighed his material value the minute he shot Han Seok and then completely lost any value once he came out to the world as the chairman and it became clear that the prosecution would be going after him if anything happened, and not his brother. But time and again, he’s proven he’s all bark and no bite when it comes to Han Seo (killing-wise, specifically).

The scene where he asks him to beat Vincenzo to death could be interpreted as him wanting to give Vincenzo the “painful death” he would have given him, but honestly, I think he was way past that point. He just wanted him dead in the “You crazy? we have to kill him before he kills us” sense. To that end, killing off a key ally of Vincenzo’s, who betrayed you and almost got you killed a bunch of times, should take priority, but Han Seok’s priority is reclaiming Han Seo by forcing him back onto his side. Now, much like his “love for Cha young”, Han Seok’s keenness on not killing his brother was essential to the writers so that Han Seo can justifiably make it this far and still be useful to Vincenzo (he can’t help if Han Seok completely excludes him from all events, plans and management processes, so Han Seok needs to want to keep him on his side enough not to do that even when it’s more prudent).

All of this isn’t to say it’s unbelievable that he would kill Han Seo, but it’s DEFINITELY unbelievable that he would stay the same man after killing him. Someone here (I’m sorry, I don’t rememebr who) once said that Han Seo had become, over time, far more of a foil to his brother than Vincenzo was. To me, this means that Post-Han Seo Han Seok would be out of balance (tilted screen), unhinged in a way he never was before. The Han Seok we see shrugs and “oh, well”-s and moves on in a flash, not really any different from the villain he was four minutes and a whole brother earlier.

This is very consistent with the way the show has been de-humanizing him from the start. I’m not saying this to defend Han Seok in any way, he’s a serial killer, an abuser and a total maniac. But you can be all those things and still a human being. In fact, you can ONLY be those things if you’re a human being. The show used its villain vs villain idea to justify a lot, but in the end, Vincenzo had to be a protagonist. He had to follow up every “I’m a villain” with a contrived “but at least I’m not (insert something worse)”.

On the level of humans:

1) Vincenzo is supposedly different because he doesn’t hurt children or women (unless the women deserve it, and shooting a parent in front of their kid doesn’t count as hurting.)

But we never see Han Seok hurting women or children either. In fact, if we proceed with the “chayoung is the myung hee of the good guys” comparison, he hasn’t hurt any women nearly as badly as Vincenzo did.

2) Babel vs Mafia

Babel’s corruption is compared a lot to the mafia, with Vincenzo commenting repeatedly that the people are WORSE than the mafia...which is bullshit. Babel is a set of companies that provide goods and services, but use illegal means to maximize their profit, so they hurt/kill people in the process because they want more money and care about money more than ethics. The Mafia is an inherently criminal organization that functions PURELY on the basis of its criminality. Every single dime Vincenzo spends is blood money. None of it is clean. And while we’re on the topic, I find the whole “taking Miri under his wing” thing pretty unreasonable too because he tried to have her killed you guys, I cannot believe we’re just glossing over that. He had everyone who worked on that vault killed, just random fucking construction workers. And he’s not sorry. And the show tells you he shouldn’t be.

3) Repentance

Han Seok says outright he won’t atone, and while Vincenzo says no such thing out loud he just...doesn’t repent, I guess. He keeps the blood money, he goes back to being a full-time mafia dude doing mafia things. He leaves the same man he arrived.

So, if on the level of harm inflicted upon humanity, Vincenzo and Han Seok are pretty much equal (and Vincenzo might actually be worse), then why should we root for Vincenzo?

Well, my friend, that’s where the dehumanization comes in!

I was initially very excited to see their portrayal of a psychopath because of the very interesting ways in which the informal moral code and official justice system surrounding a psychopath/sociopath/narcissist affect their behavior and their chances of not turning out rotten, and the show looked like it was looking at corruption in general.

But as the show went on, the villain vs villain thing proved not to be enough, Vincenzo has to be better in some way (or if you’re as obsessed with him as the writers are, then ALL ways), so it became a villain vs monster narrative. Vincenzo isn’t ethical or fair or in any way interested in having a remotely positive impact on society, but at least he’s A HUMAN BEING unlike SOMEBODY. So, the characterization goes to shit, Han Seok becomes a cartoon card-board cut out of a villain and emphasis is put on how pointless his violence is, as opposed to how purposeful Vincenzo’s is.

This is dangerous on multiple levels (and I promise this is the last point I’m making).

1) For people in general, dehumanizing abusers/murderers/etc. makes us very liable to forget that you don’t have to be “a monster” to cause harm, and it makes people complacent in their belief that they are “not bad people” since they aren’t total monsters. The Banality of Evil is a thing, and in this series, it goes completely ignored. No one is inherently incapable of good or inherently undeserving of humanity.

2) For victims of abuse in specific, it’s dangerous to portray abusers (including serial killer and non-serial killer ones) as entirely bad and unlovable, because it poses the dual risk of making victims less likely to acknowledge their abuse if it comes from someone who cares about or loves them on some level because the idea that someone cannot both love and hurt you is so stereotypical. Your abuser can genuinely want you in their lives and need you and, on some level, love you, and IT DOESN’T MATTER if that love doesn’t stop them from hurting you.

On the other hand, portraying the victims of abuse as capable of flipping an off switch and hating the abuser with no hesitation or second thoughts to the point of unapologetically and cheerfully helping someone kill them and having no mixed feelings about it sends the message that if you CAN’T do that, then are you really abused? Are sure you’re not complicit in your own abuse? Do you even want to get rid of them?

So this is basically why the way the show ended was so painfully disappointing for me. And the main reason it hit so hard was that it was initially so good and had so much promise. I really expected more.

#Vincenzo #vincenzo meta #vincenzo spoilers #not that mad anymore but still so disappointed #hong chayoung #jang han seo #jang han seok #so much it to fix #my brother says hi #he is disappointed too

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kurosarium · 4 years

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post breakup headcanons

Headcanons about some characters and how they deal with being broken up with. This is me trying to cope with my own breakup. I feel like absolute shit, but somehow I got inspired by my sadness and wrote these in like an hour, which is pretty fast for me.

Feedback is much appreciated!

featuring: Akaashi, the Miya twins, Sakusa, Kuroo, Suna and Bokuto

warnings: angst ig

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Miya Atsumu:

He’s going to be really dramatic about it, but it’s not like he’s doing it for no reason, you know? Atsumu definitely tries to keep his act together around his peers, but his mood is greatly affected by the breakup, so it won’t be hard for people to tell that something must have happened. He’s less of a tease and less talkative. While his demeanor doesn’t change too much when he’s in public, except for being less of a tease (and a pain in the ass), he will most likely cry his heart out in the confines of his own home and may or may not try to drown his sorrow in alcohol. He’d feel super depressed and lethargic during the first few days, or even weeks. He may not look like it, and definitely doesn’t act like it often, but once he lets someone into his life and decides to give himself to them he becomes very invested and tends to be a bit clingy, so the thought of losing the person closest and most precious to him is unimaginable to him. He loves hard, and if he really, genuinely loved his partner then he will be a total disaster after they broke up with him. Atsumu will visit his brother’s shop A LOT more often, whine about his worries and stuff his mouth with fatty tuna.

Akaashi Keiji:

He will most likely distract himself with work. Keeping himself occupied at all costs, because his mind tends to wander and he will only make himself more miserable if he starts to think about his ex-partner and their breakup. He knows that himself, so he really tries to drown out any of his thought that aren’t work related for the time being. You might not even notice that he’s suffering, because it’s not an unusual occurrence for Akaashi to work ungodly hours. What gives him away, to his close friends at least, is that he doesn’t answer any of their calls or text, and if he does, he will respond with one-word-answers only. He pretty much isolates himself for a while and rejects any invites from his friends. The thing is, that his feeling will pile up and he will eventually break, and he will end up crying alone at his work desk, without anyone to comfort him. He knows his behavior is bad for him and will only make him feel worse, but he just can’t help it. He may reject his friends approaches, but he will secretly thank them if they ignore his wishes and come over uninvited and drag him out with them. He really doesn’t want to be suffering alone, but he has a hard time expressing his feelings, he’s learning and getting better at it, though.

Suna Rintaro:

Suna’s already someone who behaves pretty indifferent in most situations and doesn’t express his emotions openly, but after getting his heart broken he becomes even more apathetic, and his seems like absolutely nothing brings him joy, or even matters to him. It’s going to be really frustrating for all of his friends and family members. This being said, it wouldn’t be difficult to notice his extreme behavior, he just seems completely out of it, spaces out all the time and blankly stares into the distance. If you wouldn’t know he was going through immense emotional pain, it would almost seem comedic. While Suna’s face hides it perfectly, he feels utterly lost and doesn’t really know how to cope with the situation. Still, he prefers to not talk about his emotional said, neither with his closest friends, nor with his family, and instead shuts completely off and keeps to himself. You’d really have to worm everything out of him if you’d want him to tell you what’s up with him. Sooner or later he will get overwhelmed by his feelings, though, at the latest when he unexpectedly encounters his ex again.

Miya Osamu:

He just doesn’t deal with it. Similar to Akaashi he tries to keep himself busy, but he does it more successfully? Like, he actually seems to be doing okay and when he tells his friends that there’s nothing to worry about and that he’s doing fine, it sounds very convincing to most people. Except for his brother and a handful of friends, that is (like Aran, he just knows). Still, he is able to suppress his emotions and tried really hard to not let them affect him too much, and after a while it actually seems like he’s over his past lover, but oh boy is that far from the truth. It really depends on how much and how deeply he loved that person, though. While I imagine that he’s an intense love like his brother, it’s more difficult to get access to him and his emotions. Osamu’s excellent at not getting too involved and has very good control over his emotions, but if his ex was someone he genuinely loved and opened himself up to, then I can see him reacting to a breakup in a similar way as his brother.

Kuroo Tetsurou:

I see him handling being broken up with well? Like, he sure is emotional about it, but he deals with it in a mature way and tries to understand his ex-partner’s reasoning to the best of his ability. He definitely will allow himself to be sad and even shed a tear here and there, but he also knows when enough is enough. I imagine he will give himself some sort of time frame where he allows himself to grieve and be sad, but after the time’s up (could be a few days or a few weeks) he will actively try to move on and keep his mind occupied so his thoughts won’t start to wander to a bad place. I can also see him keeping in touch with his ex, not immediately after the break up, but at some point, even if it’s just on a superficial basis. If he truly cared about them as a person, then he wouldn’t want them to be completely out of his life (I’m projecting here but that’s ok). So basically, Kuroo copes by giving himself the time to feel brokenhearted, but also in being more socially active after coming to a point where he believes he grieved enough. He will focus on the people around him and go out with his friends more and try to get his mind off of his ex-partner. All in all, I’d say his way of coping with a breakup (with him being the one who gets broken up with) in a relatively healthy way. One thing he’d definitely do, especially in the beginning, is turning up at Kenma’s place at the most random times to play games with him. Some things just don’t change.

Sakusa Kiyoomi:

Sakusa’s even better at hiding and suppressing his feelings than Osamu. Like, people that aren’t super close with him wouldn’t even have known he was in a relationship in the first place. He’s that secretive about his personal life and only trusts handpicked people with the details of his life. For everyone who does know him better, though, it’s pretty easy to tell that something’s off with him. He’s a lot moodier and meaner, sometimes even unintentionally overstepping boundaries, and the bags under his eyes grow visibly darker. Sakusa tends to drink more caffeinated drinks when he’s stressed, which keep him up at night and encourage his brain to fill itself with what ifs and other intrusive thoughts. He’s basically a tired mess, and the people around, especially those he sees every day, will notice he’s being deprived of sleep, because it’s no secret that Sakusa usually values his 8 hours of beauty sleep. So, while his behavior does change, he could tell people literally anything and they’d believe it to be the reason for his slightly odd behavior. I also don’t see him as someone who easily opens up about his feelings, so he’d probably bury that shit deep within.

Bokuto Koutarou:

It’s going to be really difficult to cheer this big Baby up. Bokuto just spends days moping around and will have absolutely no motivation to do anything, not even Volleyball. Sure, he will go to practice and participate in games, but there’s definitely a change in his aura, he’s less energetic and spaces out way more often. The coach will probably have to pull him aside more than once during practice. It will definitely take more than his teammates or a few good friends to get him to function properly again, I think what he really needs is just time. But he definitely doesn’t want to be alone, so he will reach out for his friends and try to distract himself a bit with their company. It will take Bokuto a lot of time to get over his past lover, though. He’s someone who gets very emotionally invested in things, and people no less. I also imagine him to be the kind of person that tries to contact their ex after the breakup, asking if they could talk things over again or try to find another solution, he doesn’t want to let go that easily if he’s convinced there is or could be another way.

#haikyuu x reader #haikyuu imagines #haikyuu!! x reader #haikyuu!! scenarios #atsumu x reader #sakusa x reader #bokuto x reader #kuroo x reader #osamu x reader #akaashi x reader #suna x reader #Kuroo Tetsurou #Miya Atsumu #miya osamu #akaashi keiji #Bokuto Koutarou #Suna Rintarou #sakusa kiyoomi #haikyuu scenarios

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sage-nebula · 4 years

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Since Aggretsuko premiered I’ve seen people compare it to The Office, and I’ve never agreed since the two shows are very different, but I think season three in particular showed just how different the two shows are by handling a love triangle in the complete opposite way. Put simply:

In season three of The Office, there was a love triangle between Karen, Jim, and Pam in which Jim used Karen as a rebound, Karen let herself be used as a rebound, and Pam pined after Jim.

In season three of Aggretsuko, Haida decided against using Inui as a rebound, Inui was not about to let herself be used as a rebound, and Retsuko pined after no one because she didn’t have a love interest this season.

In a bit more detail:

In The Office, Jim meets Karen after he moves to Stamford so that he doesn’t have to see Pam marry someone else. (Pam ultimately doesn’t end up marrying that someone else because she realizes that she truly does have feelings for Jim, among other things, but by the time she calls the wedding off Jim is already gone.) The Stamford branch ends up closing, however, and Jim and Karen both move (back) to Scranton to rejoin the office at the Scranton branch. Jim is convinced that Pam absolutely does not have feelings for him, and so to shield himself from pining over her, he ends up asking Karen out because he knows that she’s interested in him. About midway through the season, Karen finds out that Jim “used to” have feelings for Pam; a little while after that, she asks him if he still does, and he admits that yes, he does. However, not only does Jim not break up with Karen, but Karen does not break up with Jim. Instead, the rest of the season is spent with Karen consistently feeling insecure and jealous whenever Pam and Jim so much as look at each other, and Jim insisting that he’s glad to be with Karen only because he thinks that he doesn’t have a shot with Pam. The season ends with Jim dumping Pam for Karen, and in a commercial spot that aired between seasons three and four, we learn from Karen that Jim left her “crying by a fountain in New York.” (In season four we also learn from Karen that she “cried for weeks over that guy,” so yeah, it was a rough breakup.)

While it’s not at all unrealistic for people to act this way, the season three storyline of The Office doesn’t have Jim or Karen look very great at all, Jim in particular. Jim did like Karen, as a friend, but it’s made clear at multiple points throughout the season that he’s only with her because he thinks he can’t be with Pam. In other words, Karen is his second choice. In fact, he might not have ever dated Karen at all if he wasn’t pushed into close proximity with Pam again, and thus scared of getting his heart broken all over again. Jim used Karen, full stop. He continued using her even after he knew that she knew that he was using her. (They had “many long talks” about their feelings and relationship night after night, and it’s clear that Jim is exhausted mentally and physically by this, but he still doesn’t break it off because he’s using her as a shield.) Meanwhile, while Karen could be called the victim of Jim using her at first, after she flat out asks him if he still has feelings for Pam and he says yes, she continues to stay in the relationship, even though she’s left insecure and perhaps even paranoid every time Jim and Pam are anywhere near each other. She likes Jim so much that she clings to him even after he tells her that he’s in love with someone else, meaning that, yes, she’s responsible for her pain, too. About the only person in this situation who doesn’t come off as making the Worst Choices Ever is Pam, with the only thing I really fault her on is telling Karen that she’s “sorry if [I] made [you] feel weird” for what she said at the beach, rather than something like, “I’m not trying to steal Jim from you,” or something similar.

