WAYS WE CAN HELP PALESTINE:

as of 9am today, 8131 palestinians were killed, 20438 are injured and 1.4 million have been displaced. it’s important for all of us to help palestine in as many ways as we can.

i also cannot stress how much just spreading awareness in general can help. staying silent because of your discomfort is not an excuse to sit by while a genocide takes place. when we learn about these events in history we often think “how was this allowed to happen?” but that’s exactly what’s happening now and it’s our responsibility to not sit by and let an entire country be wiped out. i will continue adding more ways to help to this post and i’d really appreciate it if anyone can spread this as much as possible.

it’s important to get educated on everything going on in palestine right now, here are some sources that could help!

decolonize palestine - made by two palestinians, answers a lot of questions regarding everything right now (including debunking a lot of myths from biased news stations) and provides a lot of historical context.

list of documentaries to watch if you want to gain further knowledge

list of accounts to follow on twitter that can also provide information

linktree with information

you can also donate to organisations! even if you can’t donate tons of money, you can help by spreading these links so others can also try to donate!

red crescent

PCRF

MAP

doctors w/o borders

palestinian social fund

palestinian in pain launch good

this website is free and uses ad revenue for donations, all you need to do is click it once daily!

some more places you can donate to and some more

boycotting will also help!! also some of the kpop idols we stan have brand deals with ones that support 🇮🇱 so please let’s not interact with their posts with those brands

list from BDS of companies to boycott

signing petitions!

write to representatives and demand they retract their support of 🇮🇱

ways to contact local governments about helping palestine

if you’re in the uk here’s a link to contact your local MP

change org ceasefire petition

Text "CEASEFIRE" to 51905 if you live in America. The link provided leads you to a page to sign and call for a ceasefire once the goal is met. They are so close to meeting its goal!!

here's a link that lets you send a letter directly to your state representatives

here are some threads that will also give you ways to help.

thread of things we can do to help palestine

HOW TO HELP PALESTINE!! resources and links to other threads on how to donate and spread awareness of what's happening in palestine currently!!! a thread 🧵

here’s what we know, and links to donate to help aid palestinians, a thread:

Here is a list of list of resources and people you can follow to educate yourself on what’s going on in Palestine RIGHT NOW🇵🇸

Ways US, Canada, and UK residents can reach out to their state representatives and MPs to call for ceasefire in Gaza:

if there are any more sources that you would like me to add pls send me an ask or dm me !!

Master manipulator vs Master manipulator

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Saw a post that said "y'all don't deserve trigger warnings for this one" in regards to the atrocities in Palestine right now and there is something that makes me so indescribably mad about that.

Most importantly it is so deeply, disgustingly dehumanizing to the people in front of the camera that you are claiming to care for. Using someone else's trauma. Someone else's suffering. Someone else's pain. To in turn traumatize others? To guilt them? To intentionally trigger them because "they don't deserve it"? That does nothing. That does absolutely nothing.

How does stripping someone of their personhood and turning them into shock value trauma porn for the sake of proving a point to other vulnerable people do anything constructive?

What good does that do for the person in pain besides turn their pain into a tool to inflict further damage?

How does that help anyone at all?

"But it's awareness!!"

No it's not. That's not advocacy. That's not "spreading awareness". That's intentionally going out of your way to degrade, demoralize, and guilt people by preying on their sense of morality and using the horrors of genocide as a fucking prop for it. And you are a sick bastard for that.

felt compelled to make this post after seeing the absolute mess that is my inbox this morning.

I feel like I’ve somehow made people think I’m an authority on this strike for some reason, and I just want to say that I am a random person simply trying to do my best, just like the rest of you. I’m neither Palestinian nor Jewish so please stop asking me to speak for either side and I am no more enlightened or educated than the average joe. I really can’t emphasise enough how much I am Just An Artist who makes comics sometimes.

I am happy to direct people to resources when it’s within my ability but I’m not like especially qualified to give advice. I am working with the exact same resources available to all of you and, I mean this as kindly as possible, there are some asks in my inbox right now that I know for a fact you could’ve just searched for on your own, instead of coming to me so I could spoon feed you a course of action. I am truly begging you all to have some initiative yourself in seeking out information and resources.

Todd brain rot (and Sheila too I guess)

Transcript for Marina Toybina on the Designing Hollywood podcast

I've seen a couple people searching for a transcript of her discussing Gerard Way's stage costumes, so I have made one! Feel free to share/link as a resource. Popular quotes are bolded.

Link to source video. MCR's section starts around 22 minutes in.

The transcript is beneath the cut.

Interviewer: Well now you’ve just finished working with My Chemical Romance, which is a band that I dig. Gerard Way is also a comic book writer and artist, created the Umbrella Academy. So, first of all, how did you get that job? Because there’s a design, I mean the look of that band and what they like to do, what they’re influenced by, they’re not just your typical rock band. So what was it like? How did you get that job? You designed the whole tour right?

