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#speaks so well to the experience of posting art online
marsbotz · 2 months
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my list of pretentious art critic media that changedddd my brain chemistry like actually.
- the beginners guide
- its such a beautiful day
- the stanley parable (AND the demo.)
- swiss army man
- presentable liberty
- fight club
#and more. that i forget bc my memory sucks#ohhhh stanley parabel demo save me……#not even a contest. even tho its funny#ummm. best to quickly get into is tsp demo. its free and like 15 mins#and honestly yeah for me its as good as the full game#w the nature of tsp as a game the demo is completely different to the full version#different themes different setting. and not multiple paths#but ohhhhh my god its so so good.#if you do one thing for me ever pplssss pls play tsp demo.#rlly funny AND makes me cry. IN 15 MINS#tbg i wld rec to anyone who considers themself a creative of any sort#speaks so well to the experience of posting art online#swiss army man is REALLY weird. so i wldnt rec it to most ppl but it is super interesting#i rlly love the trans allegory interpretation..#fight club is like the most basic on this list but i like it. and its vaguely conplicated and Themey so it belongs#PRESENTABLE LIBERTY…. i have never even actually played#super artsy tho lol. ur stuck in a jail cell the whole game and get letters that tell u abt the world dying off from a plague (n capitalism)#hits very different after covid but its superrrr super good. CRAZY boring but its the point. lol#oh yeah thr actually stanley parable. one of my favs of all time. EVER#rlly funny. but also crazy fucking sad#the relationship between stanley and the narrator is super interesting and it makes me sad theres not more exploration of it in fandom outsi#outside shipping#in terms of ending a few of my favs r explosion.. phone#uhhh. space. and of course confusion#in terms of ultra deluxe i REALLY love the 2 endings. rlly dont like all the bucket endings#i think some are fun but it feels a little bit of a mean trick. promising so many more endings and then them all being just alt versions of#oh by 2 endings i mean the epilogue LOL. its been a while. but yeah all that shit was STELLARRR esp the skip button room#i cld make a whole post on my tspud thoughts. but yeah. i still prefer the original by far but the sequel/epilogue stuff is awesome#UM. think i deleted the tags for space isabd is sooo good but so draining. rlly rlly rough watch but so good. makes me bawl
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fireflysummers · 7 months
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FireflySummers’ Guide to Arguing Against the Use of AI Image Generators
(AKA I hate AI image generators so fucking much that I published a whole ass academic article on it)
Read the Paper: Art in the Machine: Value Misalignment and AI "Art"
Citation: Allred, A.M., Aragon, C. (2023). Art in the Machine: Value Misalignment and AI “Art”. In: Luo, Y. (eds) Cooperative Design, Visualization, and Engineering. CDVE 2023. Lecture Notes in Computer Science, vol 14166. Springer, Cham. https://doi.org/10.1007/978-3-031-43815-8_4
The purpose of the original paper and now this post is the following:
Provide at least one academic article that you can cite. (Full paper + citation available below)
Make explicit community values that have previously been implicit, in order to better examine your own perceptions of the online artist community, and where you sit within it.
Provide rebuttals to common pro-AI talking points, with the intention of shutting down the conversation and reclaiming the narrative. 
What this paper and post cannot do:
Act as a sole authority about the online artist community and its values. We are not a monolith, and it is up to you to think critically about what, exactly, you want to take away from this discussion.
Provide a way to convince AI Evangelists that what they’re doing is wrong and bad and needs to stop. You will never convince them. Again, focus on shutting them down and reclaiming the narrative.
Final Disclaimer: I'm a very fallible researcher who is still very much learning how to do academia. I cannot speak for the entirety of the online artist community or fanartist community. We all have different lived experiences. I have done my best to include diverse voices; however if you have concerns or critiques, I am open to hearing them.
If you show up to debate in favor of AI image generators, you will be automatically blocked.
Credits:
Editors, Meme Experts, and Annotators: @starbeans-bags, @b4kuch1n, @cecilioque.
Tutorial Examples: @sabertoothwalrus, @ash-and-starlight, @miyuliart, @hometownrockstar, @deoidesign, @cinnamonrollbakery
If you have read this far, thank you very much. I hope that you have found a constructive lens for approaching the war with AI image generators, as well as a new tool for shutting down debate and reclaiming the narrative.
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csuitebitches · 1 year
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On Being Well Spoken
I recently received a request about posting something regarding being well spoken.
Something you need to realise is that you’re not going to become well-spoken overnight. You need to practice on people. You need to SPEAK.
I used to stutter so badly that I could barely speak a whole sentence.
Flash forward a few years. I pitched my start up in front of a crowd, I joined Model United Nations in high school and college, I’ve been invited to speak on my entrepreneurial experience by some top universities in my country. It’s taken a lot to get here. And I’m still not where I want to be.
1. Apps to track progress and help you get better at public speaking
An app that you can use: “Speeko.”
I used to use this, it is beginner friendly and you can improve your public speaking skills as well.
2. Use topic generators
Go online and look up a topic generator. Generate a random topic, video yourself speaking on that topic. Don’t give yourself time to prepare anything - read the topic and start speaking. Set a time limit - you’ll realise that speaking for even 2 minutes can be quite difficult at times.
Not only does this make you realise that you may have limited language skills, but it will also make you realise exactly where you’re falling behind. Note down things in a journal.
- is grammar the issue?
- Lack of vocabulary?
- Too many filler sounds?
- Knowledge gap?
This is also a great idea if you’re at an intermediate level of learning a language/ polishing a language. Do this everyday and maintain a diary on your improvement.
3. Reading out loud
Select a news article or any article. Read out loud, slowly and steadily. Pronounce every syllable calmly.
A two minute read should take 5 minutes to read out loud. That’s how slow you should go. Not more than 4-5 words per breath.
Your tongue needs to get used to different syllables and sounds. Practice will help.
4. Talk in real life
Talk to anyone and everyone whenever you can.
Ask your barista how their day is going.
Ask your work or university security if they’ve had a good day and if they ate today.
Chat with your taxi driver about their life. I always start with asking them if they are from the city we’re travelling in. Even if you’re from that city, act like a tourist. Where are the best eateries? The conversation eventually goes to personal questions. How many children do they have, and what do they do? What do they like about the city?
You’ll learn the art of small talk only through practice. No book or guide can actually prepare you. You have to practice, practice and practice.
5. Diaphragm breathing
Diaphragm breathing is very important. Look up some YouTube videos for reference. You essentially breathe from your tummy (stomach goes in and out; not chest going up and down). This is a great calming exercise too.
6. Stuttering tongue/ jaw exercise videos
These are great because they really do prep your jaw and tongue well. The videos could include tongue stretches, placing your tongue on your palette correctly, etc. Search on YouTube.
7. Body posture
You really need to work on your posture too. Sit up straight. Back, STRAIGHT. Chin up, shoulders relaxed. Something as simple as posture can change your level of confidence.
8. Pranayama
A yoga exercise for breathing. You can find a guided video on YouTube for sure.
9. Vocabulary
Invest your time in expanding your vocabulary. There’s enough apps and games that can help you with that, if you aren’t fond of reading. A sign of being well spoken is having great vocabulary.
Start by looking up the synonyms of everyday words.
“I’m upset”
- how many different words can you find for upset?
“I had a crazy day today”
- one can easily use “hectic”, “chaotic” “lively” instead
10. Idioms
Idioms, phrases, sayings - look up common idioms in your language of choice. Aim to use at least 3 new idioms on 3 separate occasions in a week while you speak. You need to understand when and where you can use the idioms in your vocabulary.
11. Knowing when to switch
You can’t talk like a 50 year old heiress to a 10 year old child; you need to get down to their level.
If someone is clearly not a native speaker and is struggling to put words together, don’t use difficult words around them.
If you’re meeting with someone high profile, refrain from using slang.
The best speakers know when to switch their level of language.
You can’t use one singular type of speaking with everyone. You need to understand that there is a time and place for everything - and you’ll be able to switch like a pro only when you actually speak and start gaining experience.
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thesecretsofthedivine · 4 months
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Pick a Pile Reading | Messages From Your Future Spouse 💍🪐
Business Carrd 🍶🧺
Paid Services 🍇⭐
Tip Jar 🍾🎱
*Disclaimer: This is a collective reading - take what resonates and leave the rest. If this resonates with you, please show support by reposting (with credit), tipping, or booking with me! :)
*Exchanges with other intuitives/readers are available via dm's
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PILE 1 COLLECTIVE
• I love the sound of your laughter.
• You’ve turned me into a more carefree person.
• Let’s spend the day baking/cooking then heading right back to bed to cuddle!
• I feel like we could never have enough quality time together.
• You’re my favorite person in the world.
