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elodieunderglass · 1 year

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the first chapter of Moby Dick rewritten in tiresome modern idiom

CHAPTER 1. Loomings.

Call me Ishmael. Some years ago - it's none of your business how many - being mostly broke, and bored with the land part of the world, I thought I would sail around a little and look at the watery part of the world. I'm probably the most mentally healthy person you know. Whenever I feel my face getting grim; whenever it is a damp, drizzly November in my soul; whenever I find myself accidentally reading the ads in the window of funeral homes, and following funeral processions through traffic; and especially when I'm hangry, and only my extremely strong moral principles stop me from deliberately going out in public and methodically slapping people's earbuds out - then I know it's high time to get to sea, ASAP. This is my substitute for getting in fights. I'm too mentally healthy to kill myself; I quietly and considerately put myself on a ship and sail myself away instead. There is nothing surprising in this. Everyone feels exactly the same way, and if they don't, they're lying.

You think I'm lying? Exhibit A: a city. Go to your local coastal city. Everyone is looking at the water. They drive over from other neighborhoods just to come to the water. They make a day of it. They're not doing anything, they're just staring at the ocean. Why? Is it because they all work office jobs? No! Here come more of them! They cram themselves up to the edge of the water and stare at it. WHAT DO THEY WANT? WHAT ARE THEY LOOKING AT. Perhaps the ships themselves all packed together, each one with several compasses on it, creates some kind of critical mass - all of the small compass-magnets on all the ships in the harbor combining into one really big magnetic field - and the people get sucked into the field and trapped there. That's science.

Exhibit 2: the countryside with lakes in it. Every path you follow in the countryside brings you to some water, such as a stream. There is magic in it. If you take your standard fool with ADHD dissociating in the middle of a supermarket and put them outside and give them a shove, they'll automatically lead you to water (if there is any nearby) (try it). Another good experiment to try is to get lost in the great American desert in a caravan supplied with a metaphysical professor! Try it in the great American desert at home!

Yes, as everyone knows, meditation and water are a match made in heaven. Married forever. That's science.

Here's an artist who wants to paint you the dreamiest, most enchanting landscape. What does he put in it? Trees, meadow, cows, a cottage with smoke coming from the chimney, obviously. He will probably put a path in it and make lots of triangular mountains in rows and have them be different shades of blue (naturally.) But there's gotta be a stream in it. Go visit the prairies in June, and wade for forty miles through knee-deep through tiger lilies. What's missing from this picture? Water!

If Niagara Falls was made of sand instead of water, would you travel your thousand miles to see it? Why would a guy given a handful of cash have trouble deciding whether to buy a coat (which he needed) or go to the beach? Why are all the best, healthiest, sexiest and most mentally healthy people obsessed with the sea? (You get me.) When you were first on a boat, did you not succumb to VIBES? Consider ancient Persia. Consider ancient Greece. They understood about vibes, and also gods.

SURELY ALL OF THIS IS NOT WITHOUT MEANING.

And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all! You get me! You understand it now.

Now, when I say that I am in the habit of going to sea whenever I get weird, don't you dare imply that I buy a ticket and get on a boat. I have never had money in my life. How dare you. Anyway I don't go as a passenger - that's bougie, and something boring people do. Passengers never have a good time. And although my C.V. is incredible - I go to sea SO MUCH, you guys, I have lots of experience - I don't go as a boss, or a cook. That sounds like far too much work. Hard work. Disgusting, respectable, bougie, and far too responsible. I can literally only look after myself. Do not ask me to look after ships or shit. In fact, I have only a vague idea of what a ship is. There's so many different kinds of ships - don't get me started and DO NOT GET INVOLVED. Also, I'm allergic to glory.

It's kind of attractive to go as a cook. I mean, I'm allergic to glory and there's some glory attached to the position of the ship's cook, but, like, you're not management-track and so it's still credible. But I don't really want to cook (say) roast chicken. I really fucking love to eat roast chicken. I'm one of the best at doing it actually. I really appreciate when people go out of their way to butter, season, baste and roast a chicken for me. Picture a roast chicken and I am Looking Respectfully at it. Maybe something more, maybe I'm worshipping it. Don't make this weird. If you want to get weird about my relationship with roasted chicken, why aren't you getting weird about the ancient Egyptians? They ate roasted hippos (look it up) and the pyramids were basically pizza ovens. So it's pretty hypocritical to think that I'm being weird about roasted chicken when I've never made mummies out of chickens or built a religious pizza oven dedicated to honoring them: check and mate, haters.

Anyway - I like to go to sea as a manual laborer. A simple sailor. Salt of the earth… er… sea. Yeah, true: as a job it sucks. They make you jump around, order you around, treat you like shit. They expect you to jump around the boat like a grasshopper. And yes, at first, this sucks. It's degrading, especially if you come from a middle-class family. Worse, it's awful if you've already had some kind of professional job before signing on to be the dirt on the boss's boots - like, if you went to college and worked as a teacher and actually got kids to pay attention to you, really feeling this connection to work/teaching/identity or some shit, and now you are just literally the scum on this captain's boots, in the lowest possible job in the world. It hurts! It hurts your dignity. But the hurt, and also the dignity, both wear off in time.

So what if some old bastard sea captain orders me - ME! - to get a broom and sweep down the decks? What does that indignity amount to, compared to the shit in the Bible, compared to the shit in the news, compared to the shit everyone else has to take. Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. We're all just serfs under capitalism, right, so why not just be honest about it: I prefer the honesty. Anyway, however the old sea captains may order me about - slapping and punching of course - I have the satisfaction of knowing that it's the same experience everyone else on Earth has, but more honest. Everyone else in the world is being served the exact same way. Either in a physical or a metaphysical way - sometimes people get the shit beaten out of them in person, sometimes online, sometimes emotionally, it happens to you in EVERY JOB, you sign on to get pushed around and slapped in the teeth: so the point is that when you're a sailor, it's a clean and honest slap. All the workers of the world share the same universal slap to the face that gets passed round, one slap passed all 'round the chain, like paying it forward, but it's a slap; and we should all accept this Universal Slap as the price of living, and then offer each other healing back massages, brother to brother, and slap each other and then kissed the places we slapped, and be happy.

I could examine that but I'm not going to.

Anyway: I always go to sea as a sailor. I've said that already. You're welcome. BUT THE POINT IS, they pay you. If you're a passenger, they don't pay you, at least, not that I've ever heard of [citation needed] (do they pay passengers?? Is there a job I can get where I can be a passenger and get paid?? Look this up.) Yeah so passengers have to pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. (That's Adam and Eve. You get it.) But BEING PAID. GETTING PAID IS THE BEST. NOTHING COMPARES TO GETTING PAID. EVERYONE LOVES THAT SHIT. Which is surprising, since we also apparently believe that money is the root of all evil, and isn't there something in the bible about "no rich people can get into heaven," right? And yet it's universal, literally everyone loves payday. Ah! How cheerfully we send ourselves to hell.

Finally, I always go to sea as a sailor (I've said this already) because it's FRESH AIR AND EXERCISE. Okay so think about ships. Normally, bosses stand on the "bridge" thing, and because we're sailing a boat, the nose is going into the wind and the butt part of the boat is at the back. That's how wind works. But if you think about it, winds usually go in one direction more than other directions (unless the men have been eating beans and farting: it's Pythagoras, look it up) SO if you're a boss standing on the boss-deck, the wind is blowing FROM the sailors TOWARDS you, and YOU ARE ACTUALLY BREATHING THE AIR THAT SAILORS ALREADY BREATHED. The boss THINKS he breathes it first, but he doesn't. He gets the air at the BACK of the boat and sailors get the air at the FRONT. So it's better to be at the front of the boat (sailor) for health reasons. This is a metaphor for life and work, etc.

But I have smelled the sea lots of times as a paid sailor and WHY I should decide to go on a whaling expedition - ok so you know how there's an invisible police officer of the Fates who has me under constant surveillance, who secretly dogs me, and influences me in some unaccountable way? YOU get me. You know him. "The poor FBI agent tasked with reading my search engine history" YOU GET ME. Anyway, "Ishmael, why, after having a perfectly well-reasoned, and very smart of you, part-time job as a spontaneous random sailor, did you decide to escalate that to joining a WHALING EXPEDITION, which is worse in every way?" Well, ask my fucking secret FBI agent, he can answer better than anyone else. Including me. You get me. Also, obviously, this was predestined, part of the Universe's Grand Programme for its talent show, which was all scheduled way before our time. The concept of sending me on the whaling voyage comes in as a kind of interlude or solo between the main performances of the Universe's great talent show. I bet it was advertised llike,

"PRESIDENTIAL ELECTION OF THE UNITED STATES EMBROILED IN ONGOING LEGAL DISPUTE.

