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#something to explain properly
bepoucorp · 1 month
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I LOVE YOUR ARTSTYLE SO MUCH
What were the inspirations and process behind it?
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my process is also very straightforward!:
1. sketch
2. clean up/lineart (optional! I really only do it on animations/commissions)
3. color
4. shade (optional!)
5. adjustments and other things afterwards!! (fixing lineart/ofther things)
a lot of the choices I make is bc im lazy ☝️😁 and thank you so much!!
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Yknow teruhashi is actually so tragic
Like she's so young and has this ego built up that she most likely didn't even put up at first
People probably found her attractive and she liked the attention so she tried to be this "perfect woman"
But no one is perfect and she's trying to attain a unreachable goal
Plus the idea of this young girl being sexualized at such a young age, especially by her BROTHER
It's tragic
She doesn't want her brother to be in love with her obviously
She just wants a brother who isn't creepy
I feel like in a sense she likes saiki because he doesn't fawn over her and deep down she wants someone to treat her normally, like yes she wants him to acknowledge her and to say "oh wow" or whatever but she sticks around time after time she's proved wrong by this (personally this could be seen as teruhashi wanting a friend out of saiki or romance depending on how you view the way she actually wants saiki, but I do know that she does not want saiki to fully act like the others do to her)
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electricxmayhem · 1 month
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going insane going insane
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effervescentdragon · 2 months
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i think a lot of people should google datenschutz/gdpr and how it protects people who bring in a complaint to their workplace/place of study before you start calling for the investigation to be published
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pestilentbrood · 5 months
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VERY long Ramble incoming
honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.
I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.
Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????
And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!
(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)
I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.
And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!
The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!
They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.
Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"
That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.
Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.
I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.
Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.
Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.
And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."
Yknow. Ick.
(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)
I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.
*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.
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stormsthatrage · 13 days
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Have a Bleach extended-winter-war time-travel-fix-it idea. In this AU Kaien's death happened before the whole turn-back-the-pendulum arc. (Yes, another Bleach time-travel AU, I know, shut up.)
As Ichigo and Kisuke are planning to go back to the past, Kisuke makes sure to emphasize to Ichigo that they have to protect Shiba Kaien. Apparently, it's of the utmost importance.
Ichigo doesn't know exactly how Kaien's continued well-being plays into saving the future. Kisuke never really explains it, or gives him a straight answer when he asks. But Ichigo knows that the Shiba Clan-Head carried a great deal of political power, and Ichigo also knows that Kaien -- according to Kukaku and Rukia -- was highly competent, incredibly noble, and fundamentally kind. It's not exactly unintuitive that a person like that could be important to bringing down Aizen.
So Ichigo listens, when Kisuke tells him to protect Shiba Kaien. He memorizes how Kaien died in the original timeline. He's attentive as Kisuke reiterates for the thousandth time that Aizen will keep trying to assassinate Kaien until he succeeds. He takes notes when Kisuke hypothesizes about what Aizen's various assassination attempts might look like -- poison during a meal, hired assassins at night, an ambush during a mission.
Ichigo ingrains the assignment into his core: protect Shiba Kaien, because if Kaien falls, the mission fails.
So when Kisuke slips a paralytic into Ichigo's tea and places Ichigo in the middle of the time-travel kido array and drains the entirety of his own spiritual energy to activate the array, a sacrifice that Ichigo never would have agreed to--
Well. The first thing Ichigo does when he arrives back in the past, numb and alone and only able to function by focusing on the duty that is his purpose -- is track down Shiba Kaien.
After all, if Ichigo is going to kill Aizen -- and he is, no matter what it takes -- he needs to keep Kaien alive.
Ichigo goes straight to the Shiba family grounds. In true Shiba fashion, they accept him immediately as family. They tend to his wounds and give him a meal and welcome him home. They let him get away with his weak excuses and explanations, and they defend his presence to the rest of Soul Society.
Kaien, in accordance with everything Ichigo has heard about the man, personally takes the newest addition to the family under his wing.
