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#not me posting about anime nobody even watches
quipxotic · 1 day
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You know, when Caleb and Beau showed up at the Malleus Key I was a little salty. Not because of them as characters (I like what little I know of both of them) but because of the onslaught of posts in the tags that were some flavor of*:
"Finally a reason to watch Critical Role again. The good characters, the REAL heroes are here so I can ignore all these terrible, boring/obnoxious nobodies" (i.e. the members of Bell's Hells).
"Oh all these silly Campaign 3 only fans will have no idea what's going on now! If they only knew, they'd give up on watching this lesser campaign and devote themselves to the only truly worthy campaign" (i.e. Campaign 2/the Mighty Nein).
"Why are you mad at me for flooding the tags with posts about Caleb and Beau? We've had practically no content on the Mighty Nein! (Except the 141 episodes of the main campaign, the comics series, the novel, the animated show which had already been announced, and the at that point 1 reunion special.)
I blocked so many people back then and it improved my Tumblr CR fandom experience so much, even if it did cut down on the volume of posts. This time around with Essek I'm having a much better time. I don't know if that's due to my active pruning of who I see or if it's just that all the people who love to deliver their piping cold takes on CR episodes are focusing their whole attention on him/them and (for once) leaving Bell's Hells alone.
If that's what it takes, bring on more Essek!
*Perhaps these are slight exaggerations for humor, but they're not that far off.
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noeggets · 1 year
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i went to sleep on this show ngl i went back to finish it and (i didn’t yet but) it’s a good concept but i feel like it could do better by the plot team monkey is really funny i think team dog is my favorite but they are lowkey the funniest squad
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fakecats · 2 years
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i’m so sad kamiboku just. does not sound the same anymore like i get music and bands change but now it’s just anime op music
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clownkiwi · 2 years
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did Yokai Watch break your heart? if its ok to ask
ehhhh
i mean. i love it. i love whisper and jibanyan, i love the silly jokes & shenanigans they get into, nate is very mid (& thats the point) but like. i really loved how yokai watch was before yw3 was released
i used to be a yokai watch blog & massive fan for at least two years before my brand jumped around everywhere because i've heard of how weird the yokai watch brand was getting in japan (from 2017-now, they jumped from this edgy sequel to a remake of the original show, to a my hero academia/sentai ripoff, back to another remake of the original show. and this all barely happened within ten years of the original game)
but i think what did break my heart was hearing about how our thoughts about level 5's weird management were practically confirmed when a bunch of ex-level 5 localizers & translators came out about the weird communication issues between them & level 5's execs in japan, & how they pretty much killed yokai watch & any other chance to get a new installment in any of their more beloved series (ni no kuni hasnt gotten a new game in about a decade if you ignore the mobile games. professor layton's future is unknown at this point)
they're just stuck in the 2014 window where yokai watch was more popular than pokemon in japan, which currently isnt as big as it was back then
but yea. yokai watch was really important to me in high school when it first dropped in america, it was a huge part of my brand before & i loved the first game & first two seasons of the show. its just tragic to see how they fell from grace and refuse to listen to anyone's complaint's about the franchise now, & how honestly they should just move on from it
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headspace-hotel · 6 months
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I will write this thought about Veganism and Classism in the USA in another post so as to not derail the other thread:
There are comments in the notes that say meat is only cheaper than plant based foods because of subsidies artificially lowering the price of meat in the United States. This is...part of the story but not all of it.
For my animal agriculture lab we went to a butcher shop and watched the butcher cut up a pig into various cuts of meat. I have had to study quite a bit about the meat industry in that class. This has been the first time I fully realized how strongly the meat on a single animal is divided up by socioeconomic class.
Like yes, meat cumulatively takes more natural resources to create and thus should be more expensive, but once that animal is cut apart, it is divided up between rich and poor based on how good to eat the parts are. I was really shocked at watching this process and seeing just how clean and crisp an indicator of class this is.
Specifically, the types of meat I'm most familiar with are traditionally "waste" parts left over once the desirable parts are gone. For example, beef brisket is the dangly, floppy bit on the front of a cow's neck. Pork spareribs are the part of the ribcage that's barely got anything on it.
And that stuff is a tier above the "meat" that is most of what poor people eat: sausage, hot dogs, bologna, other heavily processed meat products that are essentially made up of all the scraps from the carcass that can't go into the "cuts" of meat. Where my mom comes from in North Carolina, you can buy "livermush" which is a processed meat product made up of a mixture of liver and a bunch of random body parts ground up and congealed together. There's also "head cheese" (made of parts of the pig's head) and pickled pigs' feet and chitlin's (that's made of intestines iirc) and cracklin's (basically crispy fried pig skin) and probably a bunch of stuff i'm forgetting. A lot of traditional Southern cooking uses basically scraps of animal ingredients to stretch across multiple meals, like putting pork fat in beans or saving bacon grease for gravy or the like.
So another dysfunctional thing about our food system, is that instead of people of each socioeconomic class eating a certain number of animals, every individual animal is basically divided up along class lines, with the poorest people eating the scraps no one else will eat (oftentimes heavily processed in a way that makes it incredibly unhealthy).
Even the 70% lean ground beef is made by injecting extra leftover fat back into the ground-up meat because the extra fat is undesirable on the "better" cuts. (Gross!)
I've made, or eaten, many a recipe where the only thing that makes it non-vegan is the chicken broth. Chicken broth, just leftover chicken bones and cartilage rendered and boiled down in water? How much is that "driving demand" for meat, when it's basically a byproduct?
That class really made me twist my brain around about the idea of abstaining from animal products as a way to deprive the industry of profits. Nobody eats "X number of cows, pigs, chickens in a lifetime" because depending on the socioeconomic class, they're eating different parts of the animal, splitting it with someone richer or poorer than they are. If a bunch of people who only ate processed meats anyway abstained, that wouldn't equal "saving" X number of animals, it would just mean the scraps and byproducts from a bunch of people's steaks or pork chops would have something different happen to them.
The other major relevant conclusion I got from that class, was that animal agriculture is so dominant because of monoculture. People think it's animal agriculture vs. plant agriculture (or plants used for human consumption vs. using them to feed livestock), but from capitalism's point of view, feeding animals corn is just another way to use corn to generate profits.
People think we could feed the world by using the grain fed to animals to feed humans, but...the grain fed to animals, is not actually a viable diet for the human population, because it's literally just corn and soybean. Like animal agriculture is used to give some semblance of variety to the consumer's diet in a system that is almost totally dominated by like 3 monocrops.
Do y'all have any idea how much of the American diet is just corn?!?! Corn starch, corn syrup, corn this, corn that, processed into the appearance of variety. And chickens and pigs are just another way to process corn. That's basically why we have them, because they can eat our corn. It's a total disaster.
And it's even worse because almost all the USA's plant foods that aren't the giant industrial monocrops maintained by pesticides and machines, are harvested and cared for by undocumented migrant workers that get abused and mistreated and can't say anything because their boss will tattle on them to ICE.
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birdantlers · 9 months
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A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.
(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)
it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it
...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..
Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.
I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.
(2nd vid is "Subjectivity in Art")
“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.
“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”
The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.
I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?
I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.
Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.
Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.
So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.
Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!
Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol
What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.
I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.
Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.
Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.
How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’
i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.
I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.
I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”
….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.
No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.
If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.
His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.
We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.
Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.
You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.
The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.
And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.
You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.
Give a heads up.
Something.
But don’t. kill. the media.
The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.
Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.
I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.
It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.
Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.
If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.
And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.
Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.
the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.
The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.
Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.
Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.
If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.
Muting notifs
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gallusrostromegalus · 3 months
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Im curious, how many people do you currently have explaining Pokémon at you?
So far just one, and very politely.
Apparently the Hexagon is the baby pokemon's D&D Stats, and my friend rolled straight 18's AND managed to get a cool feat off the randomly-picked chart :)
I do have a *general* grasp of how pokemon works, it's just that I also don't play videogames for ADHD/Carpal Tunnel/Vertigo reasons. Don't recc me games, it's very literally a hardware problem on both ends and something that has too high of an entry effort threshold for me to really enjoy- but I can watch other people enjoy them so I'm not so much a Pokemon fan as a Pokemon fandom fan. Love learning about shit third-hand, and like re-explaining it badly even more.
As best I understand it, Pokemon is a game about a futuristic Utopia where society is so safe and so free that it's perfectly reasonable for a 10-year old to just take their dog on the road and functionally become a biology research assistant/D&D Adventurer/Boxing coach to wild animals and nobody particularly worries about their saftey on the road beyond the normal hazards of camping. It's almost like the Federation in the original and Next Generation Star Trek- a meditation on the kinds of problems a post-scarcity egalitarian utopia actually would face. Star Trek posits that colonialism and imperialism cast long shadows not easily abated, and that post-scarcity eliminates many, but far from all interpersonal disputes. Pokemon posits that the biggest issues that society would face are gangs of bored teenagers getting Up To Shit and rats that can shoot lighting.
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grandlinedreams · 18 days
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|| i regret nothing I need Cooper Howard viscerally both pre and post Ghoulification
|| notes: semi Canon compliant, spoiler-ish for end of s1, semi-shifting pov, Lucy is adorable but baby girl you will be chewed up and spat out pls grow more spine, Dogmeat has never done anything wrong ever, godbless Cooper having a southern accent bc that's my accent, yeah, gonna do a sequel to this and a prequel on Coop and reader's first meeting, ok bye
|| warnings: weapons supplier!reader, couple of allusions to cannibalism, reader is not specifically gendered, NSFW ㅡ fingering/touching
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“Where are we going?”
Not for the first time today, or even the last week, Cooper questions why he's letting the Vaultie (“Lucy,” she informs him primly, “my name is Lucy.”) tag along. The dog, at least, is a good, reliable companion. Dogmeat trots dutifully at his side, her tail wagging as he stops to glare at Lucy.
“Supplies, Vaultie,” he tells her, relishes the flicker of annoyance in her eyes. “Need supplies or we'll both be knee deep in shit.” He pauses. “More than we already are.” 
She mumbles something he doesn't care to catch as he resumes walking, rolling his eyes as he adjusts his hat. He knows he could stand to be a little more sympathetic with the bombshell she's still dealing with, but he can't bring himself to ㅡ not when his daughter might still be alive out there, somewhere. (And his ex-wife, who he's pointedly trying to not think about too much.) 
Lucy is blessedly quiet for a good while, all the way until they get closer to where they're going. Cooper doesn't need that piece of shit vault-tec device on her arm to know where he is, but Lucy says it anyways.
“It's a town,” she mumbles at the cluster of ramshackle buildings, surrounded by the clustering of trees so much like Filly ㅡ but isn't. “Is thisㅡ”
“Yes,” he answers, “now shut it and walk.”
Lucy huffs. “I don't know if you've realized neither of us have means to pay for anything,” she protests, “but the general rule ofㅡ” 
“Vaultie.” If looks could kill, she'd be six feet under. He's never had much patience, but she’s already reached the bottom of it and keeps digging. “Shut the fuck up about your goddamn rules. If you haven't noticed, nobody up here gives a damn about playing by what's wrong and what's right.” He gives her a meaningful look. “Now if you don't want me to leave your ass to whatever comes along next, you'll be quiet and let me handle it.” 
Lucy's mouth shuts with an audible click, and Cooper turns on his heel to resume walking, Dogmeat at his heels. 
Like Filly, the center of buildings bustle with the day to day of so many others, the cacophony of animal sounds along with chatter ㅡ Cooper spares Lucy a brief glance to watch her struggle to keep up and scoffs to himself, shaking his head as he continues.
He knows where he's going, a little shop shoved between two others, narrow but deeper than the other two, because he's been here before. Several times, actually. Which accounts for the familiarity with which he strolls over the threshold and leaves Lucy and Dogmeat to follow. 
There's the jingle of what might be a bell over Lucy's head when she follows, blinking at the interior. Neat and tidy, or at least as much as can pass for such things on the surface ㅡ rows of weapons and other assorted things on shelves and stands. 
Lucy watches The Ghoul rap his fist on the counter. “I know you're here,” he calls, “you never leave this damn place!”
She expects whoever it is to come scuttling out with the tone of voice he uses and being as accustomed to his rougher attitude, and she listens to the clatter of something further in the shop.
“If that's your greeting nowadays,” comes the answer, “you can fuck off.” 
To Lucy’s surprise, The Ghoul husks a laugh instead of offering another threat. Footsteps approach, and Lucy blinks at the person who rounds the corner. 
“You,” you accuse, finger almost into his chest, “thought I told you I was done dealing with you if you couldn't work on your manners.” 