Whaling voyage by some guy called Ishmael.

BLOODY BATTLE IN AFGHANISTAN."

Like a commercial break in between the big acts. A filler episode. Lightens the load for everyone else. Though I can't explain why the stage managers - the Fates - chose such a shitty role for me, a WHALING VOYAGE of all things, when it feels like others were given magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces - it seems a little unreasonable at first. Why doth Ishmael get shat upon, etc. But then I think about all the circumstances, the plot points and motivations that were cunningly presented to me under various disguises - FBI agents, bouts of random hanger, gay awakenings, you get me - and you can see that actually, I was set up. And worse, between them all, these Fates and Circumstances conspired to make me believe it was all my own choice and good judgment. Is Free Will an illusion? Are my decisions bad? We will NEVER know because I, Ishmael, am just a little guy that the Universe plays head games with.

One of the ways the Universe tricked me into starring in this performance and then mocking me for it was the overwhelming idea of the great whale himself (whaling expeditions usually contain whales.) Such a portentous and mysterious monster roused all my curiosity. Then of course, if you have a whale, you have the wild and distant seas where the whale rolls around with his body-the-size-of-an-island; the dangers and nameless perils of the whale; whales are also found in interesting places I haven't seen; this all tipped me over the edge. Maybe normal people could've resisted, but I am tormented with an everlasting itch for obscurity. I hate everyone else's oceans. I want the forbidden seas.

You know The Horrors? Of course you do. You might be surprised that I, the most mentally healthy person you've ever met, a person who is self-aware enough to go to sea when they're at their fucking limits, a guy who likes fresh air and manual labor and normal things, is familiar with The Horrors. Well, you'd be surprised. I know what's good, I'm an extrovert. But I'm still quick to perceive The Horrors. And how I deal with the horrors is a very extroverted thing: I'm social with them, if they'll let me. It's smart to be on good terms with The Horrors. You should always be on good terms with your permanent neighbors. That's how extroverts deal with The Horrors, and I recommend it.

I think that's enough explanation for why I welcomed the whaling voyage. The great flood-gates of the wonder-world swung open, and in the wild figments of imagination that pushed me into doing it, the whales came marching two by two, hurrah, hurrah. They marched into my innermost soul in endless processions and occupied it, you see, I was quite helpless under this occupation - I consented to the haunting and the whales marched in to haunt me - and amidst them all was one grand shrouded white phantom, like a snowy mountain in the air.

You get it.

You know how it is, with whales.

(read the actual first chapter of Moby Dick here: https://www.gutenberg.org/files/2701/2701-h/2701-h.htm)

#mody bick

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targaryenluvs · 3 months

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— BEST LIFE

pairings: spencer reid x fem!bau!reader (past), harvey specter x fem!juniorpartner!reader (present)

summary: you’d once been apart of the bau team, but after a situation and a falling out with your boyfriend you moved on. what happens when the bau needs your help on a case, which your boyfriend harvey is also assisting on?

warnings: angsty, asshole harvey cause duh, jealousy (spencer) kisses, cute harvey

wordcount: 1.7k

a/n: this literally sprouted in my mind and i just needed to write it lmao, if you haven’t watched suits or criminal minds go right now‼️ they’re both my husbands 😋

when jessica had called you into her office, you’d been calm. apparently one of your cases, which had you and harvey working together, was now of fbi interest. your client was currently suing a company for faulty wiring in his home, which caused it to burn down. and it was apparently not the case at all, the home was suspected to be tied into a serial arsonist.

what you didn’t expect was for your client to be accused of being the arsonist.

“you’re sitting here,”

“uh-huh.”

“telling me,”

“yup.”

“that i’m supposed to believe that richard jeena, the fifty three year old little man, is a serial arsonist?”

you shut the file infront of you, meeting harvey’s eye, “sweetheart?” he uncrossed his legs, leaning forwards with a sweet smile, “yes?” you leaned forwards as well, “that, is exactly what i’m telling you.” harvey leaned back into his chair, disbelief riddling his face.

“and the fbi is flying here?” you nodded along, “fbi agents?” you nodded again, “probably field agents or whatever they’re called. they’ll sit in on the trial, survey the scenes, collect evidence and all.” the familiar clicking of donna’s heels brought a smile to your face, “profilers.”

your heart dropped with one word, “what’d you say?” donna made her way to the two of you, plopping herself down in the chair next to you, “it’s those fbi profilers. yknow, they look at the room and can tell you if he’s left or right handed, blonde, mommy issues and all. nice little packaged criminal profile in seconds.” you couldn’t help correcting her, having dealt with your fair share of assumptions in your years as a profiler.

“that’s not how it works,” harvey swiveled in his chair as donna looked your way, “oh?” harvey smirked as you sighed, “that’s not how it works, we don’t just walk into a room and have it speak to us. we survey the place, fresh eyes and open minds. we look for the things that everyone else seems to miss. we put ourselves in the minds of the criminals themselves, to get a better understanding of them, why they did it and all. you work your way back, start from the victim maybe, see where they’ve been, what they did in the last week, who they talk to. sometimes the killers in their personal circle but not always. every case is different, we try our best to provide an accurate, unbiased profile.”

“i want to take you on my desk, right now.” you rolled your eyes at your boyfriends words as donna stared intently, “we. you said ‘we’, as if you know what they do and their job. oh my god, you use to be one. that’s the job you had before coming here! you have a degree in criminal justice, and you said your last job you were at for what, seven years?”

“i graduated high school early, entered harvard at a young age, graduated, entered the fbi at the same time as a— friend. was also studying law, sat the exam in new york since it’s where i wanted to be. finished up at harvard, i was mid to late twenties when i left, wound up here and am now a junior partner, capiche?”

“could just say your age.” mike stood by the door with a wad of files in his hand, “i’d rather die, mike.” harvey laughed, “please don’t incentivise my lovely girlfriend to killing herself mike.”

“as nice as it is to see you all bonding, and trust me, it hits me right in the heart, jessica wants yourself and y/n in the conference room.” louis spoke from the door as you stood up, “first of all, trust with you is fickle, second, tell it to hit you in the face next time lou.” you smacked harvey’s arm as he held his arms up, “friendly fire, i’ll put it out later.” you shoved him by his back before smiling at louis, “i’m sorry about him, he’s not a big fan of the fbi.” louis nodded as he followed you, “duly noted.”

“she’s right, damn pigs.” harvey joked as you approached the conference room, “your highness,” you grinned, “you never treat me so nicely when we’re at home harvey.” he held his hand over his heart, “now don’t lie sweetheart, i’m as nice as mike.” the snort that left your lips had harvey doubling over, “oh please, nice as mike? you wish.”

your giggles were drained from your throat as you stared at half of your old team.

derek morgan, emily prentiss, penelope garcia & spencer reid. the last name, and face you’d still not looked at yet. thankfully, harvey noticed your tenseness, “y/n? sweetheart, you alright?” there it was, that word, sweetheart. spencer couldn’t help but wonder, was it just a word? you always use to call him it, before you dated, teasing of course.

“yeah, i’m fine harv.” he nodded, even if he didn’t believe you he could always ask later on. pulling out his and yours chairs, you sat next to one another. “harvey specter & y/n l/n?” emily questioned as you nodded, “the one and only. and then there’s y/n.” harvey leaned back in his chair, whilst derek stared him down.

what an ass. is what he wanted to say, it was also what he assumed emily was thinking. “emily.” she glanced over at you, surprised at you using her name, “it’s nice to see you all. how’ve you been?” and the bewildered expression was wiped clean off your face, no remnant left. you were a damn lawyer, if there was one thing you’d learned, it was to keep a straight face.

penelope smiled, “we’ve been good, y/n. but we miss you, back home. you’re a lawyer now huh?” you grinned, “the one and only.” harvey squeezed your hand, you squeezed back. “youngest junior partner, ever. my dream. just hoping to make it to senior partner soon, take the title of youngest out from under this guy. i’m happy here, i hope you are too. but down to business.”

and for the next few hours, you’d sat and listened. overlooking the case files, giving statements, reviewing security footage from surrounding houses. at some point mike ended up in the room, having met with your client and being harvey’s associate.

you’d had the pleasure of introducing spencer and mike, the two undeniably similar. you felt comfortable, even betting with penelope that if they touched the world would implode.

“and how much would he loose?”

