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zg0thic · 2 years
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Stranger things cast layouts. 3 >
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soobck · 2 years
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im will byers #1 defender
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since0f94 · 2 years
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hsrrington · 9 months
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— stranger things users (eddie, tete, nancy, robs & jonathan)
edsmunsn
hsllfireclub
bysteddie
eddiepetista
steveharringttn
stevedocinho
stobinmeus
rsbinbuckley
buckwlwey
nancysgun
powernancypuff
marolabyers
jjonbyers
todos estão disponíveis, então peço que me avisem por aqui ou no meu twitter se pegaram algum para eu riscar da lista :)
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ourdadai · 2 months
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✿ yves ꒰ loona ꒱ lockscreens !
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baeksay · 1 year
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[𝟵𝟵𝟵] 𝗬𝗼𝘂 𝗔𝗿𝗲 𝗠𝘆: 밤비 밤비 𓂂 ˳ 𖤓  ࿐
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mondlevan · 4 months
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steve and robin headers
“♡” or reblog if you save/use — follow me.
twt: @szamofada
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meatychunks · 3 months
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Conan the Barbarian and how it correlates to Mike's inner struggles
I know the topic of Mike's bedroom has been talked to death, whether it's the one-way sign or the buff dragon with nipples poster. However, rarely do I ever see talks on the Conan the Barbarian poster or even on the film itself, which is properly due to the film being somewhat notorious for its terrible treatment of women.
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Whenever I do see it, people usually stick it up to being a part of his gay sexual awaking, which was sprinkled throughout his introduction in this season. And while I agree that's a part of it, I believe that they choose this film specifically rather than its sequel (which was only two years old in 86') for its depictions of minorities and masculinity to perfectly sum up his struggles with not only conformity but also toxic masculinity of the 1980s.
A HEADS-UP WITH TALKS OF SEXISM, RAPE, HOMOPHOBIA PLUS BREIF NUDITY.
Let's start with how it portrays sensitivity among men. Right off the bat, we see the film favours traditional masculine values with a conversation between Conan and his father shortly before the massacre of his tribe by the doom cult, with him telling Conan not to trust anyone and allow himself to be vulnerable, only trusting the steel of his sword which, in the film's own words, was founded by men.
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Rather than this being a critique on how men are often been forced out of emotional availability by generations before them, it's taken as words of wisdom that Conan takes to heart as we see him from a scrawny kid that lost everything to a muscular killing machine, stripped from sensitivity and is seen by other characters as the prime specimen of man.
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Male sensitivity is often depicted as a weakness and is unsurprisingly lumped with homosexuality as something to be ridiculed. We see this as Conan tries to sneak into the temple of the cult by pretending to be a shy and nervous bystander while wearing flowers (to which he says "for a girl" when being asked the purpose of them the scene prior), this attracts the attention of a priest who makes suggestive comments about his body all while caressing his chest. He asks to continue their discussion in private, an obvious implication of a hookup, and ends up getting killed by Conan.
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Not only it's presented as something antagonistic with the act of desiring another man seen as something perverse, but also, the implications of GNC men shouldn't be taken seriously and only seen as a target for sexual assault.
Traditional masculinity carries into how women are represented. With it not only their screen time is few and far between but also only serve as sexual reward to male characters or to show off their power, women who don't fall into this category are usually ridiculed by our main protagonist, often being called sluts or hoes. They are disregarded shortly after their introduction by being killed and/or raped (including a woman being raped by Conan during his montage to power).
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The only recurring female character is Valeria (we only find that's her name in the film's credits, so take that what you will) who gives the illusion of a strong character with being able to fight aside the male characters and her snarky attribute during her introduction, but ultimately ends up being a tool for Conan by falling into the wife role with her never being able to have true goals of her own. She disappears from narrative, only to show up towards the end for a tiny bit to meet her demise.
The poster reflects her role in the narrative with its composition, with her kneeling down so the viewers' eyes lead up to the main piece Conan, just an add-on to show his power.
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Now that's not to say it doesn't cater to female viewers (and unknowingly to queer men) by taking full advantage of the female gaze with multiple lingering close-up shots of Conan, some framed in suggestive angles and even scenes only exiting just to show off Arnold Schwarzenegger's muscular frame (take the random sex scene with the witch for example). And while there is female nudity, like women in this film, it's treated with a lot less care with being in wide shots and going just as quickly as it appears.
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Which finally brings us to this film's queer coding. It's common for macho action films to fall into homoerotic undertones due to their misogynistic tendencies, this film being no different with it being parodied in other media, even during its initial release, particularly in underground comics.
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An example I like to bring up is Conan's "first time" in a fight. He's confused and nervous as he's thrust into battle bare apart from a loin cloth and is attacked by his opponent, but as the fight progresses, he gets more confident and begins to relish in it.
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Overall, the film does serve escapism for it's male audience with its power fantasy elements, but rather of it being done through our main protagonist, it's done through the world where the narrative inhabits with it taking pride that worth is achieved through physical strength, wealth and sexual conquest. And while the narrative is the classic trope of the underdog going against a figure of high power, even they can't help finding his lifestyle appealing.
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Now....
What does this tell us about Mike?
Well, we know that his family often emotionally neglect him and encourage him to give up vulnerability (i.e., making him give up his childhood toys that have emotional value and viewing his outbursts as just "delinquent behaviour").
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His poor treatment towards El starting when they are together at the start of season 3. Starting off somewhat small with implicitly being disinterested in her when they are actually alone, take their conversation during his bike ride to the mall during his introduction or him jumping on the first chance he got on reducing their time together when Hopper stepped in (despite going against his wishes when it came to looking for Will in season 1).