Lucy stares, and watches as you turn towards her and raise an eyebrow, eyeing her with unrestrained curiosity, then at Dogmeat. “A vaultie and a dog,” you say, then glance back at The Ghoul. “So, taking in strays, huh?”
The Ghoul grimaces. “Guess so.” He clears his throat. “Need supplies again, sweetheart.”
“Figured as much,” you say, arms folding across your chest. Lucy decides she likes you, because you're standing up to him ㅡ and he's letting you. “Take it you have no way of paying, again.”
Lucy wants to tell The Ghoul I told you so, because he can shit on all her little rules all he likes but the surface still deals in keeping the scales balanced. You have to eat too, so it's fair that you're expecting payment in the nonexistent caps they have. The Ghoul, on the other hand, tries a different route. 
“Oh come on now sugar,” The Ghoul wheedles, tone almost what could be considered as sweet. Playing at a gentleman for the way he leans against the cobbled together counter, even goes as far as to take his hat off and place it down. “Don't be like that.”
“Don't you sugar me,” you counter with an attitude that honestly startles Lucy for both the lack of genuine bite or answering hostility from The Ghoul. This isn't the first time you've met, she realizes, and is also quietly a little horrified to register that this almost sounds like flirting. “You're a pain in the ass, you know that?”
The Ghoul almost grins. “At least I'm consistent. Besides, you know you miss me when I'm gone.” 
You snort, pressing your lips together to hide a smile. Lucy feels a tiny bit uncomfortable with the atmosphere, like she's watching something she shouldn't be privy to. 
“Yeah, yeah,” you answer, bustling around to shove several fabric wrapped packs into his chest and giving him a meaningful look. “You owe me.” 
It's definitely flirting now, Lucy notes as The Ghoul's face lights up in a way that's still entirely human, tracking your movements with something far softer than anything she's ever seen from him. 
The turn towards her and head jerk to her and Dogmeat is as clear as dismissal as she's ever seen, to make herself scarce ㅡ so she does, but not before she catches the peripheral glimpse of the way you let him reach for you, almost melting into him for the way he moves to undoubtedly murmur something. 
That something is not the sweet words of a long time lover, but it's probably about as close as you're going to get with things the way they are.
 
“Anyone causin’ you trouble lately?” 
You roll your eyes. “Besides you?” He gives you a look, and you shake your head. “No, and even if there was, you know I can handle myself.” You turn to throw him a teasing look over your shoulder. “Don't tell me you're getting soft on me, old man.” 
It's Cooper's turn to snort, even as he moves to follow you. There's a sort of peace to watching you sort through boxes of shell casings and bottles of powder, letting his gaze drift over your body. 
When you turn, he doesn't even bother to hide the way he's watching you, and you arch an eyebrow. “What?”
“Nothin’,” he returns. “Can't I admire you?”
You roll your eyes. “I'm too expensive for you, Cooper.” It's a playful taunt, one that incites a little flare of something in his eyes as he approaches, the jingle of his spurs as he comes to loom over you, cages you in against the shelves of “inventory”. 
“Really now,” he drawls, leans in, eyes predatory dark. A lifetime ago, you might have been scared. But the wastelands made no qualms about beating fear out of people just as quick as it snuffed out life all together. “Here I was thinkin’ I might get a discount.” He reaches, thumbs at your bottom lip with his gloved digit. “What's the askin’ price, sweetheart?” 
This close, he smells like the wastelands and sunbaked leather, with a little bit of blood ㅡ but you don't mind. Never have, not sure you ever will. Not when it comes to him, anyways.
He's a dangerous man. A man with a reputation that's well-earned, spoken in hushed whispers and anything but nice. But you let him slot a leg between yours, lean in, press his lips to your hair. You smell like gunpowder and hot metal, grease stained fingertips and more than a couple bruises and scars for your efforts. 
Sometimes Cooper contends with the idea he might need you just as much as he needs that chem that keeps him sane. Admits it here and there, quietly to himself when he wanders in, squashes it down that he makes the trips sometimes just to make sure you're still alive. Not like he'd know if you were, till he sees you. Not sure what he'd do if he someday came up and found you gone. No note, no goodbye ㅡ quick and quiet, the cruelty of the wastelands.  
“Didn't answer my question, darlin’.” He mumbles, lips to your cheeks now. Soft skin, kept carefully with rationed doses of radaway and a healthy heap of keeping your cute little self out of business that doesn't involve you. “Come on, I asked you real nicely.” 
You hook your fingers in the loops of his belt, pull him closer. He can feel the jump of your heartbeat under his lips, now at your jawline. A soft, shaky inhale. Selfishly, he wants to keep you. Steal you away, greedy to keep you for himself. Hates the idea of whatever scum that rolls in that you have to deal with on your own. You can handle yourself, he knows that. 
Doesn't stop that little piece of him that's still truly Cooper Howard from worrying. But he knows better than to think he can protect you, because he can't. So he does what he can.
Your skin is soft under his teeth, forgiving to the nip of them, the blooming blossom of pink that reminds him of strawberries. The noise you make is just as sweet, and he wonders if you'd taste like that, too. 
“I'm waiting,” he prompts between little nips, mouth curving against your flesh when you grip at him tighter. There's a lot he could do to you, and not a lot you wouldn't let him. “Don't tell me this big ol’ cat’s got your tongue, little songbird.” 
Your lips part, and he expects either a sparky response or a soft plea for what this is tilting towards, partaking of something far softer than anything he's used to nowadays ㅡ  but you’ve always had a taste for throwing him for a loop, and you do it now. 
“Take me with you.” 
That snaps him out of his little hazy, touch-greedy daze, enough that he pulls away to look at you properly. “Repeat that?”
“You heard me.” You tug at the loops of his belt, eyes steely, expression firm. “Take me with you. Tired of this shitty little outpost. Figure it's time to move before I get myself into trouble I can't get out of.”
Cooper laughs. “Think you're runnin’ straight into that fire by askin’ what you're askin’, sweet thing.” A warning and a plea, mixed mish-mash in his words. Part of him wants you to stay here. Concrete, much as it can be, where he knows where you are. Other part says it'd be easier to watch your back if he saw it all the time. 
“That's not an answer, Cooper.” 
He snorts, softens at the edges again, a little sadder as he reaches to stroke your jawline, leans to bump his forehead to yours ㅡ radiation warm against radaway cold. “Wanna make sure you know what you're asking for, darlin’. I ain't your babysitter. Got my own shit to do.”
“I know.” There's that fire in your voice, the kind he loves and hates at the same time. “Wasn't asking for you to babysit me.” 
He swallows roughly. Lets his hands drift up your sides, tug at the tuck of your shirt, underneath to drag sun-worn leather against the soft skin of your abdomen. Relishes the way you shiver, leaning into his touch. “Can't promise nothin’, you know that.” 
Your smile promises the same kind of heartbreak his own words do, the kind rooted in the reality that the world doesn't deal in any absolute but death, and sure as shit won't give happy endings. Not anymore. “I know.” 
Cooper can't think of what to say to that, at least anything he's ready to, so he kisses you. Your lips are too soft against his, the warmth of your mouth reigniting that greedy, needy, human thing inside him. He pulls, digs his fingers into your soft, pliant skin, and he takes.
Takes what you willingly give him, hand over hand with nothing but that pretty little smile of yours. He muffles your gasp as he wedges his leg a little firmer, coaxes the part of your legs with a rough husk of, “just like that, dollface,” and delights too much in the sound of you moaning for him.
Hushed, quiet enough that there's no reason for Dogmeat or Lucy to come back yet (he doesn't know what they're up to nor does he really fuckin’ care at the moment), he lets himself indulge in the pleasure of your body against his. The sweet little sounds, half-gasped as he mouths at your neck, hitched to something almost like music as his hands wander. 
Pauses long enough to bite at the tip of his glove and tug, one then two, the bare, radiation scarred wander of his fingers over your body. It's selfish, the way he covets every little twitch and jump of your muscles, the choked gasp as he guides you into rocking against his leg. 
“You're so sweet for me, sugar,” he coos, syrupy as he picks you apart meticulously, piece by piece. Fingers still far too good at what they do when he replaces his leg with the press of them against you, remnants of a past life for how well he gets you to whimper his name. “Like ambrosia.” 
His fingers stroke, deceptively gentle, working over your slick, too-hot, achy skin until you’re panting and gripping at him, pleading for a relief only he can give you. And that’s exactly how he wants you, where all you can see and think of is him. 
The expression you make when he finally lets you come might truly be the most beautiful thing he’s seen in a very long time. Headier than the Jet, dizzying and making him swear as he jerks his clothed hips against yours, breath sharp in his chest. 
“Gonna be the death of me, I swear.” He bites at your neck, digs a little harder, scrapes his canines into your sweet, yielding flesh. He could devour you, take bite after sweet, sweet bite and actually test that theory about the strawberries. Crack the cage of your rib, feast on that beating yolk of heart that thumps so hard in your chest. 
“Gonna let me do it, sweet thing?” He rumbles against your ear. “Let me have it all?” 
Your eyes flash, lips pretty and swollen as they part to answer ㅡ and the bark of that damn mutt ruins it all. At least it's a warning for you both, because he's stepping back and letting you fix yourself with surprising speed as Lucy and Dogmeat return, an expectant look on the fuckin’ vaultie's face. 
“Well? Got what you need?"
Cooper snorts, tracks you instead of answering as you press your hand to his for a second, gone around the corner. Lucy frowns when you return, pistol strapped at your hip and a bandolier slung over your shoulder like his, broad pack strapped to your back. Like you planned for this.
And you did, he notes, but it hadn't been contingent on his agreement. Idly, he notes he never did answer you, not really. But he just hums, then turns towards Lucy, who looks between the two of you, confused. 
“Yeah,” he finally answers, “got what I need.”
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wri0thesley · 1 year
Note
SO glad someone else is in the "Just the tip" hole, so here I am like a little kid, cupping my hands for any spare thoughts (preferrably anyone besides Sampo), if you have any to share? 🤲🖤
loni i was going to write a post anyway but being able to reply to asks with my thoughts - proof that there is Demand (tm!) makes me feel SO much better about the brainrot!!! i have many thoughts abt sampo too so i am eagerly awaiting ur drabble, just the tip is really a concept of all time!
ft: gepard, welt, himeko, serval, jing yuan, luocha cw: reader is afab with no pronouns used. public sex (luocha), straps, sex toys (himeko and serval), a little size kink (jing yuan), a little soft dom (welt). not sfw, minors dni.
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Gepard doesn't quite realise how big he is. He's not got all that much experience; he's never really thought about it, far too busy with all of the responsibilities that come hand in hand with being Captain of the Silvermane Guards. So when your eyes widen and your fingers can't quite meet when you wrap them around his length, he lets out a ragged breath and a moan and pushes his cock between your thighs. You have to breathlessly curl your fingers into the hair at the nape of his neck and whisper out his name. He's already on the edge just by being close to you. The silky softness of your thighs, the inviting shine of your lips and the way that arousal makes your eyes blow dark and wide - when you whisper softly into his ear; "I don't know if I can take it, Gepard . . . J-just the tip, alright? Go slow--", he worries that he's about to embarrass himself right there and then and come before he's even gotten inside of you.
You whine and whimper as he slowly pushes you open, your wetness smearing all over the ruddy head of his cock. Your fingers tighten in his hair even as a soft strangled noise falls from Gepard's own mouth and he struggles to not ram himself inside of you - you have no idea how good you feel. How hot and tight and wet and perfect the embrace of your walls clinging to him is, even on just the head of his cock.
But he did not get where he is by not having self-control. His muscular arms, corded with scars from practise battles and real battles alike, cage you in on the bed beneath him. He looks at you like someone who cannot believe how lucky he is.
"I'll wait here," he promises you, his voice lust-soaked and cracking with the effort. "As long as you need me to."
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Welt sees how your lip trembles, how you take in a slow, steadying breath, and he cannot help his desire to take care of you a little. To coddle you and fuss over you, to make the most of the age and experience that he has and you do not. So he smiles at you, crow's feet crinkling the edges of his eyes behind his glasses, and traces the pout of your bottom lip with his thumb. His voice is patient and soft when he speaks to you.
"I'll go slowly," he tells you, as he gently slaps his cock against your wet folds where you sit on his desk before him, animation sketches and research papers pushed to one side in favour of the tempting treat that is your body. He has spent so much of his time working - nobody could blame him for taking a break and finding himself again in the silky tightness of someone younger and prettier than he himself is. "Just the tip first."