“127,478.23.” mike and spencer rushed out as the rest of you fought to suppress your smiles, “well y/n, seems like we’ve got a genius-off.” derek laughed as the two men looked towards you, “don’t worry i’ll still love you mike.” mike scoffed at your words, “what makes you think i’d loose?”

“because i know you, and i know reid. trust me, you’d loose.”

reid. not spencer, spence, sweetheart. none of the above, you’d used his last name. as if he was nothing more than a colleague.

“okay, we’ve been here for far too long. and as much as i’d like to sit here and slowly rot, i’d rather do that at the restaurant i have booked for dinner with two lovely ladies. y/n and i have a trial date tomorrow, 8.00am. i think, we bring him along, show him what’s to happen if he doesn’t confess, than toast victory champagne when said confession rolls through. how’s that sound?” if derek’s grin was any indicator, besides a big fat yes?

spencer wanted to puke, ‘lovely ladies?’ multiple women? this man was insufferable. you gathered yourself and harvey’s files, a hand gestured towards you, the last file in said hand. “thanks reid.” he smiled, “no problem-o.” your eyebrows furrowed, “never change do you?” spencer didn’t have time to respond, his brain was too busy blowing a fuse as harvey opened the door for you. “ready for dinner lovely lady?” they all heard harvey ask as you nodded, the four watched as you walked out, his hand on your back as he pecked you on the lips.

“reid, you alright?” derek’s hand rested on his shoulder, “i’m fine, why wouldn’t i be fine? don’t we have places to be? hotch would want to know their on our side, that they reviewed all the information. they’ll help us get a confession out of him.” derek sighed, “because you just saw your ex, who you haven’t seen in years. the one you never got over, happily living in new york as comfortable as possible. a successful business woman and lawyer, happily in a relationship.”

spencer shook his head, “you don’t know that.” emily directed a sympathetic smile his way, “we sat with them for three hours. we watched them laugh, bounce off of eachother for theories, quite literally finish eachothers sentences. order food for eachother without asking, and get their meals right. they held hands when they could, he continued to call her sweetheart. and now they’re going out to dinner.”

spencer’s shoulder dropped, they were right. he’d come here excited at the possibility of seeing you again, talking to you. maybe even beginning again with you. instead, you’re apparently with some suited up asshole. he was annoyingly sweet when it came to you though.

as if the whole three hours weren’t a slap in the face, harvey’s voice rung out through the hallway, “there’s my lovely lady!” rachel, who they’d all met earlier on, was currently guiding a young girl to harvey’s arms. “daddy!” if hearts were boats, than his was sinking. he may have had a chance beforehand, but now?

“is mommy here?” your daughter was currently situated on harvey’s hip, “why don’t you hug her and find out?” your arms were out in the open as your daughter squealed before running to you, “d’you have a fun day with rach?” she nodded her head rapidly as yourself and harvey smiled, he stood behind you, chest to back. his hand rested on your waist as the other moved aside hair from her face, before moving hair from your own.

“now, my lovely ladies, it’s time for dinner.”

lovely ladies, for once, spencer had made a mistake. harvey was going out with multiple women, but not in the way he thought. his daughter and the mother of his child, you.

his words and actions meant nothing, they would mean nothing. you were happy, so happy. you had everything you wanted, a loving marriage and man, a gorgeous family. something spencer hadn’t given you. a man who knew you could hold your own. spencer knew that too, but he couldn’t help himself back then.

right now, you were living your best life.

#criminal minds x bau!reader #criminal minds x reader #suits x reader #spencer reid x fem!reader #spencer reid x you #spencer reid x reader #spencer reid fanfic #harvey specter x fem!reader #harvey specter #harvey specter x reader #harvey specter x you

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waskurttrans · 2 years

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Kurt Cobain Will Have His Revenge on the Straights

Had a video call with my brother Chuck the other day. Things got heavy:

KATE: Was Kurt Cobain a trans woman?

CHUCK: What?

Kurt Cobain. Rock musician. He was in a band called Nirvana.

I’m familiar with him, yes.

Was he a trans woman?

Um. No?

OK. Why not?

I mean, he wasn’t. It’s like asking why he wasn’t an astronaut.

He wasn’t an astronaut because he never went to space. Why wasn’t he a trans woman?

Because he didn’t transition. I mean, he didn’t ever say he was a woman, didn’t ever say he was trans. So no. Kurt Cobain wasn’t a trans woman.

So someone is trans if they say they’re trans. Self-determination.

That’s what you’ve told me. Is that wrong?

No, that’s right. We know ourselves better than anybody else can know us. If we say we’re trans, nobody can say we aren’t.

And Kurt Cobain never said he was trans.

So was I trans in 1994?

I don’t know, were you?

Yes, but if you’d asked me in 1994, I would have told you “no”.

So if I tell you I’m trans, I’m trans…

Right.

But if I tell you I’m cis, I might still be trans?

If you tell me you’re cis, I believe you.

That’s not the same thing as “I’m cis”.

That’s a really good point. This is sort of what some queer people are getting at when they say “gender is a construct”.

Come again?

Well, you’re cisgender, right?

As far as I know, yes.

Aha.

Hmmm?

You hedged. “As far as I know” isn’t the same thing as “yes”. “As far as I know” opens up the possibility that you could be trans and not know it.

It doesn’t seem terribly likely.

That’s an interesting statement. Early on in transition one of the biggest problems I had was dealing with the sheer unlikelihood of my being trans. I mean, I knew trans people existed. I knew somebody had to be trans. I just couldn’t wrap my head around the idea that it would be me.

Do you think this is why you’re on this whole “Kurt Cobain was a trans woman” kick?

Hey now, I’m just asking questions. You know. Like J.K. Rowling is “just asking questions”.

Kate, you are literally wearing a T-shirt that says “KURT COBAIN WAS A TRANS WOMAN” on it right now.

Am I? Oh, shit. I thought I was wearing my “Skip school, take hormones, kill God” T-shirt. To your question, though - yeah, I do think that’s part of it. Honestly, the hardest thing about growing up trans was believing that nobody in the world had ever experienced what I was experiencing. I didn’t have any role models. I didn’t wonder if I was the only one. I was convinced of it.

So being able to say that this incredibly gifted songwriter, the voice of a generation, was a trans woman like you…

I need someone like that. I need to not be the first of my kind.

Of course you’re not the first trans woman.

No, but before a couple of years ago almost every trans woman would tell you they always knew, unquestionably and innately, that they were women.

So it’s not just about him being trans, but specifically his being a trans woman who didn’t know he was a trans woman.

An egg. Right.

Why Kurt Cobain, anyway? What’s so special about him that you’re trying to induct him into the Egg Hall of Fame?

He knew things. Things cis guys don’t know. Things I didn’t know until after I started transition. He understood women, what we’re like, what we experience. “Pennyroyal Tea”. “Rape Me”. I just have a hard time thinking of a cis man who could write songs like that.

It wouldn’t be the only way in which he was exceptional.

True. Ahhh. I don’t know. I mean, I know, I can give you all the reasons, but there’s something in his eyes.

Something in his eyes.

All the pictures of him. No matter what he’s doing. If he’s grinning, or sad, whatever he’s doing, you can see something trapped there. Trapped and in pain, wanting to get out but not quite knowing how.

Huh. You, uh, know that what you’re doing is pretty much the textbook definition of projection, right?

Maybe. Chuck, do you think I’m happier?

Since you transitioned?

Yeah.

Of course. Absolutely. Night and day.

Everyone says that, and honestly, I see it. Even in pictures, you know? I see it. You’ve seen some of my transition timelines, right?

You do look really different.

It’s not just me. Every single person who transitions looks like that. We look so much happier, so much more alive, so much more us. I don’t understand how anybody can hate us.

I don’t get it either, Kate.

And when I look at any timelines, I look at the before photos… and I see something in their eyes. Transmasc, transfem, doesn’t matter. There’s something trapped wanting to get out. Every picture I’ve ever seen of Kurt Cobain looks like the “before” picture on a transition timeline. It’s just that with him, there aren’t any after pictures.

And it’s not just the eyes, either. The way he dressed, the whole “grunge look”. It’s just literally egg fashion. We dress with total disregard for our appearance or how we look because no matter what we do it’s wrong.

“Egg fashion”, egg this, egg that… isn’t it a little bit anachronistic, judging him by 2022 standards, 2022 values?

Is it? Chuck, I was alive in 1994. I was an 18 year old egg. I know what that feels like. I know what that looks like. I lived that. Why didn’t I come out as trans in 1994? Because I didn’t have the opportunity. Because self-determination needs to be informed, and none of us were. None of us. Look. You know what he said to Melody Maker in 1991? “I knew I was different. I thought that I might be gay or something because I couldn't identify with any of the guys at all.” That’s what he said.

