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#so like. eh
jq37 · 15 days
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You gotta hand it to Fig. All of the Bad Kids were given foils this season and they got to decide how much they wanted to engage with that part of the plot. Gorgug only interacted with Mary Ann in passing despite them both being on the Owlbears. Fabian noped out of chatting up Ivy once she crossed a line with Mazey. Riz was so busy that he truly had no time to engage with Kipperlilly even though she's obsessed with him. Kristen interacted a bit with Buddy but spent way more time verbally sparring with Kipperlilly. And Adaine was somewhat interested in Oisin but never overtly acted on it.
But Fig?
She's in Ruben's WALLS. She's in his DREAMS. She's faking her alter emo's death. She's got the Fantasy FBI after her. She's SO SO tiny. No one is doing it like Fig's doing it.
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transthatfag · 4 months
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should've hate fucked ngl.
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apollo-cackling · 9 months
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thinking about the new changes rn and. mental image I keep getting is trying to jam a square peg into a round slot. for something like tumblr to keep existing as-is, it has to be fine for sites to be something a fair slice of the population will never be interested in which. yk. it isn't
but also. it's not like twitter/reddit/instagram is any less of a distinctively shaped peg than tumblr, tumblr just lays the information bare while other sites hides it better and lets you discover that yourself after spending a bunch of time on it to leave disappointed. not making a choice is a choice in and of itself yk?
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screamingthename · 10 months
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I’ll be honest, I like the idea of being a mean lookin little woman covered in tattoos but being an absolute ball of sunshine otherwise
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collieii · 1 year
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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saetoru · 8 months
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Do you think there could be a chance where reader and bully! gojo meet again years later and try again? Maybe 🥹
part one here — contents. fem! reader, exes to lovers, neighbors to lovers, slight nsfw so minors do not interact, slight angst but it’s a hopeful (pretty much happy) ending, idk what else lmk what i missed
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imagine you guys are neighbors—you accidentally meet when you’re both walking up to your apartment doors one night after work. he pauses, and you can feel eyes staring into you from the side so you look over and yeah. wow. there’s your worst heartbreak of your youth standing right there in all his glory, staring at you like you’re a figment of his imagination come true. like he never expected to see you again (you suppose he probably didn’t).
“hey,” he says softly. satoru has never been one to greet someone first, never been the one to reach out and bridge the gap himself. he always waits to be approached. that much has surprisingly changed since the last time you saw him.
“oh…” you trail off, “hi. it’s you.”
you don’t seem half as happy to see him as he does you—but that much is to be expected, of course. satoru didn’t have the luxury of moving on, you can tell because you still can read him just as easy after all these years. like he hasn’t changed the small quirks about him, like he’s still tried desperately to hold onto his past because that’s where you were. he still looks desperately in love like the night you left him.
it’s pathetic, you wanna say. to still be in love for so long. when it’s so clearly over and there’s no coming back. a small part of you is filled with this sick, evil satisfaction that he’s still thinking about you when you don’t spare him a single thought.
but you suppose you’re not at over him as you thought when there’s this much excitement bubbling into you at his suffering. maybe, if you were actually completely over him, you’d be indifferent to him. you wouldn’t forget, but you’d forgive. you’d hope he learned his lesson and spared another innocent, poor girl from what you suffered for simply loving him. for simply wanting him to feel cherished and special and worth someone’s time.
you hope he’s better now—not for yourself, but for someone else. he doesn’t deserve a second of your time.
“you live here?” he asks, mildly shocked.
you’re almost offended. does he mean he thinks you can’t afford to live in the same apartment building as him? or is he just that shocked to see you? nothing about satoru seems genuine—you can’t help but assume the worst in him.
“yes,” you say curtly, “i moved here for work.” (why did you add that? why are you giving an opening to make conversation?)
“oh, really? me too,” he nods. (why is he making conversation? why couldn’t he have just ignored that opening and spared you the trouble?)
“oh,” is all you say. it’s silent for a bit, and then, “well, i better—”
almost like he knows what you’re about to say, he cuts you off with a quick, “i teach now.” you blink, staring at him in confusion. he rubs his neck as he adds, “i uh…i teach at that high school down the block. so uh…that’s why i moved here.”