By contrast . . .

Haida genuinely likes Inui, as a friend. She’s nice, they have the same taste in music, he likes spending time with her. He even floats the idea to himself of dating her, of moving on from Retsuko to be in a relationship with Inui. But no matter how much he considers the idea, his heart still lies with Retsuko. You can see this by how he uses decision game after decision game, how he doesn’t give up after getting an answer from one because the answer isn’t the one that he wants. (Similar to how if you flip a coin and get a result you don’t like, you say “best out of five” and so on.) He knows that Retsuko doesn’t want to be with him, and he accepts that, but he also knows (and feels) that he wants to be with Retsuko, not with Inui. Haida can’t emotionally commit to Inui, and he knows that, so he tells her so.

Inui, meanwhile, is into Haida. She flirts with him openly and even tries to initiate a kiss or something similar while at his apartment. But she realizes while she’s there that Haida had Retsuko over just before she arrived, possibly in an intimate way (she’s not sure), and Inui has too much self-respect to waste her time or feelings on someone who doesn’t feel as strongly about her as she does about him. This is why she leaves, and why she tells him to sort out his feelings. If Inui stayed, or continued to push a relationship with Haida, even after she knew that he wasn’t into her 100%, then all she would do is leave herself to develop stronger feelings and, ultimately, get hurt far worse than the disappointment she feels now. She’s smart and self-assured enough to realize this. So she tells Haida to figure out how he feels, and then get back with her. And when that happens, and she realizes that Haida still feels too strongly for Retsuko to emotionally commit to her, she walks. And believe me: Even if Haida had lied and said that he was choosing Inui, Inui showed herself to be intuitive. She would have known that he wasn’t really “present” in their relationship, that his feelings for Retsuko were stronger, and she ultimately would have dumped him. Everything we see of Inui’s character makes that plain enough to see. The only difference is she would have had more time to get invested, and thus would have been more hurt.

Ultimately, both Haida and Inui came out looking like good, respectable people at the conclusion of their love triangle story, because while the time and place of where they had their final talk about it really wasn’t the greatest, they still handled it like mature, compassionate adults. Haida likes Inui as a person, and that’s exactly why he’s not going to use her as a rebound. And while Inui is attracted to Haida, she likes and respects herself, and thus won’t let herself be used as a rebound. The two could still be friends—I won’t be surprised if this isn’t the last we see of Inui, given that Tadano came back this season—but unlike Jim and Karen from The Office, Haida and Inui handled their relationship the exact way situations like this should be handled, and that should be applauded.

#aggretsuko #the office #meta #haida #inui #jim halpert #karen filipelli #i've always felt bad for Karen but at the same time it's like #girl. he told you he loves someone else. that's when you WALK #don't let him keep using you sis!! you're better than that!!!!#i'm glad she got a happy ending in the end tho i wish that wasn't the last we ever saw of her #though i also understand it was the last we saw of her bc of her major role on Parks & Rec #but still #anyway this is @ everyone saying Haida should have ''picked'' Inui #his heart wasn't into her. if he picked her he would've been using her #& she deserves better than that #(and she knows that. & that's why she walked. so damn proud of her)#(what a queen fr)

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grimoireofwritings · 3 years

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Ooh ooh! Dungeons and Dragons headcanons for the Eye of the Midnight Sun members please, both elves and humans!

I actually love their little group cuz I think the characters are underrated and have very interesting dynamics!! Big thanks for sending in this request, I wasn't expecting it and was overjoyed to see it. I am gonna do the members of the Third Eye obviously, as well as Licht / Patri & the other three asshole lackies that I found highly amusing. Enjoy~!

Licht / Patri :

- Ngl I don't think he would give a shit

- He really doesn't care to spend any time with the humans around him, we all find out he despised every last one of em excluding William so if he ever played D&D with a group it would probably have happened back when he was living amongst his people and wasn't busy organizing a genocidal mission

- I really think he would go for a sorcerer or rogue, he is more the clever and calculating type

- Takes the game a little too seriously and he's definitely that one guy who gets too invested in his character and feels personally offended when bad things happen to said character. Be prepared for some salty remarks if he rolls a nat one and it messes up his plans..

- Probably just wants to prove he's smart

- He enjoys dungeon crawls and combat heavy sessions, he is the brains of the group and this happens especially if he's with people who are there for the shits n giggles and they keep straying too far into chaos aka pissing off the DM

- He could maybe have potential to be a decent DM but I really don't think he would care enough to put the time and energy into a well built campaign

- Great at solving puzzles

- Personally shits on anyone who plays a human and furthermore he will only play as elves

Fana :

- Elf Fana, the hateful? I feel like she might go for an evil cleric, or perhaps a fighter. Depends on what would balance out the party dynamic more.

- Human Fana? Definitely a good cleric.. or perhaps a sweet druid lady

- Human Fana really likes playing for the social and bonding experience with people she's close to and she also enjoys the freedom and creativity involved with building characters

- She is the person who takes notes and actually pays attention to what's going on. The DM appreciates her efforts to focus on the story and plot..

- She has probably 2-3 sets of really pretty looking polyhedral dice

Rhya :

- This bitch definitely mains a rogue in almost every party

- He may also go for a ranger as a second option

- Basically the roles focusing on not getting hit.. he would rather not be troubled with taking damage so instead he will use the rogue's sneak attack function to stay in stealth mode 24/7 and remain hidden from enemies.. or just stay out of range as a distanced attacker

- He is the dangerous mf who is impulsive mostly because he definitely does not care enough about safety and would much rather be amused by making really reckless random decisions that may or may not compromise his party and their characters too

- He thinks it's hysterical

- An average roller but he makes it work somehow and even though he's not super intent about taking it seriously he's usually down for a campaign every now and again. It's free entertainment, right?

- At the end of the day though he probably enjoys it a lot more than he cares to admit

Vetto :

- Do I even have to say it

- He's going to be the barbarian or the fighter, he loves abusing the "rage" function and it's his favorite thing to do in-game whenever given the mere opportunity

- His characters actually have a surprising amount of depth and he ends up being someone who enjoys frequent sessions. He takes it on as a bit of a hobby

- He likes playing bigger, brawnier races that are either more rare or unappealing to social norms within the game's universe. He's a bit bigger than most elves so he slips that into his characters.

- He probably is the person who dies more than anyone else but it's because he overestimates what he can handle in battle and gets so excited to rage that he forgets his hit points exist

Valtos :

- Sign him tf up

- Owns all the Dungeon Master's guide books and he makes for an impressive DM

- Has a nerdy side and he takes this game so seriously, he's passionate about it and loves the creative aspect of building his own worlds from scratch

- He's good at improv and molding sessions to the players and their decisions, but may become a little annoyed if it strays really far from his planning or makes said plans impossible

- If he's a player he's definitely a wizard

Sally:

- Sorry did you mean bringer of chaos?

- Probably a DMs worst nightmare

- But with the right party that might help steer her back on track and keep a little more order within their adventures, she can be a good asset to the team with those outside-of-the-box ideas of hers

- She is open to ideas with class and race for her characters but would gravitate towards bards

- Definitely a dice hoarding goblin

- Obsessed with the click clacking math rocks

- She's a very lucky roller usually

- Good at puzzles and problem solving. Sometimes she can really surprise the party with what she can do and she has her moments of glory

- Unfortunately she will make sacrifices, such as a teammate taking severe damage, if she believes it will solve an obstacle or in her eyes, be for the sake of good results... Or a fun possible outcome

- Not the best at communicating during combat

Rades Spirito :

- Not very fun to play D&D with honestly

- Refuses to play anything other than a warlock or necromancer

- It's because he is that one dude who projects wayyyy too much of himself into his characters and it's basically a glorified self insert

- He is not a team player and he's got a very narcissistic approach. Gets butthurt way too easily, and just all around he's invested for all the wrong reasons

- The dungeon artificact you all looted that fits with your character way better than his? Too bad. It's his now

- Hoardes anything good he finds and won't share party loot or gold

- His rolls are cursed. Most commonly ends up between 1-10 with his D20 rolls and that's even worse considering how emotionally immature he is in response to crappy situations

- Don't invite him to your campaign lmao

#black clover scenario #black clover #scenario #imagine #eye of the midnight sun #patri #licht #patolli #sally #valtos #rades spirito #black clover rhya #rhya #fana #fauna #vetto #dungeons and dragons #headcanons

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countessofbiscuit · 4 years

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What are your Bobasoka headcanons? I've already gone through all of the (criminally little) fic on ao3 and I especially loved Smothered and Covered, and I saw the majority of the fics in the tag were gifted to you so I'm assuming you're the OG shipper. Feel free to essay if you like!!

Thanks for the ask and kind words about that fic :3

Oh, Bobasoka … where to begin? It’s a pairing that’s been bumping around in exchange requests for a few years — I figure it’d be easy for anyone invested in Ahsoka’s relationship with the clones to be compelled by the idea. Lledra used to draw Boba and Ahsoka interacting, and it was probably a few panels of their incredible Destinies comic that set my Bobasoka wheels turning. I’m also drawn to them because their journeys traverse so much canon; there’s not just a sandbox to play in, but a whole goddamn stretch of beach, stretching far out into the horizon ... (#AhsokaLives #BobaSurvived :D)

I have to lead with the proviso that almost everything I write/daydream about/headcanon has a groundsheet of Rexsoka. Ahsoka’s interest in Boba, in my head, is intimately tied up with her attraction to and/or relationship with Rex — or, at the bare minimum, her intimate fellowship with the clones. She went through puberty (maybe with heats!) surrounded by a literal army of handsome, roughly college-aged dudes; that must’ve been a heady mix of heaven and hell. If she didn’t quench her thirst before war’s end and her (eventual) separation from Rex, she’d probably be pretty dehydrated when stumbling across Boba. As for Boba’s attraction to Ahsoka, well ... she’s very pretty, she’s potentially useful, she’s not likely to skewer him in his sleep (+2) on account of being a Jedi (-1), and now she’s the one down on her luck; if he falls in bed with anyone, why not this girl who isn’t afraid of him and stares a lot at his lips?

And Boba is like a hot shipping potato — satisfying, hard to fuck up, goes well (read: makes for an intriguing story) with almost everyone. And I think it has everything to do with his liminality, something he shares with Ahsoka and probably recognizes.

Their neither-this-nor-that-ness overlap in such interesting ways, and they each bring their identity issues to the table — Ahsoka as an on-again, off-again Jedi; Boba as a clone who isn’t a Clone™, a Mandalorian by birth and bearing, but not by the book. At different points in their stories, they identify as different things, and that would affect their headspace and color their view of the other. They wrestle with themselves and each other. Force-user and bounty hunter; privileged topsider and orphaned juvenile delinquent fugitive; GAR commander and outcast clone; Jedi and Mandalorian; Disillusioned veteran and disaffected army brat; Rebellion agent and Imperial contractor.

And as much conflict is baked into these dynamics, it also generates a certain magnetism; and I believe they recognize, on some level, their shared trauma and the symmetry in their experiences. Boba and Ahsoka both have happy childhoods with very little to distress or vex them (beyond the art, I do not jive with Age of Republic: Jango Fett, a Disney-canon comic that not only doubles-down on the Jango-wasn’t-Mando nonsense, but shows him being rather cavalier about Boba’s life); Geonosis happens and their adolescent lives are dominated by war (which is how they came to actively threaten each other as space!secondary-schoolers — whaaaaatf!); they are both dubiously (even wrongfully) imprisoned; and they both suffer alienation and incredible personal loss.

Boba was set apart from the clones before he was even pulled him from the jar, othered and elevated from the beginning. He never bonded with brothers, he does not identify as a clone. And while there are examples of clones making overtures to him, canonically his relationship with them is fraught and probably made worse when he gets banged up in Republic Central at the tender age of eleven or twelve — and of course, Ahsoka is an accessory to this, the second chapter in his tragedy at the hands of the Jedi. He needed help (whether he wanted it or not), it was not given by clones or Jedi alike (hamstrung by bureaucracy, sure, but surely some other means of intervention might have been lobbied for?), and Boba becomes a right teenage disaster, well-balanced only in the sense that he has a chip on both shoulders.

(n.b. Putting my RepComm hat on for a second, I can’t help but sniffle-laugh at the idea that the Alphas watched him get thrown in a maximum-security slammer and were like “Ah, there he is, the feral vod’ika. First time, we’ll let the little snot earn his stripes. Second time, we’ll bust him out and send him on a tough love retreat with A’den or Jaing.”)

Ahsoka, meanwhile, is part-and-parcel of the institutions that Boba sets himself against, even after she too has been cast out by circumstances beyond her control. She grows up in a supportive Jedi community and then spends some seriously formative years with a whole slew of brothers — brothers that should have been Boba’s!

Boba, on the other hand, is a great example of the proverb that a child who is not embraced by the village will burn it down to feel its warmth. (As he tells Hondo, “Why should I help anybody? I’ve got no one.”)

The resentment that must create! But also, later, the quiet empathy too — maybe when Boba’s having one of his better days and Ahsoka’s obviously not.

And all of the above is interesting enough, without also touching upon the wildcard that is Mandalore.

Boba’s relationship with Mandalore .... well, that’s contested in- and out-of-universe and I won’t allow myself to essay overmuch. I subscribe firmly to a Mandalorian Fetts construction of canon, even though Boba must be someone who struggles mightily with Mandalorian identity. He’s raised by a bona fide Mando, a solicitous, loving father who’d have no reason not to pass on his language and beliefs; but at the same time, it takes that village, and when Boba’s clan of two is shattered, he has no one else. The loss of his dad unmoors him from his only anchor to Mandalorian culture and clan.

If Boba had been close to the Cuy’val Dar, one would think he’d have turned to them rather than fall in with Jango’s criminal acquaintances; or maybe the bounty hunters just scooped him up first, and troubled lil’ Boba was shepherded through bereavement by folks who enabled and encouraged him to externalize his anger in a way that gave him a (false) feeling of agency and strength.

Whatever the reasons, Boba does not repatriate himself to Mandalore (much to Fenn Shysa’s melodramatic dismay). He strikes me as a lapsed Mandalorian; he doesn’t exactly follow the creed besides wearing the armor (scavenged? his dad’s sans helmet? canon is confused on this point, but he doesn’t go Mando until the unfinished arcs at the end of TCW, either for lack of stature, lack of armor, or lack of enthusiasm). I feel like if someone rocked up to Boba in a cantina and had the balls to ask “hey, so you a Mandalorian?” Boba would be like “<ominously slow helmet tilt> who’s asking” and never give you a straight answer.

Meanwhile, Ahsoka gets a crash course on Mandalore from none other than someone who, at one point, belonged to a sect that wanted to expunge Jaster’s legacy from the galaxy — and at the very least, had reason to dislike clones. This isn’t the place to explore my Boba/Bo-Katan feelings, but know that they are fathomless, and I would pay good money to be a fly on the wall of that Kom’rk when Bo-Katan gives Ahsoka Mando History 101 with her own special sauce. Ahsoka is probably more up-to-speed on Mandalore than Boba, and at one point, she may even own more beskar than him! (n.b. After the crash, I think one of the first places Rex and Ahsoka bounce is just inside Mando space, to scope out the Sundari situation and maybe try to scramble a signal to Bo-Katan; she’d have the goodwill to at least get them back on their feet if she can’t help them lay low herself. For a variety of reasons worth maybe ficcing down the line, they aren’t successful.)

I don’t really have a concluding statement except, I just think Bobasoka’s neat :) They hit all my depressed-Millennial buttons.

Headcanon by bullet-point isn’t really my style, but this is tumblr so ... tl;dr:

They recognize a lot in each other, even if they’re slow to admit it, if ever. Boba’s a cagey bastard and Ahsoka doesn’t ever like him enough to be emotionally honest.