"Alright, Mr Yang," you breathe to him, your hands locking about his neck, urging him forward. You sigh as the head nudges your clit, as his precome mingles with your own slick arousal. You're a sensitive mess already - Welt is certainly not the kind of man who'd leave a partner unsatisfied, and his fingers and his tongue have already learnt every petal-soft fold of you, every spot that makes you shiver and whimper until you'd had to bite into his shoulder to stop your cries waking up every other crew member of the Express.
Slowly, slowly, carefully, he eases into you. Watches with rapt attention every movement of your body; the stretch of your cunt as it accepts him, until your hips are wriggling and squirming and you're tugging on his shoulders.
"Mr Yang," you're saying to him, your lip trembling, your shoulders racked with gasps. A whine leaks into your tone as he rests the head of his cock inside of you, enjoying the feel of it. Your sex pulses around the modicum of his length inside of you, fluttering, waiting to be fully claimed. "It's -- it's not enough!"
Welt laughs softly and presses a kiss on the top of your head that is almost paternal in its comfort - a reminder that he's old enough to be your father, your grandfather--
His voice is soft with just a hint of admonishment in it.
"You're really going to have to learn some patience."
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Himeko has you wrapped around her little finger, but that doesn't mean that you don't eye the toy that she shows you with a little trepidation. She laughs at you when you do, pulling you into her, kissing you with the taste of coffee on her tongue as she talks you into her bed.
"If you're frightened of it," she's saying, even as your mouth is going dry as you watch her disrobe, "We'll go as slow as you need, darling. We'll start with just the tip."
You lose the ability to speak at the sight of her, auburn curls tumbling down her back and over the milky pale spill of her breasts and shoulders. Bathed in the starlight from her cabin window, she's unearthly, and your entire body sings out with desire for her. She smiles when she sees you looking.
"Always such a flatterer," she teases affectionately, as she wraps the toy carefully around the curve of her hips. It looks just as striking on her as everything else does. "Now, you just lie back. I've done this before. Let Himeko handle it, hmm?"
You're helpless to a command from the beautiful navigator, and you let yourself fall back on the pillows as she walks towards you with all of the elegance of somebody who knows exactly how lovely she is. She gives you a soft smile, her golden eyes gentle in the light, even as she gathers herself onto her knees and her fingers lightly dance over your bare skin. Electric pinpricks of desire radiate from every touch.
"Aren't you beautiful?" She muses to herself, as she wraps her hand around the toy and pumps it a few times - when it comes away, you see there's something thick and clear and viscous dripping from it. She laughs softly again when she sees you looking.
"You're already wet," she whispers to you, in a low, musical voice. "But if you're still nervous . . . well, there's nothing wrong with a little help, is there?"
Her fingers dance over your skin. She knows every part of you intimately by now; the spot on your stomach, the way you whimper when she pinches your nipples, the place on your hips that makes you breathe in a deep sigh and your own lashes flutter. Through her touches, she keeps murmuring soft platitudes to you - how pretty you look like this, for her. What a precious treasure you are. How she can't wait for you to come apart--
And by the time she is sliding the tip of the toy inside of you and you are fair dizzy with want, you can do nothing but whisper out her name. She leaves the tip of the toy inside of you, smiling down, as patient and beautiful and dazzling as ever.
"I told you," she murmurs, as her long fingers return to pluck and play with your nipples, and you get used to the new stretch of having something thicker than Himeko's fingers inside of you. "We'll go as slow as you need. Any new territory worth exploring is worth doing . . ." She leans down, her mouth full and soft and wet as it meets yours and you whine into it. "Thoroughly."
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Serval is a tease. You'd known she was up to something the moment you'd stepped into the workshop and she'd flipped the sign to 'closed' with a feline grin on her face as she'd beckoned you over to her and told you she could really use your help with some new gadget she was tinkering with.
So now, as she has you bent over her workbench with something vibrating pressed in the valley between the folds of your sex, the tip pressed just so - buzzing and tingling - against the swollen pearl of your clit, it's all you can do to keep your fingers tight around the edge of the workbench and your knees locked so you don't collapse.
"Kitten," Serval is purring, her hips slowly rocking back and forth, the phallic toy strapped to her hips rubbing through the wet mess of your cunt. "Don't you like it? I made it thinking of you!"
Your words come out garbled, a mess of moans and sighs. Your own hips thrust back when she pulls away, trying to get her to keep the toy pressed against your clit for long enough for you to get off. Instead, she just laughs, nipping at your bare shoulder.
"You're getting desperate," she teases you, her voice deep and throaty and satisfied. "Beg me, kitten, and we'll see what I can do for you."
"Serval--" Your voice comes out a whine. "Please . . ."
Her clever fingers, calloused palms, slide down your bare skin, leaving electric zaps wherever they touch you. You shudder under her practised touch - you are an instrument, and Serval has already proved she is a master musician.
"Seeing as you asked so nicely," she says to you, and you sense the wicked cat-like grin on her mouth. "How about I give you just the tip?"
"Not enough--"
"You're getting greedy!" The buzzing toy slides a scant inch inside of you without the smallest hint of resistance; you're wet enough from the teasing already. You can feel your own arousal dripping down your thighs, and Serval sighs happily as she dips one of her fingers between your thighs to toy with your clit as the tip of the toy rests inside of you.
"You're lucky you're so cute," she whispers to you. Her finger slides back and forth over your clit, drawing delicate circles - she always knows how to use them. "Come for me on the tip, and I'll fuck you with the rest of it too."
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Jing Yuan's patience has long been mistaken for occasional laziness; but you know better than most that there is nothing of the kind, when it comes to him. And there is certainly nothing of the kind when it comes to trysts like this.
Oh, you and he have gotten used to rushing moments when you can, in between him being needed for meetings and work - but now? In the evening, loose ends tied up, with nothing but one another to spend the night on?
This is a tryst that will last.
Jing Yuan is not lazy - he merely likes to take his time. For a man whose being is tied up in his past warfare, he knows how to handle delicate things like you - but that doesn't mean he's going to rush it. Not when you look so pretty laid out like this for him, clothes rumpled and discarded beneath you, looking up at him with your eyes all soft and wanting and your mouth aching to be kissed.
He hums beneath his breath as he lets his mouth learn the shape of yours; pushes you gently back when you try and kiss deeply into him, to make him hurry up. His cock nudges against your inner thigh and he sighs a slow, indolent sigh of pleasure that makes your heart beat double time in your chest.
"We have all of the time in the world, little bird," he tells you, with an insouciant smile on his face. Your face scrunches, an adorable expression of impatience taking over your features, and he smiles down at you like someone looking at the finest treasure in the world.
"Impatient," he chides you, but there's nothing but warmth in his tone when it comes to you. His hands find your thighs, digging into the soft skin as he parts them. Warm eyes like pools of molten gold find your core, and he sighs as he looks at you. You squirm under his gaze, and as he softly leans down and lets some of his own saliva drip onto your cunt, you whimper at the feel. "This is impatient, too," He says to you, and laughs. "Drooling all over the place. Mm. Is that how much it wants me?"
"I want you," you respond to him, mouth petulant. Jing Yuan shakes his head fondly at you but readjusts himself, hand around his cock to guide it to your sex. He taps the thick head softly against your clit until you squirm, pouting. "Jing Yuan--"
"Ah, I know, I know," he looks down at where the two of you are not yet joined. "I'm always reminded how . . . small you are, when I look down at you like this."
"It will fit," you insist to him, and he raises one eyebrow.
"Oh, I know it will," he tells you, still smiling at you. "But it's a tight one, isn't it?"
"Jing Yuan, you're stalling--!"
He laughs again.
"Ha. My apologies, little bird." Slowly, he guides his cock to your opening - resting it against there, just for a moment. Exactly as he said, he seems so much bigger than you - his tip thick and blunt and rounded, your entrance small even as your hole pulses and oozes slick in preparation for him. "I simply like looking at you."
"There's something you'd like more than just looking," you encourage him, and he shakes his head so that his mane of hair falls over his shoulders.
"You're incorrigible," he tells you - and then he is pushing forth into you, and your mind goes white of anything but the feel of Jing Yuan inside of you, his cock, your cunt, where they meld together and you become one--
Wait.
Why has he stopped?
"Jing Yuan--!"
He swallows your cry of his name with a kiss that is anything but lazy, tongue exploring your mouth, teeth tugging at your bottom lip until you're dizzy with it all. He tastes, just a little, like sweets.
He pulls back just enough to look at you half-lidded, the tip of his cock just stretching you out.
"I'm merely taking my time," he tells you. "Whilst I have it."
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Luocha is mean, you think, even as his words remain unfailingly genteel. Even as his face remains a polite mask, he leaves his cock not-quite inside of you as you tremble against the wall he has you bodily pressed up against.
"Please," you breathe out to him, teary-eyed, lip trembling. "Y-you can't just leave it there--"
He cocks one eyebrow, his face unfairly pretty - unfairly unruffled, even with the tip of his cock buried in you. He's unfailingly still - almost as if the hot tightness of your cunt pulsing around him has no effect on him whatsoever. One long, elegant hand curves around your cheek as a small smile pulls at the corner of his lips.
He's big. You can't help but squirm against the concrete, your cunt wrapped around only the head of his cock but feeling like you've taken far, far more.
"We're in public," he says to you, voice just a little condescending. "If I were to go about this more . . . vigorously, surely you wouldn't want the attention of every person in the vicinity on you?"
Your own need feels like a thrum inside of you. It's hard to think, as Luocha moves his hips the barest fraction and you find yourself whining aloud. Firmly, he moves the hand on your cheek so that it's pressed over your mouth, muffling your noises.
"You can't take more than this," he tells you, voice calm and patient. "Not here. Not now."
You whimper into his gloved palm, tears beading in your eyes like little diamonds. Even that doesn't seem to move him, though he tips his head to one side, vaguely considering. He moves his hand just enough for you to take a breath, and whisper beseechingly;
"I-if not here . . . will you do it somewhere else?"
He laughs only one soft, musical little noise. He leans in close, his breath cool against your neck.
"Mm . . . but when you ask like that--"
You cry out as he pushes another inch of himself into you, eyes widening as the noise breaks the calm, cool air. Luocha pauses.
"Oh dear," he says. "I suppose we'll have to both come quickly then, hmm?"
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callsign-mayhem · 29 days
Text
heartbreak feels so good (part 1)
Pairing: Bradley 'Rooster' Bradshaw x Reader Word count: 8081 CW: Shitty boyfriends, angst, fluff, slow burn.
Your boyfriend's callsign is Viper, which is fitting. Bradley doesn't know how much longer he can watch this man destroy you, but luckily for him, he doesn't have to wait too long.
Use of Y/N, but no description of reader. THIS IS A MULTI-PART FIC.
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After another day of having your feelings totally ignored by your boyfriend, you were looking forward to some alone time. Elijah was so hot and cold that you felt as though you were in a constant state of fight or flight, just waiting for him to either make your day or ruin it completely. Most of the time, it was the latter, and although good days with him were few and far between, they were enough to make you stay. See, you didn’t half-ass anything—least of all relationships—so when you were in something, you were in it. You told Elijah that much after your first date. You’d been sitting in the front of his beemer eating ice cream, having the first of many deep talks. Between sweet, sticky kisses, you’d told him that you were dating to marry. He told you he was, too. 
He said, ‘I’m yours if you’ll have me, Y/N.’ And that was that.
And it was almost a year ago. You’d survived a somewhat tumultuous winter with him, desperately trying to cling on to the version of him he’d been during the summer. As time went on, he stopped putting his mask on, secure enough in your relationship that he no longer felt the need to pretend to be caring and considerate. The days were starting to get longer, and the weather was warming up again, but Elijah was so far from the man he was at the start that you might as well have been in a relationship with a different person. Every morning, you woke up with no idea what personality to expect that day, whether or not he was going to take all his personal drama out on you, even though you only ever loved and supported him. 
Today had been one of those days, and as you finished up with the F-18 engine currently in pieces in front of you, you silently prayed that he wouldn’t text you asking to come over. He was also a naval aviator, but you were working on different parts of the base today. Thank God. Elijah’s callsign was Viper, fitting since vipers prey on small animals by envenomating them and watching them die slowly. 
Coyote appeared behind you, helmet tucked underneath his arm.