• I’m addicted to your scent.
• We should start a family (🐾/👶).
• You’re my lock screen.
• I tell all my friends about you. If you checked my notifications, all you’d see is a group chat roasting me for how obsessed I am with you.
• There is no place I’d rather be than here with you in my arms.
• I like to watch you sleep. You just seem so peaceful and still that it’s intensely captivating. I hope you don’t mind 😵‍💫.
~ miscellaneous: earth sign placements. homebodies. 2 introverts or an introvert & an extrovert. hard-working, masculine qualities in your spouse. wholesome domestic moments.
PILE 2 COLLECTIVE
• I want to drown in the sea of your existence.
• Dedicating poetry and art to you — my favorite muse.
• There is nothing in the world that I wouldn’t give to have more time with you.
• I’m afraid of loss/dying, but entering old age with you would make my existence complete.
• Please don’t leave me.
• Can I wake you up early if I’m craving your attention? It’s hard for me to contain my excitement when you look this beautiful/attractive.
• Let’s watch the sunset together and stay up late talking for hours.
• Every detail of your existence does not go unnoticed by me.
• We were meant to love each other in this life/I know that we are past life lovers who have found one another again.
• Come on, baby. Don’t be shy with me.
~ miscellaneous: water sign placements (especially scorpio or for their moon sign). 2 night owls or a night owl & a morning person. hozier songs. romantic moments caught on camera/posted online. artist x muse trope.
PILE 3 COLLECTIVE
• You light me on fire with desire.
• I love teasing you more than anything else in the world.
• You’re my best friend and lover, all wrapped into one.
• My heart feels warm and glows from the inside whenever you’re around.
• I can’t lose you. If I do, I’ll go crazy.
• Let’s go for a drive, listen to music, eat food, and forget about our worries.
• I want to be the first person you call when you’re in trouble.
• I will never judge you.
• We will travel everywhere and make the world our own.
• I want to surprise you with grand gestures (especially via gifts or shared experiences).
~ miscellaneous: fire sign placements. ready or not — bridgit mendler. sneaky smirks that make you smile uncontrollably. spontaneous memories or communication. fluffy hair & tan skin features for some.
PILE 4 COLLECTIVE
• Pulling out all my best jokes just for you.
• Give me a nickname and I’ll give you one back.
• How can I possibly deny your charm?!
• Your style is impeccable. Every time we’re in a shop together, I just want to watch you pose in front of the mirror.
• I’ll make you homemade snacks and share my family’s recipes with you!
• Spoiling you with acts of service.
• We don’t even have to speak to understand one another. Mere eye contact is enough.
• You bring out my (good) crazy side 🤪.
• I love how we can always bounce off each other’s energies so well.
• I wanna give you expensive jewelry or items with my initials on it.
~ miscellaneous: air sign placements. a quirky sense of humor. distinct eyebrows. friends to lovers trope (Monica & Chandler came to mind). latin/hispanic backgrounds for some.
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cochineal-leviat · 5 months
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Sweet Dreams, Stardust
Okay, so I have a lot of feelings about In Stars and Time. But let me say first, wow, this game irreversibly changed my brain network. For anyone who is considering buying this game, please do. I don't think I've had a story touch my heart and mind like this for a long time. And that goes without mentioning the stunning visuals and entertaining battle system. (Be careful, though, because this game handles heavy topics regarding mental health)
If you're still hung up on buying it but are curious, there is a free demo on Steam if you like to try.
Thank you, @insertdisc5, for this gem of a game. I will be turning it around in my head like a microwaveable gourmet meal for months to come.
Technically the illustration has no spoilers (unless you count Siffrin having a good nap as a spoiler). But I will be going into heavy spoiler territory under the keep reading since I need to get my thoughts on this game off my chest.
And a monochrome version because you know me, I can't help myself. Even in black and white art pieces, I will put in some colour.
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And a very tiny Loop
Initially, I was going to do a piece with a theatre stage and the cast (Siffrin, Mirabelle, Isabeau, Odile, Bonnie and the head house maiden) taking a bow and finally leaving the spectacle to a life not controlled by a script and Wish Craft. But it was more fitting to put my feelings into creating a peaceful scene. Like, oof, I needed this very badly. I used sepia to make the painting warmer and added some more details like headcanons. The stars/colours might be remnants of Siffrin's transformation. Or maybe they were always there, but he never paid attention to it. Who knows.
I'm going to keep this brief. Otherwise, this post will take way too long.
I adore Siff's character. It's perfect for a game and narrative such as this. I saw a post not long ago on Tumblr going into depth about how their role as the rogue and not the hero works so well, so I won't linger on it for long. But how they would rather listen and fade into the background perfectly aligns with the player's experience of being the silent observer. (And the nodding off that changes into zoning out. It took me way too long to realise that small but essential narrative change) Oh, and the portrait change! It flew over my head until I was staring at the game menu. I was so confident Siffrin had a mischievous grin and not a frown. I always feel slightly surprised when the party asks for Siff's opinion or mentions that they have been too quiet. I felt Siffrin's excitement like my own when he got excited at finding clues to end the nightmare they were in. So I knew it would end up falling on their face because they were too excited. I just had this bad gut feeling the whole time during Act 4.
And oh boy, speaking off acts. I thought it would have been the standard 3. Boy, I was wrong. Whenever I felt I was nearing the end, I was thrown back at the start with more mysteries than answers. It made exploring the game intriguing since there is almost no information about it online (at the time of writing this post). There is the Discord, but I didn't know about it until I finished it.
This game has a lot of secrets, and I had a lot of fun uncovering them. The looping mechanic works so well in discovering little details and further leads. (even though my stubborn arse kept trying to do everything in the least amount of loops as possible. I thought the ending would be different if I exceeded a 100. My final number is 59. I am still not sure if I should be mad about it not being a rounded number like 60 or that I went over the 50 threshold)
However, it is a good thing that only some mysteries were solved. Like, what's up with colours in this world? Everyone sees in black and white, and the idea of shades and colours is only spoken of in scientific studies. They do exist and are not a part of the disaster that happened to Siffrin and their land. But there is definitely something mysterious about it. I adore how the dialogue reflects this, as the characters do not speak of shades or colours. Isabeau expresses surprise to see a streak of red colouring the sky in Act 6. It makes you think about how colour is perceived and how you describe it. (The lore inside this game is immaculate. I eat this shit up)
We never find out the name of the country north of Vanguard or what it was like. We can only infer that the beaches had black sand, with shells that shine like stars, high-reaching mountains, forests and plains. Which is vague and yet intriguing enough to make you wonder. It connected me to Siff and King because I also wanted to know. I was desperate to know. I needed to know. But in the end, we never will know because that is not the story's point. Siffrin even says in the game, that King should let go because he is hurting everyone and everything, including himself, in his desperation to preserve Vanguard. This is all the more ironic when Siff accidentally does the same with his family and the loops. I might gush more about what the country might be like and their technology in another post. This game makes me want to theorise. This is the first time I've wanted to write and post theories. ISAT fucked me up good.
Which, by the way, was genius. Siffrin and King are mirrors of each other. Siff does not have King's disastrous ambition, but their love/obsession will be the downfall of both of them. They have more than being each other's countrymen in common, and I imagine Siff despises that.
I love the fact King's question to Siffrin before the showdown was/could never be answered. Usually, in a game such as this, you must figure out how to solve everything, especially for the big bad. But that was never the goal. King is a delusional monster who will not stop before achieving his dream. He will raze everything to the ground and hurt many people because he must succeed. It is what he desires. Nay, the universe wills it. What a witless excuse that can easily be made into someone's truth. Especially to somebody who is driven mad with grief.
How King's character's done is so excellent. Because, at first, I wasn't scared of him at all. He was just the big bad, and I felt nothing much but the glory of victory when Siffrin outsmarted him by looping and making sure Mirabelle learned the shield spell that would protect the party from freezing in time. But each time you fight him, you get more frustrated until Siff figures that talking to him might be fruitful. It does, but unfortunately, you and Siffrin leave yourself emotionally and mentally vulnerable. King stops being a one-dimensional villain and changes into an actual person. Someone you can sympathise with and possibly mend peace with without fighting. You and Siffrin opened his heart for a kindred spirit and got hurt.