They bump into each other during Ahsoka’s walkabout(s) ‘cause Coruscant’s Underworld ain’t big enough for the two of them. Without Slave-1, Boba couchsurfs at Nyx Okami’s garage, but he does his laundry at Rafa’s. He might even borrow the Martez’s new, useful friend for a job or two.

Ahsoka eventually matures enough to be sensitive about her use of the Force on and around clones, and she definitely doesn’t use it around Boba. Definitely not during sex.

Boba is privately weirded out every time Ahsoka uses Mando slang she picked up off the clones or the Nite Owls.

Boba absolutely kills Cad Bane in that shoot-out, keeps the hat, and lets Ahsoka have it. She shoves it out the airlock and uses it for target practice.

So many great smut flavours! Hatesex. Acquaintances with benefits. “You’re traumatized and touch-starved and you look just like him/them, and I know how to be gentle and what to do, so maybe we could … ?” They’re both privately comfortable with their bodies and sexuality, but Boba’s got trust issues a parsec long and Ahsoka’s lost confidence; it’s always an awkward affair, but desperation wins out.

They exchange comm codes every time they run into each other, which is kind of pointless because they both use burners.

Ahsoka hitches a ride on Slave-1 more than once. There really is only one bed, so it’s either sleep upright, sleep in a pokey prisoner hold, or sleep with him.

For a few years, Boba can pass as a last-generation clone — the ones that got sold off in bulk units to slavers before Kamino sunk another three years’ food, board, and training into them. Boba pretends he doesn’t notice, easy to really, since he tells himself his helmet is his face. But occasionally, when Ahsoka can convince him there’s profit in it, he agrees to play sleeper agent and assists in liberating a few here and there.

They don’t talk about Aurra Sing.

When an Imp really crosses him, Boba passes on intel to Ahsoka to ruin their day.

Once, when they’re both super skint, Ahsoka volunteers to get handed in to some relatively minor and out-of-the-way Imperial garrison, so Boba can collect, bust her out, and split the pot with her. It’s the closest she ever comes to telling him “I trust you” — and when he brushes the idea aside, citing something about risk, it’s the closest he ever comes to telling her “I love you.”

Boba sees Inquisitors as muscling in on his game. There are so many lousy Force-users around nowadays, it should be easy pickings, but Inquisitors get privileged information. So he makes sport out of misdirecting them, especially from Ahsoka.

When he pisses her off, Ahsoka fantasizes about Bo-Katan taking Boba down a peg or two while she watches :)))

Boba experienced Ahsoka’s heat once, secondhand through a cabin wall. He thought he was being clever by shooting Rex up with some Nevoota stim pollen, locking him in with Ahsoka, and hijacking their locked ships. Longest three days of his life, limping on broken hyperdrives and shared fuel stores to the nearest waystation to a soundtrack of violent lovemaking : \

Bounty hunters invariably bump into spies and agents because they work in the same areas. The agents pretend to be bounty hunters, eccentric business people, sex workers, or a range of other things. Sometimes each party knows all about the other, but it’s only polite not to mention it. This happens to Ahsoka and Boba A LOT, especially once she becomes Fulcrum; rebel cells and Imperials often want the same people. Occasionally they exchange fire. A couple times Boba gets imprisoned in Ahsoka’s own brig. Once, Boba blows her cover and definitely lives to regret it.

(this essay was originally punctuated with pics, but replies with images won’t show up tumblr tags so ¯\_(ツ)_/¯)

#bobasoka #boba fett #ahsoka tano #rexsoka #the clone wars

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missizzy · 3 years

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It’s Never Easy

Thursday was a crazy day for our family for reasons I'm not inclined to talk about here. Suffice to say that by the time I sat down to Critical Role that evening, it felt like it whatever happened in that episode would be a lot less important in the grand scheme of things. And it is.

But even so, I had to watch the sinking of the first ship in this show I ever got attached to, one I had even managed to get more invested in recently despite being pretty damn sure it wasn't going to be in cards. I've had to spend the days since letting go, even restricting my movement on social media and staying off Discord, because I don't want to turn bitter over this one, and there was too much chance I could've if I read too much of the wrong thing. It could've been much worse. I've survived what was likely deliberate torpedoing of ships by a spiteful producer(he even spoke of "surprising" the fans; he knew what he was doing), though at least I'd had the sense to stop watching anyway by then. More recently, I watched one of my favorite ships, built up for in previous movies, be tossed aside for Joss Whedon's ego, even as his writing did one of the two characters significant damage. Honestly, if I wasn't so stuck on Widojest, I probably would be greatly enjoying this whole Fjord/Jester thing. It's being done in a way that respects both characters and their emotional evolution, I imagine it'll even contribute to that, and noone can deny the adorability that's come along with it, both within and outside the actual story. I may well get on board completely, with time. But right now? It still hurts. And it's going to hurt even more in episodes to come, watching Caleb suffer. (Unless he can perhaps move on to Essek, but face it, the latter definitely needs to show signs of redeeming himself first.) There's a reason I've always hated love triangles, even ones that make sense emotionally. (I might also go for an OT3, but there's no way that's happening in canon, if only because if Travis reacts like that just to romancing his wife's character, he could not be comfortable with something far more complicated than that.) Also could Beau and Yasha please just kiss already? That will probably make all of us way happier. I know I'd feel way better if I at least got one of my ships.

#critical role #the mighty nein #widojest

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depressedoverdrawings · 4 years

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Can you hear the tumult of our youth?

KazeKi is the first romance I’ve ever enjoyed, or rather, that I emotionally connected with, as “enjoy” is a funny word choice for a work that made me feel so miserable. Personally, I’ve never enjoyed media that focuses on relationships and love, were they movies, TV, or literature.

But after I discovered KazeKi, I found myself drawn to it, almost involuntarily so. It was as if a spell had been cast. I suppose what superficially drew me in, at first, was the art. It had the charm of retro manga (I absolutely love retro manga/anime looks, IMO they have so much more character than most modern anime and manga), the nostalgic elegance of the idealized upper-class XIX century, and the unrelenting beauty and cuteness of all the boys.

It was mildly surreal and highly entertaining to witness the seed of so many shounen-ai visual tropes: The flower motifs, the flowery poetry, the impossibly pretty boys in dramatic embraces and breathy kisses, the aggressive frenchness of it all. Even it was shocking to me how these elements, instead of striking me as the tired, sappy tropes I saw them as, were now all genuine and beautiful, somehow. Even those silly sparkles around pretty boys seemed fitting. I realized these weren’t tropes back then, but elements of a sincere artistc vision. However, while the art was mesmerizing to me, I came to realize that what drew me in deeper, and kept me anchored to KazeKi, were the themes explored, and the character-based drama, the very stuff I had always avoided.

Without getting far too personal about it, Kaze to Ki no Uta was the first romance that struck something within me, somewhere personal. Now, I certainly have never faced trauma and pain anywhere near to what poor Gilbert and Serge face in their absurdly depressing story, but I definitely wouldn’t call myself emotionally and sexually resolved and healthy, and once upon a time I was a closeted boy in a catholic school, so I guess there’s space for a little bit of self-identification. My coping mechanism to my personal woes had always been to just bottle them up and distract myself with entertainment and art. And that was exactly what I was doing, browsing music on YouTube, when I stumbled upon the KazeKi OVA’s soundtrack.

I found myself listening to this gorgeous arrangement of a Chopin piece, and thought to myself, staring at the angelic figure looking back at me, across the screen: “Gee whilikers, that’s sure is a pretty drawing of a pretty girl”. Then, after reading the comments, I found out that was a boy. As much as the “draw a girl, call it a boy” school of drawing pretty boys makes me groan, I could still feel it, that first hook of interest, stabbing me. As the slideshow enticed me with pictures of Keiko Takemiya’s gorgeous art, I found myself enamoured by it. It was a particular drawing that made KazeKi finally snatch me: that same boy, lounging angelically on some sort of abstract architectural design; in the background, a neoclassical vase flanked by two neoclassical girls, and, above and below, this stunningly beautiful vegetation. So much care, skill, and good taste, concentrated in just one image! I’d have it as a poster, if I could. So, I googled “Kaze to Ki no Uta”, unwittingly throwing myself in a rabbit hole I could not have prepared myself for. Trying to read it was in itself a journey, but, to sum it up: I managed to read it about as well as one can, if they don’t speak japanese and have no access to the spanish and italian translations.

It had been years since I had started feeling emotionally numb. My most extreme displays of emotion came in the form of quiet, teary eyes, reserved for those rare, impactful pieces of art, and those rarer moments of despair-inducing introspection that I couldn’t manage to suppress, but even those lasted little, as I fought to recover my composure. By the end of Kaze to Ki no Uta, I was a sobbing wreck, doing my best (and failing) to contain my ugly crying. Ugly crying, for god’s sake. I was ugly crying, actually sobbing like a kid, because of an yaoi manga. Crying in the shower, even! What kind of weeb had I degenerated into? It hurt. It deeply hurt, in a way I hadn’t been made to hurt in a long, long while. KazeKi had impacted me to the point that I wasn’t just sad, I was scared too, as the waterfall of emotion opened the path for that deeper, personal darkness to come out. And it did.

Now, I admit I’d been a little bit more emotionally fragile than usual right before I read it, due to the effects of the quarantine and the previous consumption of a highly depressing piece of media: Les Amitiés Particulières, which is probably even more depressing than KazeKi as it deals with a much more grounded homophobia-induced tragedy based in real life. Somehow, it didn’t impact me as much as KazeKi, however. Also, it was definitely what influenced my personal YouTube algorithm to recommend me the KazeKi soundtrack, so I wouldn’t know of KazeKi if it weren’t for Amitiés. But even then, it felt unnatural to, well, feel so much. I hadn’t felt this invested in and attached to fictional characters ever since I was a little kid, too young to realize those people in the TV weren’t real. In the following couple of weeks, I was crying over these boys, spending whole days feeling like trash, feeling mild anxiety spikes whenever I remembered about KazeKi, having (even more) difficulty falling asleep, and utterly failing to avoid thinking about my deep-seated intimate issues, all because of these dumb, pretty anime boys. Not even my trusty prayer of “they’re not real people, stop being stupid” worked. In an attempt to stop wallowing in this shounen-ai hell, I decided to consume a whole lot of escapist media while I deliberately avoided any activity related to KazeKi, be it reading the manga, listening to the OVA’s soundtrack, looking at fanart, or even just thinking about it. It “worked” for a month or so, but now I’m back here, wallowing in KazeKi’s painful beauty again, stalking the other seven people in the western world that seem to care about KazeKi, and distilling my thoughts in this bizarre textwall, in an attempt to work it out. If you’re one of those seven people, please don’t refrain from talking to me, if you feel like it! I’ve had just one opportunity to have a conversation about KazeKi, and it was in YouTube comments, for heaven’s sake. I’ve come to the conclusion that I’m this afflicted by KazeKi due to its unrelenting, merciless, cruel beauty. Everything about it is presented in this assembly of pure beauty and lost perfection, this painful nostalgia that is present in its aesthetics of an idealized Europe which lives only in its surviving art, that is present in the story which ultimately tells us of the loss of love, and is present in the fact that the whole story is a broken man’s reverie about the past. Tragedy might make me sad, but tragedy with beauty will destroy me. Bittersweetness is just so more cruel than bitterness. And it was this masterpiece of sadistic bittersweetness that permanently broke something in how I deal with my emotions. Kaze to Ki no Uta touched me deeply, to the point of leaving a permanent impression, I’m afraid. I can count in one hand the pieces of art that have punched my soul in the face like KazeKi did. I am honestly flabbergasted over the effect it had over me. At first I felt embarrassed over being emotionally obliterated by a freaking shounen-ai, but I’ve since come to the conclusion that KazeKi is a work of art, a genuine, sincere work of art, deserving of the title. Now I just hope I’m not alone in being emotionally obliterated by this freaking shounen-ai. After everything they went through, the personal fights, the shaky development of their relationship, the undeserved ostracism at Lacombrade, Auguste’s demonic persecution, the escape; how could it be that Gilbert’s life would end in such a horrible way, and that Serge would be left alone to face the full, unbearable weight of his grief! Why?! Keiko Takemiya, you’re a vile sadist. You’re a genius, too, of course. But you’re a vile sadist.

I knew that a happy ending wasn’t going to happen. The horrible ending was a pretty early spoiler, really. Unfortunately for me, I couldn’t stop myself from reading on anyway, and I couldn’t stop myself from having an inkling of illogical hope. Even if my logical self knew a happy ending wasn’t gonna happen, it couldn’t prepare me for just how tragically their love would end, and how awful it all would feel, once I knew their full story.

It’s all the more bitter because of how close Serge came to saving him, too. Having escaped together to a place where they could’ve built the nearest thing to a normal life a gay couple could have, back then. But in the end, not even Serge’s love could mend Gilbert’s mutilated soul. Those boys deserved so much better, especially Serge. Serge, you sweet angel! You were created to suffer.

KazeKi really is a masterpiece in how it explores its extremely heavy themes and the minds of its characters, and how it flawlessly meshes that with perfect art. There are many moments in KazeKi that haunt me: Serge letting that bird go, Serge’s vision of Gilbert at the Lacombrade grounds, Gilbert running into the carriage, angel wings behind him; Serge laying alone on the bed in Room 17. I cannot look at those pages without tearing up and feeling this horrible feeling in my heart, and this feeling is literal: My heart actually feels heavy and constricted when I think about it, it can’t be healthy. Up until now, I thought “cri evrytiem” was just a meme. KazeKi has woken me up to the fact that bottling up one’s own personal issues will inevitably end with them exploding out, leading to something much, much worse. I am scared by the prospect of facing my personal issues. To me, they are horribly strong, and seem incredibly hard to solve, if they’re even solvable at all. I’m horrified by the prospect of facing them, working to solve them. I’m so scared, that simply thinking about it, right now, gives me this awful weight in my chest, and makes me want to cry, again. But I know now that I have no choice in this matter, as the only alternative is that abyss I dare not speak of, and one cannot return from. Melodramatic? Yes. But I did just read Kaze to Ki no Uta.

Thank you for getting this far, whoever you are.

I’m forever haunted by Serge’s words to his long-gone Gilbert, right at the beginning:

“Gilbert Cocteau, you were the greatest flower to ever bloom in my life. In the faraway dreams of youth, you were a bright red flame, blazing so fiercely… You were the wind that stirred my branches. Can you hear the poem of the wind and trees? Can you hear the tumult of our youth? Oh, there must be others who so remember their own days of youth…”

#kaze to ki no uta #the poem of the wind and trees #rant #shounen ai

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roxannarambles · 3 years

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Firewatch Review: Where There’s Smoke

This is a repost on a new blog. The original post was on Mar 4, 2016.

Contains major, major spoilers including endgame. Do not read if you haven’t played!

When I first started into this game I thought it was a horrifically depressing introduction. It opens telling a tale of a man and a woman who fall in love and it’s a lovely story and then the woman falls ill from a rare hereditary disease and slowly gets worse and loses her career and the man loses the wife he knew and struggles to care for her and it’s fucking awful. Then the game opens with the man– you– taking up a summer job in a park near Yellowstone. He’s done this to get away and have some time to think about his life.

He works in a watchtower. Lone rangers station in these towers to watch the horizon for signs of fire. He has little to do but keep an eye out and sit alone in his station up there. His only company is his supervisor, in the nearest watchtower over, whom he speaks to via walkie-talkie. (these are the days before cell phones) Her name’s Delilah.

All I was really told about this game is that it involved exploration and was story-centric. And that’s an accurate description. And while it starts off with a rather depressing backstory, the main part of the game is not all bleak and bleary. It is a story about the interaction between Henry and Delilah. There is a mystery plot involved in the game as well; the game starts off with small park dramas and tasks to ease into things, then develops a mystery, which eventually gets rather intense. But entwined with this mystery story, always central and foremost, is the character-driven plot of these two.