Ichigo's plans to deal with Aizen take shape around his need to keep an eye on Kaien.
Ichigo, instead of running as far and fast as he can from the Shiba clan, accepts the offer to live in the Shiba compound. He gets to know every clan member and retainer, subtly vetting for traitors. He sleeps in a room near Kaien's, allowing him to both guard against assassins at night and place warding runes around Kaien's door without having to worry about being caught somewhere he has no business being.
He joins the Court Guard in the 13th division instead of the 5th, because the only real way to protect Kaien on a mission is to be there with him. Ichigo knows that if there's an ambush, or if the mission details have been tampered with, he'll be more than enough fire power to get Kaien out of it. And it's easy to always get paired with Kaien; Kaien -- reliably taking every opportunity to hover around Ichigo that he's offered -- does most of the work, leveraging his status as lieutenant and Ichigo's combat ability to keep them together.
Ichigo finds himself frequently taking meals with Kaien and Kaien's friends. Kaien always invites Ichigo, and Ichigo accepts so he can subtly check the food for poison.
(Ichigo does not tell Kaien about Aizen. Ichigo is still unsure what Kaien's role is in the whole fight, and in the meantime, telling him about Aizen is a sure way to get him killed.)
Things heat up. Ichigo prevents both Miyako and Kaien's death, killing Metastacia before it can hurt anyone. Ichigo's shadow war against Aizen gets more intense. Ichigo sneaks out regularly to dismantle Aizen's illusions, destroy his labs, and attack his network of power, slowly weakening him.
Ichigo waits for the assassination attempts against Kaien, but they don't come, even several weeks after Metastacia fails. Ichigo takes it as a sign that he's got Aizen distracted.
Things continue for a while. Ichigo falls into a strange routine.
(And Ichigo tries not to break, seeing so many of his loved ones alive and unknowing of him. It is agony, to be around Shunsui, who is not his mentor, and the Visored, who are neither visored nor pack.
But the worst is when Captains Urahara and Shihouin catch on to his war against Aizen. He finds himself working with them as allies.
Allies. Mere allies, instead of --
Well. Not that it matters anymore.
All that matters is his duty.)
Time passes. Aizen weakens. There are no attempts on Kaien's life yet.
And then Aizen's web has unraveled enough for Ichigo to attack.
It's a long battle. It's a bloody battle. It's a very public battle.
Ichigo wins.
And it's only after it's all over -- after Aizen's crimes are revealed and Soul Society is at peace and the future is saved; after Ichigo finds himself still alive and adrift, with nothing left obligating him to keep going and everything telling him to give up; as Kaien refuses to leave Ichigo alone and escorts him to regular appointments with Unohana and forces him to talk about the truth of his past --
It's only then that it clicks.
Ichigo is whispering secrets about the future into Kaien's chest, Kaien's arms wrapped tight around him, when Ichigo confesses that he messed up, that he put the Shiba clan in unnecessary danger. Ichigo tells Kaien about his death in the original timeline. He talks about how Kisuke told him that in this timeline, Aizen would try and kill Kaien again if the first attempt failed. Ichigo promises desperately that he never would have sought out the family -- would have kept the danger far, far away from them -- if he hadn't thought he had to watch Kaien's movements so closely.
And Ichigo admits that Aizen never actually tried again. Ichigo admits that he and Kisuke miscalculated, that Ichigo brought danger to the Shiba's doorstep for nothing.
It happens like this:
First, the words leave his lips, "Kisuke" and "miscalculated" in the same sentence. Hearing himself say it lays bare the absurdity of its premise.
Then, Kaien draws away slightly, to look Ichigo in the eyes. Ichigo sees, plain on Kaien's face, a terrible, damning gratefulness.
Then, Kaien says -- fierce and defiant in the face of what could have been -- "I am so glad you came home."
And it clicks. At last, Kisuke's final manipulation reveals itself to Ichigo's eyes.
The emotions flash through him: the sting of betrayal; a flavor of love that bursts across his tastebuds as hurt; a familiar brand of exasperation that, a split second later, has his knees giving out under the weight of old pain made fresh.