“that’s…that’s nice,” you nod awkwardly. why is he telling you all this?
“yeah, my students are really cool,” he adds with a grin—it’s…a bit cute, actually. because he means it. his smile is too fond for it to not be true.
this isn’t the satoru you know—at least, not the one you think is the real satoru. you’re not so sure which side of him is actually him.
“i’m glad you enjoy what you do,” you offer. there’s not much else to say. “i’ll be heading in now.”
“right,” he coughs, “s-see you around.”
and then you really do see him around.
sometimes, it’s when you both leave in the mornings—he lets you enter the elevator first and presses the button for you when he gets in. he always lets you exit first too, like he cares to be chivalrous even if you’re not together anymore. sometimes it’s when you’re coming home—he’s holding a bag of take out as he walks up to his own door. you suppose he’s never been one to cook, and that probably hasn’t changed. sometimes, you’ll see him at the grocery store too—his cart is usually just filled with snacks and sweets. it’s not a very adult like shopping cart, so something’s evidently never change.
and every time he sees you, he always tries to strike up a conversation. no matter how short of a window your time is. even if it’s the forty five second elevator ride from floor one to floor three, he’s determined to say something.
today my students got me a gift—it’s a pair of sunglasses, because he still apparently loves those.
i got to take my students on a field trip today. i’ve been planning it for weeks—they have to write a paper on it, though. they’re not too happy about that even if they enjoyed themselves.
today was my student yuji’s birthday. i let the others out early to celebrate with him—they’re apparently all a good bunch of kids. friendly and tight knit in a way satoru’s never experienced. he thinks kids should hold onto that. good friends are hard to come by, after all.
and you’re always guarded. always so cautious and careful when you talk to him. sometimes you try to be polite, other times it’s abundantly apparent you don’t want to converse. he doesn’t pay it any mind, though. just rambles away and away and away and talks enough for the both of you because he’s just happy you’ll listen. even if begrudgingly.
and then one night, it happens—it’s late and you had to stay extra in the office. you’re grumpy and tired and the only good thing about this is that it’s late enough that you probably won’t run into satoru today.
except he’s waiting right there, head against your door as he fidgets with the door knob and grumbles incoherently under his breath.
“stupid damn door,” he slurs, “jus’ fuckin’ open.”
“ahem,” you clear your throat—he stiffens. “any particular reason you’re trying to break in?”
he turns to face you—stumbles a little as his glossed eyes look at you in confusion. he’s drunk—you can smell the liquor on him.
“whad’ya mean? ‘s my door,” he holds an arm out to gesture at your door.
“no,” you sigh, pointing to the door next to yours, “that one is.”
“oh!” he perks up, “‘s why it wasn’t working?”
“most likely,” you nod awkwardly, “that’s usually how that works.”
you watch as he unceremoniously stumbles over his steps to his door—how he tries but fails to get his keys through the key hole before you sigh and take pity on him. you don’t have it in you to leave a drunk person out in the cold, no matter how much (bad) history you might have.
“here,” you sigh, grabbing his keys from his hand and opening the door for him. you try to ignore that brief moment of warmth where your hands brushed against each other.
“do y’know what today is?” he mumbles, breath fanning over your shoulder as you open his door.
“i….tuesday?” you ask, in confusion. he looks crestfallen when you stare his face.
“oh, n-never—” he stumbles a bit. you catch him before you realize. “never mind.”
somehow, you barely manage to help him to his couch before he’s passing out, too drunk to really register anything else. satoru never drinks much—it was the funniest part about him. you used to tease him for it all the time, for being a frat boy who can hardly handle some alcohol.
i like being in control, he’d say petulantly, i don’t need to be drunk to have a good time. i am the good time.
you take a quick glance around his place before you can catch yourself. it’s not very different from your place—the living room is the same size and the structure is more or less the same. his tv is a bit more expensive, and his furniture is more simple. that’s about it.
you glance down at him one last time before walking out and shutting the door behind you. you hesitate for a moment before turning on the screen of your phone to check the date—it takes you a moment, but then it hits you.