Marina: I Collaborated with the lead singer, yes, with Gerard. Uhm, okay everything kinda has it’s place in time. About 15 years ago, 15 to 20 years ago, I was a huge fan. I’m a rock girl at heart, and back then a lot of their music was like music to my soul. It got me through some of the harder times. A lot of my friends were musicians. I never saw them live, never could afford to get to their shows, but knew one day in my heart there probably will be an opportunity, they were in like my top 5 favorite bands. He was an artist I’ve always wanted to work with. This past summer, while I was designing So You Think You Can Dance, I just happened to turn on their music - nope- let me rewind I'm so sorry. So a year ago I was reading a release that they're coming back together on tour and they're playing LA on my birthday. I looked at my team and I was like "I'm gonna be at that show. We're gonna go to the show, we're all gonna go together." And I just jokingly said “I'll probably dress them!” A lot of things in my career have happened to manifestation, I'm a huge believer in that. I think my intentions were so clear into the universe. I believed in it so much. That happened a year ago. Then this past summer, I was driving to work, I was listening to their music and I just happened to text my agent. I'm like “You know I really want to get back into music. It's what I used to do. I used to do a lot of live performances. I used to do a lot of music videos. I need to feel that again, even though I'm surrounded with music all the time and I'm doing all these shows. But there was a disconnect in my career, to where it's like I love live entertainment.” And she’s like “Who do you want? Like are we going after pop stars?” And I'm like “No I've done all that. I want to go back to my roots. I want like Incubus or My Chemical Romance or Red Hot Chili Peppers. Get me back to rock and roll.” And she was like “Well, you know, they're touring, but it's probably… I don’t know, let's put it out there.” Then within two weeks I get an email from her like “Hey their managers want to meet with you, he wants to meet with you.” One of the biggest things about their aesthetic is one of my probably top three costume designers, Colleen Atwood, did their black parade album and it was so incredible. Back then, I was always a step behind. It's like they did The Black Parade and then I met the photographer later. Then I worked on a project with him. So it was always like some better-late-than-never I guess. And I'm like “I'm gonna work with her someday, I love her work. I've been told by many people we're a lot alike.” You know? And I'm like “Why not?” And so we get this email “He would like to take a meeting, see what we can do.” I never expected to do a tour, I just wanted to open this door of opportunity, to just collaborate, maybe do one thing together. And he just showed up in my studio and it was just an amazing artistic energy.

Interviewer: Were you starstruck?

Marina: I was trying to hold it together. I mean before they came in, I can't tell you how much I paced. Usually, there's like 15 - 20 people at my studio. This was the time and day that I was alone. I didn't know what to do. Of course, my expectations were just to present myself and see if I would be a good asset to them because I love their music and I love what he's about. Also, it’s not just the frontman for me, I think he's a brilliant artist. So there's a lot of things. I just wanted our worlds to merge somehow. Within the first five minutes of our conversation, I'm like “Oh I get his brain.” I told them my story. I told him that this is like 20 years in the making. You know, I probably sound like a crazy-fan costume designer. But we share ideas, he walked me through the concepts of things he wants to do on this particular tour and they haven't started doing the US leg of the tour. I didn't know if they had a designer. Then he did mention Colleen was doing something for him and I was like “Okay, how - can this be a triangle? You know? Can I come in in the picture?” It was just a beautiful collaboration. It was a genuine artist to artist conversation. Like “Let's do something interesting.” He walked me through his concepts, his ideas and I'm like “Alright well, let me come up with some creatives, see if we're on the same page.” Again, as much as I wanted to be like “Hey we're doing this tomorrow!” I also felt like it's important now in my career and possibly in his, to make sure the relationship is good, that this is the right artistic match to one another and… it worked! From there it was just amazing fittings, amazing collaboration and some iconic things that went viral!

Interviewer: I love hearing this from you because this is like the joyous experience of 'oh my god I dreamt of working with somebody and you finally get to do it'. But I want to take you back to that because I'm curious. How would that process even begin? You're working with somebody that you already know their music, you already know his vibe. And Colleen Atwood, who I've interviewed by the way, on the show, she's incredible. Our interview had to - she was in the middle of a work day, so it was only it was a short interview. But how does a collaboration like that work with somebody like Gerard Way? How do you guys start working together? How is that process?