Kaien catches Ichigo before he hits the ground and holds him as he shatters. And Ichigo can barely breathe through the knowledge that Kisuke would have been so smug to see them.
A sob rips itself from Ichigo's chest, and it's followed by another, and another.
Ichigo's older cousin holds him, in the home of their family, through it all.
_________
THE END except not really.
This must immediately be followed by a whole arc where Kaien, much to his own dismay, finds himself trying to hook Urahara up with his little cousin.
After all, Future-Urahara sent Ichigo to the Shiba clan. Future-Urahara tricked his little cousin into bypassing his own self-destructive tendencies to seek out family and love and support. Clearly, Urahara would actually be good for Ichigo.
And, you know, Ichigo clearly loves Younger-Urahara, judging by Ichigo's whole... well, everything, whenever the two interact.
(This whole matchmaking endeavor is made easier by the fact that 1) Kisuke is already infatuated, fascinated, and not a tiny-bit madly in love, and 2) Yoruichi is also, from the other end, trying to set Kisuke up with Ichigo.
This whole endeavor is made more difficult by the fact that 1) Ichigo is in denial that he loves this younger Kisuke since he never thought this younger Kisuke could also fall in love with him, 2) Kisuke is in denial that he loves Ichigo because that is a Shiba and he himself is a creepy low-born ex-assassin mad-scientist, and 3) neither Ichigo nor Kisuke know what it looks like when someone is interested in them.)
Poor Kaien. He succeeds eventually, but not before witnessing truly legendary social ineptitude.
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tizeline · 3 months
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OOO, I like the implication that the yokai trio are gonna watch their dad get devoured by Shredder and achieve the same effect the scrapped Shredder!Splinter arc we almost got!.... unless you're going in a different direction than canon 👀👀👀👀
Oh wow, I didn't even think about adapting the Shredder!Splinter plot in any way in the AU XD. But I've already mostly figured out how I wanna do the season one finale and beginning of season 2, and I don't wanna change it now soooo....
I'm actually gonna stick pretty close to canon, Draxum is gonna put on the Dark Armour only to, not too long after, get slurped like a Capri Sun and unceromoniously spit out, and then Shredder is gonna start running around wrecking shit. That still isn't gonna be too fun for the Drax Trio to witness, of course!
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deoidesign · 9 months
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Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?
Thank you so much!
To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.
It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!
(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)
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What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!
However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)
So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)
1: Separate study from application
I believe this is beneficial for a few reasons:
If the goal of every piece is learning, it can become frustrating, overwhelming, and boring
It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time
Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time
Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!
I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.
When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!
2: Let yourself do the things that feel "easy" or like "cheating"
This one is simpler: nothing in art is easy.
If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!
The only cheating in art is theft. If you're not stealing, then it's allowed!
My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.
But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)
Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!
I hope this helps!
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0sbrain · 26 days
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it's ok if you misinterpret what im saying but if you directly tell me you are dismissing my explanation in favor of what you think i was trying to say then fuck you
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maricoelquelolea · 7 months
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Recently decided to re-read Impulse because he’s my fav and this particular character development has been living in my head for years and years
(Issue 23- Issue 66)
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Ep. 05 'The Return' Screenshots
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Crosshair using the Firepuncher to pull Hunter to safety out of the wyrm-tunnel.
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fictionadventurer · 2 months
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The Rosemary Tree is the first time I've had to put down a book so I could sob over how beautiful it was.