Holy shit. Really?

Really. September 14, 1991.

Hold on, let me look that up. Oh, yeah, I see it. Look, if you look at the full quote he’s just saying he’s not a jock. Like he didn’t fit in with the jocks.

Well, what about the dresses?

What dresses?

Kurt Cobain wore a lot of dresses. Like, a lot, both onstage and off. On MTV in 1991, he said “It’s ‘Headbanger’s Ball’ so I thought I’d wear a gown.” He said in a 1993 interview, “I personally like to wear dresses. I wear them around the house sometimes.” This is not some shameful secret he kept hidden from the world. He was open about this. He was proud about this.

Yeah, but… it’s just clothes.

Except it’s not just clothes. Listen to his songs. Listen to his lyrics. “Should have been a son”. “I’m a lady, can you save me?” “Everyone is gay.” The original lyrics to “All Apologies” from his journals – “Boys write songs for girls. Let me grow some breasts.”

I mean they’re song lyrics. There are all kinds of ways to interpret song lyrics.

Sure. All kinds of ways. You ever read Michael Azerrad’s biography of Cobain, Come As You Are?

Nope.

Azerrad spent weeks talking to Cobain. He was Cobain’s biographer, but also his friend. And he has his own interpretation of the lyrics. For instance, Azerrad talks about all the lyrics about guns, and to me, now, I look at that, and I think of how he died, but Azerrad, when Kurt was alive, he looked at it another way. He thought it’s about dicks. “To paraphrase Dr. Freud,” he says, “sometimes a gun is just a gun. But not this time.” He talks about “Come As You Are”, where Kurt keeps singing “I swear I don’t have a gun.” That’s not my interpretation. That’s never been my interpretation. That’s what this cis man says. More than one cis man. Kurt says Dave Grohl’s dad, he said the same thing. Yeah. There are all kinds of ways to interpret lyrics.

“By this time,” Azerrad wrote, “one begins to wonder how Kurt rationalizes being a man at all. His first response is revealing. ‘I don’t know,’ he says. ‘Castration.’” I don’t wonder how Kurt rationalizes being a man. I rationalized “being a man” in all kinds of ways. What strikes me is that he needed to rationalize being a man. Had to come up with some kind of excuse. It just strikes me kind of funny.

Kurt’s songs have meanings. The lyrics to “In Bloom”, Kurt was pretty explicit about that. The lyrics he wrote have meanings. “Heart-Shaped Box”. You know what that refers to? When Courtney Love was flirting with Kurt, Michael Azerrad says in Come As You Are, “She gave Dave (Grohl) a package to give to Kurt – little sea shells and miniature teacups and a tiny doll, all packed into a small heart-shaped box.” A tiny doll locked away inside a box shaped like a heart. That was what I felt like before I came out. A tiny phantom doll. Kurt and Courtney first kissed after a show at the Cabaret Metro in Chicago. Rumor was that they fucked against the bar, but they denied it. What actually happened, Azerrad says, is that “Courtney had a bag of lingerie with her for some reason and Kurt ended up modeling the contents.” And then they went to Kurt’s hotel room and they fucked.

You’re making it sound…

Maybe it was. Because you look at that and you think that if it was like that, it was perverted and wrong, because that’s what you were told, that it’s a sick fetish thing, and I look at it and it isn’t. To me, that’s normal. That Kurt Cobain was sexually aroused while wearing Courtney Love’s lingerie, that’s normal.

Kate, he was a punk! He hated jocks, and wearing a dress pissed off jocks, so he wore dresses. He talked about wanting to wear a dress and piss on a redneck A&R man’s desk! You think that was some kind of sex thing?

Sexuality is part of being a woman. Part. Rage – and Kurt Cobain had a lot of rage inside him – that’s another part. Am I interpreting, am I looking at things from my perspective as a trans woman? Yes, certainly, just like you’re interpreting, looking at it from your perspective as a cis man. When cis people interpret things, their conclusion is never “they were trans”. Never.

Ed Wood wasn’t a trans woman. He was just a transvestite. He was a man.

Pete Burns from Dead or Alive wasn’t a trans woman. Sure, he got all sorts of feminizing surgeries, but he never said he was a woman. Man.

Prince Nelson adopted a female persona, feminized his voice, and recorded a song about wanting to be a woman's girlfriend, but he was also a Christian and believed that being queer was wicked and sinful, and that's the identity of his we need to respect. Man.

Richard Wright, who wrote the Phish song “Halley’s Comet”, spent most of the 1980s telling everyone he knew he was a transsexual lesbian named Nancy, but after being consistently treated like shit changed his mind about that, so none of that counts for anything. Man.

Dave Carter was on HRT when he died, but he was just questioning. He didn’t tell anybody for sure that he was a woman. Man.

Quentin Crisp said just before he died that if he was younger, he absolutely would have transitioned, but wanting to transition isn’t the same as actually transitioning. Man.

All men. Always, always men, whatever they do, whatever they say. I know how that works. I was told all these same things about myself for decades, all these same reasons, and now, I don’t know, I guess people will make a personal exception for me, but for everybody else, the same old assumptions, the same old arguments, they still apply. They’re still legitimate.

I thought we were talking about Kurt Cobain.

And the only way to do that is to talk about him in isolation. There’s no larger context to consider, no bigger picture. I can’t really know. I can’t really judge.

I mean, everybody else does. I guess I can’t tell you not to. But all of this circumstantial evidence, all of the dresses and the lyrics that you I guess know the real meaning of – none of that makes him a girl.

Sure. And nothing can make him a girl. Because he’s dead. Because he killed himself.

Oh, here we go. After thirty years and countless speculation, you have at last uncovered the real reason Kurt Cobain killed himself – gender dysphoria. Do you have a book deal yet?

Working on it. And yes, people say a lot of stupid things about Cobain’s death, like it’s this big shock that this guy who hated himself and wanted to die killed himself.

Right. He was pretty well-known for being a heroin addict, which isn’t exactly something that improves one’s quality of life.

Sure, but why did he start heroin?

I don’t know. Why does anybody start heroin?

To help him cope with his eating disorder.

Wait, what? Eating disorder?

You don’t know about that? He had stomach problems, for a long, long time. He could only eat certain kinds of food, certain kinds of food that wouldn’t make his stomach hurt. Doctors looked but they could never find any organic cause for it. Nobody took it seriously. So he self-medicated with heroin. “It was my choice,” he told Azerrad. “I don’t regret it at all because it was such a relief from not having stomach pain every day.” I know, though. Lots of cis guys have eating disorders. Doesn’t mean anything.

Kate there’s a lot of interpreting going on here.

Yeah, I guess there is. Is that necessarily a bad thing, though? Is that necessarily wrong? Like. You’ve seen The Matrix, right?

Only the first one.

Yeah, that’s fine. So you know how important The Matrix is to a lot of trans women, right?

Yes, but I’m not really sure why. Just seems like a retelling of Plato’s “Allegory of the Cave” with extra fight scenes.

It’s pretty trans, though, right?

Clearly. It was directed by two trans women.

And trans women who watch it – eggs or otherwise – find their own lives and experiences reflected in it in ways that cis people, like you, don’t.

I guess, but the fact that it was actually made by two trans women carries a little more weight with me.

OK, but what if the Wachowskis had died in 2000? In, like… a car crash or something? Does that mean The Matrix isn’t a trans film?

Well, no, because it’s still a film made by two trans women.

A film made by two trans women that speaks to the trans experience, and that is recognized by living trans women as speaking specifically to the trans experience. The only difference is that, in this scenario, nobody knows the Wachowski Sisters are trans women. And we can’t prove it. We can’t possibly prove it, and nobody is going to just believe us when we say it’s a trans movie, that the Wachowskis were trans women, because they didn’t say it, they didn’t say the special magic words. Self-determination. You know what self-determination meant to Kurt Cobain? I remember seeing Courtney Love on television reading his note, I remember her interrupting to say that he was an asshole, that what he was saying was bullshit. She didn’t respect his self-determination.

Um…

“Pennyroyal Tea”. Cobain told Azerrad “It's a cleansing theme where I’m trying to get all my bad evil spirits out of me and drinking Pennyroyal tea would cleanse that away.” Pennyroyal is an abortifacient – but, Azerrad notes, only in lethal doses.