Marina: For us, it was just like an initial conversation. I introduced myself, my work. They already did some background checking up to see where I stand, what my aesthetic was like. And I felt I was in a place in my life, in my career, where I was able to bring something new. That's where my confidence I think came from. At the same time I didn't want to change the artist that's in front of me. I think that's always so important for me when working with music. You're dealing with a fan base, and a reputation, an aesthetic approach that's far beyond any artistic reach of anybody new coming in. So for me it was having a conversation, understanding what characters he wanted to bring forward. This was a very playful tour. This wasn't about dressing up the whole band. This was about him being in this world of iconic characters. And how can we bring this to life? What can we do that's still very recognizable to his fans but at the same time a little bit of a shock value? But at the same time, I wanted him to be him, you know? He was in this beautiful place in his life and career where he felt great and felt confident and I just wanted to uplift that. We did our creative decks, went through the conversations of which characters we wanted to go with, these are the shows that he had. I knew which city, we kind of wanted to play off where was the right time. Halloween was right around the corner, what do we do? So it was like very strategic conversations but at the same time so much room to play and be creative. So I just gathered the top 10 characters that we had discussed and kind of started doing my own thing, and keeping him and the music in mind. Had an amazing fitting. I've never worked with an artist that's so clear. It was not just directional and very precise and very distinct on his own style, but it was clear for me when we were doing fittings, this is somebody that knows his body. This is somebody who knows his aesthetic on stage. This is somebody that knows how they're going to perform. So it just made it so much easier for me to be able to fall into his world and do the fittings like “Is this going to come off? Is this piece staying on? Are we going to do options? Is the character going to evolve on stage? Is the character going to come down on stage?” So all those conversations happen in our fittings and then I just packed it all up, with distinct notes, send them off, and then kept checking in, making sure everything was okay.

Interviewer: So when you had a direction for the characters, were you doing sketches first?

Marina: No, not at all. This was something that I felt like needed to have the research. It wasn't just about designing something on paper. When he mentioned to me “I wanted to be a vintage cheerleader” I'm like “Okay, what era are we in? 50’s, 60’s, 70’s, 40’s?” and then he was like “Find me something that's within possibly this color scheme.” The image that went viral when he did wear the cheer uniform, it was probably like 10 different vintage stores that we went to. And I'm like “Okay everything's size zero.” or like “What am I gonna do? This stuff doesn't exist anymore. If I get it from Etsy it's not going to come in time.” There's like so much and it happened to be as we were leaving one of the stores I looked on a sale rack and I saw this damaged, weird, vintage cheer dress that had no zipper, that had no hem. And I was like “I love this! I love this because I can reconstruct it. I can go and get the fabrics that we need to still keep it original and authentic. And that's how we start working. I build out a mannequin his size at my studio, put it on, we reshaped it, took the whole thing apart, reconstructed it to be his measurements, and still kept it authentic. After he wore it, the pattern for the actual thing was sold out. Fans loved it so much that we were getting notifications that people actually found the original pattern of this 1940s uniform and were buying it out.

Interviewer: That's crazy, okay!

Marina: Oh it's amazing! I think, to me, that's when things are just meant to be. When not only did my work translate into something beautiful on stage, but then he becomes this incredible persona on stage that then delivers the character and plays it off. We did that throughout every single look. Every single look when it became a fan favorite or craze.

Interviewer: In terms of time, what was the process when you first got the gig and then to the first show that was performing using your work? What was the time frame?

Marina: I think I had about a month to get it all together.

Interviewer: Wow! That’s not much!

Marina: Yeh and at the same time, I had another huge project in the works so it was going back and forth. But I could not tell you, I've had difficult projects in the past, I've had difficult times with artists, or finding our own language, or how to execute some things. This was so easy that time didn't matter to me. It was such a great collaboration, it flowed, like Bruce Lee would say, like water. It just made sense and no matter how difficult my other project was or what was going on at the same time, it was like oh this is the universe showing me this is how it's supposed to be. This is what's inspiring me. And at the end of the day, the one thing I told Gerard was “You made me fall in love with music again. You came into my life as an artist that I've admired and wanted to work with for almost 20 years. There was a big part of my beginning that made me look back at this now and be like “Oh that's what. That was that feeling that I had when I was 16 or 20.”

HI HELLO DO YOU LIKE AUDIO DRAMAS, WOULD YOU LIKE TO MAKE YOUR OWN AUDIO DRAMA well do I have news for you

for quite some time, I have been working on putting every bit of practical information I have about making a podcast into some kind of readable resource and I'm very happy to say that, by george, I think I've done it.

that link will take you to our resource page which has links to a 35-page handbook that takes you through every step of podcast production (on our merch page, but you can download for zero dollars! do it!) and a direct download of a 15-page pdf about how I take an idea from development through scripting.

this is by no means the be-all-end-all definitive correct guide on how to make an audio drama. as I emphasize many times throughout, this is just how I do things, but it's a pretty thorough rundown of how I do things. if you've been too overwhelmed to start your own show, I sincerely hope this helps you!