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proshippy-fox · 3 months
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love seeing a post and going "oh this person has proshit dni in their bio don't they" (sarcasm)
it doesn't even have to be related to discourse at all. there are just these cutesy styles that I've seen a lot of antis use. some stuff like a squiggly line under the eyes or a certain way of talking that I can tell because I only ever see antis do these certain things.
not saying there's an anti art style but it definitely feels like there is sometimes. or art styles used only by antis. idk
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zootopiathingz · 3 months
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thinking about how cute your wildehopps roman empire is while mine is them sitting in that damn chair. not even her laughing at his joke just. them sitting in the chair together
No bc I think about this all the time
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Like this image right here lives in my head rent free
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itsjusteds · 6 days
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I've decided that the only way I can get closure on all of the violent excitement I feel over Spies are Forever takes 2 simple steps
Step 1: Meet Curt Mega (and or Joey Richter)
Step 2: Violently shake his shoulders while failing to form coherent thoughts
Am I aware this will never happen? Yes. Yes I am, but listen I also didn't think I could draw all 55 saf characters and I did soooooo
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maxcuntstappen · 2 months
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hi! i was wondering, why are some cars faster than others? what makes red bull different from other teams when they're all subject to the same reg changes? is it just due to their resources or a lack thereof?
hello! i will try to answer this the best that i can with my limited tech knowledge and vocabulary <3
tldr; basically, yes, there is a difference between the teams' performance cause by the variation in the amounts of money, sponsors and overall resources. but as certain teams have showed time n time again (eh-em scuderia ferrari), it's not just about having money but what you do with it; largely when it comes to aero development and the wiggle room the regs give
first things first, while the regs are same for all teams, the way the regs are interpreted by the teams differ largely. everything from the floor to the wings to the nuts and bolts can be customised by the teams. Some choices work in their favour, others not so much.
something to remember is that, while building a f1 car, you're always choosing to sacrifice one thing or another. for example, during the merc domination era, their cars were rarely ever following another due to always qualifying in the top 2. that's how they designed their car then; to lead, not to follow. which means that when they did have to follow another their car, their aerodynamics struggled and the car got much harder to drive. but that's a risk they chose to take because they knew that their car had good qualifying pace.
the teams try to build a car that suits to all tracks; ones with mostly slow speed corners or fast speed corners or mid. long straights or not. all that jazz. the ideal car is one that can do well or at least relatively well in all of these tracks. but as last year showed, even the best developed cars (rip rb19 u will always be famous) will struggle on some tracks (singapore; marina bay circuit; heartbreaker). it is extremely hard to be able to build a car that's always in the top 2, and often, it requires other teams massively fucking up their interpretation of the regs and the parts and features they believe makes for a fast f1 car.
a BIG part of setting up and building a car is having drivers that can give you feedback on how the cars act and react on the track. the simulators are great and helpful but they cannot be compared to the feeling of being in the actual car, going 300 miles an hour and feeling it in your bones. time and time again, it's been seen that teams who have ignored their drivers' suggestions on what to change about the car (lewis @ merc since the last two years) have suffered a decline in the quality of their machines.
all of this comes down to the development of the car and the people involved in developing said car. of course the resources matter but the development philosophy (especially when it comes to what they do with their aero package) often plays the biggest part.
but to come to the resources part,
sponsorships, the finishing position in the wcc; the price money that comes along with it, and whether the team is backed by an engine manufacturer/major brand does give that monetary boost that leads to massive differences in lap time on track. for one, it influences the people you can hire; right from the drivers to the strategists and aerodynamicists. talent comes with a massive price tag in f1.
with teams with lesser sponsors (for eg, haas), there also comes the limitation of not being able to afford extra, spare engines or front/rear wings which can then limit and lead to a drop in the car's performance. while rbr can afford to switch out their PU if it's not giving them peek performance, williams or haas cannot do that simply because of not having enough money to be able to buy another engine from the manufacturer.
f1 is trying to decrease the difference between the teams' performance based on access to resources with adding a cost cap and giving more aero development time to the teams that finish lower in the constructors championship. but so far, it doesn't seem to have made too much of a difference to the finishing order. although, the gaps between the teams in terms of lap times has come down significantly.
i have to mention (thank u @epylonia for reminding me of this) that merc has definitely struggled since the cost cap was put in place. do with that what u will <3
also, i cannot write an essay without bringing up adrian newey. there have been talks of him retiring since 2016 but rbr has kept a deathgrip on him and paid a good amount (10 milli dollars/year) to do so. that man is a genius and rbr is fucking lucky to be able to have him/afford him.
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