‘Hey, we’re all heading to The Hard Deck for beers,’ he told you. ‘You comin’?’ You grabbed a rag and made an attempt to wipe some of the oil off. ‘I don’t know,’ you sighed. ‘I want to, but then I’ll have to bring Elijah, and I don’t really wanna see him tonight.’ ‘Why do you have to bring him?’ Coyote frowned. ‘He’s a lousy drunk and never lets you have any fun.’ ‘If he finds out I went out with all you guys, he’ll think I’m up to something.’ ‘Like gettin’ with me?’ He joked, wiggling his eyebrows. ‘Probably,’ you laughed. ‘You or one of the others. Or maybe he’ll accuse me of getting with all of you if he’s in a particularly bad mood.’ ‘Listen, if you wanna come, you’re welcome. We’ll just make sure nobody posts about it, and we’ll get you a fake moustache or somethin’.’
It broke your heart to think about all your closest friends having a fun night without you. Over the past year, you’d lost count of the amount of experiences you’d missed out on because you didn’t want to make Elijah upset or angry with you. The worst part was it was a double standard. He went out without you all the time, didn’t tell you where he’d gone or who he was with, and expected you to be okay with it. If you weren’t, you could kiss your peace goodbye; he’d spend the next week making your life a living hell, ignoring you entirely until you apologised to him for being hurt by his actions.
‘You know what Javy? Count me in.’ He grinned. ‘Thatta girl.’ 
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It was hard to regret coming out when you felt this good. It had been months since you’d gone on a night out without Elijah, which was to say it had been months since you last enjoyed yourself. As you sipped your second sex on the beach, you mused that some kind of higher power must have been looking out for you because you’d yet to receive a single text from your boyfriend. Most of the time, when you spent the night apart, he’d call you incessantly. It was annoying, sometimes bordering on obsessive, and you didn’t need him to tell you he was checking on you, or rather, checking that you were alone in your apartment. That much was obvious. 
Dating an insecure man was not for the weak.
You were sat at one of the high tables next to the window watching Jake, Mickey, Javy, and Reuben play pool. Nat was opposite nursing a beer, glowing in the golden light of the evening. Her phone buzzed, and she picked it up, smiling at the notification. 
‘Rooster’s on his way,’ she told you. ‘He wasn’t gonna come out tonight, but I told him he didn’t have a choice. It’s not every day Y/N Y/L/N leaves the comfort of her apartment.’ You scoffed. ‘That’s not exactly how I’d put it.’ ‘No?’ Nat raised a brow. 
You hadn’t drunk in months, and despite only being on your second drink, the booze had loosened your lips significantly. 
‘No. It’s not that I’d rather stay home, it’s that staying home makes my life easier because then I don’t have Elijah breathing down my fucking neck.’
Little did you know, Javy had told everyone about your conversation earlier. Not because he was a gossip but because he was worried about you. It was rare for you to open up to the squad about your relationship, but it wasn’t hard to guess what happened behind closed doors. They all worked with Viper, for one, and they were familiar with his temperament. Not only that, but you dropped off the face of the Earth a few months after you started dating him, and it didn’t take a genius to put two and two together. 
‘I don’t know why you’re still with him, Y/N. He’s an ass.’ ‘I know,’ you sighed, frowning into your drink. ‘It’s just not as straightforward as just leaving. I still love him. If I can make this work, I don’t have to start all over again with someone else.’ Nat nodded in understanding. ‘I get wanting to make it work, but at what cost? You don’t see your friends, and he uses you as an emotional punching bag. You can’t even come to the beach with us without him checking on you every five minutes,’ she reached over the table and took your hand. ‘He’s killing you.’
This was the first time someone had spoken their mind to you about the situation. While you already knew all of it, hearing it from one of your best friends hit home. Vodka made you emotional, and if not for Bradley, you would have broken down there and then. 
He walked up to the table and engulfed you in a hug, practically pulling you off your stool. You pressed your face into his shirt, inhaling the scent of clean cotton and sandalwood. Half expecting Elijah to spring out and catch you in the act, you reluctantly pulled away. 
‘Hey, Bradley.’ ‘Hey yourself, stranger. Can’t believe you’re gracing us with your presence.’ ‘I know, it’s been a while.’ ‘A while? Try six months,’ he glanced at your almost empty glass and Nat’s empty bottle of Heineken. ‘Can I buy you lovely ladies a drink?’ ‘Do you even have to ask?’ Nat retorted.  ‘What’re you drinking, darlin’?’ He asked you. You smiled sheepishly. ‘Sex on the beach.’  ‘I can make that happen.’ He smirked.
Luckily, you didn’t have to come up with a response to that remark because he turned around and headed to the bar. You locked eyes with Nat, and both of you burst out laughing.
Just like that, all the negativity you’d been feeling dissipated like rain against hot tarmac. 
Bradley came back with the drinks, and the three of you took the opportunity to catch up while the others finished their pool game. You shouldn’t have been as surprised as you were to find out that you’d missed a lot. Bradley had started dating one of the medics, but the relationship had crashed and burned almost immediately. He hadn’t bothered trying to meet anyone else since. Nat, after watching all her friends have such bad experiences in the dating world, had decided she was better off alone. 
‘Honestly, I don’t blame you.’ You told her. ‘You should dump Viper,’ she said with a devilish grin. ‘And we can have a hot girl summer.’ Bradley laughed. ‘Can’t say I ever imagined you saying that, Nix.’  ‘Isn’t that what it’s called now? We can’t be that out of touch, surely.’ ‘I don’t wanna think about how old I am.’ You said, picking up your phone to see if you’d missed any texts from Elijah. You hated to think what kind of argument missing one of his calls would start.  Nat and Rooster shared a knowing look. ‘It rings, you know? Out loud.’
Being this transparent was embarrassing. 
‘I think I’m going to confiscate this for now.’ Ignoring your protests, Bradley swiped your phone and tucked it into his pocket. ‘If he calls or texts, I’ll let you know.’
You were tipsy enough not to try and take your phone back but not tipsy enough to be unbothered by the idea of Elijah calling and you not picking up.
‘If he calls, I need it back straight away,’ you told him sternly. ‘If I don’t pick up, I’ll never hear the end of it.’
Bradley rolled his eyes, but you knew it wasn’t aimed at you. He hated Elijah the most of all your friends. Perhaps sensing some tension, Nat slid off her stool and grabbed your arm, practically yanking you off yours.
‘Let’s go pick a song,’ she suggested. ‘We can get more drinks on the way back.’
Since it had been so long since you last visited The Hard Deck, she let you choose. You picked Rebel Yell by Billy Idol, your mum’s favourite. Admittedly, you’d been missing your home town a lot more than usual lately, perhaps because you were in such a weird place mentally. Things must be worse than you thought if you were considering running home with your tail between your legs. 
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As the night went on, you got drunker and drunker. Bradley watched with a bemused grin as you dragged Bob off to the jukebox again, since he was the easiest person to coerce into doing things. How Bradley wished it was him you were clinging to. Not that he was jealous of Bob—because that would be like being jealous of a puppy—he just desperately wanted to be the object of your affection. 
While you and Bob went to change the music, Bradley struck up a conversation with Natasha and Reuben, who erupted into laughter when you pulled Bob’s arm so hard he almost toppled over. 
‘It’s nice to have Y/N out, huh?’ He observed. Nat looked at him like he was the biggest dickhead in the world. ‘Come on, Bradshaw. He might be an ass, but she’s got a boyfriend.’
Bradley sipped his beer, desperately trying to come up with a believable response. Reuben smirked knowingly, which only made Bradley more annoyed.
‘I don’t have a thing for Y/N.’ ‘Whatever helps you sleep at night, man.’ ‘Come on, Payback. You too?’ Reuben shrugged. ‘Doesn’t take a genius to work it out. You look at her like she’s God’s gift.’
The reason Bradley looked at you like you were God’s gift is because you were, but nobody was supposed to know that. 
‘Why do women stay with guys that treat them like shit?’ Bradley asked. ‘Depends on the woman,’ Natasha started. ‘But if you mean Y/N, it’s because she can’t do anything halfway. She told me earlier that it’s because she doesn’t want to start over with someone new, but I don’t think that’s it. She just loves so hard, and it takes a lot out of her. Why would she wanna start the process all over again if she already has someone?’ Bradley was incredulous. ‘Erm, I don’t know, maybe because he’s emotionally abusing her.’
You and Nat were close. In a way, she knew you better than you knew yourself, so she was the best person for Bradley to ask about things. Now, however, he was kind of regretting opening his mouth. Knowing why you were staying with a guy who treated you so badly didn’t make it easier to accept like Bradley thought it would; it only filled him with white-hot rage. 
‘It’s not as easy as just leaving. She has to come to it on her own.’ ‘Yeah,’ Reuben chimed in. ‘You can’t convince Y/N of shit.’ Natasha scoffed. ‘Yup, and believe me, I’ve tried.’  ‘So what, we just sit around and watch him ruin her?’ ‘Y/N’s a smart cookie and one of the strongest people I know. She’ll come to her senses, and when she does, we’ll be here.’ ‘You know, I read somewhere once that you can’t save anyone. You can only hold their hand while they save themselves.’ Nat raised a brow. ‘Damn, Payback. That might be the wisest thing you’ve ever said.’ ‘Hey, why do you sound so surprised?’ ‘You really want me to answer that?’
Bradley had a lot to think about. Realistically, he knew there was nothing he could do. His only option was to let things unfold naturally and have faith that things would work out exactly the way they were supposed to. The only problem was, that sounded too much like ‘sit back and do nothing,’ which didn’t feel right either. 
Bradley needed another drink. 
In fact, he was just about to head to the bar when you came bounding over, dragging poor Bob behind you. 
‘Roooooooooster.’ You cooed.
His heart just about melted when you started batting your eyelashes at him. 
‘What’s up, Y/CS?’
Everyone else was watching the interaction expectantly, waiting to hear what you were going to say next. 
‘You’re really pretty.’ Bradley laughed, hoping you were too drunk to notice the blush he could feel creeping across his cheeks. ‘Thank you. You’re really pretty, too.’ Nat, sensing the need to intervene, came around and gently grabbed your arm. ‘Hey, let’s get you a glass of water, huh?’ ‘But I need to tell Roo how pretty he looks.’
Bradley’s heart fluttered at your use of the pet name. He really didn’t want you to leave, but Nat was right. You needed some water and probably your bed. 
‘You told him already, Y/N. And when you get back, you can tell him again.’
She started leading you away, and Bradley immediately missed your presence. 
A very flushed-looking Bob took Nat’s empty stool. ‘That girl is somethin’ else.’ He murmured, pushing his glasses back up his nose. ‘I don’t think you should let her drink anymore.’ ‘I’m not her keeper,’ Bradley responded. ‘Can’t stop her from doing anything.’ Bob shrugged. ‘Maybe so, but you’re all she talked about. You and the fact that there’s no Fall Out Boy in the jukebox. Pretty sure she called it a ‘fucking tragedy.’’  Bradley leaned forward. ‘What did she say about me?’ ‘You know,’ Bob waved a hand dismissively. ‘You’re pretty. Her boyfriend is gonna kill her if he finds out she’s here with you because he thinks you have a thing for her.’ Bradley was at a loss for words. Reuben, however, was grinning like a fool. ‘What was that about not having a thing for her? Even her boyfriend’s caught on, man.’  ‘How many times do I have to say I do not have a thing for-’
An annoyingly loud ringing sound interrupted Bradley’s sentence. It didn’t sound like his ringtone, but the noise was coming from his pocket. It took him too long to remember that he had your phone in his pocket, and that it was probably Viper calling. Sure enough, when he took out your phone, he was greeted by a sickeningly sweet photo of you and your boyfriend on the beach. You and Nat were still at the bar, and he knew he should just let it ring so you could call him back later. 
But something had a hold of Bradley, and he answered the call and pressed the phone to his ear before he could really process what he was doing. 
‘Y/N’s phone.’ 
A beat of silence, then some of the most colourful language Bradley had ever heard in his life. 
‘Who the fuck is this, and why the fuck have you got my girlfriend’s phone?’  ‘Y/N can’t come to the phone right now. She’s at the bar with her friend, gettin’ another round of drinks, and I just know hearing your voice would ruin her night. It’s ruined mine, that’s for sure. If you want, I can take a message, and she’ll get back to you in the morning.’
Reuben was nearly on the floor, trying desperately not to laugh in case Viper heard him. Bob had paled significantly, like he’d seen a ghost—or worse. 
‘That you, Bradshaw? I just knew something was going on-’
Bradley hung up. The severity of the situation was beginning to hit, and despite the sick satisfaction he’d felt when he picked up the phone, he was regretting his decision already. 