The voice acting is fantastic, and the writing is excellent, so it carries well. Dialogue writing is certainly not everyone’s strength, but the writers here did a very good job. The two characters have excellent chemistry; it flows naturally and is very enjoyable. The quips and interactions are fed in small bits steadily throughout the game as you explore, providing an enjoyable regular stream of interactions. It’s a satisfying blend of exploration and conversation.

The game is atmospheric and beautiful to look at, and that’s not something to dismiss either. Those factors really do add something special to a game.

And here’s the thing. I fell in love. It was such a compelling story. And the characters felt so real. I found myself deeply engrossed in the mystery and unable to stop. I found myself deeply emotionally invested in the characters and I truly cared about them. They were relatable human beings. And I loved Delilah. She was the light in the dark. The beacon in the middle of the loneliness. My lighthouse; my watchtower. Quippy, caring, flawed, human. I shared my troubles with her, and she listened.

Early on in the game, one of the conversation responses caused Henry to say something that annoyed Delilah and kinda offend her a little. I had accidentally overheard a phone conversation she was having (she left her walkie-talkie button depressed) and it sounded like kinda maybe she had been talking about me? So I asked her, were you talking about me? She was confused and surprised at the accusation and no, it had just been a conversation about work, and besides, was that really any of my business?

So the good mood killed, she stepped out for a while and I couldn’t talk to her anymore on the walkie-talkie. ‘Cause she was annoyed and didn’t feel like talking. And the thing is– I felt so bad. Like, I really felt sorry and wanted to apologize and felt I’d been a bad person for accusing her of that, and I wanted her to like me. And I didn’t want to be left alone. It was hauntingly quiet, unlike the rest of the game, when Delilah wasn’t there for company. I think this plot point was especially effective because it was in the middle of what had been at that point the deepest conversation we’d had so far, and we had been really bonding and sharing. But now I’d screwed it up.

Eventually Delilah forgave us for our rude question. And I cannot tell you how much of a relief it was. Heck, I thought I’d lost my chance and it would never be brought up again and I’d never have a chance to apologize, but she brought it up later. (She actually apologized for being so snappish over it, and said she knew what it was like to get too lost in your own head out there and start imagining things.) I felt so much better knowing we were cool again. It was that delicate part of a budding new friendship, you know, and I didn’t wanna mess it up. I really commend the game for including the callbacks to previous conversations. It enhanced the feeling of history between us and internal consistency throughout the story.

There have been many people online complaining about the way the game ultimately ended. In my humble opinion, those people are missing the point of the game. Indeed, with games like these, that have a somewhat open-ended conclusion (and there’s plenty of stories that fall into that category), how you interpret the ending and its meaning says a lot about the person who played the game. The whole point of an open-ended conclusion is for a person to think and draw conclusions, after all, but many people seem to fail to realize this.

One game that comes to mind is ‘Presentable Liberty,’ a game that you spend in a prison cell for the vast majority of the time, reading letters that are delivered to you. It had a very open-ended and nebulous ending. But that game made so many people think, and I think Firewatch makes you think a lot too.

I won’t lie, of course; I do somewhat understand where the critics are coming from. In some ways the ending did feel anti-climactic to me. It felt like it was possibly building up to something and that payoff never came. Yet … that experience in and of itself was fascinating to me.

Let me explain in detail. First of all, I reached the conclusion of the mystery plot. Plenty of people bitched about this online as well, but I loved the way it concluded. The plot was suggesting a very exciting but rather typical video-game story where a government conspiracy was uncovered that was studying human subjects (perhaps a psychological study of the effects of isolation in people), and Henry and Delilah were the subjects in these nefarious privacy-violating experiments. However, this “plot twist” of a secret government study ended up being a false twist. Instead, the story ended up in a less typical direction. As it turned out, the group of mysterious people behind all the spooky hijinks wasn’t that at all … it was one man. One lonely, desperate man living as a hermit with a tragic, awful secret he was hiding about an accident during his job as a fire watch. It was our fears and paranoia that had conjured up this imaginary, yet very real-feeling plot of conspiracy and subterfuge.

And I loved that. I loved that it was something driven by a simple lone man who was guilty and afraid. I loved that was the explanation, that it was something so prosaic rather than fantastic and fanciful. Like the best horror stories are about man as being the worst monster instead of werewolves and vampires, this showed the best mysteries were about human loneliness and desperation and guilt rather than complex conspiracies or extraordinary mojo. Indeed, you felt bad for the man who had been unintentionally tormenting us this whole time.*

After this conclusion to the mystery plot, hot on its heels– literally, because you were being chased by the spreading wildfire– was the conclusion of the Henry/Delilah plot. I was rushing out of there to rendezvous with a rescue helicopter so I could escape my post before fire consumed everything. They landed near Delilah’s watchtower, before I had made it to the rendezvous point– I’d been busy tracking down the ending to the mystery. She told me the helicopters would make another pass for when I got there, but … she might just leave now since the current copter was there.

“Wait for me,” I said into our walkie-talkie. I wanted to leave with her. Together. She was very reluctant when I begged this of her. But she finally relented that ok, ok, she’ll wait. I hollered I was on my way. I rushed as fast as I could.

I finally reached the spot– it was Delilah’s watch tower. The point in the distance I had always gazed upon but never had been to until now. But something didn’t feel right as Delilah was oddly silent on the walkie.

I entered the empty watch tower. I saw a small sign, “Pork Pond” attached to her wall and smiled faintly. I *knew* she had that sign. I put on the radio headset and called.

Delilah answered, in a tone that made it clear she knew I wouldn’t exactly be pleased to be listening to her voice over the radio waves yet again instead of seeing her standing there. She asked me not to be mad.

“I’m not mad, I’m just …”

“Disappointed?”

And yes. I was. That was it exactly.

It hurt. I genuinely felt sad and hurt that Delilah had left without me. It felt like she abandoned me. She stammered about having not want to meet me in the shadow of that poor dead child I had just learned about, but … it still hurt. After all we’d been through the least she could have done was waited. And you’ve no idea how much I had wanted to finally meet Delilah in person, dang.

But I pondered it after, and it made a lot of sense, her actions. She had been afraid to meet me in person, I think. It would have made the whole thing even more real, you know? If it was just over the walkies, fine. But … in person would have made it too real. Delilah was afraid of getting attached. Not just because she had had her heart broken by her long-term boyfriend and was afraid of getting close again to someone, but probably for more practical reasons too. Henry was still married, for Pete’s sake, and in a very complex situation with his sick wife. Any smart girl would want to avoid getting involved with a guy who’s still married. So her early departure and lukewarm response to me asking for her to come with me back to Boulder, well, it made sense.

As much as it had hurt for her to not wait, I understood and forgave her for it. In a way, I suppose, it may have made it easier for us both not to face the anguish of a relationship not working if we never saw each other in person to begin with. But … fuck. Had it been me, I would have wanted to see her in person anyway. I would have asked her to wait. At least for a goddamn hug.**

We spoke on the radio as I waited for the helicopter to swing back around to pick me up. We talked about our future plans. We both didn’t know what they would be. Delilah thought I should go back to my wife and do my best to make things right. Somehow.

And it ended once we were pulled into the helicopter.

People online whine that this ending was a 'cop out,’ not a real conclusion. I don’t believe that. I think the entire point was that feeling of uncertainty about the future and that missed chance at getting together with Delilah. Life is uncertain so often. We don’t know how to fix things, what to do, and what things mean. It’s our search for meaning that is so valuable. This game was a reflection of life experiences many can relate to. Not necessarily all the details– a wife that fell ill with premature dementia– but the general themes? Absolutely. This story is about people struggling to cope with loneliness, seeking to connect with others, struggling to deal with hardships in life, seeking purpose and meaning, seeking direction. And it does not provide solid answers at the very end, but that’s OK. It doesn’t have to. It’s OK if the players can provide some of the answers. Sometimes asking the questions is as valuable as providing the answers in a story.

And yeah, sometimes the guy doesn’t ‘get the girl.’ Sometimes relationships don’t work out. (Especially if the guy is still married and needs to deal with some shit before either staying with his wife or breaking up and pursuing something else.) That doesn’t mean our connection with Delilah that summer didn’t have meaning or purpose or value, just that … such things don’t always have a future as a long-term relationship.

I earnestly believe the ending to this game was fine as-is. I might even say it was a perfect ending. Although I admit I desperately wanted to meet Delilah at the very end***, I’m pretty sure my sense of diappointment and feeling of sorrow at not seeing her were kind of exactly the point of the story. All in all, it ended on a tone that was sad and nebulous, but not deeply depressing. There was still a sense of hope about things, and I think that’s important.

(Amusingly, much later I learned there is an option at the very end to NOT enter the rescue helicopter. It leaves without you if you wait long enough, implying suicide of your character Henry. Much darker option than the one I describe above. But again, in stories like these, it depends on player’s reactions, input, and interpretations too, and fortunately most do not have quite that bleak of an interpretation of the tale– and quite that bleak of a choice.)

So many of us sit alone in our own watchtowers, isolated, searching for any meaningful human connection we can come across. I think the themes of connection and isolation were masterfully explored in this game. You really fuckin’ felt it, you know?

And to me, it’s noble. That human beings stand in this intense loneliness but continue that search, and they sometimes find somebody. It may not always end well, but that doesn’t mean you should stop the search and that you won’t find another. Or even rekindle old flames.

Either way, you shouldn’t stop searching the horizon.

————–

Footnotes:

* That’s not to say the dude wasn’t guiltless in his actions. I think it was rather awful of him to just leave his poor kid’s body down in that hole instead of facing up to what had happened, going home, letting people and loved ones know what went on, etc. Also pretty stupid of the guy to pressure his son into doing that dangerous rock-climbing when the kid didn’t have the skills. But, ya know, you felt bad for him too.

** I should note, I have no idea if Henry should break up with his wife Julia (& tried things out with Delilah) or not. I had no opinion on it because who knows? Choices like that are friggin’ complex. Seriously.

*** And yes, I realize the game never had a model for her character anyway, so from a technical standpoint it would have been impossible, but it’s best to use in-story explanations for events, not technical explanations.

#firewatch #game reviews #mystuff #spoilers

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minijenn · 4 years

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Random Keys/UF Crossover Ideas

Because I’m torn between both of my projects right now and I hate myself, here’s something that’ll only really appeal to the very niche audience of people who read both Universe Falls and Keys to the Kingdom. Basically its a list of somewhat spoilery (for Keys more than UF) headcanons of what it might be like if the Gravity Falls world scheduled to be in Keys was a Universe Falls world instead (in the sense that it still takes place in Gravity Falls physically but like... its set in the universe of Universe Falls (oy I’m explaining too much lemme just start rambling off the random ideas that have been popping into my head over the last several days of this hypothetical crossover of my two stupid fanfics):

For reference’s sake, on the UF end of things, this would take place somewhere around the middle of arc10ish, pretty close to Weirdmageddon as the GF world in Keys is gonna take place pretty close to Weirdmageddon too.

For Keys, the trip to this world would still take place in the same spot the GF world does, so semi close to the end of the story, as one of the last Disney worlds of the fic (guess it wouldn’t really be a “Disney” world here but ehhhhhh)

Guess I better give some context about what’s going on in each fic around that time; UF’s is easier to do so we’ll start with that; basically without spoiling a certain upcoming arc ender too much, during arc 10, everyone’s sorta frazzled what between all of the interdimensional travel, worries about Bill coming back and causing chaos, worries about the Diamonds possibly getting involved in stuff, shaken by the recent revelation that Rose allegedly shattered Pink Diamond and so on (basically there’s a lot going on in the leadup to UF’s ending hahaha)

Context for Keys (again without getting too spoilery (gotta tread even more careful here) is that by this point in the story Sora is basically in nonstop Panic Mode about the whole norting thing thanks to a certain encounter with one Bald Old Fuckhead during the Aladdin world immediately before this; so Sora’s on the run from basically his entire support system cause he’s all worried about unintentionally hurting his friends (and he also just doesn’t want Riku or Kairi in particular to see what’s happening to him cause Disaster Bi).

Cont. Context for Keys cause that last bullet point was Long: Despite all this fuckin Angst, Sora’s still out searching for the Keys on his own in the hopes of securing the final few for the guardians of light before he can be fully norted and forced into handing them over to the Organization instead

Not to mention those freak relatively dark/light powers of his are alll outta whack cause he A. Doesn’t know how to control them At All and B. Is Emotionally Distraught so that’s only making things worse

And the entire gang is more or less out searching the worlds tryin’ to find Sora (he yeeted his Gummi Phone off a fuckin cliff or something just so nobody could get in touch with him smh what a waste of a perfectly good cell phone); among the teams that are out doing so include the one we’re gonna focus on here, Ven and Roxas

Back to the UF end of things, I wanna talk about where each of the Mystery Kids are at this point; Steven is sorta all over the place with, again, the revelation that his mom could have been a murderer; Dipper is hella nervous about the idea of Bill getting his hands on the Rift (even moreso after RMD cause PTSD is Somethin Else kids), Mabel is in that mindset of not wanting the summer to end so they can all stay together, and Connie is basically (as usual) the only one with any brain cells as she’s trying to hold the gang together

(lowkey spoilers for the Keys GF chapters start here) So Sora arrives in Gravity Falls, suffering from all the angsts and anxieties and whatnot and just Not Having a Very Good Time Emotionally/Mentally as he starts lookin around for the Key in the woods or whatever

But lo and behold everyone’s favorite Evil Corn Chip just so happens to be spyin’ on him, and before too long Bill makes his appearance and acts all friendly to Sora, claiming that he can basically undo the whole norting thing (which he knows all about because of course he would, this is Bill Fucking Cipher we’re talking about here)

Sora’s skeptical but at the same time he’s sort of willing to do whatever he can at this point to keep his heart from being taken over by Mr. Bald Old Fuckhead and all Bill is asking for in return is for him to nab some sparkly snow globe that he claims already belongs to him but was stolen by some local family who Bill makes out to be pretty bad so hey, why not at least give it a shot? (dumb, the kid is dumb this is something we’ve established many times over by this point)

So Sora sets out to look for both the rift and the Key (while also being harangued by Xemnas who’s the Org. baddie of the GF world but errrrr i don’t have a ton of ideas about what he’s gonna do yet so we’ll just skip over that for now and focus on somethin else)

Something else being the fact that Sora happens upon a bunch of kids being attacked by a group of Nobodies, so he swoops in to save them even though the kids already look like they’re holding their own pretty well against them (two of them are out here swinging swords around, one’s really handy with that grappling hook while another one has some sort of magical shield? Its weird??? But cool imo)

So they all team up to take the Nobodies out and following that, Sora meets and mostly hits it off with the Mystery Kids

Mabel is super hype (she kinda instantly crushes on Sora as soon as she sees him even though he’s too fuckin old for her); Steven and Sora radiate the same sort of Sweet But Sad energy so of course they’re best friends immediately

Connie’s a lil bewildered by Sora (who the hell goes around swinging a giant key like its a sword, that’s just not practical???) but Dipper’s distrustful radar is instantly raised for a a number of reasons, but the biggest red flag he notices about Sora by far is that his eyes are yellow (btw by this point his eyes will more or less be completely yellow and his hair almost entirely white; he usually wears his hood up to try and hide that, but it got blown off during the forementioned fight)

So the kids were out and about in the woods for mystery hunting reasons, mostly cause they were trying to cool their heads from all of the stress they’re under mentioned earlier (and cause hey, the summer’s ending soon and they gotta spend all the time they can together at this point)

However, they quickly change gears when they learn about Sora’s quest to find some magical Key and they all eagerly decide they wanna help with that cause it sounds hella rad; Dipper would likely be the only dissenter to this plan, but he’d be lowkey about it, kinda deciding to keep a suspicious eye on Sora all the while (he doesn’t really act like he’s being possessed by Bill, but ya can never be too sure nowadays...)