Hell, not just that song. The whole album. In Utero. The collage on the back cover, the one Cobain described to Azerrad as “Sex and woman and In Utero and vaginas and birth and death". The occult symbols surrounding it, taken from Barbara G. Walker’s The Woman's Dictionary of Symbols and Sacred Objects1. There was something inside Kurt Cobain, something inside him waiting to be born, but he was told, over and over, that it was a monster, so he killed it, the only way he could. By killing himself.

That could have been me. That could so easily have been me. I was told all the same things he was. We all were. When I was 27? When I was 27, I was addicted to benzos, benzos they prescribed me because I was trying to bury, trying to kill this thing, this thing I had inside of me. I was a zombie. Walking dead. When I quit, I quit cold turkey. Nobody told me about the withdrawal syndrome. Nobody told me it could have killed me. And if it had, everybody would remember me, everybody would think of me, as a cis man. Forever. They would perpetuate the Lie. That’s why I transitioned, why I chose to go through all the shit I went through. The writer and musician Margaret Killjoy, in 2017 she talked about what she went through the day before she came out:

“All I could think was: ‘Oh god, I don’t want to die a boy.’”2

I felt the same way, came out for the same reason. I figured no matter what I did, I was dead. I didn’t do it live, but to at least have an honest death. I genuinely believed transition would kill me.

It didn’t, though! You’re alive and you’re beautiful and I’m so, so glad for that. It didn’t kill you.

It could have. Still could. Transition has helped, has made it easier for me, but it’s not that way with everyone. People have been kind to me, in ways that they aren’t kind to other trans women. Others of us… aren’t so lucky.

Who are we respecting, exactly, by remaining silent about our shared experiences, our shared perspectives, things we see that you fucking don’t, that you can’t see? Of course I can’t prove it. I can’t prove that I’m trans. You can’t prove that you’re cis. Cis people, though, cis people never have to prove anything. Their prejudices are the null hypothesis3. If I was to go out there and say that Kurt Cobain was a cisgender man, would anybody say I was wrong? Would anybody object or complain? Even though my saying that is an anachronism, is meaningless. The word, the concept, it literally didn’t exist when Cobain died. Have you ever heard the word “agnotology”?

No?

It means making a false claim to ignorance. Claiming that we don’t know something that we do. That we can’t know something that we can. We know things now, Chuck. We know what the symptoms of gender dysphoria are. We know what it does to people. How eggs think. How eggs act. How eggs die. But we pretend we don’t. We still pretend. We pretend suicide is an individual act, even when we know it’s not, that the reasons for it are wholly personal. We pretend that when someone dies by suicide, their reasons for doing so die with them. And they don’t, Chuck. We’re still dying, still dying for the same reasons Kurt Cobain did. It’s not just that we aren’t allowed to recognize ourselves. We aren’t allowed to recognize each other. Individual choice or social contagion. Those are the options we’re given. And neither of them are right. Neither of them are who we are.

Kurt Cobain wrote, thought, talked, died like eggs do. I don’t care if he never said the magic fucking words. We know our own. We recognize each other. And if someone is alive? If someone is alive I will go my whole life without ever breathing a word. Because as long as we’re alive, we do choose, and that means we can choose ignorance. What I think, what I want, for someone else, for us, it doesn’t matter. I do that, I follow that code, for the benefit of one person – the egg themselves. Once they die, all bets are off. Omerta no longer applies. Kayfabe no longer applies.

To be queer is to be erased, to experience erasure. I still hear straight men arguing, as if they have any right to argue, as if they know, that Emily Dickinson was not a lesbian. Emily Dickinson! I’m supposed to listen to people who say this shit? I’m supposed to take them seriously when they say well, actually, calling Dickinson a “lesbian” is historically anachronistic, we can’t apply the standards of the present to the past, and Jesus fuck have you read her letters? She liked girls. She really liked girls. Kurt Cobain was a trans woman. Kurt Cobain was every bit as much a trans woman as Emily Dickinson was a lesbian. Refusing to say it isn’t “respect”. It’s perpetuating the crime perpetrated against Cobain, against every other trans woman who ever killed herself because of the lies we were told about ourselves. No more. Kurt Cobain was a trans woman. I can’t, as an individual, say that. I don’t have the right. No trans woman can say that, individually. But collectively? All of us together? The things we see in each other, we see those things in him too. Not all of them, and not all of us. Absolutely not all of us. But enough of us. Enough that we have the right. We have the right, and I will fucking say it, and if you don’t like that, you can go fuck yourself.

Kate, are you ok?

I’m fine.

Do you want a hug?

Fuck you, Chuck.

OK, well. I’m, uh. Gonna go to the other room. You should, uh. Drink some water. Stay hydrated. Love you, Kate.

Love you too, Chuck. Sorry.

Shhh. It’s OK, Kate. It’s OK.

1 Diane Purkiss criticizes the occult nature of Walker’s encyclopedia in "Women's Rewriting of Myth", in Carolyne Larrington (ed), The Feminist Companion to Mythology, London, 1992, p. 444: “In Donna Haraway's influential terms, these women may wish to be goddesses, but they are cyborgs all the same”. The work she’s referencing is Haraway’s “A Cyborg Manifesto”. Haraway was, it happens, an academic advisor to the trans woman Sandy Stone, and her “Cyborg Manifesto” was a pivotal influence on Stone’s “The Empire Strikes Back: A Post-Transsexual Manifesto”, one of the foundational works of transgender theory.

2 Margaret Killjoy, https://birdsbeforethestorm.net/2017/06/im-not-even-going-to-try-to-pass/

3 Natalie Reed, https://freethoughtblogs.com/nataliereed/2012/04/17/the-null-hypothecis/

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tomriddleslove · 3 months

Text

Pt 4 - Drunk words are sober thoughts.

✩ Theodore Nott x Reader

Summary: The one where Pansy organises a dinner party, you’re on the run from Theo, and bad decisions are made. Alternatively: Uncomfortable awkward tension, then smut.

A/N: We aren’t out of the trenches yet. We’ve only dug ourselves deeper with this one.

REQUESTS ARE OPEN.

Please let me know in the comments if you want to be added to the tag list!

MDNI!

Tags: Smut (duh),Drunk sex, PIV, Hair pulling, praise.

Songs: Love survive - Michael Nau

Star Treatment - Arctic Monkeys

The sun filters through the cracks in the blinds, casting an almost heavenly glow on your bed. The warmth was soothing, and you’d almost call it a very peaceful morning.

That is, of course, if you weren’t woken by Pansy yanking the covers off you, tossing them to the side.

You groan sleepily, rolling over as you try to shield your eyes.

“Oh come on! Merlin, you've been asleep for so long! Everyone else is up! I refuse to let you spend all holiday rotting in bed.” She nags, grabbing your arm as she tries to pull you up. You let your body go limp, the dead weight pulling you back onto the bed as you use your free hand to pull a pillow over your head.

“You know Pansy, have you ever considered my idea of a holiday is sleeping in all day?” You mumble and she tuts, grabbing the pillow from you.

“Nonsense. I’ll kill you if we don't make the most of this.”She admonishes, faffing around you like a mother hen as she walks around your shared room with Theodore (who notably wasn't there, his bed made.) She opens your closet and takes the liberty of choosing you an outfit as she flicks through your clothing, speaking again.

“We're going to celebrate the start of this beautiful Holiday I have so kindly provided us with. We’re making dinner and having a small dinner party. Nice clothes, naturally. Mattheo, Lorenzo and Theodore will be making the starters, and Draco, Blaise and I will be making the main, which means you’re in charge of dessert. Consider it a penalty for waking so late.” Pansy explained as she crouched down to sort through your other clothes.

You grumble, muttering childishly under your breath as you sit up, on the edge of your bed as you come to your senses.

“I'm putting poison in yours.” You half-joke, and she isn't phased as she tosses you a floral white sundress and a handful of jewellery. You dodge the assortment of gold sent towards you and you glare at her.

“There. You’ll have to change for dinner but this is good for now. We’re all downstairs, but I sent some of the boys to fetch the ingredients. Chop chop!” She calls out, as she descends down the stairs.

Pansy. She truly tested your patience.

You manage to drag yourself up from the warm confines of your bed as you head over to the bathroom, going to take a shower. You walk past Theodore's bed as you do so, and you see his copy of Little Women lying on his bedside table. Curiosity tugs at you.

It would be bad to take a peek, right? I mean, he did hand it to you that day in the library. Granted, he took it back right after, but surely that implied you could take a look.

You (rather weakly) justify your decision and pick up the book, thumbing through the pages as your eyes scan over the various annotations and underlined passages Theodore had analysed.

One in certain catches your attention. There, messily underlined, is the quote:

“Watch and pray, dear, never get tired of trying, and never think it is impossible to conquer your fault.”