King stopped being a monster and became human. And while monsters are wretched, humans have intent behind their cruelty. I felt so betrayed, so angry, but most of all - terrified. I felt it when Siffrin spiralled when fighting King again after their actions caused such a catastrophic turn of events for Bonnie. Every time after that, the fight with King felt tense and nerve-wracking in a dreadful way. Because even victory could not soothe the dread I felt. (The track 'It's finally over" will forever haunt me. I already feel anxious whenever it cycles to that when I listen to the playlist)
He was not, however, the final villain, even though everything that happened was King's fault. You were always your greatest enemy (or Siffrin in this case, since you are supposed to be Siffrin). I never could have guessed that the whole reason why Siffrin could not escape the loops was because Siff accidentally wished to never let go of their friends. This reminds me of Modaka Magica, where (spoilers for the OG anime) Homura goes back in time so much that the universe ties itself around Modoka, making her a waiting egg whose wish and magic will be massive when she becomes a magical girl. The one thing Homura was trying to prevent.
(Siffrin and Homura are identical in that sense. Shy characters who are loyal to a fault but are rendered into something cold, bitter and cutting by their traumatic experiences. Only Siff has people who care about them and would do anything to save him, too, whereas Homura never lets go, making the world a worse place to live in. Yes, I did go into doomed Yuri. That anime lived in my mind rent-free in my mind for years)
The Head House-maiden not being the villain was also a great touch. I am used to the apparent antagonist turning out not to be the big bad and the trusted, friendly character ending up being the evil one. Twist villains no longer work when everyone expects them to be villains.
That was my biggest theory as I played. The second biggest being that Loop is someone who enjoys Siffrin's suffering. I am so glad that was also not the case. They are apathetic but not cruel. Never intentionally, anyway. They were like the player, urging Siffrin to go deeper into the mystery to solve it. Ultimately, I chose and made cold and cruel decisions simply because I wanted to see what would happen. So yeah, I warmed up to this cosmic star thing as the game went on and even started trusting them. Act 5 really is a punch in the gut. I am so sorry, Loop. Thank you for coming through in the end.
Oh man, this is so long, and I haven't even gone into the main cast. I will leave that for another post. They are such great characters, as are the people of Dormant and the House. (Don't think I don't see the wordplay in this game. Very clever)
Going into this game completely blind was the best experience I could have had. I felt anxious, happy and scared so severely that my neurons were rearranged. I don't know if there are more endings (aside from the obvious action of attacking Odile in the True(?) ending of the game), but I am taking a break from it to make art and write for this game before I dive back into despair-o-land.
Anywho, thank you for coming this far and reading my ramblings. Have a fantastic day or evening further! o(*'▽`*)ブ
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cassiusfen · 7 months
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This isn't my art, (it's made by @ TheHearthFox over on Twitter) but I wanted to make a long post about why this work in particular speaks to me so goddamn much. I think such a massive part of the queer experience -- and also the furry experience -- is about the abstract. This can be seen in so many different aspects of furry "culture," from the concept of fursonas to kink and and other fetish content. You and I will never know what it's like to be a werewolf and transform under the full moon into the form of a big hulking furry beast. However, us furries create art and other works about the idea of it anyway. We never will be able to be our fursonas -- our often idealized and "perfect" versions of ourselves -- and part of that really hurts. It hurts so bad honestly, to the point where I can't quite put it into words. In terms of queer culture, I will never know what it is like to be a cis woman, and that also messes with me a lot. Yet, I'm still trans, my identity can change, I can perceive myself as whatever I damn well please. Identity allows you to shape yourself and the world around you in your own image, even if not everyone can see its beauty.
We have ways to get at least somewhat close to how we feel in our abstraction. VRChat allows you to make an avatar of what ever you want, whether it's your fursona or just an ideal version of you. Hell, it doesn't even have to be you, it could be anyone or anything really. We have a whole industry based around creating big ass costumes that allow people to at least look something like their desired character. But it's not enough. It's never enough. I ain't religious, but sometimes I feel like I've bitten the apple, been kicked out of the garden, and now I'm left to fend for myself with an identity that my physicality will never match. When I made my fursona using an avatar base in vrchat and configured it to match my real world body scales and looked down, I honestly started crying. I take the headset off, and I'm still me. Everyone takes the headset or fursuit off and they're still the body they were given, not what they would choose. Our reality is objective, and there's no way to really change that. We can act like animal people online all day, but the moment that screen shuts off, the moment we walk away, that warm, fuzzy feeling (hehe) fades.
To think abstract is to think beyond what you can normally sense. You will never get to brush the knots out of your fur in the morning, or play with your antennae while anxious (I see you bug people). We can still have those ideas, however. I know I'm on the third goddamn paragraph and I'm just now talking about the artwork I linked but this is an important concept to me. Usually, when I think of the abstract, it feels unreal, "fuzzy" so to speak. However, in HearthFox's piece, the objective reality appears out of focus and pixelated. It feels like even if we are unable to fully embrace the abstract, we can still embrace what we can of it, and bring some sort of color to a world that doesn't feel like it is made for us. The colors being outside of the lines could suggest that our abstract perception is maybe just "painted on" to the world around us, but is that a bad thing? Is it bad to take things in from the world around you, but still look at it all in your own unique way? I think not. This also isn't only about therian identity, or furry identity, or even queer identity -- it's also about neurodivergence. You are never in the wrong for thinking about the world in a way that is viewed as "non-standard" by the rest of the world. If you see yourself as a wolf, bee, fox, bear, raccoon, a fucking plane, it's not a bad thing. We can still identify however we want, and this modern way of looking at identity is the best way for us to embrace the abstract.
Go wild, go fucking stupid. Love yourself, if you're a fox, be a fox, there are ways you can feel that way, even if it's not all of the time. We can fight, we can love, we can still find ways to elation, even if sometimes existence itself feels wrong to you. This work is but one side of abstract thinking. Look at the color the fox has compared to the objective. Look how the fur drapes, how it runs down the body, or how the snout expresses emotion. Sometimes it feels melancholic, but you cannot tell me that trying your absolute damnedest to live your identity doesn't at least bring some color to your otherwise dreary and unfocused world.
Stay safe, love yourself no matter what.
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andythelemon · 3 months
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Life update 2024
Hey everyone! It’s been a while since I last wrote anything of substance here. How time flies! Happy new year, happy year of the dragon! I hope this one is kind and auspicious for you all.
I'll admit to falling off the art train terribly for most of 2023. I barely drew; a lot of things I posted were older pieces for projects I couldn't share at the time. I think I speak for most of us when I say it's not been a great time for art collectively; growing frustrations with social media and despair at the state of current global affairs leaves little room for creative inspiration. I know many artist friends of mine are in the same boat. There's little one can do except plod on and hope for better times ahead, I guess? I'll do my best regardless!
Having said that, I did have a major touch-grass-normie arc offline, and as wild as it was, I'm glad I invested time and energy into that area of my life. After the lockdown years of terminal-onlineness, it felt great to do things that were not related to fandom at all, to have new experiences, to make new friends, reconnect with old ones, see new things. It was funny and terrifying all at once. I truly felt like a shonen and shojo protagonist (we will not go into details of the love triangle situation, IYKYK!). There were ups and downs, sadness and laughter, but that's part of life. I'm grateful for all that's happened and am a better, wiser, more mature person because of it. This past year taught me it's not about categorizing life's happenings into a basic good/bad dichotomy, but more learning from each experience and acknowledging we are wiser and grateful for having weathered what's thrown our way. Character development!
The universe has a way of working things out... so at the end of 2023, I had the opportunity to travel for 3 months. After hopping around the East Coast, Milan, various bits of Japan and a beach break in sunny Egypt, I've returned home with a renewed vigor for living my best life again. It was a joy to hang out with various artist friends in person and meet some of you at ANYC. I'll cherish every second of my travels and hope we can meet again soon!
I did fall off the nerd bandwagon for a while, so I gotta get back into the various anime on air! I've been watching Magi in my own time... such a guilty pleasure, but so many things await, including catching up on JJK S2, BSD, and everything else. Just goes to show my deep love for adventure, friendship-fuelled stories keeps me going. No promises on what this year holds art wise, but I'll continue trying hard and sharing what I can, as well as the usual self-indulgent group projects.
Thanks as always for the kind support and for sticking around. This blog is 12 this year... crazy, huh? See you on the other side!
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YOU THERE!!!!!! TUMBLR USER!!!!!!!!!!!!!!!!
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Are YOU tired of how Tumblr treats trans people, particularly transwomen and transfemmes? Are YOU tired of how Tumblr treats people of color, particularly black folks? Are YOU tired of fandom trying to police the madeup bullshit you like to draw, write, or read about? Are YOU tired of all this fucking AI bullshit? Are YOU looking for a new online home to settle in?
Consider Pillowfort.social!
I’m not going to go into the nitty-gritty of how Pillowfort functions, because others have talked about that and explained it much better than I can (I recommend reading @/vergesm’s post here for a more general Pillowfort overview). What I’m going to do is explain what I, personally, get out of Pillowfort and why I enjoy it.
