*Seeing Mutant Mayhem Leo

*Sniff

He is so me fr

Ok Undertale fandom, I've had a thought and I want YOUR opinions!

Would love to see people's explanations why!

I am so extremely worried about him if you kill master eiji *I* will go on a revenge quest

Gojo ‘I will ruffle your hair if you are shorter than me, and you definitely are’ Satoru

A reminder that Spinner canonically compares himself to Dabi and feels inferior to the rest of the League of Villains.

Part of the reason he allowed AFO to manipulate him is because he wanted to be reliable, as in he wanted to be stronger to be of use to Tomura. So again, he's canonically kinda jealous not only of Dabi's quirk, but of him as a person.

From the creators of "He would not fucking say that" comes the brand new "He would not be this fucking good at sex"

😫🌸

ALSO for your angst dpxdc consideration: danny would absolutely still be considered a meta. the term "meta" is used in a very vague, umbrella way where basically anyone who isn't a normal human is a meta. so even without the proper meta gene, danny would still be considered a meta by basically everyone (especially bruce). canonically speaking, danny isn't just a normal booooo kinda ghost - he also has some insane powers (like his ghost wail!) so he'd be considered a person with superpowers and therefore a meta.

so when you're writing dpxdc fics, please consider this! danny would be a meta in the dcu! kick that kid out of gotham!!!!

Yuji is in bed right now with me, sleeping. I just put a fluffy pink blanket over him. He's safe you guys. Whatever y'all watched in this episode didn't happen. He's with me. Nanamin was also just here and he brought us lots of snacks to munch on. He said he's gonna be busy reading. Nothing happened to them. I refuse. Stop talking about trauma. THEY'RE OKAY

psa for fanfic writers: theres a non-zero chance jimmys looking at fics next btw. if you don’t want your fics on youtube set em to user only 👍

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

when are u gonna show me my children you’ve been teasing me for like a week 😞😞😢😢

singular (child) actually....i couldn't figure out how to draw vals hair bc im dumb as rocks,,,,,,,anyway take sam for now he's my beloved son as well my angel

these are so funny to me. i love this guy

Do you think daddykuna is the type who would spank you in public bc he likes humiliating you? Or would he think your cute ass is for his eyes only so he only does so behind closed doors?

oh my gosh a delicious question!!!

character: sukuna x fem!reader warnings: 18+ minors do not interact, public spanking, humiliation, dacryphilia, daddy kink, general toxicity words: 809

okay so i think sukuna is like, heavily into humiliating you, so i 100% think he’d spank you right then and there, in stark fucking daylight, no matter where you are. little girls who act like brats must be treated like brats, must be punished like brats, no ifs, ands, or buts about it. and that’s what he tells you, in that infuriatingly blasé lilt, the beginnings of a smirk toying with the left corner of his mouth. 

but daddy! you’re whining, a thick shield of tears already glazing your eyes, rolled into drops by your rapid blinking and catching in your lashes, glittering so delicately as they anxiously flutter. not here! not now!

yes, here. yes, now.

you can hear the amusement and pride staining his voice; just faint notes of it infused in his words, but evident nonetheless as he takes you over his knee in the middle of a busy park on a sunday afternoon, your thrashing and wriggling not hindering him in the slightest.

he’s irritatingly unperturbed as he flips your dress up and yanks your panties halfway down your thighs, the motion simultaneously smooth and sharp, entirely unaffected by your pathetic little whimpers and choked out apologies, nails piercing his skin as your fingers curl and tangle and tug at his shirt.

it’s your own fault; you know it is, he’s saying as one large hand kneads one of your asscheeks, priming the area, collecting curious glances. you shouldn’t have misbehaved, prancing around in a manner that ensured the skirt of your dress fanned out wide and rippled, just enough to gift him with teasing glimpses of the dainty lace molded to your skin. 

