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#ren prime
kyluxtrashpit · 1 year
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Kens? I think you mean... RENS
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aptenodykes · 7 months
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Fake tweets to cope with my recent posts flopping
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puppykylo · 7 months
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collection of my favorite panels of the knights of ren
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kylosbreedingkink · 1 year
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It seems that Ren is Swedish for Reindeer
And now all I can think about is were-reindeer Ren.
Ren, with massive antlers, going into rut.
Ren, butting heads with others, using his antlers for fighting and for showing off.
Ren, looking metal af as his antlers shed their velvet and are all bloody
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sepublic · 2 years
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You know, it’s a damn shame that the official lore didn’t go with the idea of every Knight of Ren having Ren as a surname of sorts, a title like Sir; Everyone rightfully assumed that Kylo Ren wasn’t the only one, and I think it’s much cooler if they all share in that name. They’re all dedicated to the Ren; Plus it shows a group cohesiveness, adds a uniformity to their names whilst still having some individuality, implies a sense of brotherhood, and of course that they all are ultimately known by the philosophy they embody first and foremost.
It’s like being newly christened, which, I like to think that similarly to Kylo, the other Knights of Ren replaced their names with new ones, in addition to the new title. Just adds a bit more pomp and circumstance, the Catholic motif to a group clearly fashioned after the crusaders. The title makes the Knights a united front and whole, even interchangeable, as Ren, just its many facets. For fun, I like to think that the official ceremony in which one is knighted is referred to as being renowned... Now renowned as a Knight of Ren, plus the obvious pun.
And Ren as a universal title adds an additional intrigue to “Ren”, the leader before Kylo; Given his claims that he’s nobody and that Ren isn’t actually his name, there’d be plenty of implications if he didn’t have an individual name himself, just the title alone. Like the only thing we can pinpoint for a fact about this dude’s identity is that he IS a Knight of Ren, but... That’s it, and it fits with how he claims to be the group’s face and representative. Ren only cares about being a Knight of Ren, he himself doesn’t matter and it aligns with him having dedicated his life to the philosophy.
Additionally, Ren being shared also makes Kylo look less indecisive (granted he very much is), because if we go by canon implications, it’s like he couldn’t decide between being his childhood name of Kylo and assuming the title of Ren as tradition, so he just slapped them both together and called it a day. Which does happen sometimes when companies merge for example, but regardless. Plus, this theme could lead to some humorous misunderstandings, like Hux calls out “Ren!” and they all turn to face him. Hux, exasperated, specifies Kylo Ren; The surname is second-nature to all and they truly see it as a part of themselves and who they are.
I just think the title of Ren has a nice, noble and dignified ring to it; It adds a nice spice and flavor to character names that would otherwise be another Glup Shitto in the lore. There’s a weight to a name like the Knights of Ren, and I want to incorporate the formality it implies. Just look at these;
-Vicrul Ren
-Cardo Ren
-Marinda Ren
-Massif Ren
-Bazzra Ren
-Fyodor Ren
-Ushar Ren
-Ap’lek Ren
-Kuruk Ren
-Trudgen Ren
With their known leaders being Kylo Ren, and before him ????? Ren.
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starmilk · 6 months
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when I see that family guy gif of peter hunting down the dude meg likes I just think Leia should've done that with Ren Prime
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Ren Prime: *gesturing to his Knights* Do you think you can take them?
Ben Solo: Yeah.
Ben Solo: Oh you mean in a fight.
Ren Prime: No I meant sex.
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pian-ran · 1 year
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starstrike · 3 months
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously. It makes my skin crawl.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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soundwave-superior · 1 year
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Sharing some of the daily sketches I’ve started doing! Goal is to draw one sticky note TF per day, and I’m doing pretty well so far and can already tell I’m improving a ton. Enjoy the doobles!
Day 1 - IDW2 Swindle (for @combaticon)
Day 2 - Drillburst, who belongs to @cuppajj
Day 3 - TFP Ratchet and TFP Optimus (for @actuallynobutwhynot)
Day 4 - TFP Soundwave (for @catvulture)
Day 5 - TFE Megatron
Day 6 - IDW Ultra Magnus
Day 7 - Bumblebee from Bumblebee (2018) (for @bi-pisces07)
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kyluxtrashpit · 1 year
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This meme template came to me in a dream
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aptenodykes · 6 months
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this is not good but kotaku or smth wrote an article that said Ren was chad vader so yeah
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puppykylo · 6 months
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AU where Ren doesn´t die
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kylosbreedingkink · 1 year
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The mystery of Rens lost nipples is really as simple as this.
He lost a fight with a chicken.
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copiousloverofcopia · 1 month
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I am thrilled to share with you my@risunsky commission that I am absolutely in love with 😭💗
Couldn't be happier with this beautiful piece. They are truly such a talented and wonderful person! Thank you again Ghestie I love it!!!
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peteneems · 4 months
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