So they all set out in search of the Key (Sora decides not to tell them about Bill or the rift just yet, but even so right off the bat he’s basically decided “yes I’m adopting all four of these kids as my new little brothers and sisters and no one can stop me”)

So cut to the other end of things and we have Ven and Roxas who have basically only just met each other face to face for the first time (they’re both basically constantly doin that spiderman look alike meme); they’ve been more or less teamed up to look for Sora together tho, and they both got a massive guilt complex about the whole thing cause they used to be able to directly protect him inside his heart but now they can’t since they’re out of it so they’re determined to find him and make sure he’s OK

They also show up in Gravity Falls, arriving much closer to the Mystery Shack and the Gem Temple than Sora did; since its the closest thing nearby, the boys decide to venture over to the Mystery Shack to look first

After some brief, confused yet fun conversation with Soos and Wendy, they bump into Stan and that initial meeting goes something like:

Stan: Who the hell are you two supposed to be? You twins or something?

Roxas: No??? What the fuck is a twin??

Ventus, realizing that Roxas has like 0 real world experience or regard for world order at that moment right fucking there: (oh fuck oh fuck oh fuck) Ummmm YES WE ARE WE’RE TOTALLY TWINS AHAHA AREN’T WE BROTHER?

Roxas, immensely confused: What the hell is a brother??

And then Ford shows up and Roxas looks between him and Stan is just like “ooooh ok now I get what a twin is” and Ven is just like “oh my god I think Roxas managed to catch some of Sora’s stupidity after all asdkjalsdkalsd”

Anyway after all this awkward confusion is over, Roxas and Ven bring up that they’re there looking for someone, and while neither Stan nor Ford are that invested, they do offhandedly mention maybe the Crystal Gems can help

Ironically enough, the Gems happen to burst into the shack right then and there, taking refuge from the surge of strange creatures swarming outside (Nobodies & Heartless); the Gems are rather overwhelmed by them since their weapons don’t work that great on them so they’ve come to seek Ford’s help (since he’s got all those weapons and lasers and shit he keeps stockpiled)

In this Ven and Roxas end up meeting the Gems and both of them are just like :O (Ven’s lowkey like, “Aqua would get along great with these ladies, they’re total badasses just like her!”) and the Gems just kinda pass the boyos off like “yeah whatever there’s a fuckton of monsters outside meanwhile where are our kids?”

Stan and Ford are like *shrug* cause neither of them are very good at being Responsible when it comes to keeping an eye on these danger-prone kids and the Gems are just like *facepalm* “Morons” so they set out to find the kids and Ven and Roxas are like “well they know their way around here so why not go with them to see if we can find Sora too!” and so they all head out on a lil adventure

Then a whole bunch of stuff happens on both sides of the plot that I haven’t bothered to figure out; bunch of cute character interactions and whatever; insert possible second encounter with Xemnas in here somewhere where he basically shows up just to intimidate Sora but Sora’s like “no way jose, you touch any of these precious kiddos and you’ll Die”

Somewhere in here, under... some circumstances, Sora and the MK make it back to the shack but like... everyone’s gone? (cause they all went out to look for them, didn’t even leave a note, fuckin rude)

They search the house for anybody and then, on complete fuckin accident, Sora finds his way down into the basement (the portal room to be exact) and what else does he find down there but that thing Bill asked him to get (the rift)!

Though he’s a little confused about why its there (Bill did say some awful family “stole” the rift from him, but none of the MK are awful, they a bunch of Good Kids); Sora still pockets it like a desperate dummy dumb anyway and doesn’t say a word about it to the kids because he thinks they might be too innocent and young to know anything about it anyway (he’s wrong of course because much like him these kids are Traumatized with a capital T but we’ll just ignore that for now)

Still on the search for that Key, Sora and the kids head out only to run right into Stan, Ford, and the Gems on the way out; course, Ven and Roxas are still with them and they see Sora and they’re like :D while Sora’s just like “aw fuck” and runs away from his problems like always

So he rushes off into the woods and who else would show up but that Motherfuckin Evil Corn Chip again who’s like “yo kid ya got the stuff” and Sora’s just like “brb having a panic attack rn” but then he ends up obliviously handing the rift over anyway cause again he’s incredibly desperate for any way out of his current horrible situation

Of course because I’m a sap for Drama, he happens to do so just as all four of the MK show up, having followed him into the woods and ohohohoh boy oh boy let’s just say them seeing Sora just up and giving the rift over to Bill would be a Moment (well, at least for Steven and Dipper cause they actually know what the fuckin rift is unlike Mabel and Connie who still wouldn’t at that point)

So basically Bill is a little shit and takes the rift, but he can’t actually fuckin do anything with it cause he’s a physical object and he’s still intangible (or somethin like that idk I just don’t want Weirdmageddon to happen cause it would make things too complicated) so he’s like “fuck gotta find some stupid sap to possess so I can smash this dumb thing” and he nearly targets Sora (cause the kid was already stupid enough to help him in the first place so why not?) until Steven ends up being the one to fend him off using his shield

Bill shrugs it off and makes off with the rift anyway (its like... hovering or something? idk I’m running out of steam) and everyone panics of course, especially Sora cause he’s just like “well shit I certainly Fucked Up didn’t i?” and the MK are both a mix of “YOU THINK?” (from Dipper and Connie mostly) and “imo not your fault Bill’s tricked just about all of us he’s an asshole” (from Steven and Mabel)

Amidst this a bunch of lil things also happen; the Stans and the Gems show up (along with Ven and Roxas), basically everyone is immensely confused (aka those who have no idea what the fucking rift is) and alarmed (those who do know what the rift is) that Bill has what he needs to more or less fuck the entire world over

So everyone just decides to put everything aside and team up all together to track Bill down and get the rift back before he can break it (there’s a lot of heartwarming trust moments in here, mostly cause trust is like... the cornerstone theme of the GF chapters in Keys for obvious reasons)

They eventually do find him and *insert big epic battle scene here* where everyone teams up to basically beat Bill to death or whatever (don’t ask me how they be doin that if he’s intangible, again I.... I’m tired and this post is long enough as it is)

Yadda yadda yadda they beat him, get the rift back and effectively prevent Weirdmageddon from happening to begin with (which just does SO much wonderful fuckery for UF’s timeline moving forward but whatever, this ain’t about that)

Oh and during that Climactic Battle Scene somewhere there’s some bit about Sora learning to better trust others/himself that leads to him getting the world’s Key? I-I I dunno its a work in progress...

Anyway after this there’s a lot of good character interactions all around, reconciliations between the UF characters and the Keys characters, particularly between Sora and the MK (again he’s adopted these kiddos and don’t you forget it)

So with the Key in hand, Sora starts to leave and Roxas and Ven almost convince him to go back with them until *insert Big Keys Spoiler here that results in the Organization getting their hands on that Key Sora just got and also results in Sora running away again cause... reasons*

And that’s the end of the chapters or whatever idk

There’s probably more ideas I had in mind for this but I literally can’t do anymore my brain is dying

I might possibly write this for reals someday i dunno I’m stuck in two personal hells here so I might as well combine ‘em

Yes I’m aware this post leans more heavily on Keys than UF but its set in the world of UF so fuck off

Feel free to add on with any thoughts you might have about the idea

I’m tired

Amen

#jen writes #universe falls #keys to the kingdom #long post is loooooong #headcanons #ideas #who am i kidding i will literally never do anything with this idea ofther than this very fucking post #then again... i like Angst :)#and UF and Keys both got plenty of it

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yet-another-greek-myth-gay · 4 years

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Since I am currently very deeply invested in Hogwarts Mystery, I’ve been spending an inordinate amount of time developing my version of Jacob’s Sibling in my mind. I’m kind of proud of the character I created, so I figured it wouldn’t hurt to put her out there in the character universe of Hogwarts Mystery OCs.

Now, full disclosure, I’m not an artist. I don’t have any beautiful drawings attached to give you an idea of what I’m visualizing (at least, not any I drew). More or less, this is just going to be a bunch of word vomit about the character I’m crafted, and I’ll probably go back and edit it a bunch of times as I think of more details. If it isn’t too much trouble, I’d love to hear people’s opinions of her! Thank you to anyone who reads, and I hope you like her as much as I do!

BE WARNED THAT THIS CHARACTER SHEET CONTAINS SPOILERS FOR HOGWARTS MYSTERY.

FULL NAME: Helena Winifred Bancroft.

NICKNAME: Most people call her Nellie; only her mum calls her Helena. She also occasionally gets Nel, and Jacob used to call her Pip, short for Pipsqueak. Her and Rowan also had unique nicknames for each other, with Nellie calling Rowan “smart girl” and Rowan calling Nellie “sweet girl.”

DATE OF BIRTH: March 11th. She’s a Pisces.

BLOOD STATUS: Half-blood.

FAMILY: Nellie’s family consists of her mothers, a pureblooded Auror named Juliette and a muggle school teacher named Carolyn, and her half-brother Jacob. (Juliette is mum, Carolyn is mama.) Both her and Jacob’s respective fathers were muggle men that Juliette was involved with in the past, and neither are involved in their lives. The Bancroft bloodline is matrilineal, and while not necessarily famous, prides itself on producing particularly powerful witches.

BACKGROUND: She grew up in a small coastal community, where she was an avid swimmer, frequent visitor of the beach, and overall just a total water baby. Her family was comfortable financially, but chose to live fairly humbly, and Nellie was content with that. While she occasionally played with the local muggle children, most of Nellie’s time was spent either following Jacob around like a little shadow or playing with the fairies that lived in her mama’s garden. (She spent all her time telling them how pretty they were, so they tolerated her.) Unsurprisingly, she was a bit of a loner.

HOUSE: A proud Hufflepuff, just like Jacob.

DREAM: First and foremost, to find Jacob. However, in the long term, she’d really like to own a Hippogriff sanctuary and work as a breeder (with entirely moral methods, don’t worry). They’re by far her favorite creature, and she wants to spend the rest of her life working with them.

DEEPEST SECRET: That she wonders all the time if Jacob is worth saving. Growing up, he was her best friend and her hero, and there was no one she loved more. But watching how he changed in the last year or two prior to his disappearance, and hearing some of the stories at school, she honestly wonders if the loving brother she remembers exists anymore. And if he doesn’t, is the boy he left behind someone she wants to bring back?

She’s also been hiding a growing resentment toward her mum. While Jacob’s disappearance took a toll on them all, she sometimes feels like her mum’s put so much of her emotional energy into missing Jacob that she doesn’t have enough left to love her anymore, and she secretly hates her mum nudging her to find Jacob, even if it’s at the cost of her own happiness and safety.

...sometimes she wishes it had been Ben.

MOST TREASURED OBJECT: For years, it was her seashell locket, a gift she’d gotten from Jacob for her sixth birthday, with the little sculpture Barnaby made her for their Valentines Day date coming in at a close second. Now, it’s a spare pair of Rowan’s glasses, which Nellie had kept on hand since their first year, given how often Rowan misplaced hers.

WAND: Nellie’s first wand is ten and a half inches long, made of pear wood with a unicorn hair core. Her second, which she purchases in her fifth year, is eleven and a quarter inches, with an alder wood base and a phoenix feather core. Lastly, her third, which she gets after she graduates and keeps for the rest of her life, is ten and two thirds inches long, built from beech wood, and possesses a unicorn hair core.

PATRONUS: An African Bush Elephant.

ANIMAGUS: A Kooikerhondje dog.

BOGGART: Jacob’s corpse, shambling towards her like a zombie, sobbing about how she failed to save him.

BEST MEMORY: Jacob trying to teach her spells when he came home for his first break in his first year of Hogwarts. She would’ve only been five—they’re six years apart—so it’s a faint memory and she couldn’t do any of them anyway, but it was still happy enough to stick with her.

WORST MEMORY: The year Jacob disappeared, their mum mandated that he come home for breaks. (He’d been staying at school the past few years, but with everything that was happening, their mothers wanted to keep an eye on him.) He was on edge the entire time, bitter and aloof, and when Nellie tentatively tried to get him to play, he exploded at her about wasting his time. In that moment, his face twisted and red with rage, his tall, lanky body looming over her, Nellie didn’t recognize her brother at all, and that scared her more than anything. For the longest time, that was her worst memory.

Now, her worst memory is being in that forest grove, staring down at Rowan’s unmoving body, her gaping mouth and empty eyes. Even decades later, Nellie has dreams about it. Certainly, no memory will ever be worse than that one.

QUIDDITCH: After being trained by Skye, Nellie played as a Chaser for two seasons and a Beater for one, before retiring to a reserve chaser. There just wasn’t enough time, and she didn’t really have the competitive spirit for it. However, she remained friends with Skye, Orion, McNully, and Erika, and still enjoyed training with them to keep her skills sharp.

GREATEST STRENGTHS: Nellie is an overwhelmingly compassionate person. Her mama likes to joke that Nellie could spend all day waiting for a scoop of her favorite ice cream, and she’d still offer it to the first gloomy person she saw on the street. (Basically, if there’s a little pink heart next to a choice, that’s the one she’s making. Empathy is definitely her highest stat.) She never fails to go out of her way to help people, even if it’s to her own detriment. She just has a very warm energy, which makes it easy for people to feel safe confiding in and depending on her.

GREATEST WEAKNESS: Unfortunately, Nellie’s compassion is a bit of a double edged sword, and she can be guilty of stretching herself too far trying to please everyone and, subsequently, letting herself fall to the wayside. She’s also embarrassingly naive (a negative consequence to her desperate belief in the inherent goodness of people), and has a tendency to get a little too emotionally invested in things. She also stakes a lot of her personal value in her ability to keep others happy—if she isn’t capable of keeping those she loves safe and content, she feels she has no value at all.

APPEARANCE: In short, Nellie is about as far from intimidating as any one person can get. She never surpasses five feet tall, nor does she develop past her scrawny adolescent physique. Her face is round, with a little button nose and big ocean blue eyes. She’s covered from head to toe in freckles, and has a slight case of buck teeth with a tiny tooth gap, though nothing she considered worth getting braces over. She also has a scar on her thumb from the time her mum tried to teach her how to whittle. It didn’t go well.

However, her most defining physical characteristic is her hair. Curly and sandy blonde, she grew it long for the first fifteen years of her life, only cutting off the occasional inch to keep it healthy. It was very carefully maintained, because although Nellie doesn’t consider herself a vain girl, she loved her hair, which grew to reach her thighs at its longest. It was the only feature of hers she considered genuinely and objectively beautiful, and she prided herself on it. In the summer after her fifth year of Hogwarts, she chopped all that treasured hair off into a bob, her only reasoning being that it was more practical. It certainly had nothing to do with the fact that Rakepick had grabbed her by her exceptionally long braid when she’d tried to run to Merula’s aid in the Buried Vault.

STYLE: Nellie dresses exactly how you’d expect a stereotypical Hufflepuff to dress. She favors bright, pleasant colors, likes embroidery and floral print, and values comfort over anything. Her current favorite outfits both involve overalls, with one consisting of denim overalls with embroidered butterflies on the chest pocket and a white t-shirt, and the other being a pair of faded overalls that she personally painted with flowers, despite being an absolutely terrible artist, and a yellow turtleneck. She pretty much always wears a pair of light weight, embroidered boots, and is never seen without her seashell locket.

VOICE: I picture her sounding similar to AnnaPantsu. There’s a reason she was able to make the choir, after all! (Even if she ultimately surrendered her spot to Merula.)

BEST SUBJECT: Unsurprisingly, Care for Magical Creatures. Her kind nature and respect for all magical beings makes her a bit of a natural. She’s also proven herself to have a knack for Divination. She’s no Seer, but she’s pretty good at deciphering omens and swears that she does sometimes see visions in crystal balls. She’s also decent at Transfiguration.