To preface, I’m not being paid to make this post or promote Pillowfort or anything. I wouldn’t think that needs to be said, but people make things up sometimes so idk. I’m writing pro-Pillowfort propaganda because I genuinely like the place and want to see it thrive. If you want to take a look at my own fort and get a feel for the place, you can do so here.
So with that out of the way – let’s talk about it!
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Pillowfort is quite a bit like Tumblr, in that it’s a blogging platform, but it’s got a few things that make it better than this hellsite imo. For one thing, you can post NSFW content there. Although I don’t draw much explicit stuff, it’s nice to be able to post art there without worrying I’ll get shadowbanned for a picture that’s just a lil too suggestive. It's nice to know that the option is there. Honestly, it’s freeing not to have to worry about that shit. And it’s also really cool that there’s a built-in system for marking certain posts as NSFW, because as well as being able to mark your own posts as NSFW, you can choose whether you want to see other people's posts marked as NSFW. And for minors, the ability to see NSFW content is automatically turned off. Pillowfort’s got a really good system for both allowing NSFW content and keeping it away from people who don’t want to see it. I really like that flexibility, and how that flexibility isn't detrimental to the users.
And speaking of being able to see or not see certain content, the content filtering is pretty solid. You’re able to block tags and even words in the body of a post, and like I said, you can control whether you want to see posts marked as NSFW. You can even control who sees your own posts! There’s blocking users, of course, but you can limit who sees your own posts even further than that. You can make them visible to anyone, visible only to logged in Pillowfort users, visible only to your followers or mutuals, or hell, even visible to you alone!! It’s cool to have that level of control, and I find it reassuring to know I have those options.
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Another big appeal of Pillowfort, for me, is the userbase’s strong “don’t like don’t read” policy. A lot of the people there operate under the mindset of “as long as it’s fictional, whatever dude. I don’t have to like it, but you do you." There are still dipshits, of course, but it’s WAY better than the insane purity culture that’s developed here. I don’t have to worry about some wannabe-conservatives telling me I’m just as bad as Ted Bundy for [checks notes] sexualizing Michael Myers or some shit. Plus, this general userbase mindset is backed up by actual site policy! I’ve heard that Pillowfort is very swift in responding to reports of harassment – whether it’s fandom-based harassment or bigotry. I haven’t had any experience with this personally (and hopefully it’ll stay that way), but I’ve heard good things about it, and it makes me feel more comfortable being there.
Also, did I mention Pillowfort has an explicit anti-AI policy? AI generated images and writing are banned on the website, and staff made this decision once its userbase and community made it clear that they wouldn’t welcome that sort of shit. And GOD, does it make me feel so fucking good as a writer and artist to know that.
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And that’s another thing – Pillowfort staff actually fucking listens to its userbase. The website is crowd-funded and relies on subscriptions and monthly donations to keep things running. And because it relies on its community, it relies on keeping the community happy. So complaints, bug reports, suggestions and alterations and things the users would like to see on the site – it’s all taken pretty seriously. And again, it’s just really nice to know that the staff of the place actually give a shit and are looking out for its community rather than trying to suck the dick of the biggest investor.
Really, the only problem I have with Pillowfort is the fact that it’s a bit small. Which isn’t necessarily a bad thing, because the people there are lovely. But since a lot of people aren’t happy with Tumblr, and haven’t been happy with Tumblr for some time, I thought I’d just ask you guys – maybe consider it. Consider making a Pillowfort account. Consider making your own little fort, stringing up some colored lights and cool art and making yourself cozy. Consider offering some money, if you can spare it, because it’s genuinely a really cool place that I want to spend more time in and see prosper.
So far, I’ve had a lovely time there. It’s cozy and friendly and it feels like one of the few places where a queer artist like me is actually welcome. And I think a lot of Tumblr users might really like it too.
I hope to see you there! 💜
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skylinx2o · 17 days
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Admittedly, I've been feeling terrible lately. I didn't even finish my weekly drawing and broke my now months long streak. I thought I would be able to do it, but my emotions weighted me down too much. I might go back to drawing one art every two weeks.
Anyway, I feel like I should do more fun things. I mean, drawing is fun, and I love creating stories for my OCs, but I do have a lot of other interests. And tho I'm sticking to talking about LEGO today, I want to talk more and get out of my shell. And maybe give you more insight into me as a person.
So today I'm going to talk about my favourite LEGO themes and why I love the series, plus how I personally got i to all of them. It's not a normal review whatsoever, just an excuse to ramble about my interests freely. Just remember this is my experience and my feelings.
(And it's not at all like I'm making this post because I need all of this to prepare for a speaking class and the only way to motivate myself is by making a post about it o _o Come on, I'm killing two birds with one stone here!)
Okay, so, my all-time favourite themes are (in chronological order to when I found them):
1. Bionicle
Honourable mention: Hero Factory
2. Ninjago
3. Legends of Chima
4. Monkie Kid
5. Dreamzzz
1. So. Bionicle. I have a weird history with Bionicle. My dad's friends used to get movies for us, and one day it just happened that my dad's friends gave us a pen drive with Bionicle: Legend Reborn on it. I think I would be around... Seven or eight when I watched it I've seen fans say that it was a pretty weak film, but I didn't know Bionicle back then, and I really enjoyed it! That movie was a soft reboot of the series, and as someone who started their Bionicle obsession with that movie, in my opinion it worked really well as a standalone supposed to capture new audiences. I really loved the sense of mystery that was probably lost on new fans. It wasn't exactly explained what or who Mata Nui was, besides him being a warrior who lost his people. And the ending... I really thought there would be a sequel to it, and was really intrigued by whom the great beings were, and what happened to the world, why Mata Nui knew them, what the giant ahh robots were supposed to do.
Of course, when a few years later in middle school I looked for the sequel, I didn't find it. And to be honest, the ending was disappointing to me. However, there was a whole other storyline in Bionicle to catch up on! And so one faithful summer was spent reading all the comics I could find, reading wiki pages one after another, playing Mata Nui online game obsessively, refusing to use a walkthrough. Believe me when I say I was obsessed!
And then out of nowhere in 2015 g2 came out, and I was stoked since I missed out on practically the whole g1 as it was being made. (I mean, it's understandable, I was born the same year the first Bionicle movie came out.) I mean, can you blame me for being excited? A dead franchise that I just started becoming a devoted fan of is suddenly revived from the grave. I felt like the luckiest person on earth that day. Honestly, g2 was a lot simpler than g1, but I really like it, even if most people said it sucked. Sure, it wasn't exactly like g1, and even I cringed a few times when watching the g2 show, but for what it was, it was cool in my eyes, and loved finding all the g1 references. And there were quite a few of them! The story of g2 was simpler, but for little kids I think it would've been fine. But alas, LEGO did a crap job promoting it, and it died early, with an ending that was so bad even I can't defend it. It just didn't make sense, and it was rushed as hell. But I still wished it would've continued.
I love both generations for different things, and I'm sad I didn't get any g2 sets when they were out (Lewa was my favourite one). But years later I managed to get a promotional anniversary set of Tahu and Takua, and you wouldn't believe my happiness when I was building it. It's strange being a relatively new fan compared to others I see online, but I still remember seeing Bionicle commercials, and even have a very vague memory of seeing a Phantoka commercial on our ancient TV. I mean come on, I was so into it, I even learned the Matoran alphabet! My mom had to listen to my countless rambling, and if I ask her about Bionicle today, she still remembers some answers, that's how much into it I was. Hell, this blog started as a Bionicle blog before I moved fully to Monkie Kid content.
Okay, this Bionicle ramble is getting a tad long, so I'll wrap this up. Would I recommend Bionicle to anyone? Well... Not really, unless you like long lore researching adventures. The story is so convoluted, with many sides stories, and it went on for so many years, that despite my obsession I still probably missed like, 40% of the lore. G1 at least, wouldn't vibe with casual audience probably. G2 might be easier on the brain, despite it having some deeper lore too. Plus, there's the cultural appropriation issue, that I'm not qualified to talk about, but others already made pages long blogs and articles about. Plus the weird gender situation. But, it's still a good story in my eyes, despite its many faults. But that's just me, and if you didn't catch on yet, I'm already deep in this hole and there's no getting out of here now.
Honourable mention: This brings us to Hero Factory. I watched the first few episodes at around the same time as the first Bionicle movie. Came from the same source as before. I think it deserves a mention, because I still loved it, and did some lore digging, but I wasn't as obsessed with it as the other positions on the list. I didn't like the later stuff as much, tho some concepts were really cool too. But the story of the first episodes was really well done, and worked great as a movie. The fights were tense, and when watching it for the first time, I couldn't really know if the characters would be okay. Honestly, it got me really excited and invested. A factory of heroes is a unique concept, and I always found it intriguing how they made the robot society work. But, I don't think it needed more time than it needed, unlike Bionicle, where I didn't like the ending of either generation. I think it wrapped things up quite well with the first episodes, and the later ones just feel like cool side stories, and it works in my opinion.