Followed by “No. 4” scrawled in Theodore's handwriting. You frown, confusion etched on your face as you try to decipher what the four could possibly mean. You flick through the rest of the book, trying to spot any other instances.

“You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.”

No. 7

I've loved you ever since I've known you, Jo, - couldn't help it, you've been so good to me, - I've tried to show it, but you wouldn't let me; now I'm going to make you hear, and give me an answer, for I can't go on so any longer.

No. 5

You couldn't seem to find any rhyme or reason for this labelling. It was simply random parts of the text underlined every now and then with a number next to them, as though some sort of list. Your curiosity gets the best of you, and you're itching to look for more when the sound of footsteps coming up the stairs snaps you out of it. You quickly shut the book, placing it back down as you grab your dress and towel, dashing into the bathroom. You just manage to lock the bathroom door when you hear the door to your room click open, and you let out a small breath of relief. Your mind is working tirelessly, trying to decipher the cryptic annotations as you take a shower.

You finish off and get dressed in the bathroom, taking your time to avoid Theodore. By your luck, when you unlock the bathroom door and peer out the small gap, Theodore is not there, and you let out a small sigh as you step out.

You put on the jewellery Pansy set out for you and slip on some socks, combing through your wet hair as you dry it lightly. Satisfied with how you looked (you did feel rather pretty, in all honesty), you make your way downstairs.

The kitchen is empty, save for Blaise putting the groceries away into the fridge. You grin as you walk over to join him, his eyes flickering over to you as you walk in.

“Morning. You got your rest, didn't you?” He teases and you shoot him a mocking smile, rolling your eyes.

“Yeah yeah, make fun of me all you want.” You sigh as you reach for the second bag, helping him put everything away.

“Where is everyone else?” You ask.

“Pansy and Lorenzo went out to get drinks, and I'm pretty sure the rest found some sort of creek or something so I think they went out for a swim,” Blaise says and you hum, nodding.

Come to think of it, you had completely forgotten about the rather surprising development between Blaise and Pansy. You and Lorenzo had bet on it as well. Deciding to pay Pansy back the favour, you begin probing into their little dilemma.

“So Blaise, tell me. What's going on between you and Pansy?” You ask, and he chokes on the coffee he was sipping as he sets the cup down. You open one of the cupboards, storing away a packet of pasta as he looks at you.

“What do you mean?” He responded, and a small grin tugged at your lips.

“Oh come on, don't act all shy now. This whole flirting thing you have going on.” You say, vaguely motioning in his direction as you put some fruits in the fruit bowl resting on the kitchen island.

“There's nothing. Just friend.” He denies, and you turn to him, resting against the island.

“Sure. Just one thing? You're both stubborn fools. Don't let that prevent anything.” You advise, looking at him. You grab an apple, tossing it into the air before catching it as you walk past Blaise, patting him on the back.

“Right now, out. I need to start prepping the dessert.” You say, and for the first time in your life, you see Blaise ever so slightly red.

He playfully grins as he walks out, and you tie your damp hair up as you look through what the boys bought.

You settle on a classic after taking note of the copious amounts of cream cheese the boys had bought (You were reminded to never ever ask them to go shopping, and you'd be sure to remind Pansy the same.)

A salted caramel cheesecake. You decided to make the biscuit base yourself - it would serve as a good way to pass the time seeing as you had the whole day to yourself.

Before you begin cooking, you wander over to the living room. Your eyes settle on a collection of vinyl records in the corner, and you sift through the sleeves, settling on one that doesn't look immediately terrible.

You carefully place the vinyl onto the turntable, the soft crackle of the needle hitting the record filling the room. The sound of a smooth jazz melody starts playing, creating a cosy atmosphere in the kitchen. As the music envelops the space, you begin gathering the ingredients for the biscuit base.

You preheat the oven and begin making the biscuits, sifting flour into the bowl as you work. It's surprisingly relaxing, the villa is empty and you're left to your own devices, humming along to the music as you bake. Sure, you definitely weren't the cleanest baker. A simple biscuit recipe had left you with a white powder coating over the kitchen, stacks of bowls in the sink and somehow, flour on your clothes as well. You huff, dusting down your dress as you place the haphazardly shapen uncooked biscuits into the oven. It didn't matter whether they looked good or not - you'd be crushing them anyway.

It only takes about 15 minutes before the delicious aroma of vanilla fills the kitchen, You're admittedly pleased at just how good they smell, and you can only hope they taste as good as they smell.

Whilst those finish off, you begin making the actual filling of the cake. You reach for one of the bowls when a certain song begins playing, your ears perking up at the sound.

“This is my conquering song

played on a wave so strong

pulled the broke-down ride for far too long”

You lightly sing along to the lyrics, a small smile tugging on your lips as you do so. You had always imagined this song to be blissfully domestic, something you'd willingly play if you were to cook or bake, so the fact you selected it by chance made you oddly happy.

Sometimes it was the little things that count.

With a little pep in your step, you walk around the kitchen as you gather the ingredients. Liberated by the villa having no other occupants, your movements are freer, a small little (unnecessary) spin or a little break to sing along as you cook.

Now, it had been long established that you really did not have the best awareness of your surroundings. This continued to be the case now because you were sure you would have stopped immediately if you had seen Theodore leaning against the doorway of the kitchen, looking over at you.

Unfortunately for you, you did not notice him.

Theodore leans against the doorway, his eyes fixated on you. They always would be, he couldn't not look at you even if he tried to.

A fond smile is tugging at his lips, watching as you lightly sing along to the song. It's offkey, and your impromptu dance moves incorporated with your haphazard baking skills is laughable, but Theodore can only look at you and feel simultaneously so happy yet also so terrified. Terrified because he acknowledges how such a simple sight can't get that smile off his face, and the fact someone has the capability of doing that to him seems daunting. He was scared because, for a brief second, he imagined walking over and helping you. You'd look up at him with that smile of yours.

God, that smile.

You have that little impish look in your eyes, ready to poke fun at him. He does the same with you. The worst thing is if he hadn't fucked up so royally, you could have been doing that.

Instead, he pushes off the doorway to go and help you. The first part goes as expected, you see him and you yelp, spinning around. He knew your ears would turn red, as they usually did when you got embarrassed. Theodore knew you like that.

He knew you'd look at him akin to a deer caught in headlights because your mind would go blank for a second. Theodore knew you like that.

He also knew you well enough to know that, despite his own hopes of your once confused and mortified face breaking into a wide grin, it would instead fall and you would avert your eyes.

Theodore knew you like that.

He hated it.

“Oh. Hey.” You utter, clearing your throat. You berated yourself for always acting so obviously on edge when Theodore was near. He looks down at you with an indescribable look in his eyes before he speaks.

“Hey. Need help?” He asks, and you look around at the messy kitchen, before shaking your head.

You actually did, but you'd be damned if you had to spend more time with Theodore, alone. You'd either end up dead silent or stammering some embarrassing declaration. You couldn't tell which one would be worse.

“Alright.” He mused, looking down at you. He doesn't make any move to leave though, and you're hyper-aware of the fact that he is very close to you.

His hand comes up, cupping the side of your face gently as his thumb brushes against your cheekbone. His hand is there for a second too long, crossing the boundary of what it should have been. Again, it seemed as though everything you and Theodore did crossed that boundary.

“You had flour on your cheek,” he says, and you nod, drawing away your face. You turn around, praying to the gods above that they'd stop torturing you and make Theodore leave. You keep your back to him as you continue cooking, and he seems to finally leave, making you release a breath you didn't know you were holding.

You hasten your cooking after that and you're out of the kitchen in no less than 20 minutes with the cheesecake stored in the fridge as you make your way to Pansy’s room. You absolutely would not go back up to yours, as you were sure Theodore was there.

Exactly how long did you plan on running from him?

Hours have passed lazing away on Pansy’s bed, bored out of your mind when she finally returns.

“Finally.” You sassed, sitting up as she raised a brow at you.

“Why are you waiting here?” She asks, and you shrug.

“Can I not miss my friend?” You quip and she eyes you, knowing there must be another reason. She chooses not to probe further, however, joining you on her bed.

“We ought to get ready. I did tell the boys to dress nicely, we’re dignified people.”She chided as she got up, walking over to her closet.

You giggle at her swift change of actions and lean back on her bed, looking over at Pansy.

Her love for micromanaging you often was a negative, but now it could very much be a huge positive.

“Pans… You always know just how to style me right. Can you run up to my room and choose a look for me? I'm hopeless.” You groan, putting your hand on your chin in an exaggerated display of hopelessness. Her eyes light up, as though she was a little kid playing dress up, and she nods.