WORST SUBJECT: Anyone would suck at Potions if Snape spent the entire class glowering at them the way he does at Nellie! It’s awfully hard to focus when your professor is breathing down your neck, staring dismissively into your cauldron like you’ve already made a mistake. She also just has a really poor memory, so any class that requires her to follow a sequence of meticulous steps is going to be one she struggles with. She also has difficulty in History of Magic for a similar reason—all of those dates and names just go in one ear and out the other.

BEST FRIEND(s): Rowan. Nellie loves every member of her eclectic group of friends dearly, but Rowan was her first friend, and will always, always be her dearest. For whatever reason, they just clicked perfectly, and completely got each other. Her death changed Nellie irreversibly. For at least a year after Rowan’s death, Nellie wore the spare pair of glasses she’d kept for her everywhere. Even once she stopped, they were almost always in her bag. Nellie was eventually able to manage again, but she never really moved on.

The runner up was undoubtedly Bill. He completely adopted her as (yet another) younger sibling, and they never quite lose that closeness, even when Jacob comes back into the picture. After all, Jacob can’t replicate the experiences Nellie had with Bill. While he was doing his part to protect Nellie as best he could, and that’s admirable, it wasn’t him that was by Nellie’s side throughout every trial she faced at Hogwarts. It was Bill, and Jacob would never be able to imitate the connection that gave Bill and Nellie.

In the wake of Rowan’s death, Nellie also develops a surprisingly close friendship with Erika Rath. They’d already been developing a friendship, but Rowan’s passing was the catalyst for them growing closer. During one of her training sessions with Erika (which Erika had told her she could sit out of, given the circumstances, but Nellie insisted), Rowan’s glasses fell off, and cracked. The damage was minor and entirely fixable, but Nellie had a complete breakdown, allowing herself to cry for the first time since Rowan had died. And Erika sat there with her, holding her tight, the entire time. While the rest of her friends were tiptoeing around her, not sure what she needed and scared of saying the wrong thing, uncomfortable in the face of such overwhelming grief, Erika took everything Nellie threw at her in stride. The fits where all Nellie could do was scream and cry, the anger that had her beating her fists against the ground and snarling threats brutal enough to make her sick, the guilt that left a hollow pit in her stomach and made her wish it had been her instead. Every ugly thought, every wave of emotion, Erika stuck with Nellie through them all, keeping her grounded her during a time where she felt she could completely drift away. It’s impossible to describe the sort of bond that gives people.

WORST ENEMY: For a while, it was Emily Tyler. With Merula, at least she has qualities that Nellie can respect—her ambition, her bravery, her fierce determination—and they’ve had a few moments where it feels like some genuine bonding has occurred. She may not approve of a lot of Merula’s behavior, but at least she can sort of understand her. But Emily Tyler is just so superficial and mean spirited, and Nellie simply can’t stand her. Now, though, it’s easily Patricia Rakepick.

LOVE INTEREST: Barnaby Lee, though not at first. Nellie housed an absolutely fierce crush on Skye Parkin for a while, but it quickly became apparent that Skye didn’t return her feelings. To Skye, Nellie was like the sister she never had, and Nellie didn’t want to jeopardize that. There was also some sort of tension going on between her and Merula in their fifth year, but nothing ever came of it. After the events that transpired in the Vault, Merula decided Nellie wasn’t worth the trouble. It’s one of her biggest regrets.

Barnaby was actually crushing on Nellie long before she had any romantic feelings for him—ever since that first duel, actually, when she completely whooped his ass while apologizing after every blow. (A scene I actually explored here.) It took a little while, but Nellie eventually fell for Barnaby’s good heart and noble nature. He may not be the brightest bulb in the box, but he never fails to make her feel cared for. He can make her laugh when nobody else can, and although she’d loathe herself if he got hurt for her sake, it honestly feels a little nice to have someone trying to protect and take care of her for once, instead of the other way around. They also both love magical creatures, so a lot of their “dates” just consist of them hanging around the Care for Magical Creatures paddock and feeding whatever they find. Random little fun fact, Nellie’s pet name for Barnaby is just to say “Barnaby dear” as though it’s one word, and it never fails to make Barnaby feel super giddy.

PETS: Whoo boy, Nellie’s pets. First and foremost, there’s Astrid, her Lesser Sooty Owl. A remarkably intelligent bird, Astrid is usually found occupying the rafters above Nellie’s head, watching over her like a worrisome mother. She usually sleeps in Nellie’s dorm, rather than the owlery, and has a habit of picking at knots in Nellie’s hair (and, surprisingly, Rowan’s as well) with her beak as though she’s trying to straighten them out.

While she adores Nellie, Astrid is notably less fond of Klepto, her mischievous Niffler. If Astrid is like Nellie’s mother, Klepto is like an obnoxious toddler, always causing trouble and fussing for her attention. He’s remarkably clingy, enough so that Nellie’s taken to hiding him in the dorm rather than keeping him in the grasslands. (She can’t help it! He throws a fit if he can’t sleep pressed against the soles of her feet!)

Then there’s Flora, a particularly slothful fairy who has taken to riding in the pockets of Nellie’s robes, content to spend the rest of her life being carried around and lavished with compliments and sweets. Her and Astrid have a sort of tenuous truce, since they both have a bit of a fierce streak when it comes to defending Nellie.

There’s also a Hippogriff and a Common Welsh Green on the grounds, both of which Nellie is determined to befriend, but that’s still a bit of a work in progress at the moment.

FUN FACTS:

• Nellie ends up going grey—or white, rather—fairly early. Her hair’s almost entirely white by the time she turns thirty. She’s insecure about it for a while, then decides to just embrace it. It looks elegant, and Merlin help the person who tries to tell her otherwise.

• Given how incredibly physically affectionate Nellie is and how much she adored Rowan, it’s no surprise that she almost always kissed Rowan on the top of the head when saying goodbye. Just like she did in the forest grove, chest tight with anguish but eyes painfully dry.

• Barnaby and Nellie are married by the time they’re twenty. Maybe it’s a result of almost dying young on multiple occasions, but Nellie wasn’t keen on waiting. She didn’t want to take the risk of never getting the opportunity.

• Nellie has always wanted a big family. After how fractured hers became when Jacob disappeared, that desperate desire only increased. Fortunately, Barnaby, with his tiny, miserable family, wanted to create a large, happy one just as badly.

• On that note, they end up having five daughters: Ivy (Ravenclaw), Jade (Ravenclaw), Miri (Hufflepuff), Aurora (Slytherin), and Rowan (Hufflepuff). Many were surprised Nellie waited until her last child to name one after Rowan, but the truth was, she just wasn’t ready. She’d always known she wanted to, but it always felt too soon.

• As a frequent visitor to the Burrow, Nellie grew close with all the Weasleys. She actually babysat Ron and Ginny a far bit after she graduated Hogwarts.

• Bill and Jacob never get along. Though Bill can logically understand that Jacob was trying to protect Nellie, he can never really forgive Jacob for the distress he put Nellie through. And while Jacob understands that Nellie needed support and he wasn’t there to provide it, some part of him resents that Bill stepped into his role as Nellie’s brother.

• Although they were once close as sisters, Nellie and Skye’s friendship definitely changed for the worse in their sixth year. The drama surrounding Nellie getting trained and befriended by Erika all occurred in the month leading up to Rowan’s demise. Having Skye—someone Nellie considered a close friend—be so caught up in her own grudges and jealousy that she called off their friendship in a fit of anger not even a week after Rowan had died, while Erika—a friend she had only just started to make—acted as her rock throughout the whole grieving process, really changed Nellie’s perspective on Skye. To be fair, Skye did eventually apologize, and they picked up the pieces as best they could, but things were never the same.

• While Nellie focused more on the changes her friends went through after the events in the Buried Vault, there’s no denying that she changed as well. She hardly slept her entire sixth year. She cut off all her hair, and she jumped with every loud noise. Her naivety, one of her defining traits, withered, and left only wariness behind. She went from trusting everyone, to trusting no one. Then Rowan’s death came, and she crumbled completely. For a long time after it, she couldn’t function at all.

Thank you to @treebels, for the lovely artwork.

#i know she's a little lame but i really love her okay #she's like my baby #my meticulously constructed baby #hogwarts mystery #harry potter #hogwarts #hphm #hphm oc #jacob's sibling #helena bancroft #nellie bancroft #hogwarts mobile game #spoilers #hphm spoilers #hogwarts mystery spoilers

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scientistowengottlieb-newtkelly · 4 years

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10 Year Picrew

tagged by @cheesedemarco so i might as well do this hjskgjksjfjgk thanks bro 💕

2010

~2nd grade, 7-8 yrs old

- loved or thought they loved the color pink Wholeheartedly

- cats made Everything better, thought they might be part cat and loved to imagine that they were because they grew up around cats

- i legit don't know how no one thought "hm, something is Off with this one" but no one picked up on them being Different other than the kids smh so i got picked on a bit

- sisters kept asking if they were gay because they had a fixation on katy perry's "i kissed a girl". did not quite know what being gay was.

- put into a gifted program, got confused, never showed up to classes unless the teacher showed up to get them but thinking back was probably supposed to just leave

- like 2 close friends and that was It

- emotionally invested in binging animal planet docuseries'

- wants to be a vet when they grow up

- lots of really Weird ideas that thinking back on now just resulted in spending time alone and thinking or playing alone

- attention seeker :))) didn't receive any :)))))))

- "why are boys and girls treated so differently, i don't understand?? what makes me a girl??"

- polo.... ticks???

- first time cutting their hair "short" (bob cut, just above the shoulders, Loved It and then Hated It, wanted the mako mori haircut despite mako not existing yet)

- first signs of anxiety showed up around this time

2015 (pt. 1)

6th-7th grade, 12-13 yrs old

- sad emo bitch, honestly

- melodramatic as fuck, i would not be friends with them now if i knew them

- attention seeking at its worst

- anxiety at its worst

- lots of pushing people away and isolating from friends in fear of making things worse for them having to see me emotionally compromised in any way

- lots of having to talk people down because they managed to make friends with probably over half of the school's Depressed Children population and had even more online

- first boyfriend, didn't turn out hjskgjskg peer pressured into a few firsts actually

- loved loved loved black veil brides and h*talia/anime in general, do not come for me and do not ask for details, i will deny ever existing during this time period

- first discovers the lgbtq community

- first makes an instagram account

- first discovers what fandom and fanfics are

- first writes fanfics like a fucking madman, literally could pull three short fics out of their ass every day, edited and everything, but never posted them out of fear of rejection and criticism

- really REALLY wants to be an author but doesn't have any kind of faith in themself or their ability

- makes friends who like their writing and latches onto them for the next Ever (still friends with them now 🥰)

- couldn't manage their obsessions with fiction and it negatively affected their life in a few ways

- first girlfriend, still miss her as a friend, but didn't turn out because they still had a lot of Emotions they didn't know how to process

- joins kik and makes a lifelong friend and qpp :))

- finally let themself say fuck. come on bb u can do it just not in front of ur parents ok?

- "i HATE politics that shit is SO ANNOYING and i will NEVER be political ùmú rawr xd >:((((("

- maybe like two other girlfriends or so, was Really Just Going Thru It, Wanted To Find Themself (and also didn't know how to say no to people in fear of disappointment)

- noticable difficulty keeping track in school compared to before

- miles mckenna

- "wait, you can trans your gender?"

2015 (pt. 2)

7th grade, 13 yrs old

- still probably wouldn't be friends with them but better than before

- mom upon being asked to let me cut my hair in the "ellen cut": BUT YOU'LL LOOK LIKE A LESBIAN???

- my reaction, still partially in the closet: YES. AND???

- technically out as genderfluid and pan, did nothing to actually insinuate they wanted to shift what pronouns people used for them because "Oh But What A Burden That Would Be On Others :("

- happier with themselves but still Going Thru It because they didn't know how to put their feelings into words yet

- also a constantly fear of being perceived as annoying or a nuisance

- touch aversion appeared out of seemingly nowhere, got worse over the course of the next two years or so

- sleep deprivation ×1000000000

- more school difficulties,,,

2020

high school senior, nearly 18 yrs old

- successfully transed their gender... mostly. almost 2 years on t. will probably never be out as nonbinary to most family. but at least they have a mullet-in-progress

- been in therapy for somewhere over 2 years, maybe close to 3??

- somewhat learned how to say no and stand up for themself and has removed toxic people from their life successfully :))

- actually has some semblance of confidence!!! you go bitch!!! comfortable in their body after t once they realized their remaining dysphoria was almost strictly social

- emotionally good but physically and mentally running on fumes and fixations

- has come to realize that they probably have undiagnosed adhd and that their therapist needs to get bent because he keeps telling them "no" and then after they talk to him about it he goes "ok maybe..." with no real answer, thanks roger 💕

- overly friendly???? just wants to make people smile and this time knows that if they don't that it's okay because at least they got to smile about it

- fixated HEAVILY on pacific rim and iasip, and torchwood (but mostly just on charlie day and burn gorman BECAUSE of pacific rim hjskgjskjgkahgkg)

- trying to get back into writing fics so hard but things just do no be coming as easily as they once did

- "i type in all lowercase because i FUCKING HATE CAPITALISM"

- probably a maoist idk i'm still Learning new things every day

- manages to actually run a tumblr blog and make friends without having borderline panic attacks??? fun times y'all

- extremely grateful to see how far they've managed to get :)

sorry for uhhhhh putting my life's story on here LMAO anyway. i tag ummmmm anyone who sees this and wants to do it!!! here's the picrew!!! have fun!!!

#rowboat speaks #faceboat

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rachaelslibrary · 4 years

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Let’s Talk Books - Iron Gold by Pierce Brown

Or the alternative title “The Kids are Grownup”. This book follows ten years after the Red Rising Trilogy, and catches everyone up with what happened since Darrow and crew “won” their war and Mustang became Sovereign. It also introduces several new characters and side plots and is an overall BRICK of a book.

I say that it’s a brick lovingly, but also for a reason. Six hundred pages of political plots, tension, and backstory to explain what happened during the missing decade. There isn’t as much action in this book as there is in the original trilogy, and this one definitely feels much more “adult” than the previous three. This is a reread for me, and I remember the first time I read through it, it took me a while since it had been so long since I read the originals. This time, reading it directly after the first three, it definitely was easier to understand. Little Easter eggs stood out more and I wasn’t as confused reading about past events that had happened and wondering “did I just forget about it?” The answer is NO, you didn’t forget about it, it just happened in between books.

Long story short, if you enjoyed Red Rising, you’ll still enjoy this book, but go into it knowing that it is not nearly as fast paced and feels a bit clunky at times. HOWEVER, I definitely enjoyed it more the second time through, felt all the feels, laughed all the laughs, etc. It’s a great addition to the series and I like that it kind of separates itself from the original trilogy because it definitely has a different overall vibe. The next book in the series (Dark Age) has the same more adult vibe, but adds more of the original action that we all know and love. Iron Gold is a great opening act to the trilogy of Darrow’s adult life.

Alright, so into the nitty gritty. Iron Gold has four POV characters, a stark difference to the one of the original three. Of course Darrow is one of them. He’s a renowned war hero, legend and practically a god across the new Republic, but he’s also tired. He’s barely been home to see his son or wife in the last ten years and he fears that he’s losing out on a relationship with them. His storyline really takes off when he takes his control of the military way to far and decides to go off on his own against the Senate’s will. Of course Sevro is there to help him along.

Then there’s Lyria, a red whose family was liberated from the mines and taken to a sort of “assimilation camp” until the Republic can figure out what to do with them. The assimilation camp is it’s own kind of mine though, with disease rampant, food scarce, and people living on top of each other in one bedroom tents. An attack on their camp leaves Lyria in charge of her young nephew, and she has to take matters into her own hands to create a better life for them.

Ephraim might be a name familiar to you if you have a good memory. Remember way back at the beginning of Morning Star, Holiday’s brother Trigg who died getting Darrow out of the Jackal’s prison? It’s his fiance. After Trigg died Ephraim worked for the Rising, but now he works as a thief. His storyline starts when he’s forced to take a job that has the payout of a lifetime, but also the biggest risks he’s ever taken.