This one I would definitely recommend, because I feel like it's underrated, and it's not long. Like I said, the version I got was just a one movie like compilation. I checked and there's just 11 episodes. It would probably take 1–2 hours to watch it, not counting the later movies and all.
2. Next one is Ninjago! I started watching it almost from the start. I must have been around ten or so... The episodes aired on TV, so I had easy access to it! I almost never missed an episode, and watched even the reruns. And believe me, I was hypnotised when watching it. Tho, starting from rebooted I watched the episodes online, first in my native language, then in English since I started getting too impatient to wait. This was my first obsession. For the longest time, when people asked me what I wanted to do, I said I wanted to be a ninja. One of my oldest OCs is Mika, and she grew up with me. Whenever a new season was to come, I would design a new suit for her. I have a whole dedicated blog to her, I wonder if you all can find it lol. Anyway, for a kid's show, the first seasons were really well written, and the show could be dark when it wanted, but it didn't lack jokes, and most were very funny. And honestly, Ninjago had a really big impact on my life. It taught me not to give up, and it made me want to make the world a better place. Grade school was a horrible time for me, and Ninjago was like my escape. Tho, I might have daydreamed about it too much at one point...
I started distancing myself from Ninjago around hands of time. I didn't watch the show as regularly, catching up on seasons long after they aired. I think that's also where the writing quality started dropping… I just didn't like it as much any more. But it should've been expected with a series that went on for so long. I'm not one of the people who think old Ninjago was better than anything. It wasn't perfect at all. But I didn't like the short format of newer seasons. But then secrets of forbidden spinjitzu dropped, and i as a person started getting better too, so I went back to Ninjago, and while it wasn't still the best and people had a lot of issues I loved those few next seasons. I mean, they somehow hit right into my interests with those seasons. First the adventure movies like atmosphere with the Egyptian like tomb, then they get sucked into a video game, then the very DnD like feeling Shintaro. It was right up my alley. My love for Ninjago was back in full force by then. So you can imagine how sad I was when the word that Ninjago was ending started going around. The series has been with me for half my life. My friends even knew how much I liked it, my best IRL friend even bought me a Ninjago set for Christmas one time. But you know, I thought it was probably Ninjago's time. Nothing can last forever after all, and it had a very good run. Why not end it when the story was still quite alright? And then… Crystallized happened. I didn't watch Crystallized. I heard the spoilers, and I wasn't… thrilled. Especially with Harumi. And people hated that season. It left a bitter taste in my mouth. It didn't feel like a send-off Ninjago deserved.
So you can imagine how damn happy I was about Dragon Rising! And surprise, it's the best Ninjago has been in a while! I absolutely loved the first season. The new characters are wonderful, and that change was certainly what Ninjago needed. And the fact that it's merged with one of other of my beloved LEGO series only makes it better. And that's probably my cue to move to it hehe
So, would I recommend Ninjago? Yeah. Its story is easy to follow, you just need to watch the show. If you're ready to watch sixteen+ seasons that it! Even the worse seasons have some value to them I'd argue. But I may be biased with how close to my heart that series is.
3. Yeah boy, Legends of Chima! I started watching Chima around the same time I started watching Ninjago, and I was equally hooked. And yes, my mom remembers this one as well, I watched it every time it was on too. Actually, I think the first fanfiction I've ever written was about Chima. With a pencil on paper. I think that, while the other series captivated me because of magic or the setting or the action, in Chima it was the characters and their dynamics mostly, despite there being plenty of magic powers and action too, plus a unique setting. The main characters all have distinct personalities, and it's fun to see how their personalities clash or work together. I think it's cool because the conflict between lions and crocodiles takes the main stage in the first season. Later seasons are great too, and they shake things up to make things interesting quite well. The lore isn't as broad as in other series, but it's pretty cool and interesting either way. There were some unique concepts there. I can't explain my love for this theme as well as with other series, because I don't think there was anything big that made me like it. It's just a cool show. I think what there was has been satisfying, tho young me was really sad and angry it ended anyway. But it's great for what it was. But I can't say I'm not happy that Chima is now merged with Ninjago, and it works so well together, and I absolutely love Lord Ras.
I would absolutely recommend it. It's a fun show, and only three seasons long. It can be both fun and serious, and I definitely had a blast watching it.
4. Now one of my newer obsessions! Monkie Kid! I watched the pilot in Chinese when it came out, then I promptly forgot about the series and binge-watched it all when season 3 came out. I was reading about Journey to the West long before the series was announced, since I have a liking for old stories and legends and myths and stuff. And Asian cultures fascinate me. I blame Ninjago with its Japanese influence and all the martial arts movies that were on the TV all the time. Plus Mulan and Kung Fu Panda. Anyway, I can't say much about how accurate it is or anything since I'm not Chinese, but I think the show is great. I noticed a lot of references to Journey To The West. No shocker here, it's inspired by it. But being in this fandom made me learn a lot of new things about China, tho I still have a bunch of things to learn. I'm no expert yet. Tho, I try my best to be respectful.
Umm... Like I said, not much to say about how accurate the story is. But I really liked Journey to the West, so naturally I like Monkie Kid too. Plus, MK i really relatable to me. I feel like my personality is really similar to his, tho I'm more introverted. For some reason, I relate to this portrayal of Macaque and Wukong as well.
I dare to say that from all the series so far, I find this one to be the most well written. I just find the writing to be the most impactful. Plus, the artstyle is very different from other LEGO shows. Action scenes are really fun. The artstyle definitely works in its favour. And yeah, I would recommend this show 100%.
5. And finally, the newest addition to the LEGO series, Dreamzzz! The show is really new and just starting, but I love the concept and the writing! Plus again, I really relate to Mateo. The characters feel like real people you would meet, and how they interact feels realistic. And I found myself liking even the characters that annoyed me, because their personalities were the realistic type of annoying, one that you might find out in the wild. And the concept of a dream world just really speaks to me. And it gives the creators a lot of creative freedom. All wacky things can happen in a dream after all. One thing I didn't expect in the show was the secret agency, and I think it's a clever addition to the story.
I would recommend this series. I hope it'll have a bright future, and that the writing will stay this good.
Well, time to wrap all of this up. Whoever suffered through this whole ramble deserves a juice and a cookie 🍪🧃 For a few finishing thoughts... I noticed a lot of the series I like blend magic powers and technology together. I just thought it's interesting. And I wanted to mention that the songs for Bionicle, Ninjago and Chima absolutely slap. I used to listen to them on repeat all the time lol Even my mom really enjoyed those songs
Yeah, I don't know what this post was for, I just felt like writing all that :v
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fakeshibe · 7 months
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the internet is so overtly hostile to kids and young people. commercialisation and profit margins killed off the places younger kids were safe and welcome to be in, creeps and those seeking to goad people towards extremism took over those spaces designated for teens.
There is no safe place. Every time i see a 14 year old on twitter, I see them being told to get off the platform. It’s not safe, it’s not for you. And that’s entirely correct, twitter is not a safe place for a 14 year old, but where is? Tumblr? not really. Club penguin? it’s dead. Community forums? not really a thing anymore. Discord? not without that teen being very aware of their safety and how to look after themselves, at which point they may as well have stuck to twitter.
Like it or not, it’s the job of every single one of us to make a space that is safe for teens. Doesn’t mean you have to be kid friendly, just means you need to take reasonable precautions that your not-kid-friendly content stays in your space, that they can’t accidentally come across it. Content warnings, censoring/spoilering posts, possibly avoiding the main tags for a thing if that topic is child friendly and your art is not. stuff like that. Like if young people are likely to search for stuff like lego, maybe don’t put your nsfw bionicle ship art into the general lego tag, stuff like that.
It’s your job to keep an eye out for your fellow humans. If you see a young person they you know displaying signs that they’re possibly being harassed/groomed/generally made uncomfortable/not doing well, make sure they have a safe person to speak to. You don’t have to be that safe person, you just need to make sure there’s someone who can listen to them.
If you see a kid doing something they really shouldn’t be, it’s on you to explain why they shouldn’t be doing that. Don’t berate them, don’t attack them for it. Explain, help them to understand why that’s concerning to you. We all know internet safety classes in schools are pretty rubbish, usually super outdated. I did a child safety course like two years ago that still included tips on building a safe myspace page. School isn’t going to teach kids about the immediate issues on todays internet, it’s on the community around them to guide them and look out for them.