“Finally, you've come to your senses! I know exactly what I'm getting, wait here.” She gasps, scampering upstairs. You grin, having successfully avoided Theodore once again.

(The answer to the previous question? You'd run from him for a very long time, seemingly.)

Despite her reassurances, Panys arrives a solid half an hour later, a scarlet lace dress clutched in her hands. An impulse buy, the dress was shorter than what you usually wore. It had a fitted bodice but a flowy skirt, though it only reached your upper thigh. The long sleeves that extended down into flowy bell sleeves had to be your favourite feature of it, alongside the bustier style bodice at the front. She grins as she passes over the dress, alongside a pair of black boots.

“Dressed nicely but not too fancy. Plus I've been dying to see you wear this, so up and change.” She demands, pushing you up. You grin lightly at her antics as you take the dress, disappearing into the bathroom to change. You run your hands down your body as you admire yourself in the mirror. A hell of a good impulse buy, the dress looked incredible. The low cut was far out of your comfort zone but boundaries were meant to be pushed, right?

(No, they were not.)

Pansy gasps as you step out, pulling you over as she admires the dress, words of praise leaving her lips.

“You look so good! Oh my god, wear this everywhere.” She gushes, and you smile shyly.

“Thanks, Pans. Really. And you look incredible too, like positively mouthwatering,” You say and she grins, doing a small twirl in her satin black dress. After styling your hair and doing some light makeup, you make your way over to the dining room, which had already been set up beautifully.

The table, adorned with a crisp white tablecloth, is set meticulously with polished silverware, crystal glasses, and porcelain plates. A centrepiece of fresh flowers in varying shades of red and white adds a touch of elegance, their fragrance mingling with the soft glow of candles placed strategically around the room.

Pansy's attention to detail is evident in every aspect of the setup. Delicate linen napkins, folded artfully, rest atop each plate. You begin to feel excited for the evening, walking over to the kitchen as you look for everyone else. Theodore, Lorenzo and Mattheo are all in the kitchen, sorting panicking over the starters as they rush around like headless chickens. You step in and Lorenzo spots you, a wide grin breaking out on his face.

“Wow wow wow. Look at who we have here.” Lorenzo says admiringly, calling over the attention of the other two boys. You grin, ironically doing a small little pose to shake away the awkwardness of their gazes on you.

“Stunning!” Mattheo announces, slinging an arm over your shoulder as he ruffles your hair. You groan with disdain as you jab him in the side.

“Ow!” Mattheo complains, letting go as he frowns, rubbing his side.

“The bloody devil, you are.” He mumbles, glaring at you, A small laugh escapes your lips.

You affectionately pat him on the cheek, before turning to Lorenzo.

“What do you need help with?” You ask them, and Lorenzo shakes his head.

“Nothing. You go and rest, we’ll come serve them soon.” He says, and you nod.

You've been avoiding Theodore's gaze the whole time you've been in here, but you stupidly can't resist looking up at him and instantly regret it when he staring at you so intently. His eyes meet yours and he seemingly snaps out of it, swallowing harshly.

You quickly walk back to the dining room.

A solid 4 hours or so later, you're all lounging in the living room, stomachs full with what was a surprisingly good meal. Whilst the starters were good, Blaise, Pansy and Draco had really knocked it out of the park with the main, a mouthwateringly good risotto that you helped yourself twice to. The cheesecake seemed to be a crowd-pleaser though, with Draco having three slices.

With a glass of whiskey loosely held in your hand, you take a sip, leaning back into the couch. Whilst you tried to fit the aesthetic and sip some wine, you couldn't bear the taste and (truthfully) wanted to get drunk tonight.

It was a lazy and subdued atmosphere, and you didn't even notice Pansy, Blaise, Draco and Mattheo all retiring back to their rooms. You yawn as you get up, stumbling slightly (you had drunk quite a bit actually). You sleepily bid goodnight to the remaining two ( as vaguely as possible because god forbid you say Theodore's name) and make your way upstairs (in one piece.)

You walk into your room and kick off your boots, wandering over to your bed as you begin taking off your jewellery. You look up a mere few seconds later when Theodore walks in, seemingly equally as drunk as he looks at you. He shuts the door, yawning as he pulls off his knitted jumper, leaving him with his white t-shirt on. He throws his sweater somewhere to the side as he flops down onto his bed with a sigh, rummaging through his pockets as he produces a lighter. You can't help but openly stare at him as he does so, alcohol freeing you of what little inhibitions you had.

Something about the sight of Theodore laying on his bed, lazily smoking a cigarette with his slightly messy hair and those damn eyes….

You could see his muscles shift every time he brought the cigarette up to his lips, and you didn't realise smoking could be so erotic.

For some awfully stupid reason, really I mean, you had to question your own sanity, you get up, walking over to Theodore. You're alarmingly quiet as you approach him, and don't say a word as you stand there. His eyes flicker up to you, and suddenly you realise:

Alcohol + tension + two rash people

Is not a very good mix.

You reach down, plucking the cigarette from his fingers. Theodore observes you with a small smile, those sinful eyes of his boring into you as you take a drag, before passing the cigarette back to him.

“He was right,” Theodore says after a second, looking up at you, You tilt your head. If you were already slow at making these connections, the alcohol only made it worse.

“Hmm?” You hum.

“Mattheo. You did look stunning today.” Theodore says, voice low.

Instead of doing what you usually did (some awful combination of looking away, panicking or just remaining quiet), a lazy smirk tugs at your lips as you look down at Theodore.

“Yeah?” You question, and you're 100% sure you watch his eyes flicker down to your lips.

Theodore's eyes widen slightly, a mix of surprise and excitement flickering across his face as he absorbs your murmured words.

Tentatively, as though testing the waters, he sits up, back propped up against the headboard as he looks up at you. His hand tugs at the sleeve of your dress, pulling you down, His hand rests on the curve of your hip, massaging light circles, and you go dizzy at the feeling.

You make no effort to move.

Rather, in a bold surge of confidence that quite literally materialised from nowhere, you swing your leg over Theodore's lap, straddling him. His hands immediately find their place on your hips, as though they're meant to be there, and he's looking at you through half-lidded eyes.

You knew this was a bad idea, but the alcohol spoke prettier words than your rationale did.

“You certainly know how to make an impression.” He murmurs his fingers trailing lightly along your thigh. You resist the urge to shudder at his touch, goosebumps erupting on your skin as he touches you. You lean closer, admiring the features of his face as you speak, mere inches away from one another.

“Well, I had someone to impress.” You say. He lets out a small, wry laugh, though he's far too consumed with looking at you.

Close the gap. Do it.

You do.

With a surge of hunger, your hands fist his shirt, pulling him in. His hand cups the back of your head as he meets your lips in a passionate kiss, mouths melding together. He holds you tightly, his grip both possessive and comforting at the same time.

The bulge of his clothed cock presses against your wetness, grinding against you with a desperate need. A small meek escapes your lips and it’s as though Theodore immediately swallows the sound, tongue slipping into your mouth as you continue to make out. It’s simultaneously lazy yet desperate - hungry.

"Fuck," Theodore murmurs against your lips, his voice laced with desire. "You're driving me insane." He mutters, trailing open-mouth kisses down your jaw and neck. You moan, arching your back as you tilt your head back, giving him easier access. He wastes no time in sucking and kissing the delicate skin of your neck, tongue soothing the places he nips at you, your skin blossoming red and purple.

His hand trails down your body, his fingertips tracing along the swell of your breasts. A low groan escapes your lips, hands coming up to thread through his hair. You tug lightly and feel him smile against your neck. With deliberate slowness, he undoes the lace on the back of your dress as he continues to press sloppy kisses to your skin, undoing the top as he tugs it down. He pulls back, eyes hungrily taking in the sight.

He flips you over with alarming ease, pinning you down onto the mattress as he hovers above you, holding your hands down by the side of your head as he begins kissing down your neck to your breasts.

“Beautiful.” He murmurs, large hands coming up to cup one of them, the other holding your hands in place. He squeezes one of your nipples, pinching the bud lightly between his fingers as you gasp, arching off the bed. The sound is music to his ears, and he grins, his eyes remaining on you as he leans down and takes the other one into his mouth, tongue running over the sensitive bud as he pulls away, blowing lightly.

The contrast sends you into a haze, and a whimper escapes your lips. Theodore wants to devour the sound, he simply can’t get enough.