kind of annoying that ppl are still so heavily promoting the ~daily clicks~ for palestine, which means ostensibly tens or hundreds of thousands of ppl have been participating in that campaign daily…….. and the only documentation i’ve seen is ppl proudly announcing it raised a grand total of like $300 dollars of ad revenue over 3 months? numbers like that coming out should be discrediting not encouraging tbh. i don’t want to diminish the ‘little things’ and i guess everyone needs hope to keep going with other activism but that is such an insultingly infinitesimally small number when escaping gaza costs $10k+ a person and millions of dollars are being crowdfunded elsewhere. i just…. genuinely don’t think US americans should feel good patting themselves on the back for doing nothing

and a spare jaiden thought. because what the fuck was all that death. all that constant death. her minimap drenched in red from the endless death. she has been so self sacrificial at LEAST since bobby died, and now this?

jaiden has more family now. she has red team. she felt like cucurucho was the only one there for her, her only friend. traumabonded to an evil bear, now traumabonded to an evil cult. they have died with her. she will die for them. over and over and over and over and over again. needless in the pure quantity of death. her life is nothing to her. and why the fuck should it? the colour of the map doesn’t bother her- her world is already red

drew burakhovsky because I was sad…..

Dc x dp idea 81

Danny is on the run.

From both his parents/GIW and supporters of the previous king. They do not want a child as the new king.

So Danny is on the run.

Going from town to town. In each and every town he ends up befriending homeless kids, those in bad homes and everything in between. He uses his resources as king of the realm to help as much as he can.

He can’t every stay for long. It’s only a matter of time until one of the group finds him. Especially since he has to open a portal to get the items to help the others.

It’s in Gotham when his parents end up tracking him down. Specifically while in red hood’s territory.

i wrote this as a joke because I wanted to strangle a guy watching tiktoks without headphones on the bus, but im genuinely disturbed that we've gotten to a point where convenience comes first. and it depresses me even more that its used to justify and monetize greed

edges!! they are improving. (ignore my shitty utility room lol)

i’ve added a third grit and started sanding significantly longer. the right textblock hasn’t been sanded yet, and the left has been sanded by hand for about 30 minutes?? i’m keeping track by songs (3 songs per edge) so that’s mostly a guess. i ended up sanding the right textblock for 4 songs a side (doubling the roughest grit), about 40 mins, and it came out even better (that’s the one shown below). i’m extremely sweaty and the paper dust had me hacking up a lung by the end (next time i’ll wear a mask lmao) but overall they’re SOOO much smoother than the 20 minute single-grit sanding.

BUT!! the biggest change with this pair was the speckling!!!!

literally so stoked with how this came out. i changed my water/acrylic ratio to something closer to 50/50 and scrapped the paintbrush altogether. a medium-firm toothbrush is the way to go!!!! no more streaks and globs, no more sticky/ripped pages, and the weird roughness the paint had when it dried is completely gone. i did get a little bit of page bleed because of the higher water content, but overall it’s MUCH better and i think this is going to be my method from now on with only minor adjustments.

Will people ever learn that being rude / condescending to people genuinely asking simple questions has never and will not ever be beneficial to activism. It will almost never get people on your side it will always make people dislike you and if people dislike the speaker they will be more likely to dislike the message.

NEARLY 7 MILLIONS PEOPLE ARE DISPLACE IN DRC/how can we help?

Please check out Focus Congo and follow their TikTok page. If possible, please also make a donation to help the millions of displaced Congolese.

In the words of founder Pappy Orion:

"I cannot put an end to the violence in Congo. But I can do my part to ensure that the bright future that the star in my country's flag represents comes true for the next generation in Congo."

hi, i just want to say thank you ig for donating your patreon earnings to palestine...im in a place where supporting palestine is easy and in fact my workplace just did fundraising for palestine but i just realized its not like that everywhere. i saw the twitter thread of people losing their job for even just speaking about palestine so again i just want to say thank you...it just make me feel the world is less lonely

yeah....I know the news (or lack of it) coming out of palestine lately has been pretty unbearable, but the palestinian people haven't given up, and neither can the rest of the world - I'm not in a position where I can afford to participate in direct action, but I do have income and if I can provide an intermediary for people who are worried about reprisals from financial donations that's something I'm happy to do.

obviously, I'm not an expert or a spokesperson, but I do think public opinion is changing fast and the people in power are realising that; the UN already called for a truce today, and while it's not a resolution, it's a sign that international pressure is building against israel (and the US and the UK and other complicit governments) - the palestinian people deserve safety and freedom, globally and on their own land, and we cannot demand anything less.

what's happening is horrifying, and the response from people in power in the west has been unforgivable - politicians, institutions, and corporations all have blood on their hands, as far as i'm concerned, but the people on the ground do care, and are finding ways to show it. you're not alone, and there's more work to be done.