Also playground humour is fine, just be aware when you’re joining in to not take it too far or make it weird. And bear in mind that even just by virtue of being a couple of years older than whatever young person you’re talking to, there’s a power imbalance in that conversation. Don’t encourage playground humour to the point of making it an entirely inappropriate topic. Your the one guiding this conversation, steer it in the right direction.
And if you see someone being weird towards any minor, wether you know them or not, call that shit out. Let it be known that someone is keeping an eye out, let that kid know that they’re welcome and they’re looked out for. Let that creep know that people see them, and people are very, very aware of what they’re doing. Make them feel unwelcome, run them out of your spaces, spread awareness of risky people. Keep your spaces safe.
This is all especially as important as IRL spaces become more hostile to potentially vulnerable young people. Queer teens especially are going to be looking for community and safety online more and more frequently. Make sure that the places they find will be a respite from the real world, not just a different set of threats to navigate.
Make sure young people feel safe on the internet, and make sure that those looking to take advantage of their presence, don’t.
Why am i writing all this? I’ve seen too many posts about people’s experiences as a young person online, and i talked to my brother the other day about him and his friend’s experiences and it’s terrifying that there’s really nowhere for young people to go. Also i’ve realised that i’m not doing enough to be part of the solution. so this is part of that, im gonna be far, far more aware of the issue and doing more to try and help.
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thefiresofpompeii · 6 months
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now that i’ve deferred because a uni degree is nothing but an entrance ticket into moderate financial security and not worth utterly obliterating my mental health over i am compiling my own curriculum. all the posts i’ve ever tagged with #ref because they contain essays articles and other texts that i want to read but have never gotten around to, all that goes on the list. around fifty academic articles and book chapters downloaded onto my laptop from jstor while i still have access to it, tailored to fit my personal interests.
rearranging my self-education. little mx autodidact. carving out a passage through the brambles with a freshly sharpened machete. make no mistake, the thorns are piercing and will continue to tear at my exposed limbs, but the pain is worth the fruits of knowledge at the end, real knowledge and not something superimposed from above. i know, i know, undergrads aren’t afforded that freedom of narrowing our study, it’s something earned with time and effort and only fully permitted at a “higher” level of education, but who determines these levels?
it sounds silly and rash, but it’s a long-deliberated decision. the university environment is not right for my weird brain despite my literary inclinations, and i prefer to select my own path towards learning while working a low paying job on the side. perhaps i’ll return in a year’s time after all, matured and mellowed, hardened or roughened with real-life experience and online self-teaching, to pursue liberal arts as the most, well, liberated pathway. maybe not.
maybe if i had gone to one of those colleges where they allow you to pick and choose your own modules for your degree entirely (like one of the people that i most admire on this website did in its time) things would have gone down differently, but alas. let the world keep turning and let everything that serves no purpose any longer decompose and compost into something new .
“what has this got to do with autism?” you may ask, “i’m autistic and i completed a normal bachelors’ degree just fine.” your answer: having been in a place of moderate autistic burnout for years that abruptly turned severe in the past few months, my bodymind has shifted into what is known rather disparagingly under the medical model as “autistic regression” or “regressive autism”: a gradual distancing further and further away from accepted neurotypical standards of moving through and navigating the world around me.
one of the ways in which this unmasking presents itself, apart from the more noticeable characteristics such as outwardly visible stimming and a complete absence of eye contact, is a total inability to focus on, be motivated by and/or engage in any (textual, literary, cinematic etc etc) materials that do not connect at least tangentially or superficially with my special interests (that being ghosts/hauntings, hauntology, folk horror, lovecraftiana/cosmic horror, horror in general, the gothic, neurodiversity, alternative music; narratives/storytelling, folklore/fairytales; queer theory; carceral abolition and liberation; and a few other subjects here unlisted). according to normative capitalist logic of usefulness and productivity, that makes me “severely disabled” by virtue of “restricted interests”. i would say it makes me a interesting person with tall twisted tales to tell, but nevermind that silly nonsense, it’s a mad person speaking.
at this present moment i have no motivation, wish nor desire to continue wasting time and energy attempting to study and remember things that do not connect with the key concepts that my mind is constantly orbiting around. if that makes me incurious or annoying or limited, so be it — this neurological difference affects every aspect of my personality and i do not wish to change it. if the world around us refuses to change, we must either alter it ourselves or construct our own pathways out of the shadows and into the moonlit garden.
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Finally got the go-ahead to post about this… so, with the growing visibility of hybrids in the public eye, I was offered the opportunity to interview with RIME Magazine! (Capitalizing the name properly was part of the deal.)
I’ll be pasting the text of the article below for anyone without a subscription (to be fair, it’s also posted online, and I have permission), but before that… I also got a cover photoshoot! I wound up touching up my ears with my illusions… and some of the burn scars… but I’m quite happy with how it turned out, still. Wolfy couldn’t make it, so I took the photo with Chiru that day! Anyways, hope you enjoy. :)
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(//Art is a commission by @/RhymeWithRay here or mostly on Twitter! They make amazing Pokémon-style work, worth a look for sure!!!)
But without further ado, the interview!
RIME Magazine sat down for an interview with Vanilla Cress, a Hisuian Zorua hybrid, human and Pokémon psychologist, Champion-class trainer in Paldea, Galar Champion Cup semifinalist, and hybrid model and activist, in early February. Topics discussed varied widely, from Cress's own experience growing up as a human-Pokémon hybrid, understanding Pokémon, Cress's recent modeling and activism, and future plans. What follows is a condensed and edited transcript of the interview.
That's quite the list of accolades you've accumulated along the way. What do you think has led you to achieve so highly?
Well, for one, I think you're giving a lot of this more credit than it's worth, [laughs]. I'm not sure being pulled off of the street because I look like a walking ice-cream cone is much of an accomplishment, personally. Nor do I do much activism apart from this interview now, apparently.
I think I understand the answer you're going for here, though. I would say that my hybridity's a large part of what brought me as far as I've come. Not only in having the gift to talk to our partners in life--which is an incredible gift--but in that there's this drive to prove myself. Or maybe to redeem myself. I'm not really sure which, personally. Doing things has just filled all of the gaps in my life, until now.
Right, and you only publicly "came out" as a hybrid less than a year ago.
Yes, less than a year ago! It's been a huge adjustment, but I have so much more energy these days, not having to worry about being discovered by hitting something with my tail, [laughs].
While my experience hasn't been entirely positive after "coming out" myself, and I realize that even being able to hide is a privilege many hybrids simply don't have, I will say that generally speaking, the public response has been overwhelmingly positive. Say, for every enemy I've made, I've made ten more friends in their place. And from so many different walks of life, too!
You say your experience wasn't entirely positive. Could you elaborate some on your negative experiences as a hybrid?
Well, if I have to. Which I suppose I don't, but it seems rude not to. There are, of course, people out there who view you as subhuman, when you look like me. Or in maybe a less extreme sense, people who have a tendency to see all of the fluff and decide "Oh, this person--I should talk to this person like they're a child." But those are really quite few and far between, at least in my case. I'm more likely to scare people, with the teeth and the claws. [They make a pose showing both off.]
My main negative experience, though, was something more personal and targeted.
Yes, there was the news earlier last year about the Dreamyard Laboratory...
"Earlier last year" doesn't feel right, somehow. I won't go much into detail, but yes, I was taken against my will for the purpose of illegal research on human-Pokémon hybrid power, by Colress Achroma. It was only due to the efforts of my dear friends that I'm here now. I cannot express my gratitude to them enough, if any of you are reading!
Thank you for sharing. To turn back the clock a bit, what was your childhood like, being half-Zorua?
Well, for most of that time, it was like paradise! When I was a young child, we were quite isolated, so I never got the sense that my life was "off" or "strange". I thought for the longest time it was normal to have a family like mine. My older sibling, Wolfgang, a Zorua then--we were just "W" and "V" at the time--he and I would just run wild and play in Lostlorn Forest for hours while the rest of the pack hunted. And then they'd come back, and they'd start in on whatever they'd caught, and my mother would swoop back in to make me something completely different. And teach me the alphabet. [Laughs]
Was there a time, when that facade cracked?
Oh, there was this time, right when I had gotten used to using my illusions, that my mother brought me to the grocery store with her. And that's when I learned a lot of facts about the world very quickly. And then I had to learn those facts all over again, a few years later, when I rejoined the human world with my adopted family. Everything had to be hidden after that, or else. It was dangerous, not knowing what sort of person you'd meet, or who'd want to hurt you just for existing.
You say you were also adopted?
Right. There was... a forest fire, at one point. Intentional. And I lost everyone dear to me but Wolfgang. And I became the sort of Zorua you see here now [a Hisuian Zorua]. And after a few years of... homelessness and what not, I was taken in by the Cresses. It was a chance encounter. And it was a major culture shock! Going from streets to high society parties. It was thanks to them, though, that I managed to find something to do with my life and graduated from Naranja-Uva.