‘Y/N is gonna kill you, Rooster.’ Bob told him. 
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Nat made the sensible decision to cut you off, but she said you could stay out with them until closing if you promised to keep drinking water and stop fucking around with the jukebox. That was how you ended up in the corner of a booth with Bradley next to you to stop you from escaping.
Not that you’d want to escape. 
Mickey had joined, and the guys were playing cards while you and Nat talked. She was catching you up on her life, and it made a change to think about someone other than Elijah for once.
That’s when it hit you.
You hadn’t checked your phone in hours, and you dreaded to think how many texts and calls you’d missed. 
‘Bradley, can I have my phone?’
He set his hand of cards down on the table and reached into his pocket. When you reached out to take it, he pulled away.
‘Before I give this to you, I need to tell you something.’
A wave of nausea hit you. 
‘What? What’s going on?’ ‘Viper called about an hour ago. You were at the bar, and I didn’t know what to do, so I answered it.’ Reuben leaned forward in his seat. ‘Oh, this is about to be good.’
You thought you knew what panic felt like, but up until this very moment, you had no idea. Bradley was lucky you didn’t throw up in his lap from the nerves.
‘What?’ ‘I’m sorry, Y/N. I wasn’t thinking-’
You snatched your phone from him, ignoring the kicked-puppy expression he was sporting. A slew of angry text messages that were borderline abusive greeted you. You skimmed them quickly, not wanting to read too many in case you started crying in front of the entire squad. 
What started out as the best night you’d had in a while quickly turned into the worst. Your boyfriend's hateful messages reminded you why you never went out and why this was the biggest mistake you could have made.
The worst part was you saw it coming.
‘Move,’ you said, grabbing your bag. ‘Bradley, let me out now.’ ‘You can’t drive like this, Y/N. Let one of us take you home.’
Bradley sounded destroyed. You couldn’t bring yourself to look at him. 
‘Move.’
He nudged Bob, who stood up so Bradley could climb out of the booth. You were close behind him, and when your feet touched the floor, you nearly keeled over. Bradley reached out to steady you, but you shook him off.
‘Y/N. You can’t leave like this. How are you gonna get home?’
Ignoring his pleas, you made a beeline for the exit. Nat shoved Reuben into Mickey, trying to hurry them out of the booth so she could follow you, but you were surprisingly fast for a drunk person. Bradley was right about one thing: there was no way you could drive in this state. You ducked around the corner so Nat couldn’t see you and sank to the floor. Hot tears prickled behind your eyes as you did the one thing you didn’t want to do, but the only thing you could do.
You called Elijah. 
He didn’t answer the first, second, third, or fourth time. 
Half an hour passed, and you didn’t move. At one point, you heard Bradley, Nat, and Reuben talking around the corner, coming up with a plan for where to look for you. They knew you were on foot because your car was still in the lot, and since you’d disappeared so quickly, you couldn’t have gotten far. If the situation weren’t so tragic, it would’ve been funny that you were hiding ten paces away, and none of them could find you. 
It was getting very late. People were getting in their cars and leaving or jumping into Ubers. Soon, your Jeep would be the only car left. You couldn’t face the daggers, and you couldn’t drive home, so you picked yourself up and took a slow walk down the beach to where the water met the sand. 
What a beautiful night to have your heart broken. 
There was no way Elijah would ever forgive you for this, no way you’d ever be able to 
convince him that nothing had happened between you and Bradley. The sane part of you knew that it was crazy to feel guilty for simply enjoying a night out with your friends, but the sane part of you rarely won these days. The part of you that loved Elijah was always loudest and knew this could never have gone any other way. 
You were just about to resign yourself to calling a cab when you heard someone yelling your name from the top of the beach. 
You either had the best or worst luck in the world because it was Bradley. 
He made short work of the distance, giving you no time to come up with something to say. He looked otherworldly in the pale moonlight. His hair was slightly mused, and the same insane part of you that loved what it loved was whispering at you to run your fingers through it. 
‘We’ve been looking all over for you, Y/N.’ He sounded very concerned as he pulled out his phone and texted the others to let them know you were safe. ‘I’m sorry, I just needed to be alone.’
You hadn’t even realised you were shivering until Bradley draped his Levi jacket over your shoulders. 
‘You needed to be alone, or you needed to call Viper back?’ The tears threatened to make another appearance. ‘It’s none of your business.’ ‘What makes you think it’s not my business? I care about you and don’t want to keep watching you get hurt.’ ‘Then stop watching!’
Bradley recoiled, and you immediately felt awful. How Elijah spoke to you like that day in and day out without feeling guilty was a mystery to you. 
‘I’m sorry, Bradley,’ you sighed, pulling his jacket tighter around you. ‘I didn’t mean to snap. I’m just very drunk and very emotional right now.’
He softened immediately and seemed torn about whether he should let you stand there freezing or pull you close. You hoped he wouldn’t try to pull you close because you didn’t think you’d have the guts to tell him no. Good feelings had been so incredibly hard to come by as of late.
‘Why are you still with him, Y/N?’ Bradley asked almost pleadingly. 
Wow. He didn’t waste any time getting right to the point. 
‘That’s a loaded question.’ ‘I need you to explain it to me because it’s killing me.’
You thought about it for a moment, and Bradley waited with bated breath to hear what you had to say.
In the end, it was this: ‘I guess we accept the love we think we deserve.’ 
Until you said it out loud, this phrase held little meaning to you. Now that it was out in the open, it was very heavy. In the last few months you’d tried coming up with a decent explanation as to why you were staying with Elijah, and you fell short every time. Turns out all you needed to do was get drunk and have an honest conversation to figure it out. 
Coming to the realisation that what you’d just said was true felt like being in freefall. Everything in your life was changing shape to fit around this ugly truth. The good things in your heart shied away in the face of this monstrous fact. 
You didn’t think you deserved a healthy love. 
Somehow, Bradley was more hurt by this than when you’d snapped at him earlier. He was staring at the ground, unable to meet your eye like you’d just told him he wasn’t worthy of love.
‘You don’t think you deserve to be happy?’
Hearing him say it was somehow even worse.
‘Apparently not.’
You were both quiet for a moment, and then, for whatever reason, you laughed. 
‘This is news to me too.’
The waves crashed loudly, water lapping at your feet as the tide came in. You couldn’t stand out here having epiphanies all night. 
‘Listen, Rooster, I need to go home. I’m sorry for snapping.’ ‘I’ll take you home,’ he said quietly. ‘But we should talk tomorrow when you’re sober. Maybe we could get coffee.’ You shook your head. ‘After tonight, I don’t think that’s a smart idea. I’ll probably be spending tomorrow trying to salvage what’s left of my relationship.’ ‘You’re not serious.’ ‘I am.’
He opened his mouth to protest but then appeared to change his mind. You watched as all the fight he had left in him dissolved. There was nothing left for him to say, and he knew it. 
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The irritating birds that constantly chirped right outside your bedroom window woke you up. It was too damn early, and your head felt as though it was splitting open. When you sat up, you were hit by a wave of nausea so strong that you had no other choice but to sprint to the bathroom, smashing into the corner of your chest of drawers on the way. 
Which was to say, it was a bad morning. 
After you had puked up the entire contents of your stomach, you jumped straight in the shower, brushed your teeth, and did your skincare. At least if Elijah showed up at your front door, you wouldn’t look like you got super drunk last night, even though he’d probably already guessed. 
When you checked your phone, there were still no notifications from him, and when you called, there was no answer. This wasn’t unlike him, but it had been almost twelve hours since Bradley picked up your phone, and you would have thought he’d have something to say by now. 
To distract yourself from your impending doom, you threw open all the windows in your apartment, made your bed, unloaded and reloaded the dishwasher—all the usual morning tasks. It seemed a shame to waste such a beautiful Saturday, but you doubted you’d enjoy any of your hobbies when you were this anxious and hungover. 
With nothing else left to do, you set about making some breakfast. 
Just as you put your bagel in the toaster, somebody knocked on the door. 
Your stomach twisted itself into an impossibly tight knot. You were rooted to the spot, unable to move until whoever it was knocked a second time. 
You looked through the peephole, expecting to see Elijah standing there with his dark eyebrows knitted together in frustration. It was the only scenario that had crossed your mind, so when you saw Bradley standing there, you were very surprised. 
You took a deep breath and opened the door, greeted by the warm scent of sandalwood once again. 
‘Bradley?’
He was holding two iced lattes, which you were betting were vanilla—your favourite. Elijah hadn’t done that for you since the first week of your relationship.
‘Hey, Y/N. Thought you could use this.’
He wasn’t wrong. You ushered him inside, and he headed to the kitchen, where he 
perched himself on one of the stools at your kitchen island. This morning, he was sporting one of his more toned-down Hawaiian shirts and dark jeans. His eyelids drooped, and you wondered if he’d slept at all. 
‘I was just about to make bagels. Want one?’ ‘Sure, thank you.’
You busied yourself, putting bacon and eggs into a pan while he sipped his coffee, eyeing
you with the curiosity of someone who had come over to check you were all in one piece. Once he was satisfied that you were, he relaxed slightly. 
‘Thank you for bringing me home last night. I really appreciate it.’ You told him earnestly.  ‘You don’t need to thank me. You’d have done the same thing.’ ‘True, but still. And I’m sorry for snapping at you.’ 
Last night was gradually coming back to you in flashes, like a supercut. Each time you remembered a new detail, you cringed internally. 
‘You also don’t need to apologise. Has he called you?’ 
While the eggs and bacon were cooking, you toasted another bagel for Bradley and buttered yours. Even though you’d known him for years and been quite close until you got into a relationship, you were struggling to admit that you were pretty much being ghosted. It was already hard to walk around on base knowing that everybody was aware of how Elijah treated you. When you didn’t respond, Bradley took that as a no. 
‘Well, that’s his problem,’ he spat. ‘You did absolutely nothing wrong. Maybe if he were less of a control freak, you would have felt like you could tell him you were out with us rather than hiding it, and then he wouldn’t have found out the way he did.’
The toaster popped, and you jumped. It felt like somebody had run a cheese grater over your nerves. Bradley ran his fingers through his hair and took a deep breath, clearly trying to reign in his anger.
‘I should apologise too,’ he continued. ‘I shouldn’t have answered your phone. It was a dick move, and I regretted it the instant I did it.’ 
You buttered the second bagel, put one egg on each of the bottom halves, and stacked two pieces of bacon on top before adding the top part. You didn’t say a word the entire time, and Bradley was starting to get antsy. 
‘Y/N. Please talk to me.’ ‘I don’t know what to say, Roo. I’m struggling even to think straight right now. He knows it drives me fucking crazy when he’s having a go at me and doesn’t respond. I don’t understand why he does it, knowing how it makes me feel.’ Bradley sighed. ‘Because he doesn’t give a shit how you feel. He doesn’t give a shit about anything other than himself and how he feels.’ 
This wasn’t news to you, but again, it was more impactful to hear someone else say it out loud. Really, how long could you keep this up? Whether you thought you deserved it or not, you were starting to wonder if you might be better off alone than with someone who made living feel like walking next to a cliff with your eyes closed. 
You pushed Bradley’s plate across the counter and picked up your bagel. Eating felt impossible, but getting through the day with this headache would be excruciating if you didn’t at least try. 
‘Come and sit down,’ Bradley said. ‘It’s not good to eat standing up.’ Despite everything, you managed to laugh. And this time, it was a real laugh. ‘Why?’ A smile tugged at the corners of his mouth. ‘I don’t know. My mum used to say it all the time.’
You did as you were told, and you walked around the island, taking the seat next to him. The two of you ate in companionable silence, periodically taking sips of your coffees. This was how easy it should have been with Elijah. 
When you were both finished, Bradley put your plates, pan, and utensils into the dishwasher. You were too tired to tell him to stop. 
‘Thanks for breakfast.’  You smiled. ‘Thanks for being you.’
Bradley’s smile mirrored your own. Unsaid words hung in the air, but you didn’t know what to say. His leaving didn’t feel right, but if he stayed and Elijah made an appearance, he’d most definitely break up with you. 
But wasn’t this radio silence all the confirmation you needed that things were pretty much over, anyway? You were starting to wonder if this weekend had all happened exactly the way it was supposed to. Your eyes were indeed open, that was for sure. Of course, you’d known that the relationship wasn’t healthy, but this weekend had really driven the point home. 
‘Do you wanna go for a walk along the beach?’ You asked, hopefully. ‘We could grab some ice cream at that little place next to the arcade.’
Bradley didn’t just look happy. He also looked relieved that you weren’t asking him to leave. 