you shouldn’t have acted like such a stubborn fucking brat when he had warned you, calm and cautious, not to play with daddy, if you hadn’t wanted everyone to see your sweet little ass, he’s telling you over your half-stifled sobs of humiliation, chest stuttering against his strong thighs, muscles flexing beneath you as he plants his feet, readjusts his hips, places a heavy hand on the small of your back and presses down hard, pinning you in place. that must’ve been what you were aiming for, right? you wouldn’t have behaved in such a way if it weren’t, right?

you should’ve known better than to mess around with daddy, especially in public. you should’ve known that he’d take it seriously, instantly—no matter where you are, no matter who can see, no matter what may follow.

each slap is harder than the last, harsher than the last, echoing louder and louder with every collision of his palm against your skin. every impact shoves another pitiful little sound from your chest, lodging in your throat, clawing at the back of your teeth, and aw, don’t smother them, baby; we want to hear you. 

it’s excruciatingly embarrassing, the eyes of bystanders and onlookers slicing into your bare, exposed skin, gazes and glares and gaping depositing trails of scorching pins they glide over your body, slow and scrutinizing.

it’s inescapable, the absolute agony their attention bestows upon you, your puffy, salt-stricken face nuzzling awkwardly into your daddy’s ribs, desperate for some semblance of protection.

please, daddy, please, daddy, please, daddy, you’re weeping out, pleads strung together in a steady stream of drool. stop, daddy, stop, daddy, stop, daddy!

you know he won’t, you know he’d never, not one to go back on his word once he’s solidified it, but you just can’t help it, entreaties pouring from your lips instinctively, uncontrollably, as natural as the snot oozing from your nose and tears blurring your vision. 

you can feel his cock, hot and hard and throbbing against your tummy, but you know your sobs and whines and yelps are only half the exhilaration.

because sukuna loves showing off, sukuna gets a serious kick out of displaying what’s his; what he owns, what others can’t have, can’t touch. those looks of disgust and disbelief, of envy and enrapture, send a sick thrill surging through his veins, because there’s one thing they all have in common.

awe. 

it’s the most divine feeling, makes his flesh tingle in the most delightful way as everyone admires him, admires his strength, admires his terror, admires his things—how powerful he is as every smack! rings out among the space, how pretty you are as your cries chase after the resounding sting. 

it’s grotesque. it’s gorgeous. they can’t tear their gazes away from it.

possessiveness emanates off his body in dense waves, their domineering presence polluting the atmosphere and leaving it stifling—you can look, but don’t even think about touching. 

their murmurs only amplify their stares, the gasps and whispers and grumbles, saturated in incredulity and audacity, in outrange and offence, only feeding his insatiable ego, bloating it with an intoxicating arrogance, ever-growing hubris gorging on their attention.

Speaking of how Troy 2004 has personally offended me:

They took sandpaper and went to town on Hector. Smoothed out all his imperfections because how can good man also be bad man sometimes oh no my brain can't deal with that.

Also they didn't make him nearly as scary as he should be. Hector in the iliad is the. Scariest. The achaeans are terrified of him. Like he's the guy that walks on the battlefield and people run for their lives. He can lift boulders. He gets his ribcage smashed and gets back up like ten minutes later (granted, that's apollo, but in the god-less universe of troy they could've used it to make him even scarier) He doesn't go home all clean, he goes home and talks to his wife and holds his son while covered in gore. It's stressed that nobody but Achilles can beat him. He nearly burns the ships. He boasts and commits hybris after killing Patroclus.

Hector is the unbeatable war machine that makes mistakes sometimes, that morphs into a loving, smiling dad when he sees his son. The unbeatable war machine that's keeping an entire city safe, that gets scared and runs for his life when he knows he's in actual danger. That in the second-to-final moment has to be tricked into bravery, to stand and fight, so he has the chance at the final moment to recover from that and be supremely brave again and run straight to death, with his mind set on glory. Because he's extremely human right to the end. And his pride is as huge as his feeling of duty and love.

Also they took away that great scene where he's like "fuck your bird signs" he was such a legend for that in the iliad.