“project promise” the ermine, fully colored and cleaned up! they’re the future’s sorta-successful, sorta-incredibly-disastrous answer to the past’s project shadow. infused with mephiles-enhanced hydrokinesis, they’re the perfect combatant against iblis and other fiery foes. don’t be fooled by her cold exterior though, they’re an awkward, self-important loser with a parasocial inferiority complex against a hedgehog from the 1950s, and always seems to be particularly flustered by the sol dimension’s pyrokinetic princess.
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does anyone have the interview with team endgame where someone’s like “were you named after the marvel movie?” and they explain that their world championship winning robot is named after a taylor swift song
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Since Marvel decided to broke us all with Rhodey's story, I decided to ruin myself -and every single person who's reading this- even more.
Rhodey looked at the sky to see if Tony, with the Iron Man suit, was up there and if he was coming for him.
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the relationship we see actually develop romantically on screen is not kitty with dae or minho. we went into the story already knowing dae and kitty have feelings for each other. kitty’s relationship with minho, at least in her perspective, is not at all romantic. to her, they’re more frenemies.
the relationship we actually witness throughout the show developing first as a friendship and then into a crush is actually kitty and yuri’s relationship. so it really doesn’t make sense that people are saying it “came out of nowhere”. people are just saying that because they didn’t watch xo kitty with the knowledge that kitty (the main character) would be queer like they do watching heartstopper or any “lgbt” marketed show. it also doesn’t help that people are so dead set on minho just from the trailer.
just because it wasn’t in the trailer, it doesn’t mean it doesn’t make sense narratively. kitty’s crush on yuri is not out of nowhere.
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Your A-Team, Your Endgame
by silverkiiwii | @tomlinsins with art by @harryanthus-annuus
“Did you have another fight with Harry?” Liam asks as they move away from everyone, into the kitchen.
“No. Why?” Louis says, perplexed.
“He looks ready to murder you.” Liam subtly looks over towards Harry and sure enough, his gaze on Louis is intensely unwavering.
“Or well, fuck you senseless.” Zayn chimes in with the most absurd possibility before Louis can think of a reply.
“What? Shut up. He does not want to fuck me senseless.”
“Then you can fuck him senseless.”
“Nobody is fucking anybody senseless.” Even the mere notion is enough to make his eyes roll up into their bloody sockets.
“Doesn't mean you don't want to though.” Liam smirks like a true traitor. He really ought to make new friends.
“I'm leaving.” Louis deadpans. He is not going to dignify their idiocy with responses anymore.
Coming Soon as part of @onedirectionbigbang round 7!
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Imagine how good it must have felt for Peter to be able to hold her again though…he missed her like crazy, she’s the love of his life and he for her, holding her even for a few seconds must have felt incredible
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Day 6: "It should have been me"
Merlin 5x13 | Doctor Who 4x13 | Hawaii Five-0 10x22 | Supernatural 4x09 | The A-Team 5x13 | Avengers: Endgame | Prodigal Son 1x01 | The Haunting of Hill House 1x10
@whumptober @whumptober-archive
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welcome to my TED talk about the beauty of the loki soundtrack and how natalie holt is proving the theory that it’s all about mobius and loki (lokius):
obviously let’s start with the piece ‘lokius’ which we know my thoughts on but this sets up the overall theme of this discussion. in a general summary of my previous TED talk, i claimed that lokius is all about mobius since the piece is mainly composed of his musical theme and the fact that he was literally jealous and discrediting sylvie and loki in that scene. it was all about him in that moment. but they could have easily left this theme as is.
however, natalie holt goes on to repurpose and interpolate the ‘lokius’ musical theme throughout the season 2 soundtrack especially in the show’s finale which is the culmination of loki’s arc. loki and mobius’ relationship grew over season 2 to the point where the last person who ever saw and truly saw loki was mobius.
in the score ‘complex and many’ in loki and mobius’ final goodbye scene, it’s a variation of ‘lokius’ that plays, not anything else. no other score of this magnitude plays when he says goodbye to anyone else, not even sylvie. this is the pivotal emotional climax because loki and mobius’ relationship is the core and heart of the show and to his character. loki would not have been able to sacrifice himself nor have the compassion to do it without mobius. loki gave mobius the choice to live and find his glorious purpose but the show ends with mobius waiting, letting time pass, because he’s alone now just like loki. so he’ll wait for loki to return.
this brings me to the score ‘purpose is glorious’ the final montage sequence in the loki finale. it’s such a beautiful score and it plays over everyone finding their purpose except for mobius who the score cuts out right as we see him stand in front of his sacred timeline home watching his true self play with his children. everyone finds purpose except for mobius. but the piece takes from ‘lokius.’ everyone found purpose because of mobius and his love and care for loki, except for mobius. which is the tragic irony.
finally we talk about the final score in the show, ‘history is now’ which takes elements from ‘loki’s green theme’ and ‘lokius.’ don’t believe me? the underlying violins in the ‘history is now’ is like ripped right from the violins in ‘lokius.’ and ‘history is now’ is the final time we see loki and mobius. mobius letting time pass, loki accepting his glorious purpose.
so in conclusion, it’s always been about mobius and for mobius. it’s always been lokius’ story. even since season one. and the loki soundtrack ITSELF proves this. don’t believe me? just listen.
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⚠️ END GAME ⚠️
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Hands on the face means I love you...
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There's something about sel being the first one to kneel to Bree that makes my heart go ❤️
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Y'know... A lot of ZaDr fics have them either gradually drifting into a less contentious status quo or establishing a deeply bizarre multilayered dynamic that is nonetheless very consistent and beholden to its own rules—which works, to be clear, because slavish adherence to the rhythm of their endless 'game' is already their canon baseline.
WITH THAT BEING SAID. I think it would be very funny to depict a ZaDr dynamic in which they're like, on-again off-again nemeses. As they get older theyre gradually forced to acknowledge the true depth of their mutual attachment, but instead of actually improving themselves in any lasting way or compromising the conflicting elements into an ill-definable state of contentious codependence, they just start oscillating wildly between periods of obscenely clingy allyship and devotedly murderous enmity. There's never an in between. They'll dedicate all their energy to trying to horrifically torture each other to death, until one of them gets uncomfortably close to actually dying or an external crisis pushes them together or they just get bored—at which point, they become obnoxiously glued at the hip until one of them relapses into anxiety about their ambitions or an argument escalates past the the point of no return or they just get bored. And every time they both Really Mean It, They're Not Gonna Do This Anymore, before naturally going ahead and doing it again
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