‘I’d love to.’
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It was a beautiful Spring day, perfect walking weather. Honestly, it was the last thing Bradley expected you to suggest, so he jumped on the idea before you could change your mind and send him home.
Because he really didn’t want to go home. 
He’d sensed that you didn’t want to talk about Viper, and you’d yet to bring up your conversation on the beach last night. Bradley was beginning to doubt that you even remembered everything you said—all that nonsense about not deserving a healthy love. Bradley didn’t take you as a liar, which meant you believed that you weren’t deserving of happiness. He couldn’t remember the last time he’d felt quite so sad and also angry at the same time. So many emotions were warring for the top spot in his heart, and as a result, his brain was incredibly foggy.
A walk along the beach with you was perhaps the only cure.
‘Did you hear about Hangman?’ Bradley assumed you hadn’t. ‘No?’ ‘He’s getting deployed. He’s leaving next month.’ ‘How long is he going for?’ ‘Six months.’ You whistled lowly. ‘Damn.’ ‘I know. I think he’s looking forward to it, though. I sure am.’ ‘You know, I don’t think you hate him half as much as you say.’ Bradley chuckled. ‘Maybe not, but being nice to him wouldn’t feel right. Even after everything that happened on the mission.’ 
The two of you walked down the beach, chit-chatting about anything that came to mind. You were about halfway to the ice cream place when your phone pinged. Bradley guessed it would be Viper, but he never could have guessed what the message said. 
It was a photo of you and Bradley walking down the beach, taken from behind. The picture had been forwarded to you from someone else. 
E<3: always knew you were a slut.
You inhaled sharply, obviously hurt by the words on the screen. Not two seconds later, he sent another text. 
E<3: PS: we’re fucking over.
The two of you had stopped walking. Bradley watched over your shoulder as you furiously typed a reply and deleted it again. You turned to face him, and his heart just about broke when he saw the tears streaming down your cheeks. You didn’t need to say a word. He pulled you close to him, wrapping you tightly in his arms. You stayed that way for a while, sobbing into his Hawaiian shirt as he rubbed your back soothingly. When you eventually pulled away, the first thing you did was apologise. 
‘There’s nothing for you to be sorry for, sweet girl. He’s the one who should be sorry.’ You sniffled. ‘I don’t know what to reply.’ ‘Leave it for now,’ he said. ‘We can go get ice cream, take a slow walk back to yours. Then I’ll help you think of something.’ ‘I don’t know if I feel like ice cream anymore.’ ‘Well, that’s too bad because I do. Ice cream is the best remedy for heartbreak.’ ‘Did your mum tell you that too?’ ‘She sure did.’ 
It turns out Bradley was right about ice cream being the best remedy for heartbreak. The two of you sat on the wall, watching the waves while he munched on a mint chocolate chip cone and you butterscotch. It was hard to tell whether it was the best ice cream you’d ever had or if it was because you were with Bradley. If you remembered correctly, you’d had ice cream from this same place with Elijah before, and it hadn’t been this nice.
Thinking back on your memories with him only made you want to cry, so you did your best to shove them to the back of your mind. Despite the fact that he was actually a very shitty person, he’d been a dream at the beginning, and that didn’t just go away. The happy moments didn’t just suddenly turn to ash, as much as you wished they would. 
‘What are your plans for the rest of the night?’ Bradley asked around his ice cream cone. ‘I don’t know, Roo. I’m kinda working on a minute-to-minute basis right now.’ Bradley nodded. ‘Okay, well, what would you say to junk food run and a movie night?’ ‘With you?  ‘If you want to. I just don’t think it’s good for you to be alone.’ ‘I don’t want you to feel like you have to babysit me.’ ‘Is that what you think this is?’ ‘No, but I don’t want to be a burden. Or a charity case.’ ‘Y/N, you’re none of those things. I always want to spend time with you. Just so happens I have a good excuse today.’ You frowned into your ice cream. ‘Okay. As long as you’re sure.’ 
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The two of you finished your ice cream and took a slow walk back to your apartment. When you got in, the first thing you noticed was a framed photograph of you and your now ex-boyfriend on the side table in the hallway. When your bottom lip started trembling, Bradley picked up the photo, put it face down, and then proceeded to run around your apartment and take down any others. It didn’t feel like the same place you’d left a few hours ago. It was haunted by memories that would never look right in the light of day. Even the happiest ones from the start were tainted with the ugliness of his cruel words and actions. 
‘This place is so depressing.’ You grumbled.
Bradley stood in front of you with a stack of photos and one of Elijah’s t-shirts. 
‘It’s not. It’s your home, Y/N. We just have to pack away his stuff and put it all in a box.’ ‘An ex-boyfriend box.’ Bradley smiled sadly. ‘Yeah, exactly. It might be over, and he might be a dick, but it was still a big part of your life, and it’s important to keep the memories safe in case you wanna look back on them someday.’ ‘Or in case I wanna burn them.’ ‘That too.’ Bradley chuckled
So you helped him gather all the mementoes from your relationship and put them in an old Dr Martens box. It all looked pretty pathetic, packed away in a shoebox.
‘I found one of his hoodies and a few other things.’ You called from your bedroom. ‘Can you grab me a bin bag from the top of the fridge?’
You heard shuffling, and then Bradley was standing in the doorway holding out the bag you requested. 
‘Damn, he doesn’t even get one of the nice Trader Joe's bags?’ ‘No,’ you giggled. ‘He gets a trash bag because his stuff is trash, and he’s trash.’
You weren’t really at the stage where you believed that just yet, but saying it was really satisfying, and it felt good to laugh. Fake it till you make it or whatever. 
‘Want me to give it to him tomorrow?’ ‘Thanks, but I should really be the one to do it. I haven’t even texted him back.’ You thought about it for a moment and then continued. ‘Would it be cheeky of me to ask if you’ll come with me? Maybe Nat, too? I could use some moral support, and he’s less likely to make a scene if the two of you are there.’ ‘Of course I’ll be there. I won’t say anything unless you need me to or unless he starts. I can’t make that same promise for Nix, though.’ ‘I haven’t even told Nat yet,’ you sighed. ‘I don’t think I wanna talk about it right this second.’ ‘I’ll text her. Don’t worry about it.’
From your spot on the floor, you looked up at Bradley. The evening sunlight was streaming in through the windows, casting an ethereal glow around him. 
‘You should change your callsign to angel.’ A look of pleasant surprise flickered across his handsome features. ‘Why?’ ‘Because you’re literally my angel, Roo. I don’t know what I’d have done without you.’
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Half an hour later, Bradley convinced you to go on a junk food run with him in the Bronco. He said tonight was a mandatory, post-breakup wallowing sesh because if you bottled up your feelings now, you’d explode later at a much more inconvenient time. 
The two of you had been screaming along to all the classic breakup songs: All Too Well by Taylor Swift (yes, he knew all the words), Who Knew by Pink, What About Now by Daughtry… He’d driven the long way to the store because you got so into it. 
Now, as you scanned the shelves in Target, you asked: ‘What is it about screaming sad songs that makes you feel better?’ ‘It’s cathartic,’ Bradley explained. ‘Helps you relieve the strong feelings.’ ‘You know a lot about heartbreak.’ ‘Well, I’ve had my fair share of sadness.’ You froze. ‘That was insensitive of me, I’m sorry.’ Bradley took the packed of Reeses Pieces from your hands so he could hold them. ‘Can you make me a promise?’ ‘What?’ You asked sceptically. ‘Promise you’re gonna stop apologising to me all the time. You have nothing to be sorry for.’ ‘Sorry.’ You smiled sheepishly.  He shook his head. ‘That’s not what you’re supposed to say.’ ‘Okay, fine,’ you huffed. ‘I promise to stop apologising all the time.’ ‘Thank you,’ Bradley said, releasing your hands reluctantly. ‘Now, pick out five more things.’ ‘Five? There’s already five things in the basket.’ ‘Did I ask?’ ‘I’m gonna get fat.’ ‘Don’t be so ridiculous. Wallowing means junk food, and I don’t know if you’re looking at the same basket I am, but that’s not enough junk food.’ ‘Christ Almighty, okay.’ 
He helped you pick out five more things, and then you headed to check out.
‘What movies are good for wallowing?’ You asked. ‘Well, we have to start with a couple of sad ones and then finish with a happy one.’
The cashier told you your total, and Bradley tapped his card before you could even get yours out. You gave him a withering look.
‘I would’ve paid for that. You paid for the ice cream.’ ‘So?’ ‘So we should take it in turns.’
Obviously, he carried the bags as well, and as you walked back to the Bronco, he couldn’t help but wonder if Viper made you take it in turns. If you were his girl, you’d never have to tap your card.
‘What’s your favourite sad movie?’ He inquired.  You opened the trunk for him so he could put the bags in. ‘Technically, it’s not a sad movie. But there’s this part in Inside Out…Wait, have you watched it before? I don’t wanna spoil it for you.’ ‘The part where Bing Bong gets forgotten?’ You gasped. ‘How did you know?’ ‘Because it gets me every single time.’
The way you looked at him in that moment, like he had hung the moon in the sky—God, it was too much. 
‘We’ll start with Inside Out,’ he told you, opening the passenger door so you could climb in. ‘And then we’ll think of something else.’
Without giving much thought to what he was doing, Bradley found himself buckling your seatbelt for you. You were holding your breath, and it dawned on him how easy it would be to kiss you if he were that sort of guy.
And as much as he wanted to kiss you, he was not that sort of guy. He wasn’t about to take advantage of the fact that some asshole had just taken a sledgehammer to your very beautiful heart. 
‘Can we watch Bridge To Terabithia?’ You whispered.
Bradley hadn’t moved, and you were so close that he could feel your warm breath on his cheek. 
‘Are you trying to break my heart, Y/N?’ ‘Yes. I want you to feel my pain.’ 
He was grinning the whole way around the car to the driver’s side and still grinning when he got in the car. You already had his phone in your hand, searching for more sad songs so you could continue your car concert on the way back to your apartment. He drove the long way again so the two of you could finish your rendition of ‘I Don’t Love You’ by My Chemical Romance, which Bradley didn’t know the words to. He tried his best, though, because you seemed to love it, and he couldn’t deny you anything. 
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By the time you got home, the sun had almost entirely set. While he set the snacks out on the coffee table, you went around lighting candles and switching on fairy lights. He’d never seen your apartment in the dark, and it was incredibly cosy. Even though it was relatively warm, you dragged all your blankets and pillows from your bed and made a little nest on the sofa. You were so adorable, it was hard to believe that someone could treat you badly. 
If you were his girl, every night would look like this—except you’d be a lot happier, and there would be no tears. 
Halfway through Bridge To Terebitha, you fell asleep. Bradley had been trying to keep his distance despite wanting to wrap you up in his arms, yet somehow—in your sleep—you’d ended up with your legs in his lap. He’d frozen at first, but once he realised you were dead to the world, he allowed himself to rest his hands on your knees. Really, it was that or sit with his arms crossed, and that would be silly. 
For the duration of the movie, his attention flickered between you and the TV. Every time he tried paying attention to what was happening, his eyes wandered back to your peaceful face. He marvelled at your astounding beauty, the delicate way your eyelashes rested against the tops of your rosy cheeks. Bradley had always admired you, and you’d been good friends for years, but what he felt in that moment was something else entirely. By the time the end credits started rolling, he knew without a doubt that he’d set whole cities ablaze to keep you warm. Feelings as rapidly growing as his should have been terrifying, but Bradley wasn’t scared. Falling in love with you seemed to be as easy as wading out into a calm ocean on a warm summer’s day. 
He knew you’d yet to learn that falling in love and staying in love should always be this easy. He knew it was going to take some time to convince you that you deserved healthy love, that the right person would never run away from you and keep turning around to make sure you were chasing them. 
But Bradley was a patient man, and he would wait as long as he had to.
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End of part one.
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wicked-mind · 8 months
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Summary: Short and sweet, with a dash of Alpine.
A/N: I’ve been gone. I know. I’m the worst. But hopefully you guys still love me? Also posted from my phone so it may be messy.
As always, any likes, reblogs, and interactions are deeply appreciated.
*Gifs note mine.
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“Don’t be mad…”
Bucky freezes at the words coming from you and raises an eyebrow curiously before setting his duffel bag down and slipping off his shoes by the door. He could never be mad at you, but usually when conversations start that way, it seems he always ends up mildly frustrated one way or another. He slowly strides over to you, reaching out to grasp your hips in his hands and planting a soft kiss to your forehead, before leaning back and narrowing his eyes at you, “What did you do, sweetheart?”