And finally....Lysander au Lune. We remember him as the ten year old grandson of the Sovereign who watched her be beheaded and was taken under Cassius’ wing. Now he’s twenty-years-old, has been out in the asteroid belt with Cassius this whole time being a sort of vigilante and rescuing people from space pirates. But when they answer a distress call and find a mysterious gold girl, they’re pulled back into the old political feuds of the Rim, and it doesn’t end well.

Pierce Brown does a great job of weaving everyone’s story lines together while keeping them on separate planets, all the while bringing up old story lines from the original trilogy that we all thought were wrapped up. (Spoiler alert: They aren’t). It’s really a great read and thoroughly enjoyable but be prepared to spend more time and focus in this book than the previous ones. All in all, a great opener to the new trilogy. 4/5 stars.

Now without further ado, please view my spoilery rants :)

Damn I don’t know where to begin. I guess I can start with my absolute faves, and that’s Darrow, Mustang, Sevro, and Victra. I love how they’re raising their children together (Sevro and Victra now have three daughters with a fourth on the way), and how Sevro and Darrow are still best friends and so loyal to each other even though this much time has passed. The end where Sevro gets so mad at Darrow because he won’t go back to Luna broke my heart, but I’m also 100% on Sevro’s side because I do believe that Darrow has started to buy into his own myth.

What made their argument even worse though was that at the time they were fighting about going back to rescue their children, we as readers thought the children were safe and on the way to Mustang so it was kind of a “Don’t fight, they’re okay just call your wives” moment. Of course, at the end of it the ship that the kids were on crash landed so it’s kind of a good thing that Sevro is on his way back to help but still...

On the topic of my faves, I love how Sevro is almost just as much of a legend as Darrow. Like they really are famous across the solar system, and feared. When Lyria tells Liam to “be brave like the Goblin.” It’s like damn...even kids know who they are and they know that Sevro’s nickname is the goblin. Look at my babies being so successful.

Also Electra....she’s great. That’s literally all I have to say about her. When Ephraim was looking at her and thinking she was a kid but then also remembering who her parents are so she must be psychotic...I laughed. Like this little girl is a force to be reckoned with and it’s all because of her parents.

There’s one quote in particular that stood out to me. When Mustang was threatening Ephraim about running away she says “One night you will wake in the middle of the dark and find a shadow standing over you. If you are lucky, it will be me. If you are unlucky, it will be Sevro or my husband, and you will die shitting yourself in a foreign bed.” Like I just love so much how they’ve all made names for themselves, and it seems like the four of them are really a unit instead of just two couples raising their kids who occasionally get together.

By the end of the book, with everything just starting to kind of fall apart, I was emotionally exhausted. But that’s a good thing!! Because it means I was just that invested in what was going on.

Few more little notes: Lysander, I started off liking you but then you made some dumb decisions. Like I don’t really blame you for some of them but like...you opened the vault because you didn’t want this girl that kind of betrayed you to die. Like come on man. Also for Cassius but he wanted to die. You should have just let him.

Also Apollonius....I want a novella or short story or something about when he broke into Darrow’s house to kill him. There’s a line about Darrow waking up with a shadow standing over him that was Apollonius...I want to know exactly what happened there. Did Darrow somehow win even though he was sleeping with no armor and weapons? Did they know Apollonius was coming? Did Mustang save the day? These are things I need to knowwwwwww.

What we got of Victra was great, but I needed more of her. Her and Sevro’s proposal/wedding/just relationship in general in Morningstar was my favorite and I need more of them being together as a married couple.

#iron gold #red rising #pierce brown #darrow #sevro #mustang #victra #book reviews

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selenityshiroi · 4 years

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FFVII REMAKE SPOILERS

Okay, I’ve given it a few days since the official launch. I have to give my thoughts on this game. Don’t read if you are still playing through, as I WILL be talking about the ending and some things that diverged from the original game.

First off, this game was so good in so many ways.

I was worried about the gameplay, because I’m not really an Action RPG gamer. But the gameplay was smooth, fun and well planned. I played the game on easy, so I could focus on getting through the story, but I WANT to play the next difficulty because I feel like I will enjoy the challange.

Then there was the graphics. Oh. My. God. This game is SO BEAUTIFUL. The scenery (even though it’s not always supposed to be beautiful, it’s so intricate and detailed and has such a scale and world building to it), the characters, the battle animations, the attacks...even the grotesque monsters look so well done. We KNOW the FF series is always known for it’s stunning visuals, but they really outdid themselves. And, yeah, there are a few texture bugs that’ll probably be patched at some point, but even things like the lighting and the facial expressions and body language...it’s all SO GOOD. If this was a movie they would be fighting for art direction awards.

But the part they totally blew my expectations away on, everyone’s expectations, is the character and story development.

When they said they expanded Midgar they really, really did. But not by senselessly bloating it out. Everything they did led to making you more and more invested in the events. Spending more time with Team Avalanche meant that you cared about Biggs, Wedge and Jessie. Spending time talking to the NPCs in Sector 7 meant that you really, really wanted to stop that plate from coming down. And every time you spent time with one of the main characters, you felt like you knew and understood them better than you ever did.

By the time we got to the plate collapse I actually felt GUILTY for doing side quests and looking for treasure etc. Because it felt like I’d failed the people in the slums (even though, obviously, taking your time doesn’t change the story). And they’d done SUCH A GREAT JOB in making the slums feel real.

Now...before I go into characters and relationships, let me be clear and upfront. I always have and always will ship Cloti. But I don’t hate Aerith. I never actually played her much in the original game (I was spoiled for her death and was very pragmatic in not wanting to waste my EXP). This game is my first real taste of Aerith as a character and not a lost friend, so I’ve loved getting to know her.

Let me get the Cloti talk out of the way, first.

HOLY SHIT.

I’m sure there are fans of other pairings who won’t agree, but most people are in agreement. Cloud and Tifa got a LOT of ship fuel in this game.

From the start, Tifa is the one person Cloud isn’t standoffish around. He tries but within a few minutes of them teamed up in Sector 7 they are gently teasing each other in banter, and he is SOFT AS HELL towards her. Since this comes directly after the opening mission (where he and Barret are openly antagonistic to each other and he barely tolerates the rest of the team) it’s very obvious. As the chapter goes on he also listens to her and offers support and encouragement, which is completely different to the rest of his interactions thus far.

As the game goes on this difference continues, even when he starts to open up to others. Despite the fact that he has encouraging and impressed battle dialogue with Tifa and seems to respect her ability to take care of herself, the game has him constantly protective of her. They also touch each other A LOT (both initiated by Tifa and Cloud) and far more so than anyone else. There are some super charged moments between them, too (the train jump scene alone has enough sexual tension to start a baby boom) and there are several gratuituous scenes of them grabbing at each other in danger and showing extreme concern both physically and emotionally (and more of Cloud being SOFT AS HELL when it comes to Tifa). Plus their optional scene is super romantically suggestive (with the hug and his concern for her emotions and the hints at their shared history).

I could spend so much time going over all of their interactions and little moments because WOW. But I wanna go over the other relationships.

Cloud and Barret have such amazing development through the game. They start out as super antagonistic to each other. Barret doesn’t trust him and Cloud doesn’t care. But Barret is a softy at heart and he can’t help but soften up a little. By the time of the second reactor mission they start to tolerate and appreciate each other a little. But by the time they are fighting to save the plate? At that point Cloud is invested in the Team and Barret knows he’s a good fighter and maybe a good guy. The optional scene (I haven’t triggered it but was linked to a video) they have is such a good one where is shows how far they’ve come (Barret unloading his thoughts and emotions onto Cloud and feeling comforted by having spoken with him and Cloud willing to listen patiently and willing to be part of the Team).

Barret and Tifa have a rather familial relationship (Barret is super protective of his team and you can see this really early on) and their mutual respect and care for each other is wonderful. They know each other so well and are so emotionally open to each other.

Cloud and Aerith start out with him being pretty standoffish and barely tolerating her. But when she encourages him to save Tifa from Don Corneo they start to bond and their friendship starts to develop.

The slow build to Cloud finally sharing a high five (a few ‘how do you human’ moments with Avalanche, Tifa and Aerith and then misqueing one with Aerith before finally getting one right) was so damned adorable and is one of my fav moments!

I mean, I don’t ship them (and with the SHEER VOLUME of Cloti moments plus the increased hints towards Aerith’s relationship with Zack I don’t feel like I’m supposed to) but I am 100% behind their friendship. Also...Aerith knows how to flirt with Cloud and then back off when he’s uncomfortable...unlike Jessie who was well out of order several times. She is cool.

But talking about friendships I am 100% behind and very much grateful to Squeenix for giving us?

Hello Aerti!

DAMN these girls got a lot of moments together and plenty of chance to interact and develop a bond and I LOVED IT. Cloud was totally a third wheel to them, most of the time, and so he should be. Thank you for giving us girls being friends and not letting a man get between them. Tifa and Aerith protecting and defending each other felt so good after seeing so much toxicity spread around by the less stable parts of both ship fandoms.

Between letting Tifa and Aerith spend time together and having Barret help Aerith out of Shinra Tower it felt like Squeenix are trying to spend more time on developing Aerith’s relationships with the whole team. And I LOVE that because it’s needed before we get to THAT moment in future games. Nanaki doesn’t get much time with the others but it’s nice to see the starts of the bonds forming.

As much as I love shipping I love one thing just as much. FOUND FAMILY TROPES. And I want the next game to definitely go down this route for the entire Squad.

As for the characters individually...thank god we finally have the (not quite) real Cloud back. The emo fanon contruction is gone and we have our awkward, dorky, snarky boy back. I love him. He tries his best to be cool and all, but he’s a good boy at heart and it leaks out all over the place.

Same with Barret. Soft Team Dad hidden under a gruff guy who tries to come off as all tough and deadly. His moments regarding Marlene were super sweet and, like before, are such a contrast to his ‘big bad activist’ self that it’s great to see him in both stages and the inbetween.

Tifa was ~chef’s kiss~. A little playful but also a little shy. Full of compassion but not a pushover. Tough as nails, when needed, but also emotionally open.

Aerith was super playful and fun. But there is an undercurrent of sadness and insecurity around her and there is a lot of speculation that she may Know Things. Possibly even her future death.

We don’t get much of Nanaki or Reeve but I can’t wait for more from them (in Reeve’s case, through Cait Sith who got a small cameo during the plate collapse) in the next game. It looks like we might get Nanaki being a proper teenage wolf kitty which is gonna be great!

Team Avalanche were all pretty great, except for Jessie’s outrageous flirting going totally over the line...Cloud was very clear with his refusals but she still didn’t back off and was a step over the borderline of harrassment. That being said, other than the flirting, the team had some great moments. Jessie’s concern over how much of Reactor 1 was her fault and her GUILT was amazing. Biggs and Wedge, too, felt real and dimensional. Cloud building a small bond with the three of them (THEY GOT HIS FIRST TRUE AND BRIGHT SMILE) was so good and made the plate fall EVEN WORSE (despite the possibility of survival for them).

But now...the ending.

Oh boy.

There is a lot of talk and speculation about the ending and I’m sure it’ll be a hot topic until the next game comes out.

There are a few things it could mean on a scale of ‘barely anything will change but this means that Squeenix have given themselves some wiggle room with future events’ all the way up to ‘everything is gonna be totally different to the original game from here on out’.

Everyone is mad at the thought of the next game going in the latter direction and it’s the biggest drawback of the game to most. The one thing holding them back from thinking this game a perfect adaptation of the original game.

Personally, I think that the game is not going to change that much. I DON’T think Zack is still alive (the game was very clear to show us that Cloud still had the buster sword...so much so as to equip it on him during the cut scene after Zack’s appearance, even if it wasn’t his equiped weapon...Cloud probably wouldn’t have the sword if Zack was alive). I do think the Sephiroth we saw could be from the future. I do think the game will mostly keep to the same beats and events but that certain things will change in execution in order to keep some element of surprise and suspense. The biggest of things being that I think Aerith will still die, but not in the same set of events.

Overall, this game was utterly fantastic in almost every way. As a fan of the original I was so, so happy with what they did. The production team should be so very proud of the effort and detail they put into this game. The love they have for the original was obvious in the presentation.

10/10 would and will play again!

#final fantasy vii remake spoilers #ffviir spoilers #spoilers

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dreadnought-dear-captain · 5 years

Text

‘Til the End of the Line (or Not) OR: See? We TOLD You “No Homo.” Love, Markus and McFeely

*****WARNING: 99.9% SALT!! Contains spoilers for Avengers Endgame!!****

I guess this is part two of my personal processing of Endgame. @pitchforkcentral86 was not satisfied by my timey-wimey Endgame post, which centered on Steve’s choice to go back in time to be with Peggy and the implications of that choice. She remarked that yeah, it’s great that Steve might not be a total piece of crap, Pym particles, yada yada, whatever, but it still didn’t make her feel any less despair over this ending.

The source of her agony: Steve and Bucky’s relationship and its utter lack of satisfying resolution. So I shall address that now, because I think I feel worse about that than anything, and I can’t explain it away with Pym particles.

Anyone who has any investment at all in the relationship between Bucky and Steve — whether you are a Stucky person or whether you view them as platonic but deeply connected best friends — has probably had to spend the last two movies scraping around the floor, searching for crumbs, signs, any hints that these two people care about each other. We have been begging the Russos, the screenwriters Markus and McFeely, anyone who would listen, for anything to suggest that they are even on the barest of speaking terms, let alone that they have the intensity of relationship that the MCU spent 3+ movies explicitly convincing us that they have. I’ll even come out and say that although I ship Stucky in fandom and fic hardcore, I am not an MCU canon Stucky person per se. I’m 100% fine if the MCU wants to treat this as a deep, fraternal friendship. In fact, I see some benefits to this interpretation. How wonderful if men could love each other so deeply and have it NOT be sexual or romantic. But I’m also 100% fine with people interpreting this as romantic love, and there were times throughout this franchise where the actors, various parties in production, and Marvel itself has been agnostic on the subject, if not encouraging of gay interpretations of their relationship. Let it be what you want, fans have been told. Or just flat out post a pic of Steve and Bucky on #National Boyfriend Day like Civil War comic writer Mark Millar. Sure. At times, it almost felt safe to ship them. As soon as Civil War drew to a close, however, it started becoming... inconvenient for Bucky and Steve to be together. Steve needs to go to the Raft. Bucky needs to go into cryo. Steve needs to become Nomad and go secret avenging. Bucky needs to do his Vibranium Brain Magic (TM)/goat herding complex PTSD recovery program. Side note: Complex PTSD (C-PTSD) is my provisional diagnosis based on virtually nothing, because Bucky’s character has gotten so little substantive screen time that we can only guess at his psychological state, save what can be conveyed through glistening eyes and woobieface and “... but I did it.” Wow. Bowl me over, you really got me right in the McFeelys. Though +1000 to SebStan for working what he got to work with to the max. That motherfucker can act. We know for certain approximately jack shit about Bucky’s internal experience post-Winter Soldier. And so, like pretty much everything with Bucky and this friendship/ship arc, I will just guess at what is actually wrong with him. But after 70 years as a POW being tortured and possibly gaslit and definitely brainwashed, that is almost the textbook recipe for complex PTSD, so imma go with that. Returning to this distance. Now, it first appears to be largely logistical in nature. Steve is over here, Bucky is over there. Golly, just too busy to hang these days. All this secret avenging without you. And when we pine — pine — for the meaningful reunion of these two in IW, instead we got a “Hey brah, how's it hanging?” “You know, old and traumatized lol” exchange and a “let’s make sure our dicks don’t touch” back-slappy hug that lasted two seconds. This is without any hint as to whether these two have seen each other yet after Bucky’s de-thawing, leaving us to wonder whether this is really the big reunion we have been waiting for.

(If we had audio, the sound would be 70% slapping.)

I’m going to pause here, because for many of us, this was devastating. After all, we were left with this shot of Steve as Bucky made the choice to go into cryo, a choice that seemed only somewhat justifiable on the vague grounds of “I can’t trust my own mind.” (Me either, pal.)