it’s the day you broke up. all those years ago. it’s certainly been a good few—you almost forgot the date, but apparently satoru remembers. he remembers enough to go get shit-faced drunk as if the memory is too much to bear.
does he do this every year? drink away his sorrows every anniversary of the day you left him? does he really still care that much? why hasn’t he moved on?
and then you stop thinking about it. it’s not your problem.
but then you just…can’t help but be a bit more gentle around him. it happens without your control. maybe it’s muscle memory. maybe you’re finally letting your muscles relax and do that involuntary thing of their own that they do.
evidently that’s to be more soft with the boy who broke your heart. except he’s a man now, you suppose. he should’ve been a man when you dated him—but you’re glad he grew up eventually. even if you couldn’t be there with him for it.
but you’re a bit more friendly with him now—you suppose you can coexist with your talkative neighbor that also happens to be your awful ex boyfriend. you answer him a bit more when he talks to you, ask him about his students when he brings them up—he brightens so much when you do. it’s….painfully endearing.
yuji is sweet, a little too kind for his own good. nobara is a little tough to soften up, but once you do, she loves tenfold. megumi is a grump, but he’s a real softie. yuta is a bit socially awkward, but he’s got a good heart. maki is all business and very studious, but she’s a determined young girl. panda is not a panda—his name is odd but he’s funny. toge is quiet, but he looks out for people.
they’re good kids. he cares a great deal about them.
and then you start to tell him about your job. how your boss is another baldy that’s annoying—just like the professor you both shared. he chuckles at that. your coworkers are a good gossip, but you’d never go hang out with them outside of work. well, maybe except for one—utahime is a nice person, even if a bit of a priss sometimes.
it’s nice, talking to him. he’s funny, makes banter easily like it’s second nature. sometimes….sometimes it feels like old times. you’re not so sure how you feel about that, but you think it’s not bad. you can be grown ups, the two of you. you can be adults and ignore your immature past. the hurt is still there, but it’s manageable now. doesn’t linger and doesn’t weigh on you anymore.
sometimes satoru still stares at you in that way he did all those years ago, sometimes he still stutters over his words and loses his train of thought when he meets your eyes. he still loves you—you knew that from the start.
you stopped loving him a long time ago. that’s what you thought, anyway—but sometimes seeing satoru is….too familiar. it makes you feel things you thought you buried away for good. maybe it’s just deja vu, maybe it’s just the history speaking for itself.
or maybe…maybe you’re starting to tread a more dangerous path. the one that led you to your first, and worst heartbreak. you can’t step foot on that path again, no matter what.
that’s what you tell yourself, anyway—but satoru and you are talking one night. in front of your doors, like usual. you’re excited from a raise at work, and he’s excited because his students have done exceptionally on their final exams and you’re both celebratory in spirit enough that it turns into a cheery hug—and then…and then you’re kissing.
that wasn’t supposed to happen, but it does. you don’t know who kisses who, but you’re both wrapped up in each other and your lips are pressed against the others and oh, he feels so, so familiar.
like home. even if it’s not always safe to be there anymore, it’s still your home. you can’t let go of that nostalgia.
and then his hands cup your cheeks and your arms wrap around his neck and suddenly he’s in your bed—your door was already unlocked and the two of you somehow managed to stumble through the entire apartment until your back hits your mattress. your place is similar enough to his that he finds your room without any issues.
it was never supposed to happen—the shedding of clothes and the desperately needy kisses. the way you held his face and he held you. the way he trembled as he touched you, scared he’d mess it up again. the way you laced your fingers and kissed him between his brows like old times.
and then he fucks you like he means it. has his head in the crook of your neck and sniffles into your skin, rolls his hips and makes you mewl his name while he tells you every good thing about you.
you’re beautiful, the prettiest he’s ever seen. you’re so soft when you love, so delicate with the ones who hold your affection, it’s too much for anyone to deserve. you’re laugh is like music, a melody that’s impossible to grow tired of. but the most important part? you look at everyone like they’re worth something—just for existing, just for being there with you and crossing your path. worth your time, and energy, and compassion. they never have to work for it.
it’s rare, finding someone like that. it’s even more rare to get them to fall in love with you—satoru has never stopped regretting letting that go.
he whispers that all through breathy moans and the occasional cracked sob. whimpers when your fingers lock into his hair and pull the strands when his swollen tip kisses that spot he never forgot how to find. you cum first, falling apart with a gasp—and he cums right after, like feeling you is what it takes to make him come undone.
you still do that thing you did—rubbing his back as he spills into you, soothing him as he pants harshly into your skin. the only difference is that you don’t kiss his head sweetly and call him yours. god, he misses that so, so badly.
when his body slumps over yours, it’s when it hits you, what you just did.