And in between that, the Galar gym challenge...
[Laughs] I'm sure you have a clip of that somewhere. I'd rather not talk about it, that was... a strange period of teenagerhood for me.
How do you feel about your childhood, on reflection?
That's tough. That's something I believe I'm still working out, myself. It was positive moment-to-moment, but considering what I know, now, I would say... to some degree, I resent it. It's hard not to resent being born in a position where it feels like, for so long, nobody understands you. I wouldn't trade Wolfgang for anyone else, but otherwise, I do wish, sometimes, I was "just" a human.
I can imagine. At the same time, talking to Pokémon is quite the advantage, right? What is it like?
Depends on the Pokémon! Some of us are more talkative than others, and of course, there's a range in how sophisticated Pokémon communication is too.
The difference is something like... imagine two Pokémon asking for pizza. In my experience, a Solosis would usually just beam the word "PIZZA" right into your mind. A Sewaddle might be coherent enough to say "Pizza, please". And a Zoroark... probably something along the lines of "give me the damn pizza already," [laughs].
So sometimes you can get a lot across by understanding Pokémon, but that doesn't mean they're all speaking in the same way as humans still. Understanding those individual differences goes a long way in my line of work, too. It's a bit easier than reading behavior, anyways!
As a Pokémon psychologist, what's one thing you think more people should understand about their Pokémon?
More than anything... it sounds cliche, but most Pokémon truly view humans as their partners, just as we do them. As much scientific proof as has gone into the question of proving that Pokémon love us as much as we love them, in my experience... that's absolutely true.
At the same time, even as partners, Pokémon think quite differently from humans in their daily life. I think in order to create the most balanced world possible, where both can coexist, it's key to consider the Pokémon's perspective more too.
What's one thing you'd like to impart about hybrids to people who don't know much about them?
Every hybrid's experience is different, firstly! Some, like me, are born, but others are created through science or magic we still don't know about. Some may look almost identical to humans, and some may have appearances considered frightening or unusual. Some of us have long-standing health problems. Some of us can use moves, or speak in Pokémon language, or access abilities, whereas others may be more limited. There's no one experience that I can really label as "the hybrid experience".
There are people who might think we're dangerous. Or inhuman. But whether you consider us 'human' or not... like any living being, we still deserve respect and a voice. Maybe that's obvious, but I think it still rings true.
Finally, what are your plans from here?
I'm hoping to finish my Unova League challenge together with my traveling partner! I certainly don't intend to become the Champion, but if I can say I challenged every member of the Elite 4, I'd be happy.
From there... well, there are a few things I'd like to resolve otherwise, but I think I'll return to my day job as a therapist, and hopefully, my own personal sword training. I'd also like to spend more time with my friends, my traveling partner, and my family in Lostlorn! My brother, Wolfgang has four incredible kits, and they're the absolute most adorable--
I'm afraid we're out of time for today, Mx. Vanilla.
Ah, yes. Thank you for having me!
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cupcraft · 1 year
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I just think it needs to be said that adults have to regulate themselves in online spaces in a way that is responsible for minors in fandom spaces. This will be long im sorry.
And im not specifically talking about adults with lists of DNI minors and block anyone at or under a certain age as well as make it clear their blog may not be safe for minors (ie spaces with a lot of nsfw content). Though curating an experience is a big part of being responsible of course. This post though is mostly delving into adults' behavior and how you need to be aware of your behavior.
For example, if you're an adult who purposefully curates a blog dedicated to fandom discourse, harming other people in the fandom, vagueing, and just having general toxicity about people ESPECIALLY when the targets of said harassment and toxicity are often the youngest in the fandom this is something you really need to reevaluate yourself about for a million reasons but including how this harms and serves as a poor example to younger people what a fandom space is meant to be. Like when I see minors involved in these types of toxicity, not to say they shouldn't be informed or held accountable or the ppl harmed should forgive them, but as an adult I mostly feel sad. I feel sad because I hope they're going to be okay when they're my age and look back on themselves. I hope they're safe esp when the adults around them act like this kind of behavior is normal and okay even though they've long graduated high school (even though ot wasn't okay then either for the record). Like does it not bother you that you're an adult who feels superior sending hate campaigns and ask box harassment and cyberbullying to minors on the internet because you're insecurities are that large and you've no ability to regulate them healthily? Does it not bother you that you teach young ppl in the fandom to do similarly by your actions, and affect their experience? Does the harm not bother you?
Because it should bother you. When you grow up especially in online fandom spaces you do need to be more aware of not only your words in general, but how many people may look up to you and use you as example and that you have a responsibility to be healthy online for the sake of yourself, others, and esp the youngest of the fandom.
Because it hurts to think ppl can grow up in fandom to think "oh sending kys and gore and dead animals over [insert discourse] plus potentially bigotry is normal because everyone around me does it and I want to fit in and I also fear speaking up against the adults who do this because you know the harassment".
And you might say "well cup im just gonna block all minors the end I get to harass people forever hahaha haha!" And well okay, but for another post (plus ones I've made before) there's still a million reasons this is fucked up you see but I'm just focusing on one aspect rn in this post.
And then there's the adults in fandom who all of a sudden hit my age and all they do is belittle kids and the way they act and there is all of a sudden a Certain Maturity that needs to be upheld for Everyone but Especially Adults.
So on the first point this includes adults who are like "I hate kids!!!! They are so [insert anything negative]" and it includes any comment to meta/writing/art/etc that is like not allowing a younger person in fandom to grow. Like the way I talked as 11 years on the internet was incomprehensible and frankly would've been subject to "omg kids are so cringe ew!" For sure these days, ig I was lucky my online friends were also 11 at the time. Looking at my old fandom Meta posts when I was 15, like I could imagine the way I see adults talking about takes like "oh shit I was worse!" Which is just a bag full of insecurity for me, but I also can't imagine being young in fandom and directly experiencing such critiques all the time. Like does it not bother you, once again? That you don't want to see kids in fandom grow into their creativity and co-exist safely in fandom as they do in public and experience overall and public joy? Why do you hate I mean hateee kids as an adult and why does their joy spark hate and misery in you (you might need therapy or to work that out srsly). And do the effects of your actions not bother you? What do you think you're doing other than silencing the creativity and joy in people and invoking ways to people please or for minors to Act Mature (in reality acting the way these adults want to avoid harassment ofc!) Instead of of course just experiencing joy and fun and community as they would normally.
And that brings me to my last pt of the effects of you hit [adult age] and must Act Mature and not Care About Cringe Fandoms or Watch Cartoons and do anything that would indicate you god forbid Don't Have a Real Job. This is the reality for growing up in fandom its finite once you're 19 no more Cringe of course /s! Because I've been subject to this take before as a criticism, and I've seen essays about how adults who watch Bluey are destroying the world forever, and I can take it because I go to therapy and I'm secure in my own maturity where it matters and joy where it matters. But imagine how younger people in the fandom feel. Like you're basically telling kids "btw once you're at Adult Age you must stop having fun forever and you must have a Real Job (or Education) and stop enjoying Immature things like fandom (even though I am in fandom btw im not a hypocrite saying this) or you're a freak immature adult who will never grow up". Like wow.
Like the conservative and near unnuanced take of to be Mature you need a real job (whatever that means) and to only watch adult shows in a normal manner (again whatever that means) aside, like you're really telling kids to grow up and be insecure. I'm serious! Like of course as you grow up it's important to mature no duh, but with real maturity means realizing there are times to be serious and there are times to enjoy things. Maturity doesn't mean I can never watch bluey god forbid else I have a not real job or become media illiterate as a consequence (esp when actually marketing wise a lot of kids shows are meant to also be entertaining for adults watching with their kids... and lo and behold your media literacy doesn't go away magically the moment the show starts). Like you really want younger ppl in fandom to be miserable and grow up miserable and create a cycle of miserable lest they become Cringe Adults that watch a harmless cartoon and enjoy it.
I'm never good at ending rants like this but conclusion. Get a grip on yourself and insecurities and be really careful how you foster fandom community for yourself but also to those that grow up in these spaces too.
As always add on/send asks/correct me/add nuance/etc. ❤️
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icemanzek · 2 years
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Free Apps/Assets that help me as an Indie Game Developer [Megapost]
Hi! I’m an indie gamedev who’s also in University, needless to say that I’m on a budget when it comes to my game creation. I’m making this post to organize my favourite free resources that helped me out.
Also, please note that I’m only commenting on the programs themselves, not the companies/individuals that run them.