However, when she starts to gain some independence through Max and stops being "his pet", rather than admit his mistakes and apologise like how Lucas does with Max or how he does to Will shortly after upsetting him, he starts using sexist language and starts to get controlling when said independence is applied to her use of powers.
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His implicit homophobia during his projection, when Will (Who is canonically considered GNC during this time) implies his changed in behaviour as something negative.
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And this might be a stretch, but maybe him tying his self-worth to whether or not he is able to provide and protect is also due to the societal pressures of gender roles and him feeling inferior to El could possibly be a hint of jealousy due to her being able to fulfil said roles despite her gender.
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And we all know he has a certain type when it comes to men.
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mioshn · 2 years
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cause shade never made anybody less gay <3
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domokunrainbowkinz · 2 months
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whatever I'm posting this again. anyways 2 of them ✌️
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zg0thic · 2 years
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stranger things textual bios. < 3
         me and my girlfriend (@ zendaya) watching st4.
         I like girls & 𝐞𝐝𝐝𝐢𝐞 munson.
         93, joseph, my 𝗯𝗼𝘆.
         me + 𝗿𝗼𝗯𝗶𝗻 𝗯𝘂𝗰𝗸𝗹𝗲𝘆 = soulmates!
        crying cause there´s no 𝗺𝗼𝘃𝗶𝗲 on friday.
         𝙚𝙙𝙙𝙞𝙚´𝙨 𝙫𝙤𝙞𝙘𝙚: i love you man.
        jopper are reminding me, that I'm
single and depressed.
         86, 𝘄𝗶𝗹𝗹 𝗯𝘆𝗲𝗿𝘀.
         dustin´s voice: he's a 𝗵𝗲𝗿𝗼.
        eddie: crissy, this is for you.
        el kicking vecna´s ass.
       official profile of nancy´s girlfriend.
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henrysglock · 10 months
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What is it with the Duffers and Numbers
Because I'm me and I can't rest until I've parsed out number shit with dates in Stranger Things...I decided to use OEIS to see if there was an kind of pattern in important dates. Our important dates being: 1959 -- Creel Murders 1971 -- Willel Birth Year 1979 -- HNL Massacre 1983 -- Mothergate 1985 -- Keygate 1986 -- The Rifts
From here, I decided to find duration differences between events. March 1959 -> (?) 1971 = 12 ≤ x ≤ 13 years (?) 1971 -> Sept. 1979 = 8 ≤ x ≤ 9 years Sept. 1979 -> Nov. 1983 = 4 < x < 5 years Nov. 1983 -> July 1985 = 1 < x < 2 years July 1985 -> March 1986 = 0 < x < 1 year
This is where OEIS came in handy.
If we round down, we get 0, 1, 4, 8, 12.
This sequence includes all relevant ages for El and the Creels:
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Henry and Alice are 12 and 15 respectively when the Creel murders happen. Henry's Virginia is 36. Henry's Victor is 40.
Edward and Virginia, are also presumably 12 and 15 when their Creel murders happen. Edward's Victor is listed as being 35. Edward's Alice has no age listed.
Born in 1947, Henward were 24 when El was born.
El and Henward are 8 and 32 respectively when the first gate opens.
El and Henward are 12 and 36 respectively when Mothergate opens.
El is 15 or close to it when Vecward, now 39, opens the Rifts.
The Mindflayer, while not being a gate-opening event, occurred in '84, which also appears in the sequence.
That's really freaky on its own.
However, If we round up, we get: 1, 2, 5, 9, 13. This sequence is known as the Euler Path:
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What makes this so interesting is a) it's a well known pattern (if you're a math nerd you've heard of it before. Suzie would absolutely know this pattern), and b) it has Implications™
Essentially, the Euler Path/Circuit is the longest single, non-overlapping path between two points.
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Being a biology nerd myself, my favorite Stranger Things science connection is this:
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The Eulerian path is routinely used, nowadays, to reconstruct genomic sequences for ancestry tracking/taxonomic tracking. It's essentially a highly-accurate, DNA-based version of what Dustin did with D'art in ST2. It's an algorithmic puzzle-solving strategy.
The most relevant connection is actually tied to the definition of a Eulerian Path/Cycle, and that is:
Timelines, The Missing Creel Door, the 5-Room Puzzle.
As we've seen in Em's post here, the very structure of the Creel house changes in the show:
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A founding puzzle related to the Euler Paths theory is the 5-Room Puzzle.
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Now, our house has six rooms, including the foyer/hallways, which makes it slightly different from the 5-Room Puzzle. I was able to find a variety of solutions to each, and there was one pattern that emerged:
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They're almost the same, but based on the odd-evenness of the door assignments...they're distinctly different. Each path variation in Edward's house begins in the chess room. Each path variation in Henry's house begins in Victor's study. Both end in this odd, unseen console/kitchen area.
They start differently, separated by a wall. Edward's house has the doorway between those starting rooms, Henry's does not. It doesn't matter. They both end up in the same room.
I'm working on finalizing a look at the loops and cycles version of these paths, and I'm fairly sure there's a pattern in there too, but I have to nail down a couple of other details before I go posting them.
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dinkleyreads · 1 year
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my internet is 4g but my heart if 4 evelyn hugo
tshoeh messy headers
credits to @titiesyoo on twitter
fav or reblog if you like it, ty 🤍
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deftos · 2 years
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sadie icons <3
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hsrrington · 8 months
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wwd magazine pt 4 (pts: 1, 2, 3)
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anggelic · 2 years
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i love you maxine <3
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