“oh no,” you breathe, “oh god. we….we shouldn’t have done that, should we?” you ask tiredly.
satoru’s lip is trembling—he can’t bear to have you regret him. not again.
“i love you,” he says desperately, “i…i never stopped.”
“obviously you didn’t love me enough,” you mumble, not looking at him. it’s something you’ve realized—looking satoru in his eyes makes you weak.
you can’t have that.
“i’ll love you more than enough now,” he promises.
“what if i say i don’t love you anymore, satoru?” you challenge, “it’s been years. i didn’t wait around for you.”
his breath shakes at that. you think you got him there, but apparently he’s determined. it shocks you.
“then i’ll love enough for the both of us.”
for a moment, you can’t help but think if only everyone could see him now. years later. gojo satoru begging you to let him love you hard enough that you don’t have to. being okay with half of you because that’s better than none of you.
it’s almost comical. maybe a little sad. entirely avoidable if he’d just been brave from the start.
“that’s not fair to you,” you sigh, “you’re an asshole but…but you don’t deserve that. you deserve someone who can love you—”
“then i’ll show you,” he grabs your hand, pressing it to his face as he looks at you with enough hope that it’s almost too cruel to crush it. even for someone like him. “i’ll show you how to love me again. it’ll be easier this time. i promise.”
there’s a tear that slips down his cheek—and then another and another and another. and your thumb, just like muscle memory, swipes it away.
you want to tell him—it’s always been so, so easy to love satoru. easier than anything in the world. easier than loving yourself. it came like second nature, flowed through your blood stream and pumped through your heart. you loved him so easily.
you wish he’d loved himself a little bit easier back then. maybe he’d have realized who was worth keeping and who wasn’t. maybe he’d be happier now—a selfish part of you thinks you could’ve been happier that way too.
“satoru,” you sigh, “i have more self respect these days.”
“i know,” he nods, “i’ll be good—so good. i promise. i’ll wake you up with breakfast in bed and we can have three cats and i’ll pay for the vet visits. just like you always wanted.”
you can’t help but chuckle at that. he’s always known how to be charming at the right times.
“and what about the fancy window i always wanted?”
“i’ll get you one of those too,” he swears, “find us a nice place by the school and your job and we’ll be the best cat parents ever. and i’ll be good. so good.”
“i can’t do that all again,” you shake your head, “crying over someone like you is not worth it.”
“i won’t make you cry,” he insists.
something in you screams to believe him—that voice from your youth. that one that never quite stopped falling in love. that one that can’t ever really let him go.
“you don’t deserve me,” you mumble, pulling him close. he tucks his head into your neck, kisses your skin and breathes you in like he needs you to live.
maybe he does.
“i know,” he murmurs. “but i love you. i’ll make you love me again.”
“good luck,” you snort—your hand weaves into his hair, and your lips kiss his head.
well….maybe he’s already succeeded.
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chiptrillino-art · 6 months
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In the Spirit World, roughly 400 years ago.
When you are just a little blue guy. But the greater gods found a liking in you. And then you ended up as chewtoy for Koh.
Spirit shenanegans at their finest.
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idontwikeit · 6 months
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Ask a historian, “What was mankind’s greatest invention?” Fire? The wheel? The sword? I would argue it’s history itself. History isn’t fact. It’s narrative, one carefully curated and shaped. Under the pen strokes of the right scribe, a villain becomes a hero, a lie becomes the truth.