For Pixel Art, I use/recommend Dotpict.It’s completely free, you can resize canvases and input custom sizes. It has the essential tools for pixel art creation, and is great to use on small screens with the default point-and-click system. It can also be used on larger touch screens with in “Pen mode”. It also supports animation! Alternatives include Pixquare and Resprite, which function similar to Aseprite for computer. (Resprite does have limited exports in the free version.)
I was recommended Notion by a fellow gamedev friend for organizing ideas/stories. It’s essentially a files-within-files organizer where you can make groups, add pages to the groups, and link other pages. I now use it for my concepts, and am really enjoying it so far.
My go-to for fonts is DaFont. The website allows you to sort and filter in order to only show 100% free fonts to use in your projects. I’ve been using this site for years, and from my experience each download was completely safe.
I’m an RPGMaker user, and rpgmakerweb is a great resource for finding free plugins. Yanfly is also one of the most popular picks for plugins as well. Galv and SRDude are amazing creators with some of the best plugins I've personally ever used.
Launchpad is a beat-mixer app with a literal labyrinth of samples. You can get a free trial to have access to all of them, and I’d recommend it for people looking to explore different genres for in—game music. It’s super fun to just mess around in. You can record and export as well.
FireAlpaca is my personal recommendation for a free digital art software for computer. I’ve used it in the past, and it’s truly a great free alternative to expensive art programs. Krita is also a great free option!
Cymatics is a great resource for free-to-use royalty-free samples/loops. I have a huge sound library thanks to them, and I haven’t paid a cent. Joining their email list also gets you more free packs & the occasional free giftcard.
YoutubeDL is a free and open-source program on Github that allows the safe (speaking on personal experience) download of Youtube videos, as well as audio format. I use this to download royalty-free samples/SFX that are posted on Youtube for anyone to use. You can also download a .exe from their website with the YTDL program directly in it (my personal choice).
Online-Convert is a free online file converter. I've personally relied on it to convert my music into OGG format, and I haven't had any problems with it so far. There are many other converters for lots of different needs and formats as well.
BFXR is a free downloadable program that is great for making digital sound effects for your games. I was actually recommend this program by my prof in first year. You can use all FX in any use for free!
Ibis Paint X is a free drawing app for Apple devices/other mobile devices that support pen pressure. You can upgrade to the full version, but the free version has a lot of options.
Fortelling is great for planning out stories and worldbuilding. It’s optimized for writers to keep track of their projects. You can make timelines, add characters with customizable traits & avatars, create locations, specify items/languages/species, and a lot more. There is a premium subscription version, but I’m perfectly content with the features that come with the default.
Design Cuts is a website for lots of artistic resources, including Procreate brushes, graphic design assets, and more. They give out weekly freebies, as well as an extended commercial license included with every purchase. There’s frequent sales too, and you get so support independent artists.
Feel free to reblog/add your own favourite free resources to share with other devs/artists! I’ll update this post as needed.
Website / Discord Server / Patreon
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felassan · 9 months
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Electronic Arts Q1 2024 Earnings Conference Call (August 1st)
This happened today and Dragon Age was mentioned in the opening Prepared Remarks section of the call (emphasis mine):
"To do more extraordinary things for our people, players and communities, our teams are building the strongest pipeline in the history of EA to drive multi-year growth. Over the next few years, we will launch numerous experiences that grow and deepen the fandom of our legendary IP. Our multi-year targeted investments toward our biggest opportunities include global titles like blockbuster storytelling from Dragon Age, incredible skateboarding gameplay and social connection from skate, and a revival of EA SPORTS College Football that celebrates the action, culture and tradition of the sport like never before. We’re also hard at work on a new experience from The Sims that will transform what players can do with creativity, a sprawling action adventure Iron Man game, a reimagination of Battlefield as a truly connected ecosystem, and the expansion of the Apex Legends universe across platforms, geographies, and modalities of play. The most recent reveal of our Black Panther project — set in a massive, explorable universe — marks the latest chapter in EA’s collaboration with The Walt Disney Company and the Marvel Games team."
[source and full Prepared Remarks transcript]
Dragon Age was then mentioned during the Q&A section of the call (emphasis mine):
Q: "Last quarter it was noted that players were concentrating their spend on major franchises. Just wanted to see first if there was any update to that? And then, Andrew, in your commentary you highlighted a goal for Apex as an experience across platforms, I'm assuming that includes mobile as well, so can you speak to how you envision potentially relaunching that title on phones and how the approach could differ to the prior game? Thank you." A: "Yeah, so let me touch on the first part. I do think we continue to see big titles getting bigger, and live services getting bigger, and certainly as a company with a broad portfolio of large-scale IP and large-scale live services, we believe that we will be long-term beneficiaries of that trend. You know, that doesn't mean that we won't build smaller titles over the course of time. There are these incredible stories that we believe should be told in the context of entertainment. We are focusing our investment so that we can build a cost-base around those that's appropriate, but we're also really getting behind our biggest opportunities, and as we've talked about, our strategy and building these experiences that entertain massive online communities. Our expectation is that will be a large scale growth driver for us. But, you know, when thought about the right way, games like, you know, Dragon Age, and Jedi, can tell truly blockbuster stories and really break into that top category of games. I think what we see today is the mid-tier and lower games that, you know, maybe did pretty well through Covid because people had a lot of spare time - they're the part of the industry that really aren't doing and performing as well. And as we think about our future, you should expect that we'll continue to focus our investments and our energy and our resources against these big opportunities because we do believe that is where the industry is trending."
[source: call audio webcast]
There were no further mentions of Dragon Age, Mass Effect or BioWare during the call.
Here is the latest Existing Live Services & FY24 Title Slate (announced titles), from the call's supporting documents -
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[source]
The next EA earnings conference call - for Q2 2024 - is on November 1st 2023 at 2pm PT.
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[source]
lastly, when the full transcript of this call becomes available I'll post the link/add it to this post. ^^
Edit: Here is a transcript of the full call.
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endcant · 5 months
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a big reason why i personally respond very strongly and publicly about internet censorship bills is because every tool and support ive ever had to understand my trauma, cope with my mental health issues, historically contextualize my experiences, and become a somewhat functional adult, were all found online. the friends who support me found me online. my ability to do my art business & be my authentic self in the same place at the same time is thanks to the expressive powers of the internet. almost nothing good in my life would have been possible if there was legislation like KOSA enacted when i was a child. which is why i have been openly speaking out against legislation like this ever since i was a child.
one example of the problem here is that the heritage foundation intends to use KOSA as a way to sue websites into censoring information about LGBT+ issues and sex/reproductive health. they said it publicly, and i have no reason to think they’re bluffing. the heritage foundation is also the main party behind Project 2025 (an authoritarian agenda for the U.S. political right published and free to read online). they should be taken seriously because they have proudly played a massive role in deciding what Republican public policy be will be since the Reagan administration. if you are politically active online at all and don’t know whether your most dearly held causes are under threat by this group, type “the heritage foundation’s stance on” into your favorite search engine, take a look at the recommended searches, and get ready to have a very bad time. (…unless you’re one of those rare far-right political users on this site, in which case you’d probably have a pretty good time)
this is happening alongside the recent growth of the “parental rights” movement, whose achievements include promoting book bans, trying to suppress any information they deem to be “Critical Race Theory”, as well as harassing and threatening people for supporting LGBT+ kids. they aim to silence any voices that don’t fall in line with their agenda. moms for liberty is a prominent example of a harmful “parental rights” activist group; they have repeatedly done things like this. i have no doubt that these groups would absolutely utilize KOSA to further prevent children from accessing important educational information.
Rep. Marsha Blackburn, the one of the two legislators who has spearheaded the push to pass this bill through the Senate, is a self identified “hard-core” “politically incorrect” conservative who came into the Senate during the Trump administration. She is also part of the larger Tennesseean right-wing political apparatus that has brought this state wonders like cities where public homosexuality is illegal, and a county where the juvenile detention rate approaches 50%. these people do not care about the wellbeing of children. they are doing awful things here that the majority of tennesseans do not support. there are many other recent, infamous examples of similar state and local human rights failures throughout the US. if you let them have their way, these post-Trump Republicans will do their best to bring this kind of nonsensical, authoritarian governance to the entire country and potentially the rest of the world, given the role that U.S. law plays in the reality of the international internet.
i have been mostly sharing others’ posts and contacting legislators on my own time, but on December 6th, a letter was published in support of KOSA that was signed by 200 organizations— largely mental health and childrens’ health related groups. i believe that far-right political groups will use KOSA to silence the kind of online information that helped me with my own mental health when i was a kid, and that kids are currently relying on today. ultimately, i think it is a shame that these 200 organizations think they can get away with publicly supporting a bill that is so widely criticized and politically fraught.
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