“Well…. You know how I follow all those accounts with animals?” You ask before chewing on your bottom lip and gazing up at him from under your lashes, your eyes widening to hopefully pull off those ‘sad puppy dog eyes.’
Bucky nods and one corner of his mouth curves upwards towards a smile. It was a regular occurance of you sending him pictures of animals, mostly cats. Or even poking him awake in the middle of the night and squealing when you saw a silly video of animals, “I do.”
You continue your assault on your bottom lip a moment longer, gauging his reactions before you turn on your toes, disappearing into the bathroom. Bucky hears you make a soft cooing noise before you reappear with a white fluff ball in your hands, one blue eye one green eye peering at Bucky curiously from the safety of your arms.
Bucky sighs at the floof and looks at you, “What did you do?”
“He was going to be put down, love.” You whine out softly, your bottom lip trembling a bit at the thought of harming a defenseless being.
“Why?” His left eyebrow raises slightly, his eyes returning to the white snowball that’s staring at him. The fluff is cute enough, it would’ve been adopted.
You look at the floof curled in your arms, “Nobody wanted to adopt him… he was too different…” you say softly as you gently place the cat on the floor.
Bucky looked at you confused, knowing you were a softie. He loved it about you. You smoothed out his rough edges. His eyes flickered to the cat on the floor and that’s when he saw it. This white cat was missing a limb, its left arm was gone and it started to slowly walk around on its three paws after doing a stretch.
“You can’t say no to that!” You say, gesturing towards the cat as it rubbed on Bucky’s leg as if to mark him as his new person. You smile and declare proudly, “I already named him Alpine.”
Bucky looks at you with a sigh before scooping up the cat and holding it out in front of him, “Alpine, huh?” His eyes flicker to you to watch you nod enthusiastically, “Well, buddy, my girl is a sucker for damaged goods.” He chuckles, slowly bringing the cat to his chest, his lips twitching to a smile when the cat rubs the top of its head under Bucky’s chin with a soft chirp and a purr, “Alright, Alpine. Welcome home.”
Permanent Taglist: @buckypops @stcrrywrites @bibliophilewednesday @redhairedfeistynerd @princessnnylzays @spookyparadisesheep @buckys2thicc @leyannrae @multiplums @rebekahdawkins @harrysthiccthighss @commoninterest @hiddenpearls
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One thing that has been bothering me a lot over the past few days is seeing all these RIP YOI, RIP IceAdo, Remember YOI etc. posts. As someone who discovered YOI later, I'm watching this unfold from the sidelines and I'm seriously worrying what this is going to do to the fandom. I understand that you are sad because the movie was cancelled, everyone has the right to be sad about such a thing, and I'm not trying to invalidate your pain. But, and I'm saying this with all kindness and my best intentions, and hell, I'm not even the first one saying this, but please hear me out:
YOI IS NOT DEAD.
It did not die last Friday. And it doesn't die because there won't be a movie. No story in human history has ever died because someone decided it was over. Stories are forever. They live in the hearts of the people. And so has YOI been living in the hearts of its fans since October 6th 2016, and will continue to live there for as long as we want.
Whenever I type "Yuri On Ice" into the search field of any social network, web archive, or search engine, I see hundreds of thousands of hits, most of them fanworks. Please take a moment to think about what that means:
In the 7.5 years since YOI aired, fans have made tons of art, written fanfiction and metas, cosplayed YOI characters, created fan videos, crafted all kinds of fan-made merch, and so much more. You are the ones who brought into being an infinite multiverse centred around an anime that is already larger than life. You have already created so much more YOI than Sayo, Kubo, MAPPA etc. could ever create even if they made one hundred movies. And even if every country in the world turns fascist and bans YOI, it will survive because fans will always find ways to preserve it and the power its message holds. Only stories that nobody no longer talks and cares about fade in oblivion.
You hold all the power to keep YOI alive, but, and this is probably the hardest pill to swallow, that also makes you the only ones who are able to kill YOI - be it by stopping to create or talk about it, or by shouting its death from the rooftops because you fancy yourself dramatic, or by turning the fandom into a hate-infested toxic hellscape, whichever will occur first.
And I honestly don't know which of these I fear most.
If you truly love YOI, please do your share and continue to keep it alive.
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brainbuffering · 1 year
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An argument that regularly occurs within the discussion of accessibility in cinema, is that creators should not have limitations put upon them. If their creative vision requires Strobe effects to be used, then they should be used regardless of any adverse effects they may have on the viewer. 
Others before me have spoken about how the health and wellbeing of your audience should be more important than any artistic vision. However, I think something that is never noted is that creatives are already placed with strict limitations in the form of age certificate guidelines, and other broadcasting standards. 
Now, fair warning. I am going to use a lot of uncensored profanity here. If you are offended by slang terms that refer to the act of sex, genitalia, a person's moral/social standing, or any form of bodily fluid then you may wish to step away. 
"Cunt. Cunt cunt cunt cunt. Cuntity-cunt-cunt! I'll say it again you shit faced bastards! What is up with all these mother fucking cunts, on this mother fucking cunt ass plane?" is a phrase that beloved merc-with-a-mouth Deadpool is not allowed to say. The rating of the series doesn't matter. The nature of the character doesn't matter. The fact that, objectively, nothing of true offence to any individual beyond the realm of fiction has been said; doesn't matter. The words used are deemed as offensive by the society in which we live in, and so the producers and editors have decided to place limitations on the writers. 
British Swear-tastic Political Comedy "The Thick of It" famously had to carefully count the number of cunts and fucks in order to meet with "broadcasting standards". This limited their actors ability to improvise more effectively, and led to scenes being forced to be cut or heavily edited in post production. Yet nobody ever questions whether the limit on swearing was unreasonable even though it was fundamentally detrimental to their creative process. 
These may seem like some extreme examples, but one must remember that this applies to all cinematic media. It does not matter that a depressed, middle aged Peter Parker would be perfectly at home letting our a quite "Ahhhh fuck." when he drops his pizza on the floor, because Spider-Man films need to be rated PG-13 in order to maintain sales. This policing of language does limit the ways in which a character is allowed to express themselves, and the sort of stories that are therefore allowed to be told. However the majority of fans deem it perfectly reasonable and acceptable. It does not cause outrage in the same way that suggesting a PG-13 film does not contain Strobe effects heavy enough to send someone to hospital. It would appear that society has deemed the word “Fuck” worse than a Seizure. Peter Parker cannot say fuck in order to protect viewers, he can, however, bombard them with deadly strobes. 
And why is this? What is it about our society where we have deemed it more traumatising for a 14 year old to hear the word "cunt" than it is for them to have (or even witness) a seizure? I can assure you, from personal experience, that seizures have caused far more long term damage to my brain than the word "cunt" ever has. 
Cinematic Limitations are not just put down to language though. Blood shed is also something that is carefully monitored during ratings. If one watches the extended edition of "The Hobbit: The Battle of the Five Armies" one will note significantly more blood shed during the extended sequences! A level that is far more realistic than what was shown in the original. This is because the cinematic release needed to be a 12a, whereas the Extended BluRay was allowed to be a 15. The creators had to work around creative limitations that were put in place to protect their viewers' sensibilities. 
Of course standards for these things differ across nations. Other recent examples of this include films such as "Demon Slayer: Mugan Train". Demon Slayer is a Japanese animated film based off of a comic aimed at young boys, and as such was given a PG12 rating in its home nation. However, in the UK it was rated as 15 due to "Strong Violence" including "strangling, slashings and stabbings with bladed weapons, dismemberment and decapitations which result in extensive blood spurts and other forms of bloodshed." The US release was given an R Rating for similar reasons, although it is perhaps important to note that whilst in the UK the film was not allowed to be seen by anyone under the age of 15, in the US a child could still go see the film so long as they had adult supervision. 
Yet it is also interesting to note that whilst Japanese Society considers fantasy levels of blood shed to not be a problem for their children to watch, they do have some of the strictest photosensitivity laws for broadcast TV. This is as a direct response to the infamous "Pokémon Incident" where 685 children from across Japan were taken to hospital after suffering from seizures following an episode of the Pokémon anime in 1997. “Electric Soldier Porygon” has hence been banned from ever being broadcast again, and the titular Porygon has never been seen in the anime since. Even though the trigger for the seizures was Pikachu’s attacks, not Porygon’s. #PorygonWasInnocent. 
Most fans consider this a reasonable response to children being put in danger by a TV Show! Indeed, when people watch the episode on YouTube (some things simply refuse to stay lost) folks tend to agree that the lighting effects were incredibly severe and TV Tokyo were right to ban the episode. Yet in 2018 (over a decade after Electric Soldier Porygon Aired) when Pixar also caused children to have seizures in the cinema during "The Incredibles 2" the film was not pulled from screenings or revised, and anyone who suggested it should be was met with volatile abuse from so-called-fans claiming that if their creative vision involved strobe effects, then those strobe effects should be allowed to stay in, no matter how many children might be hurt in the process! 
Interesting to note, too, is that the version of the film that aired in the USA was in actual fact illegal to broadcast in the UK due to the potentially deadly nature of the strobe effects, and so an altered version had to be shown. This version still came with an official warning (as is legally required in the UK) but was at least deemed not as likely to cause seizures in those who do not usually suffer from photosensitive seizures. What this tells us, is that Pixar had a version of the film that they could have easily re-distributed to theatres but chose not to. 
Pixar easily accepted limitations on their films in terms of language and violence in order to protect the moral/mental well-being of their audience, but drew the line at anything that would actually protect their physical well-being. 
You may find yourself reading this and agreeing with the certificate ratings. You may think that the words such as "shit", "fuck", and "cunt" shouldn't be used in media aimed at under 15s. That an excessive or realistic depiction of blood and violence has no place in superhero films that are naturally going to appeal to children! And yet, in my experience, the same people who have these views do not expand them to the use of strobes. Any time the mention of films such as “Into The Spider-verse” should not include strobe effects, a plethora of people will rise up to tell you that you are wrong and terrible and bad for daring to suggest such limitations be put upon cinema! Yet as demonstrated above, these films must already undergo limitations in order to be shown to mass audiences. If the creators wanted total creative freedom, they would keep themselves to small indie productions supported by Kickstarter. Yet when a film is made for a mass market, then it must accept those mass market limitations, especially if they wish for their film to be watched by a younger audience. 
Because, at the end of the day, whilst I may be forced to hear again and again that not all animation is for children, a coming of age movie about a teenager attending a brand new high school is, fundamentally, going to be aimed at people under the age of 18. A.K.A. Children. It is also important to note, that the age in which a person is most likely to experience their first seizure is between the ages of 13 and 18, the exact age range that these films are deemed safe for in terms of emotional and mental wellbeing. 
Now, I am no parent, but if given the choice between my child hearing Peter Parker call Green Goblin a "Little Shit", or having to hold my child's limp hand as I desperately prayed for them to wake up after suffering from a seizure, I know which I would rather. 
I’m not calling for a complete rehaul of cinema certification here. I’m not advocating for more swearing, or more bloodshed. I simply believe that if certificate ratings exist to provide guidance to parents and the rest of the general public about what to expect from films, and what society decides is and is not safe for children to consume, then their physical as well as mental health should be taken into consideration. 
And if you are reading this, and still find that a production company including the word "cunt" in their film is more offensive than that film causing someone to have a Seizure, then I have terrible news for you. I think you might be just a tad bit ableist. And that maybe, you, and vast portions of the western film industry, need to start addressing that problem. Before it becomes too late, and the voices of photosensitive people are lost to cinema forever. 
For, at the end of the day, if we cannot go see these films, how can we be inspired by them?
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red-hot-kick · 5 months
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Theory: Ryuji was popular, before.
I'm not entirely sure if anyone has really talked about this but I maintain my interpretation that, in the canon of Persona 5, Ryuji used to be very (or at least moderately) popular prior to the events of the story.
This is something I've gotten into before when talking to friends who like the game and the character, but I haven't really considered writing it down until now. The main argument I have is based on three things:
Things Ryuji alluded to in canon (but no one believed him on)
The deliberate choice of making him a track athlete
Typecasting for voice actors
1: "There were girls all over me!"
I don't really have the time to go on a deep dive through all the instances in which he hints at his reputation before the Kamoshida incident, but I think the most clear-cut representation of this was during the scene where he and Ann spend the day with Futaba during her post-palace social rehabilitation:
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So here's the thing...I don't think he's lying about this. Nobody in the room would be that impressed to find out whether Ryuji was popular since they are already friends (or in Mona's case, he really just doesn't care), so it wouldn't make sense for him to lie.