“Do you know how fucking long you’ve been on my mind?” He mutters, voice laced with desperation as he leans back down to kiss you, bulge grinding against your clothed cunt in a way that had you desperate for more. You can’t even formulate a response, because you’re all too consumed by Theodore. Everything about him.

He sits up slightly, hands resting on your thigh as he runs his hands up and down, his fingers disappearing under the hem of your dress.

You feel his fingers brush against the damp spot on your panties and swear that Theodore Nott will be the death of you.

Seemingly satisfied, a small smirk tugs at his lips, observing your reactions as he slowly pulls them down. He throws them to the side, and words cannot describe the look on his face as his eyes hungrily rake over you.

You needed him, every bone in your body ached with a visceral need for Theodore. Your hands come down to his belt, tugging at the buckle as you look over at Theodore, eyes glazed over as you were driven mad with your need for him.

He undoes his belt, the sound of the metal buckle clinking as he throws it onto your bed, unzipping his slacks. You can make out the bulge of his erection against his boxers and your heart skips a beat. You’re filled with this primal need to just have Theodore, you need as much of him as physically possible.

You tug his boxers down, freeing his strained erection from its confines. You swallow harshly at the sight of his cock, the tip glistening. You lean up to meet his lips in a kiss, your hands wrapping around his length as you give him a single jerk. You suddenly realise why Theodore was kissing you the way he was because the low groan that escaped Theodore's lips had you mad for more.

“Look at what you’ve done to me.” He murmurs, pushing you back onto the bed. He hiked the skirt of your dress up over your hips, eyes straying down as he spoke.

“You’ve unravelled every thread of control I have.” He says against your lips, teasingly running the head of his cock between your folds. A low moan escapes you, desperately seeking more friction.

“I’m going fucking crazy for you. I ache for you every second of the fucking day.” He mutters, and you pull back from the kiss, looking up at him.

“You have me now.” You respond.

His lips surge forward and meet yours in a kiss with renewed intensity, slowly thrusting into you.

You both let out a collective low groan as he slowly thrusts into you, and you can feel every inch of Theodore within, stretching you out so good you feel as though the simplest movement would split you open. A plethora of gasped curses escape your lips, but Theodore silences them instantly, coming down to kiss you deeply. He buried himself inside you fully, savouring the way you stretched to accommodate him, clenching tightly. He gives you a second to adjust before slowly pulling out. He rocks back in again, his moments slow and measured, but strained as though it’s taking every inch of self-restraint to not ravage you there and then.

“More. Don’t be nice.” You moan, and Theodores swears he won’t ever be the same again. One look at you, hair splayed out against the mattress, your back arched off the bed. It’s a sight he’d never forget.

“Don’t say shit like that. I’m already close to losing it.” He utters, voice strained as his hand grip your hips harshly, surely leaving imprints.

“Good. Ruin me.” You whisper, a fucked-out grin on your face.

Theodore groans, pulling out slightly before slamming back into you. You gasp, cursing as your hands grip Theodore's sheets. He sets a ruthless pace, fucking into you hard. The sound of skin slapping against skin fills the room, though you’re sure it had to be muffled by the moans leaving your lips. It was only then that you were thankful for having a room all the way on the top floor. You both were too drunk to realise Muffliato did exist.

“God, you’re so fucking tight. Taking me so well. It’s like you were fucking made for my cock” Theodore groans, leaning down to capture your lips in a kiss. Your hands come up, running along his back as you lean up (to the best of your ability) to meet him in a kiss.

Theodore's forehead presses against yours, breaths mingling as he shifts slightly, before thrusting back into you. You can feel every inch of his cock brush against your walls, and you can’t help the pathetic plethora of moans and whimpers escaping your lips when he brushes against that spot, stoking a fire in your stomach.

“Theodore- Fuck! ‘m gonna…” You babble, and he lazily smirks, slowing down slightly as one hand tangles in your hair, tugging at it lightly. He experimentally plays with it for a second before harshly tugging your hair, eliciting another moan that felt like it came from the depths of your body, the line of pain and pleasure blurred.

“Hmm? You’ll have to speak up.” He hums, teasing you with shallow, slow thrusts.

You let out a whimper at the loss of contact, frustration gnawing at you as you look up at Theodore.

“Fuck, stop being such a tease. Please just..” You whimper, trailing off and he tuts, his grip on your hair tightening slightly as he forces you to look up at him.

“You have to tell me what you want. I don’t speak in half sentences, sweetheart.” He says, voice laced with an almost animalistic pleasure.

You groan, nails digging into Theodore's back as some slight form of retaliation.

“I’m gonna cum- please.” You say, breathlessly, and a small smirk tugs at his lips, his hand loosening its vice-like grip from your hair as it trails down the side of your face, his thumb running along your bottom lip.

“Good girl. Since you asked so nicely,” He muses, no longer teasing you with shallow thrusts as he wastes no time slamming back into you, cock brushing against your cervix. You moan, eyes rolling back as the heat in your stomach rises rapidly; the sensation of Theodore fucking into you was pure perfection.

“Theo…” You moan, breathlessly. He responds to you moaning his name with a harsh snap of his hips, nails digging into your hips as he grabs them tightly.

“Say it again.” He grunts, his thumb coming down to rub harsh circles against your neglected clit, sending a surge of electricity through you.

“Mmm- Ah, Fuck- Theo-“ You moan, and you’re sure you would have done it without him even asking.

“You close? Gonna cum on my cock?” He groans, and you’re sure you’ve become mush because you can’t respond, can’t think, your mind and body reduced down to one simple thing.

Theodore. Theodore, Theodore, Theodore.

You teeter impossibly close to your climax, nails scratching down his back. The sheer ecstasy was too much, and you felt like you couldn’t handle it but also like you needed more and more.

His eyes take over you, as if even though you're both inebriated, he tried to commit every little detail to memory, the way you moaned, mascara streaked around those eyes of yours.

His thrusts grow more intense, fingers working their magic against your clit as he brings you to your release. His relentless thrusts push you close to the edge over and over again,, eliciting a strangled moan from your lips as you feel his thrusts become sloppier, indicating that he was close. With what little strength you have left you wrap your legs around him, pulling him closer as his lips descend down onto you, ravishing you with messy kisses. It takes one last thrust for you to be sent hurtling over the edge, a cry of pleasure escaping your lips as your orgasm crashes through your body with frightening force. Your walls clench around Theodore's cock, eliciting a low groan from him as he chases his own release, eyes never leaving yours.

It’s positively sinful, but he’s sure he’s never seen a prettier sight.

“Fuck-“ He grunts, his movements becoming erratic as you feel him twitch inside you. your legs don’t give in, though you’re surprised you have the strength as the rest of your body convulses with the sheer intensity of your orgasm.

“So fucking perfect.” He gasps, and with one final thrust, he stalls, burying himself deep inside you as he groans, hands momentarily tightening their grip on your hips before relaxing slightly. He utters your name with reverence like a sinful prayer, coming down to press lazy kisses to your lips as he releases deep inside you.

You reciprocate the kisses, and embarrassingly whimper at the loss of contact as Theodore pulls out of you, collapsing down next to you. You’re both breathless, panting as you come down from a high you've never experienced before. The post-orgasmic haze lingers over you, making you feel impossibly sleepy. Your eyes flicker over to Theodore and it’s evident that he feels the same. Your eyes widen slightly when you see the red spattering along his neck, not realising when you had done that.

In any other situation, you both wouldn’t have done this in the first place. But the effects of the alcohol had you both giving into temptation, and you didn’t fully comprehend just how badly you both had fucked up.

You roll over, pressing a teasing kiss to the hollow of his throat as he tugs the blankets over the two of you, an arm wrapping around your waist as he pulls you into him. He rests his face in the crook between your neck and your shoulder, pressing a light kiss to your shoulder with an arm wrapped around your waist. You let out a small sigh of contentment, wrapping an arm around him as his hand massages your back and side lightly, the tender feeling sending you further into that sleepy state. The sheets smell of Theodore, and you find yourself (as you often did) consumed by him.

You and Theodore both fall asleep in each other's arms, holding onto one another as the night passes by.

You had fucked up, truly.

If only you knew the consequences your actions would bring in the morning.

You couldn’t even blame it on the alcohol, for it was a known saying that drunk words are sober thoughts.

The same undeniably applied to actions too.

@llpovi @camille-1019 @lovelyygirl8

#harry potter #slytherin #slytherin boys #tom riddle #draco malfoy #lorenzo berkshire #slytherin boys fic #blaise zabini #theodore nott #pansy parkinson #theodore nott x y/n #theodore nott x you #theodore nott x reader #theodore nott angst #theodore nott smut

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