Ugh.

Perhaps this was also an avoidance strategy — easier to go back on ice than deal with the emotional fallout of what just happened. And who could blame him? He is probably still relearning how to cope effectively with things after his entire coping system was destroyed by his time with Hydra. But Steve was clearly disappointed or, at the very least, saddened by this. He gets something back just to lose it again. Enter distance. He leaves and goes avenging. Emotionally, perhaps this move to cryo created distance as well. Their relationship was on such fragile ground at this point, mostly an artifact from the ‘40s, and their chance to deepen it was taken away by the writers because Bucky wanted to go on ice for reasons and Steve needed to do Steve things. And so when IW rolled around, oh, did we want them to have a substantive reunion. But alas, we did not get that. We saw equally substantive exchanges between Bucky and Sam or Rocket and far more substantive exchanges between Steve and pretty much anyone else. And then we got the ultimate separation — (fake) death. Again. A traumatic, unplanned loss that costs another five years from their timeline, all before they even got the chance to properly re-establish a friendship. Again, I’m going off of what we actually see portrayed, not off of what we assume or would like to see. We have absolutely no idea how much Steve and Bucky interacted in Wakanda. But Steve busted Sam out of the Raft quite early, early enough that he still had a messed up face from the time Tony went in (unless he was getting beatings on the reg, which is possible). So if he was hanging with Sam since before Bucky went on ice, and Sam just visited Wakanda for the first time in IW, either Steve was borrowing the Quinjet to secretly visit Wakanda on his own to hang with Bucky, or he hadn’t been back to Wakanda since he left the first time.

Regarding Steve visiting Wakanda between CW and IW — I found this bullshit from Markus and McFeely on the subject of whether Steve and Bucky met or talked prior to IW. The writers could not even agree about their own characters, with one saying that Steve and his crew probably visited Wakanda and hung out with Bucky and the other saying, eh, the two of them “maybe Skyped.” As to the former, this is not at all supported by the narrative or by logic. Infinity War is clearly Sam’s first time in Wakanda, with all that drama about “zomg you’re gonna hit those trees, bro!” as they are flying into the city. And why would Steve leave his team alone and vulnerable, probably taking the Quinjet, their only form of reliable and safe transportation, so he could go visit Bucky alone? He’s not there for a booty call, y’all, because these guys have barely even rekindled their friendship. Moreover, the other secret avengers know how important Bucky is to Steve. This isn’t a secret. There would be no reason to go alone and no reason for T’Challa to forbid Nat, Sam, and Wanda from coming to Wakanda. So it makes no sense that Steve has visited Wakanda prior to IW, and thus, that would make IW their first meeting, which is… utter and heartbreaking garbage. But at least they had motherfucking SKYPE. MAYBE. Fuck. You. Very. Much.

So, in the face of this shit reunion and Bucky’s subsequent dusting, some of us kindled hope for the upcoming Endgame. Perhaps we would get flashbacks. We knew there would be flashbacks or time travel because we saw stuff in the trailers and sneak peeks from the set. So maybe there would be something there to account for the utter lack of attention to their relationship in Infinity War. Again, this was the mere request that Markus and McFeely and the directors acknowledge wholeheartedly what they have been building for these characters since the beginning of their time in the MCU. This was not even strictly about Stucky. This was about doing justice for these characters as humans. But there were no flashbacks. Who knows what happened in Wakanda. We will have to fill in the blanks on our own. Not a single comment could be spared to even signal whether the IW Wakanda scene was their first time seeing each other since cryo. “How’s that new arm treating you?” or “God, it’s been so long”/deep emotion would be all it would have taken to not keep us wondering one way or the other. This suggests a lack of consideration to the fans of these characters and this relationship — which, again, Markus and McFeely slaved to get us to pour our hearts into. So… Endgame. What was that? Bucky and Steve didn’t stand next to each other at Tony’s funeral. Okay. Bucky is not an A-list Avenger. He did kill Tony’s parents. Awkward. Bucky was comforted by Sam, his… guy he sat behind in the Volkswagen in Civil War and fought next to in IW, and he needed comfort apparently (?) because he… killed Martha and Howard Stark (??), which was sweet, and much more spontaneous affection than we’ve seen from Steve in an age, but what the actual fuck??? Was that Mickey Mouse standing behind the Iron Man 3 kid wearing a “Falcon and Winter Soldier” miniseries t-shirt?

And that ending. This was maybe the one implied nugget of friendship between them visible with an electron microscope. They obviously had at least one deep conversation about Steve deviating from the plan to go have a life, and they obviously had a discussion about who would succeed him as Cap. My dreams of Bucky Cap were dashed into dust, but as @pitchforkcentral86 said, it would have been cruel to give it to Bucky. Bucky would possibly have taken it if Steve kicked the bucket in EG, but it makes the most sense to be passed along in a planned way to Sam. So maybe they had at least one good conversation. Way, way off camera. Bucky said he would miss him. Recycled TFA line. Thank God it was not involving the words “jerk” and “punk.” Glistening woobie eyes. Steve leaving to go be with the one person who can make him feel like a whole human being, apparently, because there is nothing and nobody tethering him to this time in history anymore.

Whoa— wait— WHAT??? These are the moments where I literally double check the credits for the Cap movies to make sure that it says “Markus and McFeely.” Then I check the latest Avengers movies to make sure they also say “Markus and McFeely.” And they ALL DO!! The same two men painstakingly crafted the story of Steve Rogers and Bucky Barnes, two men who — let’s be literal in the narrative here, for the sake of making a conservative argument — are best friends from childhood. They hammered on this story HARD, making sure that their relationship was so strong that by the time 2016 rolled around, the depth and intensity of their friendship and Steve’s commitment to it would tear the Avengers apart. And along the way, something else happened.

When you put two people in relationship like this, you have to know that there will be consequences. People will grow very emotionally invested in their relationship, because that is exactly what the writers were asking the audience to do. These dudes did their job, all right! And then something else happened, quite easily, even though these things will also happen under much harsher conditions: Stucky. Winter Soldier alone probably launched a hundred thousand ships for these two — gay, gay ships, so very gay, the glitteriest, gayest of cruise liners — from a hundred thousand ports around the globe. This ship has permeated pop culture even outside the fandom (some dumb gross man jokes from Screen Junkies within, but the Stucky shenanigans start at around 3:15).

And perhaps that’s when Markus and McFeely realized what a monster they created, one that would clash in ugly ways with their forthcoming (heterosexual) narrative, — their endgame for Steve. And so what did they do? Overcorrect. Wildly. Pull the plug. Bucky and Steve can’t fall out as friends completely, but what’s the next best thing? Give them almost zero screen time together, lest anyone be tempted to think they have a serious relationship — and again, I’m just talking friendship at this point, let alone anything else. Make their lines devoid of substance. Keep us wondering about the nature of their dynamic. Did the distance grow too great? Is Bucky not able to reconnect with anyone? Is Steve too busy? Too salty?? Who knows! These are possibilities, but none are explained. Then just poof Bucky off the face of the earth for 5 years to create existential distance. And in the meantime, ensure that Bucky is shown as not even a passing thought for Steve Rogers. Ensure that his name is never once uttered by Steve until he is about to leave him to go be with Peggy — oh except when, in a real dick move, when he emotionally whumps his past self with the news that Bucky is alive for the sole purpose of getting out of a stranglehold. At the same time, ensure that Steve is seen becoming single-mindedly fixated on Peggy Carter, and make sure the audience — including all those pesky Stucky shippers — knows that he considers her the “love of his life.” Ensure we see the compass with increasing frequency and with maximum longing. Insert Steve finding the absurd photograph of himself on the Director of SHIELD’s desk, facing the door for any junior colleague to see her pining over him like a schoolgirl long after he died, which is just about the least Peggy Carter thing I can ever imagine (and these people created and wrote for the Agent Carter TV series!!!).

Then give us our first openly gay person in the MCU. And drop him in the same scene that you confirm once and for all that Peggy Carter is the love of Steve Rogers’ life. Have Steve be so fucking cool with it that he makes us proud and relieved that he’s not a homophobe. Whew! Only… it makes us feel kind of gross, and maybe we can’t quite figure out why at first. But maybe it’s because it feels personal, like a concession, like the writers and director knew exactly what they were doing to a lot of people who feel a very specific way about Steve’s sexuality and about his relationship with Bucky Barnes. It feels like a tone deaf nod to the fandom. Sorry, guys. No homo. We really did try to warn you with the whole Sharon Carter thing. (Sharon Carter, in an act of gross and misogynistic misuse, remains one of the most criminally mistreated characters in the entire MCU, arguably serving almost entirely as a “no homo” device before being completely discarded, never to be heard from again.)

Which got me thinking — was this move to distance Steve and Bucky so abruptly a reactive move? The divide between Steve and Bucky that happens in IW and EG feels so cold and inorganic. It does not feel at all driven by the natural arc of the characters as established by the creators themselves. It feels rushed and confusing, like it just needed to happen for plot convenience (though not even clearly that), and once again, we are left trying to figure out what the fuck is actually going on.

Part of that is probably needing to lay the groundwork for Steve’s feelings of alienation, which lead him to his ultimate choice to go back in time. He can’t feel too connected to Bucky or he won’t want to go back to be with Peggy. But could part of this also possibly be a reaction to how strongly Stucky was adopted by the public? Did Markus and McFeely realize how much more strongly we love the idea of Steve and Bucky — as friends or lovers, who cares? — rather than Steve and Peggy, which was probably their ending for Steve all along? Did they realize their terrible mistake of bringing them so close, endearing them to us so much, and then realize “OH SHIT,” and then slam on the brakes? Is that why IW and EG felt like absolute shit for their relationship, even for those who are not total endgame Stucky people?

Okay, but what if their friendship just ran its course? Friendships do that, even really deep ones. These two have had a huge chronological and experiential rift that never was really healed (thanks to our dear writers). Steve saved Bucky’s life thrice but they never really reconnected. Presumably. As far as we know in the narrative we are given by the writers. Okay. Let’s say you need to get Steve back with Peggy and for Bucky to become pals with Sam instead because contracts and actors. Whatever. Fine. But if you are going to play the “our friendship has come and gone” card, you need to fully PLAY IT. You can’t make it some vague option that might be true because we can’t figure out what the hell is going on. They need to have an actual conversation. For fuck’s sake, if we have time to fuck around with Korg and Miek on the couch and time to have Banner take selfies with kids and do stupid time gags and a bunch of other little shit, there is enough time to have a brief conversation somewhere to imply that “things have changed” or “people change” or something to imply that the writers were even thinking about the course of Bucky and Steve’s relationship as more than just a platform to launch Steve back to Peggy and launch Bucky toward Sam for their spinoff series.

There was just no depth. How can they give us three movies composed almost entirely of Mariana Trench levels of depth between these two men and then give us virtually nothing in IW and then next to nothing in EG to “round out” their entire storyline? The shape of the emotional momentum in this relationship is so wonky and dissatisfying, and the lack of comment on the dissolution of their friendship in the narrative, the fact that it isn’t even being acknowledged, is one of the worst parts. This relationship died without being honored or even attended to at the most basic level, after being told that it is perhaps the most important relationship in Steve and Bucky’s lifetimes and being shown evidence of that fact.

Moreover, let’s get real — calling Peggy the love of Steve’s life should do nothing to diminish his friendship with Bucky Barnes. That’s not how love works. You don’t just get one person. You can have a best friend — hell, you can have two best friends — and a woman you love. (And even moreover, you don’t have to leap back through time to find closeness just because you can. But that’s another matter with Steve’s character that I will address in a future speculative character analysis on Steve in an effort to explain how he got to this point, because I have a super depressing head canon about it involving traumatic grief and loss.)

But just like comic book science, perhaps there are comic book rules about love and affinity. You only get one person, and Steve gets Peggy. And apparently Bucky gets Sam. Because contracts. But as I said before, I would have been okay if they had a dissolution of their friendship because that was the course of their friendship. Just tell us what is happening. Have the decency to respect your characters by giving their relationship a true arc, whatever it is. You can’t just recycle a TFA line and call it an arc. That is not an arc. Markus and McFeely goddamn know better and we know they know better, because we just saw a beautiful relationship arc closing with Tony and Pepper and, on a smaller scale, with Tony and Peter fucking Parker.

By the way, the small in-person and symbolic interactions between Tony and Peter in EG? Those are what high quality, emotionally salient, brief interactions between people who care about each other look like.

1. Tony’s picture of Peter in his kitchen: He can see from where he does his dishes. He looks at it meaningfully and thoughtfully before making a major plot-essential decision that risks his way of life.

2. Tony and Peter’s reunion hug: It starts off with some humor and classic Peter rambling. Becomes a full-ass, real hug. Nobody slaps the other’s back. Peter remarks, very sincerely, “oh, this is nice.” <3

3. Tony’s death scene: Peter is visibly and truly wrecked. Tony looks at him in a heartfelt way. Words are unnecessary. It is perfect.

Bonus IW moment, because it is one of the most moving images I have seen in the MCU: Tony has Peter’s ashes in his goddamn mouth, eyes closed. Defeated.

Jesus Christ. Don’t tell me Markus and McFeely don’t know how to write characters and brief, powerful interactions, even when the characters are not together. They most certainly are very, very capable of this.

So why did we get the lifeless, quippy drivel and lame physical contact they gave Bucky and Steve in IW and EG? Which, regarding their last convo, was Bucky spilling his guts and Steve being like “Yeah brah, you’ll be fine, don’t be a fucking idiot while I’m off being happy with the only person in the universe who can make me complete #surprisesoulmates.” Bucky offers his quippy mandatory TFA callback retort so that the audience remembers that these two once gave an actual fuck about each other at one point in the narrative. Cue slappy-back-no-dick-touch hug. And please don’t tell me that this is just how men from the ‘40s hug. I would buy that for TFA, but after everything they’ve been through in Winter Soldier and Civil War? I am not buying it.

**Slap-slap**

So we get a Steve Rogers who exits the MCU permanently by making a contentious, questionable final choice with questionable implications that take a graduate degree and/or a hive mind to questionably figure out (or else I’m just a fucking idiot and I’m the only one who needed those things). And we also get the profoundly dissatisfying demise of a relationship that we invested a tremendous amount of emotional energy in because that is what the screenwriters and directors asked us to do.

I am not writing this as a diehard Stucky shipper. I love Stucky, don’t get me wrong. It’s all I read and write in fandom. And I can certainly buy a world (at least, in Caps 1-3) where canon Steve’s love for Bucky is the gay kind and vice versa. Sure. But I am writing this as a person who loves good characters and good story, and this is such a hard fail that even if I had no emotional investment in these two characters, I would wonder what Markus and McFeely had against Steve and Bucky that they let their garden succumb to drought while they tended so considerately to Tony and Peter and Tony and Pepper and Steve and Natasha and Steve and a dead woman and Thor and Bruce and Thor and fucking Rocket, pretty much all of whom (with the exception of Tony and Pepper) have had so much less at stake, so much less time invested, and so much less of a reason for the audience to give a fuck.

But more importantly, I am writing this as a lover of Steve and Bucky, two people who have a well-established, rock-solid, indisputable human relationship that deserves so much more than what it got, especially given all of the unspeakable suffering these men have experienced separately and as a byproduct of their separation. Canonically. This is not made up fandom shippery superimposed upon Markus and McFeely’s precious creation. This is the truth of these two men as determined by the hands of the creators who also neglected them into nothingness, which is arguably a fate far worse than one or both of them dying an actual, final death.

I am left feeling disappointed and betrayed as a fan, wishing, as others have confided in me, that I was more of a Tony person and had been all along. Because then I would be walking away from this still grief-stricken, but at least it would be for the right reasons.

I will leave you with this, arguably one of the last in-character moments for Bucky and Steve in the MCU.

#avengers endgame #salt #endgame spoilers #avengers spoilers #meta

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