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Regarding everyone's reactions though, here's my impression: Ann was simply not aware of what was going on with the track team, being predominantly focused on dealing with rumors, her friendship with Shiho, and her modeling career (and eventually Kamoshida's advances once he started doing that shit) and she mentions a few times that she and Ryuji weren't actually close before joining the PT; they were just in the same class in middle school. Futaba hasn't interacted with anyone her age in years and isn't the most reliable source when it comes to what people generally find attractive; just because she doesn't have any interest in Ryuji doesn't mean that nobody her age would. And Morgana is a cat that brags constantly about how cool he is, so he shouldn't be throwing rocks.
There are many other times in the game when you get little glimpses of his social savvy, and from my understanding of Royal (I'm an OG vanilla P5 player and haven't done 3rd-semester yet, so don't kill me) when the track team returns to "how it was", he is getting along extremely well with everyone. Not only was he the team's ace: this kid was also expected to become the captain by his senior year (as briefly mentioned when he bumps into his former senpai at the gym, iirc). That's huge! If his team held him in such high regard, then the general student body of Shujin surely had a similar opinion. This brings me to my next point:
2: Girls like boys that run fast(???)
This is honestly something that baffles me. It's also really difficult for me to substantiate; any source material on this is obviously in Japanese and if I could find any of it, I sure as hell can't read it. The only English-language source I know of I cannot find anymore; I think it was an old Tofugu article? However. If you've watched any romance anime set in a high school during the last 20 years, you might have seen this trope at some point: the school sports festival is happening, and the relay race is kind of a huge deal (it's the final event! a make-or-break moment for the class!). The boy thinks to himself "If I win this race, I'll be able to win her heart/ask her out/etc." Low-stakes drama ensues. Maybe a confession happens.
This is (from what I've been told) based on a long-standing trend of girls and women self-reporting in surveys about how, oftentimes, their crushes in junior or senior high school were simply "the boy who ran the fastest in the races". I have no idea what this means in a broader cultural context. It makes no goddamn sense to me at all. Do not cite me on this. But I think it's worth keeping in mind, even if it's almost entirely speculative (and possibly outdated) information. And even if it's just based on rumors, don't you think it's pretty in-character for Ryuji to go for a track scholarship—despite being adept at other sports like baseball and football/soccer, as mentioned in P5 and P5D—because he was aware of the potential of being more popular with girls? Of course, his priority would be getting the scholarship and paying his way through school to lighten his mother's burden, but hey, getting a girlfriend on the way up wouldn't be half bad!
I think this could also inform us as to why Kamoshida (as a predator who wanted attention from high school girls) felt so threatened by the track team in particular, and why he felt a need to specifically knock Ryuji down a peg and sought out a weakness to do so (as opposed to targeting any of the probably just-as-popular boys on the many other athletic teams and clubs in the school). Just some food for thought on this one! Also, if anyone can find a source or has any insight on the relay race thing, please share. I am so confused about it.
3: Typecasting
So this is something that you really only notice if you are very into keeping up with seiyuu in Japan. I am not one of those people. But I do have some favorite voice actors! One of these being Mamoru Miyano.
So I freakin' love this dude. He's voiced a lot of my favorite characters, sings incredibly well, and has an unreal sense of comedy. He's stated in interviews that his acting inspiration is Jim Carrey, and let me tell you: it shows. He is also quite consistently typecast into certain roles, predominantly as princely pretty-boy types, Coolguys, or complete fucking nutcases. Sometimes all three at the same time (shoutout to my boy Ling FMA!)
ATLUS definitely cast him for P5 because of his comedic chops. But I think they also cast him because having him voice someone like Ryuji is a great way to subvert expectations for the player. I think it's supposed to give you whiplash—"what do you mean the voice of LIGHT FUCKING YAGAMI is coming out of this guy's mouth?" "why does the delinquent character sound like king of the host club Tamaki Suou?" "isn't that Rin Matsuoka's voice?" etc. etc. etc.
(here's a quick list, just to really get the idea across. maybe you recognize a few.)
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This is obviously a non-comprehensive list, but something that a lot of the characters he's voiced over the years have in common is that they were considered cool, handsome, or popular. Not just for fans, but within the canon of their stories! So...what does that mean? What does that say about how we should see Ryuji?
I think players are supposed to expect that he will fall into one of those categories too, and then be surprised to find that it's not the case—that he's been isolated and made bitter and resigned by what happened to him the year before.
Speaking of his tone, I think it's very telling that Ryuji actually forgets to keep up the delinquent act a lot in the original JP audio, which unfortunately doesn't really carry over in the ENG translation. The delivery of his JP lines sounds a bit more subdued in comparison too—yeah he's got a lot of energy and is very hotheaded, but when he gets to talking about serious shit, he sounds a lot more regretful and melancholy as opposed to the EN delivery which depicts him as more resentful and outwardly angry. I think before Shit Went Down, he probably had the Coolguy vibe. Still a bit of a rowdy idiot and a showoff, but I think he probably came across to most people as a very friendly, sincere, and popular guy.
So yeah, the girls probably were all over him, at least for a short while.
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phrandallanton · 19 days
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ranfren headcannons
I've done everything but posted headcannons and a fanfiction. This won't do. Here's some headcannons of mine! All of them aren't serious so don't take them that way d(>_・ ). Feel free to ask me about any other headcannons I'll definitely give more!
Randal
• if he has any pimples on his face he definitely picks at them untill they pop
• either is really good at math or sucks at math and hates it. (No in-between)(leaning towrds sucking at math more)
• has tear stains on his homework sometimes
• he bathes everyday dispite what people think. (Luther forces him too)
• his hair gets really oily. He has tried to cook with the oil his hair produced once. Nobody ate dinner that night.
• if he's frustrated and you go to poke him he'll scream on top of his lungs, but like the scream that goes from normal yelling to banshee screeching. "stop touCHING MEEEEĚĘƏƏ!!!!"
• gets in a lot of internet arguments about things that don't matter at all ("I think you'll find it's 'whom'.")
• he'd get so mad if he ask you to hold his glasses, and you proceed to carelessly get your fingerprints all over them.
• draws with those "how to draw anime" guid books.
• if he ever took a driving test, he would have already failed the moment he opens the car door.
• loves kraft mac and cheese, double points if it's in shapes of popular marketable characters.
• now thinking of it, if he was a pasta dish he would be kraft mac and cheese.
• bites his toe nails off (gross) Luther tried to get him to stop but he probably does the same thing when no one is around.
• sneezes weirdly. Like..."ah...ah...AH CHOOwoowoowoowoo..." and shakes his head. Or if he's covering it in his elbow it'll sound like a trumpet horn.
Luther
• he can dance but it's weird.
• if you tell him a joke he'll turn it into a life lesson.
• he wins every staring contest. However if your eyes start watering he'll get worried and start begging you to blink.
• treats women (and everyone) with so much respect, but he won't hesitate to punch a women if he really has to.
• *shakes his indext finger* "no no no"
• Randal probably tried to set him up on a blind date, he didn't like that. It was very awkward to say the least.
• genuinely gets happy when there are bagels at the function.
• when asked for advice, it'll sound like he's going to say something really meaningful and life changing, but then does a complete 180. "Oh, you think your ugly? Well people will have their opinions about you and ...well... you aren't the best thing to look at. But there's worst out there ♡."
• I can see him gobbling up some cheese and broccoli.
• has a walk in closet filled with clothes and accessories he doesn't wear.
• he 100% definitely has the goofiest giggle in the planet.
• eats ice cream with his front teeth.
Nyon
• I will stand by this till the day I die, he's really funny. He has a really good sense of humor. But I could also seem him not understanding jokes too. But at the same TIIIMMEE I feel like he'd be naturally funny.
• he knows lots of slang and pop culture due to watching TV a lot and probably quotes stuff in his head. (Maybe out loud if he was talking to you)
• has a lot of opinions, will never say them out loud, even when asked.
• he's the smartest out of everyone, including Luther.
• easily amused. please give him one of those little fishy nightlights. He'd enjoy looking at it so much.
• he's good at card games and Nyen doesn't like that. (Nyen has stabbed him over games of uno)
• has a really funny looking smile. (There's that one drawing in the Christmas comic where he's smiling weird after he saw Luther's reaction to the fire place tape he made for him)
Nyen
• listens to death metal but then listens to a jpop song right after. ("Can't let gang know I fw this")
• good at math, sucks at reading.
• loves hearing about drama and will be nosy.(come on man he loves Judge Judy and romance novels)
• sounds like Tom from Tom and Jerry when he yells.
• he calls himself "The Tom Cat" and (canonically) "Top of the pets in the house hold" which is practically the same as "I'm the alpha" so he's probably has said that.
• sucks at card games. Will legit end up with half of the pack of cards in his hands in the middle of an uno game.
• actually the weakest of them all. (I won't go into all that right now. But I can definitely beat him up in a fight, just sayin.)
•him and Nyon probably have times where they stay up and chit chat for a bit before they sleep, Example (from my old notes I had):
Nyon high on weed:...why do we call oranges..oranges...but we don't call apples...reds..??..
Nyen:....sh*t...you got a point... does that mean we would call lemons: short yellows and bananas: long yellows so it doesn't get confusing?...
*they then discuss this for an hour or so*
• Snores really really LOUD. Sounds like a car.
• oddly very ticklish I bet.
~~~~~~
That's all I have now. It's 2 in the morning and I'm falling asleep. I might write other characters headcannons later.
"I'm going to sleep" -bop it
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I haven’t thought of Lily Orchard in years, but she just made a video on dungeon meshi and I wanted to hear what she had to say. I couldn’t even finish it.
It’s clear she hates anime as a genre and is pissed about having to review something she didn’t want to watch, and that anger permeates the whole* review. On top of that, it’s so fucking disingenuous to review a show that’s not even halfway over and then claim it’s thematically disjointed - like 1. Of course it’ll seem that way if you’ve only seen the first quarter of a piece of work, we’re still in the setting up stage, these themes haven’t had time to fully commingle and resolve and 2. Even considering that, dungeon meshi does actually know what it is/where it’s going, and at this point it’s fairly obvious how all the themes/mixed genera’s are gonna fit together.**
*to be fair, I haven’t seen the entire review, so maybe she calms down partway through. I don’t make a habit of watching things I know will upset me, and watching someone make bad faith criticism of something I like would literally ruin my week
Post chapter 65 spoilers below:
**Granted, cookings prominence in the show, while cute*** on its own, didn’t really seem plot relevant to me until around chapter 65 when it was revealed that in order to save falin they would have to eat her dragon half. Y’all, I went fucking feral over that reveal.
***cute meaning: it’s used mostly for worldbuilding at first. That’s really cool if you’re into it, and an integral part of the story ryoko kui is telling, but not technically necessary in every story. There are plenty of storys who spend needless time expositing about the world instead of focusing on the interesting bits, and if you’re only a quarter of the way into DM, I can see how you might think that this is one of those cases.
But obviously, as time passes, the worldbuilding aspects become more important, because the entire show is about worldbuilding. Or more accurately, it’s a deconstruction of the fantasy genera. It spends time setting up familiar tropes and then examines how those tropes would actually play out in a realistic world, setting up and then questioning our expectations for the world in a really nuanced way.
My favorite example of this is how dungeon meshi treats dark/ancient magic.
1. The words ‘dark magic’ and ‘dark elf’ have negative but vague connotations in traditional fantasy. “The thing is bad because it is bad.” It’s a fact we’re primed to believe, but shallow and easy to question
2. We learn that marcille uses dark magic, but that she’s using it for good. “Actually dark magic is forbidden because the people in power were afraid of The Plebs and want to restrict the populaces access to knowledge” is also a common fantasy trope.
3. As we learn more about dungeons and how they intertwine with dark magic, we learn that it does truly have the power to end the world. Not by itself, but because the dimension it pulls power from is populated by beings who would use that bridge of power to enter our world and cause havoc. Holy shit, we think, black magic is actually dangerous and was banned for a reason. Naming it ‘black’ was part of a smear campaign intended to save the public by dissuading them from using it
4. And then we learn that the so called catastrophe scenario has never happened, no demon has ever escaped a dungeon and successfully ended the world. Is this because of the work of the Canaries and ppl like them, or are demons perhaps not as much of a threat as they are made out to be?
And it’s great because there is no one correct answer. We learn things through the characters, whose perspectives are limited and realistic and based on their own life experience. Nobody knows the whole story, and neither do we.
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