-Gaal Dornick, Foundation
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pokeberry5 · 2 months
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timmy's adventures with batbear and robunny!
alt/closeup + style tests:
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the original concepts that i ended up completely abandoning lmao:
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yuwuta · 1 month
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CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT
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featuring. gojo, okkotsu, choso, itadori, fushiguro
content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol
word count. 1.6k
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SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game. 
And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?” 
You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.” 
“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?” 
“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they’re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.” 
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YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.” 
He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run. 
You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck. 
Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.” 
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CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you. 
Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.” 
You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?” 
“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back? 
“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.” 
The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.
“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”
Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck. 
“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.” 
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YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose. 
“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”
You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face. 
Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.
Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak. 
Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.” 
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MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.
“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease. 
He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.  
“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”
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xwhitenoise · 8 months
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the way a romanced astarion unpacks everything when you get the good ending for his personal quest is lowkey funny tho
like. he basically sums up the entire point of his journey and confirms explicitly that you did, in fact, make the exact right choices to help him grow????
the writers really drive home this idea of just "that's it! you did it! you uncovered the secret to making him a good person, and it turns out the only requirements were to give a shit about him and believe he's capable of doing the right thing!! literally just those two things and nothing else!!"
first in the graveyard
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side note, "you trusted me when that was an objectively stupid thing to do" is one of my favorite lines because it just sums up really the whole experience of his romance gfjdklgjdf
then later in casual conversation
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[tav: you saved yourself, i just gave you a push]
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it's all really sweet and lovely and emotional but also. REALLY funny to me. because there are all those people who go "astarion is an irredeemable piece of shit with no soul and everyone who likes him is in denial of how much he sucks"
meanwhile astarion's just out there like "thanks for keeping me from becoming the worst possible version of myself by exercising empathy instead of just writing me off as a hateful pile of garbage ❤ love u"
really incredible. absolute masterpiece
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otpadsis · 9 months
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nerdpoe · 1 month
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Young Justice is always a little...concerned. With Phantom's living situation. Now they're outright afraid for him, and Bart has decided it's time to Ask An Adult.
It was the little quips. The tiny little things. Stuff that didn't seem to matter to Phantom at all, or appeared to be normal for him, that he didn't realize weren't normal at all.
"Oh, better not hope my mom catches me." "Doing what, staying out past bedtime?" "Nah, using my powers; she'd vivisect me!"
"Another stab wound. Great." "Don't worry Phantom, I've got the med kit-" "Oh, I'm not a baby or anything, I can handle it just fine. Just gimme a sec to take it out."
"My dad has better aim than that." "...Like, when he's hunting, right?" "...At what other times would he be shooting at me?"
"Huh. Not as bad as my parents place. Look; they have a decontamination shower!" "Phantom, this lab has been vandalized to the point of needing a hazmat suit." "Did I stutter?"
Finding out each others identities did nothing to soothe the worry. Tim quietly told the others that every time he tried to run facial recognition, he kept hitting a government firewall he couldn't breach. Phantom never told them his last name, just his first, and 'Danny' is super common.
The thing that really did it though, the thing that made Bart snap and run off to ask Max, was when Danny had a nightmare.
He was talking in his sleep.
"No. Don't-stop. Stoooop. I need...my skin. Mom, no. You can't...peel off...my skin..."
Bart didn't even wait for them to wake Danny up before he was standing in front of Max, talking a mile a minute as he tried to figure out what to do, with Wally staring in horror over a plate of waffles as he computed everything that Bart was saying.
~~~~~~
Danny had a dream about his mom and Skulker arguing about how to skin him. He wouldn't really call it a nightmare, because it was just Skulker, but the scariest thing was Skulker insisting to his mom that it was possible to skin him with a potato peeler. Dream mom was arguing that it was not, and that from a scientific standpoint that was a really piss poor way to preserve a specimen.
He hadn't been begging them to stop hurting him, he'd been whining at them to knock it off.
But when he wakes up, it's to a room full of worried friends and an old man who calls himself Max.
"Kid, I think we need to talk."
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bl00dalchemist · 2 years
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This one i like.
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obsob · 1 year
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a very needed redraw of my lovers print! now with better blanket and chunkier cats
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alexxuun · 1 month
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Vashwood Lino print I did for fun!
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